Correspondence, sketches, collages, writings and printed material.
REEL 2291: Letters from Ilya Bolotowsky, Joseph A. Fiore, Leo Krikorian, and Alice Trumbull Mason; illustrated letters from Gregory Masurovsky and Kenneth Noland; memos from Philip Leider and John Coplans concerning articles written by Stiles for Artforum Magazine; 8 pen drawings by Dylan Thomas; 2 exhibition announcements; and miscellany.
REEL 4046: 9 letters from Ilya Bolotowsky to Stiles; and a letter from Stiles to Archives of American Art staff in which he comments upon the nature of his correspondence with Bolotowsky.
Unmicrofilmed Framed watercolor by Kenneth Noland.
Biographical / Historical:
Collage artist and writer; San Francisco, Calif.
Provenance:
Donated 1980-1987 by Knute Stiles.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
Reel 2291: Authorization to publish, quote or reproduce requires written permission from Andrew Bolotowsky. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- California -- San Francisco Search this
Collagists -- California -- San Francisco Search this
An interview with Tom Jancar conducted June 23 2017, by Hunter Drohojowska-Philp, for the Archives of American Art, at Pomona College, Art Department, Claremont, California.
Mr. Jancar discusses his family's origins in the Pasadena, California area; his mother's interest in painting and his early exposure to art in their home; the impact of music on his early art understanding; his first classes in art history at Orange Coast College and subsequent art degrees from UC Irvine; his interest in collecting Pictorialist photography in the Los Angeles area; his first exposures to Conceptual art at UC Irvine; his time as a teaching assistant for Bas Jan Ader at UCI; the impact of visits as a student to galleries in the L.A. area, especially the Claire Copley Gallery. Mr. Jancar also describes his work as an art preparator at the Bowers Museum; his time performing construction work with Tom Jimmerson for galleries in the L.A. area; his friendship with Richard Kuhlenschmidt and the opening of the Jancar/Kuhlenschmidt Gallery in the Los Altos Apartments building in 1980; Mr. Jancar's decision to leave the gallery business in 1982 and to devote his time to working in corporate architecture; his return to the gallery world in 2006 and the opening of the Thomas Jancar Gallery; his focus on women artists and emphasis on showing the work of emerging artists alongside more established artists; his decision to leave the gallery world once again in 2015, and the closing of his gallery. Mr. Jancar also recalls Hal Glicksman, Tom Jimmerson, Craig Kauffman, Tom Garver, Phil Tippett, Tony DeLap, Ilene Segalove, Hiromu Kira, Guy de Cointet, as well as Kim Hubbard, David Amico, Phil Leider, Larry Gagosian, Louise Lawler, Jean Milant, Micol Hebron, Richard Prince, Annie Sprinkle, and David Askevold, among others.
Biographical / Historical:
Tom Jancar (1950- ) a contemporary art dealer who owns Jancar Gallery in Los Angeles, California. Hunter Drohojowska-Philp is a writer in Los Angeles, California.
Related Materials:
The Archives of American Art also holds the Jancar Gallery records.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art dealers -- California -- Los Angeles -- Interviews Search this
Gallery owners -- California -- Los Angeles -- Interviews Search this
Papers related to Tuchman's co-authoring with Emile de Antonio the book Painters Painting: A History of American Modernism in the Words of Those Who Created It (Abbeville Press, 1984). The book was based on uncut transcripts and the film script from de Antonio's 1972 film Painters Painting, inspired by the Museum of Modern Art's exhibition, New York Painting and Sculpture: 1940-1970, curated by Henry Geldzahler. Included are correspondence; transcripts of interviews conducted by de Antonio of painters, critics, curators, and collectors; notes; drafts of the book; and a subject card file.
Interviewees include: Josef Albers, Leo Castelli, Willem de Kooning, Helen Frankenthaler, Henry Geldzahler, Clement Greenberg, Thomas Hess, Jasper Johns, Philip Johnson, Hilton Kramer, Philip Leider, Robert Motherwell, Louise Nevelson, Barnett Newman, Kenneth Noland, Jules Olitski, Philip Pavia, Larry Poons, Robert Rauschenberg, Larry Rivers, William Rubin, Ethel and Robert Scull, Frank Stella, and Andy Warhol.
Biographical / Historical:
Tuchman is an author and editor; Los Angeles, Calif.
Provenance:
Donated 1994 by Mitch Tuchman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art critics -- United States -- Interviews Search this
Quotes and excerpts must be cited as follows: Oral history interview with Philip Leider, 1979 Dec. 11. Archives of American Art, Smithsonian Institution.
An interview of Philip Leider conducted 1979 Dec. 11, by Paul Karlstrom, for the Archives of American Art. Leider discusses the history of ARTFORUM; his moves to San Francisco, Los Angeles, and New York; and his views on art magazines, contemporary art and art criticism.
Biographical / Historical:
Phillip Leider (1929- ) is an editor and educator from Oakland, Calif. and Jerusalem. Leider is a founding editor of ARTFORUM.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 5 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Editors -- California -- Oakland -- Interviews Search this
An interview of John Coplans conducted 1975 April. 4-1977 August 4, by Paul Cummings, for the Archives of American Art, in New York City.
Coplans speaks of his educational background; the founding and development of ARTFORUM magazine; ARTFORUM staff writers including Lawrence Alloway, Michael Fried, Philip Leider, and Barbara E. Rose; and the influence of Irving Blum and Walter Hopps on California artists and collectors. Coplans also discusses the art market in New York and in California, and talks about his career as a teacher, editor, gallery director, critic, and museum curator.
Biographical / Historical:
John Coplans (1920- 2003) was an art administrator, editor, photograph, and educator of New York, New York. Born in London, England; died in Manhattan, New York.
General:
Originally recorded on 4 sound tape reel. Reformatted in 2010 as 8 digital wav files. Duration is 8 hr., 6 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Editors -- New York (State) -- New York -- Interviews Search this
Topic:
Art publishing -- New York (State) -- New York Search this
Arts administrators -- New York (State) -- New York -- Interviews Search this
Educators -- New York (State) -- New York -- Interviews Search this
Museum curators -- New York (State) -- New York -- Interviews Search this
Gallery directors -- New York (State) -- New York -- Interviews Search this
Genre/Form:
Sound recordings
Interviews
Sponsor:
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
The papers of Artforum editor and educator Philip Leider measure 0.4 linear feet and date from circa 1962 to 1997, bulk dates 1965 to 1971. The papers consist of Leider's correspondence with Michael Fried, Barbara Rose, Frank Stella, Dan Flavin, and Clement Greenberg. Correspondence, both professional and personal, constitutes a majority of the collection and is between Philip Leider and Michael Fried, Barbara Rose, Frank Stella, Dan Flavin, and Clement Greenberg and covers topics such as the writing and publication of articles and reviews in Artforum magazine, anecdotes from parties, gallery openings, lectures and performances attended by Leider and his friends, and critical reactions to events and changes in the art world. Although few in number, writings are included, usually accompanied by a letter explaining the content and style of the manuscript. These are drafts of articles slated for publication in Artforum.
Scope and Contents:
The papers of Artforum editor and educator Philip Leider measure 0.4 linear feet and date from circa 1962 to 1997, bulk dates 1965 to 1971. The papers consist of Leider's correspondence with Michael Fried, Barbara Rose, Frank Stella, Dan Flavin, and Clement Greenberg. Correspondence, both professional and personal, constitutes a majority of the collection and is between Philip Leider and Michael Fried, Barbara Rose, Frank Stella, Dan Flavin, and Clement Greenberg and covers topics such as the writing and publication of articles and reviews in Artforum magazine, anecdotes from parties, gallery openings, lectures and performances attended by Leider and his friends, and critical reactions to events and changes in the art world. Although few in number, writings are included, usually accompanied by a letter explaining the content and style of the manuscript. These are drafts of articles slated for publication in Artforum.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Philip Leider (1929-) is an educator and a founding editor of Artforum magazine. During his time at Artforum, he worked in Los Angeles, California and New York, New York. After leaving his position as editor-in-chief of Artforum in 1971, Leider taught at University of California, Irvine, and Bezalel Academy of Fine Arts in Jerusalem. He continues to write for art periodicals and is based in Oakland, California and Jerusalem.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Philip Leider conducted by Paul Karlstrom, December 11, 1979.
Provenance:
The Philip Leider papers were donated to the Archives of American Art in 2011 by Philip Leider.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leider papers, circa 1962-1997, bulk 1965-1971. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leider papers, circa 1962-1997, bulk 1965-1971. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leider papers, circa 1962-1997, bulk 1965-1971. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leider papers, circa 1962-1997, bulk 1965-1971. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leider papers, circa 1962-1997, bulk 1965-1971. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leider papers, circa 1962-1997, bulk 1965-1971. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leider papers, circa 1962-1997, bulk 1965-1971. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leider papers, circa 1962-1997, bulk 1965-1971. Archives of American Art, Smithsonian Institution.
Correspondence, both professional and personal, constitutes a majority of the collection and is between Philip Leider and Michael Fried, Barbara Rose, Frank Stella, Dan Flavin, and Clement Greenberg and covers topics such as the writing and publication of articles and reviews in Artforum magazine, anecdotes from parties, gallery openings, lectures and performances attended by Leider and his friends, and critical reactions to events and changes in the art world.
Although few in number, writings are included, usually accompanied by a letter explaining the content and style of the manuscript. These are drafts of articles slated for publication in Artforum.
Arrangement:
The materials in this series are arranged in alphabetical order.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leider papers, circa 1962-1997, bulk 1965-1971. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leider papers, circa 1962-1997, bulk 1965-1971. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leider papers, circa 1962-1997, bulk 1965-1971. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leider papers, circa 1962-1997, bulk 1965-1971. Archives of American Art, Smithsonian Institution.
