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Memphis -- Irwin L. Zanone Garden

Former owner:
McCallum, Robert Mr.  Search this
McCallum, Robert Mrs.  Search this
Garden designer:
Zanone, Irwin  Search this
Leatherman, Jeanne  Search this
Pellett, Tom  Search this
Gardener:
Zanone, Irwin  Search this
Leatherman, Jeanne  Search this
Abraham, Samuel Earl  Search this
Sculptor:
Tamboli, Roy  Search this
Young, Larry  Search this
Provenance:
Memphis Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Irwin L. Zanone Garden (Memphis, Tennessee)
United States of America -- Tennessee -- Shelby County -- Memphis
Scope and Contents:
The folder includes worksheets and family letters.
General:
Irwin Zanone (b.2/14/1942-d.7/23/2008) was the primary designer and gardener of this 2.5 acre property. Zanone worked with others to create an orderly but relaxing environment with free-form curving beds for ornamental plants, a shaded curving walkway around the main garden areas with neatly planted beds alongside, and rectangular beds for the kitchen garden that included peonies, dill and asparagus planted in rows. With a family background in farming in the delta region, Zanone planted diverse perennials, shrubs, trees and vines and installed sculptures by Roy Tamboli and Larry Young. The brick hardscape stairs and walls at the entrance to the woodland garden are in geometric shapes, the swimming pool in a clearing is an organic form, and the garden house is a symmetrical design. An area for outdoor entertaining is approached via a shady walk through the woodland garden, and the kitchen garden and compost heap are located at the rear of the property.
Persons associated with the garden include: Mr. and Mrs. Robert McCallum (former owners, circa 1950-1979); Irwin Zanone (garden designer and gardener, 1982-2008); Jeanne Leatherman (garden designer and gardener, 1982-1987); Tom Pellett (garden designer, 1982-present); Roy Tamboli (sculptor, 1995); Larry Young (sculptor, 2008); and Samuel Earl Abraham (gardener, 1979-present).
Related Materials:
Irwin L. Zanone Garden related holdings consist of 1 folder (18 35mm slides (photographs))
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Tennessee -- Memphis  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File TN079
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Tennessee
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb678ddb01d-2cc2-42f8-9972-a25f6665faf1
EDAN-URL:
ead_component:sova-aag-gca-ref10944
Online Media:

Philadelphia -- Belfield

Former owner:
Wister Family  Search this
Starr, Sarah Logan Wister, 1873-1956  Search this
Wister, Sarah Logan Fisher, 1806-1891  Search this
Wister, John, d. 1900  Search this
Peale, Charles Willson, 1741-1827  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Belfield (Philadelphia, Pennsylvania)
United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia
Scope and Contents:
The folder includes a worksheet; Wister articles by La Salle University; copy of written presentation by Mary R. E. Wister (November 4, 1909); and copy of letter from Coleman Sellers (grandson of Charles Wilson Peale) to Thomas Stewardson (March 21, 1900).
General:
The property, home of Charles Wilson Peale, lies on the outskirts of Germantown. Peale developed the estate from a one hundred acre farm, laying out his garden with box-bordered walks, lilacs, summer houses, arches, and pools. William Logan Fisher bought the property, which adjoined the Fisher estate (Wakefield) and the Logan estate (Stenton), in ca. 1825. He bought it for his daughter, Sarah on her marriage to William Wister. Sarah Logan Wister Starr, granddaughter of the former couple and daughter of John Wister inherited the estate. She added telepone and electricity with underground cables so that the garden would not be disturbed with poles. Sarah's husband, James Starr, added water and rock gardens, while she added a garden of 100 hybrid tea roses. A Chinese style garden was added after a trip to China in 1933.
Persons associated with the garden include: Charles Wilson Peale (former owner, 1780); Sarah Logan Fisher Wister (former owner, 1823); John Wister (former owner); Sarah Logan Wister Starr (former owner, 1922-1956); and La Salle University (owners of portions of property and house, 1926, 1984).
PA006003 is 35 mm. copy of painting.
Related Materials:
Belfield related holdings consist of 1 folder (2 glass lantern slides and 2 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Pennsylvania -- Philadelphia  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File PA006
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb635ae9776-662b-4845-a51f-550356edc866
EDAN-URL:
ead_component:sova-aag-gca-ref16500

Manchester Village -- Hildene

Former owner:
Lincoln, Robert Todd  Search this
Owner:
Friends of Hildene, Inc.  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Scope and Contents:
18 35mm slides and 1 file folder including two brochures and copies of articles. Images 001-006 are copies of circa 1910 orignals from the Friends of Hildene, Inc. Images 007-014 are from 1987, photographer unknown.
Related Materials:
See the archives of the Friends of Hildene, Inc. for photographs, written documents, letters and bills for estate work.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Vermont -- Manchester  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File VT004
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Vermont
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb60f0f26f2-947f-462b-99ec-e2f3c5889ab7
EDAN-URL:
ead_component:sova-aag-gca-ref32622

Tacoma -- Ashtonhill

Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
United States of America -- Washington -- Pierce County -- Tacoma
Ashtonhill (Tacoma, Washington)
Scope and Contents:
1 35mm slide (reproduction) and 1 folder. The folder includes a copy of a description of the garden from the GCA Bulletin for Sept 1930, p. 84 and letter to an AAG staffer in 1991 with a list of NW gardens.
General:
This old Tacoma garden, owned by Tacoma Garden Club member Mrs. James M. Ashton, was situated on a high bluff overlooking Puget Sound. Plantings included tree peonies, iris, many rare shrubs, and cherry and plum trees. An immense climbing hydrangea (H. petiolaris) covered one the side of the house and was among the first imported from China. Four lead statues of the Seasons, imported from England, were placed in the corners of box hedge in the rose garden. The garden was toured in 1930 by members of the Garden Club of America on their 'Northwestern Trip' in 1930. On that tour the hostess prepared a performance by Japanese children around a large bonfire.
Provenance:
The garden documentation was prepared by James Buckler.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Washington (State) -- Tacoma  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File WA015
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Washington
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb67eeea3c9-6218-4961-9030-662c7c9276b6
EDAN-URL:
ead_component:sova-aag-gca-ref32628

Tacoma -- Howe Garden

Former owner:
Howe, George, Mrs.  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
United States of America -- Washington -- Pierce County -- Tacoma
Howe Garden (Tacoma, Washington)
Scope and Contents:
1 35mm slide (reproduction) and 1 folder. The folder includes a letter to an AAG staffer in 1991 with a list of NW gardens.
General:
The garden, formerly owned by Tacoma Garden Club member Mrs. George Howe, included a rockery, a hillside garden, stone stairs and a woodland garden.
Provenance:
The garden documentation was prepared by James Buckler.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Washington (State) -- Tacoma  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File WA016
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Washington
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6fd784000-917a-456e-8973-4bac7adeb845
EDAN-URL:
ead_component:sova-aag-gca-ref32629

Tacoma -- Lakewold

Landscape architect:
Church, Thomas Dolliver  Search this
Architect:
Platt, William, 1897-1984  Search this
Platt, Geoffrey  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
United States of America -- Washington -- Pierce County -- Tacoma
Lakewold (Tacoma, Washington)
Scope and Contents:
13 4 X 6in. photographic prints, 11 postcards, approximately 88 35mm slides (originals and reproductions), and 2 folders. Folder 1 includes extensive information about the garden (newspaper clippings, annual meeting brochures, etc.), correspondence between Mrs. Corydon Wagner, a copy of a 1930 booklet created by the Tacoma Garden Club for the 1930 Garden Club of America annual meeting, and Eleanor Weller and research on findings for the Olmsted Brothers.
Biographical / Historical:
Eulalie Merrill (1904-1991) was born on October 16, 1904 in Seattle to Dwight and Eula Lee Merrill. She was an avid golf player who held The Pacific Northwest Ladies title for three straight years. She and Corydon Wagner acquired the Lakewold property in 1938 and gardening became more important than golf. She received the Garden Club of America Medal of Merit in 1968, the Montague Award in 1978, the Creative Leadership award in 1984, and the Zone Horticultural Achievement Award also in 1984. Mrs. Wagner gave the gardens to The Friends of Lakewold, an organization with the specific purpose of assuming responsibility for its care.
Varying Form:
Inglewood, formerly known as.
General:
Located on ten acres, this garden is a collection of several gardens surrounding a Georgian home on Gravelly Lake in Lakewold, a suburb of Tacmoa. Mr. and Mrs. Cordydon Wagner purchased the estate in 1938. The perimeter fence, gate and brick walkway were part of the early design. However, the original designer is unknown. In the 1950s, landscape architect Thomas Church redesigned the gardens to include a quatrefoil-shaped swimming pool, a shade garden around a 200-year-old Douglas fir (considered a "wolf" tree), a lookout to the rock gardens, waterfalls and pools leading to the lake. Church discouraged the development of a rock garden since it would cause the neglect of the formal areas, but Mrs. Wagner insisted.

The property is dominated by giant Douglas Fir trees and features an extensive collection of rhododendron. It features a brick walkway leading to a vine-covered summer house. The walk is bordered by boxwood parterres, one shaped in a quatrefoil which repeats the design of the swimming pool. The pool is on an axis with a view of Mt. Rainier framed by trees across Gravelly Lake. The garden also features an Elizabethan knot garden planted with herbs, a rock garden, and an exotic tree collection. When the garden was redesigned in the 1950s by Thomas Church, 200 firs were felled to balance the woods with the openess of the site. Dressing rooms and a kitchen were added to the teahouse and gazebo, the port-cochere was removed from the house and a motor court was added to accomodate space for twenty cars, and a glassed-in room with a Plexiglass roof was added to the side of the house that faced the swimming pool.

Persons associated with the property include: Mr. and Mrs. H. F. Alexander (former owner, before 1924), Mrs. Evertt Griggs (former owner, 1924), Mr. and Mrs. Corydon Wagner, Jr. (former owner, 1938), The Friends of Lakewold Foundation (owner, circa 1989), Thomas Church (landscape architect, 1953)

There is no direct connection between Mr. and Mrs. Alexander and the Olmsted firm. A tenuous link may exist through E.C. Griggs (job number 3725). Mr. Everett Griggs wrote to the Olmsted firm, specifically to James Dawson, in January of 1911, sending them a topographical survey, which he had prepared for the property. He noted that he had been in touch with Alex MacDougall, superintendent of the Thorne estate who had worked on several Olmsted gardens in the area. The next letter in the file is from May 1923 from Alex MacDougall (working in the Highlands in Seattle) to James Dawson.
Related Materials:
Related materials are located with Mrs. Wagner's family, Tacoma Public Library, and Washington Historical Society.
Provenance:
Extensive garden documentation compiled by Eleanor Weller for the Slide Library of Notable American Parks and Gardens. Updates were made by Mrs. Joseph L. Carman, III of Tacoma, Washington.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Washington (State) -- Tacoma  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File WA017
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Washington
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb641ebd512-80de-49f6-823d-e040b1fa3d28
EDAN-URL:
ead_component:sova-aag-gca-ref32630

[Tobie Garden]

Former owner:
Tobie, Mrs.  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)
Type:
Archival materials
Photographs
Lantern slides
Place:
Tobie Garden (United States)
United States
Date:
[between 1914 and 1949?]
General:
Historic plate number: "91."
Historic plate caption: "Mrs. Tobie [the letter I [?] is penciled in, as follows: Mrs. [I?] Tobie."
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Garden borders  Search this
Edging (inorganic)  Search this
Rocks  Search this
Trellises  Search this
Gates  Search this
Houses  Search this
Gardens -- United States  Search this
Genre/Form:
Lantern slides
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item GCA004001
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Unidentified Garden Images / Unidentified Locations / GCA004: Unidentified Location -- Tobie Garden
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6dcafcfbc-a979-4b01-bf00-d207e92f1bac
EDAN-URL:
ead_component:sova-aag-gca-ref5124

[Unidentified landscape]: waterfall.

Manufacturer:
Van Altena, Edward  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Photograph (lantern slide, black-and-white, 3.25 x 4 in.)
Type:
Archival materials
Photographs
Lantern slides
Date:
[between 1914 and 1949?]
General:
Historic plate number: "76."
Mount reads: "Edward Van Altena, 71-79 W. 45th St., N.Y.C." Handwriting on plate reads: "[...?...] - Wasserfall; Trim black edges. ["Rework"?] lettering." Handwriting in image reads: "[..?] - Wasserfall."
Mount reads: "Edward Van Altena, 71-79 W. 45th St., N.Y.C."
Historic plate number: "76."
Historic plate caption: "Text printed in image: [?]see - Wasserfall. Manuscript text on plate, visible from verso: VI 57; [Eiolrsee?] - Wasserfall; Trim black edges. [Rework?] lettering. Top edge and left (verso) edge read: Reduce to 5 3/4."
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Rivers  Search this
Waterfalls  Search this
Bridges  Search this
Roads  Search this
Trees  Search this
People  Search this
Genre/Form:
Lantern slides
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item GCA002069
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 2: International Garden Images / GCA002: Unidentified International Locales
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6cde1d660-3e3a-49d7-b410-ba6d239f91b6
EDAN-URL:
ead_component:sova-aag-gca-ref5200

Filipino Agricultural Workers Collection

Donor:
Little Manila Foundation  Search this
Extent:
4.33 Cubic feet (13 boxes)
Culture:
Filipino Americans  Search this
Type:
Collection descriptions
Archival materials
Diaries
Correspondence
Photographs
Receipts
Date:
circa 1917-1980, undated
Summary:
Collection of archival materials removed from trunks of personal belongings abandoned at death by Filipino agricultural workers in Stockton, California.
Scope and Contents:
Archival materials containing correspondence, photographs, albums, work receipts, books, and other ephemera documenting the lives of Filipino migrants in Stockton, California dating from 1920s-1970s.
Arrangement:
Collection is arranged into twenty-three series.

Series 1: Enrique Andales, 1917-1937, undated

Series 2: Julian S. Arofo, 1950-1953

Series 3: A.T. Bastion, undated

Series 4: Julian Felicita Bernido, 1971

Series 5: Andres Salle Casinas, 1912-1980, undated

Series 6: Cesario Hotora Comparativo, 1925-1945, undated

Series 7: Hilario Samson Cuevas, 1925-1930, udated

Series 8: Vinancio Felisarta, 1971

Series 9: Jose Madridejo Galinato, 1926-1949, undated

Series 10: Eufricino Janier, 1920-1929, undated

Series 11: Felimon Laga, 1922-1923, undated

Series 12: Seven Madrias, 1936-1938, undated

Series 13: Eusebio Maglente, 1920-1923, undated

Series 14: Epimaco Fariola Mansueto, 1874-1947, undated

Series 15: Sixto Olaco, 1921-1954, undated

Series 16: Anastacio Atig Omandam, 1924-1937

Series 17: Juan Campoco Pascual, 1936, 1948, undated Series 18: Julian Rogas, 1929-1936, undated

Series 19: Arcadio Simangca, 1961-1971

Series 20: Julio Saranza, 1971

Series 21: Pablo Mendoza Solomon, 1921-1971, undated

Series 22: Victor Yano, 1971

Series 23: Legionarios del Trabajo: Daguhoy Masonic Lodge, 1928-1935, undated
Biographical / Historical:
This collection consist of letters, diaries from Filipino Agricultural Workers
Related Materials:
Archives Center, National Museum of American History



Warshaw Collection of Business Americana Subject Categories: World Expositions, NMAH.AC.0060

Underwood & Underwood Glass Stereograph Collection, NMAH.AC.0143

Alexander Alland, Sr., Photoprints, NMAH.AC.0204

Sam DeVincent Collection of Illustrated American Sheet Music, Series 8: Geography, NMAH.AC.0300

Duncan Family Yo-Yo Collection, NMAH.AC.807

Catherine Hann Papers, NMAH.AC.0921

Kamikawa, Omata and Matsumoto Families Papers, NMAH.AC.0924

Juanita Tamayo Lott Filipino American Photographs and Papers, NMAH.AC.0925

Bishop Mitsumyo Tottori Memorial Notebooks, NMAH.AC.0926

Division of Cultural History Lantern Slides and Stereographs, NMAH.AC.0945

Other Respositories

Sacramento Public Library, Sacramento Room Photograph Collection

holdings include photograph of Legionarios Del Trabajo
Separated Materials:
The National Museum of American History's Divison of Work and Industry holds the objects that came with the collection including:

Accession number 2022.0058.
Provenance:
Collection donated by the Little Manila Foundation through Dillon Delvo, Executive Director, 2021.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Agriculture -- California  Search this
Migrant workers  Search this
Tagalog language  Search this
Genre/Form:
Diaries
Correspondence -- 20th century
Photographs -- 20th century
Receipts -- 20th century
Citation:
Filipino Agricultural Workers Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1515
See more items in:
Filipino Agricultural Workers Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep865b08d8d-170d-410c-9794-1f0f1f0b1388
EDAN-URL:
ead_collection:sova-nmah-ac-1515

Claire Falkenstein papers

Creator:
Falkenstein, Claire, 1908-1997  Search this
Names:
Coos Art Museum  Search this
Fresno Art Museum  Search this
Galerie Anderson-Mayer  Search this
Galerie Stadler  Search this
Jack Rutberg Fine Arts (Los Angeles, Calif.)  Search this
John Bolles Gallery (San Francisco, Calif.)  Search this
Los Angeles Museum of Art  Search this
Malvina Miller  Search this
Martha Jackson Gallery  Search this
Merging One Gallery  Search this
Mills College -- Faculty  Search this
Pond Farm Workshop  Search this
San Francisco Museum of Art  Search this
University of California, San Francisco. School of Fine Arts -- Faculty  Search this
Green, Ray, 1908-1997  Search this
Guggenheim, Peggy, 1898-1979  Search this
Kuh, Katharine  Search this
O'Donnell, May, 1906-2004  Search this
Sawyer, Kenneth B.  Search this
Still, Clyfford, 1904-  Search this
Still, Patricia  Search this
Tapie, Michel  Search this
Temko, Allan  Search this
Tobey, Mark  Search this
Wildenhain, Frans, 1905-1980  Search this
Extent:
42.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Interviews
Date:
circa 1914-1997
bulk 1940-1990
Summary:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.
Scope and Content Note:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

Biographical material includes appointment calendars, awards and honorary degrees, interview transcripts, passports, resumes, wills, and scrapbooks. Scrapbooks were compiled by Falkenstein and focus primarily on her exhibitions at the Galerie Stadler and Gallery Meyer in 1959 and 1960. Also of interest are the "biography files" created and arranged by Falkenstein. These files contain material that she personally felt was the most important in documenting her activities each year. They include correspondence, exhibition catalogs, printed material, and invitations.

Measuring nine linear feet, correspondence is extensive and comprehensively documents Falkenstein's work, social life, relationships, and other business and personal activities. Correspondence dates from 1941 to 1997 and includes business letters and correspondence with friends and family. Her communications with friends, family, clients, gallery owners, collectors, museums, publishers, foundations, and grant agencies reveal many of her ideas and techniques. Individual correspondents include Ray Green, Peggy Guggenheim, Katharine Kuh, May O'Donnell, Ken Sawyer, Clyfford and Pat Still, Michel Tapie, Allan Temko, Mark Tobey, and Frans Wildenhain. Gallery and museum correspondence is with the San Francisco Museum of Art, Coos Art Museum, Los Angeles Museum of Art, Galerie Stadler (Paris), Gallery Mayer (Paris), Malvina Miller (New York), Martha Jackson Gallery (New York), Jack Rutberg Fine Arts (Los Angeles), Galerie Anderson-Mayer (Paris), and Bolles Gallery. Correspondence is also found in the Commission Files and Exhibition Files.

Personal and business records contain a wide variety of material documenting Falkenstein's business, financial, legal, professional, and personal transactions. Files are found for sales and prices, art inventories, smaller jewelry commissions, her work as a juror, her business with galleries, legal affairs and contracts, expenses, records of arts organizations to which she belonged, conferences, grants and fellowships, studio and house renovations, her Paris studio and Paris expenses, travel, donations, loans and consignments, conservation, art shipping, insurance, and taxes. Oversized visitor's logs contain comments from visitors to Falkenstein's studio in Venice, California.

Falkenstein maintained comprehensive documentation of her exhibitions from her first exhibition in the 1930s to the last one at the Merging One Gallery in 1996. Files include both a chronological record and individual record for nearly all of her exhibitions. Found with the files are correspondence, photographs, loan and shipping records, catalogs, announcements, clippings, articles, and other records. Most of the photographs related to exhibitions are found in the Photographs Series. The files for exhibitions at the Fresno Art Museum, Martha Jackson Gallery and Jack Rutberg Fine Art Gallery are particularly rich.

Commission files document nearly all of Falkenstein's public and private large-scale projects and often contain a visual record of the work, as well as correspondence, design notes, contracts, and expense reports. There is documentation of the St. Basils Church windows in Los Angeles; the Peggy Guggenheim gate in Venice, Italy; and the fountain at the California Savings and Loan, in Los Angeles; and many others. There is also a chronological record of her commissions. The bulk of the photographs of commissions are found in the Photograph series. Also, most of Falkenstein's jewelry design commissions are found in the Personal and Business Records series.

Falkenstein's work as a prolific writer, particularly in the 1940s and 1950s, is well-documented here through her numerous published articles in Arts and Architecture magazine, and the New York Herald-Tribune. Her work for Arts and Architecture was primarily written for the "Art Comments from San Francisco" section. She was living in Paris when she contributed an art news column to the New York Herald-Tribune. Also found here are five diaries and one journal dating from circa 1929-1978. The entries are inconsistent and concern mostly travel. The diaries from 1929 and 1934 are more personal. Falkenstein also maintained extensive notes and notebooks about artwork ideas, observations about art, research, and even drafts of letters. There are also many notes about various topics, including art and class notes. Additional writings are eclectic and cover a wide range of topics, including music, poetry, the script for Falkestein's film entitled Touching the Quick, and drafts of her unpublished book on murals. A handful of writings by others are found, most with annotations by Falkenstein.

Teaching files include Falkenstein's numerous lectures given while teaching at Mills College, Pond Farm Workshops, and California School of Fine Arts, and various symposiums and conferences. Also found are lesson plans, contracts, scattered correspondence, and notes. The files on her tenure at the Pond Farm Workshops are particularly interesting, with notes about her fellow teacher Frans Wildenhain and correspondence with workshop owners, Jane and Gordon Herr.

There are extensive photographs of Falkenstein, her family and friends, colleagues, commissions, exhibitions, and works of art. Included are many images of Falkenstein, of Falkenstien with her art, of Falkentstien working, and of Falkenstein's studio. There are numerous photographs of Falkenstein with friends, family, and colleagues in social or work settings. Also found are photographs of exhibition openings, installation views, and works of art exhibited. Additional photographs document Falkenstein's commissions, including images of her at work. Additional images of commissions may also be found in the Commission Series, but the bulk are filed here. There are numerous photographs of Falkenstein's works of art, including drawings, sculpture, jewelry, murals, lamps, and ceramics.

Falkenstein's papers include a large amount of sketches, sketchbooks, and drawings. Many of the sketches and drawings relate to her ideas about commissions and large sculpture, jewelry designs, and general sketches. Sketches are also found in the Commission Files. Also included are drawings by Mark Tobey and Michel Tapie, and others.

Finally, printed materials include general exhibition catalogs, newspapers clippings, and clippings of articles by and about Falkenstein. Also included are books that have been inscribed and signed by the author.
Arrangement:
The collection is arranged into 9 series:

Missing Title

Series 1: Biographical Materials, 1934-1997 (Box 1-4, 41; 4.3 linear feet)

Series 2: Correspondence, 1931-1997 (Box 5-13; 9 linear feet)

Series 3: Personal and Business Records, 1936-1997 (Box 14-17, 41, 46-49; 4.2 linear feet)

Series 4: Exhibitions, 1930-1996 (Box 18-21, 42, OV 50; 3.3 linear feet)

Series 5. Commissions, 1930-1992 (Box 21-22, OV 50-54 ; 2.0 linear feet)

Series 6: Writings, circa 1929-1993 (Box 22-26, 42, 55; 4.6 linear feet)

Series 7: Teaching Files, 1929-1995 (Box 26; .8 linear feet)

Series 8: Photographs, circa 1917-1997 (Box 27-35, 43, 55-56; 9.5 linear feet)

Series 9: Artwork, circa 1937-1995 (Box 36-37, 44, 57; 2.0 linear feet)

Series 10: Printed Materials, circa 1914-1990 (Box 37-40, 45, 58; 3.9 linear feet)
Biographical Note:
Claire Falkenstein (1908-1997) spent the majority of her life working as an artist, sculptor, jewelry designer, teacher, and writer in California.

Claire Falkenstein was born in 1908 and grew up in Coos Bay, Oregon. In 1920, Falkenstein and her family moved to Berkeley, California, where she attended high school and then college at the University of California at Berkeley, studying philosophy, anthropology, and art. She graduated in 1930. Falkenstein had her first solo show at the East-West Gallery in San Francisco in 1930, the only member of her class to have an exhibition before graduation.

During the early 1930s, Falkenstein studied at Mills College with modernist sculptor Alexander Archipenko. There she also met Bauhaus artists Laszlo Moholy-Nagy and Gyorgy Kepes. Falkenstein married her high school sweetheart, Richard McCarthy in 1936.

In 1944, Falkenstein had her first New York exhibition at the Bonestall Gallery. At that time, Falkenstein's primary mediums were stone and wood. However, she became increasingly experimental with new materials that included sheet aluminum, Cor-Ten steel, glass, plastics, and welded wire rods while maintaining a connection to organic and natural forms. Her work in jewelry design was an outlet for exploring these new materials, forms, and techniques on a small scale. As her work grew physically larger, so did her recognition and it was her work in sculpture that won her a faculty appointment at the California School of Fine Arts from 1947-1949. It was here that she met Patricia and Clyfford Still, Hassel Smith, and Richard Diebenkorn.

In 1948, Falkenstein was invited to exhibit at the Salon des Realites Nouvelle in Paris, her first European show. She eventually moved to Europe in 1950 and had studios in Paris, Venice, and Rome. While in Europe, Falkenstein executed a number of large scale commissions, including the stair screen for Galerie Stadler (1955), grotto gates for Princess Pignatelli's villa in Rome (1957), and the bronze, steel, and the glass gate at the Peggy Guggenheim Museum in Venice (1961). While in Paris, she became acquainted with noted art critic Michel Tapie, with whom she maintained a life-long friendship.

During the 1940s and 1950s Falkenstein was a regular contributor to Arts and Architecture magazine, most often writing the "Art Comments from San Francisco" section. While in Paris, she also wrote a column on art news for the New York Herald Tribune.

Falkenstein returned to the United States in 1962, eventually renovating a studio space in Venice, California. It was here that she conceived her largest commissions. In 1965, Falkenstein received a commission from the California Savings and Loan to create a sculpture for a large fountain at the front of the bank in downtown Los Angeles. The copper tube fountain, entitled "Structure and Flow #2," was the first of many large scale public art commissions that Falkenstein completed during her years in California. Her most important commission in the United States, completed in 1969, was for the doors, rectory gates and grills and stained-glass windows for St. Basil's Church on Wilshire Boulevard in Los Angeles. The eight doors and fifteen rectory screens, including 80 foot high windows in the nave, were an expansion of the "never ending screen" concept that Falkenstein executed with the Pignatelli commission in Rome. She continued to use this motif in her work throughout her career.

Claire Falkenstein worked as an arts instructor, visiting artist, and guest lecturer at many colleges, workshops, and schools in California. Her first position was at Mills College from 1946-1947. Shortly thereafter, she was appointed to the faculty at the California School of Fine Arts and later taught in the Extension Divisions of the University of California, Berkeley. She taught classes at California State Polytechnic University, California State University at Davis, and the Anna Head School. Falkenstein also taught art at the Pond Farm Workshops in California, and lectured at numerous colleges and museums. She served on many juried art shows in Southern California.

Falkenstein was acquainted with many artists, writers, instructors, collectors, gallery owners, and critics. Close friends included Esther and Bob Robles, Clyfford and Patricia Still, Michel Tapie, Allan Temko, Mark Tobey, Frans Wildenhain, and other notable figures in the art world.

Falkenstein continued to complete large scale private and public commissioned sculptures during the 1960s through the 1980s, including work for the University of Southern California, Hyland Biological Laboratory, California State University at Dominquez Hills and the California State Department of Motor Vehicles. Throughout her career, Falkenstein's work was featured in numerous exhibitions across the country. Her sculpture and other artwork can be found in the permanent collections of the Museum of Modern Art, Solomon R. Guggenheim Museum, Smithsonian American Art Museum, Coos Art Museum, Harvard University Art Museum, University of Southern California Fisher Museum of Art, Los Angeles County Museum of Art, and the Tate Gallery.

Falkenstein died in 1997 at the age of 89.
Related Material:
The Archives of American Art also holds two oral history interviews with Claire Falkenstein. The interview on April 13, 1965 was conducted by Betty Hoag and the one on March 2 and 21, 1995 was conducted by Paul Karlstrom.
Provenance:
The Claire Falkenstein papers were donated in 1997 by Steffan Wacholtz and Nancy Kendall, trustees for the Claire Falkenstein Trust.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California  Search this
Painters -- California  Search this
Jewelers -- California  Search this
Educators -- California  Search this
Authors -- California  Search this
Topic:
Art patronage  Search this
Artists' studios  Search this
Women artists  Search this
Women painters  Search this
Women designers  Search this
Women educators  Search this
Women authors  Search this
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Interviews
Citation:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.falkclai
See more items in:
Claire Falkenstein papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9911c74ff-413b-4b54-9280-89c8b0480495
EDAN-URL:
ead_collection:sova-aaa-falkclai
Online Media:

Letters to the editor

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 76, Folder 7
Type:
Archival materials
Date:
1990-1995
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 10: Gay and Lesbian Community Center of Baltimore (GLCCB) / 10.1: Baltimore Gay Paper and Gay Life
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ad8863d6-4fb5-4352-9cba-21ba73a02c05
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1108

Letter of instruction, Colin Powell, Secretary of State

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 38, Folder 24
Type:
Archival materials
Date:
2001 August 03
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 18: Guest, Michael E.
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep84460659a-57ef-4834-8420-5a80ab43a064
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1492

Letter of commendation, Colin Powell, Secretary of State

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 38, Folder 24
Type:
Archival materials
Date:
2004 July 09
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 18: Guest, Michael E.
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep89bf74419-3772-45c6-bc66-b48bf0e5cda1
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1493

Gay Officers Action League (GOAL)

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Type:
Archival materials
Date:
1982-2016, undated
Scope and Contents:
This series contains correspondence, ephemera, news letters, HIV and AIDS information, programs, flyers, photographs and publications related to the Gay Officers Action League. This series also includes with its correspondence hate mail received by the GOAL and material related to a harassment incident that took place during the Pride march of 1990 in New York City. This series also contains a portrait of Sargeant Charles H. Cochrane, Jr. (1943-2008) founder of GOAL, painted by Chris Morano. The portrait was presented to Cochrane's family at the naming of Charles H. Cochrane Way, Greenwich Village, New York City, New York in 2016. The Cochrane family then donated it to GOAL who donated it to the Archives Center.
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146, Series 22
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep80635709d-fcb9-4bca-82b1-7f511fc5907c
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1759

Letters of support when expelled from church

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 142, Folder 1
Type:
Archival materials
Date:
2003
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 21: Sabatino, Michael and Voorheis, Robert
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ce6b4d70-6888-48d7-8024-b671d2a17d7b
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1814

Thank you letters

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 142, Folder 2
Type:
Archival materials
Date:
2011
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 21: Sabatino, Michael and Voorheis, Robert
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c9cb0efa-a637-4793-a0de-bdf5203a7541
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1822

Correspondence and envelopes of Philip St. George

Collector:
Archives Center, National Museum of American History  Search this
Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Extent:
176 Items
Type:
Archival materials
Letters
Date:
1945 to 1953
Scope and Contents:
These letters are clues to a secret life. This is a series of letters and addressed envelopes sent to Philip St. George (?-1997) of New York City who, from all indications, identified as being a closeted gay man. George's correspondents, who may have also have been gay or bisexual, tell of their experiences in the armed forces after World War II and their life after the war, 1945-1953.
Arrangement:
In Box 84, Folders 1 - 10.
Local Numbers:
AC1146-0000117-01 to AC1146-0000273 (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
LGBT  Search this
Homosexuality  Search this
Genre/Form:
Letters
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 13: St. George, Philip / 13.1: Correspondence and envelopes
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep859ce5d95-b8bb-4f26-8d04-1541e00c1ac2
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2773
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"woman-identified woman", "a letter from mary", broadside (New England Free Press, Somerville, Massachusetts)

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 170, Folder 6
Type:
Archival materials
Date:
1970
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 4: Advertising, Business, and Publications / 4.5: Publications
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep885c8260d-2e0e-4c19-8c04-ead62448b383
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2939

Heiss, Harry G., letter per RUKWIR2 license plate

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 191, Folder 8
Type:
Archival materials
Date:
2020-05-25
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 3: Community Life / 3.2: Events, Ephemera and Buttons
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87cd7649b-2b0e-4395-9c6e-ba39c8cc6042
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref3181

Dietrich, Joseph A.

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Type:
Archival materials
Date:
1992-2010
Scope and Contents:
This series contains material related to the production of AIDS/HIV Florida Keys Update an educational documentary produced and directed by A. Joseph Dietrich of TCI Cablevision of Key West, Florida in 1990-1992. The program won a "Media Award for Exceptional Merit" in 1993 from the Community Action Network (CAN). This addendum includes letters, scans of photographs, news clippings and a DVD copy of the production. The papers and photographs are in scan form on the compact discs in this addendum. There are additional photographs included on the photograph compact disc that were not donated in hard copy.
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146, Series 6
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f20b0347-dd26-42fe-b52e-b51e5c4e9289
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref758

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