The papers of African American arts administrator and director of Cinque Gallery, Ruth Jett, measure 7.8 linear feet and 0.242 gigabytes, and date from 1914 to 2014. The collection contains biographical material; correspondence with family, friends, and colleagues including William Branch, Vinie Burrows, John and Vivian Hewitt, Langston Hughes, and Charles and Frances White; and administrative and professional files which include material related to the American Society of African Culture, the Carnegie Endowment for International Peace, Cinque Gallery, the Cinque Artists Program at the Romare Bearden Foundation, the Library of Congress Center for the Book, and the Schomburg Corporation. The collection also includes writings, primarily typescript copies of literary works by others, including Langston Hughes and Ossie Davis, as well as notes; printed material such as clippings, exhibition and event announcements, books and magazines, and press releases; and photographic material including photographs, snapshots, negatives, and slides depicting Ruth Jett and other individuals, travel, Carnegie Endowment for International Peace fellows and events, and works of art. Also found is a small amount of artwork including a sketchbook, sketches, a painting, and a print.
Scope and Contents:
The papers of African American arts administrator and director of Cinque Gallery, Ruth Jett, measure 7.8 linear feet and date from 1914 to 2014. The collection contains biographical material; correspondence with family, friends, and colleagues including William Branch, Vinie Burrows, John and Vivian Hewitt, Langston Hughes, and Charles and Frances White; and administrative and professional files which include material related to the American Society of African Culture, the Carnegie Endowment for International Peace, Cinque Gallery, the Cinque Artists Program at the Romare Bearden Foundation, the Library of Congress Center for the Book, and the Schomburg Corporation. The collection also includes writings, primarily typescript copies of literary works by others, including Langston Hughes and Ossie Davis, as well as notes; printed material such as clippings, exhibition and event announcements, books and magazines, and press releases; and photographic material including photographs, snapshots, negatives, and slides depicting Ruth Jett and other individuals, travel, Carnegie Endowment for International Peace fellows and events, and works of art. Also found is a small amount of artwork including a sketchbook, sketches, a painting, and a print.
Arrangement:
The collection is arranged in seven series.
Series 1: Biographical Material, 1914-2014 (Box 1, OV 9; 0.5 linear feet)
Series 2: Correspondence, 1952-2014 (Boxes 1-2; 1.2 linear feet)
Series 3: Administrative and Professional Files, 1954-2009 (Boxes 2-5, OV 9; 3.2 linear feet)
Series 4: Writings, 1949-circa 1990s (Box 5; 0.3 linear feet)
Series 5: Printed Material, 1928, 1949-2014 (Boxes 5-7, OVs 9-13; 2.1 linear feet, ER01; 0.242 GB)
Series 6: Photographic Material, 1947-2010 (Boxes 7-8, OV 14; 0.5 linear feet)
Series 7: Artwork, undated (Box 8, OV 14; 3 folders)
Biographical / Historical:
Ruth Jett (1920-2014) was an art administrator and Director of the Cinque Gallery, New York, N.Y.
Born and raised in Alabama, Ruth Jett attended Miles College in Birmingham before moving with her mother and some siblings to Harlem, New York. In the early 1950s, Jett worked with the Committee for the Negro in the Arts, overseeing early productions by several Black playwrights including William Branch, Alice Childress, Ossie Davis, and Julian Mayfield. From the 1950s until her retirement in 1978, Jett held a variety of positions at the Carnegie Endowment for International Peace, notably managing the Fellowships in Diplomacy program for a number of years.
After she retired from the Carnegie Endowment, Ruth Jett worked with a number of cultural and arts organizations, including the Library of Congress Center for the Book, the Schomburg Corporation/ Schomburg Center for Research in Black Culture, and the Friends of the Symphony of the New World.
Ruth Jett served on the Cinque Gallery Board of Directors beginning in 1981. She was appointed Executive Director in 1989 and served in that position until the early 2000s. When the gallery closed in 2004, she then worked with the Romare Bearden Foundation on the Cinque Artists Program to continue the gallery's legacy and commitment to supporting artists.
Related Materials:
The Archives of American Art also holds the Cinque Gallery records, 1959-2010, bulk 1976-2004.
Provenance:
The Ruth Jett papers were donated to the Archives of American Art in 2018 by Juan Rodriguez, a friend of Jett.
Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New York (State) -- New York Search this
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Jett papers, 1914-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Jett papers, 1914-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Jett papers, 1914-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Jett papers, 1914-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Jett papers, 1914-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Jett papers, 1914-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Jett papers, 1914-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
This series consists of both personal and professional correspondence with family, friends, diplomats, artists, and others in the art world. Notable correspondents include William Branch, Vinie Burrows, John and Vivian Hewitt, Langston Hughes, and Charles and Frances White. Researchers should note that additional correspondence and memoranda related to the Carnegie Endowment for International Peace, Cinque Gallery, the Library of Congress Center for the Book, and the Schomburg Corporation may be found in the administrative and professional files series. Also included is a file of correspondence related to Lucinda Jett's care.
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Jett papers, 1914-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
The administrative and professional files series is arranged in seven subseries: American Society of African Culture records; Carnegie Endowment for International Peace records; Cinque Gallery records; Cinque Artists Program, Romare Bearden Foundation records; Library of Congress Center for the Book records; other activities; and Schomburg Corporation records. Included in these subseries are by-laws, correspondence and memoranda, meeting minutes, financial documents, reports, and printed material. Cinque Gallery Records also include a small number of artist files, which may include resumes, agreements, printed material, and photographic material. Audiovisual and born digital material is also present in the Cinque Gallery records subseries.
Arrangement:
Files in subseries are arranged in rough chronological order, with the exception of the Carnegie Endowment for International Peace subseries, which is arranged alphabetically. Original groupings and folder titles have been maintained when possible.
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Jett papers, 1914-2014. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
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