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Memorial to Robert Gould Shaw, (sculpture)

Title:: Shaw Memorial, (sculpture)

Sculptor:: Saint-Gaudens, Augustus 1848-1907 Search this

Architect:: McKim, Charles Follen 1847-1909 Search this

Founder:: Gorham Manufacturing Company Search this

Subject:: Shaw, Robert Gould Search this

Medium:: Relief: bronze; Frame and base: Tennessee marble and granite

Culture:: African American Search this

Type:: Sculptures-Outdoor Sculpture; Sculptures-Relief; Sculptures

Owner/Location:: Administered by City of Boston Boston Massachusetts; Located Boston Common Near corner of Beacon & Park Streets, Across from main entrance to State House Boston Massachusetts

Date:: Commissioned 1884. 1884-1897. Dedicated May 31, 1897

Topic:: Portrait male--Full length Search this; Occupation--Military--Colonel Search this; Religion--Angel Search this; Ethnic Search this; Figure group Search this; Equestrian Search this; Literature--Lowell--Memoriae Positum Search this; Literature--Norton Search this; Object--Flower--Poppy Search this

Control number:: IAS 76007839

Data Source:: Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:: edanmdm:siris_ari_18618

Jazz Music and Film Clips

Creator:: Cooper Hewitt, Smithsonian Design Museum Search this

Type:: Conversations and talks; YouTube Videos

Uploaded:: 2017-04-05T15:33:30.000Z

YouTube Category:: Education Search this

Topic:: Design Search this

See more by:: cooperhewitt

Data Source:: Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:: cooperhewitt

EDAN-URL:: edanmdm:yt_4BhDnCJS3oI

2023 Smithsonian American Art Museum Fellows Lectures – Day 2

Creator:: Smithsonian American Art Museum Search this

Type:: Lectures; YouTube Videos

Uploaded:: 2023-06-01T17:33:39.000Z

YouTube Category:: Education Search this

Topic:: Art, American Search this

See more by:: americanartmuseum

Data Source:: Smithsonian American Art Museum

YouTube Channel:: americanartmuseum

EDAN-URL:: edanmdm:yt_KBosV_RGZeo

(Online) Virtual Realities: Artist Talk with Hsin-Chien Huang and Laurie Anderson

Creator:: Hirshhorn Museum and Sculpture Garden Search this

Type:: Conversations and talks; YouTube Videos

Uploaded:: 2021-11-30T01:19:21.000Z

YouTube Category:: Entertainment Search this

Topic:: Art, modern Search this

See more by:: hirshhornmuseum

Data Source:: Hirshhorn Museum and Sculpture Garden

YouTube Channel:: hirshhornmuseum

EDAN-URL:: edanmdm:yt_VVcTL25CeEc

Universal Magnetometer with Dip Circle

Maker:: Carnegie Institution of Washington. Department of Terrestrial Magnetism Search this

Physical Description:: metal (overall material); wood (part material)

Measurements:: overall: 11 3/4 in x 8 1/2 in x 18 in; 29.845 cm x 21.59 cm x 45.72 cm; overall: 10 1/2 in x 2 1/4 in x 11 1/4 in; 26.67 cm x 5.715 cm x 28.575 cm

Object Name:: magnetometer

Place Made:: United States: District of Columbia, Washington

Date made:: 1912

Subject:: Science & Scientific Instruments Search this

Credit Line:: U.S. Department of Interior, U.S. Geological Survey

ID Number:: 1982.0671.03

Accession number:: 1982.0671

Catalog number:: 1982.0671.03

See more items in:: Medicine and Science: Physical Sciences; Science & Mathematics; Measuring & Mapping

Data Source:: National Museum of American History

GUID:: http://n2t.net/ark:/65665/ng49ca746a8-d8e8-704b-e053-15f76fa0b4fa

EDAN-URL:: edanmdm:nmah_1029289

Online Media:

Unapologetically Maya: Ubaldo Sánchez’s Ephemeral Alfombras

Creator:: Smithsonian Center for Folklife and Cultural Heritage Search this

Type:: Blog posts; Smithsonian staff publications; Blog posts

Published Date:: Fri, 11 Aug 2023 19:24:00 GMT

Topic:: Cultural property Search this

See more posts:: Festival Blog

Data Source:: Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:: edanmdm:posts_a0656c2bd5129c1cf2ad97ee4c062f21

A Brief History of Borshch

Creator:: Smithsonian Center for Folklife and Cultural Heritage Search this

Type:: Blog posts; Smithsonian staff publications; Blog posts

Published Date:: Mon, 03 Jul 2023 14:54:00 GMT

Topic:: Cultural property Search this

See more posts:: Festival Blog

Data Source:: Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:: edanmdm:posts_8a6457e3e2b44d772eece97ab0fd7094

Charles Lang Freer Papers

Creator:: Freer, Charles Lang, 1856-1919 Search this

Extent:: 131 Linear feet (29 architectural drawings)

Type:: Collection descriptions; Archival materials; Diaries; Financial records; Correspondence; Photographs

Place:: China; Syria; Egypt; India; London (England); Japan; Boston (Mass.); Detroit (Mich.); Washington (D.C.); Kandy (Sri Lanka); Sri Lanka; Anuradhapura (Sri Lanka)

Date:: 1876-1931

Summary:: The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.

Scope Content:: The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, financial material, architectural drawings, and photographs.

Correspondence, circa 1860-1921, includes Freer's correspondence, 1876-1920, with artists, dealers, collectors, museums, and public figures; letterpress books contain copies of Freer's outgoing letters, 1892-1910; correspondence collected by Freer of James McNeill Whistler, and his wife Beatrix, 186?-1909, with Lady Colin Campbell, Thomas R. Way, Alexander Reid, Whistler's mother, Mrs. George W. Whistler, and others; correspondence of Whistler collector Richard A. Canfield, 1904-1913, regarding works in Canfield's collection; and correspondence of Freer's assistant, Katharine Nash Rhoades, 1920-1921, soliciting Freer's letters from his associates, and regarding the settlement of his estate.

Also included are twenty-nine pocket diaries, 1889-1890, 1892-1898, 1900-1919, recording daily activities, people and places visited, observations, and comments; a diary kept by Freer's caretaker, Joseph Stephens Warring, recording daily activities at Freer's Detroit home, 1907-1910. Inventories, n.d. and 1901-1921, of American, European, and Asian art in Freer's collection, often including provenance information; vouchers, 1884-1919, documenting his purchases; five volumes of scrapbooks of clippings on James McNeill Whistler, 1888-1931, labeled "Various," "Peacock Room," "Death, etc.," "Paris, etc.," and "Boston...London" ; three volumes of newsclippings, 1900-1930, concerning Freer and the opening of the Freer Gallery of Art.

Correspondence regarding Freer's gift and bequest to the Smithsonian Institution, 1902-1916; and photographs, ca. 1880-1930, of Freer, including portraits by Alvin Langdon Coburn and Edward Steichen, Freer with others, Freer in Cairo, China and Japan, Freer's death mask, and his memorial service, Kyoto, 1930; photographs of artists and others, including Thomas Dewing, Ernest Fenollosa, Katharine Rhoades taken by Alfred Stieglitz, Rosalind B. Philip, Augustus Saint-Gaudens, Abbott H. Thayer, Dwight Tryon, and Whistler; and photographs relating to Whistler, including art works depicting him, grave and memorial monuments, works of art, the Peacock Room, and Whistler's memorial exhibition at the Copley Society.

Organization of the Papers:: This collection is organized into twelve series.

Series 1: Genealogical and Biographical Data

Series 2: Correspondence

Series 3: Diaries

Series 4: Freer Colleague Materials

Series 5: Art Inventories

Series 6: Financial Materials

Series 7: Exhibition Loan Files

Series 8: Biblical Manuscripts and Gold Treasure Files

Series 9: American School of Archaeology in China

Series 10: Printed Material

Series 11: Outsize Material

Series 12: Photographs

Biographical Note:: 1854 February 25 -- Born in Kingston, New York

1873 -- Appointed accountant and paymaster of New York, Kingston and Syracuse Railroad by Frank J. Hecker (1846-1927)

1876 -- Moves to Indiana to work, with Hecker, for the Detroit and Eel River and Illinois Railroad

1880 -- Moves to Detroit, participates in organization of the Peninsular Car Works with Hecker

1883 -- Becomes vice president and secretary of Peninsular Car Company when it succeeds Peninsular Car Works

1883 -- Begins collecting European prints

1884 -- Peninsular Car Company constructs plant on Ferry Avenue

1887 -- Meets Howard Mansfield (1849-1938)

1887 -- Acquires proofs of 26 etchings, Venice, Second Series(1886), by James McNeill Whistler (1834-1903)

1887 -- Purchases a small Japanese fan attributed to Ogata Korin(1658-1715)

1887 -- Buys land on Ferry Avenue

1889 -- Meets Frederick Stuart Church (1826-1900) and Dwight William Tryon (1849-1925) in New York

1890 -- Commissions Wilson Eyre (1858-1944) to design house on Ferry Avenue, Detroit, Michigan

1890 -- On first trip to London, meets James McNeill Whistler(1834-1903)

1892 -- Moves to Ferry Avenue house

1892 -- Tryon and Thomas Wilmer Dewing (1851-1938) undertake decoration of reception rooms

1893 -- Lends American paintings to World's Columbian Exposition in Chicago

1893 -- Purchases first piece of Chinese art, a small painting of white herons by an anonymous Ming dynasty (1368-1644) artist

1894 -- Begins yearlong trip around the world, which includes visit to the Whistlers in Paris and first trip to Asia, stopping in Ceylon (now Sri Lanka), India, China, and Japan

1896 -- Meets Matsuki Bunkyo (1867-1940) in Boston

1899 -- Takes part in consolidation of railroad-car building companies then retires from active business

1900 -- Attends Exposition International Universelle in Paris

1900 -- Buys villa in Capri with Thomas S. Jerome

1901 -- Meets Siegfried Bing (1838-1905) in Paris and Ernest Fenollosa(1853-1908), who visits Freer in Detroit

1902 -- Meets Dikran Kelekian (1868-1951)

1902 -- Spends summer in Britain building Whistler collection

1902 -- Views Whistler's, Harmony in Blue and Gold: The Peacock Room

1904 -- Purchases Whistler's Peacock Room

1904 -- Offers his art collections and funds to build a museum in which to house them to the Smithsonian Institution

1905 -- Smithsonian committee visits Freer in Detroit

1906 -- United States government formally accepts Freer's gift on January 24

1906 -- Freer signs Deed of Gift to Smithsonian Institution on May 5

1907 -- On second tour of Asia, meets Hara Tomitaro 1868-1939) in Yokohama, Japan

1908 -- Takes third trip to Asia, specifically to West Asia to study Rakka ware

1909 -- Tours Europe to study art museums

1909 -- On fourth trip to Asia, attends memorial ceremony for Fenollosa (d.1908 September) at Miidera, Japan, and meets Duanfang (1861-1911) in China

1910 -- On last trip to Asia, visits Longmen Buddhist caves in China

1911 -- Suffers stroke

1912 -- Lends selection of objects for exhibition at Smithsonian Institution

1913 -- Meets Eugene (1875-1957) and Agnes E. (1887-1970) Meyer

1913 -- Commissions Charles Adams Platt (1861-1933) to design museum building in Washington

1914 -- Meets Katharine Nash Rhoades (1885-1965) in Detroit

1915 -- Settles in New York City

1915 -- Site of future Freer Gallery of Art is determined

1916 -- Platt's plans for Freer Gallery are approved by Smithsonian Regents and Commission of Fine Arts and ground is broken in September

1918 -- After falling ill in Detroit, Freer travels to New York for treatment

1918 -- Work on the museum building is delayed by the war

1919 -- Freer appends codicil to will permitting acquisitions of Asian, Egyptian, and Near Eastern (West Asian) art

1919 -- Dies in New York City on 25 September and is buried in Kingston, New York

1919 -- Construction of Freer Gallery completed

1920 -- John Ellerton Lodge (1876-1942) is appointed director of the Freer Gallery

1923 -- Freer Gallery opens to the public on May 9

1930 -- Memorial ceremony for Freer is held at Koetsuji, Kyoto

Charles Lang Freer was an American industrialist who founded the Freer Gallery of Art. He was a well-known collector of Asian art, and strongly supported the synthesis of Eastern art and Western art. One of his most famous acquisitions was James McNeill Whistler's Peacock Room.

Index:: Index to cross-referenced correspondents in the series Charles Lang Freer correspondence

Beal, Junius E. -- See: -- Warring, Joseph Stephens

Black, George M. -- See: -- Saint-Gaudens, Augustus

Board of Education (Kingston, New York) See: Michael, M. J.

Bonner, Campbell See: University of Michigan

Boughton, George H. See: Yardley, F. C.

British Museum See: Binyon, Laurence; Hobson, R. L.

Brown, Harold H. See: Art Association of Indianapolis

Buchner, Evelyn B. See: Knoedler, M., and Company

Buckholder, C. H. See: Art Institute of Chicago

Butler, S. B. See: Unidentified correspondents

Carnegie Institute See: Balken, Edward Duff; Harshe, Robert B.

Carpenter, Newton H. See: Art Institute of Chicago

Caulkins, Horace James See: Pewabic Pottery

Chao, Shih-chin See: Gunn, Chu Su

Chicago & North Western Railway Co. See: Hughett, Marvin

Clark, Charles Upson See: Clark, Arthur B.

Cleveland Museum of Art See: Whiting, Frederic Allen

Columbia University See: Braun, W. A.; Gottheil, Richard; Hirth, Friederich

Commission of Fine Arts See: Moore, Charles

Corcoran Gallery of Art See: Minnigerode, C. Powell

Crocker, Anna B. See: Portland Art Association

Dannenberg, D. E. See: Karlbeck, Orvar

De Menoncal, Beatrice See: Lien, Hui Ch'ing Collection

De Ricci, Seymour See: Ricci, Seymour de

Defnet, William A., Mrs., See: Franke, Ida M.

DeMotte See: Vigouroux, J.

Detroit Institute of Arts See: Detroit Museum of Art

Detroit Publishing Company See: Livingstone, W. A.

Detroit School of Design See: George Hamilton; Stevens, Henry

DeVinne Press See: Peters, Samuel T.; Witherspoon, A. S.

Dyrenforth, P. C. See: Philip, Rosalind Birnie

Eddy, Arthur J. See: Philip, Rosalind Birnie

Eggers, George Williams See: Art Institute of Chicago

Farr, Daniel H. See: Robinson and Farr

Farrand School (Detroit) See: Yendall, Edith

Field Museum of Natural History (Chicago) See: Laufer, Berthold

Flagg, Frederick J. See: Allen, Horace N.

Fogg Art Museum, Harvard University See: Forbes, Edward; Pope, Arthur Upham; Sachs, Paul J.

French, M. R. See: Art Institute of Chicago

Fu, Lan-ya See: Pang, Lai-ch'en

Fujii, Yoshio See: Yoshio, Fujii

Gerrity, Thomas See: Knoedler, M., and Company

Goupil Gallery See: Marchant, William

Gray, William J. See: Barr, Eva

Great Lakes Engineering Works See: Hoyt, H. W.

Grolier Club See: Philip, Rosalind Birnie

Heinemann, W. See: Philip, Rosalind Birnie

Holden, Edward S. See: West Point, U. S. Military Academy

Hudson, J. L. See: Weber, William C.

Hutchins, Harry B. See: University of Michigan

Hutchins, Charles L. See: Art Institute of Chicago

Kelekian, H. G. See: Kelekian, Dikran G.

Kent, H. W. See: Metropolitan Museum of Art

Lee, Kee Son See: Li, Chi-ch'un

Levy, John See: Schneider, A. K.

Library of Congress See: Rice, Richard A.; Wright, Helen

Louvre (Paris, France) See: Midgeon, Gaston

Matsuki, Z. See: Matsuki, Kihachiro

McKim, Mead and White See: White, Stanford

Mills, A. L., Colonel See: Saint-Gaudens, Augustus

Miner, Luella See: Lien, Hui Ch'ing Collection

Minneapolis Institute of Arts See: Breck, Joseph; Van Derlip, John R.

Monif, R. Khan See: Rathbun, Richard

Museum of Fine Arts, Boston See: Lodge, John Ellerton

Naser, Katen & Nahass See: Katen, K.

Nordlinger, Marie, Miss See: Meyer-Riefstahl, Marie

Panama Pacific International Exposition See: Moore, Charles C.; Trask, John E. D.

Peabody Museum See: Morse, Edward Sylvester

Pennsylvania Academy of the Fine Arts See: Trask, John E. D.

Perry, Mary Chase, Miss., See: Pewabic Pottery

Philip, Ronald M. See: Philip, Rosalind Birnie

Pope, G. D. See: Barr, Eva

Reinhart, A. G. See: Gottschalk, E.

Reitz, Sigisbert ChrÃ©tien Bosch See: Bosch-Reitz, Sigisbert ChrÃ©tien

Rutgers College See: Van Dyke, John C.

Saint-Gaudens, Augusta H. See: Saint-Gaudens, Augustus

Saint-Gaudens, Homer See: Saint-Gaudens, Augustus

Samurai Shokai See: Nomura, Yozo

San Francisco Art Association See: Laurvik, J. Nilsen

Scribner's, Charles, Sons See: Van Dyke, John C.

Shaw, Wilfred B. See: University of Michigan

Shirae, S. Z. See: Yamanaka and Company

Smith College See: Clark, Arthur B.

Smithsonian Institution See: Holmes, William Henry; Rathbun, Richard; Ravenel, Walcott, Charles D.

Society of Arts and Crafts (Detroit) See: Plumb, Helen

Societe des Beaux-Arts See: Reid, Alexander

Stevens, George W. See: Toledo Museum of Art

Stratton, Mary Chase Perry See: Pewabic Pottery

Tanaka, Kichijiro See: Yamanaka and Company

Tuttle, William F. See: Art Institute of Chicago

Union Trust Company (Detroit) See: Philip, Rosalind Birnie

United States Military Academy See: West Point, U. S. Military Academy

University of Chicago See: Zug, George Breed

University of Pennsylvania, Univ. Mus. See: Gordon, George Bryon

Ushikubo, D. J. R. See: Yamanaka and Company

Wallis & Son See: Barr, Eva; Thompson, C. Croal Ward, Clarence See: Oberlin College

Warren, Edward K. See: Philip, Rosalind Birnie

Warring, Stephen See: Warring, Joseph Stephens

Watkin, Williams R. T. See: Philip, Rosalind Birnie

Watson, Margaret, Miss See: Parker, Margaret Watson

Whistler, Anna See: Stanton, Anna Whistler

Whiting, Almon C. See: Toledo Museum of Art

Williams College See: Rice, Richard A

Wright, F. G. See: Orbach and Company

Yatsuhashi, H. See: Yamanaka and Company; Index to cross-referenced correspondence in the series Whistler correspondence

Bell, William See: Unidentified correspondents

Brown, Ernest See: Painter Etchers' Society, Committee

Cowen, John T. See subseries: Charles Lang Freer Correspondence

Ford, Sheridan See: Reid, Alexander

Haden, Francis Seymour See: Painter Etchers' Society, Committee

Haden, Francis Seymour, Lady See: Haden, Deborah Whistler

Leighton, Frederick, Baron See: Campbell, Lady Colin

Moore, Albert See: Reid, Alexander

Morley, Charles See: Pall Mall Gazette

Morris, Harrison S. See: Reid, Alexander

Pennell, Joseph See: Miscellaneous typescripts

Pennsylvania Academy of the Fine Arts See: Reid, Alexander

Prange, F. G. See: Reid, Alexander

Societe des Beaux-Arts See: Reid, Alexander

Society of Portrait Painters See: Reid, Alexander

Stevens Fine Art See: Reid, Alexander

Studd, Arthur See: Miscellaneous typescripts

[Vanderbilt?], George, Mrs. See: George, Mrs.

Whistler, William McNeill, Mrs. See: Whistler, Nellie

Whistler Memorial Committee See: Miscellaneous typescripts

Related Material:: The Archives of American Art microfilmed portions of the Freer papers in 1992. The microfilm is available at the Archives of American Art's Washington D.C. office, the Freer Gallery of Art Library, and through interlibrary loan.

Provenance:: Gift of the Estate of Charles Lang Freer.

Restrictions:: Collection is open for research.

Rights:: Permission to publish, quote, or reproduce must be secured from the repository.

Topic:: Art, American -- Collectors and collecting Search this; Art, Asian -- Collectors and collecting Search this; Art -- Collectors and collecting Search this; Architecture -- Asia Search this

Genre/Form:: Diaries; Financial records; Correspondence; Photographs

Citation:: Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.

Identifier:: FSA.A.01

See more items in:: Charles Lang Freer Papers

Archival Repository:: Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:: https://n2t.net/ark:/65665/dc3f1a0e3e0-630c-48d4-ba28-485946b1d615

EDAN-URL:: ead_collection:sova-fsa-a-01

Online Media:

Bell H-13J

Manufacturer:: Bell Helicopter Corporation Search this

Dimensions:: Rotor Diameter: 11.3 m (37 ft 2 in); Length: 9.9 m (32 ft 5 in); Height: 2.8 m (9 ft 4 in); Weights: Empty, 862 kg (1,900 lb); Gross, 1,293 kg (2,850 lb)

Type:: CRAFT-Rotary Wing

Country of Origin:: United States of America

Credit Line:: Transferred from the United States Air Force, Headquarters

Inventory Number:: A19690013000

Restrictions & Rights:: CC0

See more items in:: National Air and Space Museum Collection

Data Source:: National Air and Space Museum

GUID:: http://n2t.net/ark:/65665/nv96c156473-c5a6-4ada-9a27-995810de1a8c

EDAN-URL:: edanmdm:nasm_A19690013000

Online Media:

No Image Available

[Trade catalogs from Koppers Co.]

Company Name:: Koppers Co. Search this

Related companies:: H. Koppers Co. ; Heinrich Koppers, GmbH ; Koppers Construction Co. ; Koppers Products Co. ; American Hammered Piston Ring Co. ; Bartlett Hayward Co. ; Beta Corp. ; Western Gas Construction Co. ; Wood Preserving Corp. Search this

Notes content:: two containers OVERSIZE ; piston rings (compression rings, oil rings, inner rings, ventilated rings, steam valve rings, hydraulic rings); roofing (built-up roofs, system roofs, water retaining roofs, water-cooled roofs, roof shield systems); protective coatings (hydroshields, waterproofing, damp-proofing, pavement sealers, bituminous coatings); couplers. Chemicals and dyestuffs ; engineering and construction ; gas and coke products ; metal products ; plastics ; tar products ; wood preservation. Building and construction products: expandable polystyrene ; refrigeration panel systems ; lighting fixtures ; waterproofing adhesives ; pavement sealer ; creosote wood protector ; pressure treated wood ; kofural impregnated wood ; tar products. By-product coke and gas oven plants ; benzol recovery plants ; motor fuel recovery plants ; tar distilling plants ; ammonia recovery apparatus. Ultra-high-pressure blast furnace. Road building materials ; wood preserving oils ; tars ; industrial pitch ; roofing and waterproofing materials ; biuminous paints and coatings ; tar acids and tar acid oils ; cove oven light oil distillates ; agricultural chemical products. Piston rings ; valves ; couplings ; waterless gas holders ; radiators ; coal fired boilers...this comprises the uncataloged portion.

Includes:: Trade catalog, photographs and histories; Black and white images; Color images

Physical description:: 107 pieces; 10 boxes

Language:: English

Type of material:: Trade catalogs; Trade literature

Place:: Pittsburgh, Pennsylvania, United States

Date range:: 1800s-1900s

Topic (Romaine term):: Business services (advertising; marketing; organizational management; etc.) Search this; Chemicals and chemical products Search this; Engines and motors: steam; oil; gas; etc. Search this; Fuel (includes oil; petroleum; gas; coal; etc.) Search this; Furnaces and boilers Search this; Lumber; logging; timber and forestry Search this; Mining machinery; equipment and supplies Search this; Paint; varnishes; adhesives; coatings; etc. Search this; Plastics and rubber Search this; Road building machinery and equipment Search this

Topic:: Adhesives Search this; Advertising Search this; Boilers Search this; Business Search this; Chemicals Search this; Coal Search this; Commerce Search this; Engines Search this; Forests and forestry Search this; Fuel Search this; Furnaces Search this; Lumber Search this; Marketing Search this; Mining machinery industry Search this; Motors Search this; Paint industry and trade Search this; Petroleum Search this; Plastics industry and trade Search this; Road machinery Search this; Roads -- Design and construction Search this; Rubber industry and trade Search this; Timber Search this

Record ID:: SILNMAHTL_24346

Location:: Trade Literature at the American History Museum Library

Collection:: Smithsonian Libraries Trade Literature Collections

Data source:: Smithsonian Libraries

EDAN-URL:: edanmdm:SILNMAHTL_24346

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[Trade catalogs from Edward Rorke & Co.]

Company Name:: Edward Rorke & Co. Search this

Notes content:: OVERSIZE ; glassware ; kerosene lamps ; lamp fixtures ; unique with illustrations of period lamps and graphic design ;

Includes:: Trade catalog; Black and white images

Physical description:: 1 piece; 1 box

Language:: English

Type of material:: Trade catalogs; Trade literature

Place:: New York City, New York, United States

Date:: 1800s

Topic (Romaine term):: Ceramics; pottery; glass; crystal; china; bricks; and stones Search this; Lighting (electric; gas; candle; oil; etc.) Search this

Topic:: Candles Search this; Ceramics Search this; Glass Search this; Lamps Search this; Lighting Search this; Porcelain Search this; Pottery Search this

Record ID:: SILNMAHTL_14593

Location:: Trade Literature at the American History Museum Library

Collection:: Smithsonian Libraries Trade Literature Collections

Data source:: Smithsonian Libraries

EDAN-URL:: edanmdm:SILNMAHTL_14593

No Image Available

[Trade catalogs from Jaeger Machine Co.]

Company Name:: Jaeger Machine Co. Search this

Related companies:: Lakewood Engineering Co. (subsidiary) Search this

Notes content:: three containers OVERSIZE ; Road paving and finishing equipment ; hoisting equipment ; pumping equipment ; mixing equipment ; construction and industrial equipment. Safety flasher neon warning lights for land and water ; flashing neon outdoor display systems.

Includes:: Trade catalog; Black and white images; Color images

Physical description:: 122 pieces; 6 boxes

Language:: English

Type of material:: Trade catalogs; Trade literature

Place:: Columbus, Ohio, United States

Date:: 1900s

Topic (Romaine term):: Construction and earth-moving machinery Search this; Industrial equipment or mechanical machinery (including supplies and components) Search this; Lighting (electric; gas; candle; oil; etc.) Search this; Materials handling equipment (includes barrels; bottling and filling; casters; chains; etc.) Search this; Pumping machinery and air compressors Search this; Retailers equipment and supplies Search this; Road building machinery and equipment Search this

Topic:: Air-compressors Search this; Barrels Search this; Bottling Search this; Candles Search this; Construction equipment Search this; Earthmoving machinery Search this; Industrial equipment Search this; Lamps Search this; Lighting Search this; Machinery Search this; Pumping machinery industry Search this; Retail trade equipment industry Search this; Road machinery Search this; Roads -- Design and construction Search this

Record ID:: SILNMAHTL_23021

Location:: Trade Literature at the American History Museum Library

Collection:: Smithsonian Libraries Trade Literature Collections

Data source:: Smithsonian Libraries

EDAN-URL:: edanmdm:SILNMAHTL_23021

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[Trade catalogs from Little Rock Furniture Mfg. Co.]

Company Name:: Little Rock Furniture Mfg. Co. Search this

Notes content:: OVERSIZE ; Furniture suites and individual pieces ; importers of Chinese and Japanese furnishings , rugs and carpets ; designs reminiscent of Chippendale , Heppelwhite , Rennaisance styles, etc. ; revival styles ; dressers ; wardrobes ; beds ; chairs ; "Alaska" refrigerators ; office chairs and desks ; floor lamps ; living room sets ; tables ; davenport tables ; "reed-fibre" or wicker sets ; mattresses ; "Congoleum" "art-rugs" ; "Nairn" linoleum ;

Includes:: Trade catalog and price lists; Black and white images; Color images

Physical description:: 1 piece; 1 box

Language:: English

Type of material:: Trade catalogs; Trade literature

Place:: Little Rock, Arkansas, United States

Date:: 1900s

Topic (Romaine term):: Appliances (household) Search this; Furniture and furnishings Search this; Lighting (electric; gas; candle; oil; etc.) Search this

Topic:: Candles Search this; Furniture industry and trade Search this; House furnishings Search this; Household appliances Search this; Interior decoration Search this; Lamps Search this; Lighting Search this

Record ID:: SILNMAHTL_27089

Location:: Trade Literature at the American History Museum Library

Collection:: Smithsonian Libraries Trade Literature Collections

Data source:: Smithsonian Libraries

EDAN-URL:: edanmdm:SILNMAHTL_27089

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[Trade catalogs from Kenneth Lynch & Sons]

Company Name:: Kenneth Lynch & Sons Search this

Related companies:: Kenneth Lynch ; Kenneth Lynch & Sons, Inc. ; A. M. Byers Co. ; F. H. McGraw & Co. ; Kenneth Lynch & Son, Inc. ; Kenneth Lynch Inc. (NY) Search this

Notes content:: three containers OVERSIZE ; "The Book of Garden Ornament: 2076" ; figures ; weathervanes ; clocks ; urns ; stone balusters ; shingles and siding ; stone , "Canterbury Bronze" or "Eternity Lead" statuary ; benches ; "Devotional Pieces" , religious themed sculpture ; "Japanese Stone Lanterns" ; other Asian-inspired sculpture ; animal sculptures ; tablets and plaques ; finials ; planters ; bird baths ; topiary forms ; "rain trees" ; pool systems for fountains ; pedestals ; sundials ; stanchions ; "snow guards ; "bollards" ; steel curbing ; door knockers and shoe scrapers ; treillage ; trellises ; andirons ; other fireplace equipment ; "Outdoor Cooking" supplies ; charcoal grill and accessories ; art gallery and museum equipment ; reflectors ; picture rods ; picture wire and picture chain ; show cases ; other art gallery and museum supplies ; other decorative lawn and garden pieces ; "A Steeple and A Weathervane" , detailing the reconstruction of the steeple and weathervane of the "Old North Church" or "Christ Church" damaged by Hurricane Carol in 1954 [a successor to the church steeple that Robert Newman hung lanterns in to give Paul Revere the signal regarding the British invasion] in Boston, MA , in cooperation with the A. M. Byers Co. and F. H. McGraw & Co. ; "Manship" or "Outdoor Sculpture by Paul Manship" [the sculptor of the "Prometheus" figure in Rockefeller Center] ; "Ornaments and Symbols of Eternity Lead for Stained Glass, Lighting Fixtures and Other Ornamental Purposes" . 3 pieces in Oversize : Stone , lead , bronze , and other metal garden ornaments ; wrought iron and ironwork ; garden furniture and accessories ; bronze tablets ; decorations ; "Handbook of Church Lighting" with layouts and fixtures ; smithing tools ; anvils ; coppersmithing tools ; silversmithing tools ; Two Guernsey's auction catalogs from 1985 included: "Smithing tools and items related to the art of smithing;" "Architectural, Ornamental and Decorative Objects;"

Includes:: Trade catalog and price lists; Black and white images

Physical description:: 18 pieces; 4 boxes

Language:: English

Type of material:: Trade catalogs; Trade literature

Place:: Wilton, Connecticut, United States

Date:: 1900s

Topic (Romaine term):: Architectural designs and building materials Search this; Brass; bronze and specialty metals Search this; Ceramics; pottery; glass; crystal; china; bricks; and stones Search this; Clocks and watches (including clock-making and watch-making equipment) Search this; Foods and beverage products and processing equipment (including brewing; distilleries; beer; wine; etc.) Search this; Furniture and furnishings Search this; Garden and lawn equipment and supplies Search this; Hardware and hand tools Search this; Iron and steel products (castings; sheet steel; steel wire; wire rope; pig iron and structural steel products ) Search this; Lighting (electric; gas; candle; oil; etc.) Search this; Metalwork products (architectural and ornamental) Search this; Religious paraphernalia Search this; Weathervanes and lightning rods Search this

Topic:: "Decoration and ornament, Architectural" Search this; Architectural design Search this; Architectural metal-work Search this; Art metal-work Search this; Beverage industry Search this; Brass Search this; Bronze Search this; Building materials Search this; Candles Search this; Ceramics Search this; Clocks and watches Search this; Distilleries Search this; Food industry and trade Search this; Furniture industry and trade Search this; Garden ornaments and furniture Search this; Garden tools Search this; Glass Search this; Hardware Search this; House furnishings Search this; Interior decoration Search this; Iron industry and trade Search this; Lamps Search this; Lighting Search this; Lightning conductors Search this; Lightning rods Search this; Metal-work Search this

Record ID:: SILNMAHTL_28230

Location:: Trade Literature at the American History Museum Library

Collection:: Smithsonian Libraries Trade Literature Collections

Data source:: Smithsonian Libraries

EDAN-URL:: edanmdm:SILNMAHTL_28230

Magie Dominic Caffe Cino Collection

Names:: Cino, Joe, 1931-1967 Search this

Donor:: Dominic, Magie Search this

Extent:: 1 Cubic foot (3 boxes)

Type:: Collection descriptions; Archival materials; Advertisements; Ephemera; Magazines (periodicals); Off off broadway; Photographs; Theater programs

Place:: Broadway (New York, N.Y.); Greenwich Village (New York, New York)

Date:: 1948-2023, undated

Summary:: The collection documents Caffe Cino in Greenwich Village, New York, founded in 1958 by Joe Cino as a coffee shop and art exhibition space. The collection has materials related to and written by author and artist Magie Dominic, Caffe Cino alumni and chronicler.

Content Description:: The materials consist of printed materials, photographs, scripts, advertisements, ephemera, and theater programs.

Arrangement:: Collection is unarranged.

Biographical / Historical:: An Overview with Personal Reflections, Timeline 1958-1968, and The Archives-Key Moments were supplied by donor, Magie Dominic in April 2024

An Overview with Personal Reflections by Magie Dominic

Early Years: 1931-1958

Joe Cino was born on November 16, 1931 in Buffalo, NY. His parents, Mary and Joseph were both Sicilian. There were four brothers, Gabby, Richard, Joe, and Steve. Joe's father, Joe Cino senior, died at a very young age and Mary worked to support the family. She worked at a candy factory at night and wrapped candy in tissue and throw it out the window for the boys to catch. As a child, Joe did little shows in the backyard for the neighbors.

Michael Smith, Village Voice critic, interviewed Joe in 1965 and asked him why he came to New York City. "The opportunity arose because four friends of mine were running away from home, and two of them had some money." (1948; Joe was sixteen; his friends were Tony Vaccaro, Angelo and Stephen Lovoulo (brothers). "I had to make a decision within two hours. It was snowing. My mother was visiting a neighbor, and she came home calling me as I was leaving the house. I ran into the street and jumped into a passing car. I heard my mother calling, and I said, "I'll be back soon, there's a note on the kitchen table." The note said, "I'm going to Rochester to visit some friends."

He arrived in New York City on February 7, 1948, during a blizzard, and broke. "I had a job within three days at the YMCA in Penn Station as a counterman for $110 a month. February to summer. I was making ice cream sodas at Howard Johnson's. Hotel Statler reservations department."

Eight weeks later, April 12, he sent a long, handwritten letter to his mother explaining why he'd run away and his dream to study acting and dance, "Dear Mom, Don't read this letter until tonite when you're relaxed—don't read it half-fast—go through it quite carefully. There are 12 pages (24 sides) Love "Junior"

"When I got the job at the Statler I enrolled in the Henry Street Playhouse and took courses in everything. I was there for about two years. I went home (Buffalo) in July. She (his mother) gave me her blessing. When I left at the end of the week everything was O.K. from then on."

In 1953 Joe was given a dance scholarship to Jacob's Pillow; danced with the Mary Anthony Dance Theater and toured with Maxine Munt and Alfred Brooks.

Michael Smith asked him when he got the idea of opening a café, "I started thinking about the café in 1954. I would talk about it with close friends. My idea was always to start with a beautiful, intimate, non-commercial, friendly atmosphere where people could come and not feel pressured or harassed."

He worked two jobs, studied, and saved for ten years. In the summer of 1958, his friend Ed Franzen saw a For Rent sign on 31 Cornelia Street. He called Joe and introduced him to the landlady, Josie Leema, who was leaning out an upstairs window. Joe said 'Oh you're Italian." Josie said, Yes, what are you. Joe said Sicilian. Josie said, "I don't have to come down," and threw him the key and gave him the first month's rent free if he did all the needed repair work. Josie was Joe's landlady for the Caffe's entire existence. She often brought down pots of soup when Joe was unable to pay the rent. Her reasoning was, if Joe didn't have rent money, he probably didn't have food money. Joe opened the Caffe Cino on a Friday in December 1958. There was room for about twenty mismatched ice cream parlor tables and chairs, and a tiny kitchen with his espresso machine. The room could accommodate about forty people.

MAGIE DOMINIC: PERSONAL REFLECTIONS

In 1962 I left my home in Newfoundland, as a teenager, like Joe Cino. I was 18 and studied at the Art Institute of Pittsburgh. In 1964 I moved to New York, worked in interior design, gave poetry readings in New York venues, stage managed productions at Lighthouse for the Blind and stage managed a play at La Mama. Ellen Stewart introduced me to Tom Eyen. Tom introduced me to Joe Cino. Joe asked me my sign, (Cancer) and we began a friendship and a dialogue that lasted in one form or another to this day. I entered the Caffe that day and never left. Joe was handsome, broad-shouldered, dark hair, a quick smile; his dark brown eyes were filled with passion. He could hold you with his eyes.

I stage managed for Lanford Wilson and Tom Eyen, created roles for new playwrights, created tiny collages for the Caffe walls and worked on the sets; created the large stars and flags for the Dames at Sea set and made Joe an apron from left over stars. I was assistant director to Marshall Mason; I occasionally ran to the store for groceries for the Caffe kitchen. There was no job description. We worked for free, passed the basket after each performance and if we collected fifty dollars by the week's end, and the production had five people, we received $10. each for a week's work. We would have worked for a dollar. We would have paid to be there. The Caffe Cino ceiling was a maze of intricate lighting equipment. Lights were dimmed, stage lights appeared on a tiny performance area, and the room opened like a chakra. The walls were collages with photographs, posters, and twinkle lights. Music ranged from opera to Shirley Temple to Kate Smith, belly dancing, Christmas carols and Billie Holiday. A curtain of crystals and bells stretched in front of the espresso machine; a musical explosion by Joe before each performance with the words, "It's magic time!" And each performance was dedicated to somebody's birthday.

Eventually there was a stage, a tiny eight-foot portable wooden platform. New playwrights emerged and used the free venue Joe offered. Joe would ask them their sign, (I think it was his way of reading people), give them a date, say, "This is your week," and politely refuse to read the script. Joe was generous to the extreme. People came to him for help - and he offered it.

For several years Joe operated the Caffe at night, while simultaneously working during the day as a typist for American Laundry Machinery Company. That salary probably sustained the Caffe. Every new playwright paving the way to the next century had roots there - Lanford Wilson, Tom Eyen, Sam Shepherd, John Guare, Robert Patrick, Doric Wilson, Paul Foster, H. M. Koutoukas, William Hoffman, among many, many others. Bernadette Peters, Marshall Mason, and Harvey Keitel began there. Performances were done for the room, with or without an audience. In the words of theater critic John Gruen, ― Caffe Cino presented the outrageous, the blasphemous, the zany, the wildly poetic, the embarrassingly trite, the childish, and frequently, the moving and the beautiful. A few years ago, someone asked me in an interview where the Caffe Cino administrative offices were located. I said they were in the kitchen, next to the expresso machine, because that's where Joe was standing. In the years following the Caffe's closing I wrote two books, co-edited a third with Michael Smith, gave several presentations on the Caffe, and raised a daughter. My artwork was exhibited in Canada and the United States, and my large fabric installation, The Gown, was presented at The United Nations. Two Caffe Cino people have fabric in the Gown, Robert Patrick and Jim Gossage. For many, the Caffe Cino was a second home. For others it was the only home they'd ever known. Awards received by those who began their careers at the Caffe Cino include the Pulitzer, the Emmy, the Grammy, the Tony, the Obie, the New York Drama Critics' Circle Award, the Robert Chesley Award, and the New York Innovative Theater Awards.

TIMELINE, PLAYWRIGHTS, KEY MOMENTS

"The one thing I never thought of was fully staged productions. I opened as the Caffè Cino Art Gallery, and we had openings every six weeks." Joe Cino

1958-1959 Primarily art exhibitions, poetry and readings of classic plays, Tennessee Williams, etc.

1960 First original play is written for the room, "Flyspray"' by James Howard. In the beginning there is no stage. Tables are moved aside, and actors perform in the space between tables. The photographer, Rowland Sherman, has his first exhibition, with mainly Caffe Cino people as his subjects.

1961 Original plays are now written for the room. Doric Wilson presents his first three plays. The Caffe receives "The Coffee Cup Award" from Show Business newspaper. Al Pacino makes his Off-Off Broadway début in the production of William Saroyan's Hello Out There. "It was a very important moment for me," Pacino, 2014, New Yorker Magazine.

1962 The official menu is designed by Michael Wiley. The $1. minimum includes a show, coffee, and pastry. The one dollar minimum is never changed. Dramatic lighting effects are achieved through the ingenious work of lighting designer John P. Dodd. Adaptation of Alice in Wonderland. "The play was one of the most beautiful things we had at the Cino. I think it was the first time we had that kind of magic." Joe Cino

1963 One-week performances. Claris Nelson writes three original plays. Lanford Willson produces his first plays. Harassment from New York City inspectors.

1964 Two week runs begin with 14 performances weekly. Caffe Cino becomes eligible for the Obie Award. There is continued harassment from New York City inspectors. They categorize the Caffe as a cabaret and insist that Joe obtain a cabaret license and sell alcohol, the requirement for obtaining the license. Joe has a valid restaurant license, wants only a caffe with expresso, and wants nothing to do with liquor. He offers to pay for the cabaret license but refuses to serve alcohol. In an attempt to stop the fines, he changes the name of the Caffe Cino to the Caffe Cino Arts Club and issues membership cards, but the fines continued, and the name change is abandoned. It is a cafe without a category. The staging of Lanford Wilson's The Madness of Lady Bright is a breakthrough hit as the play deals openly about homosexuality. The Caffé has become well known for its plays dealing with gay subject matter. For the first time in New York, and perhaps in the country, LGBT people see depictions of themselves in a more multi-dimensional and realistic light.

1965 On the night of March 3, a fire caused by a gas leak, completely destroys the caffe interior. Edward Albee and H.M. Koutoukas organize a benefit to rebuild the Caffe. Several benefits are held throughout the city. The Caffe is rebuilt and reopens on May 18. The Caffe receives special Obie Award. Playwrights include Diane di Prima, H. M. Koutoukas, David Starkweather, Lanford Wilson, Jean-Claude van Itallie, John Guare, Mary Mitchell, Robert Heide, Tom Eyen, William M. Hoffman, Sam Shepard.

1966 In May, Dames at Sea, a 40-minute musical, opens on the tiny stage, is directed by Robert Dahdah and runs for three consecutive months. It is the first New York play for a teenage Bernadette Peters and, is probably the most successful play in Off-Off-Broadway history. Unfortunately, a producer moves Dames from the Caffe Cino to an Off-Broadway theater and Joe and the Caffe are never acknowledged for its creation.

1967 In January, Joe's lover is electrocuted in an accident in upstate New York and Joe is devastated. City fines and harassment increase. At the end of 1966 and the beginning of 1967, a group of non-Caffe Cino people begin to frequent the room, bring a darkness and quantities of drugs, and although they are not welcomed by most at the Caffe, they continue to frequent the room. On the night of March 31, alone in the room, Joe Cino tries to end his own life. He survives for three days but is pronounced dead at St Vincent's Hospital on Sunday, April 2. Joe Cino cherished life. He cherished his family; the arts; and cherished his magical Caffe. He is devastated by the death of his lover, by the years of unrelenting fines, by the years of harassment, by exhaustion, and is overpowered by a lethal supply of drugs offered to him. They are all contributing factors.

On April 10th at Judson Church, the memorial program cover is wordless. Only a black and white photo of Joe smiling, and wearing an apron made from left over "Dames at Sea" stars.

Four people, led by Charles Stanley - Ken Burgess, Robert Patrick, and Magie Dominic are joined by a few others and work to keep the Caffe open, following the schedule Joe had planned. An unexpected classic comic book production of Snow White. Charles Stanley is the magic mirror; Ken Burgess is all the magical forest creatures; Robert Patrick, playwright, is both Doc and the haunted forest; H.M. Harry Koutoukas, the Greek playwright, is the evil queen; Magie Dominic is Snow White. At every performance the dwarfs are different, and the number is always changing. City harassment and fines intensify. Michael Smith and Wolfgang Zuckerman take over management of the Caffe.

1968 City harassment and fines reach a breaking point. "The summonses cost $250 each. We could not get them to stop, and we could not afford to pay them. So in March, after a final, beautiful production of "Monuments" by Diane di Prima, directed by James Waring and Alan Marlowe, with lighting by John P. Dodd, the Caffè Cino closed for good." (Michael Smith) The Caffe Cino closes on March 17, 1968. Michael Smith, in the days after the Caffe's closing in 1968, takes pictures and programs from the Caffé walls and brings them to Library for the Performing Arts, Lincoln Center.

THE ARCHIVES. KEY MOMENTS

1972. Off-Off Broadway Book by Albert Poland and Bruce Mailman, published with a chapter on Caffe Cino, research and scripts. 1977. Magie Dominic contacted photographer Jim Gossage, a main photographer of Caffe Cino and 1960s OOB theater, regarding existing Caffe Cino photographs. Together, they began assembling documentation. 1979. The newspaper Other Stages published a series of articles about Caffe Cino. 1979. Dorothy Swerdlove, Curator of the Billy Rose Theatre Division of New York Public Library for the Performing Arts (LPA) was shown Caffe Cino documentation by Magie Dominic, and established a 1985 exhibition date in the Astor Gallery, Lincoln Center. For the following six years, 1979-1985, and with the assistance of several Caffe Cino people; Ken Burgess - designer of Caffe show posters; the photographer Jim Gossage; the LPA curatorial staff and Richard Buck, Magie Dominic co-curated the exhibition Caffe Cino and Its Legacy. 1985 Caffe Cino and Its Legacy, March 5 - May 11, Astor Gallery, New York Public Library for the Performing Arts, Lincoln Center.

AIDS devastated the Caffe Cino people during the 1980s and into the 1990s. Over sixteen playwrights, actors and designers were lost.

2000: The Queen of Peace Room, memoir by Magie Dominic, published, with a chapter depicting Caffe Cino; and loss of people to AIDS; nominated for three literary awards. 2005. The New York Innovative Theatre Awards established The Caffe Cino Fellowship Award. 2005: Caffe Cino: The Birthplace of Off-Off-Broadway, by Wendell Stone, published. 2006. Bernadette Peters, in Legends of Broadway Compilation, related working on Dames at Sea at Caffe Cino. 2006 CUNY TV, Conversations with William M. Hoffman: Caffe Cino/Off-Off Broadway interviews. 2007. In The Life: Channel 13 TV, fifteen-minute documentary on Caffe Cino's impact on New York theatre and gay theatre in New York. 2007. Return to the Caffe Cino, co-Edited by Steve Susoyev and George Birimisa, published. 2008. Thirty-minute video by Library for the Performing Arts, documenting Greenwich Village Society for Historic Preservation's tribute to Caffe Cino's historic importance; plaque designed by playwright Robert Patrick installed. 2010. H.M. Koutoukas Remembered by His Friends, co-edited by Michael Smith and Magie Dominic, published. 2011. Caffe Cino documentation entered into Library for the Performing Arts permanent archives including the show posters designed by Ken Burgess. 2011. Fales Archives, NYU, enters Magie Dominic writing and art documentation into their permanent archives. 2016. New York Press Association awarded Second Place for Coverage of the Arts to The Villager newspaper for their story, "Magie Dominic - Magic Time at the Caffe Cino". 2017. Caffe Cino placed on The National Register of Historic Places for its significance to LGBT history. It was placed on The State Register of Historic Places the same year. 2019. Caffe Cino designated a New York City Landmark by the Landmarks Preservation Commission. 2019: Lifetime Achievement Award from New York Innovative Theater Awards awarded to Magie Dominic for her contribution to the arts, and Caffe Cino archival work. 2022. Nov 16. A plaque honoring Caffe Cino's placement on The National Register of Historic Places installed on 31 Cornelia Street. It was also Joe Cino's 91st birthday. Research and documentation are ongoing. In 2017, the Cino family found among Mary Cino's papers, the 24-page letter Joe had written to her in 1948.

The Caffe Cino brought theatre into the modern era, created Off-Off Broadway, and from its humble, little eight foot by eight-foot wooden stage, forever altered the performing arts worldwide.

Provenance:: Collection donated by Magie Dominic, 2024.

Restrictions:: Collection is open for research.

Rights:: Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.