Search Results

Creator:

Jourdan, David W.  Search this

Long, Elgen Marion, 1927-  Search this

Names:

Nauticos Corporation  Search this

Earhart, Amelia, 1897-1937  Search this

Noonan, Frederick  Search this

Extent:

4.5 Cubic feet (5 legal document cases and 13 cassette tape boxes)

Type:

Collection descriptions

Archival materials

Interviews

Sound recordings

Date:

1959-1998

Summary:

This donation consists of 156 separate interviews or sound sources collected by Elgen Long while he was researching and writing his book, Amelia Earhart: The Mystery Solved which promotes the theory that Amelia Earhart's aircraft came to rest at the bottom of the ocean near Howland Island.

This collection is in English.

Scope and Contents:

The donation consists of 156 separate interviews or sound sources, some comprising two or more tape sides. Most of them are interviews conducted by Long, including interviews with: crew members of the Coast Guard Cutter Itasca; Naval and Coast Guard officials; mechanics and engineers involved in the maintenance of Earhart's aircraft; New Guinea and Australia residents and radio operators; friends, family and associates of Earhart and Noonan; and advocates of alternative disappearance theories. There are also radio interviews and a few movie soundtracks and miscellaneous items. The total running time of the collection is 13,209 minutes (220sca hours). This donation also includes a hard drive which holds 387 audio files in .mp3 or .mp4 format (each file is an interview with the possibility of multiple interviews per tape).

Arrangement:

Arrangement by donor.

Biographical / Historical:

Elgen Long collected oral recordings, both interviews and sound sources, while he was researching and writing his book, Amelia Earhart: The Mystery Solved which promotes the theory that Amelia Earhart's aircraft came to rest at the bottom of the ocean near Howland Island. These tapes were also used throughout Long's partnership with David W. Jourdan, founder of the deep-sea exploration company Nauticos, during their three attempts to locate Earhart's aircraft on the ocean floor (2002, 2006, and 2017).

Provenance:

David Jourdan, Gift, 2020, NASM.2020.0025

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Topic:

Aeronautics  Search this

Underwater exploration  Search this

Flights around the world  Search this

Genre/Form:

Interviews -- 1950-2000

Sound recordings -- Audiotapes -- Audio cassettes -- Music

Citation:

Amelia Earhart Project Recordings, NASM.2020.0025, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.2020.0025

See more items in:

Amelia Earhart Project Recordings

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2e9335b2f-1f78-465d-9314-4c94c3885e5e

EDAN-URL:

ead_collection:sova-nasm-2020-0025

Creator:

Kent, Rockwell, 1882-1971  Search this

Names:

American Artists' Congress  Search this

Artists League of America  Search this

Artists' Union (New York, N.Y.)  Search this

Citizens' Committee for Government Arts Projects  Search this

Farmers Union of the New York Milk Shed  Search this

Federal Art Project  Search this

Federal Writers' Project  Search this

International Workers Order  Search this

Macbeth Gallery  Search this

National Farmers' Union (U.S.)  Search this

National Maritime Union of America  Search this

United American Artists  Search this

United Office and Professional Workers of America  Search this

United Scenic Artists  Search this

Boyesen, Bayard  Search this

Chamberlain, J. E.  Search this

Chase, William Merritt, 1849-1916  Search this

Cleland, T. M. (Thomas Maitland), 1880-1964  Search this

Daniel, Charles, 1878-1971  Search this

Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this

DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this

Fitzgerald, James, 1899-1971  Search this

Freuchen, Peter, 1886-1957  Search this

Gellert, Hugo, 1892-1985  Search this

Gottlieb, Harry, 1895-  Search this

Hartley, Marsden, 1877-1943  Search this

Hays, Lee, 1914-1981  Search this

Henri, Robert, 1865-1929  Search this

Jones, Dan Burne  Search this

Keller, Charles, 1914-2006  Search this

Miller, Kenneth Hayes, 1876-1952  Search this

Nearing, Helen  Search this

Nearing, Scott, 1883-1983  Search this

Pach, Walter, 1883-1958  Search this

Phillips, Duncan, 1886-1966  Search this

Rasmussen, Knud, 1879-1933  Search this

Reeves, Ruth, 1892-1966  Search this

Robeson, Paul, 1898-1976  Search this

Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this

Ruggles, Carl, 1876-1971  Search this

Seeger, Pete, 1919-2014  Search this

Stefansson, Vilhjalmur, 1879-1962  Search this

Untermeyer, Louis, 1885-1977  Search this

Wildenstein, Felix, 1883-1952  Search this

Zigrosser, Carl, 1891-  Search this

Extent:

88 Linear feet

Type:

Collection descriptions

Archival materials

Poems

Sketches

Business records

Photographs

Drawings

Date:

circa 1840-1993

bulk 1935-1961

Summary:

The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

Scope and Content Note:

The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life).

Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.

Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.

A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.

Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.

Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.

Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.

Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.

Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.

Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.

Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.

Arrangement:

The collection is arranged into six series. Series 1 is arranged alphabetically. The arrangement of the remaining series is explained in each series description. Note that sealed materials that became available in 2000 were microfilmed separately on reels 5740-5741, but have integrated into this finding aid.

Missing Title

Series 1: Alphabetical Files, circa 1900-1971, undated (Reels 5153-5249, 5256, 5740-5741)

Series 2: Writings, 1906-1978, undated (Reels 5249-5252, 5741)

Series 3: Art Work, 1910-1972, undated (Reels 5252, 5741)

Series 4: Printed Matter, 1905-1993, undated (Reels 5252-5254)

Series 5: Miscellaneous, 1859-1969, undated (Reels 5254, 5741)

Series 6: Photographs, circa 1840-1970, undated (Reels 5254-5255, 5741)

Biographical Note:

Rockwell Kent (1882-1971), an energetic and multitalented man, pursued many interests and careers during his very long and active life. At various times he was an architect, draftsman, carpenter, unskilled laborer, painter, illustrator, printmaker, commercial artist, designer, traveler/explorer, writer, professional lecturer, dairy farmer, and political activist.

While studying architecture at Columbia University, Kent enrolled in William Merritt Chase's summer school at Shinnecock Hills, Long Island. He then redirected his career ambitions toward painting and continued to study with Chase in New York. Kent spent a summer working and living with Abbott H. Thayer in Dublin, New Hampshire, and attended the New York School of Art, where Robert Henri and Kenneth Hayes Miller were his teachers.

Critically and financially, Kent was a successful artist. He was very well known for his illustration work--particularly limited editions of the classics, bookplates, and Christmas cards. He was a prolific printmaker, and his prints and paintings were acquired by many major museums and private collectors. During the post-World War II era, Kent's political sympathies resulted in the loss of commissions, and his adherence to artistic conservatism and outspoken opposition to modern art led to disfavor within art circles. After many years of declining reputation in this country and unsuccessful attempts to find a home for the Kent Collection, Kent gave his unsold paintings--the majority of his oeuvre--to the Soviet Union, where he continued to be immensely popular.

An avid traveler, Kent was especially fascinated by remote, Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his experiences in Alaska, Tierra del Fuego, and Greenland. In the 1930s and 1940s, Kent was much in demand as a lecturer, making several nationwide tours under the management of a professional lecture bureau; he spoke mainly about his travels, but among his standard lectures were some on "art for the people."

In 1927, Kent purchased Asgaard Farm at AuSable Forks, New York, in the Adirondacks, where he lived for the remainder of his life, operating a modern dairy farm on a modest scale for many years.

As a young man, Kent met Rufus Weeks, became committed to social justice, and joined the Socialist Party. Throughout his life, he supported left-wing causes and was a member or officer of many organizations promoting world peace and harmonious relations with the Soviet Union, civil rights, civil liberties, antifascism, and organized labor. Kent was frequently featured as a celebrity sponsor or speaker at fund-raising events for these causes. In 1948, he ran unsuccessfully as the American Labor Party's candidate for Congress. Kent's unpopular political views eventually led to the dissolution of his dairy business, resulted in a summons to appear before the House Un-American Activities Committee, and prompted the U.S. State Department to deny him a passport, an action that subsequently was overturned by the U.S. Supreme Court.

Kent wrote two autobiographies, This Is My Own (1940) and It's Me, O Lord (1955). In 1969, he was the subject of an oral history interview conducted by Paul Cummings for the Archives of American Art.

Provenance:

In 1969, Rockwell Kent donated his papers to the Archives of American Art; textile samples were received in 1979, and his widow gave additional papers in 1971 and 1996. Letters to Rockwell Kent from wives Frances and Sally, sealed during Sally Kent Gorton's lifetime, became available for research after her death in 2000, and further material was donated to the Archives of American Art in 2001 by the Estate of Sally Kent [Shirley Johnstone] Gorton.

Restrictions:

The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State)  Search this

Topic:

Designers -- New York (State)  Search this

Mural painting and decoration  Search this

Politics and culture  Search this

Authors -- New York  Search this

Art, Modern -- 20th century -- United States -- Political aspects  Search this

Dairy farms  Search this

Federal aid to the arts  Search this

Illustrators -- New York (State)  Search this

Illustration of books  Search this

Works of art  Search this

Art and war  Search this

Commercial art  Search this

World War, 1939-1945 -- Art and the war  Search this

Function:

Labor unions

Genre/Form:

Poems

Sketches

Business records

Photographs

Drawings

Citation:

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.kentrock

See more items in:

Rockwell Kent papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97edd9940-eb61-4562-9583-def2da778b6a

EDAN-URL:

ead_collection:sova-aaa-kentrock

Collection Creator:

Bellanca, Giuseppe M., 1886-1960  Search this

Container:

Box 37, Folder 5

Type:

Archival materials

Scope and Contents:

Folder contents were not scanned.

Collection Restrictions:

No restrictions on access.

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Collection Citation:

Giuseppe M. Bellanca Collection, Acc. NASM.1993.0055, National Air and Space Museum, Smithsonian Institution.

See more items in:

Giuseppe M. Bellanca Collection

Giuseppe M. Bellanca Collection / Series 1: Mr. Bellanca's Professional Life / 1.3: Financial and Legal Documents

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg21d2d224a-a5ef-4c9d-bf1c-b53a49b30066

EDAN-URL:

ead_component:sova-nasm-1993-0055-ref585

Creator:

Benton, Fletcher, 1931-  Search this

Names:

André Emmerich Gallery  Search this

Galerie Denino  Search this

Bury, Pol, 1922-2005  Search this

De Wilde, Dan  Search this

Finn, David  Search this

Jones, Lillian E.  Search this

Louchheim, Marlene  Search this

Lucie-Smith, Edward  Search this

Marquand, Ed  Search this

Neubert, George W.  Search this

Rickey, George  Search this

Sanders, Pieter  Search this

Tooker, Dan  Search this

Valentine, DeWain, 1936-  Search this

Wilke, Ulfert, 1907-1987  Search this

Extent:

8.7 Linear feet

1.47 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Interviews

Motion pictures (visual works)

Drawings

Video recordings

Transcripts

Sound recordings

Photographs

Christmas cards

Date:

1934-2014

Summary:

The papers of sculptor and painter Fletcher Benton measure 8.2 linear feet and 1.47 GB and date from 1934 to 2014. They document his career as a sculptor with international presence through certificates, personal photographs, legal papers, correspondence, exhibition and commission documentation, clippings, exhibition-related printed materials, broadcast materials, publications about his work, an editioned kinetic Christmas card, and photographs, sound and video recordings, and motion picture film documenting his work and career.

Scope and Contents:

The papers of sculptor and painter Fletcher Benton measure 8.2 linear feet and 1.47 GB and date from 1934 to 2014. They document his career through personal photographs, legal papers, correspondence, exhibition and commission documentation, clippings, exhibition-related printed materials, broadcast materials, publications about his work, an editioned kinetic Christmas card, photographs, sound and video recordings motion picture film, some of which also appears in digitized form.

Biographical Materials include personal photographs, legal documents related to a court case with book designer Ed Marquand, biographical texts, interview transcripts, and a home video made by the artist. Correspondence is with other artists, friends, galleries, museums and other institutions, including George W. Neubert, André Emmerich Gallery, Pieter Sanders, Pol Bury, George Rickey, Ulfert Wilke, Marlene Louchheim, DeWain Valentine, Lillian E. Jones, and Edward Lucie-Smith. Interviews include sound recordings of interviews with Benton by academics and journalists, including Edward Lucie-Smith, Dan Tooker, and Dan De Wilde.

Exhibition and Commission Files consist of correspondence with galleries, museums and commission patrons; financial records; shipping and subcontracting documentation; motion picture film, video, and sound recordings related to exhibitions and installations; and planning and design materials. Series includes a significant amount of oversized drawings and plans for site-specific work. There is a large volume documentation from the Folded Circle-Arc commission by Stanley Consultants, Inc. in Muscatine, Iowa; the California/International Arts Foundation Traveling Sculpture Exhibition; Double Folded Circle Ring in Brussels and Double Circle Folded by Cedars Sinai Medical Center in Los Angeles.

Printed Materials include news clippings related to Benton's career, as well as brochures, exhibition catalogs, posters and other printed materials related to exhibitions and commissions. Broadcast materials include television news footage, radio and television interviews, documentaries, and promotional materials made by galleries and other cultural institutions.

Photographic and Moving Image Materials include art-related images showing Benton in his studio and images of exhibitions, installations and inaugurations. Also found are still photographs and motion picture films of artworks, including paintings, sculptures, and kinetic drawings, and a series of photographs of sculptures taken by David Finn.

Artwork consists of an editioned art Christmas card created by Benton for Galeria Bonino in New York from 1969. An American Artist Moving Image Materials consist of 13 videocassettes (VHS) which document the production process of the documentaryFletcher Benton: An American Artist by Morgan Cavett. There is footage from interviews with Benton and with curator George W. Neubert, footage of San Francisco with comments from Benton about his time there, interviews with the artist's studio assistants, images of his studio in Dore street and a couple of almost finished rough versions of the documentary.

Arrangement:

This collection is arranged as nine series.

Missing Title

Series 1: Biographical Material (0.3 linear feet; boxes 1, 9)

Series 2: Correspondence (1 linear foot; boxes 1, 2, OV 10)

Series 3: Interviews (0.3 linear feet; box 2)

Series 4: Exhibition and Commission Files (2 linear feet, 0.50 GB; boxes 2-4, OV 11-13, RD 14, FC 15, ER01)

Series 5: Printed Materials (2.3 linear feet; boxes 4-6, OV 10)

Series 6: Broadcast Materials (1.1 linear foot; boxes 6-7)

Series 7: Photographic and Moving Image Materials (0.5 linear feet, 0.97 GB; boxes 7, 9, FC 16-17, ER02)

Series 8: Artwork (1 item; box 7)

Series 9: -- An American Artist -- Video Recordings (0.6 linear feet; boxes 7-8)

Biographical / Historical:

Fletcher Benton was born in Jackson, Ohio in 1931 to Fletcher and Nell Cavett Benton and was the oldest of three children. Benton graduated from Jackson High School in 1949. After serving in the Navy he graduated from Miami University (Oxford, Ohio) in 1956 and moved to San Francisco, where he started working as an instructor at the California College of Arts and Crafts in 1959. He was in San Francisco during the flourishing of the Beat generation, where he had a studio in the North beach area and exhibited at coffee house galleries.

After travelling around Europe in 1960, Benton moved to New York City where he tried to make his living through painting and teaching privately. During those years he was supported by Jackson's local arts patron and family friend, Lillian E. Jones. In 1960 he had his first solo exhibition at Gump's gallery in San Francisco, but his work was taken down after one day because it was considered obscene for including female nudes. He returned to San Francisco in late 1961.

In 1966 Fletcher started teaching at the San Francisco Art Institute and established himself as a primary figure of American kinetic art. In 1966, Peter Selz included his work in the exhibition Directions in Kinetic Sculpture at the University Art Gallery in Berkeley, CA. During the exhibition Benton met the artists Pol Bury and George Rickey with whom he became friends. The exhibition, along with an article "The Movement Movement" that appeared in Time magazine the same year, established Benton's reputation as a significant American Kinetic artist. He also started teaching at the California State University in San José in 1967 where he continued working until 1986.

By 1974 Benton abandoned kinetic art to continue exploring sculpture in three dimensions in a style that became known as "new constructivism." The artworks were conceived in the series Folded Circles and Folded Square Alphabets and were produced in bronze, aluminum and steel. It was also during the 1970s that he started doing large-scale commissions such as the 1977 IBM commission.

Between 1981 and 1984 Benton constructed his studio in Dore Street in the Market district of San Francisco where he continues to work today. During the 1980s Benton started his Balanced/Unbalanced series, which introduced the idea of gravity using geometric forms in different formats and sizes.

From 1984 he began to show more work in Europe, especially in Germany, where in 1993 he got a major commission to create a colossal public sculpture in Cologne entitled Steel Watercolor Triangle Ring. It was also in Germany where Benton encountered the work of Wassily Kandinsky and Kazimir Malevich, and he began work on his Construct Relief series in reponse, which he dedicated to Kandinsky. These geometric constructions are flat, canvas-like steel structures that combine features of painting and sculpture. As the series evolved, the work became more like painting, constructed to hang on the wall without a back piece, so they seem to be floating in the space.

Benton continues to live and work in San Francisco and is represented by multiple galleries in the United States and Germany.

Related Materials:

Also found in the Archives of American Art is an oral history interview with Fletcher Benton conducted by Paul J. Karlstrom, 1989 May 2-4 is available on the Archives of American Art website.

Provenance:

Donated 2005-2006 and 2014 by Fletcher Benton. Benton's wife, Bobbie Benton, organized the material by subject matter and date.

Restrictions:

Use of original papers requires an appointment. Use of audiovisual material without a duplicate copy requires advanced notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- California -- San Francisco  Search this

Sculptors -- California -- San Francisco  Search this

Topic:

Artists' studios -- Photographs  Search this

Genre/Form:

Interviews

Motion pictures (visual works)

Drawings

Video recordings

Transcripts

Sound recordings

Photographs

Christmas cards

Citation:

Fletcher Benton papers, 1934-2014. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources' Hidden Collections grant program.

Identifier:

AAA.bentflet

See more items in:

Fletcher Benton papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9951bf858-723f-4f17-804b-fc250edde964

EDAN-URL:

ead_collection:sova-aaa-bentflet

Printed by:

Unidentified  Search this

Created by:

Unidentified  Search this

Signed by:

Antonio Fernández Vanga, Spanish, born 1800  Search this

Medium:

ink on paper

Dimensions:

H x W: 6 1/4 x 8 1/4 in. (15.9 x 21 cm)

Type:

forms (documents)

Place used:

Manatí, Puerto Rico, United States, Caribbean, Latin America, North and Central America

Cultural Place:

Spain, Europe

Date:

March 19, 1870

Topic:

African American  Search this

Colonialism  Search this

Slavery  Search this

Spanish colonialism  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2010.1.4.2

Restrictions & Rights:

No Known Copyright Restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Slavery and Freedom Objects

Documents and Published Materials-Business and Legal Documents

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd562ed5287-a282-4b05-a930-f0834d3eea4e

EDAN-URL:

edanmdm:nmaahc_2010.1.4.2

Creator:

Smothers Brothers  Search this

Names:

Paulsen, Pat  Search this

Seeger, Pete, 1919-2014  Search this

Extent:

7 Cubic feet (21 boxes, 1 map-folder)

Type:

Collection descriptions

Archival materials

Biography files

Clippings

Color slides

Contact sheets

Contracts

Itineraries

Legal records

Letters (correspondence)

Photograph albums

Photographs

Color prints (photographs)

Programs

Press releases

Scrapbooks

Scripts (documents)

Date:

1959-2008, undated

Summary:

The collection documents the lives and careers of the Smothers Brothers, with emphasis on their 1960s television variety show, The Smothers Brothers Comedy Hour.

Scope and Contents:

Collection documents the private lives and professional careers of Tom and Dick Smothers, with emphasis on their television variety show, The Smothers Brothers Comedy Hour. The largest portion of the collection contains photographic materials. Publicity materials including press releases, programs, newspaper clippings, and magazine articles; correspondence containing fan mail (some from famous persons such as Lucille Ball, Jack Paar, and others), letters from viewers both complimentary and critical of shows, and letters from members of Congress; business records including contracts, tour itineraries, talent agency materials, scripts, and scrapbooks; and legal documents relating to the lawsuit against Columbia Broadcasting System (CBS) are also found in the collection. Collection is arranged into three series: Series 1, Photographs, 1961-2007, undated; Series 2, Business Records, 1959-2002, undated; and Series 3, Personal Papers, 1966-2008, undated.

Arrangement:

Collection is arranged into three series:

Series 1: Photographic Materials, 1961-2007, undated

Subseries 1.1: Television Shows, 1966-1989, undated

Subseries 1.2: Specials, Tours, and Public Appearances, 1964-1988, undated

Subseries 1.3: Motion Picture Films and Theatre, 1969-1982

Subseries 1.4: General, 1961-2007, undated

Subseries 1.5: Promotional, 1961-2003, undated

Series 2: Business Records, 1959-2002, undated

Subseries 2.1: Press, 1960-2002, undated

Subseries 2.2: Employee Files, 1959-1999, undated

Subseries 2.3: Smothers Brothers v. Columbia Broadcasting System, Incorporated (CBS), 1966-1972, undated

Subseries 2.4: Correspondence, 1960-1996

Subseries 2.5: Performance Materials, 1962-1993, undated

Subseries 2.6: Fan Club, 1990-1992, undated

Series 3: Personal Papers, 1966-2008, undated

Related Materials:

Materials in the Archives Center, National Museum of American History

Duncan Family Yo-Yo Collection NMAH.AC.0807

Colonna, Farrell Wine Label Collection NMAH.AC.0626

Sam DeVincent Collection of Illustrated American Sheet Music, Series 16: Country, Western and Folk Music NMAH.AC.0300

Bob Rule Papers, NMAH.AC.0855

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Comedy  Search this

Folk singers  Search this

Television personalities  Search this

Television  Search this

Variety shows (Television programs) -- Production and direction  Search this

Genre/Form:

Biography files

Clippings -- 20th century

Color slides -- 20th century

Contact sheets

Contracts

Itineraries

Legal records

Letters (correspondence) -- 20th century.

Photograph albums

Photographs -- 20th century

Color prints (photographs) -- 20th century

Photographs -- Black-and-white photoprints -- 20th century

Photographs -- Black-and-white negatives -- 20th century

Photographs -- Black-and-white negatives -- Acetate film

Programs

Press releases

Scrapbooks

Scripts (documents)

Citation:

Smothers Brothers Collection, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.1437

See more items in:

Smothers Brothers Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep83ece83d3-a6c8-44b1-8d02-c25507efbd68

EDAN-URL:

ead_collection:sova-nmah-ac-1437

Creator:

Marutani, William M.  Search this

Names:

Japanese Americans Citizens League  Search this

Commission on Wartime Relocation and Internment of Civilians  Search this

Donor:

Marutani, Victoria  Search this

Extent:

1 Cubic foot (4 boxes)

Type:

Collection descriptions

Archival materials

Correspondence

Photographs

Awards

Legal documents

Date:

1940-2003

Summary:

These materials are arranged chronologically and include information about Marutani's life and professional activities. The series includes information about his time in the Army, his association with Tule Lake, his work on the Loving v. Virginia case, photographs, a plaque from the Tule Lake Reunion Committee, and lecture research and notes.

Scope and Contents:

Papers mostly relating to Marutani's activism on behalf of former inmates of Japanese American internment camps during World War II, including: papers relating to Marutani's service with the Commission on Wartime Relocation and Internment of Civilians, notes, facts and copies of historic documents he gathered; correspondence with former internees; photographs of camps and internees; legislative and litigative materials; and papers relating to Marutani's own wartime and post-war experiences.

This collection documents Marutani's activism on behalf of former Japanese American internment camp residents. Included are papers relating to Marutani's involvement with the CWRIC, notes, research, and photocopies of historic documents; correspondence; photographs of camps and internees; and legislative and litigation materials. Also, there are papers relating to Marutani's own wartime and post-war experiences.

Series 1: Commission on Wartime Relocation and Internment of Civilians (CWRIC), 1940-1990 These materials relate to the investigation by the Commission and the response to the results. Series one is divided into two subseries: Correspondence, 1980-1984 and Reference Materials, 1942-1990. The correspondence is in the original order that Marutani created and relates to research, communications between Commission members, and reactions to the Commission's findings. The reference materials also include research done in affiliation with the Commission.

Series Two: William M. Marutani Papers, 1942-2003

Arrangement:

Collection arranged into one series.

Biographical / Historical:

William M. Marutani, a second generation Japanese American, was born in Kent, Washington. In the fall of 1941, he enrolled in courses at the University of Washington, but was forced to leave because of Executive Order 9066, which initiated the wartime incarceration of Japanese Americans. Marutani was taken to Fresno Assembly Center in the spring of 1942, and three months later was transferred to Tule Lake concentration camp, where he spent an additional three months. At the age of 20, he volunteered for the armed forces but was denied because of his Japanese ancestry. However, in 1944, he was inducted into a military intelligence school and later sent to Japan where he served in the Counter Intelligence Corps. In 1953, Marutani graduated from the University of Chicago Law School and joined the firm of MacCoy, Evans, and Lewis. He provided legal counsel for the Japanese American Citizens League (JACL) and presented arguments in Loving v. Virginia, the ruling that struck down anti-miscegenation laws. In 1981, President Jimmy Carter appointed Marutani to the Commission on Wartime Relocation and Internment of Civilians (CWRIC). This commission was created to investigate the incarceration of Japanese Americans and reparations for that action. Marutani was the only Japanese American to serve on the Commission. Based on his recommendations, Congress issued a payment with an apology to those affected. Marutani accepted the apology from President George Bush but refused the payment. Marutani passed away on November 15, 2004, at the age of 81.

Provenance:

Donated to the Archives Center by Marutani's widow, Victoria Marutani, in 2005.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Concentration camps -- 1942-1945 -- United States  Search this

Japanese Americans -- Forced removal and internment -- 1942-1945  Search this

Genre/Form:

Correspondence -- 1950-2000

Photographs -- 20th century

Awards

Legal documents -- 1940-2000

Citation:

William M. Marutani Papers, 1942-2002, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0890

See more items in:

William M. Marutani Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep84d8c731f-8b44-43fd-aec6-cc4c614c324f

EDAN-URL:

ead_collection:sova-nmah-ac-0890

Creator:

Friedman, Joseph Bernard, Dr., 1900-1982  Search this

Friedman, Betty  Search this

Flexible Straw Corporation.  Search this

Flex-Straw Co.  Search this

Former owner:

Friedman, Robert A.  Search this

Leeds, Pamela B.  Search this

Reiss, Linda A.  Search this

Rosen, Judith B.  Search this

Names:

Klein, Bert  Search this

Extent:

8 Cubic feet (17 boxes, 2 oversize folders)

Type:

Collection descriptions

Archival materials

Ledgers (account books)

Correspondence

Blueprints

Black-and-white photographic prints

Videotapes

Personal papers

Date:

1915-2000

Summary:

Papers relating to the development of the flexible drinking straw, Friedman's manufacturing company, and Friedman's other inventions, such as an ice cream scoop, fountain pens, and household appliances.

Scope and Contents:

Papers relating to the development of the flexible drinking straw, Friedman's manufacturing company, and Friedman's other inventions, such as an ice cream scoop, fountain pens, and household appliances. Includes company ledgers, preliminary sketches, blueprints, correspondence, a video cassette, and photographs.

The Joseph B. Friedman Papers encompass the years 1915-2000, with the bulk of the material ranging between 1925 and 1965. This collection is a near complete source for the understanding inventive process of an American entrepreneur. In the case of the flexible straw, the evolution of the invention can be traced from early concept drawings through its manufacture and production, to the development of advertising and marketing materials. Records of necessary design modifications in the flexible straw and legal issues concerning Friedman's invention through its various stages are present here. In addition to providing a detailed linear account of the flexible straw, these papers reflect the varied interests and additional accomplishments of Friedman's invention career. The collection is arranged in three series to reflect the subjects of the material, namely personal papers, invention materials, and corporate records. Materials within each series are arranged by topic and type, and then chronologically.

Series 1: Personal Records (c.1920s-1940) contains family photographs, personal correspondence, education and employment records. Friedman's education records are in Subseries A, while the records of his careers in optometry, insurance and real estate are contained in Subseries B. Subseries C contains personal financial records, including bank statements and income tax returns. Correspondence, photographs, family history items and death certificate are located in Subseries D.

Series 2: Invention & Patent Materials (1915-1967) consists of invention records that include original concept drawings, legal records and patents, marketing correspondence, and the business records of Friedman's sole proprietorship invention business, the Commercial Research Company. It is important for researchers to note that information on the assignment of straw patents and their machinery, all associated legal records to those specific issues, as well as patent defense case research, and straw advertising and marketing after 1938 may be found in Series 3. Series 2 is divided into several subseries. Subseries A - I are patented inventions arranged chronologically by patent issue date, and include research and development, legal records and correspondence, and advertising and marketing materials. Subseries J - M contain unpatented inventions and business records, as well as multiple concept drawings and invention lists that refer to both patented and unpatented inventions. Researchers interested in the conceptual development of the straw should review the information contained not only in Subseries E: Drinking Tube and Subseries H: Flexible Straw, but also in Subseries L: Invention Lists & Drawings for straw ideas that were drawn on lists or sketches with other concepts. Additionally, researchers interested in the manufacturing device for the straw should review Subseries I: Apparatus & Method for Forming Corrugations in Tubing, as well as Subseries K: Unpatented Inventions, for the Flexible Straw & Method of Forming Same information.

Series 3: Flex-Straw Corporate Records (1938 - 1967) includes correspondence relating to the company and its formation, financial statements, tax returns, legal documents, patent assignments, royalty information, patent defense case research and records, and documents pertaining to the advertising and marketing of the flexible straw. Researchers should note that all conceptual and developmental details relating to the straw and its manufacture, as well as the original patents and their specifically associated legal correspondence can be found in Series 2. Series 3 is divided into several topically arranged subseries. Subseries A consists of the organizational materials for the company, including the minutes, by-laws and limited employee records. This subseries also contains two day books belonging to Joseph B. Friedman recording his appointments and personal notes from 1947 and 1950. Subseries B includes company related correspondence, organized by the correspondent. It begins with general correspondence, from 1939 - 1963, and continues with the letters of Bert Klein (1945 - 1950), David Light & Harry Zavin (1938 - 1962), and Betty Friedman (1940 - 1954). Much of the operational information on the company may be found in the letters Betty Friedman wrote and received from her brother. Subseries C holds the financial records of the company, including financial statements, ledgers, bank statements, check books, tax returns and royalty statements. Subseries D consists of legal records and correspondence, including such topics as changes in entity type, patent assignments, fair trade agreements and patent defense. Subseries E contains the advertising and marketing records of the company. This includes published material relating to the Flex-Straw specifically, as well as some advertising for flexible straws in general. Pencil concept drawings of Flex-Straw packaging and advertising art are drawn on the reverse of Pette calendar pages, and international advertising materials for the product are also present. Product testimonials, distributor bulletins, and corporate letterhead that traces the progression of company locations can also be found here.

Arrangement:

The collection is ivided into three series.

Series 1: Personal Records, circa 1920s-1940

Series 2: Invention and Patent Materials, 1915-1967

Series 3: Flex-Straw Corporate Records, 1938-1969

Biographical / Historical:

Joseph B. Friedman (1900 - 1982) was an independent American inventor with a broad range of interests and ideas. Born in Cleveland, Ohio on October 9, 1900, Joseph was a first generation American and the fifth of eight children for Jacob Friedman and Antoinette Grauer Friedman. By the age of fourteen, he had conceptualized his first invention, the "pencilite" lighted pencil, and was attempting to market his idea. Over the course of his inventing career, he would experiment with ideas ranging from writing implements to engine improvements, and household products to sound and optic experiments. He was issued nine U.S. patents and held patents in Great Britain, Australia and Canada. His first patent was issued for improvements to the fountain pen on April 18, 1922, (U.S. patent #1,412,930). This was also the first invention that he successfully sold, to Sheaffer Pen Company in the mid 1930s. In the 1920s, Friedman began his education in real estate and optometry. He would use both of these careers at different points in his life to supplement his income while improving his invention concepts. Although he was working as a realtor in San Francisco, California, the 1930s proved to be his most prolific patenting period, with six of his nine U.S. patents being issued then. One of these patents would prove to be his most successful invention - the flexible drinking straw.

While sitting in his younger brother Albert's fountain parlor, the Varsity Sweet Shop in San Francisco, Friedman observed his young daughter Judith at the counter, struggling to drink out of a straight straw. He took a paper straight straw, inserted a screw and using dental floss, he wrapped the paper into the screw threads, creating corrugations. After removing the screw, the altered paper straw would bend conveniently over the edge of the glass, allowing small children to better reach their beverages. U.S. patent #2,094,268 was issued for this new invention under the title Drinking Tube, on September 28, 1937. Friedman would later file and be issued two additional U.S. patents and three foreign patents in the 1950s relating to its formation and construction. Friedman attempted to sell his straw patent to several existing straw manufacturers beginning in 1937 without success, so after completing his straw machine, he began to produce the straw himself.

The Flexible Straw Corporation was incorporated on April 24, 1939 in California. However, World War II interrupted Friedman's efforts to construct his straw manufacturing machine. During the war, he managed the optometry practice of Arthur Euler, O.D., in Capwells' Department Store in Oakland, California, and continued to sell real estate and insurance to support his growing family. Joseph obtained financial backing for his flexible straw machine from two of his brothers-in-law, Harry Zavin and David Light, as well as from Bert Klein, a family associate. With their financial assistance, and the business advice of his sister Betty, Friedman completed the first flexible straw manufacturing machine in the late 1940s. Although his original concept had come from the observation of his daughter, the flexible straw was initially marketed to hospitals, with the first sale made in 1947.

Betty Friedman played a crucial role in the development of the Flexible Straw Corporation. While still living in Cleveland and working at the Tarbonis Company, she corresponded regularly with her brother and directed all of the sales and distribution of the straw. In 1950 Friedman moved his family and company to Santa Monica, California. Now doing business as the Flex-Straw Co., sales continued to increase and the marketing direction expanded to focus more strongly on the home and child markets. Betty moved west in 1954 to assume her formal leadership role in the corporation. Additional partners and investors were added over time, including Art Shapiro, who was initially solicited as a potential buyer of the patent. On June 20, 1969, the Flexible Straw Corporation sold its United States and foreign patents, United States and Canadian trademarks, and licensing agreements to the Maryland Cup Corporation. The Flexible Straw Corporation dissolved on August 19, 1969.

Dr. Joseph Bernard Friedman died on June 21, 1982. He was survived by his wife of over 50 years, Marjorie Lewis Friedman, his four children Judith, Linda, Pamela and Robert, and seven grandchildren

Separated Materials:

"Straw samples and an original dispensing device (ice cream disher) are located in the Division of Culture and the Arts (now Division of Cultural and Community Life).

A mandrel prototype from the original flexible straw manufacturing machine is held by the Division of Work and Industry."

Provenance:

Daughters Judith B. Rosen, Linda A. Reiss and Pamela B. Leeds, and son Robert A. Friedman donated this collection and its related artifacts to the Archives Center of the National Museum of American History on May 1, 2001.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Inventors  Search this

Inventions -- 1920-2000 -- United States  Search this

Ice cream scoops  Search this

Ice cream industry  Search this

Household appliances  Search this

Fountain pens  Search this

Drinking straws  Search this

Paper products  Search this

Patents  Search this

Genre/Form:

Ledgers (account books)

Correspondence -- 20th century

Blueprints

Black-and-white photographic prints -- Silver gelatin -- 1950-2000

Videotapes

Personal papers -- 20th century

Citation:

Joseph B. Friedman Papers, 1915-2000, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0769

See more items in:

Joseph B. Friedman Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep88bd71d1a-1ab1-408c-b95b-8c81544027a7

EDAN-URL:

ead_collection:sova-nmah-ac-0769

Creator:

Darby, S. Newman, 1928-2016 (inventor)  Search this

Darby, Kenneth  Search this

Darby, Naomi  Search this

Names:

Mistral, Inc.  Search this

Windsurfing International, Inc.  Search this

Drake, Jim  Search this

Schweitzer, Hoyle  Search this

Extent:

2.65 Cubic feet (7 boxes, 1 oversize folder)

Type:

Collection descriptions

Archival materials

Advertisements

Sketches

Photographs

Rigging plans

Sail plans

Legal files

Blueprints

Film (performing arts)

Illustrated periodicals

Correspondence

Design drawings

Drawings

Videotapes

Place:

Falls (Pa.) -- 1950-1990

Susquehana River -- 1950-1990

Date:

1944-1998

Summary:

The collection documents S. Newman Darby's development of the sailboard, which became known as the windsurfer through sketches, mechanical drawings, plans, patent specifications, legal documents, photographs, correspondence, notebooks, clippings, periodicals, and an 8mm film.

Scope and Contents:

The S. Newman Darby Windsurfing Collection, 1946-1998, documents the body of Newman Darby's inventive output as well as the development of the windsurfing industry. It consists of sketches, mechanical drawings, plans, patent specifications, legal documents, photographs, correspondence, notebooks, clippings, periodicals, an 8mm film and a videocassette. The collection is particularly rich in the material related to the development of the sailboard, including Darby's personal memoirs. It contains U.S. and foreign patents related to windsurfing as well as records and reports related to Darby's testimony in litigation and the recognition of the priority of his invention. the collections research value lies in the documentation of the invention of the windsurfer and the industry and culture it spawned. It documents the processes of invention and marketing of new devices. It is evidence of the full range of S. Newman Darby's imagination, life and career.

Arrangement:

The collection is divided into six series.

Series 1: Biographical materials, 1969-1982

Series 2: Inventions and designs, 1953-1990

Series 3: Darby Industries, 1982-1983

Series 4: History of windsurfing, 1944-1998

Series 5: Photographs, 1946-1997

Series 6: Audio-Visual materials, 1965-1997

Biographical / Historical:

S. Newman Darby is recognized as the first person in the United States to conceive of connecting a hand-held sail rig fastened with a universal joint to a floating platform for recreational use. He called it sail boarding in 1965, when he published his designs in Popular Science Monthly magazine. Although he and his brothers Ronald and Kenneth began manufacturing the boards through their company Darby Industries, they never applied for a patent.

S. Newman Darby (1928-2016) was born in West Pittston, Pennsylvania. He graduated from West Pittston High School in 1946. A sign painter and artist, like his father Sidney Darby, he studied drafting at the Pennsylvania State University extension school where he took chemistry, business, art, and photography courses for one year. His first invention, the Darby Dory, a folding rowboat dates from 1953. The sailboard developed out of Darby's experiments with a personal pontoon catamaran, each hull being big enough for one foot and designed to be operated with a hand-held sail and no rudder. By 1964 he had designed a universal joint that connected a mast to a flat bottom sailing scow. This board had a centerboard, tail fin and kite shaped free sail. Early tests were conducted on Trailwood Lake and the Susquehanna River, near West Pittston.

Today sail boarding is known as windsurfing. It adopted its name from Windsurfer International, a company Hoyle Schweitzer and Jim Drake established on the basis of a patent granted to them in 1970 for a "wind-propelled apparatus." In all essential qualities, their claims duplicated Newman Darby's earlier work.

After Schweitzer bought out Drake's share in 1973, he energetically promoted the sport and licensed manufacturing rights to more than 20 companies around the world. Schweitzer forcefully prosecuted patent infringements he perceived among windsurfer manufacturers and he threatened to sue the 1984 Olympic Committee should it authorize a board produced by a manufacturer not licensed by Windsurfer International. Although he was aware of the growth of the sport and the profits flowing into Windsurfer International through its licensing activities, Darby was unable to mount a legal challenge to Schweitzer. His priority in the invention of the sport was overlooked and almost forgotten.

In the late 1970's, Mistral, a Swiss manufacturer sued by Windsurfer International in Germany, located Darby and presented his "prior art" as a defense. In the early 1980's, courts in the United States were asked to rule on the validity of the Windsurfer International patent. Newman Darby's prior art was at the center of the controversies. The court voided Windsurfer's original patent and Schweitzer was forced to apply for a reissue based on severely limited claims. He lost the use of "windsurfer" as a trademark. Schweitzer retained the reissued patent through further challenges until it expired in 1987. The example of Newman Darby has become a textbook case of the importance of thorough searches for "prior art" for patent attorneys.

Following completion of the patent litigation Darby designed original sail rigs for Mistral in Europe and Horizon in the United States. In 1982 Newman entered into a new partnership with his brothers Ronald and Kenneth and formed NRK, Inc., to design and manufacture windsurfing boards, training devices and to produce written and video documentaries of his contributions to the history of the sport.

Naomi Albrecht Darby, Newman's wife, sewed the first sails for the boards and participated in their testing and marketing. She documented Darby's inventions through the years in photographs and moving images. Over the years, Darby has worked on numerous inventions--most of them related to wind propulsion. Like many independent inventors, Newman Darby conceives of his ideas, executes all of the mechanical plans, builds his own prototypes and tests them. Darby continues to research improvements in windsurfing and to teach courses in boat building and design.

Related Materials:

An original sailboard, rig, mast and daggerboard from the same period are also housed in the Pennsylvania State Museum at Harrisburg.

Separated Materials:

The Division of Culture and the Arts (now Division of Cultural and Community Life) holds artifacts relating to S. Newman Darby and his invention of the windsurfer, including an original board, boom and mast, and sail dating from 1964. See accessions #1998.0086 and #1998.0323.

Provenance:

Most of the collection was donated to the Archives Center of the National Museum of American History by S. Newman Darby and his wife Naomi on February 3, 1998.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Sporting goods industry -- 1950-1990  Search this

Sailboats -- 1950-1990  Search this

Patent law and legislation -- 1950-1990 -- United States  Search this

Patent licenses  Search this

Patents (international law) -- 1950-1990  Search this

Boatbuilders -- 1950-1990  Search this

Boats and boating -- 1950-1990  Search this

Boats and boating -- Designs and plans -- 1950-1990  Search this

Inventors -- 1950-2000  Search this

Inventions -- 1950-2000  Search this

Aquatic sports -- 1950-1990  Search this

Darby simulator  Search this

Windsurfers -- 1950-1990  Search this

Windsurfing -- Inventions -- 1950-1990  Search this

Genre/Form:

Advertisements -- 1950-2000

Sketches -- 1950-1990

Photographs -- 20th century

Rigging plans -- 1950-1990

Sail plans -- 1950-1990

Legal files -- 1950-1990

Blueprints -- 1950-2000

Film (performing arts) -- 1950-1990

Illustrated periodicals -- 1950-1990

Correspondence -- 1940-1990

Design drawings -- 1950-2000

Drawings -- 1950-1990

Videotapes

Citation:

S. Newman Darby Windsurfing Collection, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0625

See more items in:

S. Newman Darby Windsurfing Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8a1c39256-e51a-4c44-92ca-dc22ec812dbb

EDAN-URL:

ead_collection:sova-nmah-ac-0625

Creator:

Barnaby, Ralph S. (Ralph Stanton), 1893-1986  Search this

Names:

Early Birds of Aviation (Organization).  Search this

Soaring Society of America  Search this

United States. Navy  Search this

Barnaby, Ralph S. (Ralph Stanton), 1893-1986  Search this

Extent:

3.15 Cubic feet ((7 legal document boxes))

2.94 Linear feet

Type:

Collection descriptions

Archival materials

Correspondence

Diaries

Manuscripts

Photographs

Publications

Maps

Date:

1915-1986

Summary:

Ralph Stanton Barnaby (1893-1986) was an aviation pioneer. Barnaby was the first licensed glider pilot in the United States and the first to successfully launch a glider from an airship. He organized and directed the Navy's first school for glider pilots. Barnaby also served as president of the Early Birds and helped organize the Soaring Society of America, as well as authoring a number of books on gliders and paper airplanes.

Scope and Contents:

The Ralph Stanton Barnaby collection consists of approximately two cubic feet of materials relating to Barnaby's personal life and his relationship with the Early Birds of Aviation, Inc. This collection contains approximately one-fourth of Barnaby's personal papers, the remainder being held by the National Soaring Museum and the Franklin Institute. Before being accessioned into the Archives, documents from the Museum's biographical files were added to the collection. These documents are indistinguishable from the donated material and so remain part of this collection.

This collection consists almost entirely of correspondence, newsletters, news clippings, and publications relating to early aviation. A problem arises initially from the fact that all of the material in this collection is supposed to relate to Barnaby's relations with the Early Birds. As the majority is correspondence, it would be logical to arrange by individuals and/or offices first, but the fact that offices in the Early Birds organization were rotated yearly and that much of the correspondence is of a personal nature makes this difficult.

Materials in this collection date between 1911 and 1986 and the bulk dates ranging between 1930 and 1980, when Ralph Barnaby was most active in the Early Birds of Aviation, Inc. The materials were broken down into four series.

The National Air and Space Museum (NASM) Archives received from the estate only those materials relating to his Early Birds affiliation, with his other materials going to the National Soaring Museum and the Franklin Institute. Any researcher interested in information relating to Barnaby's soaring experiences or personal life which NASM does not have should contact these organizations.

Biographical / Historical:

Ralph Stanton Barnaby was born 21 January 1893 in Meadville, PA, but moved to New York City in 1900, Barnaby has his first taste of aviation in 1905, when Roy Knabenshue flew his dirigible over the city. In 1908 Barnaby went to Belleville, New Jersey to see Thomas Baldwin fly what became the Signal Corps Dirigible No. 1. With his inspiration, Barnaby designed, built and flew his first glider in Roxbury Connecticut on 18 August 1909. After improved designs and additional flights, Barnaby was awarded the Fèdèration Aèronautique Internationale Soaring Certificate #1 for the United States, signed by Orville Wright. Now thoroughly bitten by the aviation bug, Barnaby forsook his chosen career as an artist and attended Columbia University, graduating in 1915 with a Bachelor's Degree in Mechanical engineering. From Columbia, Barnaby went to the Elco Boat Company, where he worked with Alexander Graham Bell on the design and production of high-speed subchasers for the U.S. Navy. In 1916, he took the position of Assistant Chief Engineer and head of the Engineering Department at the Standard Aero Corporation, under Charles Healy Day.

When America entered World War I, Barnaby resigned from Standard Aero and accepted a commission in the Navy, serving overseas until the spring of 1919. Barnaby then came home and attended the Navy Flight School at Naval Air Station (NAS) Pensacola, Florida and the Aviation Ground School at M.I.T., after which he was awarded his wings. Barnaby served as the First U.S. Navy representative on the Army-Navy Standards Committee and, in 1920, he was made Project Engineer for the Naval Aircraft Factory, Philadelphia, Pennsylvania.

On 31 January 1930 Barnaby performed the first successful glider release from USS Los Angeles during tests at NAS Lakehurst, New Jersey. These tests led to the later operation of powered aircraft from USS Macon and USS Akron. During 1930 he also authored Gliders and Gliding, established the U.S. Navy's Glider School, NAS Pensacola, Florida and served as Chief Engineer and Assistant Manager of the Naval Aircraft Factory, Philadelphia. Following the conclusion of the glider/dirigible tests, Barnaby was promoted to the rank of Lt Commander. In 1930 Barnaby joined the recently founded organization known as the Early Birds of Aviation, Inc.

From 1933 to 1939 Barnaby was assigned to a variety of bases in as many roles ranging from aircraft inspector at the Baltimore Naval Aircraft Factory (1933-1934) to repairs officer, NAS Pensacola (1934-1939). In 1938 Barnaby was promoted to the rank of Commander and a year later became Assistant Chief Engineer at the Naval Aircraft Factory, Philadelphia, where he remained until America's entrance into World War II. During the war, Barnaby was assigned to the Philadelphia Naval Shipyard handling the design and procurement of troop and cargo-carrying gliders. In 1944 Barnaby was responsible for establishing and directing the Naval Aircraft Modification Unit, Johnsville, Pennsylvania, later known as the Naval Development Center and from 1945 to 1947 Barnaby served as Commanding Officer. In 1947 he retired from the U.S. Navy at the rank of Captain.

Following his retirement, Barnaby took a position at the Franklin Institute, Philadelphia Pennsylvania. where he worked in a variety of capacities including Aeronautics Consultant to the Director of the Science Museum and Chief of the Aeronautics Section He was responsible for planning and directing air traffic control research and aeronautical engineering and for the acquisition of many of the Institute's early flight artifacts, most notable their Wright Model B Flyer, the type Barnaby was taught to fly by George W. Beatty in 1912. When he passed away, Barnaby held the title of "Keeper Emeritus, Hall of Aviation."

Aside from his Navy and professional career, Barnaby had a multitude of other interests. Prior to witnessing the Knabenshue and Baldwin dirigible flights, Barnaby wanted to be an artist and studied at the Art Students League in New York City. He was a skilled craftsman, working in several mediums, but is best known for his sculptures. Examples of his work include bronze busts of famous naval leaders at the U.S. Naval Academy, Annapolis, Maryland, pieces at the Mariner's Museum at Newport News Virginia, the bronze of the Wright Brothers at the Wright Memorial in Kitty Hawk, North Carolina and the bas relief of Thomas E. Selfridge, first man to die in an air crash at Fort Myer, Virginia. In addition, most of the medallions and pins cast and presented by the Early Birds of Aviation were designed by Barnaby. Numerous examples of self-designed greeting cards designed by Barnaby reflect his artistic talents.

Another of Barnaby's hobbies was paper airplanes. Barnaby used a design he perfected while acting as liaison officer at Wright Field, Dayton, Ohio in 1927 to win Scientific America's First International Paper Airplane Competition in 1967. In 1968, he authored How to Make and Fly Paper Airplanes which sold widely and discussed holding a program with the Smithsonian on paper airplane construction.

In addition to being a Past President of the Early Birds of Aviation, Barnaby was a member and/or officer of many other aeronautical organizations. In 1960 he was named an "Elder Statesman of Aviation" by the National Aeronautics Association. He was also Fellow of the Institute of the Aeronautical Sciences, Founder of the Soaring Society of America, member of the Aircraft Owners and Pilot's Association, Past President of Aero Club of Pennsylvania, member of the Gliding Committee of the Fèdèration Aèronautique Internationale, member of the Twirly Birds, the Philadelphia Glider Council, the Golden Eagles, the Army/Navy Club, the Society of Automotive Engineers, American Society of Mechanical Engineers, founder of the New York Model Aero Club and member of the Scientific Research Society of America.

Barnaby's awards are diverse and include the Legion of Merit for Naval Services, U.S. Navy Air Medal and the Medal of Merit from Columbia University. He was the 1955 recipient of the Paul Tissandier Diploma from the Fèdèration Aèronautique Internationale and was named to the Helms Athletic Hall of Fame for his contributions to the sport of soaring and gliding in America.

Ralph Stanton Barnaby Timeline

1893 -- Ralph Stanton Barnaby born, 21 January, Meadville, Pennsylvania.

1900 -- Family moved to New York City.

1904-1908 -- Grace Church Choisters School, New York City; Trinity School.

1909 -- Designed, built and flew his own glider, 18 August, Roxbury Falls, Connecticut.

1911 -- Co-founded New York Model Aero Club.

1912 -- Took flying lesson with George Beatty, Long Island, New York.

1915 -- Graduated with a degree in Mechanical Engineering, Columbia University.

1915-1916 -- Worked with Alexander Graham Bell on designing high-speed boats for the Navy with the Elco Company, Bayonne, New Jersey.

1915-1916 -- In charge of sub-chaser assembly and testing at Montreal, Quebec.

1917 -- Joined Standard Aero Corporation with Charles Healy Day, was made Assistant Chief Engineer and head of Engineering Department.

1917 -- Accepted a commission in the United States Navy at rank of ensign; First Navy representative on the Army-Navy Standards Committee.

1917-1918 -- Attended Aviation Ground School, M.I.T.

1921 -- Promoted to rank of Lieutenant in U.S. Navy.

1920-1922 -- Project Engineer, Naval Aircraft Factory, Philadelphia

1922-1927 -- Specification Division, Bureau of Aeronautics, Washington, DC.

1928-1929 -- Liaison officer, Wright Field, Dayton, Ohio.

1929-1933 -- Returned to Specifications Division, Bureau of Aeronautics, Washington, DC.

1930 -- 31 January, became the first individual dropped in a glider from a dirigible, USS Los Angeles.

1930 -- Authored Gliders and Gliding, Roland Press.

1930 -- Organized and directed the U.S. Navy's glider school, NAS Pensacola

1930 -- Served as Chief Engineer and Assistant Manager of the Naval Aircraft Factory.

1931 -- Promoted to rank of Lt. Commander, U.S. Navy.

1933-1934 -- Inspector for Naval aircraft, Baltimore, Maryland.

1934-1936 -- Repairs Officer, Naval Air Station, Pensacola, Florida.

1936 -- Married Margaret E. Elston.

1937-1939 -- Assigned to Fleet Air Base, Coco Solo, Canal Zone.

1938 -- Promoted to rank of Commander, U.S. Navy.

1939-1941 -- Assistant Chief Engineer, Naval Aircraft Factory.

1944 -- Established the Naval Air Development Center, Johnsville, Pennsylvania.

1945-1947 -- Commanding Officer of the Naval Air Development Center, Johnsville, Pennsylvania.

1947 -- Retired from U.S. Navy at rank of Captain.

1947 -- Accepted position at Franklin Institute, Philadelphia, Pennsylvania.

1950 -- Served as Captain of the first American soaring team to participate in an international gliding event, Sweden.

1967-1968 -- Winner of the First International Paper Airplane Competition and authored How to Make and Fly Paper Airplanes.

1986 -- Passed away, 15 May, Center City, Pennsylvania.

General:

Additional Materials: The following materials were transferred to the National Air and Space Museum Aeronautics Division -- one Early Bird cap, one trophy, two plaques, medals, pins, and official Early Bird envelopes.

Provenance:

Ralph Stanton Barnaby, gift, 1987, 1987-0048, Not NASM

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Topic:

Gliding and soaring  Search this

Aeronautics  Search this

Periodicals  Search this

Works of art  Search this

Genre/Form:

Correspondence

Diaries

Manuscripts

Photographs

Publications

Maps

Identifier:

NASM.1986.0048

See more items in:

Ralph Stanton Barnaby Papers

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg23121cf42-0f18-4da1-96c9-27eb2fed0abf

EDAN-URL:

ead_collection:sova-nasm-1986-0048

Creator:

National Museum of African American History and Culture  Search this

Type:

YouTube Videos

Uploaded:

2022-11-14T17:03:25.000Z

YouTube Category:

Education  Search this

Topic:

African Americans  Search this

See more by:

WatchNMAAHC

Data Source:

National Museum of African American History and Culture

YouTube Channel:

WatchNMAAHC

EDAN-URL:

edanmdm:yt_zlSYBXVZia4

Creator:

Nochlin, Linda  Search this

Subject:

Nochlin, Linda  Search this

Type:

Legal Documents

Date:

1968-1969

Citation:

Linda Nochlin. Ministero Della Pubblica Istruzione identification card, 1968-1969. Linda Nochlin papers, circa 1876. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)22764

See more items in:

Linda Nochlin papers, circa 1876

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_22764

Creator:

Nochlin, Linda  Search this

Subject:

Nochlin, Linda  Search this

Type:

Legal Documents

Date:

circa 1974

Citation:

Linda Nochlin. Vassar College Faculty identification card, circa 1974. Linda Nochlin papers, circa 1876. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)22765

See more items in:

Linda Nochlin papers, circa 1876

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_22765

Creator:

Nochlin, Linda  Search this

Subject:

Nochlin, Linda  Search this

Type:

Legal Documents

Date:

1984

Citation:

Linda Nochlin. International Association of Art Critics identification card, 1984. Linda Nochlin papers, circa 1876. Archives of American Art, Smithsonian Institution.

Record number:

(DSI-AAA)22766

See more items in:

Linda Nochlin papers, circa 1876

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_22766

Printed by:

Unidentified  Search this

Created by:

Unidentified  Search this

Signed by:

Feliciano Parés, Spanish, 1817 - 1892  Search this

Medium:

ink on paper

Dimensions:

H x W: 6 1/4 x 8 1/4 in. (15.9 x 21 cm)

Type:

forms (documents)

Place used:

Manatí, Puerto Rico, United States, Caribbean, Latin America, North and Central America

Cultural Place:

Spain, Europe

Date:

February 19, 1870

Topic:

African American  Search this

Colonialism  Search this

Slavery  Search this

Spanish colonialism  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2010.1.4.1

Restrictions & Rights:

No known copyright restrictions

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Slavery and Freedom Objects

Documents and Published Materials-Business and Legal Documents

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5899a30e7-fef6-4621-a4a3-bbd46371a2a8

EDAN-URL:

edanmdm:nmaahc_2010.1.4.1

Physical Description:

leather (overall material)

metal (overall material)

wood (overall material)

Measurements:

overall: 5 1/2 in x 14 1/2 in x 7 3/4 in; 13.97 cm x 36.83 cm x 19.685 cm

Object Name:

Box

Associated date:

1766 03 18

Subject:

Stamp Act  Search this

Credit Line:

Carl M. Williams

ID Number:

PL.295376.01

Catalog number:

295376.01

Accession number:

295376

See more items in:

Political and Military History: Political History, General History Collection

Government, Politics, and Reform

American Democracy: A Great Leap of Faith

Exhibition:

American Democracy

Exhibition Location:

National Museum of American History

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a3-818f-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_530070

Creator:

Jackson, Chevalier, Dr., 1865-1958 (physician)  Search this

Names:

Jefferson Medical College.  Search this

Temple University.  Search this

University of Pennsylvania  Search this

University of Pittsburgh.  Search this

University of Western Pennsylvania.  Search this

Western Medical College.  Search this

Women's College of Pennsylvania.  Search this

Foster, Gilmore  Search this

Jackson, William Stanford  Search this

Mackenzie, Morell  Search this

Morage, Katherine Ann  Search this

Former owner:

National Museum of American History (U.S.). Division of Medical Sciences  Search this

Extent:

3 Cubic feet (8 boxes)

Type:

Collection descriptions

Archival materials

Legal documents

Clippings

Biographies

Autobiographies

Books

Photographs

Correspondence

Personal papers

Place:

Philadelphia (Pa.)

Date:

1883-1955

Summary:

Collection documents Chevalier Jackson, a physician and an American pioneer in the field of endoscopy.

Scope and Contents:

The Jackson papers include autobiographical notes, a draft of a brief biography for the National Cyclopedia of America Biography, some business papers among which are correspondence relating to a mill and to repairs to a dam, several legal papers including those concerned with real estate mortgages, and letters to and from Mrs. Jackson and household servants.

There are mementos such as dried flowers, family snapshots, final notes from Dr. Jackson to his wife, advising her of actions to be taken upon his death, and drafts of his obituary. There are a number of photographs, and negatives, primarily of Dr. Jackson.

The articles, reports and reprints are primarily by Dr. Jackson but include a few by or with his son and a few by other physicians. The papers include proofs and color proofs of equipment and procedures relating to Jackson publications and four books, one of which is by Dr. Jackson.

The material, most of which is relatively recent, is in good condition. Some of the notes are in pencil but are legible.

In addition to the papers in the Archives Center, the Division of Medical Sciences has a large number of surgical instruments including Dr. Jackson's bronchoscopes, esophagoscopes, laryngoscopes and microscopes, awards and medals, items of furniture from Dr. Jackson's study and oil paintings by him. The list of instruments is seven single-spaced pages. There are many Chevalier Jackson papers and memorabilia in the National Library of Medicine, Bethesda, the Library and Museum of the College of Physicians, Philadelphia and the Library of Temple University.

Arrangement:

The collection is divided into nine series.

Series 1: Personal Papers

Series 2: Correspondence

Series 3: Legal Papers (including mortgages)

Series 4: Newsclippings, Articles and Book Reviews

Series 5: Photographs

Series 6: Chronological Journal

Series 7: Reports and Reprints

Series 8: Illustrations and Proofs

Series 9: Books

Biographical / Historical:

Chevalier Jackson, a physician and an American pioneer in the field of endoscopy, was born November 14, 1865 in Pittsburgh, Pennsylvania and died August 16, 1958 in Philadelphia. His father, William Stanford Jackson, was a stock raiser and veterinarian. His mother was Katherine Ann Morage. Family financial reverses forced a move to Crafton, Pennsylvania, a working class community. Young Chevalier was not readily accepted by his classmates and seemed to have had a difficult time during his school years there. Money earned by decorating glass and pottery enabled Chevalier Jackson to attend the University of Western Pennsylvania (University of Pittsburgh) from 1878 to 1882. He then apprenticed himself to a local physician, Gilmore Foster. Continuing to paint china at night he earned enough to enroll at the Jefferson Medical College in Philadelphia in 1884, from which he graduated in 1886. During vacations he sold medical books and served as a cook on a fishing boat. Following his graduation from Jefferson Dr. Jackson went to England to pursue his interest in laryngology under a world-famous authority, Morell Mackenzie.

Upon his return to Pittsburgh, Dr. Jackson opened an office limited to the practice of laryngology. His patients were mostly indigent and income from the practice was limited. In 1890 he devised an instrument to remove a dental plate that a patient had swallowed. The news of this meant referral of other patients with similar problems that caused obstruction of the esophagus, including blockages in children from swallowing lye. From that time on Dr. Jackson carried on an unremitting campaign to have lye bottles labeled as poison, until in 1927 Congress passed the Federal Caustic Labeling Act.

On July 9, 1899, Chevalier Jackson and Alice Bennett White were married. They had one child, Chevalier Lawrence Jackson, who also became a surgeon. In the year of his marriage, Dr. Jackson developed a bronchoscope that could be passed through the larynx to visualize the bronchi. He became chief of laryngology at Western Medical College in 1900. In 1902 he adapted a suggestion of placing a light carrier at the far ends of the scopes used in bronchscopy and esophagoscopy, thus making those procedures relatively safe. He and a machinist friend built the instruments in the friend's shop in Pittsburgh.

Dr. Jackson developed tuberculosis in 1911. He spent the two years of convalescence writing an important text book, Peroral Endoscopy and Laryngeal Surgery, published in 1915, the year he was made head of the Department of Laryngology at Jefferson Medical College. Appointments at the Graduate School of Medicine of the University of Pennsylvania followed, and his 1930 appointment to the faculty at Temple meant that Chevalier Jackson held simultaneous appointments at five Philadelphia schools. He later relinquished all appointments except the chair at Temple from which he retired in 1938 to be succeeded by his son, Chevalier Lawrence Jackson. From 1935 to 1941 Chevalier Jackson was president of the Women's College of Pennsylvania. An early advocate of equal rights, he championed the role of women in medicine.

During his noted career Dr. Jackson wrote 250 papers, twelve text books, chapters in a number of other books, and an autobiography (1938). He was somewhat eccentric. He protected his hands by wearing silk gloves, even in summer, turned doorknobs by placing his hand in his coat pocket, preferred bowing to shaking hands, and developed a reputation for social aloofness.

Materials at the National Museum of American History:

The Division of Medicine and Science has surgical instruments, awards, medals, furniture, and oil paintings owned by Chevalier Jackson. See accession numbers are 300428.338 through .343.

Provenance:

Collection donated by Mrs. Joan Bugbee (a granddaughter of Dr. Jackson), date unknown.

Restrictions:

Collection is open for research but a portion of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Occupation:

Surgeons  Search this

Topic:

Laryngoscopy  Search this

Esophagus  Search this

Esophagoscopy  Search this

Endoscopy  Search this

Bronchoscopy  Search this

Physicians  Search this

Genre/Form:

Legal documents

Clippings

Biographies

Autobiographies

Books

Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century

Correspondence -- 1930-1950

Personal papers

Citation:

Chevalier Jackson Papers, 1883-1960, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0023

See more items in:

Chevalier Jackson Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep871f2b21c-4046-40e6-a5e0-d03dcb692614

EDAN-URL:

ead_collection:sova-nmah-ac-0023

Creator:

National Museum of African American History and Culture  Search this

Type:

Interviews

YouTube Videos

Uploaded:

2023-07-14T12:23:27.000Z

YouTube Category:

Education  Search this

Topic:

African Americans  Search this

See more by:

WatchNMAAHC

Data Source:

National Museum of African American History and Culture

YouTube Channel:

WatchNMAAHC

EDAN-URL:

edanmdm:yt_0jprXRc_aqU

Creator:

Milch Gallery  Search this

Subject:

Barmore, Charles  Search this

Barr, Charles H.  Search this

Ballin, Hugo  Search this

Barlow, Myron  Search this

Baer, Martin  Search this

Ascher, Mary G. (Mary Goldman)  Search this

Azzaretti, Faust  Search this

Biddle, George  Search this

Blackburn, Morris  Search this

Bellows, George  Search this

Benson, Frank Weston  Search this

Baumann, Gustave  Search this

Barr, Norman  Search this

Barrymore, Lionel  Search this

Acheson, Alice  Search this

Aiken, Charles Avery  Search this

Albee, Grace  Search this

Twachtman, John Henry  Search this

Tryon, Dwight William  Search this

Trebilcock, Paul  Search this

Thayer, Abbott Handerson  Search this

Anderson, Karl  Search this

Warneke, Heinz (Heinrich)  Search this

Varian, Dorothy  Search this

Ufer, Walter  Search this

Weir, Julian Alden  Search this

Weir, John F. (John Ferguson)  Search this

Watkins, Franklin Chenault  Search this

Wiles, Irving Ramsay  Search this

Laufman, Sidney  Search this

Wiggins, Carleton  Search this

Appel, Marianne  Search this

Wickey, Harry  Search this

White, Henry Cooke  Search this

Zucker, Jacques  Search this

Woodward, Robert Strong  Search this

Waugh, Frederick Judd  Search this

Gonzalez, Xavier  Search this

Bacon, Peggy  Search this

Arms, John Taylor  Search this

Moffett, Ross  Search this

Milch, Edward  Search this

Moran, Thomas  Search this

Mora, F. Luis (Francis Luis)  Search this

Meyerowitz, William  Search this

Milch, Albert  Search this

Manship, Paul  Search this

Archipenko, Alexander  Search this

MacRae, Emma Fordyce  Search this

Beal, Reynolds  Search this

Metcalf, Willard Leroy  Search this

Melchers, Gari  Search this

Low, Will Hicok  Search this

Linde, Ossip L.  Search this

Lutz, Dan  Search this

Lucioni, Luigi  Search this

Woodward, Stanley Wingate  Search this

Lawson, Ernest  Search this

Lever, Hayley  Search this

Lie, Jonas  Search this

Kingman, Dong  Search this

Kroll, Leon  Search this

Kronberg, Louis  Search this

Wyeth, Andrew  Search this

Kupferman, Lawrence Edward  Search this

Ireland, Leroy  Search this

Judson, Alice  Search this

Kalish, Max  Search this

Katz, A. Raymond (Alexander Raymond)  Search this

Sheets, Millard  Search this

Heinz, Charles  Search this

Hennings, E. Martin  Search this

Henri, Robert  Search this

Hopkinson, Charles  Search this

Tanner, Henry Ossawa  Search this

Sterner, Albert  Search this

Sterne, Maurice  Search this

Speight, Francis  Search this

Speicher, Eugene Edward  Search this

Shuster, Will  Search this

Sharp, Joseph Henry  Search this

Shapiro, David  Search this

Schofield, Walter Elmer  Search this

Sawyer, Wells  Search this

Sample, Paul  Search this

Ryerson, Margery  Search this

Ryder, Chauncey F.  Search this

Rungius, Carl  Search this

Romano, Umberto  Search this

Redfield, Edward Willis  Search this

Ritschel, William  Search this

Pousette-Dart, Nathaniel  Search this

Pugh, Mabel  Search this

Pleissner, Ogden M.  Search this

Pollet, Joseph C.  Search this

Perrine, Van Dearing  Search this

Pittman, Hobson Lafayette  Search this

Parshall, DeWitt  Search this

Pearson, Ralph M.  Search this

Oberteuffer, Karl A. (Karl Amiard)  Search this

Ochtman, Leonard  Search this

Myers, Jerome  Search this

Adams, Charles L.  Search this

Nagler, Edith Kroger  Search this

Adams, Wayman  Search this

Murphy, Hermann Dudley  Search this

Murphy, John Francis  Search this

Curran, Charles C. (Charles Courtney)  Search this

Crane, Bruce  Search this

Davey, Randall  Search this

Daingerfield, Elliott  Search this

DeCamp, Joseph  Search this

De Groot, Adelaide Milton  Search this

Dessar, Louis Paul  Search this

Dehn, Adolf  Search this

Calder, Alexander Stirling  Search this

Butler, Howard Russell  Search this

Chamberlain, Samuel  Search this

Carroll, John  Search this

Christy, Howard Chandler  Search this

Cheffetz, Asa  Search this

Congdon, William  Search this

Cole, Alphaeus Philemon  Search this

Breckenridge, Hugh H. (Hugh Henry)  Search this

Bridgman, Frederick Arthur  Search this

Browne, George Elmer  Search this

Bruce, Edward  Search this

Brush, George de Forest  Search this

Buck, Claude  Search this

Burlin, Paul  Search this

Burr, George Elbert  Search this

Blakelock, Ralph Albert  Search this

Blanch, Arnold  Search this

Blanch, Lucile  Search this

Bluemner, Oscar  Search this

Pène Du Bois, Guy  Search this

Blumenschein, Ernest Leonard  Search this

Bohm, Max  Search this

Bohrod, Aaron  Search this

Bosa, Louis  Search this

Hart, George Overbury  Search this

Halpert, Samuel  Search this

Grosz, George  Search this

Gregory, Waylande  Search this

Heerman, Norbert Leo  Search this

Hassam, Childe  Search this

Haskell, Ernest  Search this

Hartmann, Sadakichi  Search this

Gaspard, Leon  Search this

Ganso, Emil  Search this

Gallagher, Sears  Search this

Fuchs, Emil  Search this

Gregory, John  Search this

Greenwood, Marion  Search this

Genth, Lillian Mathilde  Search this

Feshin, Nikola? Ivanovich  Search this

Fenton, Beatrice  Search this

Etnier, Stephen  Search this

Farnsworth, Jerry  Search this

Fredenthal, David  Search this

French, Daniel Chester  Search this

FitzGerald, James  Search this

Flagg, James Montgomery  Search this

Dike, Phil  Search this

Donoho, Gaines Ruger  Search this

Dewing, Thomas Wilmer  Search this

Diederich, William Hunt  Search this

Eakins, Susan Macdowell  Search this

Duncan, Charles  Search this

Vonnoh, Robert William, 1858-1933  Search this

Milch Galleries  Search this

E. and A. Milch  Search this

Type:

Gallery records

Photographs

Citation:

Milch Gallery records, 1911-1995. Archives of American Art, Smithsonian Institution.

Topic:

Gallery owners  Search this

Art -- Collectors and collecting  Search this

Art, American  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)8207

(DSI-AAA_SIRISBib)210378

AAA_collcode_milcgall

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210378

Collection Creator:

Macbeth Gallery  Search this

Extent:

0.6 Linear feet (Boxes 131-132, 164)

Type:

Archival materials

Date:

1839-1959

Scope and Contents note:

This series consists of reference and research files relating to American artists and containing material gathered over time by the Macbeths and Robert G. McIntyre. Several references are made in the gallery's outgoing correspondence to the fact that the gallery was compiling a summmary of ownership of paintings by the best known American artists. Documentation related to this endeavor can be found here in a folder of collection lists of artwork in private and public collections.

Named artist files contain important information regarding the provenance of paintings, including some by Gilbert Stuart and Winslow Homer. The Gilbert Stuart file includes detailed histories of some of Stuart's work as well as legal documentation relating to their sale. The Homer files include photographs of five Winslow Homer paintings with signed notations on the backs of the photographs by Charles L. Homer and Martha E. Homer testifying to the authenticity and provenance of the paintings. The Homer D. Martin file includes a copy of the book Homer Martin: A Reminiscence by Elizabeth Gilbert Martin, published by William Macbeth in 1904. There is also a print of the photograph used in the book, and a photograph of Homer Martin's gravestone.

Other material found here includes photographs of artwork, biographical information on the artists listed, scattered correspondence, clippings, notes, and copies of reference material from printed sources. Dates provided in the inventory of individual artist files apply only to original material, and do not include copies of documents found here from the early 1800s.

Files relating to various artists contain material similar to that found in the named artist files and also house a group of records, alphabetically arranged by artist, providing details of publications in which information about the artists listed can be found. Also found here is a 1916 compilation by William Macbeth of "Records of Portraits by Early American Artists" which contains notes on the provenance of various portraits. The last box in this series is housed in box 164 with other documents separated from the collection due to suspected mold problems.

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Getty Grant Program. Digitization of the scrapbooks was supported by a grant from the Smithsonian Institution Women's Committee. Correspondence, financial and shipping records, inventory records, and printed material were digitized with funding provided by the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, the Terra Foundation for American Art and The Walton Family Foundation.

Identifier:

AAA.macbgall, Series 6

See more items in:

Macbeth Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e0609d4b-dec5-4ed4-a370-82d6a05134c8

EDAN-URL:

ead_component:sova-aaa-macbgall-ref11467