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Joseph C. Farber Papers and Photographs

Creator:
Farber, Joan C., Dr.  Search this
Farber, Joseph C., 1903-1994  Search this
Names:
Independence Hall (Philadelphia, Pa.).  Search this
Raleigh's Tavern (Williamsburg, Va.).  Search this
Herodotus  Search this
Jefferson, Thomas, 1743-1826  Search this
Lincoln, Abraham, 1809-1865  Search this
Palladio, Andrea (architect)  Search this
Extent:
15 Cubic feet (90 boxes, 1 map-folder)
Type:
Collection descriptions
Archival materials
Photographs
Contact sheets
Proofs
Correspondence
Proof sheets
Slides (photographs)
Place:
Boston (Mass.) -- Architecture
Cambridge (Mass.) -- Architecture
Villa Rotunda (Vicenza, Italy)
Springfield (Ill.) -- Architecture
White House (Washington, D.C.)
Monticello Va. -- Photographs
Maison Carree (Nimes, France)
New York (N.Y.) -- Architecture
New England -- Architecture
Greece -- Classical architecture
Essex (Conn.)
Italy -- Architecture
Hannibal (Mo.) -- Architecture
Date:
circa 1930-1990
Summary:
The Farber collection documents images of celebrated American buildings by photographer Joseph C. Farber.
Scope and Contents note:
The Farber collection is filled with well-crafted and often very beautiful images of celebrated American buildings. Many of the images, which for the most part take the form of 11" x 14" black-and-white photoprints, explore the European Renaissance origins of American architecture. The collection is also very rich in color transparencies. Nearly all the images are directly related to published projects, specifically photo-essays in the shape of articles , many of which appeared in the magazine Antiques or newspapers. Farber probably would have wished for all of his photographs to have been published. Many were shown in exhibitions, as evidenced by the large proportion of the photoprints that are mounted and also the existence of correspondence files relating to such matters. There are also files related to the processes of conceiving, executing, and publishing his photographic work.

The images for the books are nearly all black-and-white, whereas magazine work, especially the commissions from Antiques, generated the most transparencies. In addition to the images in print and transparency form, and the associated proof sheets and negatives, there is also a great quantity of slides related to travel in the collection, which predate Farber's second career as a professional photographer. A tiny sampling of earlier photographs, mostly with artistic or family-and-personal themes, is also included.

Black-and-white negatives, black-and-white prints, and color transparencies, mostly created for specific book projects, articles in Antiques magazine, etc. Generally, color was used for magazine articles, while black-and-white images were intended for books. Collection also includes photographs of personal or family significance, and some early artistic efforts. Non-pictorial portion consists primarily of material related to Farber's publications: correspondence, galley proofs, reviews, etc.

Photographs include projects related to Thomas Jefferson (e.g., Monticello), classical architecture, Essex, Connecticut, etc. Buildings photographed include Raleigh's Tavern, Williamsburg, Va.; Independence Hall, Philadelphia; Maison Carree, Nimes, France; St. Paul's Chapel, Boston, Mass.; White House, Washington; New York City landmarks; sites in Springfield and New Salem, Ill., associated with Abraham Lincoln; historic buildings in Boston and Cambridge,Mass.; Hannibal, Mo.; Deerfield, Mass.; New England churches and meetinghouses; and buildings and objects from ancient Greece, which were published with excerpts from Herodotus' History of the Pelopponesian Wars (Farber called this group of images "Herodotus"); and Italian villas designed by Andrea Palladio, such as the Villa Rotunda. Some pictures relating to themes of democracy were inspired by the U.S. Bicentennial celebration.
Arrangement:
Divided into five series.

Series 1: Photographs

Series 2: Photonegatives and Contact Sheets

Series 3: Textual Materials

Series 4: Color Slides and Transparencies

Series 5: Books
Biographical/Historical note:
Born in Cleveland, Ohio in 1902, Joseph C. Farber he attended the New York Military Academy, and later Columbia College, where his formal studies included chemistry and art composition. While these were excellent preparation for subsequent employment in the family business, Friedman Blau Farber, Manufacturers of Knitted Outerwear, at Columbia he discovered the true love of his life, the art and craft of photography. He became involved in the New York Camera Club. For the rest of his life he would consider himself a protégé of the Club's resident guru, famed photographer Edward Steichen. Farber's work was first shown in the Fifth Annual Exhibition of Work by Cleveland Artists and Craftsmen at the Cleveland Museum of Art in late spring 1923, and he taught photography to summer campers. Later, throughout 39 years of employment in the garment business, he continued to enjoy and practice photography, especially in making portraits of good friends. He married Caroline Feiss, also a Cleveland native and a promising watercolor artist. In 1939 the Farber's moved to New York.

According to his daughter, Dr. Joan Farber, her father purchased a large format Linhof field camera during a 1958 visit with his son Thomas in Germany. The Linhof camera front can be shifted to provide corrections for architectural photography which are not possible with smaller cameras. After Joan headed to college the Farbers had time for increased travel. They were accompanied by their daughter on a trip to Greece in summer 1960 which included photographs of herself, an attractive, sophisticated college coed, stylishly dressed and coifed for the occasion, posed on the steps of the Parthenon. A trip to Spain the following year resulted in many dozens of 35mm color images, part of a large group of travel slides.

This was also the period in Farber's life that a whirlwind round-the-world trip was undertaken, with visits to Thailand, Japan, Hong Kong, Hawaii, and California. By the end of the next year, the Farbers were renting as a vacation home a converted button factory in Essex, Connecticut, a former shipbuilding town on the Connecticut River, as a vacation home. Within months Farber had retired from his design and executive responsibilities at the Campus Sweater and Sportswear Company in Manhattan to live for a year in Essex. There were also trips more abroad, particularly to Greece and Egypt, while the Farbers continued to maintain an apartment in New York. Climbing a mountain in Greece in summer 1967, Farber suffered a heart attack, from which he fully recovered.

In 1969 his new career was launched by the publication of Portrait of Essex by Barre Publishers. Local historian Marie Moore supplied the text to accompany Farber's evocative photographs of the ships, shops, shores, streets, and historic structures of this seafaring town. His brother-in-law Carl Feiss, F.A.I.A., furnished the Introduction.

In 1971, Farber and Wendell Garrett published his first Jefferson book, The Worlds of Thomas Jefferson followed by their second, Thomas Jefferson Redivivus Garrett, who edited the Adams Papers wrote the text, with the help of excerpts from the writings of Jefferson himself. The following summer one of Farber's Monticello views was featured on the cover of Antiques. In 1973 Farber was credited with three covers and a frontispiece for the magazine, as well as three photographic essays. The subjects ranged from Sculpture at the Boston Atheneum to The Villas of Andrea Palladio to The Architecture of Lavius Fillmore Garrett introduced Farber to Lincoln scholar Harold Holzer who hired Farber as photographer to help illustrate his Prints of Abraham Lincoln, which appeared in the annual presidents' birthday number of Antiques the next year, February 1974. Some Contemporary Paintings of Abraham Lincoln appeared twelve months later. Three more Lincoln-themed articles appeared in February issues of Antiques in 1978, 1979, and 1980: Sculptures of Abraham Lincoln From Life, George Washington and Abraham Lincoln, and Here Lincoln Lived: New Salem and Springfield, Illinois.

Two more books of Farber's photographs were published in 1975. Democracy's First Struggle was an account of the Peloponnesian Wars in the words of Herodotus, as edited from the Aubrey de Selincourt with translation by Farber. The photographic images dated back to the family trips to Greece in the early 1960s. Native Americans: 500 Years After was published by Thomas J. Crowell in 1975 with text by Michael Dorris. Following Native Americans came a series of exhibitions of photographs from the book including shows at the National Museum of Natural History (Smithsonian Institution), Dartmouth College, and the Cleveland Museum of Natural History .

Also in the mid -1970s a cover story in Antiques entitled "The Architectural Heritage of New York City" led to an exhibition at the Abigail Adams Smith House. In the late '70s two more exhibitions were staged, featuring scenes of local color at the dedication of the East Haddam (Connecticut) Historical Society in the summer of 1979 and showing buildings by Palladio at the Cooper-Hewitt Museum (New York City.)

In 1980 Farber's interior view of a basilica, Palladio's Redentore church in Venice, was featured on the cover of Antiques. The photographs became the subject of a book, Palladio's Architecture and Its Influence authored by architectural historian, Henry Hope Reed.

Harold Holzer organized many joint photographic trips revolving around Holzer's career in the public relations department of Channel 13, New York's public television station. Each summer for four years in succession they set off to diverse spots to make publicity shoots for upcoming special programming. First was Missouri to photograph Mark Twain sites for a dramatization of "Life Along the Mississippi". The next summer they headed to the Berkshires to document The Mount, the home of Edith Wharton in Lenox, Massachusetts, around whose life and work a mini-series in three parts was planned. The summer trip of 1982 was a return visit to Massachusetts to photograph The Street, Deerfield's historic thoroughfare, combined with a side trip across the border to the Robert Todd Lincoln home, Hildene, in Manchester, Vermont.

In 1982 Farber was commissioned by Architectural Digest magazine to photograph the Mark Twain residence in Hartford. Farber and Holzer succeeded in the early to mid-1980s in getting Farber's out-takes from their Channel 13 trips published together with his carefully worded scripts in such periodicals as American History Illustrated and in Antiques & The Arts Weekly. Many of Farber's pictures were printed in articles in Antique Trader, to which Holzer was a regular contributor. In 1983, when Farber turned 80, his color images of the interior spaces of the Metropolitan Club of New York were published in a book by the same name, written by Paul Porzelt. In his travels in the last decade of his life he was often accompanied by family friend Ethel Phillips, including a tour of Great Britain in the summer of 1987. With Mrs. Phillips he at one time had contemplated publishing a book on the historic mansions of the Hudson River. Two other unrealized projects, upon his death in 1994 at the age of 91, were books on the classical architecture of New York City and on the history and daily lives of Hispanic Americans in the United States.
Biographical Time Line:
Biographical Time Line for Joseph C. Farber

Biographical Time Line

1903 -- Born Cleveland, Ohio

1910s -- At New York Military Academy

1920s -- At Columbia College, studying chemistry, art composition; studies photography with Edward Steichen in Camera Club; teaches photography as camp counselor

1923 -- Participates in Fifth Annual Exhibition of Work by Cleveland Artists and Craftsmen at Cleveland Museum of Art (May 1-June 3)

1926 -- Takes job as "salesman and experimental worker" at Friedman Blau Farber, Mfg. Knitted Outerwear," Cleveland; Marriage to Caroline Feiss, Cleveland native and watercolor artist

1933 -- Son Thomas Feiss born at Cleveland

1936 -- Daughter Joan born

1930s -- Family moves to New York

1958 -- Visit to son in Germany; purchase of Linhof camera; daughter off to college

1960 -- Trip to Greece, daughter along

1961 -- To Spain

1963 -- Death of son in mountaineering accident; to Thailand, Japan, Hong Kong, Hawaii, California

1964 -- Rents former button factory in Essex, Connecticut as vacation home

1965 -- Retirement from Campus Sweater & Sportswear Company; Living in Essex

1966 -- To Greece

1967 -- To Egypt and Greece; heart attack ; Essex (summer?)

1969 -- Portrait of Essex published, text by Marie Moore; into by Carl Feiss, AIA (Barre)

1970 -- Trip to Bermuda

1971 -- Thomas Jefferson Redivus published, text by Wendell Garrett, Editor of The Magazine Antiques (Barre); Farber introduced to "Jefferson circle"; Vacations in Essex and Florida

1972 -- Monticello images published in Antiques

1973 -- Photographs of sculpture at the Boston Atheneum, the Maison Carree at Nimes (France): the villas of Andrea Palladio in Vicenza and environs (Italy) and the architecture of Lavius Fillmore (Connecticut and Vermont) published in Antiques

1974 -- Images of Abraham Lincoln prints published in Antiques: accompanying article is by Lincoln scholar Harold Holzer; beginning of ten-year collaboration

1975 -- Photographs of Lincoln portraits in Antiques, Holzer text Democracy's First Struggle published, based on Herodotus' Histories of Greece (Crown); Native Americans: 500 Years Afterpublished (Thomas Crowell)

1976 -- Exhibitions of photographs of Native Americans at National Museum of Natural History, Dartmouth College, and Cleveland Museum of Natural History; Images of historic New York City buildings in Antiques, text by Elizabeth Donaghty Garrett; Exhibition of photographs of New York City landmarks at Abigail Adams House, New York City.

1978 -- Photographs of Lincoln sculptures, with Holzer, in Antiques

1979 -- Images of Lincoln and George Washington, sculpture of John Rogers, and sculpture of U.S. Capitol published in Antiques, with Holzer; Exhibition of photographs at East Haddam Historical Society; Exhibition of Palladio photographs at Cooper Hewitt Museum, New York City.

1980 -- Palladio's Architecture and Its Influence published, with Henry Hope Reed (Dover) ; Venice image (church interior) published on Antiques cover; Death of wife; "Caroline Fund" established at Cooper Union; Teaches photography in local high school; To Missouri with Holzer to photograph Mark Twain sites for Channel 13

1981 -- Images of Lincoln sites published in black and white in Antiques with Holzer (should have been in color); Summer trip to Berkshires with Holzer to photograph Edith Wharton home

1982 -- Commissioned to photograph Mark Twain house in Hartford for Architectural Digest; Images of The Mount, Edith Wharton's home in Lenox, Mass., published in American History Illustrated with Holzer; Summer trip to Massachusetts and Vermont with Holzer to photograph "The Street," Deerfield (Channel 13) and Hildene, Robert Todd Lincoln home in Manchester

1983 -- Images of Mark Twain sites in Hannibal, Missouri published in American History Illustrated with Holzer; Summer trip to Harpers Ferry, West Virginia with Holzer (Channel 13); Harper's Ferry images published in Antique Trader with Holzer Deerfield, Massachusetts images published in Antiques & The Arts Weekly with Holzer; The Metropolitan Club of New York published, with Paul Porzelt (Rizzoli)

1984 -- Images of Hildene published in Antique Traderwith Holzer

1985 -- Images of Rebecca Nurse Homestead, Old Salem, Massachusetts published in Antique Traderwith Holzer

1987 -- Tour of Great Britain with Ethel Phillips (summer?)

1994 -- Died, New York City, New York
Related Archival Materials:
Other Materials at the Smithsonian Institution

National Anthropological Archives, National Museum of Natural History, Smithsonian Institution

Joseph C. Farber photographs of American Indian life, circa 1970-1975

Photographs made as part of Joseph C. Farber's project to document modern American Indian everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos, Tlingit, and Zuni. Subject coverage is broad and varies from tribe to tribe. Included are portraits, as well as totem poles, carving, weaving, pottery, painitng, landscapes, boats and canoes, ceremonial regalia, camps, classes and vocational training, homes and traditional dwellings, construction projects, rodeos and powwows, dances, industries (including lumber), herding and ranching, agriculture, stores and storefronts, cliff dwellings, parades, crab cleaning, fishing, games, health care, legal processes, music, office work, sewing, vending, and a funeral. There are also photographs of R. C. Gorman (and a letter from Gorman to Farber) and Fritz Shoulder (some in color).
Provenance:
Collection donated by Dr. Joan Farber, 1994.
Restrictions:
Collection is open for research.
Rights:
Photographs published in Joseph C. Farber's books are still under copyright. Reproduction permission from the Joseph C. Farber's estate is required. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- Greece  Search this
Architecture, Renaissance  Search this
Architecture -- United States  Search this
Churches -- New England  Search this
Churches -- Quaker  Search this
Ruins -- Greece  Search this
Architecture, Classical  Search this
Architecture, Italian  Search this
American Revolution Bicentennial, 1776-1976  Search this
Architecture, Ancient -- Photographs  Search this
Genre/Form:
Photographs -- Black-and-white negatives -- 1950-2000
Contact sheets -- 1960-1990
Proofs -- 1960-1990
Correspondence -- 1960-1990
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000
Proof sheets
Photographs -- Phototransparencies -- 1960-1990
Slides (photographs) -- 1950-2000
Citation:
Joseph Farber Papers and Photographs, Archives Center, National Museum of American History. Gift of Dr. Joan C. Farber.
Identifier:
NMAH.AC.0520
See more items in:
Joseph C. Farber Papers and Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0520

Inauguration of President Abraham Lincoln

Creator:
Peale, Titian Ramsay 1799-1885  Search this
Subject:
Lincoln, Abraham 1809-1865  Search this
Physical description:
2.5 x 2.5;
Type:
Photographs
Date:
1861
March 4, 1861
Topic:
Presidents--Inauguration  Search this
Local number:
SIA RU000095 [SIA_000095_B27D_018]
Restrictions & Rights:
No access restrictions. Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_404002
Online Media:

Portrait of Abraham Lincoln (1809-1865) and Thomas (Tad) Lincoln (1853-1871)

Creator:
Gardner, Alexander 1821-1882  Search this
Subject:
Lincoln, Abraham 1809-1865  Search this
Lincoln, Thomas 1853-1871  Search this
Physical description:
Cartes-de-visite (card photographs); 4 x 2.5;
Type:
Mixed archival materials
Date:
1865
Circa 1865
Topic:
Portraits, Group  Search this
Politicians  Search this
Local number:
SIA RU000095 [SIA_000095_B27D_019]
Restrictions & Rights:
No access restrictions. Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_404003
Online Media:

Portrait of Abraham Lincoln (1809-1865)

Creator:
Buttre, John Chester 1821-1893  Search this
Subject:
Lincoln, Abraham 1809-1865  Search this
Brady, Mathew B. approximately 1823-1896  Search this
Physical description:
Cartes-de-visite (card photographs); 4 x 2.5;
Type:
Mixed archival materials
Date:
1864
Topic:
Portraits  Search this
Politicians  Search this
Local number:
SIA RU000095 [SIA_000095_B27D_020]
Restrictions & Rights:
No access restrictions. Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_404004
Online Media:

Portrait of Abraham Lincoln (1809-1865) and Thomas (Tad) Lincoln (1853-1871)

Creator:
Philadelphia Photographic Company  Search this
Subject:
Lincoln, Abraham 1809-1865  Search this
Lincoln, Thomas 1853-1871  Search this
Brady, Mathew B. approximately 1823-1896  Search this
Physical description:
Cartes-de-visite (card photographs); 4 x 2.5;
Type:
Mixed archival materials
Date:
1864
Topic:
Portraits, Group  Search this
Politicians  Search this
Local number:
SIA RU000095 [SIA_000095_B27D_021]
Restrictions & Rights:
No access restrictions. Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_404005
Online Media:

Lincoln Memorial Interiors [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Creator:
Eastman Kodak Company (film manufacturer)  Search this
Names:
Lincoln, Abraham, 1809-1865  Search this
Subseries Creator:
Scurlock, George H. (Hardison), 1919-2005  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock Studio (Washington, D.C.)  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 5" x 4".)
Container:
Box 9
Type:
Archival materials
Composite photographs
Photographs
Date:
[undated]
Scope and Contents:
Copy negative of engraved text of Lincoln's Gettsburgh Address overlaying Lincoln's statue. No ink on negative. "KODAK SAFETY 416" edge imprint. No Scurlock number.
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Lincoln Memorial (Washington, D.C.)  Search this
Speeches, addresses, etc.  Search this
Genre/Form:
Composite photographs
Photographs -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.8: Negatives in cold storage arranged by subject
Scurlock Studio Records, Subseries 4.8: Negatives in cold storage arranged by subject / 4.8: Negatives in cold storage arranged by subject
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-08-ref339

James Edward Kelly papers

Creator:
Kelly, James Edward, 1855-1933  Search this
Names:
Harper's Magazine  Search this
National Academy of Design (U.S.)  Search this
Scribner's magazine  Search this
Dreiser, Theodore, 1871-1945  Search this
Edison, Thomas A. (Thomas Alva), 1847-1931  Search this
Homer, Winslow, 1836-1910  Search this
Lincoln, Abraham, 1809-1865  Search this
Poe, Edgar Allan, 1809-1849  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Ryder, George Hope  Search this
Sarony, Napoleon, 1821-1896  Search this
Wilde, Oscar, 1854-1900  Search this
Worden, John Lorimer, 1818-1897  Search this
Extent:
1.4 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Place:
New York (N.Y.) -- Pictorial works
Date:
1880-1957
Scope and Contents:
Business correspondence; correspondence between Robert Bruce and George Hope Ryder (Kelly's patron) concerning Ryder's collection of sculpture by Kelly; a bound typescript of Kelly's memoirs with descriptions of New York City from the Civil War period to the 1930s and impressions of HARPER'S and SCRIBNER'S magazines, the National Academy of Design, Theodore Dreiser, Thomas A. Edison, Winslow Homer. Abraham Lincoln, Edgar Allen Poe, Albert Pinkham Ryder, Napoleon Sarony, Oscar Wilde, Admiral John L. Worden and others; and photos and reproductions of works of art. Also found are an inventory of George H. Ryder's art and furniture collection; and lists of pictures and bronzes of Ryder.
Biographical / Historical:
Sculptor, illustrator and painter; New York City. Kelly's primary work were Civil War monuments.
Provenance:
The donor, Mary C. Liberatore, is the niece of Leonard Clayton, who established a gallery in New York City in the 1920s. This collection was possibly organized by George Hope Ryder, Kelly's patron, acquired by the Gallery and then donated to the Archives.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Engravers  Search this
Illustrators  Search this
Painters  Search this
Sculptors  Search this
Topic:
Sculpture, American  Search this
Identifier:
AAA.kelljame
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kelljame

Dr. Jerome Walker Papers

Creator:
Walker, Jerome  Search this
Donor:
Walker, Cathy Jean  Search this
Names:
United States Sanitary Commission  Search this
Lincoln, Abraham, 1809-1865  Search this
Extent:
0.15 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Writings
Date:
1864-1917, undated
Summary:
Dr. Jerome Walker's papers discuss the United States Sanitary Commission, its creation, and its role during the Civil War. The papers also discuss Walker's meeting with Abraham Lincoln at the field hospital in City Point, Virginia.
Scope and Contents:
The collection contains an enlistment card for Walker, 1864; an account of his experiences working in a hospital during the Civil War; and a history of the United States Sanitary Commission. The account of his work in the hospital describes in detail the physical, emotional and psychological impact of combat upon soldiers during battle and in the field hospitals. Other subjects he discusses include the role of women in the Union hospitals, aid societies, and "colored" troops as they became more invested in the outcome of the Civil War. He describes meeting Abraham Lincoln and showing him the hospital. His history of the United States Sanitary Commission describes how and why the Commission was started, the development of health and safety practices on the battlefield and in Union field hospitals, and emphasizes the role of the Commission in providing more organized health care, food delivery and preparation, and transportation throughout the Union forces.
Arrangement:
The collection is organized into a single series.

Series 1: Personal Papers, 1864-1917, undated
Biographical / Historical:
Dr. Jerome Walker was born to Ferdinand and Elmira Walker in New York in 1846.

Walker was attending medical school at Columbia Physicians and Surgeons when the Civil War broke out in 1861. He enlisted in the Union Army 9th Army Corps, Army of the Potomac and served in the newly formed United States Sanitary Commission. He met and guided Abraham Lincoln through the field hospital at City Point, Virginia.

After the war, Walker married Helen Eliza Oakley (1844-1909) in 1868 in Cuyahoga County, Ohio. The couple had five children: Hobart Alexander Walker in 1869, Randall Oakley Walker in 1871, Amy Francis Walker in 1876, Lucy Margaretta Walker in 1878, and Allan Lee Walker in 1882. Walker continued to practice medicine in Brooklyn, New York and wrote a number of articles for medical journals. During the period in which these papers were written in the 1880s, Walker lived with his wife and children in Brooklyn, New York.

Walker's wife Helen Eliza Oakley died in 1909. After becoming widowed, Walker became a boarder in the Ziegler household, later moving to the Love household as a boarder in the 1920s. Both homes were in Brooklyn. Walker later died in June of 1924, in Kings County, New York. He is buried in a family plot at Green-Wood Cemetary in Brooklyn, New York.
Provenance:
Donated to the Archives Center, National Museum of American History in 2016 by Cathy Jean Walker, Dr. Jerome Walker's great-granddaughter.
Restrictions:
Unrestricted research access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Medicine -- 1860-1870  Search this
African American soldiers  Search this
CIvil War, U.S. -- 1861-1865  Search this
War -- Medical aspects  Search this
Genre/Form:
Writings
Citation:
Dr. Jerome Walker Papers, 1864-1917, undated, Archives Center, National Museum of American History, Smithsonian.
Identifier:
NMAH.AC.1408
See more items in:
Dr. Jerome Walker Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1408
Online Media:

Albert Duveen art reference files

Creator:
Duveen, Albert  Search this
Names:
Centurion (Firm)  Search this
Holland House Corporation of the Netherlands  Search this
Alexander, Francis, 1800-1880  Search this
Allston, Washington, 1779-1843  Search this
Bartlett, W. H. (William Henry), 1809-1854  Search this
Ben-Zion  Search this
Birch, Thomas, 1779-1851  Search this
Blackburn, Joseph, fl. 1753-1763  Search this
Blakelock, Ralph Albert, 1847-1919  Search this
Blauvelt, Charles F., 1824-1900  Search this
Blume, Peter, 1906-1992  Search this
Branchard, Emile Pierre, 1881-1938  Search this
Browere, A. D. O. (Alburtis Dell Orient), 1814-1887  Search this
Brown, John George, 1831-1913  Search this
Buddington, Jonathan  Search this
Buttersworth, James Edward, 1817-1894  Search this
Carter, Dennis Malone, 1827-1881  Search this
Cassatt, Mary, 1844-1926  Search this
Catlin, George, 1796-1872  Search this
Chabor, Moura  Search this
Chagall, Marc, 1887-1985  Search this
Chambers, Thomas, b. 1807 or 8  Search this
Charlot, Jean, 1898-1979  Search this
Cole, Thomas, 1801-1848  Search this
Constable, John, 1776-1837  Search this
Cope, George, 1855-1929  Search this
Copley, John Singleton, 1738-1815  Search this
Crawford, Ralston, 1906-1978  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Cézanne, Paul, 1839-1906  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Despiau, Charles, 1874-1946  Search this
Detre, Roland, 1903-  Search this
Dibble, Thomas R. (Thomas Reilly), 1898-  Search this
Donati, Enrico, 1909-2008  Search this
Doriani, William, 1891-  Search this
Doughty, Thomas, 1793-1856  Search this
Drew-Bear, Jessie, 1877?-1962  Search this
Duncanson, Robert S., 1821-1872  Search this
Durand, Asher Brown, 1796-1886  Search this
Durrie, George Henry, 1820-1863  Search this
Duveneck, Frank, 1848-1919  Search this
Duyckinck, Evert A. (Evert Augustus), 1816-1878  Search this
Eakins, Thomas, 1844-1916  Search this
Eichholtz, Jacob, 1776-1842  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Elliott, Charles Loring, 1812-1868  Search this
Field, Robert, 1769?-1819  Search this
Ganso, Emil, 1895-1941  Search this
Gargallo, Pablo, 1881-1934  Search this
Gelb, Jan, 1906-1978  Search this
Gillman, Paul  Search this
Gullager, Christian  Search this
Hall, George Henry, 1825-1913  Search this
Harding, Chester, 1792-1866  Search this
Harnett, William Michael, 1848-1892  Search this
Harvey, George W., 1855-  Search this
Hays, William Jacob, 1830-1875  Search this
Healy, G. P. A. (George Peter Alexander), 1813-1894  Search this
Henry, Edward Lamson, 1841-1919  Search this
Hesselius, John, 1728-1778  Search this
Hicks, Edward, 1780-1849  Search this
Hicks, Thomas, 1823-1890  Search this
Homer, Winslow, 1836-1910  Search this
Hudson, Samuel Adams, 1813-1894  Search this
Huntington, Daniel, 1816-1906  Search this
Inman, Henry, 1801-1846  Search this
Inness, George, 1825-1894  Search this
Jarvis, John Wesley, 1780-1840  Search this
Johnson, Eastman, 1824-1906  Search this
Johnston, Henrietta  Search this
Johnston, John Bernard, 1847-1886  Search this
Kayn, Hilde B., 1903-1950  Search this
Kelekian, Dikran, 1868-1951  Search this
Lane, Fitz Hugh, 1804-1865  Search this
Lawson, Ernest, 1873-1939  Search this
Lefferts, M. F.  Search this
Leigh, William Robinson, 1866-1955  Search this
Lincoln, Abraham, 1809-1865  Search this
Luks, George Benjamin, 1867-1933  Search this
Malbone, Edward Greene, 1777-1807  Search this
Maurer, Alfred Henry, 1868-1932  Search this
Maurer, Louis, 1832-1932  Search this
Miller, Alfred Jacob, 1810-1874  Search this
Moeller, Louis, 1855-1930  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Neagle, John, 1796-1865  Search this
Organ, Donald  Search this
Otis, Bass, 1784-1861  Search this
Pach, Walter, 1883-1958  Search this
Peale, Charles Willson, 1741-1827  Search this
Peale, James, 1749-1831  Search this
Peale, Rembrandt, 1778-1860  Search this
Penn, William, 1644-1718  Search this
Perry, E. W. (Enoch Wood), 1831-1915  Search this
Philippoteaux, Fʹelix Emmanuel Henri, 1815-1884  Search this
Polk, Charles Peale, 1767-1822  Search this
Pope, T. B. (Thomas Benjamin), d. 1891  Search this
Porter, Rufus, 1792-1884  Search this
Prior, William Matthew, 1806-1873  Search this
Quirt, Walter, 1902-  Search this
Ranney, William Tylee, 1813-1857  Search this
Remington, Frederic, 1861-1909  Search this
Robins, Louisa Winslow, 1898-1962  Search this
Roesen, Severin, ca. 1815-ca. 1872  Search this
Rosenthal, Albert, 1863-1939  Search this
Rossiter, Thomas Prichard, 1818-1871  Search this
Rothermel, Peter Frederick, 1812-1895  Search this
Russell, Charles M. (Charles Marion), 1864-1926  Search this
Saint-Mémin, Charles Balthazar Julien Fevret de, 1770-1852  Search this
Savage, Edward, 1761-1817  Search this
Sawitzky, William, 1880-1947  Search this
Schattenstein, Nikol, 1877-1954  Search this
Schussele, Christian, 1826?-1879  Search this
Serres, D.  Search this
Sharples, James, ca. 1751-1811  Search this
Shulman, Morris  Search this
Smibert, John, 1688-1751  Search this
Soudeikine, Serge  Search this
Soutine, Chaim, 1893-1943  Search this
Spencer, Frederick R., 1806-1875  Search this
Stewart, Albert T., 1900-1965  Search this
Street, Robert, 1796-1865  Search this
Strong, William J.  Search this
Stuart, Gilbert, 1755-1828  Search this
Sullivan, Charles, 1794-1867  Search this
Sully, Thomas, 1783-1872  Search this
Tait, Arthur Fitzwilliam, 1819-1905  Search this
Tirrell, G.  Search this
Trumbull, John, 1756-1843  Search this
Vanderlyn, John, 1775-1852  Search this
Vanderlyn, Pieter, ca. 1687-1778  Search this
Von Schlegell, William, 1877-1950  Search this
Waldo, Samuel, 1783-1861  Search this
Walkowitz, Abraham, 1880-1965  Search this
Washington, George, 1732-1799  Search this
Weinberg, Elbert, 1928-  Search this
Weir, Julian Alden, 1852-1919  Search this
Welch, Thomas B., 1814-1874  Search this
Wertmüller, Adolph Ulric, 1751-1811  Search this
West, Benjamin, 1738-1820  Search this
Whitney, Anne, 1821-1915  Search this
Wiltz, Arnold, 1889-1937  Search this
Winner, W. E. (William E), -1883  Search this
Wood, S.  Search this
Wood, Thomas Waterman, 1823-1903  Search this
Extent:
5 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
[ca. 1831-1950]
Scope and Contents:
Files on ca. 150 American artists and art subjects, selected from Duveen's art reference files. Included are photographs of paintings in other collections, auction and exhibition catalogs, miscellaneous publications.
Files include: Francis Alexander, Washington Allston, William H. Bartlett, Ben-Zion, Thomas Birch, Joseph Blackburn, Ralph A. Blakelock, Charles F. Blauvelt, Peter Blume, Emile Branchard, Albertis D. O. Browere, John G. Brown, Jonathan Buddington, James E. Buttersworth, Carra, Dennis M. Carter, Mary Cassatt, George Catlin, Centurion, Paul Cezanne, Moura Chabor, Marc Chagall, T. Chambers, Jean Charlot, Thomas Cole, John Constable, George Cope, John S. Copley, Ralston Crawford, Jasper F. Cropsey, Arthur B. Davies, Charles Despiau, Roland Detre, Thomas R. Dibble, Enrico Donati, William Doriani, Thomas Doughty, Jessie Drew-Bear, Robert S. Duncanson, Dunlap, Asher B. Durand, George H. Durrie, Frank Duveneck, Evert Duyckinck, Thomas Eakins, Jacob Eichholtz, Louis M. Eilshemius, Charles L. Elliott, Robert Field, Emil Ganso, Pablo Gargallo, Jan Gelb, Paul Gillman, Christian Gullager, George H. Hall, Chester Harding, William M. Harnett, George Harvey, William J. Hays, George P. A. Healy, Edward L. Henry, John Hesselius, Edward Hicks, Thomas Hicks, Holland House, Charles Fevret de Saint-Memin, Winslow Homer, S. A. Hudson, Daniel Huntington, Henry Inman, George Inness, John W, Jarvis, Eastman Johnson, Henrietta Johnston, John Johnston, Hilde B. Kayn, Dikran K. Kelekian, Fitz Hugh Lane, Ernest Lawson, M. F. Lefferts, William R. Leigh, Abraham Lincoln, George B. Luks, Edward G. Malbone, Alfred H. Maurer, Louis Maurer, McKay, Alfred J. Miller, Louis C. Moeller, Samuel F. B. Morse, John Neagle, Donald Organ, Bass Otis, Walter Pach, Charles W. Peale, James Peale, Rembrandt Peale, William Penn, Enoch W. Perry, F. E. H. Philippoteaux, Charles P. Polk, T. B. Pope, Rufus Porter, William M. Prior, Walter Quirt, William T. Ranney, Reinhardt, Frederic Remington, Louisa Robins, Severin Roesen, Thomas P. Rossiter, Peter F. Rothermel, Charles M. Russell, Edward Savage, William Sawitzky, Nikol Schattenstein, Christian Schussele, D. Serres, James Sharples, Morris Shulman, John Smibert, Sergei Soudeikin, Haim Soutine, Frederick R. Spencer, Albert Stewart, Robert Street, William J. Strong, Gilbert Stuart, C. (Charles ?) Sullivan, Thomas Sully, Arthur F. Tait, G. Tirrell, John Trumbull, John Vanderlyn, Pieter Vanderlyn, William Von Schlegell, Samuel L. Waldo, Abraham Walkowitz, George Washington, Elbert Weinberg, Julian A. Weir, Thomas B. Welch, Adolph U. Wertmuller, Benjamin West, Anne Whitney, Arnold Wiltz, William E. Winner, S. Wood, and Thomas W. Wood.
The Saint-Memin, Stuart, B. West and Wertmuller files contain material from Albert Rosenthal relating to the above artists.
Arrangement:
Files are arranged alphabetically by artist and subject, rolls NDU1-NDU3; publications and other miscellany were filmed on rolls NDU4-NDU5.
Biographical / Historical:
Albert Duveen was an art dealer and collector with offices in New York, N.Y., specializing in early American art. He was a cousin to Joseph Duveen (1869-1939), 1st Baron Duveen, president of Duveen Brothers art dealers.
Provenance:
Lent for microfilming 1958 by Duveen.
Restrictions:
The Archives does not own the original papers. Microfilmed materials must be consulted on microfilm.
Topic:
Art, American  Search this
Identifier:
AAA.duvealbe2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-duvealbe2

William Babcock Hazen Papers

Creator:
Lincoln, Abraham, 1809-1865  Search this
Belknap, William W. (William Worth), 1829-1890  Search this
Hayes, Rutherford Birchard, 1822-1893  Search this
Greely, Adolphus Washington  Search this
Garfield, James A. (James Abram), 1831-1881  Search this
Sherman, William T. (William Tecumseh), 1820-1891  Search this
Webster, Daniel, 1782-1852  Search this
Sheridan, Philip Henry, 1831-1888  Search this
Hazen, William Babcock, 1830-1887  Search this
Names:
Lincoln, Robert Todd  Search this
Extent:
4 Cubic feet (11 boxes)
Type:
Collection descriptions
Archival materials
Diplomas
Military commissions
Legal documents
Correspondence
Cartes-de-visite
Place:
Greenland -- Exploration
Date:
1855-1909
Summary:
Papers document General William Babcock Hazen's military career, primarily through correspondence, photographs, and publications.
Scope and Contents:
The General William Babcock Hazen Collection, 1856-1905, consists of approximately four cubic feet of material. Collection materials include biographical, correspondence (military and family), documents on the Greely Arctic Expedition, photographs, stereographs, and material on General Hazen's book, A Narrative of Military Service.
Arrangement:
This collection is divided into six series.

Series 1, Biographical Materials, 1885-1867

Series 2, Correspondence and Military Forms 1856-1886 and undated

Series 3, Correspondence to General William Babcock Hazen, 1861-1887

Series 4, Correspondence of Hazen Family, 1858-1909

Series 5, Photographs, 1864-1881

Series 6, Publications, 1865-1886
Biographical / Historical:
General William Babcock Hazen was born September 27, 1830 in West Hartford, Vermont. Four years later, the family moved to a farm outside Hiram, Portage County, Ohio where he attended school with James A. Garfield. Hazen's goal was service in the Army, and he wrote his congressman for admission to the United States Military Academy at West Point. Hazen graduated in 1855, twenty-eighth out of a class of thirty-four.

After graduation, General Hazen was assigned as Brevet Second Lieutenant, Company D, Fourth Infantry, Redding, California. After arriving in California, he was ordered to Fort Lane in the Oregon Territory. Lieutenant Hazen was authorized to establish a command at Grand Ronde and build a blockhouse that became the post Fort Yamhill, located west of Portland, Oregon. On April 20, 1857, he was transferred to Fort Jones, California, and then ordered to join the Eighth Infantry, Fort Davis, Texas. Hazen was transferred to Fort Inge, Texas, to protect a road from San Antonio to Eagle Pass. During a chase, Hazen was wounded by a bullet that was not removed. The lingering effect of the bullet wound would cause him frequent pain.

During the period of service in Texas, Hazen reportedly gained leadership experience, practical military knowledge, and considerable confidence in his own abilities. Following twelve months of convalescence, Hazen was nominated assistant instructor of military tactics at West Point on January 28, 1861. He was promoted to First Lieutenant on April 1861 and captain on May 14, 1861. Colonel James A. Garfield influenced the appointment of Hazen as colonel in command of the newly organized forty-first Ohio Volunteer Regiment. Hazen quickly transformed the regiment's inexperienced personnel into a firmly disciplined body. The intensive training paid large dividends later in the war, and he always held the regiment in high regard.

As brigade and division commander, General Hazen led troops in many important battles and campaigns: Shiloh (Place of Peace), Stones River, Chickamauga, Missionary Ridge, Atlanta, Resaca, Picketts Mill, Jonesboro, Fort McAllister, and Bentonville. On December 13, 1864, Hazen was appointed a major general of volunteers in recognition of long and faithful service and the capture of Fort McAllister. It was after the performance of his troops at Fort McAllister that a friendly relationship developed with General William T. Sherman. With the capitulation of the Confederate armies in spring of 1865, Hazen's division and the Army of the Tennessee left North Carolina where they saw their last fighting. The destination was Washington, D.C., site of a two-day grand review of the victorious Union Armies. On May 19, 1865 Hazen was elevated to commander of the Fifteenth Corps. After a thirty day furlough, he held command of the District of Middle Tennessee until the following summer. In July 1866, Hazen returned west.

In August 1870, President Ulysses S. Grant granted Hazen indefinite leave to observe the Franco-Prussian War. He viewed several battles and personally interviewed Otto von Bismarck and General Helmut von Moltke. Observations and research convinced Hazen that the United States Army was mismanaged and lacked tactical and logistical organization.

Before returning to the Sixth Infantry command, Hazen married Mildred McLean, the twenty-one year-old daughter of prominent Cincinnati Enquirer owner Washington McLean. A son John was born in 1876, but died at the age of twenty-two in 1898.

In June 1877, Hazen was appointed military attaché to the United States Legation in Vienna, Austria, and assigned as military observer of the Russo-Turkish War that had started in April 1877.

In 1878 Colonel Stanley accused Colonel Hazen of perjury and cowardice in the Civil War and requested a court-martial. Colonel Hazen retaliated by formally requesting that Stanley be arraigned by a court-martial on charges of publishing and circulating libelous material against him. On March 19, 1879, General Sherman reluctantly recommended that both generals be arraigned by the same court-martial. The New York Tribune reported "inasmuch as by the decisions of the court-martial Hazen has secured a substantial vindication." Hazen returned to Fort Buford.

While on detached service in Washington, D.C., Hazen actively campaigned for James A. Garfield for president. On August 24, 1880, General Albert James Myer, Chief of the Army Signal Corps, died, opening up a staff position subject to presidential appointment. President Rutherford B. Hayes, after consulting with President-elect Garfield, announced the promotion of Hazen to the rank of brigadier general and appointment as chief signal officer. One of Hazen's lasting legacies in this new role was advancing the development of meteorological science in the Army Signal Corps.

In May 1880, Lady Franklin Bay in northern Canada was chosen as the site for a signal service polar station, one of several conducted by eleven nations for the first International Polar Year (1882-1883). The initial two-year expedition set out in 1881 under the command of Regular Army First Lieutenant Adolphus W. Greely, a Civil War veteran from Massachusetts. The twenty-five man party did not get relief from the long winter in 1882, and a second rescue attempt was disrupted by ice. In September 1883, Secretary of War Robert Todd Lincoln, decided it was too late to send another relief party and they were left to spend a third winter in the Arctic. The demoralized party was forced to march south in search of supplies and landed at Cape Sabine, spending the next eight months in desperate circumstances. In June 1884, rescuers finally reached them and found only Greely and seven others alive. The remaining expedition members froze or starved to death.

Hazen never forgave Secretary of War Robert Todd Lincoln for his inaction with the Greely Arctic Expedition, and in 1884 Lincoln censured Hazen for his criticism. Hazen replied to Lincoln by letter, which was returned with a warning to keep the matter private. Hazen went to the press and stated in a published account that he wrote such a letter. He immediately found himself ordered before another court-martial, resulting in a reprimand by President Chester A. Arthur for "unwarranted and captious criticism." Greely supported Hazen's position. In 1885, Hazen produced A Narrative of Military Service, a report devoted to the defense of his Civil War record and personal reputation.

Health problems-diabetes and recurring pain from his bullet wound-forced Hazen to obtain a 12-month leave of absence from his military service. On January 13, 1887, he attended a White House reception where he caught a cold. He died on January 16, 1887, at the age of fifty-six.
Provenance:
In 1985, the Smithsonian received from the Estate of Fredrick McLean Bugher, grandnephew of General Hazen's wife Mildred McLean Hazen, manuscripts and letters concerning General Hazen. Part of the collection was rescued by a private individual from a Lorton, Virginia land fill and sold to the Smithsonian in 1987 in two sections. The first section contained material about the career of General William Babcock Hazen as chief signal officer of the United States Army. The second section contained manuscript materials related to Hazen's duties on the frontier and Indian tribes covering the period of 1855 to 1860, and from 1866 to 1880. Also included are family letters and land holdings in the Midwest.
Restrictions:
Collection is open for research.
Rights:
Rights situation uncertain, but most of the collection is probably in the public domain due to its age.
Topic:
Arctic regions -- Discovery and exploration -- 1880-1890  Search this
United States -- History -- Civil War, 1861-1865  Search this
Genre/Form:
Diplomas
Military commissions
Legal documents
Correspondence -- 1850-1900
Cartes-de-visite
Citation:
William B. Hazen Papers, 1855-1909, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0427
See more items in:
William Babcock Hazen Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0427
Online Media:

Douglas Volk and Leonard Wells Volk papers

Creator:
Volk, Leonard Wells, 1828-1895  Search this
Volk, Douglas , 1856-1935  Search this
Names:
Chicago Academy of Design  Search this
Ecole nationale supérieure des beaux-arts (France)  Search this
Sabatos Industries  Search this
Adler, Felix, 1851-1933  Search this
Albert, King of the Belgians, I, 1875-1934 -- Photographs  Search this
Benson, Eugene, 1837-1908  Search this
Bridge, Marion Volk  Search this
Brush, George de Forest, 1855-1941  Search this
Chase, William Merritt, 1849-1916 -- Photographs  Search this
Chubb, Percival, 1860-1960  Search this
Daingerfield, Elliott, 1859-1932  Search this
Douglas, Stephen Arnold, 1813-1861  Search this
Gilbert, Cass, 1859-1934  Search this
Gérôme, Jean Léon, 1824-1904  Search this
Hale, Philip Leslie, 1865-1931 -- Photographs  Search this
Lincoln, Abraham, 1809-1865  Search this
Lloyd George, David, 1863-1945  Search this
Pershing, John J. (John Joseph), 1860-1948 -- Photographs  Search this
Volk, Gerome  Search this
Volk, Marion Larrabee, 1859-1925  Search this
Volk, Wendell  Search this
Weir, Julian Alden, 1852-1919  Search this
von Rydingsvaard, Karl  Search this
Extent:
12.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Diaries
Sketchbooks
Paintings
Photographs
Sketches
Place:
Sculptors -- Maine
Date:
circa 1858-1965
2008
bulk 1870-1935
Summary:
The papers of painter and teacher Douglas Volk (1856-1935) and his father, sculptor Leonard Wells Volk (1828-1895), measure 12.4 linear feet and date from circa 1858-1965, 2008, with the bulk of the material dating from circa 1870-1935. Douglas Volk's papers document his life and career through biographical material, family and professional correspondence, writings and notes, diaries and journals, financial records, printed material, scrapbooks, artwork and sketchbooks, and photographs of the artist, his family, friends, and artwork. The papers also provide documentation of the formation and operations of the Sabatos Handicraft Society established with Marion Volk from the Volk's summer home, Hewnoaks, in Center Lovell, Maine. Scattered documentation of the life and work of Leonard Wells Volk, is found in biographical material, land records, letters, memoirs, and photographs.
Scope and Contents:
The papers of painter and teacher Douglas Volk (1856-1935) and his father, sculptor Leonard Wells Volk (1828-1895), measure 12.4 linear feet and date from circa 1858-1965, 2008, with the bulk of the material dating from circa 1870-1935. Douglas Volk's papers document his life and career through biographical material, family and professional correspondence, writings and notes, diaries and journals, financial records, printed material, scrapbooks, artwork and sketchbooks, and photographs of the artist, his family, friends, and artwork. The papers also provide documentation of the formation and operations of the Sabatos Handicraft Society established with Marion Volk from the Volk's summer home, Hewnoaks, in Center Lovell, Maine. Scattered documentation of the life and work of Leonard Wells Volk, is found in biographical material, land records, letters, memoirs, and photographs.

Douglas Volk's papers form the bulk of the collection and document all stages of his life from his first visits to Europe during his teenage years, until his death. Biographical material includes address books, biographical notes, genealogical records of Volk's family, and a warranty deed for land purchased by Marion Volk in Center Lovell, Maine, in 1904.

Family correspondence is primarily between Douglas and Marion throughout their courtship and marriage, but also includes letters from other family members including daughter Marion Volk Bridge and sons Wendell and Gerome Volk. General correspondence is with colleagues, art galleries, societies, institutions and museums, schools and colleges, government agencies, and others. Also found are letters from artists including George de Forest Brush, Elliott Daingerfield, Cass Gilbert, Philip Leslie Hale, Swedish woodcarver Karl von Rydingsvard, and J. Alden Weir; and friends Felix Adler and Percival Chubb.

Douglas Volk's writings and notes are on art, art instruction for children, and the significance and influence of his father's work, particularly Leonard Volk's Lincoln life mask, and include drafts of his monograph "Art Instruction in Public Schools."

Diaries and journals record details of Volk's early art education in Europe, including his friendships with Eugene Benson and George de Forest Brush and others, his time spent studying under Jean-Léon Gérôme at the École des Beaux Arts, his appointment by the National Art Committee to paint portraits of World War I era politicians and military figures, and his Lincoln portrait painted just prior to Volk's death.

Financial records document day-to-day routine expense, as well as sales of artwork and other art-related transactions.

Printed material and a scrapbook of clippings and letters include press coverage of Douglas Volk's career from the early 1900s to 1918. An additional scrapbook provides documentation of the Sabatos Handicraft Society, including a copy of one of only three known editions of the society's publication The Fire Fly. Artwork includes sketches, two small oil paintings, and fifteen sketchbooks of Douglas Volk.

Photographs include portraits taken at various stages of Volk's career, family photographs, photographs of the main house at Hewnoaks and additional buildings, photographs of several artists including William Merritt Chase and Karl von Rydinsgsvard, photographs of world leaders including David Lloyd George, King Albert of Belgium, and General John J. Pershing, and photographs of artwork.

The papers of Leonard Wells Volk include seven volumes of his hand-written memoirs which document his relationship with Stephen A. Douglas, his first meeting with Lincoln, and his involvement with the Chicago Academy of Design. Also found are three letters including one written to Douglas Volk in 1887, and a memorandum related to the value of Leonard Wells Volk's Lincoln and Douglas statues at the Illinois State House. Photographs include three of Leonard Wells Volk, photographs of other family members including his wife Emily, photos of houses and woodland scenes, and photos of artwork.
Arrangement:
The collection is arranged as 2 series.

Series 1: Douglas Volk Papers, circa 1870-1965, 2008 (11.85 linear feet; Boxes 1-12, 15-16, OVs 13-14)

Series 2: Leonard Wells Volk Papers, circa 1858-circa 1930 (0.45 linear feet; Boxes 11-12)
Biographical / Historical:
Chicago sculptor Leonard Wells Volk (1828-1895) created one of only two life masks of Abraham Lincoln. His son, painter and teacher Douglas Volk (1856-1935), was known for his figure and portrait paintings. Douglas Volk and his wife Marion Larrabee Volk established the Sabatos Handicraft Society, producing homespun woolen rugs and textiles from their summer home in Center Lovell, Maine.

Leonard Wells Volk was raised in New York State and Massachusetts, before moving to St. Louis to learn modeling and drawing. Around 1852 he married Emily Clarissa King Barlow, a cousin of Senator Stephen A. Douglas. Douglas took an interest in Volk's career and helped finance his trip to Rome and Florence between 1855 and 1857, where Volk studied art. On returning from Europe Volk settled in Chicago, opening a studio there and establishing himself as a leader in art circles and a founder of the Chicago Academy of Design. He served as president of the Academy (later the School of the Art Institute of Chicago) for eight years. Volk recorded his first meeting with Lincoln during the 1858 Lincoln-Douglas debates, and the subsequent 1860 sittings with Lincoln for the life mask, hands, and bust, in his memoirs. The mask served as a model for many sculptors who made later portraits of Lincoln. Volk's other important works include the Rock Island County Soldier's Monument in Rochester, New York (1869), statues of Lincoln and Douglas for the Illinois Statehouse (1876), a bust of Douglas, and the Douglas Tomb monument (1881) in Chicago.

Douglas Volk was born in Pittsfield, Massachusetts in 1856. His artistic education began in his teens when he traveled to Europe with his family. In the early 1870s he lived in Rome and Venice, spending time with his friends George de Forest Brush and J. Alden Weir. He moved to Paris in 1873 where he studied at the École des Beaux Arts with Jean-Léon Gérôme, and exhibited his first picture, In Brittany, at the 1875 Paris Salon.

In 1879 Volk returned to the United States and accepted a teaching position at Cooper Union. He was elected to the Society of American Artists in 1880 and married Marion Larrabee in 1881. In 1883 Volk became a founder of the Minneapolis Society of Fine Arts and was appointed the first president of the subsequent Minneapolis School of Fine Arts in 1886, a position he held until 1893. During his time in Minneapolis, Volk purchased a summer studio and retreat in Osceola, Wisconsin, and he and Marion had four children: Leonard (1882-1891), Wendell (1884-1953), Marion (1888-1973) and Gerome (1890-1959). In 1893 Volk returned to New York and accepted a position at the Art Students League, where he taught from 1893-1898, and also resumed his post at Cooper Union. He became interested in innovative ways to teach art and art history to children, and in 1895 the National Academy of Design printed his essay "A Plea for Art in the Public Schools," in its annual exhibition catalog. He was elected an associate of the Academy in 1898, becoming a full academician in 1899.

In 1898, looking to provide the family with a summer retreat, Marion Volk purchased property with a friend in Center Lovell, Maine, an area already enjoyed by the couple's friends, George de Forest Brush and Percival Chubb. The property was divided in 1901 and Marion added to her half creating a lot of approximately twenty-five acres. The Volks renovated the house, which they named Hewnoaks, and eventually built four more cottages and a studio for Douglas Volk on the property. During this period Marion Volk was working with handwoven wool on traditional area looms using fruit and vegetable hand-dyes and designs based on motifs from Native American art. In 1902 the Volks held the founding meeting of the Sabatos Handicraft Society at Hewnoaks, and the property became the hub of a Center Lovell community effort to produce rugs, textiles, and other handicrafts using traditional methods. Daughter Marion worked with her mother, and son Wendell, a printmaker and woodcaver, operated the Hewn Beam Press, printing pamphlets and a newsletter entitled the Fire Fly: A Periodical of Fearless Endeavour. Swedish-born wood carver Karl von Rydingsvard offered classes on wood carving at Hewnoaks, assisted by Wendell Volk.

Douglas Volk worked to make the Hewnoaks handicraft movement a success, but focused primarily on his own painting. The Maine woods provided endless inspiration and the setting for many of his paintings and murals, which primarily depicted romanticized historical subjects in Colonial America and reflected his traditional academic training. One of his best known works, The Boy with the Arrow (1903), a portrait of his son Leonard "Leo" Volk who died at the age of eight, is now in the collection of the Smithsonian American Art Museum.

Volk taught at the National Academy of Design from 1910-1917. He served as recording secretary and then on the council for the organization from 1910-1919. His acclaimed intimate portraits of friends and acquaintances, including Felix Adler (1914) and William Macbeth (1917), were painted during this period. In 1919 Volk was one of a group of artists commissioned by the National Art Committee to paint major figures from World War I. He subsequently painted portraits of King Albert of Belgium, British Prime Minister David Lloyd George, and General John J. Pershing, and recorded his meetings and sittings with the three men in his journals.

For the last fifteen years of his life Volk, using his father's life mask, painted a series of portraits of Abraham Lincoln, one of which hangs in the Lincoln Bedroom at The White House.

At least fifteen years prior to her death in 1925, Marion Volk's involvement in handicrafts at Hewnoaks declined, while Douglas Volk continued to focus on his own work. Wendell Volk's career in civil engineering took precedence over his interest in weaving and woodcarving and both he and his brother Gerome moved West in 1909. Following Douglas Volk's death in Fryeburg, Maine in 1935, Wendell Volk and his wife Jessie, also an artist, ultimately took possession of Hewnoaks. Wendell died in 1953, but the property was eventually bequeathed by Jessie Volk to the University of Maine and now operates as an artist colony.
Separated Materials:
Volumes 1, 3, 6-7, 9, and 10 of Leonard Volk's memoirs form part of the Alfred Whital Stern Collection of Lincolniana in the Library of Congress.

The Archives of American Art also holds material lent for microfilming (reel 4280) including correspondence of Leonard Volk and photographs of his artwork. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The George Arents Research Library, Syracuse University in Syracuse, New York first lent material for microfilming in 1989. Most of the material was then donated in 2004–2005 by Jessie J. Volk, the daughter-in-law of Douglas Volk, who also bequeathed the Volk estate including additional Volk papers to the University of Maine. In 2006, University officials arranged for an auction of much of the property of the estate including the remaining family papers. The Volk Family estate auction was conducted by Cyr Auction Co., in Gray, Maine, on July 19, 2006. Several individuals purchased parts of the papers at that auction and subsequently donated them to the Archives. Those donors are: David Wright, who acquired the 1875 journal and Brush letters and donated them to the Archives in 2006; Dr. Christine Isabelle Oaklander, who purchased the account book, 1873–1875, and donated it to the Archives in honor of Judith Ellen Throm in 2007, and also donated additional letters and a photograph in 2008; and Mary K. and John F. McGuigan Jr., who purchased correspondence (1120 letters), speeches, lectures, articles, checks, check stubs and miscellaneous items and donated them to the Archives in 2015. In 2007, the University of Maine Foundation via Amos Orcutt donated the 1934 journal and 60 photographs.

John F. McGuigan Jr. and Mary K. McGuigan have purchased and donated additional archival materials to the Archives, including the Mary K. McGuigan and John F. McGuigan Jr. artists' letters collection, and 69 letters now among the Sylvester Rosa Koehler papers.

In 2007, the University of Maine Foundation via Amos Orcutt donated the 1934 journal and 60 photographs that were part of the Volk Family estate, but not included in the June 19, 2006 auction.

In 2019 Dr. Christine Isabelle Oaklander donated additional material purchased at auction, primarily photographs and some printed material.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Maine  Search this
Art teachers -- New York (State) -- New York  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Sculptors -- Illinois -- Chicago  Search this
Art -- Study and teaching  Search this
World War, 1914-1918  Search this
Genre/Form:
Scrapbooks
Diaries
Sketchbooks
Paintings
Photographs
Sketches
Citation:
Douglas Volk and Leonard Wells Volk papers, circa 1858-1965, 2008, bulk circa 1870-1935. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.volkleon
See more items in:
Douglas Volk and Leonard Wells Volk papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-volkleon
Online Media:

Matthew B. Brady photographs

Creator:
Brady, Mathew B., approximately 1823-1896  Search this
Names:
Blaine, Mr  Search this
Butler, Charles, 1802-1897  Search this
Chase, Salmon P. (Salmon Portland), 1808-1873  Search this
Greenough, Rose  Search this
Harrison, William Henry, 1773-1841  Search this
Jackson, Andrew, 1767-1845  Search this
Lee, Robert E. (Robert Edward), 1807-1870  Search this
Lincoln, Abraham, 1809-1865  Search this
Pierce, Franklin, 1804-1869  Search this
Seward, William Henry, 1801-1872  Search this
Extent:
0.2 Linear feet ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1860-1880]
Scope and Contents:
Four vintage prints of Blaine, Charles Butler, William Henry Harrison, and Andrew Jackson; and 7 copyprints of Salmon Portland Chase, Rose Greenough and her daughter in prison, Robert E. Lee, Abraham Lincoln, Franklin Pierce, and William Henry Seward.
Biographical / Historical:
Matthew B. Brady (1823 (ca.)-1896) was a photographer from Washington, D.C.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Identifier:
AAA.bradmath
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bradmath

William Pettit Correspondence

Collector:
Durrie, Paul, -1985  Search this
Gordon, Gertrude Durrie  Search this
Donor:
Dibner, Bern, Dr.  Search this
Author:
Pettit, William (civil servant)  Search this
Names:
Smithsonian Institution  Search this
United States. Congress  Search this
Grant, Ulysses S. (Ulysses Simpson), 1822-1885  Search this
Lincoln, Abraham, 1809-1865  Search this
Lincoln, Mary Todd  Search this
Pettit, Agnes  Search this
Pettit, Hannah  Search this
Pettit, Lucy  Search this
Pettit, Mary  Search this
Extent:
0.15 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Correspondence
Letters (correspondence)
Place:
White House (Washington, D.C.)
Washington (D.C.) -- 1860-1920
Elkhorn (Wis.)
Date:
1864-1865
Scope and Contents:
The collection consists of thirty-eight letters which William Pettit wrote to his wife from Washington, D.C.; a letter written soon after Lincoln's assassination by Pettit's wife; a letter from Lucy Pettit (Pettit's daughter) to her grandparents describing her birth on February 2, 1843; and a first draft of "my family reminiscences" - consisting of seventeen hand-written pages describing the family's genealogy from the middle 1600's when they first arrived in this country.

All 38 letters of the collection have been transcribed on typewriter. Pettit was concerned about how much wood his wife should order and what she should pay for it. He commented about his children's schooling and their penmanship. He discussed how much money he was sending home and how he was budgeting himself. His first letter describes New Year's Day when he went to the White House to see the ambassadors pay their respects to Uncle Sam. He got pushed with the crowd inside the White House and describes Mr. and Mrs. Lincoln and the types of people crowding in. He continued to go to the White House open houses because he was amused at the types of people who went there including those who put on airs, showed off their clothes, or thought they themselves were important.

Pettit had a subtle sense of humor as he describes well-known personages, church leaders, and people he worked with. He lived in a boarding house on 9th St., N.W. He has some interesting comments to make about the life and opinions of the time concerning the United States and war, bureaucracy and politics.

Pettit was strongly anti-slavery and had very positive views of Blacks. Some of these came from his religious convictions and others as a result of actual behavior of Blacks during the War in incidents which he describes.

He wrote about the coming 1864 election and the competition against Lincoln. He mentioned that Grant had been to Washington. He reported about the troops in the Army of the Potomac and rumors of war activities. For example, he mentions that the Southern rebels planned to blow up prisoners of war in Richmond if the city was to be taken. There is a description of an escape from a Confederate camp by a Northern officer.

Pettit tells about meeting with a drunken soldier whom he helped to get food and housing; and who tried to save from being knocked in the head as was happening weekly in Washington. He went to concerts and commented on the performances. He particularly expressed his preference for Wisconsin performers. He described church services and decorations for Easter and Christmas.

Pettit mentioned a Negro victory in battle, and commented that talk of re-enslaving such men was "mean." He said that Blacks had helped many to escape from the Confederates.

In the letter from Hannah dated April 17, 1865, his wife comments about Lee's surrender and her thoughts on the President's assassination. She said it was like losing a family friend. At first, they had thought it was a mistake but was shocked when it was verified. She said that she had spent a gloomy Easter because of it although the day was beautiful. She asked the rhetorical question whether the vice president could do the job and concluded that this event would be a great trial for the Nation's good.
Biographical / Historical:
William Pettit came to Washington, D.C. from Elkhorn, Wisconsin in the summer of 1863 to work as a clerk in the War Department. He left his wife, Hannah, and three daughters, Mary, Agnes and Lucy, at home. His main duties as a clerk were to answer letters received by the Department. He lived very frugally since he earned only $93.50 per month, part of which sent home to pay for his family's expenses and life insurance. He wrote many letters to his wife describing his activities and his thoughts related to wartime Washington. He took advantage of many opportunities available to a civil servant of the period in the nation's capitol. He occasionally attended the fortnightly open house at the White House, lectures at the Smithsonian Institution, and sessions of the Congress and Supreme Court. Since the letters in this collection are from January 2 through March 30th and October 5th through December 30th, 1864, the six summer months activities are unknown.

According to a note from his great granddaughter, Pettit was riding horseback in Washington, the day after the last letter was written, and was killed. Since there is a letter written April 17, 1865 from his wife, it is impossible to know exactly when he died.
Provenance:
These letters and other material were donated to the Smithsonian Institution in August 1985 by Dr. Bern Dibner of the Burndy Library, Norwalk, Connecticut. He received the materials from Gertrude Durrie Gordon who inherited them from her brother Paul Durrie who died in 1985. His wife was a descendant of the Pettit family of Wisconsin.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
United States -- History -- Civil War, 1861-1865  Search this
Civil service  Search this
Slavery -- United States  Search this
Supreme Court  Search this
Genealogy  Search this
Genre/Form:
Correspondence -- 1840-1930
Letters (correspondence) -- 1860-1870
Citation:
William Pettit Correspondence, 1864-1865, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0177
See more items in:
William Pettit Correspondence
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0177

[Note from Abraham Lincoln to the General in Chief, on an envelope.]

Author:
Lincoln, Abraham, 1809-1865  Search this
Collection Creator:
Lincoln, Abraham, 1809-1865  Search this
Belknap, William W. (William Worth), 1829-1890  Search this
Hayes, Rutherford Birchard, 1822-1893  Search this
Greely, Adolphus Washington  Search this
Garfield, James A. (James Abram), 1831-1881  Search this
Sherman, William T. (William Tecumseh), 1820-1891  Search this
Webster, Daniel, 1782-1852  Search this
Sheridan, Philip Henry, 1831-1888  Search this
Hazen, William Babcock, 1830-1887  Search this
Extent:
1 Item (Ink on paper., 9.5" x 6.4".)
Container:
Box 4, Folder 3
Type:
Archival materials
Envelopes
Notes
Holographs
Date:
June 1, 1863
Scope and Contents:
Note written on an envelope from Abraham Lincoln to the General in Chief, dated June 1, 1863.
Local Numbers:
AC0427-0000003 (AC Scan No.)
General:
In Box 4, Folder 3.
Civil War Selections from the Archives Center
Collection Restrictions:
Collection is open for research.
Collection Rights:
Rights situation uncertain, but most of the collection is probably in the public domain due to its age.
Topic:
Civil war  Search this
Genre/Form:
Envelopes
Notes
Holographs
Collection Citation:
William B. Hazen Papers, 1855-1909, Archives Center, National Museum of American History.
See more items in:
William Babcock Hazen Papers
William Babcock Hazen Papers / Series 2: Correspondence and Forms / 2.9: Selected Correspondence
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0427-ref68

[James A. Garfield : holograph letter.]

Author:
Garfield, James A. (James Abram), 1831-1881  Search this
Names:
Hazen, William Babcock, 1830-1887  Search this
Collection Creator:
Lincoln, Abraham, 1809-1865  Search this
Belknap, William W. (William Worth), 1829-1890  Search this
Hayes, Rutherford Birchard, 1822-1893  Search this
Greely, Adolphus Washington  Search this
Garfield, James A. (James Abram), 1831-1881  Search this
Sherman, William T. (William Tecumseh), 1820-1891  Search this
Webster, Daniel, 1782-1852  Search this
Sheridan, Philip Henry, 1831-1888  Search this
Hazen, William Babcock, 1830-1887  Search this
Extent:
1 Item (Ink on paper., 9.8" x 7.9".)
Type:
Archival materials
Holographs
Letters (correspondence)
Date:
April 9, 1861
Scope and Contents:
Letter to William Babcock Hazen from James A. Garfield, dated April 9, 1861
Local Numbers:
AC0427-0000001a (AC Scan No.: recto)

AC0427-0000001b (AC Scan No.: verso)
General:
In Box 4, Folder 2.
Civil War Selections from the Archives Center
Collection Restrictions:
Collection is open for research.
Collection Rights:
Rights situation uncertain, but most of the collection is probably in the public domain due to its age.
Topic:
Civil war  Search this
Genre/Form:
Holographs
Letters (correspondence) -- 1860-1870
Collection Citation:
William B. Hazen Papers, 1855-1909, Archives Center, National Museum of American History.
See more items in:
William Babcock Hazen Papers
William Babcock Hazen Papers / Series 2: Correspondence and Forms / 2.9: Selected Correspondence / James A. Garfield, 1861-1882 and Mrs. Garfield, 1885
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0427-ref762
Online Media:

[James A. Garfield to William Babcock Hazen : telegram.]

Author:
Garfield, James A. (James Abram), 1831-1881  Search this
Creator:
New York, Albany & Buffalo Telegraph Co. (sender)  Search this
Names:
Hazen, William Babcock, 1830-1887  Search this
Collection Creator:
Lincoln, Abraham, 1809-1865  Search this
Belknap, William W. (William Worth), 1829-1890  Search this
Hayes, Rutherford Birchard, 1822-1893  Search this
Greely, Adolphus Washington  Search this
Garfield, James A. (James Abram), 1831-1881  Search this
Sherman, William T. (William Tecumseh), 1820-1891  Search this
Webster, Daniel, 1782-1852  Search this
Sheridan, Philip Henry, 1831-1888  Search this
Hazen, William Babcock, 1830-1887  Search this
Extent:
1 Item (Ink on paper., 5.6" x 8.5".)
Type:
Archival materials
Telegrams
Date:
June 12, 1861
Scope and Contents:
Telegram to Lieutant W.B. Hazen from James A. Garfield, dated June 12, 1861, in which Garfield ask Hazen to accept a Colonelcy of the Ohio Regiment.
Local Numbers:
AC0427-0000002 (AC Scan No.)
General:
In Box 4, Folder 2.
Civil War Selections from the Archives Center
Collection Restrictions:
Collection is open for research.
Collection Rights:
Rights situation uncertain, but most of the collection is probably in the public domain due to its age.
Topic:
Civil war  Search this
Genre/Form:
Telegrams
Collection Citation:
William B. Hazen Papers, 1855-1909, Archives Center, National Museum of American History.
See more items in:
William Babcock Hazen Papers
William Babcock Hazen Papers / Series 2: Correspondence and Forms / 2.9: Selected Correspondence / James A. Garfield, 1861-1882 and Mrs. Garfield, 1885
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0427-ref763

[Land Grant for William Hazen : certificate.]

Signer:
Lincoln, Abraham, 1809-1865  Search this
Names:
Hazen, William Babcock, 1830-1887  Search this
Collection Creator:
Lincoln, Abraham, 1809-1865  Search this
Belknap, William W. (William Worth), 1829-1890  Search this
Hayes, Rutherford Birchard, 1822-1893  Search this
Greely, Adolphus Washington  Search this
Garfield, James A. (James Abram), 1831-1881  Search this
Sherman, William T. (William Tecumseh), 1820-1891  Search this
Webster, Daniel, 1782-1852  Search this
Sheridan, Philip Henry, 1831-1888  Search this
Hazen, William Babcock, 1830-1887  Search this
Extent:
1 Item (Ink on paper., 10" x 16.2".)
Type:
Archival materials
Signatures (names)
Land titles
Certificates
Date:
August 15, 1861
Scope and Contents:
Land Grant given to William Hazen for military service, signed by President Abraham Lincoln, August 15, 1861.
Local Numbers:
AC0427-0000004 (AC Scan No.)
General:
In Box 4, Folder 10.
Civil War Selections from the Archives Center
Collection Restrictions:
Collection is open for research.
Collection Rights:
Rights situation uncertain, but most of the collection is probably in the public domain due to its age.
Topic:
land  Search this
Civil war  Search this
Genre/Form:
Signatures (names)
Land titles
Certificates
Collection Citation:
William B. Hazen Papers, 1855-1909, Archives Center, National Museum of American History.
See more items in:
William Babcock Hazen Papers
William Babcock Hazen Papers / Series 2: Correspondence and Forms / 2.14: A Narrative of Military Service / A Narrative of Military Service
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0427-ref764

Ground Plan and View of Fort McAllister on the Ogeechee River, Georgia [drawing]

Artist:
Willenber, Eugene  Search this
Collection Creator:
Lincoln, Abraham, 1809-1865  Search this
Belknap, William W. (William Worth), 1829-1890  Search this
Hayes, Rutherford Birchard, 1822-1893  Search this
Greely, Adolphus Washington  Search this
Garfield, James A. (James Abram), 1831-1881  Search this
Sherman, William T. (William Tecumseh), 1820-1891  Search this
Webster, Daniel, 1782-1852  Search this
Sheridan, Philip Henry, 1831-1888  Search this
Hazen, William Babcock, 1830-1887  Search this
Extent:
1 Item (10" x 12.2".)
Type:
Archival materials
Maps
Place:
Fort McAllister (Georgia)
Ogeechee River (Georgia)
Georgia
Date:
circa 1865
undated
Scope and Contents:
Ground plan view of Fort McAllister on the Ogeechee River, Georgia, surveyed and drawn by Eugene Willenber.
Local Numbers:
AC0427-0000005 (AC Scan No.)
General:
In Box 9, Folder 1.
Civil War Selections from the Archives Center
Collection Restrictions:
Collection is open for research.
Collection Rights:
Rights situation uncertain, but most of the collection is probably in the public domain due to its age.
Topic:
Forts  Search this
Civil war  Search this
Genre/Form:
Maps -- 19th century
Collection Citation:
William B. Hazen Papers, 1855-1909, Archives Center, National Museum of American History.
See more items in:
William Babcock Hazen Papers
William Babcock Hazen Papers / Series 5: Photographs / 5.1: Civil War / Fort McAllister, Georgia
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0427-ref765

Reception / to / Clara Barton / Abraham Lincoln Center / Chicago / May 13, 1910 [ribbon]

Names:
Barton, Clara  Search this
Lincoln, Abraham, 1809-1865  Search this
Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
1 Item (Fabric, 4.8" x 2".)
Container:
Box 3, Folder 30
Type:
Archival materials
Ribbons
Place:
Illinois -- 1900-1910
Chicago (Ill.)
Date:
May 13, 1910
Scope and Contents:
Ribbon for a Reception to Clara Barton at the Abraham Lincoln Center, Chicago on May 13, 1910. The ribbon is white with a red cross in the center.
Local Numbers:
AC0060-0001285 (AC Scan No.)
General:
Civil War Selections from the Archives Center
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Receptions  Search this
Civil war  Search this
Genre/Form:
Ribbons
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Civil War
Warshaw Collection of Business Americana Subject Categories: Civil War / Government Records, Business Records, and Other / Civil War
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-civilwar-ref622

Photographs of United States National Museum collections

Creator:
United States National Museum  Search this
Photographer:
Bell, C. M. (Charles Milton), approximately 1849-1893  Search this
Morgan, Lewis Henry, 1818-1881  Search this
Names:
Franklin, Benjamin, 1706-1790  Search this
Hartley, Jonathan Scott, 1845-1912  Search this
Langley, S. P. (Samuel Pierpont), 1834-1906  Search this
Lincoln, Abraham, 1809-1865  Search this
Washington, George, 1732-1799  Search this
Artist:
Weir, Julian Alden, 1852-1919  Search this
Extent:
3 Prints (color halftone)
2 Prints (halftone)
1 Print (photogravure)
7 Negatives (nitrate)
13 Mounted prints (albumen)
40 Prints (circa, silver gelatin)
Type:
Collection descriptions
Archival materials
Prints
Negatives
Mounted prints
Place:
Easter Island -- Antiquities
Date:
undated
Scope and Contents note:
Images of various artifacts and specimens in the United States National Museum's collections, including George Washington's uniform and camp chest; the Franklin Press; Samuel P. Langley, third Secretary of the Smithsonian, supervising the installation of the Easter Island stone figures; zoological, ornithological, entomological, and botanical specimens; exhibits relating to animals and Native Americans; the Daguerre Monument sculpted by J. Scott Hartley; and a model of the National Zoological Park modeled under Langley.
Biographical/Historical note:
The United States National Museum building (later renamed Arts and Industries) opened to the public in 1881. It held displays of anthropology, art, geology, history, and natural history, while a few of the exhibits (birds, invertebrates and art) remained in the original Smithsonian "Castle." In 1911, the Smithsonian opened a new building (now the National Museum of Natural History Building), which held anthropology, art and natural history collections.
Local Call Number(s):
NAA Photo Lot 99-41
Location of Other Archival Materials:
Items depicted in this collection held in the National Museum of Natural History and National Museum of American History collections.
Additional photographs of US National Museum collections held in the Smithsonian Institution Archives and the National Anthropological Archives (Photo Lot 4).
Restrictions:
Nitrate negatives are in cold storage and require advanced notice for viewing.
Rights:
Contact the repository for terms of use.
Topic:
Plants  Search this
Animals  Search this
Museum exhibits  Search this
Insects  Search this
Birds  Search this
Citation:
Photo Lot 99-41, Photographs of United States National Museum collections, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.99-41
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-99-41

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