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General, Libraries

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box SUPP 17, Folder 1
Type:
Archival materials
Date:
1883-1962
Scope and Contents:
Advertising, general information, letterhead for libraries and supporting organizations including the Universal Knowledge and Information Bureau, the Clements Library and Manuscript Society, the Stockton Free Public Library, the Seaboard Air Line Free Traveling Library System, Sabbath Library, Cornell University Libraries (1962, copy services price list), the Pioneer (1961, publication of the Library Bureau of Remington Rand), plus other commercial lending or circulating libraries. Obituary news clipping, Library Director Harriet Forbes Burdick, Orange Public Library (1962 October 11).
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Libraries, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Libraries
Warshaw Collection of Business Americana Subject Categories: Libraries / Business and Operation Records, Marketing Material, Images, and Trade Literature
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-libraries-ref14

Catherine Hann Papers

Creator:
Hann, Catherine (Huynh bach Thuy)  Search this
Names:
United Nations. Office of the High Commissioner for Human RIghts.  Search this
United States Catholic Conference. Migration and Refugee Services  Search this
Extent:
0.6 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Oral histories (document genres)
Correspondence
Identity cards
Diaries
Audiotapes
Checkbooks
Date:
1953-2006
Summary:
Papers relating to Catherine Hann's life in Vietnam (1953-1981), her flight by boat to Malaysia and stay at Pulau Bidong refugee camp (February --September 1981), her immigration to the United States (September 1981), and her work in Maryland as a circuit board assembler, manicurist and esthetician.
Scope and Contents:
The Catherine Hann Papers are divided into five series: Life in Vietnam, pre-1981; Stay in Malaysia, 1981; United States, 1981-2006; Oral History Interviews, 2002, 2006; and Photographs, 1955-2005.

Series 1 consists of four documents from Hann's life in Vietnam: an official copy of Hann's 1953 birth certificate, her college student ID, her Gia Long High School student ID and her 1974 South Vietnamese identity card.

Series 2 documents Hann's stay in the Pulau Bidong refugee camp off the coast of Malaysia and her family's medical processing in Kuala Lumpur. Especially interesting is a small diary Hann kept in 1981 documenting the building of the fishing boat, the voyage in the Gulf of Thailand, the stay at Pulau Bidong and Kuala Lumpur, and the family's first few months in the United States. There is an English translation of the diary. Other materials in this series include letters sent by relatives and friends to Hann in the refugee camp, papers documenting a family member's attempt to sponsor the family in the U.S., and hand-made Certificates of Commendation awarded to Hann's husband for his work in the refugee camp. The original letter with attached photographs from the U.S. Embassy in Kuala Lumpur granting permission for the family to immigrate is included.

Series 3 describes Hann's life in the United States as she transitioned from refugee to financially successful American citizen. Uncommon pieces of ephemera are cancelled checks repaying a loan from the United States Catholic Conference for the purchase of plane tickets from Malaysia to the United States. Also included are papers from Hann's seventeen years in the electronics industry, textbooks for manicurist training, a ledger and checkbook from Hann's short-lived Nails & Beauty Spa, Inc., and daily schedules with earnings from her current job at Totally Polished.

Series 4 consists of the original audiocassettes, reference CDs and typed transcript of an oral history conducted by Susan B. Strange, associate curator, with Hann on March 7, 2006, as well as a typed transcript of a December 14, 2002, interview with Hann conducted by Daniel Ekman, a student at St. Andrew's Episcopal School in Potomac, Maryland.

Original photographs in Series 5 document Hann's life in Vietnam, her husband's work in the refugee camp, the family's departure from Pulau Bidong, and Hann at work at Fairchild Space Co. Also in Series 5 is a folder with photocopies of seven photographs taken in 2005 by a Smithsonian staff member of Hann working at her manicure table. Smithsonian negative numbers are included with the photocopies; releases from the photographer, Hann, and the woman having a manicure, are in the Archives Center's control file for this collection. In the same folder are photocopies of five photographs (originals retained by Hann) showing Hann's life in Vietnam; the Archives Center scan number is printed on each photocopy. Hann granted copyright in these five photographs to the National Museum of American History on April 22, 2006; the release form is in the Archives Center's control file.
Arrangement:
The collection is divided into five series with chronological arrangement.

Series 1: Life in Vietnam, 1953-1981

Series 2: Stay in Malaysia, 1981

Series 3: United States, 1981-2006

Series 4: Oral History Interviews, 2002, 2006

Series 5: Photographs, 1955-2005
Biographical / Historical:
Catherine Hann was born in Saigon, State of Vietnam, on November 14, 1953 as Huynh bach Thuy. (She changed her name to Catherine Hann when she became a naturalized American citizen on June 19, 1987.) Hann, her parents and younger siblings lived in Saigon where her father worked as an instructor at Truong Quan Y, a South Vietnamese Army medical school. In 1968 Hann's family moved further south to Rach-Gia in Kien Giang province to care for Hann's recently-widowed paternal grandmother. Hann, the eldest of twelve children, stayed behind in Saigon, living with a great-uncle, so that she could continue attending Gia Long High School, one of the most prestigious and academically challenging public schools for girls in the country.

After graduation from Gia Long in 1973, Hann attended the University of Science in Saigon where she studied to become a biologist. In 1975, Hann's father, who had worked in a South Vietnamese military hospital in Rach-Gia since his arrival there in 1968, was sent to a "re-education camp." Hann returned to Rach-Gia to be with her mother and to help support the family. She then began attending a teacher training program in Rach-Gia where she trained as a biology teacher. At the training program, Hann met Han Huu Vinh who became her husband in 1976. After graduation, Hann taught biology in a high school in Rach-Gia while her husband taught mathematics in the same school. Their son, Kinh, was born in 1977.

In addition to supplementing the family income with her teacher salary, she also purchased unprocessed rice or "rough rice," had it milled, and sold the resulting white rice. To make a little more money for the family, the hulls and other residue from the milling process were sold as hog food. The future looked bleak, and Hann and her husband decided to take their young son and flee the country.

After two failed attempts to escape by boat, the Hanns were luckier the third time. A family friend obtained permission to build a fishing boat, a small wooden craft only 11.5 meters by 2.1 meters. Hann's family, one of the initiators and organizers of the scheme to use the fishing boat as a means of escape, hired a man who had served in the South Vietnamese Navy to navigate. At 2:05 a.m. on the morning of February 14, 1981, ninety-two people left Rach-Gia on the overloaded boat and headed southwest. Three days later the fishing vessel, towing another boat found stranded after being attacked by pirates, docked at Pulau Bidong, an island off the coast of Malaysia. After five months in the United Nations refugee camp on Pulau Bidong, Hann, husband, son, brother, and husband's nephew were taken to Kuala Lumpur for processing in preparation for immigration to the United States.

Hann's husband's sister, a naturalized American living in Rockville, Maryland, was their sponsor, and on September 11, 1981, the five-member family group arrived in the United States. The five continued to live together for about four years before Hann's brother and her husband's nephew went out on their own. After being on welfare and receiving intensive English-language training, Hann and her husband gradually became self-sufficient. Hann's first job was working in the cafeteria at Montgomery College in Rockville which she left to work at Denro Labs doing electronic assembly. Hann's husband's first job was at Solarex testing solar panels.

After almost ten years in the electronic assembly field, a Vietnamese friend encouraged Hann to train as a manicurist, and in 1992 Hann graduated from the Aesthetics Institute of Cosmetology in Gaithersburg, Maryland. At first she only manicured her own nails, but a year or so later Hann began working on Saturdays at a busy nail salon while continuing to work full-time in the electronics industry. When she learned that doing facials and waxing was faster and more profitable than doing manicures, Hann obtained training and a license to become an esthetician. After her week-day employer, Orbital Science Corp., moved to Sterling, Virginia, in 2000, a long commute for Hann, she started working full-time as an esthetician and manicurist at Totally Polished in Potomac, Maryland.

Hann works six days a week at Totally Polished, and on her day off she spends the morning doing manicures and waxing for private clients in their homes. This hard work has enabled Hann and her husband to pay off the mortgage on their single-family house in Gaithersburg and purchase a rental house in Florida. Their only child, Kinh, also has done well, earning a Master's Degree from the University of Maryland and now (2006) working on his PhD in biomedical engineering. Kinh is employed by Digene Corporation; he bought a house three years ago; and, as his mother proudly states, he drives a brand new BMW. Hann's stated reason for fleeing her country was "for my son's future;" the family's hard work and sacrifices seem to have made her hopes come true.
Separated Materials:
In 2005, the Division of Work and Industry collected manicure tools and soldering test equipment from Hann; in 2006 the division collected facial and waxing-related objects from Hann. Clothing worn on the boat fleeing Vietnam was donated in 2006 to the Division of Home and Community Life, along with tweezers Hann purchased in Saigon and carried throughout her immigration experience. The wedding of Kinh Hann to Leila Poursedehi in 2008 is documented in the Archives Center Weddings Documentation Collection, collection number 1131. The Vietnamese wedding dress that Leila Poursedehi wore at their wedding dinner was donated to the costume collection in the Division of Home and Community Life in 2008.
Provenance:
The collection was donated by Catherine Hann, March 18, 2006.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Manicuring  Search this
Naturalization  Search this
Emigration and immigration  Search this
Refugees  Search this
Beauty culture  Search this
Vietnamese Conflict, 1961-1975  Search this
Vietnamese Americans -- Biography  Search this
Small business  Search this
Genre/Form:
Photographs -- 2000-2010
Interviews
Oral histories (document genres)
Correspondence
Identity cards
Photographs -- 1950-2000
Diaries -- 20th century
Audiotapes
Checkbooks
Citation:
Catherine Hann Papers, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0921
See more items in:
Catherine Hann Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0921
Online Media:

Main reading room, Abbot Library, Pleasant Street at Maverick Street. At computer: Christine Evans. Students, left to right: Jennifer Meshna, Diane Jensen, Kate Horne, Lauren Coppola, Lindsey Peterson, Maureen Doherty. At desk: Victor Dyer. Standing: L...

Collection Creator:
Cohen, Stuart  Search this
Container:
Box 1, Item 47
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright. Contact photographer for reproduction.
Collection Citation:
Photographs by Stuart Cohen from "Marblehead at the Millennium," 2000, Archives Center, National Museum of American History. Gift of the artist.
See more items in:
Stuart Cohen "Marblehead at the Millennium," Photoprints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0804-ref58

Design Research, Inc. collection

Creator:
Design Research, Inc.  Search this
Names:
Benjamin Thompson and Associates  Search this
Cooper-Hewitt Design Archive  Search this
Design Research, Inc.  Search this
Marimekko Oy  Search this
Thompson, Benjamin, 1918-2002  Search this
Extent:
6.5 Cubic feet
Type:
Collection descriptions
Archival materials
Writings
Press releases
Legal correspondence
Resumes
Drawings
Clippings
Scrapbooks
Photographs
Speeches
Financial records
Correspondence
Date:
1953-1979
Summary:
This collection consists ofcorrespondence, scrapbooks, catalogs, brochures, original drawings, photographs, financial records, resumes, legal documents, magazine articles, business records, press releases, artwork, and samples of boxes, bags, and buttons. Files documenting the company's history include a statement of the company's philosophy and records pertaining to the establishment of new stores in various cities. Project files document the furniture, fabrics, rugs, and accessories imported and design by Design Research, Inc. Bound reprints of articles that appeared in Interiors and International Design magazines are included. Clippings and other records documenting the design and construction of D/R stores are provided in the files pertaining to Benjamin Thompson & Associates, Inc. Also found in these files is a printed and bound presentation copy of Thompson's address, "The Craft of Design and the Art of Building", along with other articles by and about Thompson. Additional information pertaining to D/R's association with Marimekko can be found in the Cooper- Hewitt Design Archive's Marimekko Collection.
Arrangement note:
Unprocessed. Consists of six record groups: 1) Company history; 2) Office records; 3) Project files; 4) Clippings and Scrapbooks; 5) Benjamin Thompson & Associates, Inc. for D/R; and 6) Photographs.
Biographical/Historical note:
Retail establishment and product design. Design Research, Inc. (D/R), founded in 1953 in Cambridge, Massachusetts, by architect Benjamin Thompson, specialized in the latest post-war products for the modern home. The displays in the stores were considered unique in that they were designed at domestic scale and the products were shown in realistic, homelike arrangements.

Products were sought and selected based on the anticipated preferences of customers, not on traditional retail buying patterns. At the time, the availability of "good design" was limited to wholesale firms such as Herman Miller and Knoll. Thompson was the first to introduce the work of many European and Asian designers to the American retail market, including the work of the design firm of Marimekko for which D/R was the exclusive U.S. represenative. The company also created many of its own products including chairs manufactured by Thonet. D/R later opened stores in New York City, San Francisco, and Philadelphia. Thompson's own architectural firm, Benjamin Thompson & Associates, Inc., designed all of the D/R stores. For the San Francisco store, Thomspon renovated the former Ghirardelli Chocolate factory. Even after the stores officially closed in 1978, D/R remained a model for many merchants.
Provenance:
The materials in this collection were donated to Cooper-Hewitt in 1995 by Benjamin and Jane Thompson.
Restrictions:
Unprocessed; access is limited. Permission of Library Director required for use.
Topic:
Furniture design -- United States -- History -- 20th century  Search this
Retail trade -- United States  Search this
Furniture store  Search this
Display of merchandise -- United States  Search this
House furnishings -- United States  Search this
Stores, Retail -- Design  Search this
Stores, Retail -- United States  Search this
Genre/Form:
Writings
Press releases
Legal correspondence
Resumes
Drawings
Clippings
Scrapbooks
Photographs
Speeches
Financial records
Correspondence
Identifier:
SIL-CH.1997-123-2
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-1997-123-2

Edward McKnight Kauffer collection

Topic:
Brighton warp and weft
Seventeen
Advertiser's weekly
Australasian
Creator:
Kauffer, E. McKnight (Edward McKnight), 1890-1954  Search this
Names:
American Airlines  Search this
American Silk Mills  Search this
Brighton (Firm)  Search this
British Federation of Master Printers  Search this
British Institute of Industrial Art  Search this
British South American Airways  Search this
Container Corporation of America  Search this
Cooper-Hewitt Design Archive  Search this
Imperial Airways  Search this
London Underground Limited  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Aid Society  Search this
New York (State). Metropolitan Transportation Authority  Search this
Pan American World Airways, Inc.  Search this
Victoria and Albert Museum  Search this
Beddington, Jack  Search this
Dorn, Marion, 1896-1964  Search this
Ehrlich, Grace  Search this
Eliot, T. S. (Thomas Stearns), 1888-1965  Search this
Fry, Roger Eliot, 1866-1934  Search this
Haworth-Booth, Mark.  Search this
Huxley, Aldous, 1894-1963  Search this
Kauffer, E. McKnight (Edward McKnight), 1890-1954  Search this
Moore, Marianne, 1887-1972  Search this
Pick, Frank, 1878-1941  Search this
Symon, D. E. (David E.)  Search this
Waldman, Bernard.  Search this
Extent:
3 Cubic feet
Type:
Collection descriptions
Archival materials
Clippings
Awards
Correspondence
Writings
Posters
Drafts (documents)
Announcements
Obituaries
Calendars
Negatives
Photographs
Sketches
Reviews
Date:
1915-1954
Summary:
This collection documents Kauffer's work as a theater designer, and graphic designer from 1915-1954.The collection includes allusions to correspondences between Kauffer in America to T.S. Eliot (1888-1965) in London, between 1930 and 1955. (There are no letters between the two men in the collection.) Although Kauffer and Eliot were to become friends after 24 July 1930, they were professionally related before that time. Kauffer illustrated the Ariel edition of Eliot's "Marina." Kauffer and Eliot met in London. In the collection are also posters of Kauffer's works, biographical pieces, and obituaries as well as photographs of the artist.
Arrangement note:
Unprocessed; The archive material consists of sketches, posters, manuscript leaves, photographs, clippings, and other related items that document Mr. Kauffer's career from 1915-1954.
Biographical/Historical note:
Edward McKnight Kauffer (1891-1954) was born at Great Falls, Montana. He grew up in the small town of Evansville on the Ohio River in Indiana, where the Kauffer grandparents had settled. After the divorce of his parents, he spent two years in an orphanage. By the age of four or five he had begun to draw. His mother remarried in 1899. Kauffer left school at the age of 12 or 13 to be helper to the scene painter in the City Directory.

In the Elder Bookshop and Art Rooms in San Francisco Kauffer acquired not only a speaking voice of marked attractiveness and distinction but also a life-long passion for books. He continued his studies as a painter by receiving his first formal training at evening sessions at the Mark Hopkins Institute. He met Professor McKnight, who became his patron; in homage to him Kauffer adopted the name of McKnight. A small exhibition of Kauffer's paintings was held at the Elder Art Rooms. He also studied at the Chicago Art Institute, and in Munich and Paris, and started his career as a theatrical scene painter. He was returning from Germany to this country in 1914 and was in London when World War I broke out.

In 1914 Kauffer would marry American Pianist, Grace Ehrlich and they would have a daughter. In 1921 Kauffer would move to New York City leaving his wife and daughter. In the spring of 1922 Kauffer returned to London with Marion Dorn, American textile designer. They would stay in London just prior to the beginning of World War II when they would return once again to New York. They would eventually marry in 1950.

In the Twenties in London, he went to work in a soldiers' canteen and began designing posters for the London Underground Railway in his spare time. His posters were so strikingly successful that he soon got further orders, and built up a reputation in his field. The posters would indicate to the war-weary British the normal resumption of public transportation. The posters made history in art circles and have been regarded ever since as revolutionary concepts of art-cum industry. A 1926 exhibition given at the Ashmolean Museum at Oxford furthered Kauffers notoriety.

His recognition in America began in 1937, when the Museum of Modern Art presented his work in its first one-man show ever given to an American poster designer. He returned to this country to live in 1940. While Kauffer was widely recognized abroad and the MOMA show brought attention, very few Americans knew of him and fewer advertisers were willing to accept the poster as an art form. His clients, since his return to America have included the National Red Cross, American Airlines, the New York Subways, Ringling Brothers Circus, the Container Corporation of America, the American Silk Mills and many others.

Kauffer was among the first in the early Twenties to respond to the impact of modern art, particularly the work of the cubist painters Picasso and Braque. The influence of cubism can be seen in his posters and was the basis of his dynamic geometrical style. The emphatic angular forms of Kauffer's posters shocked the public into attention. His artistry, and in particular his color sense, held that attention and, in a few short years just after the First World War, laid the foundations of his reputation as a designer, not only among the leading business men of the time, but particularly among critics and art students. T.S. Eliot, a friend of Kauffer's, describes his marriage of the public and modern art, "He did something for modern art with the public as well as doing something for the public with modern art."

In addition to his involvement in advertising, Kauffer was a book illustrator as well illustrating editions of many classics, including Burton's "Anatomy of Melancholy," Cervantes' "Don Quixote," Carl Van Vechten's "Nigger Heaven," and works by Herman Melville, T.S. Eliot, Arnold Bennett, Lord Birkenhead and others.

His work is represented in the South Kensington Museum in London and in the Corcoran Art Gallery in Washington, and there are examples of it also in the Victoria and Albert Museum, London, and in Milan. He edited a survey, The Art of the Poster, in 1934. He was a Fellow of the British Institute of Industrial Art and a member of the Council for Art and Industry. When the Royal Society of Arts established its high diploma of R.D.I. (Designer for Industry) in 1937 he was ineligible as a foreigner, but was granted honorary status. He was asked to be Honorary Advisor to the Department of Public Information for the United Nations. He was Advisory Council for the Victoria and Albert Museum. His biography appears in the English "Who's Who" and in the American "Who's Who", as well as in the Columbia Encyclopedia.

Kauffer began to lose interest in the New York advertising scene. A friend of his said that he chose to kill himself with drink. He continued to work to the end, almost obsessively. Kauffer died on 22 October 1954.
Provenance:
All materials were donated to the museum by Grace Schulman in 1997.
Restrictions:
Unprocessed; access is limited; Permission of Library Director required; Policy.
Occupation:
Theater designers -- United States  Search this
Illustrators -- Great Britain  Search this
Illustrators -- United States  Search this
Draftsmen (artists) -- Great Britain  Search this
Draftsmen (artists) -- United States  Search this
Topic:
Theaters -- Stage-setting and scenery -- History -- 20th century -- Sources  Search this
Graphic arts -- History -- 20th century -- Sources  Search this
Illustration of books -- 20th century -- Sources  Search this
Genre/Form:
Clippings
Awards
Correspondence
Writings
Posters
Drafts (documents)
Announcements
Obituaries
Calendars
Negatives
Photographs
Sketches
Reviews
Identifier:
SIL-CH.1997-134-1
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-1997-134-1

Capital Campaign Files

Creator::
Smithsonian Institution. Libraries. Office of the Director  Search this
Extent:
1 cu. ft. (1 record storage box)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1998-2002
Descriptive Entry:
This accession documents the development and execution of the Smithsonian Institution Libraries capital campaign. Materials include correspondence, memoranda, case statements, reports, presentations, publicity working files, and related materials.
Topic:
Museum libraries  Search this
Fund raising  Search this
Library directors  Search this
Library administration  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Accession 13-224, Smithsonian Institution, Libraries, Office of the Director, Capital Campaign Files
Identifier:
Accession 13-224
See more items in:
Capital Campaign Files
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa13-224

Advisory Board Records

Creator::
Smithsonian Institution. Libraries. Office of the Director  Search this
Extent:
1.5 cu. ft. (1 record storage box) (1 document box)
Type:
Collection descriptions
Archival materials
Manuscripts
Brochures
Color photographs
Date:
1997-2010
Descriptive Entry:
This accession consists of records documenting the meetings of the Smithsonian Institution Libraries (SIL) Advisory Board. Materials include agendas, minutes, notes, member lists, reports, by-laws, informational materials, brochures, photographs, and related materials. In addition, this accession includes records documenting the meetings of the Board's Campaign Steering Committee and SIL's Capital Campaign Planning Committee and Development Committee.
Rights:
Restricted for 15 years, until Jan-01-2026; Transferring office; 4/22/2013 memorandum, Wright to Hardy; Contact reference staff for details.
Topic:
Museum libraries  Search this
Fund raising  Search this
Library administration  Search this
Library directors  Search this
Genre/Form:
Manuscripts
Brochures
Color photographs
Citation:
Smithsonian Institution Archives, Accession 13-196, Smithsonian Institution, Libraries, Office of the Director, Advisory Board Records
Identifier:
Accession 13-196
See more items in:
Advisory Board Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa13-196

Records

Creator::
Smithsonian Institution. Libraries  Search this
Extent:
9.43 cu. ft. (18 document boxes) (1 12x17 box)
Type:
Collection descriptions
Archival materials
Manuscripts
Books
Date:
1865-1951
Descriptive Entry:
These records contain material concerning both the Smithsonian and United States National Museum (USNM) libraries and consist mostly of incoming and outgoing correspondence. Most of the correspondence is routine and deals with requests for publications, acknowledgments of publications received, the exchange of publications, employment inquiries, staff matters, and administrative policy.

Correspondents include Smithsonian and Museum administrative officers and staff, libraries, scientific institutions and societies, and the general public. Of special interest is correspondence regarding the evacuation of rare books, manuscripts, and archival material from the library during World War II. Other material includes ledgers, logbooks, and other records relating to books borrowed and lent, publications deposited in the Library of Congress, and the exchange of publications with other institutions; and records relating to the construction of book stacks in the main hall of the Smithsonian Institution Building, 1914-1915.
Historical Note:
The Act organizing the Smithsonian Institution in 1846 provided for the ". . . gradual formation of a library, composed of valuable works pertaining to all departments of human knowledge." Charles C. Jewett became the first administrator of the Smithsonian Library in 1847. After Jewett's resignation in 1854, the position of Librarian remained vacant until the appointment of Frederick William True in 1881. During the interim, library affairs were administered by Secretary Joseph Henry and Assistant Secretary Spencer F. Baird. Administrative officers of the Smithsonian Library included True, 1881-1887; John Murdoch, 1887-1892; J. Elfreth Watkins, July-October, 1892; Cyrus Adler, 1892-1909, including the years 1905-1909 when he held the title of Assistant Secretary in charge of Library and Exchanges; Frederick William True, 1911-1914, with the title Assistant Secretary in charge of Library and Exchanges; Paul Brockett, 1914-1924, with the title Assistant Librarian; William L. Corbin, 1925-1942; and Leila F. Clark, 1943- .
Topic:
Museum libraries  Search this
Library directors  Search this
Library administration  Search this
World War, 1939-1945  Search this
Libraries -- Public relations  Search this
Interlibrary loans  Search this
Collection management (Libraries)  Search this
World War, 1939-1945  Search this
Genre/Form:
Manuscripts
Books
Citation:
Smithsonian Institution Archives, Record Unit 217, Smithsonian Institution, Libraries, Records
Identifier:
Record Unit 217
See more items in:
Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru0217

Records

Creator::
Smithsonian Institution, Libraries, Office of the Director  Search this
Extent:
1 cu. ft. (1 record storage box)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1959-1978
Descriptive Entry:
This accession consists of topical files concerning the Smithsonian Institution Libraries' relations with outside organizations and Smithsonian projects and committees. Materials include correspondence and information pertaining to organizations, conferences, and meetings.
Topic:
Museum libraries  Search this
Library directors  Search this
Library administration  Search this
Libraries -- Public relations  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Accession T90123, Smithsonian Institution. Libraries. Office of the Director, Records
Identifier:
Accession T90123
See more items in:
Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fat90123

Records

Creator::
Smithsonian Institution. Libraries. Office of the Director  Search this
Extent:
42 cu. ft. (42 record storage boxes)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
circa 1904-1978
Descriptive Entry:
This accession consists of records that document the activities of the Smithsonian Institution Libraries. Records include American Library Association materials, correspondence, a vertical file, and acquisitions and exchanges from the early 20th Century.
Topic:
Museum libraries  Search this
Libraries and museums  Search this
Acquisitions (Libraries)  Search this
Library administration  Search this
Library directors  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Accession T90122, Smithsonian Institution, Libraries, Office of the Director, Records
Identifier:
Accession T90122
See more items in:
Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fat90122

Libraries, Director of (plus Ad Hoc Panel), 1965-1967

Collection Creator::
Smithsonian Institution. Office of Academic Programs  Search this
Container:
Box 3 of 9
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 102, Smithsonian Institution, Office of Academic Programs, Records
See more items in:
Records
Records / Series 1: Office of Education and Training / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0102-refidd1e1009

Records

Creator::
Smithsonian Institution. Libraries. Office of the Director  Search this
Extent:
4 cu. ft. (4 record storage boxes)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1937-1980
Descriptive Entry:
This accesssion consists of budget materials, in loose leaf binders and annoted (includes many copies), 1972-1980. Also included are miscellaneous files of memoranda, reports, and other items on various aspects of library policies, 1937-1975.
Topic:
Museum libraries  Search this
Library directors  Search this
Library administration  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Accession 84-037, Smithsonian Institution, Libraries, Office of the Director, Records
Identifier:
Accession 84-037
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Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa84-037

Records

Creator::
Smithsonian Institution. Libraries  Search this
Extent:
2 cu. ft. (2 record storage boxes)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1962-1975
Descriptive Entry:
This accession consists of monthly and annual reports, miscellaneous files of the Director, Smithsonian Institution Libraries, files on the National Museum of History and Technology's Association of Curators, and library responses to Secretarial correspondence.
Topic:
Museum libraries  Search this
Library directors  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Accession 81-052, Smithsonian Institution, Libraries, Records
Identifier:
Accession 81-052
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Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa81-052

Committee Records

Creator::
Smithsonian Institution. Libraries. Office of the Director  Search this
Extent:
1 cu. ft. (1 record storage box)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1993-2004
Descriptive Entry:
This accession consists of meeting minutes from the Smithsonian Institution Libraries' Executive Committee and Director's Council. Records were maintained by Barbara J. Smith, Director, 1989-1997, and Nancy E. Gwinn, Director, 1998- .
Topic:
Museum libraries  Search this
Library administration  Search this
Library directors  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Accession 05-243, Smithsonian Institution, Libraries, Office of the Director, Committee Records
Identifier:
Accession 05-243
See more items in:
Committee Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa05-243

Tommi Parzinger collection

Creator:
Robsjohn-Gibbings, Terence Harold, b. 1905  Search this
Parzinger, Tommi, 1903-1981.  Search this
Names:
American Designers' Institute  Search this
Charak of Boston  Search this
Cooper-Hewitt Design Archive  Search this
Katzenbach & Warren  Search this
Norddeutscher Lloyd  Search this
Palumbo Gallery  Search this
Parzinger Originals (Firm)  Search this
Textile Workers Union of America  Search this
Cameron, Donald  Search this
Parzinger, Tommi, 1903-1981.  Search this
Robsjohn-Gibbings, Terence Harold, b. 1905  Search this
Rosenthal, Rena.  Search this
Tritt, Olga.  Search this
Widdicomb, William.  Search this
Extent:
5 Cubic feet
Type:
Collection descriptions
Archival materials
Photographic prints
Photographs
Clippings
Blueprints
Catalogs
Drawings
Awards
Articles
Sketches
Correspondence
Date:
1935-1981
Summary:
This collection does not represent the entire Parzinger archive. The German firm, K.P.M., has the drawings Parzinger produced for the line of ceramics and a part of the documentation for the work in the United States was damaged or lost in a 1951 flood in the Madison Avenue office. However, enough of the archive remains to document a significant part of the designer's work from the 1940s-1970s. Included in the collection are brochures, ad sheets, magazine pages, chart-like sheets of furniture designs, drawings or blueprints, clippings, photographs, press articles, and pages of notes. The collection does not include business papers which were deliberately excluded for space reasons.
Arrangement note:
Materials are arranged into ten record groups: I. Furniture Designs for Willow & Reed, Salterini, Parzinger Originals and others; II. Silver Design; III. Ceramic/China Design; IV. Designs for Objects made of non-precious metals; V. Objects of Miscellaneous or Obscure Materials; VI. Designs for Enamel Work; VII. Designs for Textiles and/or Wallcoverings; IX. Lighting Fixture Design (electric); and X. Miscellaneous Items. There are also seven 3-ring binders containing photographs of Parzinger's furniture, silver, ceramics, and metalwork from the 1930s--the 1970s. There are notes on the backs of many of the photographs. There are also sketches of his designs for clients. Binder 7 contains photographs of 63 furniture designs by T.H. Robsjohn-Gibbings.
Biographical/Historical note:
Tommi (Anton) Parzinger (1903-1981) was born in Munich and received professional design training there at the Kunstgewebeschule (School of Arts and Crafts).He began his career as a freelance designer in Germany and Austria, working in ceramics, wallpapers, lighting, textiles, and furniture. In 1932 he came to the United States as a prize for winning a poster contest for North German Lloyd, the steamship company. In 1935 he settled in New York and became associated with Rena Rosenthal ("smart furniture and accessories shop") as a designer of china, glassware and furniture. Furniture became is primary focus in 1938 he became a designer for Charak of Boston. In 1939 he formed his own business, Parzinger, Inc., 54 East 57th Street, designing silver as well as furniture. Renamed Parzinger Originals in 1946, the firm also had addresses at 32 East 57th Street; 601 Fifth Avenue and 441 Madison Avenue. Donald Cameron became his partner. In addition to his own firm, he designed furniture, fabrics, lighting and a range of accessories for other firms, including Salterini (wrought iron), Hofstatter (furniture), Dorlyn (brass), and Willow & Reed (rattan). He also produced custom designs for interior decorators and many private clients. In 1996 and 1998 his work was shown by Palumbo Gallery, 972 Lexington Avenue, New York City.
Separated Materials note:
The Cooper-Hewitt departments of Drawings and Prints, Applied Arts, and Textiles and Wallcoverings has additional materials on Parzinger in their collections.
Provenance:
All materials were donated to the museum by Donald Cameron in 1998.
Restrictions:
Unprocessed; access is limited; Permission of Library Director required; Policy.
Occupation:
Interior designers -- United States  Search this
Industrial designers -- Germany  Search this
Industrial designers -- United States  Search this
Furniture designers -- Germany  Search this
Furniture designers -- United States  Search this
Interior designers -- Germany  Search this
Topic:
Design -- History -- 20th century -- Sources  Search this
Genre/Form:
Photographic prints
Photographs
Clippings
Blueprints
Catalogs
Drawings
Awards
Articles
Sketches
Correspondence
Identifier:
SIL-CH.1998-19-1
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-1998-19-1

Lanette Scheeline collection

Topic:
Architectural digest (Los Angeles, Calif : 1925)
Interior design (New York, N.Y.)
Better homes and gardens
Interiors (Stroudsburg, Pa.)
House & garden
Creator:
Scheeline, Lanette, 1910-  Search this
Names:
Bailey & Griffen  Search this
Bloomcraft (Firm)  Search this
Katzenbach & Warren  Search this
Liz Sander Designs  Search this
Meinhard Greeff and Co. (New York, N.Y.)  Search this
Philip Graf Wallpapers, Inc.  Search this
Rudolph Schaeffer School of Design  Search this
Sheraton Hotel (Honolulu, Hawaii)  Search this
W. & J. Sloane  Search this
York Wallpaper Company  Search this
Bowen, Louis W.  Search this
Draper, Dorothy, 1889-1969  Search this
Hart, Helen  Search this
Scheeline, Lanette, 1910-  Search this
Extent:
7 Boxes
Type:
Collection descriptions
Archival materials
Photocopies
Business records
Press releases
Correspondence
Drawings
Slides (photographs)
Designs
Exhibition catalogs
Scrapbooks
Transparencies
Sketches
Financial records
Articles
Photographs
Watercolors
Date:
1945-1970
Summary:
This collection documents Scheeline's work as a textile designer from 1945-1970.The archive material consists of brochures, photographs, sketches, correspondence, scrapbooks, client records, and other related items that document Ms. Scheeline's career from the 1930s to the 1980s (briefly covers 1990s). A majority of the items deal specifically with the projects for textiles and wallcoverings, research on forms in nature, and notes on her travels.
Arrangement note:
Materials are arranged in seven boxes as follows: I. design scrapbooks; sketches of textiles and wallpapers; II. Press (photos, articles and releases); exhibition brochures; financial and legal records; client records; misc. correspondence; III. client designs and records; IV. Cooper-Hewitt correspondence; travel sketchbooks; personal photos and correspondence; box of photos and slides (textiles and papers); V. design scrapbook; drawings and sketches; photocopies; William Katzenbach, Practical Book of American Wallpaper; VI. blocking materials; handblocks scrapbook; and VII. large drawings and design records.
Biographical/Historical note:
American artist and textile designer Lanette Scheeline (1910- ) specializes in textile and wallpaper designs, and does custom block-printing for decorators. Scheeline is a Sausalito native, University of California graduate and former student at the Rudolph Schaeffer School of Design. She spent years working in other phases of textile or wallpaper design and all contributed to the background of technique, marketing, public taste and business judgment she needed in her own enterprises. She first gained recognition at the Golden Gate International Exposition (1940). Since then her work has been on view at the de Young Museum, Marin Art & Garden Fair, the Contemporary Gallery in Sausalito, the Merchandise Mart in Chicago, the Mill Valley Outdoor Art Club, the New-York Historical Society, and the Pacific Coast Textile Exhibition (1949, 1950) in the company of Trude Guermonprez and Jack Lenor Larsen among others.
Location of Other Archival Materials Note:
Materials are also available in the Cooper-Hewitt, National Design Musuem, Drawings and Prints Department.
Provenance:
All materials were donated to the museum by Lanette Scheeline in 1998.
Restrictions:
Unprocessed; access is limited; Permission of Library Director required. Policy.
Occupation:
Textile designers -- United States  Search this
Wallpaper designers -- United States  Search this
Topic:
Textile design -- United States -- History -- 20th century -- Sources  Search this
Wallpaper -- United States -- History -- 20th century -- Sources  Search this
Genre/Form:
Photocopies
Business records
Press releases
Correspondence
Drawings
Slides (photographs)
Designs
Exhibition catalogs
Scrapbooks
Transparencies
Sketches
Financial records
Articles
Photographs
Watercolors
Identifier:
SIL-CH.1998-29-1
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-1998-29-1

Parish-Hadley Associates, Inc. collection

Topic:
House beautiful
Interior design (New York, N.Y.)
House & garden
Architectural digest (Los Angeles, Calif : 1925)
Creator:
Parish, Henry, Mrs., II  Search this
Parish-Hadley Associates  Search this
Hadley, Albert  Search this
Names:
Bank of New York  Search this
Cooper-Hewitt Design Archive  Search this
Gracie Mansion (New York, N.Y.)  Search this
Lenox Hill Neighborhood Association  Search this
McMillen Inc.  Search this
National Newark & Essex Bank (N.J.)  Search this
Northern Trust Bank  Search this
Paine Webber Inc.  Search this
Parish-Hadley Associates  Search this
Parsons School of Design  Search this
Ritz-Carlton Hotels (Firm)  Search this
White House (Washington, D.C.)  Search this
Andrew, Duke of York, 1960-  Search this
Astor, Brooke  Search this
Astor, Vincent, 1891-1959  Search this
Baldwin, Billy  Search this
Brown, Eleanor McMillen  Search this
Cameron, Libby  Search this
Chinsee, George.  Search this
Hadley, Albert  Search this
Hager, Gary.  Search this
Kleinberg, David.  Search this
Kwiatkowski, Henryk  Search this
McMahon, David  Search this
Mellon, Constance A.  Search this
Mellon, Paul, Mrs.  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Parish, Henry, Mrs., II  Search this
Rockefeller, Happy.  Search this
Whitney, Betsey Cushing Roosevelt, 1908-  Search this
Williams, Bunny, 1944-  Search this
York, Sarah Mountbatten-Windsor, Duchess of, 1959-  Search this
Extent:
11 Boxes (13 albums)
Type:
Collection descriptions
Archival materials
Drafts (documents)
Awards
Designs
Press releases
Drawings
Templates
Clippings
Articles
Speeches
Slides (photographs)
Date:
[196-]-1994
Summary:
The Parish-Hadley Collection documents the history of the New York City design firm from 1962-1994.Particular emphasis is on Sister Parish (Mrs. Henry Parish II) and Albert Hadley. Magazine clippings from various publications make up the majority of the collection as well as gossip column excerpts about Parish-Hadley or infamous clients. The slides date mostly from the 1980s-1990s and depict some but not all Parish-Hadley projects.
Arrangement note:
Materials are arranged in 13 albums

Organized by album title. The albums contain magazine and newspaper clippings, sketches, templates, speeches, and press releases, project slides. Arranged alphabetically by client, or in lieu of a client name, by project name (There is some overlap in the albums and the album labels are not accurate).
Biographical/Historical note:
Dorothy "Sister" Parish born Dorothy May Kinnicutt in Morristown, New Jersey. Sister is a nickname given to her by her three brothers. She graduated from the Foxcroft School for Girls, an elite Virginia boarding school. She began her career in 1933. It was the year of the "Crash" and financial necessity prompted her to set up shop, "Mrs. Henry Parish II Interiors", in Far Hills, New Jersey, where she began decorating houses for friends. She had no formal training but attributes her taste and instinct for quality to European travel, exposure to art, and, most of all to her upbringing. Alone, and then together with her partner, Albert Hadley, who joined the firm in 1962, she has decorated houses of every size and kind throughout the world. It is said that she represents the "undecorated" look; Vogue magazine calls her "the most famous of all living American women interior designers whose ideas have influenced life-styles all over America."

Sister Parish--grande dame of American decor--shaped the American domestic aesthetic of various Kennedys, Astors, Paleys, and Whitneys. Parish-Hadley was the upper-crust New York firm formed by Mrs. Parish and the Tennessee-born decorator Albert Hadley.

Mr. Hadley, a graduate of and former teacher at Parsons School of Design in both New York and Paris, established his own design firm before joining McMillen, Inc. He began his legendary association with Mrs. Henry Parish II in 1962, when they co-founded the distinguished design firm of Parish-Hadley Associates, which grew to encompass 25 associates and staff members.

Described by The New York Times as "the most illustrious American decorating team of the 20th century," Parish-Hadley's client register includes names of the Kennedys, Rockefellers, Astors, Gettys, Whitneys and Vanderbilts. Parish's cozy, yet dignified style, combined with Hadley's Modernism and attention to architectural space, has led to Parish-Hadley's constant surviving achievement.

The partnership lasted until the death of Sister Parish in 1994. After closing Parish-Hadley in late 1999, Hadley opened a new office and continues collaborating with clients toward his goal to "help them realize more than they thought possible within the framework of their own tastes." His impressive roster of distinguished clients includes former Vice President and Mrs. Albert Gore, Diane Sawyer and Mike Nichols, former Ambassador and Mrs. Henry Grunwald and Mrs. Vincent Astor.
Location of Other Archival Materials Note:
Parish-Hadley Associates, Inc. papers; Also located at The John F. Kennedy Library of the National Archives and Records Administration. Boston, Mass.
Provenance:
All materials donated by Mr. Albert Hadley in 1999. Unprocessed.
Restrictions:
Unprocessed; access is limited; Permission of Library Director required; Policy.
Occupation:
Interior designers -- United States  Search this
Topic:
Interior decoration -- United States -- History -- 20th century -- Sources  Search this
Genre/Form:
Drafts (documents)
Awards
Designs
Press releases
Drawings
Templates
Clippings
Articles
Speeches
Slides (photographs)
Identifier:
SIL-CH.2000-3-1
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-2000-3-1

Libraries - Director Search

Collection Creator::
Smithsonian Institution. Assistant Secretary for Research  Search this
Container:
Box 2 of 3
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 88-156, Smithsonian Institution, Assistant Secretary for Research, Subject Files
See more items in:
Subject Files
Subject Files / Box 2
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa88-156-refidd1e1069

Smithsonian Institution Libraries - Director Recruit

Collection Creator::
Smithsonian Institution. Assistant Secretary for Museum Programs  Search this
Container:
Box 54 of 161
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 342, Smithsonian Institution, Assistant Secretary for Museum Programs, Records
See more items in:
Records
Records / Box 54
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0342-refidd1e8852

Caldwell & Company collection

Creator:
Caldwell & Company.  Search this
Names:
Cooper-Hewitt Design Archive  Search this
E.T. Caldwell Lighting Company  Search this
Edward F. Caldwell & Company  Search this
Frick Collection  Search this
Plastic Illuminating Company  Search this
St. Patrick's Cathedral (New York, N.Y.)  Search this
Waldorf-Astoria Hotel (New York, N.Y.)  Search this
White House (Washington, D.C.)  Search this
Caldwell, Edward F.  Search this
Von Lossberg, Victor F.  Search this
Extent:
56,000 Photographs (Black and white photographs in albums)
Type:
Collection descriptions
Archival materials
Photographs
Black-and-white photographs
Date:
1894-[circa 1944]
Summary:
This collection spans the years 1894-circa 1944 and contains approximately 56,000 black and white photographs. The photographs are mounted in 148 large (22"x18") and 93 small (12"x14") albums. About 5,000 are mounted individually. The images depict the full repertoire of Caldwell products. Since all of Caldwell's designs were custom made for each project, these photographs were used to illustrate all of the many designs for lighting they produced.
Arrangement note:
Unprocessed.
Biographical/Historical note:
Edward F. Caldwell and Victor F. von Lossberg founded Edward F. Caldwell & Company in 1894 in New York City. They became the most prominent manufacturers of custom lighting fixtures and metalwork in the late 19th to early 20th centuries. Their success was due to their ability to incorporate popular and eclectic styles from French Neoclassical to Art Deco into their designs for electric lighting fixtures.

Since they worked with the leading architects of the day, Caldwell lighting fixtures and decorative metalwork appeared in many major building projects, including the Waldorf Astoria Hotel, St. Patrick's Cathedral, Andrew Carnegie's mansion (now home to Cooper Hewitt), and the 1902 renovation of the White House. For these projects, architectural plans would be brought in and drawings and occasionally models would be created. By the 1920s, Caldwell & Company had one of the largest foundries in New York City. They were one of the few American firms that mastered the techniques for applying enamel decorations to metalwork and were renowned for their casting and gilding of bronze. They produced fine metalwork objects such as tables, lamps, clocks, desk sets, fire screens, and statues.

All items were custom made with few exceptions. Due to the Depression, the firm was forced to scale down their operation. The company was liquidated by the Internal Revenue Service in 1956, but reorganized and reemerged that same year as E.T. Caldwell Lighting Company. The Plastic Illuminating Company was a subsidiary of the Caldwell Lighting Company. The company eventually went out of business entirely in 1959.
Location of Other Archival Materials Note:
Cooper-Hewitt, National Design Museum, Drawings and Prints Department. Approximately 5,000 presentation drawings in pencil and watercolor of proposed and realized designs for custom made lamps, chandeliers, and wall brackets for installation in the 1902 White House, the Frick Collection Library Building, and the Cleveland Public Library, among other buildings. Again, since all of the company's projects were done to the specifications of the individual client, these drawings were an essential part of the communication between lighting designer and architect.
The New York Public Library, Manuscripts and Archive Section. The business records of E.T. Caldwell Lighting Company of New York City, and its predecessor Edward F. Caldwell & Co., including leters, draughtman's sketches, group schedule of designs, design records, invoice books, ledgers, and records of the firm's subsidiary, the Plastic Illuminating Company. Covers the period, 1909-1959.
Restrictions:
Unprocessed; access in limited. Permission of Library Director required for use.
Occupation:
Lighting designers  Search this
Topic:
Metal-work -- United States  Search this
Lighting, Architectural and decorative -- Design  Search this
Lighting -- Design -- United States  Search this
Wall sconces  Search this
Chandeliers  Search this
Lamps -- Design  Search this
Genre/Form:
Black-and-white photographs
Identifier:
SIL-CH.1995-79-1
Archival Repository:
Smithsonian Libraries
EDAN-URL:
ead_collection:sova-sil-ch-1995-79-1

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