Norman Lewis and Judith Wilson. Interviews about Alma Thomas with Norman Lewis and Harold Hart, 1978 June 23 through June 30. Judith Wilson papers, 1966-2010. Archives of American Art, Smithsonian Institution.
Judith Wilson and Norman Lewis. Interview with Norman Lewis, 1978 June 23. Judith Wilson papers, 1966-2010. Archives of American Art, Smithsonian Institution.
The records of the New York City-based Cinque Gallery, a nonprofit organization, measure 1.1 linear feet and date from 1959 to 2010, with the bulk of materials dating from 1976 to 2004. The gallery's mission was to exhibit African American artists, to educate the public about their work, and to offer art programs to the community. This is documented by administrative records, artists' files, financial and legal records, printed material, and photographs. Materials dated before and after the gallery's years of operation relate to African American community organizations and were compiled by former Cinque Gallery Executive Director, Ruth Jett.
Scope and Contents:
The records of the New York City-based Cinque Gallery, a nonprofit organization, measure 1.1 linear feet and date from 1959 to 2010, with the bulk of materials dating from 1976 to 2004. The gallery's mission was to exhibit African American artists, to educate the public about their work, and to offer art programs to the community. This is documented by administrative records, artists' files, financial and legal records, printed material, and photographs. Materials dated before and after the gallery's years of operation relate to African American community organizations and were compiled by former Cinque Gallery Executive Director, Ruth Jett.
Administrative records consist of a broad range of material such as gallery history, an organizational outline, by-laws and articles, assorted forms, correspondence, mailing lists, and fundraising materials. Correspondence is mostly addressed to Executive Director Ruth Jett regarding business operations and funding efforts.
Artists' files consists of resumes, biographical statements, clippings, exhibition catalogs and announcements related to Cinque Gallery founders as well as other artists. Notable artists include Romare Bearden, Ernest Crichlow, Norman Lewis, Nadine DeLawrence, Joanne McFarland, Virginia Evans Smit, and many others.
Financial and legal records include bank statements, tax records, budget projections, price lists, ledgers, and contribution receipts.
Printed material consists of announcements, invitations, and catalogs of group and solo exhibitions held at Cinque Gallery. Some of the artists featured in the exhibitions are Romare Bearden, Ernest Crichlow, Edward Clark, and Charles Alston. Also found are a brochure, newsletter, press releases, and clippings. Other printed items relating to Cinque Gallery are a brochure, exhibition reviews, and clippings.
Photographs are mostly of Cinque Gallery events, exhibition openings and galas. Some of the photographs have annotations on the verso. Among the identified individuals are Ernest Crichlow, Ruth Jett, Romare Bearden, and Norman Lewis. This series also contains a small number of negatives and a few slides of artwork.
Arrangement:
The collection is arranged as 5 series:
Series 1: Administrative Records, 1969-2010 (Box 1; 0.2 linear feet)
Series 2: Artists' Files, 1983-2009 (Box 1, OV 2; 0.2 linear feet)
Series 3: Financial and Legal Records, 1969-2005 (Box 1; 0.3 linear feet)
Series 4: Printed Material, 1959-2007, bulk 1976-2007 (Box 1; 0.2 linear feet)
Series 5: Photographs, circa 1987-2003 (Box 1, OV 2; 0.2 linear feet)
Biographical / Historical:
The Cinque Gallery (est. 1969, closed 2004) was a nonprofit art gallery in New York City founded by African American artists Romare Bearden, Norman Lewis, and Ernest Crichlow. It was established to exhibit the work of both new and established African American artists, and to provide community educational programs.
In 1981, co-founder Ernest Crichlow invited Ruth Jett, an accomplished administrator and long-time arts supporter, to serve on the gallery's Board of Directors. One year later, Jett was appointed Executive Director of Cinque Gallery. Jett has been described as the glue that held the Cinque Gallery together during its prodigious programs and exhibitions of the 1980s and 1990s.
Cinque sponsored more than 350 exhibitions in a number of New York City venues, as well as travelling exhibitions in the New York and New England areas before closing in 2004. The Gallery was funded by public and individual contributors, such as the Romare Bearden Foundation, Philip Morris Companies and the Andy Warhol Foundation.
Although Cinque Gallery closed its doors in 2004, some of its central programs are still continued by the Romare Bearden Foundation in New York City.
Provenance:
The records were donated to the Archives of American Art in 2013 by Ruth M. Jett, former Executive Director of Cinque Gallery.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
An interview of Norman Lewis conducted 1968 July 14, by Henri Ghent, for the Archives of American Art.
Biographical / Historical:
Norman Lewis (1909-1979) was a painter and instructor from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 5 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- New York (State) -- New York -- Interviews Search this
5 Microfilm reels (770 items on 5 microfilm reels)
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1919-1971
Scope and Contents:
This microfilm collection of the papers of African American painter Norman Lewis consits of correspondence, a scrapbook, sketches, photographs, personal documents, and printed material including exhibition catalogs, exhibition announcements, and clippings.
REELS 52-53: Eight sketchbooks, 1935-1957; several pages from the diary of Lewis' wife, Joan, ca. 1948, commenting on their marriage; and an undated postcard from Ad Reinhardt.
REELS 91-92: Correspondence with author Millen Brand and artist Jim Yeargans; unidentified authors and actors; and museums, many arranging exhibits by Black artists and political action organizations. Also includes a scrapbook of catalogs, clippings, photographs, letters, and announcements, 1934-1968, concerning African American art exhibits, the training of African American artists, particularly during the Depression, WPA-New York projects, and Lewis' World War II work as a shipyard employee and poster artist.
REEL N69-47: Personal documents, correspondence, catalogs, announcements, photographs, articles, and clippings.
Biographical / Historical:
Norman Lewis (1909-1979) was an African American painter in New York, New York. He began his career painting mostly figurative work, but is now associated with abstract expressionism as his work became more abstract in the late 1940s. Lewis was a founding member of Spiral, one of the groups of artists and writers who protested the controversial Harlem on My Mind exhibition at the Metropolitan Museum of Art in 1968.
Provenance:
Lent for microfilming 1969-1971 by Norman Lewis.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- New York (State) -- New York Search this
Quotes and excerpts must be cited as follows: Oral history interview with Norman Lewis, 1968 July 14. Archives of American Art, Smithsonian Institution.
Norman Lewis and Jeff Donaldson. Interview with Norman Lewis, 1972 August 4. Jeff Donaldson papers, 1918-2005. Archives of American Art, Smithsonian Institution.
