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Creator:

Accoutrements, Seattle, Washington  Search this

Archie McPhee Co. (Seattle, Washington)  Search this

Source:

Cultural History, Division of (NMAH, SI).  Search this

Former owner:

Cultural History, Division of (NMAH, SI).  Search this

Extent:

1 Cubic foot

Type:

Collection descriptions

Archival materials

Photographs

Catalogs

Legal records

Date:

1985-2008, undated

Summary:

Accoutrements and Archie McPhee product catalogs dating from 1983-2008.

Scope and Contents note:

Collection consists of almost a complete run of Accoutrements and Archie McPhee product catalogs dating from 1985-2008. It documents the advertising and promotion of the wide range of products during that period. Materials reflect the interests of the consumer market and what was paid for novelty and gift items. Collection is arranged into two series. Series 1, Catalogs, 1985-2008 and Series 2: Other Materials, undated.

Arrangement:

Collection is arranged into two series.

Series 1, Catalogs, 1985-2008

Series 2: Other Materials, undated

Biographical/Historical note:

Accoutrements began as a mail order business in Los Angles, California in the 1970s. The company's creator, Mark Pahlow, started the business from his home offering rubber lizards and other collectible items for sale. In 1983, Pahlow moved his business to Seattle, Washington and established it as the retail outlet, Archie McPhee, named after his wife's great-uncle. Pahlow hired two employees and expanded the product line to include rubber chickens and a host of other novelty items. In 2018, Archie McPhee opened the Rubber Chicken Museum inside its Seattle store. The business currently offers retail, wholesale, and online services.

Source: archiemcpheeseattle.com

Related Materials:

Materials in the Archives Center, National Museum of American History

Warshaw Collection of Business Americana NMAH.AC.0060

Gladys Reid Holton Ephemera Collection NMAH.AC.0466

Mortimer Spiller Company Records NMAH.AC.1387

Provenance:

Collection donated in 2002.

Restrictions:

Collection is open for research and access on site by appointment.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Popular culture  Search this

Toys  Search this

Toy industry  Search this

Mail-order business  Search this

Novelties  Search this

Genre/Form:

Photographs -- 2000-2010

Photographs -- 1950-2000

Catalogs

Legal records

Citation:

Accoutrements/Archie McPhee Catalogs, 1985-2003, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0837

See more items in:

Accoutrements/Archie McPhee Catalogs

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_collection:sova-nmah-ac-0837

Creator:

James Graham & Sons  Search this

Names:

Coe Kerr Gallery  Search this

Duveen-Graham (Gallery)  Search this

Graham Gallery  Search this

Graham Modern (Gallery)  Search this

Cicero, Carmen, 1926-  Search this

Coheleach, Guy  Search this

Crile, Susan, 1942-  Search this

De Kooning, Elaine  Search this

Dickinson, Edwin Walter, 1891-1978  Search this

Duveen, Albert  Search this

Fogel, Seymour, 1911-1984  Search this

Fried, Nancy  Search this

Graham, Robert Claverhouse, 1913-1994  Search this

Kriesberg, Irving, 1919-  Search this

Melchers, Gari, 1860-1932  Search this

Perrine, Van Dearing, 1869-1955  Search this

Santlofer, Jonathan, 1946-  Search this

Schley, Reeve, 1936-  Search this

Stevens, Peter  Search this

Thorne, Joan, 1943-  Search this

Trieff, Selina, 1934-  Search this

Wyeth, Andrew, 1917-2009  Search this

Wyeth, Jamie, 1946-  Search this

Wyeth, N. C. (Newell Convers), 1882-1945  Search this

Extent:

103.2 Linear feet

Type:

Collection descriptions

Archival materials

Visitors' books

Scrapbooks

Photographs

Date:

1821

1815

circa 1896-2011

Summary:

The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.. There is a 8.0 linear foot unprocessed addition to this collection donated in 2018 that includes artists' files regarding exhibitions and photographs of works of art.

Scope and Content Note:

The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions of artwork by Jamie Wyeth, and to a lesser extent, Andrew and N.C. Wyeth.

Over the years, the gallery changed names and established contemporary art departments. In addition to records of James Graham & Sons, the collection holds the records of Duveen-Graham Modern Art (in partnership with Albert Duveen), Graham Gallery, Graham Modern, JG|Contemporary, and, to a lesser extent, The Clapp and Graham Co.

Alphabetical files are a mix of business correspondence and business records. The bulk of the series contains correspondence with galleries, museums, other institutions, and, to a lesser extent, clients regarding sales, consignments, and loans of artwork. Also found are materials relevant to the daily operations of the gallery, including correspondence, subject files, and scattered financial, business and legal records.

Exhibition files provide scattered documentation of the gallery's exhibitions through catalogs, clippings, correspondence, guest books, notes, photographs, press materials, price lists, and sales receipts and other financial records.

Artists' Files document the numerous artists who have been represented by the gallery, especially modern American artists. Folders for each artist can contain a variety of materials, including correspondence with the artist or with institutions regarding consignments, loans, sales and exhibitions; photographic materials primarily of artwork; sales invoices; exhibition catalogs, postcards, and other printed materials; press releases; magazine and newspaper clippings; price lists; artist binders; and research materials on artists and artwork. Also found are some subject files, per original arrangement. There is extensive material related to artists Carmen Cicero, Susan Crile, Elaine De Kooning's portrait of President John F. Kennedy, Edwin Dickinson, muralist Seymour Fogel, Nancy Fried, Irving Kriesberg, Gari Melchers, Jonathan Santlofer, Reeve Schley, Peter Stevens, Joan Thorne, and Selina Trieff.

Artwork files document sales, consignments, and loans of artwork primarily from the mid-1980s to 2000s. Materials include agreements and contracts; condition reports; correspondence; invoices and receipts; photographs of artwork; shipping records; and photocopied printed material and other documentation. This series requires written permission from the donor in order to access.

Sales records from 1959-1984 (missing 1974) are found in the Financial Records series. Also found are check stub books from the mid-late 1950s; price lists; records for the Four Seasons Charter Corp.; and scattered banking, consignment, tax, and other financial records. Inventory cards from mid-1950s-1970s and inventory lists, often with notations and prices, are found in the series Inventory Records.

Coe Kerr Gallery Records regarding the Wyeths document Jamie Wyeth's exhibitions primarily from the mid-1970s-early 1980s. Also found is limited material regarding Andrew Wyeth and N.C. Wyeth. Materials include correspondence, photographs, exhibition printed materials, and extensive newspaper clippings.

There are exhibition catalogs, books, announcements, magazines, clippings, postcards, posters and other printed materials related to artists, John Graham & Sons exhibitions, and exhibitions by Graham artists held at other galleries and museums. Also found is an 1815 fifty cent note which was redeemed in 1821.

Seven scrapbooks document discrete aspects of the business, including the gallery's advertising, participation in an art fair, and the careers of artists Guy Coheleach and Van Dearing Perrine. Materials housed in the scrapbooks include clippings, catalogs, photographs, and other printed materials.

Photographic Materials include mostly black and white photographs, negatives, slides and transparencies of artwork; scattered photographs of installations, artists, and the gallery; and a handful of personal snapshots. The bulk of the photographs are undated, but were likely printed between 1950s-1990s.

There is a 8.0 linear foot unprocessed addition to this collection donated in 2018 that includes artists' files regarding exhibitions and photographs of works of art.

Arrangement:

The collection is arranged as 11 series:

Series 1: Alphabetical Files, circa 1896, 1902-1999, bulk 1955-1986 (Boxes 1-15; 15 linear feet)

Series 2: Exhibition Files, 1912, 1947-2004 (Boxes 16-24; 8 linear feet)

Series 3: Artists' Files, circa 1907-2006, bulk 1955-1999 (Boxes 24-62, 95-96; 39.1 linear feet)

Series 4: Artwork Files, circa early 1900s-2011, bulk mid-1980s-2009 (Boxes 63-71, 94, 101; 9.3 linear feet)

Series 5: Financial Records, circa 1937-1993 (Boxes 72-76, 96; 4.5 linear feet)

Series 6: Inventory Records, circa 1954-1993 (Boxes 76-78, 96; 2.1 linear feet)

Series 7: Coe Kerr Gallery Records Regarding Wyeths, 1964-1988 (Boxes 78-80, 97; 2.7 linear feet)

Series 8: Printed Materials, 1815, 1821, 1949-2006 (Boxes 81-82, 97; 2.1 linear feet)

Series 9: Scrapbooks, 1897-1990s (Boxes 82, 98-100; 0.9 linear feet)

Series 10: Photographic Materials, 1929-1990s (Boxes 83-93, 96, 100-101; 11.5 linear feet)

Series 11: Unprocessed Addition, circa 1940-1980 (Boxes 102-109; 8 linear feet)

Historical Note:

The James Graham & Sons gallery has been owned and managed by the Graham family in New York City since 1857. Throughout its history, the gallery has specialized in decorative arts, antiques, and 19th-early 20th century and contemporary American art.

In 1857, Samuel Graham founded a gallery at 66 Third Street and specialized in furniture. Graham was joined by his son James in the 1880s and expanded the business to include antiques and decorative arts. James A. Graham, the third generation Graham, joined the gallery in the early 20th century. James Graham and antiques dealer Marshall Clapp created Clapp & Graham in 1914, a partnership which was dissolved around 1940.

James R. Graham, the fourth generation Graham, joined the gallery in 1937, followed by his brother Robert Claverhouse Graham, Sr. in 1940. The gallery was then named James Graham & Sons and was located at 514 Madison Avenue. At this time, the gallery specialized in bronzes, ceramics, silver, sculptures, and 19th-early 20th century American art. Robert C. Graham, Sr. introduced modern American art, especially The Eight, into the gallery's inventory.

In 1955, the gallery moved to 1014 Madison Avenue, where it remained until the late 2000s. That same year, Graham opened its first contemporary department with Albert Duveen. Duveen-Graham Modern Art gallery was based on the third floor of the Madison Avenue building and dealt solely in contemporary art until its closing in 1958. Robert C. Graham, Jr. (Robin) joined the gallery in 1963, becoming the fifth generation Graham to run the family business. The gallery is currently located at 32 East 67th Street.

Betsy Fahlman's "James Graham & Sons: A Century and a Half in the Art Business" (2007) was a valuable resource in constructing this Historical Note.

Related Material:

Among the other resources relating to James Graham & Sons in the Archives of American Art is an oral history interview with Robert Claverhouse Graham, November 19, 1976, and the David Herbert papers, 1950-1995.

Provenance:

The James Graham & Sons records were donated in 2007, 2008, and 2012 by Priscilla Caldwell and Jay Grimm of James Graham & Sons and in 2018 by Cameron Shay of James Graham & Sons.

Restrictions:

Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art -- Economic aspects  Search this

Painting -- United States  Search this

Sculpture -- United States  Search this

Art galleries, Commercial -- New York (State) -- New York  Search this

Genre/Form:

Visitors' books

Scrapbooks

Photographs

Citation:

James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund

Identifier:

AAA.jamegras

See more items in:

James Graham & Sons records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-jamegras

Collection Creator:

James Graham & Sons  Search this

Extent:

15 Linear feet (Boxes 1-15)

Type:

Archival materials

Date:

1902-1999

circa 1896

bulk 1955-1986

Scope and Contents note:

The bulk of Alphabetical Files is a mix of business correspondence and business records. The correspondence is mostly with galleries, museums, universities, and, to a lesser extent, clients concerning sales, consignments, loans and exhibitions. Also found are general inquiries to the gallery; subject files related to exhibitions and the daily operation of the gallery; some bills and receipts; and scattered business and legal records.

Upon processing, the original arrangement of materials found in this series was unknown. The processing archivist chose to describe the series "Alphabetical Files" as portions of the mixed materials were often arranged alphabetically.

Arrangement note:

Folders are arranged alphabetically by folder title.

Collection Restrictions:

Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund

Identifier:

AAA.jamegras, Series 1

See more items in:

James Graham & Sons records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-jamegras-ref13

Collection Creator:

Architectural League of New York  Search this

Extent:

7.35 Linear feet (Boxes 58-62; BVs 129-144)

Type:

Archival materials

Date:

circa 1926-1972

Scope and Contents:

Business records includes financial documents such as bank statements, correspondence, and ledgers; insurance correspondence and policies; and legal correspondence. This series does not include records prior to 1926.

Arrangement note:

The series is arranged as 3 subseries:

4.1: Financial Records, circa 1926-1970

4.2: Insurance Files, 1932-1972

4.3: Legal Records, 1927-1965

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

Identifier:

AAA.archleag, Series 4

See more items in:

Architectural League of New York records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1368

Collection Creator:

Architectural League of New York  Search this

Type:

Archival materials

Date:

1927-1965

Scope and Contents note:

Legal records includes primarily correspondence. Folders are arranged alphabetically by folder title.

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

Identifier:

AAA.archleag, Subseries 4.3

See more items in:

Architectural League of New York records

Architectural League of New York records / Series 4: Business Records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1469

Collection Creator:

Architectural League of New York  Search this

Container:

Box 62, Folder 20

Type:

Archival materials

Date:

1929-1935

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

See more items in:

Architectural League of New York records

Architectural League of New York records / Series 4: Business Records / 4.3: Legal Records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1470

Collection Creator:

Architectural League of New York  Search this

Container:

Box 62, Folder

Type:

Archival materials

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

See more items in:

Architectural League of New York records

Architectural League of New York records / Series 4: Business Records / 4.3: Legal Records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1471

Collection Creator:

Architectural League of New York  Search this

Container:

Box 62, Folder 21

Type:

Archival materials

Date:

1952

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

See more items in:

Architectural League of New York records

Architectural League of New York records / Series 4: Business Records / 4.3: Legal Records / Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1472

Collection Creator:

Architectural League of New York  Search this

Container:

Box 62, Folder 22

Type:

Archival materials

Date:

1942-1945

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

See more items in:

Architectural League of New York records

Architectural League of New York records / Series 4: Business Records / 4.3: Legal Records / Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1473

Collection Creator:

Architectural League of New York  Search this

Container:

Box 62, Folder 23

Type:

Archival materials

Date:

1937-1940

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

See more items in:

Architectural League of New York records

Architectural League of New York records / Series 4: Business Records / 4.3: Legal Records / Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1474

Collection Creator:

Architectural League of New York  Search this

Extent:

(2 folders)

Container:

Box 62, Folder 24-25

Type:

Archival materials

Date:

1927-1929

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

See more items in:

Architectural League of New York records

Architectural League of New York records / Series 4: Business Records / 4.3: Legal Records / Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1475

Collection Creator:

Architectural League of New York  Search this

Container:

Box 62, Folder 26

Type:

Archival materials

Date:

1964-1965

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

See more items in:

Architectural League of New York records

Architectural League of New York records / Series 4: Business Records / 4.3: Legal Records / Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1476

Collection Creator:

Architectural League of New York  Search this

Container:

Box 62, Folder 27

Type:

Archival materials

Date:

1955, 1959

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

See more items in:

Architectural League of New York records

Architectural League of New York records / Series 4: Business Records / 4.3: Legal Records / Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1477

Collection Creator:

Architectural League of New York  Search this

Container:

Box 62, Folder 28

Type:

Archival materials

Date:

1952-1959

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

See more items in:

Architectural League of New York records

Architectural League of New York records / Series 4: Business Records / 4.3: Legal Records / Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1478

Collection Creator:

Architectural League of New York  Search this

Container:

Box 62, Folder 29

Type:

Archival materials

Date:

1940, 1944, 1956

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

See more items in:

Architectural League of New York records

Architectural League of New York records / Series 4: Business Records / 4.3: Legal Records / Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1479

Collection Creator:

Architectural League of New York  Search this

Container:

Box 62, Folder 30

Type:

Archival materials

Date:

1941

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund

See more items in:

Architectural League of New York records

Architectural League of New York records / Series 4: Business Records / 4.3: Legal Records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-archleag-ref1480

Creator:

Wortz, Melinda  Search this

Names:

University of California, Irvine -- Faculty  Search this

University of California, Irvine. Department of Studo Art  Search this

University of California, Irvine. Fine Arts Gallery  Search this

Antin, Eleanor  Search this

Baca, Judith Francisca  Search this

Ballatore-Nelson, Sandy  Search this

Barber, Daniel  Search this

Bell, Larry, 1939-  Search this

Christo, 1935-  Search this

DeLap, Tony, 1927-  Search this

Dine, Jim, 1935-  Search this

Eversley, Frederick  Search this

Harding, Bill  Search this

Irwin, Robert, 1928-  Search this

Johns, Jasper, 1930-  Search this

Kauffman, Craig, 1932-2010  Search this

Livkin, Rena  Search this

Lodato, Peter  Search this

Marchesi, Cork  Search this

Marck, Marc van der  Search this

McCafferty, Jay David, 1948-  Search this

Moses, Ed, 1926-  Search this

Noguchi, Isamu, 1904-1988  Search this

Ox, Jack, 1948-  Search this

Rauschenberg, Robert, 1925-2008  Search this

Rinke, Klaus, 1939-  Search this

Rosler, Martha  Search this

Schwartz, Beth Ames  Search this

Small, Rena  Search this

Sonneman, Eve  Search this

Taylor, Elizabeth, 1932-2011  Search this

Tivey, Hap  Search this

Todd, Liza  Search this

Turrell, James  Search this

Valentine, De Wain, 1936-  Search this

Warner, Elsa  Search this

Wiener, Nina  Search this

Zaimo, Stephen  Search this

Extent:

17.45 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Photographs

Transcripts

Sound recordings

Travel diaries

Place:

Paris (France) -- description and travel

Soviet Union -- description and travel

Date:

1958-1992

Summary:

The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California "light and space" artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.

Scope and Contents:

The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California Light and Space artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.

Wortz's biographical material includes annotated appointment books and calendars, resumes, and some family, financial, and legal records.

Correspondence files document Wortz's activities beyond her work at UCI, including scattered correspondence with artists such as Eleanor Antin, Daniel Barber, Christo, Craig Kauffman, Cork Marchesi, Martha Rosler, Eve Sonneman, Hap Tivey, and Elsa Warner. Correspondence also relates to arrangements for lectures, juries, panels, symposiums, and other professional activities in which Wortz participated.

Interviews include transcripts of four interviews conducted by Wortz with subjects including Peter Lodato and Dewain Valentine, and a sound recording of an interview with Nina Wiener.

Writings and notes include drafts, and some published copies, of articles and essays written for journals, magazines, and exhibition catalogs; Wortz's dissertation and thesis; notes; student essays and class notes; and scattered writings by others. Included in the published works are copies of Artweek containing articles by Wortz, and drafts and published copies of essays on Larry Bell, Robert Irwin, Jasper Johns, Jay McCafferty, Isamu Noguchi, Robert Rauschenberg, Klaus Rinke, Beth Ames Schwartz, and James Turrell.

Diaries document five separate overseas trips to locations including Asia in 1977, Paris in 1978, and the U.S.S.R., where Wortz delivered a paper on Robert Irwin, in 1989.

University of California, Irvine, records include Wortz's administrative files documenting her work on various committees, her directorship of the Fine Arts Gallery, including budget and exhibition records, her work as Chair of Studio Art, and her collaborations with other faculty, including Judy Baca, Sandy Ballatore, Tony Delap, Craig Kauffman, and Rena Small. Wortz's dossier files provide a thorough record of her accomplishments from the late 1970s-1990, and her UCI teaching files document the content of core art courses which she taught at UCI in the 1970s and 1980s.

Subject files provide additional documentation of Wortz's interest in particular artists and subjects, and include scattered correspondence with artists, as well as additional correspondence, reports, printed material, index card files, sound cassettes, and photographs, documenting her interests in art and politics, feminism, religion and spirituality, museum management and training, and other subjects.

Printed material includes announcements, catalogs, journals, newsletters, and material specifically documenting Wortz's activities.

Artwork includes a piece of floor covering from a Jim Dine exhibition, a booklet by Daniel Barber, Flams by Rena Livkin, and several pieces of unidentified artwork.

Photographs include photos of Wortz with her family and with UCI faculty including Tony DeLap, Craig Kauffman, and Ed Moses; photos of events with friends and family, including Hap Tivey's wedding to Liza Todd with Elizabeth Taylor in attendance; photos of artists including Frederick Eversley, Bill Harding, Jack Ox, and Stephen Zaimo; and photos of artwork by artists including Tony DeLap, Barbara Smith, Marc Van Der Marck, and others.

Arrangement:

The collection is arranged as ten series.

Series 1: Biographical Materials, 1966-1988 (0.25 linear feet; Boxes 1, 19)

Series 2: Correspondence, 1967-1992 (1.25 linear feet; Boxes 1-2, 18)

Series 3: Interviews, 1971-circa 1980s (6 folders; Boxes 2, 18)

Series 4: Writings and Notes, 1958-circa 1990 (4.25 linear feet; Boxes 2-6, 19)

Series 5: Diaries, 1977-1989 (6 folders; Box 6)

Series 6: University of California, Irvine, 1960-1991 (4.8 linear feet; Boxes 6-11, OV 20)

Series 7: Subject Files, circa 1960-1990 (4.25 linear feet; Boxes 11-15, 18)

Series 8: Printed Material, 1960s-1980s (1.8 linear feet; Boxes 15-16, 19)

Series 9: Artwork, circa 1960s-circa 1980s (3 folders; Boxes 17, 19)

Series 10: Photographs, 1960s-1980s (0.6 linear feet; Boxes 17, 19)

Biographical / Historical:

California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002), taught at the University of California, Irvine, from 1975, serving as Director of UCI's Fine Arts Gallery and Chair of the Department of Studio Art. Wortz's special area of interest was the work of the California "light and space" artists emerging in Los Angeles in the 1970s.

After attending Stanford University and graduating from Radcliffe College with a bachelors degree in art history, Wortz received her masters degree in art history from the University of California, Los Angeles, and her doctorate in theology and the arts from the Graduate Theological Union at Berkeley. Wortz taught at California State University and the University of California Extension in the early 1970s. At UCI her colleagues included Judy Baca, Sandy Ballatore, Tony Delap, Craig Kauffman, and Rena Small.

Wortz married Edward C. Wortz in the early 1970s, following her divorce from her first husband, Thomas G. Terbell, Jr. Edward Wortz's first career was as a research scientist working on NASA contracts in the air research industry in Colorado and California. Later he was involved in the arts and participated in collaborations with artists including Robert Irwin, Coy Howard, and James Turrell. He worked with Melinda Wortz to develop their personal collection of contemporary art.

Melinda Wortz was a prolific writer who wrote extensively for national art periodicals, including Arts Magazine, and Art News. She also wrote, and served as editor, for the California periodical Artweek from the 1960s to 1990s. She wrote numerous catalogs for artists including Larry Bell, Cork Marchesi, Doug Moran, Beth Ames Schwartz, and James Turrell; and published articles on Dan Flavin, Robert Irwin, Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, Frank Stella, and others. She lectured at Brown University, the Center for Art, Salt Lake City, Contemporary Art Museum, La Jolla, the Massachusetts Institute of Technology, the San Diego Museum, Wellesley College, the Whitney Museum of American Art, and many other institutions. In 1989 she traveled to the U.S.S.R. to deliver a paper on Robert Irwin at the International Art Critics Association annual meeting.

In addition to her curatorial work at the UCI Fine Arts Gallery, where she organized exhibitions for artists including Alice Aycock, Jonathan Borofsky, Audrey Flack, Jack Ox, and Dennis Oppenheim, Wortz curated exhibitions for University of California sister colleges, Pasadena Art Museum, and others.

Wortz received UCI and National Endowment for the Arts grants in support of her writing, and served on advisory boards of the Contemporary Arts Forum, Los Angeles Institute of Contemporary Art, Santa Barbara, Robert Rauschenberg's foundation, Advisory Board of Change, Inc., the Pasadena Art Museum, and others.

Wortz was diagnosed with Alzheimers disease at the age of 50 and died in 2002.

Provenance:

The collection was donated by Edward C. Wortz, Melinda Wortz's husband, in 1994.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Women art historians -- California  Search this

Art historians -- California -- Los Angeles  Search this

Art critics -- California -- Los Angeles  Search this

Authors -- California -- Los Angeles  Search this

Art teachers -- California -- Los Angeles  Search this

Topic:

Gallery directors -- California -- Los Angeles  Search this

Art, American -- California  Search this

Art galleries, University and college -- California -- Irvine  Search this

Curators -- California -- Los Angeles  Search this

Art -- Study and teaching  Search this

Art, Modern -- 20th century -- California  Search this

Genre/Form:

Interviews

Photographs

Transcripts

Sound recordings

Travel diaries

Citation:

Melinda Wortz papers, 1958-1992. Archives of American Art, Smithsonian Institution.

Sponsor:

Support for the processing of this collection was provided by the Smithsonian's Collections Care Pool Fund.

Identifier:

AAA.wortmeli

See more items in:

Melinda Wortz papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-wortmeli

Collection Creator:

Wortz, Melinda  Search this

Extent:

0.25 Linear feet (Boxes 1, 19)

Type:

Archival materials

Date:

1966-1988

Scope and Contents:

Biographical material includes addresses and business cards, appointment books and annotated calendars, resumes, financial and legal records including property deeds, escrow records, and records relating to Wortz's divorce from her first husband, personal stationery used by Wortz, miscellany relating to Wortz's children, a travel itinerary for a trip to Asia, and two sound cassettes.

Also found is patent documentation for Edward C. Wortz's "method of and means for controlling body temperature" in a space suit.

Collection Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Melinda Wortz papers, 1958-1992. Archives of American Art, Smithsonian Institution.

Sponsor:

Support for the processing of this collection was provided by the Smithsonian's Collections Care Pool Fund.

Identifier:

AAA.wortmeli, Series 1

See more items in:

Melinda Wortz papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-wortmeli-ref11

Collection Creator:

Wortz, Melinda  Search this

Container:

Box 1, Folder 8

Type:

Archival materials

Date:

1960s-1988

Collection Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Melinda Wortz papers, 1958-1992. Archives of American Art, Smithsonian Institution.

Sponsor:

Support for the processing of this collection was provided by the Smithsonian's Collections Care Pool Fund.

See more items in:

Melinda Wortz papers

Melinda Wortz papers / Series 1: Biographical Materials

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-wortmeli-ref24

Creator:

Tibor de Nagy Gallery  Search this

Names:

Art Dealers Association of America  Search this

Art in America  Search this

Hirshhorn Museum and Sculpture Garden  Search this

Museum of Modern Art (New York, N.Y.)  Search this

National Institute of Arts and Letters (U.S.)  Search this

United States Information Agency  Search this

Castoro, Rosemarie  Search this

Ciarrocchi, Ray, 1933-  Search this

De Nagy, Tibor, 1908-1993  Search this

Goodnough, Robert, 1917-  Search this

Gregor, Harold, 1929-  Search this

Grooms, Red  Search this

Hirsch, Pauli  Search this

Kozloff, Joyce  Search this

Onassis, Jacqueline Kennedy, 1929-1994  Search this

Penney, Charles Rand, 1923-2010  Search this

Reginato, Peter, 1945-  Search this

Robbin, Tony  Search this

Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this

Rose, Leatrice  Search this

Witteman-Widrig, Nancy  Search this

Extent:

43.9 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Date:

1941-2016

Summary:

The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, and a small amount of records of the Houston Branch.

Scope and Contents:

The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, a small amount of records of the Houston Branch, and exhibition announcements.

Business records include correspondence and administrative files. Business correspondence is with clients, curators, galleries, museums, colleges and universities, organizations, and publications, such as the Museum of Modern Art, Art Dealers Association, National Institute of Arts and Letters, United States Information Agency, The Hirshhorn Museum, Art News, Art in America, Pauli Hirsch, Jacqueline Kennedy, Charles Penney, Nelson Rockefeller, and many others. Correspondence concerns sales, purchases, shipping, loans, general exhibitions, publicity, events, publications and publishing, and other topics. Additional documents found within the correspondence files are purchase invoices, inquiries, shipping receipts, and photographs. Correspondence with artists is found in the Artist Files series. Administrative files concern day-to-day operations and include leases and construction documents, incorporation, insurance, art appraisals, art framing, and other general business affairs.

Exhibition files document many exhibitions held at the Gallery and include clippings and research materials, exhibition catalogs, exhibit and gallery plans, correspondence, and photographs. Some loan agreements and shipping receipts are also included.

Artist files document business affairs with individual artists and also contain collected information on artists. Typically, there are several files on each artist which may include printed materials, biographies, consignments, loans documentation, sales documentation, correspondence, photographic material, publicity, and reviews. Artists well represented among these files include Rosemarie Castoro, Ray Ciarrocchi, Robert Goodnough, Harold Gregor, Red Grooms (including a transcript of "A Conversation with Marison and Red Grooms"), Joyce Kozloff, Peter Reginato, Tony Robbin, Leatrice Rose, and Nancy Witteman-Widrig.

Financial records include incomplete runs of billing statements, expenses and cash disbursements, paid and unpaid invoices, and sales and shipping receipts. Inventory records consist primarily of index cards and/or sheets that document stock, consignments, loans, sales, and shipping.

A relatively small amount of Houston branch records include announcements, clippings, correspondence, financial information including consignments, income, invoices, and statements, photographs, publicity materials and a research file on Houston art museums.

Exhibition announcements promote the gallery's exhibitions for artists including Joe Brainard, Shirley Jaffe, Fairfield Porter, Rosemarie Castoro, Alfred Leslie, and many others.

Arrangement:

The Tibor de Nagy Gallery records are arranged into seven series.

Series 1: Business Records and Correpondence, 1950-1993 (10 linear feet; Boxes 1-10)

Series 2: Exhibition Files, 1941-1992 (2 linear feet; Boxes 11-12)

Series 3: Artist Files, 1956-1993 (18.6 linear feet; Boxes 13-31, 46)

Series 4: Financial and Legal Records, 1951-1984 (3.5 linear feet; Boxes 31-34)

Series 5: Inventory Records, 1952-1989 (9 linear feet; Boxes 34-43)

Series 6: Houston Branch Records, 1969-1984 (1.2 linear feet; Boxes 43-45)

Series 7: Exhibition Announcements, 1953-2016 (0.8 linear feet; Boxes 47-48)

Biographical / Historical:

One of the earliest modern art galleries in New York, Tibor de Nagy Gallery was founded in 1950 by Tibor de Nagy and John Bernard Myers. Initially the gallery featured the work of second generation Abstract Expressionists and continues to operate today with a focus on the Post War second generation New York School.

John B. Myers served as the gallery's first director and De Nagy was the business manager while continuing to work in the banking business. Early on, the gallery introduced and promoted second generation Abstract Expressionists such as Grace Hartigan and Alfred Leslie. The gallery quickly earned a reputation for promoting the work of emerging artists, including Carl Andre, Helen Frankenthaler, Jane Freilicher, Red Grooms, Fairfield Porter, and Larry Rivers, among others, giving many of them their first solo shows.

Later the gallery gained a reputation as a space for collaborative artistic ventures and organized exhibitions that combined visual imagery and poetry by several New York School poets. The gallery also published books by poets John Ashbery, Frank O'Hara, and James Schuyler, as well as a poetry newsletter entitled Semi-Colon.

In 1973 de Nagy teamed with Marvin Watson to open the Watson/deNagy Gallery in Houston, which closed in 1983. Tibor de Nagy retired from banking in 1970 and continued running the gallery until he died in 1993. The Tibor de Nagy gallery continues operating today at 724 Fifth Avenue under the direction of Andrew Arnot and Eric Brown. It also works with a number of estates, including those of Joe Brainard, Rudy Burckhardt, Donald Evans, and Jess.

Related Materials:

Among the holdings of the Archives of American Art are an oral history interview with Tibor de Nagy, March 29, 1976 conducted by Paul Cummings; the John Bernard Myers papers (which do not contain documentation of his work at the gallery); and the Watson/de Nagy Houston gallery records available only on microfilm, a small portion of which may also be duplicated in the original records described in this finding aid.

Provenance:

The records were donated by Tibor de Nagy Gallery in multiple accessions between 1993-1996 and in 2018. Additional material about the exhibition, Digital Explorations: Emerging Visions in art, 1988, donated in 2020 by one of the exhibition curators, Ligia Ercius-DiPaola.

Restrictions:

Use of original papers requires an appointment and is limited to the Washington, D.C. research facility.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art, Modern  Search this

Gallery owners  Search this

Art dealers -- New York (State) -- New York  Search this

Art galleries, Commercial -- New York (State) -- New York  Search this

Art galleries, Commercial -- Texas -- Houston  Search this

Genre/Form:

Photographs

Citation:

Tibor de Nagy Gallery records, 1941-1993. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund.

Identifier:

AAA.tibode

See more items in:

Tibor de Nagy Gallery records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-tibode