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Lee Nordness business records and papers

Creator:
Nordness, Lee  Search this
Names:
American Art Expositions (New York, N.Y.)  Search this
Cooper-Hewitt Museum  Search this
Forms and Objects (Firm)  Search this
Johnson Wax  Search this
Lee Nordness Galleries  Search this
Little Studio  Search this
Metromedia, Inc.  Search this
Nordness Gallery  Search this
Talent Discovery Company  Search this
Aronson, David, 1923-2015  Search this
Blaustein, Al H., 1924-2004  Search this
Collie, Alberto  Search this
Crawford, Ralston, 1906-1978  Search this
D'Arista, Robert, 1929-  Search this
Gibran, Kahlil, 1922-  Search this
Gikow, Ruth, 1915-1982  Search this
Grippe, Peter, 1912-  Search this
Guglielmi, Louis, 1906-1956  Search this
Hebald, Milton  Search this
Kachadoorian, Zubel, 1924-  Search this
Kearns, James  Search this
Lebrun, Rico, 1900-1964  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
Meigs, Walter, 1918-1988  Search this
Prestopino, Gregorio  Search this
Williams, Hiram  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
117.5 Linear feet (Boxes 1-121)
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
circa 1931-1992
bulk 1954-1984
Summary:
The Lee Nordness business records and papers measure 117.5 linear feet and date from circa 1931 to 1992 with the bulk of materials dating from 1954 to 1984. The records document seven New York City art-related companies with which Nordness was involved: Talent Discovery Company, The Little Studio, Ltd., American Art Expositions, Inc., Nordness Gallery, Inc., Lee Nordness Galleries Art Advisory Section, Inc., Lee Nordness Galleries Exhibition Section, Inc., and Forms & Objects, Inc. Records include correspondence, artist's files, business and legal records, inventories, financial and sales records, printed materials, scrapbooks, and photographic materials. Also found is a small group of personal papers.
Scope and Contents:
The Lee Nordness business records and papers measure 117.5 linear feet and date from circa 1931 to 1992 with the bulk of materials dating from 1954 to 1984. The records document seven New York City art-related companies with which Nordness was involved: Talent Discovery Company, The Little Studio, Ltd., American Art Expositions, Inc., Nordness Gallery, Inc., Lee Nordness Galleries Art Advisory Section, Inc., Lee Nordness Galleries Exhibition Section, Inc., and Forms & Objects, Inc. Records include correspondence, artist's files, business and legal records, inventories, financial and sales records, printed materials, scrapbooks, and photographic materials. Also found is a small group of personal papers.

More than half of the collection documents Lee Nordness' primary businesses, Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. Business correspondence, artist's files, extensive project files, business and legal records, financial and sales records, inventories, printed materials, scrapbooks, and photographic materials reveal Nordness' role as an art dealer of contemporary American artwork and art consultant to companies and organizations. The records document his ability to adapt to changing external markets as well as his own interests, from dealing primarily in paintings and sculpture to promoting American fine crafts. Artists from Nordness' permanent roster are represented, including David Aronson, Al Blaustein, Alberto Collie, Ralston Crawford, Robert D'Arista, Kahlil Gibran, Ruth Gikow, Peter Grippe, Louis Guglielmi, Milton Hebald, Zubel Kachadoorian, James Kearns, Rico Lebrun, Julian Levi, Walter Meigs, Gregorio Prestopino, Hiram Williams, and Karl Zerbe. Companies and organizations represented include S.C. Johnson & Son, Co., Metromedia, and Cooper-Hewitt, National Museum of Design. Because materials from Nordness Gallery, Inc. and Art Advisory Section were often interfiled and related, the records were not separated into different series.

The records of Lee Nordness Galleries Exhibition Section, Inc. document the exhibition and sale of artwork through correspondence, artist's files, business records, financial and sales records, and scrapbooks for artists and exhibition seasons. Forms & Objects, Inc. contains correspondence, lecture notes, public relations files, business records, financial and sales records, scrapbooks and photographic materials related to American fine crafts.

The organization and press surrounding the monumental exhibitions Art:USA:58 and Art:USA:59 are illustrated in the correspondence, banking records, founding documents, newspaper clippings, paid bill receipts, and sales invoices of the American Art Expositions, Inc. records. Photographs of the Art:USA:59 artists taken by Fred Darrah are also found here.

The bulk of the records of The Little Studio, Inc. are financial records and sales invoices. Lee Nordness' involvement in the gallery is also documented through correspondence and business records. The records of Talent Discovery Company are primarily financial, including banking records, receipts, and tax records. Also found are shipping records, correspondence, and inventory cards.

There are few personal papers of Lee Nordness, the bulk of which are related to his involvement with his tenant cooperative. Also found is scattered correspondence, a scrapbook, and travel documents.

Records for the various companies were co-mingled upon accession. AAA has attempted to place papers in Nordness' original order based on discussions with Nordness and evidence from the records. However, researchers should note there is significant interfiling of the companies' records throughout the collection, especially scrapbooks and photographs. Researchers are strongly encouraged to use dates and keywords to help discover related materials throughout all series.

Abbreviations were often written by the gallery in the upper left-hand corner of a document to indicate to which company the record should be filed. Abbreviations used include: Nordness Gallery, "NG" or "LN"; Art Advisory Section, "AA" or "LN"; Exhibition Section, "ES" or "E/S"; Forms & Objects, "F/O"; American Art Expositions, "AAE"; The Little Studio, "TLS"; and, Talent Discovery Company, "TDC."
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc., circa 1938-1992, bulk 1958-1982 (67.8 linear feet; Boxes 1-67, 117-119)

Series 2: Lee Nordness Galleries Exhibition Section, Inc., 1938-1985 (25.5 linear feet; Boxes 68-93, 120, FC 122)

Series 3: Forms & Objects, Inc., circa 1931, circa 1959-1984 (13.5 linear feet; Boxes 93-106, 120)

Series 4: American Art Expositions, Inc., 1955-1968 (1.4 linear feet; Boxes 106-107)

Series 5: The Little Studio, Inc., 1947-1969 (7.7 linear feet; Boxes 108-115, 121)

Series 6: Talent Discovery Company, 1953-1957 (0.9 linear feet; Boxes 115-116, 121)

Series 7: Personal Papers of Lee Nordness, 1948-1976 (0.7 linear feet; Box 116)
Biographical / Historical:
New York City gallerist and entrepreneur Lee Nordness (1922-1995) was born in Olympia, Washington. He studied art in college and received a bachelor's degree from Uppsala University in Sweden. From 1954-1956, Nordness ran a small gallery, Talent Discovery Company, out of his apartment in New York City. Around 1955, Nordness became the director of The Little Studio, Ltd., a gallery started by Richard Kollmer in 1952 to showcase moderately priced artwork by young artists. Nordness took over the business in 1957; it closed in April 1963.

In 1958, Nordness incorporated American Art Expositions, Inc. to organize Art:USA:58, a large exposition of contemporary American art held at Madison Square Garden. The following year Art:USA:59 was held at the New York Coliseum.

Lee Nordness opened his own gallery, Nordness Gallery, Inc., in December 1957 on Madison Avenue. The gallery promoted a roster of contemporary painters and sculptors, including David Aronson, Al Blaustein, Alberto Collie, Ralston Crawford, Robert D'Arista, Kahlil Gibran, Ruth Gikow, Peter Grippe, Milton Hebald, Zubel Kachadoorian, James Kearns, Julian Levi, Walter Meigs, Gregorio Prestopino, Hiram Williams, Karl Zerbe, and the estates of Louis Guglielmi and Rico Lebrun. In 1966, Lee Nordness reorganized his businesses. He closed Nordness Gallery and opened Lee Nordness Art Advisory Section, an art consulting service to corporations, collectors, museums, and individuals, and Lee Nordness Galleries Exhibition Sections, Inc. to handle exhibitions and the sale of paintings and sculptures.

Lee Nordness had an interest in American crafts and, beginning in 1968, he added a permanent roster of American craftmakers to exhibit alongside paintings and sculpture. He opened Forms & Objects, Inc. to handle the exhibition and sales of fine crafts such as ceramics, fiber, glass, metal and wood. With a need for additional exhibition space, the gallery moved a few blocks off Madison Avenue to 236-238 East 75th Street.

Nordness traveled the globe to assemble prominent collections for clients, such as Art:USA, a collection of contemporary works by 102 American artists for S.C. Johnson & Son, Inc. Art:USA traveled throughout the United States and Europe in the mid-late 1960s before being donated to the National Collection of Fine Arts (Smithsonian Institution). In the late 1960s, he assembled a collection of 300 American craft objects for S.C. Johnson & Son, Inc. called Objects:USA, which toured throughout the United States and Europe. This collection was disassembled in the late 1970s, many of the works donated to the Museum of Arts and Design, formerly the Museum of Contemporary Craft.

Nordness closed his New York galleries in the mid-1980s. Soon after, he moved to Belfair, Washington and opened Lee Nordness Galleries, Inc. in 1986. He passed away in 1995 in Washington.
Separated Materials:
Three microfilm reels of material were loaned to the Archives of American Art by Lee Nordness in 1959 regarding American Art Exposition, Inc.'s Art:USA 58 and Art:USA:59. Microfilm includes correspondence, catalogs, visitor lists, press releases, lists of artwork, financial records, and advertising materials and is available on reels NAU1, NAU2 and NAU3.

Later, in 1964 and 1969, Lee Nordness loaned original materials for microfilming compiled by Nordness Gallery about the careers of Gregorio Prestopino, Julian E. Levi, and Lee Gatch, including correspondence, exhibition materials, biographical information, clippings, and photographs. Loaned material is available on reels N69-21 and D169. Original materials were returned to Nordness, but some may have been included in later donations and those originals have been integrated with the other donated records.

The contents of microfilm reels are not described in the container listing of this finding aid.
Provenance:
The Lee Nordness business records and papers were donated to the Archives of American Art in several increments by Lee Nordness in 1976, 1986 and as a bequest in 1996. Original materials were also lent by Nordness in 1964 and 1969 for microfilming, some of which may have been included in subsequent donations.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nordlee
See more items in:
Lee Nordness business records and papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw965a089d3-b459-436d-8468-e7e559fd7043
EDAN-URL:
ead_collection:sova-aaa-nordlee
Online Media:

Hyson, Jean

Collection Creator:
Nordness, Lee  Search this
Container:
Box 33, Folder 68
Type:
Archival materials
Date:
1966
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.3: Project Files / 1.3.6: Metromedia (Mr. X) Art Collection / Artists
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d9da6116-1f5c-4755-8a43-6405fbb0c382
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1158

Hyson, Jean

Collection Creator:
Nordness, Lee  Search this
Container:
Box 77, Folder 11
Type:
Archival materials
Date:
1968-1973
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 2: Lee Nordness Galleries Exhibition Section, Inc. / 2.2: Artist's Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c059e7f3-8342-4d45-8f92-6ece7bda7875
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1971

Chronological General Correspondence

Collection Creator:
Wood, Beatrice  Search this
Type:
Archival materials
Date:
1910-1998
Scope and Contents note:
This subseries contains both personal and professional correspondence from the early years of Wood's career as an actress and artist until the end of her life. Included in this series are letters to and from friends, family, clients, other artists, gallery owners, museums, and editors. An an avid writer, Wood maintained lifelong relationships through her letters. Correspondents include John Estenza, Anna Bing Arnold, Ruth Maitland, Ruth Dayan, Reginald Pole, Anais Nin, Dorothy Liebes, Rue McClanahan, Elizabeth Reynolds Hapgood, Rupert Pole, Esther Rosencrantz, Michael Weightman-Smith, and Geesche Ninke. Wood also formed many personal and professional relationships with individuals she met during her three trips to India in 1961, 1966, and 1971. Among these correspondents are Kamaladevi Chattopadhyay, N. Suri Ram, P. K. Vyas, Srimali Rukmini Devi, and N. Kumar Das.

Several art museums are represented in this subseries, including DeYoung Memorial Museum, Hirshhorn Museum and Sculpture Garden, Pasadena Art Museum, Phoenix Art Museum, San Francisco Museum of Art, and Santa Barbara Museum of Art.

See Appendix for a list of correspondents from Series 2.1.
Arrangement note:
Material is arranged chronologically by date. Undated letters can be found at the end of the subseries, arranged by last name of correspondent. Note that Wood's correspondence with the galleries is found in Series 3: Personal Business Records. Additional correspondence with publishers is found in Series 4: Notes and Writings.
Appendix: Correspondents in Series 2.1.:
Agrawal, Satyendra Narayan: 1966

America House: 1943-1944, 1952-1953, 1956-1957, 1962-1967, 1969

Archipenko, Gela: 1938

Armitage, Merle: 1933, 1957-1958

Arnold, Anna Bing: 1973, 1981-1983, 1987-1988

Bleazby, Leah: 1946-1948, 1951-1952

Bailey, Clayton: 1931

Bok, Ecke: 1986-1987, 1989-1990

Bryan, Robert: 1969, 1972, 1978, 1991

Cabaniss, Adelaide: 1947-1951

Case, Francis: 1943

Chattopadhyay, Kamaladevi: 1961-1973, 1975

Clark, Iris: 1988-1990

Clark, Susan: 1991

Colino, Jose: 1986-1989, 1991

Corle, Helen Freeman: 1951, 1955

Cummins, Harry: 1985

d'Harnoncourt, Anne: 1987

Das, N. Kumar: 1966-1968

Dayan, Ruth: 1971, 1976, 1978-1985, 1987, 1992

Devi, Srimali Rukmini: 1961, 1965, 1967-1968, 1977

DeYoung Memorial Museum: 1952-1954

Dillingham, Rich: 1987-1989

Dove, Tom and Marge: 1972-1973, 1977, 1981, 1983-1985, 1987-1988

Duchamp, Teeny: 1968, 1976

Erazo, Victor: 1984-1985

Estenza, John: 1950

Feinberg, Lillian and Len: 1985-1987, 1989

Gandhi, Indira: 1983

Gateff, Elisabeth: 1977, 1980, 1982-1983, 1985-1986, 1988, 1991-1992

Gibson, Marga: 1959

Hall, Denise: 1978

Hammond, Vera: 1945, 1986

Hapgood, Benie: 1976-1977, 1982, 1986-1987, 1992

Hapgood, Elizabeth Reynolds: 1923, 1930-1932, 1935-1942, 1944, 1947-1948, 1950-1973

Harlan, Loren Clyde and Hermine (Wood's aunt): 1930, 1938-1947

Hathaway, Michael: 1980, 1988-1989, 1991

Hinkhouse, F. M.: 1957-1960

Hirshhorn Museum and Sculpture Garden: 1977

Hoag, Paul Sterling: 1983

Hoag, Steve: 1944-1948, 1951

Hooper, Peter Lawrence: 1976-1977

Huckaby, Grover: 1945, 1947, 1951

Huglin, Henry: 1964-1965, 1977

Huyler, Steven: 1978-1982, 1985, 1987, 1989-1991

Jesch, Klement: 1985-1992

Jones, Barbara: 1977

Kaplan, Connie: 1989

Kaye, Caren: 1988-1991

Lee Nordness Galleries: 1968-1969, 1972, 1977

Liebes, Dorothy: 1941, 1948, 1953, 1958, 1961-1963, 1971

Logan, Robert and Mabel: 1939, 1952, 1954

Look, Heartie Anne: 1958-1960

Lukens, Glen: 1935-1936, 1938

McClanahan, Rue: 1980, 1985

McCloskey, Helen Hooper: 1979-1985

Maitland, Ruth: 1938, 1945

Martin, Olavee: 1989-1990

Morrow, Margo: 1935, 1937-1939, 1946

Murchie, Guy: 1980-1982, 1984-1986, 1988

Murphy, Bob and Ginny: 1965, 1981-1985, 1991

Natzler, Otto and Gertrude: 1983

Ninke, Geesche: 1985, 1987-1990, 1992

Nin, Anais: 1971, 1974-1975

Noyes, Frank: 1950-1952

Palmer, Herbert: 1973-1974

Padadena Art Museum: 1952, 1957

Patch, Margaret: 1971

Peterson, Susan: 1989

Phoenix Art Museum: 1960, 1967, 1973

Pole, Reginald: 1950, 1952, 1970-1971

Pole, Rupert: 1977

Ragan, Nell: 1971-1972

Rajagopal, D.: 1938, 1951, 1975, 1985

Rajagopal, Roselind: 1936-1937, 1940, 1955, 1972-1974, 1977

Reynolds, Wallace: 1937-1938

Rhodes, Lillyan and Daniel: 1983, 1986, 1989

Rosencranz, Esther: 1935-1948, 1950

San Francisco Museum of Art: 1953, 1956-1958, 1971

Santa Barbara Museum of Art: 1950, 1954, 1958, 1967-1968, 1972

Sasaki, George: 1981, 1983, 1989, 1992-1993

Skiles, Bob: 1951-1952, 1982

Sipprell, Texana: 1947, 1958-1960

Stern Evelyn: 1977, 1992

Story, Ala: 1965, 1967

Takaezu, Toshiko: 1988

Taylor, June: 1949-1951, 1952-1953, 1958

Tibbitt, Laurence: 1926

Tomlin, Lily: 1984, 1987

Vyas, P. K.: 1962-1965, 1967-1968

Wallace, Marlene: 1977, 1989

Warrington, A. P. and Betty: 1929-1930, 1932-1934, 1939

Wash, Connie: 1961

Watson, Steven: 1988-1989

Webb, Aileen: 1947, 1950-1951, 1965, 1967-1968

Webster, Win: 1990, 1992

Weidemann, William: 1945, 1947

Weightman-Smith, Michael (Michael O'Shaughnessy): 1930, 1933-1934, 1936-1948, 1950, 1956, 1982

Wilkie, Margo: 1980, 1986-1986, 1989, 1991-1992

Wood, Carrara R. (Wood's mother): 1930-1936

Wright, Lloyd: 1947, 1969

Zook, Edgar: 1926, 1936-1943, 1947, 1967
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

The unprocessed addtion to this collection is currently closed for processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beatrice Wood papers, 1906-1998, bulk 1930-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.woodbeat, Subseries 2.1
See more items in:
Beatrice Wood papers
Beatrice Wood papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90f6da702-9494-4690-bec3-5c947875c15c
EDAN-URL:
ead_component:sova-aaa-woodbeat-ref41

Arline M. Fisch papers

Creator:
Fisch, Arline M.  Search this
Names:
American Craftsmen's Council  Search this
Boston University  Search this
Electrum (Gallery : London, England)  Search this
Internationale Handwerksmesse  Search this
Lee Nordness Galleries  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Endowment for the Arts  Search this
San Diego State University -- Faculty  Search this
Skidmore College  Search this
Society of North American Goldsmiths  Search this
World Crafts Council  Search this
Antunes, Edith  Search this
Extent:
9.8 Linear feet
3.82 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Video recordings
Date:
1931-2015
Summary:
The papers of metalsmith, jeweler, and educator Arline M. Fisch measure 9.8 linear feet and 3.82 GB date from 1931 to 2015. The papers include awards and certificates, correspondence, exhibition and gallery files, project files, San Diego State University teaching files, membership records, and printed and digital and photographic materials.
Scope and Contents:
The papers of metalsmith, jeweler, and educator Arline M. Fisch measure 9.8 linear feet and 3.82 GB and date from 1931 to 2015. The papers include awards and certificates, correspondence, exhibition and gallery files, project files, San Diego State University teaching files, membership records, and printed and and digital photographic materials.

Awards and certificates are from the Indonesian National Crafts Council, Internationale Handwerksmesse Munchen, San Diego State University, State of California, and other organizations. Correspondence is with Edith Antunes, Skidmore College and other educational institutions, as well as galleries, students, and colleagues. Files for exhibitions consist of inventory and price lists, loan and shipping records, printed material, correspondence, a digital disk, and a video recording for Elegant Fantasy: The Jewelry of Arline Fisch (2000), The Art of Arline Fisch (2003), Arline Fisch: Creatures from the Deep (2008), and various exhibitions.

Gallery files contain business records for Atrium, Electrum Gallery, Lee Nordness Galleries, and galleries in Germany and Switzerland. Project files include records for an advertising campaign, articles and lectures, Textile Techniques in Metal for Jewelers, Sculptors, and Textile Artists, a cataloging project, commercial ventures, curriculum development at Boston University, NEA and Fulbright grant projects, an artwork installation, an oral history project, a seminar, and workshops.

San Diego State University teaching files include correspondence, evaluations, exhibition material, grant programs and projects, university programs, recommendations, and sabbatical records. Membership records are for the American Craftsmen's Council (ACC), Society of North American Goldsmiths (SNAG), and World Crafts Council (WCC).

Printed materials consist of booklets, a calendar, clippings, exhibition announcements and catalogs, periodicals and posters, and chronological files. Photographic materials are of Fisch, her family, travel, her studio, with colleagues and in class, and works of art. A detailed archive of Fisch's work on slides and in digital format is also included.
Arrangement:
The collection is arranged as nine series.

Series 1: Awards and Certificates, 1961-2001 (0.3 linear feet; Boxes 1, 11)

Series 2: Correspondence, 1956-2003 (0.8 linear feet; Box 1)

Series 3: Exhibition Files, 1957-2010 (1.0 linear feet; Boxes 1-2)

Series 4: Gallery Files, 1968-2010 (0.5 linear feet; Boxes 2-3)

Series 5: Project Files, 1956-2010 (1.4 linear feet; Boxes 3-4, 11)

Series 6: San Diego State University, 1955-2014 (1.0 linear feet; Boxes 4-5)

Series 7: Membership Records, 1964-1994 (1.0 linear feet; Boxes 5-6)

Series 8: Printed Materials, circa 1960-2015 (3.3 linear feet; Boxes 6-9, 11, OV 12)

Series 9: Photographic Materials, 1931-circa 2005 (0.5 linear feet; Boxes 9-11, 3.82 GB; ER01)
Biographical / Historical:
Arline M. Fisch (1931- ) is a metalsmith, jeweler, and educator in San Diego, California.

Fisch was born in Brooklyn, New York. She studied art education at Skidmore College and earned a master of arts degree from the University of Illinois. From 1956 to 1957 she studied at the School of Arts and Crafts in Copenhagen Denmark, and she returned to Denmark in 1966 under a Fulbright Research Grant. She also received Fulbright and NEA grants for multiple projects in Uruguay, Austria, and the U.S.

From 1954 to 1961, she taught at Wheaton College and Skidmore College. Fisch began teaching at San Diego State University (SDSU) in 1961 where she developed the Jewelry and Metalsmithing program. She retired from SDSU in 2000.

Fisch was a member of the American Craft Council (ACC), Haystack Mountain School of Crafts' Board of Trustees, and was vice president of the World Crafts Council (WCC) from 1976 to 1981. She was a founding member of Society of North American Goldsmiths (SNAG) and was president of the organization from 1982 to 1985.

Fisch has received numerous awards and honors for her accomplishments in craftsmanship including an honorary doctorate degree from Skidmore College, United States Artists fellowship award, and Fresno Art Museum Council of 100 Distinguished Woman Artist award in 2012. Fisch has exhibited her work all over the world including her solo retrospective exhibition titled, Elegant Fantasy: The Jewelry of Arline Fisch, which was shown in San Diego, Oakland, New York, and Washington, D.C.
Related Materials:
Also at the Archives of American Art is an interview of Arline M. Fisch conducted July 29-30, 2001 by Sharon Church McNabb, for the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Fisch's home, in San Diego, California.
Provenance:
The papers were donated from 2003 to 2018 by Arline M. Fisch as a part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Rights:
Arline M. Fisch retains copyright for the manuscript for the 2nd edition of her book Textile Techniques in Metal for Jewelers, Sculptors, and Textile Artists (New York: Van Nostrand Reinhold, c. 1975) and notes for the first edition.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Metal-workers -- California -- San Diego  Search this
Jewelers -- California -- San Diego  Search this
Educators -- California -- San Diego  Search this
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Decorative arts  Search this
Women artists  Search this
Women educators  Search this
Genre/Form:
Photographs
Video recordings
Citation:
Arline M. Fisch papers, 1931-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fiscarli
See more items in:
Arline M. Fisch papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95c7c5f3b-37ad-44ab-9740-558f8fc327f7
EDAN-URL:
ead_collection:sova-aaa-fiscarli
Online Media:

Oral history interview with William Underhill

Interviewee:
Underhill, William, 1933-  Search this
Interviewer:
Carney, Margaret, 1949-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Faculty  Search this
Lee Nordness Galleries  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
41 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 June 8
Scope and Contents:
An interview of William Underhill conducted 2002 June 8, by Margaret Carney, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Wellsville, N.Y.
Underhill speaks of being born in Berkeley, California, to parents who were art teachers; the differences between the West Coast Bay Area arts and crafts movement and that of the east coast; attending California College of Arts & Crafts for two years and then transferring to the University of California at Berkeley, in 1953, to enter the architecture program; building a dome out of aluminum for the city of Oakland's parks department with other students during the summer of 1956; being drafted into the Army in 1957; working for the U.S. Army headquarters in Germany as a draftsman; prominent and influential craft artists that he knew; marrying Linn Baldwin [Underhill], a fellow classmate, in 1957, and starting a family; re-entering UC Berkeley, finishing his B.A. degree in 1960 and completing his M.A. in 1961; his studies with Peter Voulkos; making bronze bowls, which led to his idea of casting wax, modeling wax fabrication, using sheet wax, and making textured sculpture and geometric shapes; having one of his bowl pieces in the Museum of Contemporary Crafts; the Oakland Museum buying a piece of his work; his teaching position at Highlands University in Las Vegas, N.M.; being in the "Young Americans" exhibit and receiving the "Best of Show" award in 1962; most teachers trying to "emulate" the style of Peter Voulkos; moving to New York; showing at the Blumenfeld Gallery; sharing a studio next to the Clay Arts Center in Port Chester, N.Y.; building a foundry and a melting facility; teaching part-time at a community adult art center in White Plains, N.Y.; his financial difficulties; teaching part-time at Pratt Institute in 1965; J. Gordon Lippincott, of the industrial firm Lippincott and Margolies, commissioning him to do large scale steel sculptures for major corporations; working as a draftsman in an architect's office in New York City to pay for rent and groceries in 1966; teaching a summer session at Columbia's Teacher's College; teaching full-time as an instructor at New York University in 1967; teaching a workshop at Alfred University, in 1963; interviewing for a teaching position at Alfred at the College Art Association meeting, in Boston, in 1968; moving in the summer of 1969 to Alfred to teach; his counter-culture lifestyle and consequent decrease in his artistic production; showing at the Lee Nordness Gallery in the 1960s; exhibiting at the Perimeter Gallery, Helen Drutt Gallery, Twining Gallery, and Garth Clark Gallery in the 1980s; creating the bronzed statue of King Alfred for Alfred University and selling his copyright to them; his signature stamp; having pieces in the American Craft Museum and in the San Francisco Museum of Modern Art's collection; teaching at Haystack Mountain School of Crafts, the Anderson Ranch, and the Mendocino Art Center; various craft magazines including Craft Horizons and Metalsmith; being a member of the American Craft Council [ACC]; his retirement in 1997; and working at the Berkeley Art Foundry in the summer of 2002. Underhill also recalls Robert Arneson, Josephine Blumenfeld, Diane Cox, Val Cushing, Peter Dodge, Jack Earl, Andrew Jevremovic, Manuel Neri, Bill Parry, Ted Randall, Dan Rhodes, Glenn Zweygardt, and others.
Biographical / Historical:
William Underhill (1933- ) is a metalsmith from Wellsville, N.Y. Margaret Carney is an art historian from New York.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 7 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors -- New York (State)  Search this
Topic:
Art -- Economic aspects  Search this
Bronze founding -- Technique  Search this
Decorative arts  Search this
Metal-work  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.underh02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95087d49d-5038-472c-9acd-5e8f7ca6ca3c
EDAN-URL:
ead_collection:sova-aaa-underh02
Online Media:

Lee Nordness Galleries

Collection Creator:
Brynner, Irena  Search this
Container:
Box 3, Folder 3
Type:
Archival materials
Text [31027000853693]
Date:
1968-1972
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Irena Brynner papers, circa 1914-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Irena Brynner papers
Irena Brynner papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b3eb0be5-6b7d-4b3e-b8bb-1ce1c6b08648
EDAN-URL:
ead_component:sova-aaa-bryniren-ref55

Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc.

Collection Creator:
Nordness, Lee  Search this
Extent:
67.9 Linear feet (Boxes 1-67, 117-119, FC 122)
Type:
Archival materials
Date:
circa 1938-1992
bulk 1958-1982
Scope and Contents:
The records of Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Services, Inc. document the exhibitions and sales of artwork of the galleries' artists, and the development and organization of various projects with corporations and museums through correspondence, artist's files, project files, business and legal records, financial and sales records, inventories, printed materials, scrapbooks, and photographic materials.

Because materials from Nordness Gallery and Art Advisory Section were frequently interfiled, the records are found together in one series. In addition, "Nordness Gallery" was occasionally used on letterhead and legal documents after it had closed. Researchers should use dates and context as necessary to discover related materials.
Arrangement:
This series is arranged as 10 subseries:

Missing Title

1.1: Correspondence, 1950-1992

1.2: Artist's Files, circa 1938-1985, bulk 1968-1982

1.3: Project Files, 1952-1990

1.4: Business Records, 1955-1986

1.5: Legal Records, 1950s-1979

1.6: Financial and Sales Records, 1954-1992

1.7: Inventory Records, circa 1958-1980

1.8: Printed Materials, 1960-1980s

1.9: Scrapbooks, circa 1940s-1980s

1.10: Photographic Materials, circa 1940-1980s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nordlee, Series 1
See more items in:
Lee Nordness business records and papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw962e1e797-b5ad-4da3-af05-db06b00f5a05
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1

American Academy of Arts and Letters

Collection Creator:
Nordness, Lee  Search this
Container:
Box 2, Folder 6
Type:
Archival materials
Date:
1968
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e091988b-fae5-4c90-9dbf-e2392a982b6b
EDAN-URL:
ead_component:sova-aaa-nordlee-ref10

Fountain Gallery of Art

Collection Creator:
Nordness, Lee  Search this
Container:
Box 5, Folder 18
Type:
Archival materials
Date:
1966-1967
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw952b12651-0609-4df3-b676-a541efef92bd
EDAN-URL:
ead_component:sova-aaa-nordlee-ref100

Catalog, Preliminary

Collection Creator:
Nordness, Lee  Search this
Container:
Box 30, Folder 34-35
Type:
Archival materials
Date:
circa 1980
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.3: Project Files / 1.3.5: Council House Collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9226930d2-5571-4dd1-8d95-7b59791efd02
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1000

Checklist of Art Collection

Collection Creator:
Nordness, Lee  Search this
Container:
Box 30, Folder 36
Type:
Archival materials
Date:
circa 1978-1979
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.3: Project Files / 1.3.5: Council House Collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw935826624-945e-42aa-a0b0-474c5078d3b4
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1001

Contract, Catalog

Collection Creator:
Nordness, Lee  Search this
Container:
Box 30, Folder 37
Type:
Archival materials
Date:
1979
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.3: Project Files / 1.3.5: Council House Collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b3892ec-bc76-4e6f-8197-e1c8c8c6a5d6
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1002

Contract, Wind Point Conference Center

Collection Creator:
Nordness, Lee  Search this
Container:
Box 30, Folder 38
Type:
Archival materials
Date:
1977-1978
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.3: Project Files / 1.3.5: Council House Collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw916758bce-f059-4e2a-89fc-07803833cd8b
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1003

Correspondence

Collection Creator:
Nordness, Lee  Search this
Container:
Box 30, Folder 39-41
Type:
Archival materials
Date:
1977-1983
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.3: Project Files / 1.3.5: Council House Collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93d2fc851-f23a-4b0a-a0dc-7dd4594aa144
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1004

Country Files, Argentina-Colombia

Collection Creator:
Nordness, Lee  Search this
Container:
Box 30, Folder 42-56
Type:
Archival materials
Date:
1968-1980
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.3: Project Files / 1.3.5: Council House Collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw950c96d21-ad58-4d9d-bde7-6d00edbdc600
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1005

Country Files, Costa Rica-South Africa

Collection Creator:
Nordness, Lee  Search this
Container:
Box 31, Folder 1-49
Type:
Archival materials
Date:
1970-1981
1952
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.3: Project Files / 1.3.5: Council House Collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9547319eb-d4aa-4ca0-8b4f-9d0d75fe38cd
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1006

Country Files, Spain-Venezuela

Collection Creator:
Nordness, Lee  Search this
Container:
Box 32, Folder 1-10
Type:
Archival materials
Date:
1977-1980
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.3: Project Files / 1.3.5: Council House Collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dc6413e7-4e39-4d92-a5fb-d9195da6a190
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1007

Country Index Cards

Collection Creator:
Nordness, Lee  Search this
Container:
Box 32, Folder 11
Type:
Archival materials
Date:
circa 1978
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.3: Project Files / 1.3.5: Council House Collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9823c79ad-12c3-4c26-a392-c3a3fff5b0b7
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1008

Executives, International Travel

Collection Creator:
Nordness, Lee  Search this
Container:
Box 32, Folder 12
Type:
Archival materials
Date:
1978
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lee Nordness business records and papers, circa 1931-1992, bulk 1954-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Lee Nordness business records and papers
Lee Nordness business records and papers / Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc. / 1.3: Project Files / 1.3.5: Council House Collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99944a34f-caf5-4507-8d1d-3ba217fc826e
EDAN-URL:
ead_component:sova-aaa-nordlee-ref1009

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