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Oral history interview with Jackie Ferrara

Interviewee:
Ferrara, Jackie  Search this
Interviewer:
Berman, Avis  Search this
Creator:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Names:
Michigan State University -- Students  Search this
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Wayne State University -- Students  Search this
Addams, Charles, 1912-1988  Search this
Andre, Carl, 1935-  Search this
Beauchamp, Robert, 1923-  Search this
Bellamy, Richard  Search this
DeLap, Tony, 1927-2019  Search this
Eisenhauer, Lette  Search this
Ferrara, Don  Search this
Forst, Miles, 1923-  Search this
Frank, Mary, 1933-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gallo, Frank, 1933-  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Gross, Sally  Search this
Hesse, Eva, 1936-1970  Search this
Hofmann, Hans, 1880-1966  Search this
Judd, Donald, 1928-1994  Search this
LeWitt, Sol, 1928-2007  Search this
Marcus, Marcia, 1928-  Search this
Motherwell, Robert  Search this
Oldenburg, Claes, 1929-  Search this
Protetch, Max  Search this
Rockburne, Dorothea  Search this
Rosenquist, James, 1933-  Search this
Samaras, Lucas, 1936-  Search this
Smithson, Robert  Search this
Extent:
3 Items (Sound recording: 3 sound files (5 hr., 12 min.), digital, WMA files)
115 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 January 16-February 13
Scope and Contents:
An interview of Jackie Ferrara conducted 2009 January 16-February 13, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at the Ferrara's home, in New York, New York.
Ferrara speaks of growing up in Detroit, Michigan; her early interest in mathematics and its ever present role in her work; attending Michigan State University for one year; taking fashion drawing classes at Wayne State University and her supposed lack of drawing skills; an early interest in pottery and leather making; moving to New York City in 1951 on a night train from Detroit; working at the Henry Street Playhouse and its influential role on her art; her relationship with Robert Beauchamp and her friendship with many artists in Provincetown, Massachusetts; early works, including the cotton batting works and the rope works, most of which were destroyed; her dislike of traveling and her use of imagination for inspiration; participating in the performances and happenings of Claes Oldenburg; her friendship with Robert Smithson and his influence on her later works; working with Max Protetch; never teaching art because she herself did not attend art school; her creation process of her wood and stone pieces, including their conception in early drawings; having a positive attitude towards her pieces being rebuilt because of decay; quickly moving into public art in the late 1970s, early 1980s; living and working in the same loft in New York for over 40 years; the helpful role the women's movement played in her successful career though she did not participate; receiving art grants to enable her to work for a year or two without having to find an odd job to support herself; various public art projects around the country, how they came to be, creating the works and their significance to her. Ferrara also recalls Charlotte Tokayer, Don Ferrara, Alvin Nikolai, Richard Bellamy, Mary and Paul Frank, Miles and Barbara Forst, Sally Gross, Hans Hofmann, Robert Motherwell, Helen Frankenthaler, Nat Halprin, Lucas Samara, Letty Lou Eisenhauer, James Rosenquist, Marcia Marcus, Charles Addams, Eva Hesse, Frank Gallo, Tony DeLap, Dorothea Rockburne, Time Doyle, Sol LeWitt, Donald Judd, Carl Andre, Nancy Graves, Marty Greenbaum, Abe Sachs, Mel Bochner, Jan Groover, Alice Aycock, Alice Adams, Jackie Windsor, Scott Burton, Siah Armajani, Michelle Stuart, Lucy Lippard, Zaha Hadid, Max Hutcinson, Andrea Blum, and others.
Biographical / Historical:
Jackie Ferrara (1929- ) is a sculptor. Ferrara works with the built environment in her designs for courtyards and architectural structures.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Audio: ACCESS RESTRICTED; Use requires written permission.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Draftsmen (artists) -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ferrar09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9efd0b315-7933-452d-945c-e6f5dc917f90
EDAN-URL:
ead_collection:sova-aaa-ferrar09
Online Media:

Richard Artschwager papers

Creator:
Artschwager, Richard, 1923-  Search this
Names:
Adair Margo Gallery  Search this
Carpenter Center for the Visual Arts  Search this
Cornell University  Search this
Gagosian Gallery  Search this
Galerie Franck + Schulte  Search this
Harvard University  Search this
Herbert F. Johnson Museum of Art  Search this
Leo Castelli Gallery  Search this
Lorence-Monk Gallery (New York, N.Y.)  Search this
Museum Ludwig  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Museum of Fine Arts, Boston  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Skowhegan School of Painting and Sculpture  Search this
University of Wisconsin  Search this
Whitney Museum of American Art  Search this
Alloway, Lawrence, 1926-1990  Search this
Castelli, Leo  Search this
Copley, William Nelson, 1919-1996  Search this
Fischl, Eric, 1948-  Search this
Johnson, Ray, 1927-  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kimmelman, Michael  Search this
Lawler, Louise  Search this
LeWitt, Sol, 1928-2007  Search this
Murray, Elizabeth, 1940-  Search this
Namuth, Hans  Search this
Neuendorf, Hans  Search this
Ruscha, Edward  Search this
Schaffner, Ingrid  Search this
Schjeldahl, Peter  Search this
Waters, John, 1946-  Search this
Woodman, Betty, 1930-  Search this
Extent:
5.6 Linear feet
9.33 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Date:
1959-2013
Summary:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and 9.33 GB and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed and digital material, and photographs.
Scope and Contents:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and 9.33 GB and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed and digital material, and photographs.

Artschwager's correspondence is with museums, galleries, artists, art historians, academic institutions, and publishers and concerns exhibitions, speaking engagements, and teaching. Frequent correspondents include Lawrence Alloway, Leo Castelli Gallery, Gagosian Gallery, Galerie Franck + Schulte, Herbert F. Johnson Museum, Ivan Karp, Museum Ludwig, Museum of Contemporary Art, Los Angeles, Ingrid Schaffner, and the Whitney Museum of American Art. Also found are letters from fellow artists, including William Copley, Eric Fischl, Ray Johnson, Louise Lawler, Sol Lewitt, Ed Ruscha, John Waters, and Betty Woodman. Some letters are annotated or illustrated with sketches by Artschwager.

The collection includes a lecture and recorded talks by Richard Artschwager held at the University of Wisconsin, Madison, Skowhegan School of Painting & Sculpture, and the Carpenter Center of the Visual Arts, Harvard University, and other venues. One of the recordings is from the "Conversations with Contemporary Artists" series of the Museum of Modern Art. Also included in this series is a recorded discussion with artists Alex Katz and Elizabeth Murray and art critics Michael Kimmelman and Peter Schjeldahl.

Exhibition files are found for exhibitions held at Adair Margo Gallery, Lorence Monk Gallery, Museum of Fine Arts, Boston, Cornell University, and numerous others, including many in Europe. Files typically contain correspondence, price lists, announcements, printed material, photographs, and a few sound and video recordings.

Printed material includes invitations and announcements as well as posters, reproductions, and brochures, mostly related to Richard Artschwager's exhibitions. Newspaper and magazine clippings document exhibition openings and the critical reception of his work.

There are also a few photographs including images of Leo Castelli by Hans Namuth used by Artschwager in preparing for his portrait of Castelli.
Arrangement:
The collection is arranged as 5 series.

Missing Title

Series 1: Correspondence, circa 1970-2013 (Boxes 1-3; 3.0 linear feet, ER01-ER02; 0.555 GB)

Series 2: Talks and Lecture, 1985-2009 (Box 4; 0.8 linear feet, ER03-ER10; 8.77 GB)

Series 3: Exhibition Files, 1973-2007 (Boxes 4-5; 1.0 linear feet)

Series 4: Printed Material, 1959-2012 (Boxes 5-6, OV 7; 0.6 linear feet)

Series 5: Photographs, circa 1973, 2007 (Box 6, OV 8; 0.1 linear feet)
Biographical / Historical:
Richard Artschwager (1923-2013) lived and worked in New York City and Hudson, New York and was known primarily for his paintings and sculptures. Artschwager was born in Washington, D.C. and grew up in New Mexico. As a youth, Artschwager showed a talent for drawing. He studied chemistry and mathematics at Cornell University. In 1944, Artschwager interrupted his studies to enlist in the U.S. Army. After the war, he returned to Cornell to complete his Bachelor of Arts degree in 1948. Encouraged by his first wife, Elfriede Wejmelka to develop his interest in art, Artschwager moved to New York to study at the Studio School of Amédée Ozenfant. His paintings and drawings from this period were featured in two group shows at the Terrain Gallery in 1957 and at the Art Directions Gallery on Madison Avenue in 1959, where they were recognized by Donald Judd.

In the 1950s, in order to support his family, Artschwager turned to designing and manufacturing modern furniture. His woodworking skills inspired him to create sculptures from utilitarian objects such as tables, chairs, and mirrors. He is best known for the use of building materials Celotex and Formica in his work and for inventing an abstract form he called "blps" reliefs, stencils or decals that were installed randomly in museum, gallery and public spaces. From the mid-1980s to late 1990s, Artschwager designed large scale projects, though he continued to incorporate everyday domestic objects in his sculptures and paintings.

In 1965, Artschwager was given his first one-man exhibition at the Castelli Gallery and he remained with the Gallery for thirty years. He was also represented by Mary Boone, David Nolan, and the Gagosian Gallery. In the 1980s, Artschwager served on the Visual Arts Policy Committee at the National Endowment of the Arts. He was elected to the American Academy of Arts in 1992. He was a visiting artist at New Mexico State University, Soka University, Skowhegan School of Painting and Sculpture, and the University of Arizona. Artschwager's work was the subject of a major surveys, including the Kunstmuseum Winterthur, Neues Museum, and Serpentine Gallery. He participated in numerous international group shows including the Venice Biennale and Documenta in Kassel, Germany. The Whitney Museum of American Art honored Artschwager with two travelling retrospective exhibitions in 1988 and 2012. In late 2012, Artschwager had one-man shows at the Gagosian Gallery and David Nolan Gallery.

Richard Artschwager died at the age of 89 years in 2013. He is survived by his wife, Ann Sebring Artschwager and three children from previous marriages.
Related Materials:
Also found among the resources at the Archives of American Art is an oral history interview with Artschwager, March 3-28, 1972, conducted by Paul Cummings.
Provenance:
The collection was donated by Richard Artschwager and his wife Ann Artschwager in 2013.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Topic:
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Citation:
Richard Artschwager papers, 1959-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artsrich
See more items in:
Richard Artschwager papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b1669278-fbd8-48b5-832c-ad4b93ec08bd
EDAN-URL:
ead_collection:sova-aaa-artsrich
Online Media:

Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
70.5 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2010
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Arrangement:
The collection is arranged as nine series:

Missing Title

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)

Series 9: Unprocessed Addition, circa 1965-2010, (Boxes 78-94; 17.0 linear feet)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, 2006, 2015 and 2021.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Curators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists -- Political activity  Search this
Art criticism  Search this
Feminism and art  Search this
Women authors  Search this
Women art critics  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Minimal art  Search this
Women museum curators  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9101c6a69-dde9-42ed-94cc-d03650c249ed
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

Oral history interview with Lucy Lippard

Interviewee:
Lippard, Lucy R.  Search this
Interviewer:
Heinemann, Sue  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Art Workers Coalition  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Guerilla Art Action Group  Search this
Heresies Collective, Inc.  Search this
Museum of Modern Art (New York, N.Y.) -- Employees  Search this
Political Art Documentation/Distribution (Organization)  Search this
Smith College -- Students  Search this
Ashton, Dore  Search this
Chicago, Judy, 1939-  Search this
Hammond, Harmony  Search this
Judd, Donald, 1928-1994  Search this
LeWitt, Sol, 1928-2007  Search this
Miss, Mary, 1944-  Search this
Reinhardt, Ad, 1913-1967  Search this
Ryman, Robert, 1930-2019  Search this
Schneemann, Carolee, 1939-  Search this
Sholette, Gregory  Search this
Stevens, May  Search this
Extent:
4 Items (memory cards (4 hr., 29 min.), secure digital, wav, 1.25 in.)
97 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2011 Mar. 15
Scope and Contents:
An interview with Lucy Lippard conducted 2011 Mar. 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Lippard's home, in Galisteo, N.M.
Lippard discusses her childhood summers in Maine; growing up in New Orleans, La., and Charlottesville, Va.; attending the Abbot Academy and Smith College; her junior year in Paris; working in the Museum of Modern Art Library; living on Avenue D; meeting Bob Ryman and Sol Lewitt; birth of her son Ethan; Dore Ashton as a role model; involvement with various groups and political causes including the Angry Arts movement, the Art Workers' Coalition, Women Artists' Committee, Guerilla Art Action Group, Womanhouse, Political Art Documentation and Distribution (PAD/D), the Ad Hoc Women Artists Committee, and others; the development of Heresies Collective; her publications including, "From the Center: Feminist Essays on Women's Art," (1976), "On the Beaten Track: Tourism, Art and Place," (1999), "Mixed Blessings: New Art in a Multicultural America," (1990, 2000), "The Lure of the Local: Sense of Place in a Multicentered Society," (1997), and "Overlay: Contemporary Art and the Art of Prehistory," (1983) ; curating exhibitions; travels to Argentina and Mexico; moving to Galisteo, N.M.; interest in the Galisteo Basin; teaching; and other topics. She recalls Ad Reinhardt, Donald Judd, Harmony Hammond, Judy Chicago, Gregory Sholette, Carolee Schneemann, Max Koszloff, Joyce Koszloff, May Stevens, Betsy Hess, Mary Miss, and others.
Biographical / Historical:
Lucy R. Lippard (1937- ) is a writer and art critic in New York, N.Y. and Galisteo, N.M.
General:
Originally recorded on Edirol R-09HR on 4 secure digital memory cards. Duration is 4 hr., 29 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Curators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Art criticism  Search this
Feminism and art  Search this
Women authors  Search this
Women art critics  Search this
Women museum curators  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lippar11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b83cc211-01df-48fa-bb27-fb6ea7cd8d42
EDAN-URL:
ead_collection:sova-aaa-lippar11
Online Media:

Adrian Piper papers

Creator:
Piper, Adrian, 1948-  Search this
Names:
Alloway, Lawrence, 1926-1990  Search this
Buchanan, Nancy, 1946-  Search this
LeWitt, Sol, 1928-2007  Search this
Lippard, Lucy R.  Search this
Mayer, Rosemary  Search this
Extent:
10 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1966-1990
Scope and Contents:
Papers related to Piper's dual careers as conceptual artist and philosophy instructor. Personal letters and financial material are also included.
The Adrian Piper papers contain material related to Piper's art career includinc correspondence (1968-1988) with editors, curators, critics and others regarding museum and gallery exhibitions; lectures and panel discussions; and publications by and about Piper, mainly concerned with race and gender in art. Correspondents include Lawrence Alloway, Nancy Buchanan, Nina Felshin, Hans Haacke, Donald Kuspit, Sol Lewitt, Lucy Lippard, Rosemary Mayer, William Olander (The New York Museum), Philip Redican, Sam Samore, Terry Wolferton, and others. Subject files on the American Association of Museums, the National Endowment for the Arts panels and the New York State Council on the arts, and printed material including exhibition announcements and clippings are also included. Philosophy career related papers include correspondence (1974-1987) kept while teaching at the University of Michigan, Stanford University, and Georgetown University; and graduate school class notes, many with sketches. Personal papers include letters (1965-1990) from friends and family; and financial material such as tax returns and household expenses.
Arrangement:
I. Materials regarding Piper's art career, 1968-1988, boxes 1 to 3. II. materials regarding Pipers philosophy career, 1979-1987, boxes 4 to 7. III. personal papers, 1965-1990, boxes 8 to 10.
Biographical / Historical:
Adrian Piper (1948-) is a conceptual artist and philosopher. She taught philosophy at numerous institutions and was the first female African American philosophy professor to receive academic tenure in the United States. Piper moved to Berlin, Germany in 2005 where she now runs the Adrian Piper Research Archive (APRA). In 2012, Piper "publicly retired from being Black."
Provenance:
Donated 1990 by Adrian Piper.
Restrictions:
ACCESS RESTRICTED; written permission required. Contact Reference Services for more information.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Conceptual artists  Search this
Educators  Search this
Philosophers  Search this
Topic:
Art and race  Search this
Women artists  Search this
African American artists  Search this
African American educators  Search this
Identifier:
AAA.pipeadri
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9def552b7-efa7-4a00-84c5-673abc297efc
EDAN-URL:
ead_collection:sova-aaa-pipeadri

Christiane L. Joost-Gaugier postcards from Sol LeWitt, 1980-1992

Creator:
Joost-Gaugier, Christiane L.  Search this
LeWitt, Sol, 1928-2007  Search this
Citation:
Christiane L. Joost-Gaugier postcards from Sol LeWitt, 1980-1992. Archives of American Art, Smithsonian Institution.
Topic:
Travel -- Italy  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)15870
(DSI-AAA_SIRISBib)294994
AAA_collcode_jooschris
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_294994

Dwan Gallery records

Creator:
Dwan, Virginia  Search this
Names:
Dwan Gallery (Los Angeles, Calif.)  Search this
Dwan Gallery (New York, N.Y.)  Search this
Anastasi, William, 1933-  Search this
Andre, Carl, 1935-  Search this
Arakawa, Shusaku, 1936-  Search this
Arman, 1928-2005  Search this
Flavin, Dan, 1933-  Search this
Goodnough, Robert, 1917-  Search this
Guston, Philip, 1913-1980  Search this
Kienholz, Edward, 1927-  Search this
Klein, Yves, 1928-1962  Search this
Kline, Franz, 1910-1962  Search this
LeWitt, Sol, 1928-2007  Search this
Mitchell, Joan, 1926-1992  Search this
Morris, Robert, 1931-2018  Search this
Oldenburg, Claes, 1929-  Search this
Parker, Raymond, 1922-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Raysse, Martial, 1936-  Search this
Reinhardt, Ad, 1913-1967  Search this
Richenburg, Robert  Search this
Rivers, Larry, 1925-  Search this
Saint-Phalle, Niki de, 1930-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Smithson, Robert  Search this
Snelson, Kenneth, 1927-2016  Search this
Weber, John, 1932-2008  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Slides (photographs)
Date:
1959-circa 1982
bulk 1959-1971
Summary:
The Dwan Gallery records measure 2.3 linear feet and consist primarily of files of exhibitions curated by Virginia Dwan at Dwan Galleries in Los Angeles (1959-1967) and New York (1965-1971). Found within this nearly comprehensive set of exhibition files may be lists of exhibited works, price lists, photographs, slides or color transparencies of installations, invitations, full-size posters, magazine and newspaper clippings and exhibition catalogs.
Scope and Contents:
The Dwan Gallery records measure 2.3 linear feet and consist primarily of files of exhibitions curated by Virginia Dwan at Dwan Galleries in Los Angeles (1959-1967) and New York (1965-1971). Found within this nearly comprehensive set of exhibition files may be lists of exhibited works, price lists, photographs, slides or color transparencies of installations, invitations, full-size posters, magazine and newspaper clippings and exhibition catalogs.

Artists that held exhibitions at the Dwan Gallery in New York and Los Angeles include: Robert Goodnough, Robert Richenburg, Larry Rivers, Philip Guston, Yves Klein, Salvatore Scarpitta, Arakawa, Martial Raysse, Ad Reinhardt, Arman, Franz Kline, Edward Kienholz, Claes Oldenburg, Niki de Sainte Phalle, Joan Mitchell, Robert Rauschenberg, Robert Morris, Dan Flavin, Raymond Parker, Kenneth Snelson, Carl Andre, Sol LeWitt, Robert Smithson, and Anastasi. Also, the exhibition files are nearly comprehensive and include: Language to be Looked at and/or Things to be Read annual series (1967-1970), Boxes (1964), Earth Works (1968), My Country 'tis of Thee (1962) and 10 (1967 and 1968). Many of the multiple artist shows were created and organized by gallery director John Weber and/or Virginia Dwan. Many of these exhibition files include full-sized posters and panoramic photos showing installations.

Also found are records created by a consulting firm hired by the Dwan Gallery to inventory the exhibition files prior to donation to the Archives of American Art. These guides appear at the beginning of each series and outline a chronology of exhibitions held at each branch.
Arrangement:
The collection is arranged into two series:

Missing Title

Series 1: Los Angeles Exhibition Files, 1959-1967, after 1981 (Box 1-2, 5, OV6, OV8; 1.3 linear feet)

Series 2: New York Exhibition Files, 1965-1971, after 1982 (Box 2-4, OV7; 1.0 linear feet)
Biographical / Historical:
In 1959, Virginia Dwan opened her first gallery on 1091 Broxton Avenue in the Westwood Village neighborhood of Los Angeles, California. Her independent wealth allowed her to open a gallery without worrying about business and sales. Three years after opening, the Dwan Gallery moved into a new Westwood Village space especially designed to express the gallery's contemporary aesthetic. In 1965, Virginia Dwan moved to New York City and founded an east coast branch of the Dwan Gallery at 29 West 57th Street.

Early exhibitions at the Dwan Gallery showed Abstract Expressionist artists and works of art from New York which Dwan consigned from other galleries. After traveling to New York and France, Virginia Dwan's interests and tastes manifested in exhibitions by 1961 with Yves Klein. Through Klein, Dwan made connections to other Nouveaux Réalistes artists that the gallery featured in solo and group shows. Later exhibitions featured Land and Minimilist artists. Dwan recognized that many of her shows were not considered salable but continued to show the avant-garde. She saw the gallery as an opportunity to expose the public to different styles of art.

Virginia Dwan maintained a close and personal relationship with many of her artists. She allowed large stipends to gallery artists and invited them to spend time at her home in Malibu, California. When working with artists concentrating on found objects, Dwan would accompany them on scavenger hunts and shopping trips. In the case of Robert Smithson and other Land Art artists, she traveled to offsite locations to visit works of art in progress. Dwan relied on her longtime gallery director, John Weber to interact with collectors as she preferred to maintain her connection with the artists.

The Dwan Gallery Los Angeles closed in mid-1967 but the New York branch remained open. By 1971, Virginia Dwan felt pressure to support her thirteen artists through a period of economic insecurity. She decided to close the gallery secretly and only informed her artists at the last minute. The final exhibition at Dwan Gallery New York closed in June of 1971.
Related Materials:
Also found within the Archives of American Art is an interview with Virginia Dwan conducted March 21 through June 1, 1984 by Charles Stuckey.
Separated Materials:
Dwan Gallery exhibition catalogs that were donated to the Archives in 1989 were transferred to the Smithsonian Institution American Art and National Portrait Gallery Library.

Bard College's Center for Curatorial Studies and Art in Contemporary Culture holds Dwan Gallery materials related to exhibitions in the Library and Archives.
Provenance:
The Dwan Gallery records were donated in 1996 by Virginia Dwan, the former owner of the gallery.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- New York (State) -- New York -- Exhibitions  Search this
Art -- California -- Los Angeles -- Exhibitions  Search this
Earthworks (Art)  Search this
Minimal art  Search this
Abstract expressionism  Search this
Artists -- United States  Search this
Function:
Art galleries, Commercial -- California
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Slides (photographs)
Citation:
Dwan Gallery records, 1959-circa 1982, bulk 1959-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dwangall
See more items in:
Dwan Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94e337be1-1336-40b7-a8a2-03c8589bab03
EDAN-URL:
ead_collection:sova-aaa-dwangall
Online Media:

Oral history interview with Virginia Dwan

Interviewee:
Dwan, Virginia  Search this
Interviewer:
Stuckey, Charles F.  Search this
Names:
Dwan Gallery (Los Angeles, Calif.)  Search this
Dwan Gallery (New York, N.Y.)  Search this
Andre, Carl, 1935-  Search this
Arman, 1928-2005  Search this
De Maria, Walter, 1935-2013  Search this
Guston, Philip, 1913-1980  Search this
Heizer, Michael, 1944-  Search this
Kienholz, Edward, 1927-  Search this
Klein, Yves, 1928-1962  Search this
Kline, Franz, 1910-1962  Search this
LeWitt, Sol, 1928-2007  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Ryman, Robert, 1930-2019  Search this
Smithson, Robert  Search this
Snelson, Kenneth, 1927-2016  Search this
Tinguely, Jean, 1925-  Search this
Extent:
192 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1984 March 21-June 7
Scope and Contents:
An interview of Virginia Dwan conducted 1984 March 21-June 7, by Charles F. Stuckey, for the Archives of American Art.
Dwan speaks of her background and education; her early interest in art; starting her gallery in 1959 in Los Angeles; the early days of her gallery; the development of her circle of artists; early shows; financing the gallery; "shopping" for art and artists; public and critical reaction to her gallery's shows; the decision to go to New York, and getting established there; making decisions about what to show; collectors; the closing of the Dwan Gallery; and her life since. She also relates anecdotes about the creation and execution of Robert Smithson's "Spiral Jetty" and reminisces about numerous artists with whom she was associated, including: Jean Tinguely, Robert Rauschenberg, Yves Klein, Ad Reinhardt, Ed Kienholz, Philip Guston, Arman, Robert Smithson, Franz Kline, Kenneth Snelson, Carl Andre, Sol Lewitt, Michael Heizer, Walter De Maria, and Robert Ryman.
Biographical / Historical:
Virginia Dwan (1931- ) is an art dealer from New York, New York.
General:
Originally recorded on 10 sound cassettes. Reformatted in 2010 as 19 digital wav file. Duration is 11 hr., 20 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
For information on how to access this interview contact Reference Services.
Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from Anne Kovach. Contact Reference Services for more information.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.dwan84
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9165fee55-bbae-4357-8563-cb11f920e998
EDAN-URL:
ead_collection:sova-aaa-dwan84

Oral history interview with Sol LeWitt, 1974 July 15

Interviewee:
LeWitt, Sol, 1928-2007  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Candido, Anthony  Search this
Flavin, Dan  Search this
Kerkam, Earl  Search this
Muybridge, Eadweard  Search this
Syracuse University  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Sol LeWitt, 1974 July 15. Archives of American Art, Smithsonian Institution.
Topic:
Abstract expressionism  Search this
Minimal sculpture -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Graphic artists -- Interviews  Search this
Sculptors -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12701
(DSI-AAA_SIRISBib)211968
AAA_collcode_lewitt74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211968
Online Media:

Oral history interview with Sol LeWitt

Interviewee:
LeWitt, Sol, 1928-2007  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Museum of Modern Art (New York, N.Y.)  Search this
Syracuse University -- Students  Search this
Candido, Anthony, 1924-  Search this
Flavin, Dan, 1933-  Search this
Kerkam, Earl, 1891-1965  Search this
Muybridge, Eadweard, 1830-1904  Search this
Extent:
75 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1974 July 15
Scope and Contents:
An interview of Sol LeWitt conducted 1974 July 15, by Paul Cummings, for the Archives of American Art.
LeWitt speaks of his studies at Syracuse University, the Tiffany Foundation award for his lithograph, odd jobs, his work for magazines and the graphics department of I. M. Pei's firm, travel in Europe, his army service, graphic design work, typography, and abstract expressionism.
He discusses his job at the Museum of Modern Art, influences upon his work, his interest in film and the photographs of Eadward Muybridge, and exhibitions at the Dwan, Daniels, and Kaymar Galleries. LeWitt comments on his change from metal to wood sculpture; conceptual, minimal and post-minimal art; series and systems; his wall drawings; torn paper and folded paper "drawings"; prints and etchings; music and books; and the exploitation of art and artists. He recalls Anthony Candido, Dan Flavin, Earl Kerkam, and others.
Biographical / Historical:
Sol LeWitt (1928-2007) was a sculptor and draftsman of Italy and New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 6 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Abstract expressionism  Search this
Minimal sculpture -- United States  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Graphic artists -- Interviews  Search this
Sculptors -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lewitt74
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92cd3e18b-f239-46c8-91a2-94311f11f231
EDAN-URL:
ead_collection:sova-aaa-lewitt74
Online Media:

Oral history interview with Anne Rorimer

Interviewee:
Rorimer, Anne  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Bryn Mawr College -- Students  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Metropolitan Museum of Art (New York, N.Y.) -- Employees  Search this
Victoria and Albert Museum  Search this
Acconci, Vito, 1940-  Search this
Asher, Michael  Search this
Broodthaers, Marcel  Search this
Buchloh, B. H. D.  Search this
Buren, Daniel  Search this
Castelli, Leo  Search this
D'Harnoncourt, Anne, 1943-2008  Search this
Geldzahler, Henry  Search this
Graham, Dan, 1942-  Search this
Hale, Robert Beverly, 1901-1985  Search this
Hesse, Eva, 1936-1970  Search this
Kuh, Katharine  Search this
LeWitt, Sol, 1928-2007  Search this
Lippard, Lucy R.  Search this
Lowry, Bates, 1923-  Search this
Maxon, John, 1916-  Search this
Morris, Robert, 1931-2018  Search this
Nauman, Bruce, 1941-  Search this
Newman, Muriel Kallis Steinberg  Search this
Rorimer, James J. (James Joseph), 1905-1966  Search this
Smith, Tony, 1912-1980  Search this
Speyer, A. James  Search this
Stamos, Theodoros, 1922-1997  Search this
Tucker, Marcia  Search this
Wegman, William  Search this
Weiner, Lawrence  Search this
Extent:
147 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 November 15-16
Scope and Contents:
An interview of Anne Rorimer conducted 2010 November 15-16, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Rorimer's home, in Chicago, Illinois.
Rorimer speaks of her family background; her early life and education in New York City; her father, James Rorimer, and his influence as director of the Metropolitan Museum of Art; college life at Bryn Mawr; how she became interested in modern art; her internship at the Victoria & Albert Museum in London after college; her master's degree thesis on Tony Smith; her job as a curator at the Albright-Knox Gallery and then at the Art Institute of Chicago; memorable exhibitions at the AIC throughout the 1970s and early 1980s, including the annual "American Exhibition," "Europe in the Seventies: Aspects of Recent Art," (1977), and "Idea and Image in Recent Art" (1974); her close relationship with Anne D'Harnoncourt; how she left the AIC in 1984 to write, "New Art in the '60s and 70s: Redefining Reality," (2001); her role in acquisitions of contemporary art at the AIC; her thoughts on art education; her work with collectors; the process of getting her book published and reactions to it; her curatorial projects in the 1980s and early 1990s that focused on conceptual art; her relationship with artists like Michael Asher and Daniel Buren; her extensive book collection; her thoughts on being a freelance curator and writer. She recalls Whitney Stoddard, Robert Beverly Hale, Theodoros Stamos, Leo Castelli, Henry Geldzahler, Anne D'Harnoncourt, Renee Marcuse, Bates Lowry, Tony Smith, Marcia Tucker, A. James Speyer, Bruce Nauman, Lawrence Weiner, Vito Acconci, William Wegman, Robert Morris, Lucy R. Lippard, Katharine Kuh, Sol Lewitt, John Maxon, Eva Hesse, Muriel Newman, Judith Kirschner, Dan Graham, Benjamin Buchloh, and Marcel Broodthaers.
Biographical / Historical:
Anne Rorimer (1944-) is a curator and art historian in Chicago, Illinois. Judith Olch Richards (1947-) is a former executive director of iCI in New York, New York.
General:
Originally recorded on 4 memory cards. Reformatted in 2010 as 6 digital wav files. Duration is 5 hr., 36 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- Illinois -- Chicago -- Interviews  Search this
Authors -- Illinois -- Chicago  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Curators -- Illinois -- Chicago -- Interviews  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rorime10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9377eddf5-b420-452e-8171-3b181c505e3d
EDAN-URL:
ead_collection:sova-aaa-rorime10
Online Media:

Oral history interview with Robert Ryman

Interviewee:
Ryman, Robert, 1930-2019  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Museum of Modern Art (New York, N.Y.) -- Employees  Search this
New York Public Library -- Employees  Search this
Flavin, Dan, 1933-  Search this
LeWitt, Sol, 1928-2007  Search this
Lippard, Lucy R.  Search this
Extent:
31 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1972 October 13-November 7
Scope and Contents:
An interview of Robert Ryman conducted 1972 October 13-November 7, by Paul Cummings, for the Archives of American Art.
Ryman speaks of his early career as a Jazz musician and transition to painting in the early 1950's, after moving to New York City. He recalls working as a guard for the Museum of Modern Art and as a page for the New York Public Library, where he encountered such artists and curators as Dan Flavin, Sol Lewitt, and Betsy Jones. Ryman elaborates on his development as a painter; experimentation with lithograph printmaking; his work methods; group shows at the Tenth Street Galleries; solo shows in Europe and New York, including The Solomon R. Guggenheim Museum; his marriage to art critic Lucy Lippard.
Biographical / Historical:
Robert Ryman (1930-2019 ) was a painter from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 8 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
Occupation:
Musicians -- United States  Search this
Topic:
Painters -- New York (State) -- Interviews  Search this
Prints -- Technique  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.ryman72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw961199d41-22e5-4896-985b-008e9aecd693
EDAN-URL:
ead_collection:sova-aaa-ryman72
Online Media:

Museum of Contemporary Art interviews

Creator:
Museum of Contemporary Art (Chicago, Ill.)  Search this
Names:
Adrian, Dennis, 1937-  Search this
Brown, Roger, 1941-1997  Search this
Close, Chuck, 1940-  Search this
Danforth, George  Search this
Fischl, Eric, 1948-  Search this
Hafif, Marcia, 1929-  Search this
Jacobi, Peter, 1935-  Search this
Jacobi, Ritzi, 1941-  Search this
Keister, Steve, 1949-  Search this
LeWitt, Sol, 1928-2007  Search this
Lohan, Dirk  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Pollock, Jackson, 1912-1956  Search this
Pozzi, Lucio, 1935-  Search this
Ryman, Robert, 1930-  Search this
Schulze, Franz, 1927-2019  Search this
Yasuda, Robert, 1940-  Search this
Extent:
8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
1979-1986
Summary:
The Museum of Contemporary Art Interviews measure 8 linear feet and contain video interviews with 35 artists, curators, and an art collector, conducted by the staff of the Museum of Contemporary Art, Chicago between 1979 and 1986, on 107 U-Matic videocassettes.
Scope and Contents:
The Museum of Contemporary Art Interviews measure 8 linear feet and contain video interviews with 35 artists, curators, and an art collector, conducted by the staff of the Museum of Contemporary Art, Chicago between 1979 and 1986, on 107 U-Matic videocassettes.

The first set of interviews are with contemporary artists who had solo exhibitions at the museum between 1979 and 1985, including Chuck Close, Roger Brown, Eric Fischl, Peter and Ritzi Jacobi, Steve Keister, Sol Le Witt, and collector Dennis Adrian, whose Chicago art collection was exhibited in 1982. The remainder of the series contains four sets of interviews and other footage relating to exhibitions and programming, including the 1979 exhibition Wall Painting - Ryman, Hafif, Pozzi, Jackson, Yasuda; the 1981 exhibition Kick out the jams: Detroit's Cass Corridor 1963-1977; and the 1983 exhibition and educational program Eleven Chicago Artists, created with Chicago's N.A.M.E. gallery, which traveled to area high schools featuring short video documentaries about each artist that were created from the footage on the tapes in this collection. The last set includes interviews with architects Dirk Lohan and George Danforth and historian Franz Schulze, created for the 1986 program "Mies van der Rohe Remembered," celebrating the centennial of the architect's birth.
Arrangement:
Collection is arranged as one series.

Missing Title

Series 1: Interviews with Artists, Collectors, and Curators (Boxes 1-8)
Biographical / Historical:
The Museum of Contemporary Art in Chicago was founded in 1967 with Jan van der Marck as its first Director. The period from 1979 to 1986, represented in the videorecordings in this collection, was a period of physical expansion for the Museum, as well as a period when audiovisual components of artworks and exhibition design were increasingly incorporated into exhibitions and other programming. In 1979, a physical expansion of the museum begun in 1977 was unveiled with the opening of four new galleries, signaling an increased capacity for showing local and emerging contemporary artists and engaging the community.

The museum's education department began using video to create a rich record of solo and group exhibitions mounted at the museum, and created short video programs to reach out to new audiences. For their 1979 Wall Paintings exhibition, artists were interviewed while making their work in the museum, creating a visual record of the ephemeral works on display and the process of their creation. Video interviews with Detroit artists were created in preparation for a 1981 exhibition showing contemporary artists in the Cass Corridor community of that city. In 1983, Museum staff collaborated with Chicago's N.A.M.E. gallery to create the traveling exhibition Eleven Chicago Artists, which combined artwork with video documentaries showing artists at work and talking about their creative process. The exhibition traveled to city and suburban schools around Chicago. And on the centenary of the birth of architect Ludwig Mies van der Rohe in 1986, interviews were conducted with Mies' grandson, Dirk Lohan, also an architect, as well as architectural historians George Danforth and Franz Schulze.
Provenance:
Donated 1986 by the Museum of Contemporary Art, Chicago.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from the Museum of Contemporary Art, Chicago, Illinois. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Interviews  Search this
Art -- Collectors and collecting -- Illinois -- Chicago -- Interviews  Search this
Art -- Michigan -- Detroit  Search this
Genre/Form:
Interviews
Video recordings
Citation:
Museum of Contemporary Art interviews, 1979-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.musecaci
See more items in:
Museum of Contemporary Art interviews
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cecb0804-229b-41cb-aa21-4c072207f769
EDAN-URL:
ead_collection:sova-aaa-musecaci

Oral history interview with Barbara Novak

Interviewee:
Novak, Barbara  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Barnard College -- Students  Search this
Brooklyn Museum  Search this
Harvard University -- Students  Search this
Aaron, Dan  Search this
Bochner, Mel, 1940-  Search this
Bosa, Louis, 1905-  Search this
Coremans, Paul B., 1908-1965  Search this
Davis, Meredith (Meredith J)  Search this
Duchamp, Marcel, 1887-1968  Search this
Feldman, Morton, 1926-1987  Search this
Ferber, Linda S.  Search this
Goetzmann, William  Search this
Hayes, Bartlett H., 1904-1988  Search this
Held, Julius Samuel, 1905-  Search this
Hesse, Eva, 1936-1970  Search this
Hopper, Edward, 1882-1967  Search this
Hutchinson, Peter A., 1930-  Search this
Icahn, Belle  Search this
Karolik, Maxim  Search this
Kaufman, William  Search this
Krasner, Lee, 1908-1984  Search this
Lane, Fitz Henry, 1804-1865  Search this
Lawrence, Marion  Search this
LeWitt, Sol, 1928-2007  Search this
McCoy, Ann Wyeth  Search this
Melkoff, Edward  Search this
Nevins, Kate Lockwood  Search this
O'Doherty, Brian  Search this
Presser, Josef, 1909-1967  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reff, Theodore  Search this
Rothko, Mark, 1903-1970  Search this
Rowland, Ben  Search this
Scharf, William, 1927-  Search this
Shapiro, Marge  Search this
Smithson, Robert  Search this
Watts, Marissa  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
4 Items (Sound recording: 4 sound files (4 hr., 26 min.), digital)
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Utah -- Description and Travel
Date:
2013 October 8-17
Scope and Contents:
An interview with Barbara Novak conducted 2013 October 8-17, by James McElhinney, for the Archvies of American Art, at Novak's home in Manhattan, New York.
Novak speaks of her early art training; learning to draw at the age of eight with help from her uncle William Kaufman and later taking art classes with Belle Icahn; Edward Melkoff; Joseph Presser; and classes at the Art Students League; becoming Expressionist in her painting; her year in Europe as a Fulbright student from Harvard University; the powerful lectures of Julius Held at Barnard College that launched her career; feeling that she devised a system by which works of art can be understood through looking closely at their physical properties and how she tries to develop the individual in her students; her time as a docent at the Brooklyn Museum in the American art collection; which led her to becoming an Americanist; her book, "Alice's Neck" and the inspiring Utah landscape; the importance of Fitz Henry Lane's work; the embodiment in American art of Pragmatism and Transcendentalism; and being led to Luminism; her books showing how to understand American culture through art, covering formal, contextual, and spiritual elements; hosting the first television show on art, "Vision of Art"; her husband Brian O'Doherty's background in art; the importance of nature for Cole and Durand; that common sense should be used in describing works of art, rather than assuming current events influenced the artist; her education at Harvard; Margaret Fuller and writing "The Margaret-Ghost"; Marcel Duchamp; Andrew Wyeth; Edward Hopper; Robert Rauschenberg; Mark Rothko; and Lee Krasner; and that the most exhilarating time intellectually for her was the 1960s with a group that included Robert Smithson, Sol LeWitt, Eva Hesse, Peter Hutchinson, Morton Feldman, Mel Bochner, and others. Barbara also recalls Mrs. Nevins, William Scharf, Paul Cormans [ph], Marion Lawrence, Marge Shapiro, Maxim Karolick, William Goetzmann, Ann McCoy, Ben Rowland, Bart Hayes, Ted Reff, Dan Aaron, Louis Bosa, Linda Ferber, Meredith Davis, Marissa Watts, and others.
Biographical / Historical:
Barbara Novak (1929- ) is an art historian in New York, New York. James McElhinney (1952- ) is a painter and educator in New York, New York.
General:
Originally recorded as 4 sound files. Duration is 4 hr., 26 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art historians -- New York (State) -- New York  Search this
Fulbright scholars  Search this
Topic:
Art -- Study and teaching  Search this
Art, American  Search this
Expressionism (Art)  Search this
Luminism (Art)  Search this
Pragmatism  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.novak13
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98b209753-c622-42d5-aad3-a2049f54363c
EDAN-URL:
ead_collection:sova-aaa-novak13
Online Media:

Dorothy and Herbert Vogel papers

Creator:
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Names:
Kunsthalle Bielefeld  Search this
Andre, Carl, 1935-  Search this
Antonakos, Stephen, 1926-2013  Search this
Artschwager, Richard, 1923-  Search this
Aycock, Alice  Search this
Barnet, Will, 1911-2012  Search this
Bochner, Mel, 1940-  Search this
Cadere, André, 1934-1978  Search this
Chernow, Ann, 1936-  Search this
Christo, 1935-  Search this
Cyphers, Peggy, 1954-  Search this
DeMonte, Claudia, 1947-  Search this
Francisco, Richard, 1942-  Search this
Graham, Dan, 1942-  Search this
Groth, Jan, 1938-  Search this
Hazlitt, Don, 1948-  Search this
Highstein, Jene, 1942-2013  Search this
Jean-Claude, Martha, 1919-2001  Search this
Kawara, On  Search this
LeWitt, Sol, 1928-2007  Search this
Mangold, Robert, 1937-  Search this
Mangold, Sylvia Plimack, 1938-  Search this
Pozzi, Lucio, 1935-  Search this
Renouf, Edda  Search this
Ryman, Robert, 1930-  Search this
Schultz, Barbara  Search this
Seawright, Sandy  Search this
Tabler, Bernadine  Search this
Taschler, Lori, 1959-  Search this
Tuttle, Richard, 1941-  Search this
Umlauf, Lynn  Search this
Extent:
47.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1960s-2009
Summary:
The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.
Scope and Contents:
The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.

Scattered general correspondence is with friends, acquaintances, and corporate entities.

Files for artists represented in the Vogel Collection include Carl Andre, Stephen Antonakos, Richard Artschwager, Alice Aycock, Will Barnet, Mel Bochner, Andre Cadere, Ann Chernow, Christo and Jeanne-Claude, Peggy Cyphers, Claudia DeMonte, Richard Francisco, Dan Graham, Jan Groth, Don Hazlitt, Jene Highstein, On Kawara, Sol Lewitt, Sylvia and Robert Mangold, Lucio Pozzi, Edda Renouf, Robert Ryman, Barbara Schultz, Lori Taschler, Richard Tuttle, and Lynn Umlauf among many others. Materials within artists' files may include printed material, correspondence, writings and notes, and scattered business records.

Subject files are found for Dorothy and Herbert Vogel's friends and colleagues within the art world including art historians, writers, gallerists, dealers, and collectors. Extensive letters are from Sandy Seawright and Bernadine Tabler. Exhibition related materials are found among the files.

Scattered business records of the Vogel Collection document exhibitions of the collection at U.S. institutions and at the Kunsthalle Bielefeld Museum in Germany.

Printed materials include clippings, posters, and exhibition catalogs and announcements.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: Correspondence, 1971-1987 (0.3 linear feet; Box 1)

Series 2: Artists' Files, 1963-2009 (30.4 linear feet; Boxes 1-31)

Series 3: Subject Files, 1969-2008 (9.8 linear feet; Boxes 31-41)

Series 4: Vogel Collection Business Records, 1974-1988 (0.3 linear feet; Box 41)

Series 5: Printed Material, 1960s-2000s (6.7 linear feet; Boxes 41-47, OV48-58)
Biographical / Historical:
Dorothy (1935- ) and Herbert Vogel (1922-2012) were contemporary art collectors in New York City, New York. The middle-class couple bought and collected art for forty-five years and amassed an extensive collection.

A life-long New Yorker, Herbert Vogel was born in 1922 and dropped out of school to work in a garment factory. After joining the U.S. Army, Vogel became a postal clerk and began to frequent Greenwich Village's Cedar Bar, a popular bar of the arts crowd. Vogel developed a deep appreciation for art and for the artists themselves.

In 1960, he met librarian Dorothy Faye Hoffman and they quickly fell in love. During their honeymoon, they visited the National Gallery of Art in Washington, D.C. Dorothy and Herb's first purchase was a sculpture by John Chamberlain. On their civil servant salary, the Vogels continued to collect and purchase art, beginning with young artists of the 1960s and 1970s while bypassing the dealer system of the New York City art scene. The result was a collection of 5,000 pieces which had to fit in their one-bedroom apartment.

In 1992, the Vogels donated the bulk of their collection to the National Gallery of Art, with fifty pieces intended to go to a museum or institution in each of the United States. Herbert Vogel died in 2012 in Manhattan and is survived by Dorothy.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel 2435) including three notebooks containing clippings, articles, press releases, exhibition catalogs and announcements. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Dorothy and Herbert Vogel donated their papers in several accretions from 1980 to 2009 and lent three notebooks for microfilming in 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century -- Collectors and collecting -- New York (State) -- New York  Search this
Women art dealers  Search this
Citation:
Dorothy and Herbert Vogel papers, 1960s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vogedoro
See more items in:
Dorothy and Herbert Vogel papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c7c1f7cf-7464-4427-b5f2-c93ec076f7ab
EDAN-URL:
ead_collection:sova-aaa-vogedoro
Online Media:

Sunrise & sunset at Praiano Sol Lewitt

Author:
LeWitt, Sol 1928-2007  Search this
Author:
Smithsonian Libraries Artists' Books DSI  Search this
Physical description:
15 leaves of plates all color illustrations 21 cm
Type:
Books
Pictorial works
Artists' books (books).)
Artists' books
Sonnenaufgang (Motiv)
Sonnenuntergang (Motiv)
Place:
Sun
New York (State)
New York
Date:
1980
Topic:
Photography, Artistic  Search this
Bildband  Search this
Fotografie  Search this
Rising and setting  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_653996

Robert Smithson collecting sand in Pine Barrens, New Jersey

Photographer:
LeWitt, Sol, 1928-2007  Search this
Subject:
Dwan, Virginia  Search this
Holt, Nancy  Search this
Peacock, Mary  Search this
Smithson, Robert  Search this
Type:
Photographs
Place:
New Jersey
Date:
1968 January
Citation:
Sol LeWitt. Robert Smithson collecting sand in Pine Barrens, New Jersey, 1968 January. Robert Smithson and Nancy Holt papers, 1905-1987. Archives of American Art, Smithsonian Institution.
Topic:
Earthworks (Art)  Search this
Record number:
(DSI-AAA)11612
See more items in:
Robert Smithson and Nancy Holt papers, 1905-1987, bulk 1952-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11612
Online Media:

Lucy Lippard questionnaire for the 557,087 show filled out by Sol Lewitt

Creator:
Lippard, Lucy R.  Search this
LeWitt, Sol, 1928-2007  Search this
Type:
Printed Materials
Date:
1969 June 2
Citation:
Lucy R. Lippard and Sol LeWitt. Lucy Lippard questionnaire for the 557,087 show filled out by Sol Lewitt, 1969 June 2. Lucy R. Lippard papers, 1930s-2010. Archives of American Art, Smithsonian Institution.
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)13424
See more items in:
Lucy R. Lippard papers, 1930s-2010, bulk 1960-1990
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13424
Online Media:

Sol Lewitt letter to Robert Smithson

Creator:
LeWitt, Sol, 1928-2007  Search this
Smithson, Robert, 1938-1973  Search this
Type:
Correspondence
Date:
circa 1967
Citation:
Sol LeWitt. Sol Lewitt letter to Robert Smithson, circa 1967. Robert Smithson and Nancy Holt papers, 1905-1987. Archives of American Art, Smithsonian Institution.
Topic:
Earthworks (Art)  Search this
Record number:
(DSI-AAA)13659
See more items in:
Robert Smithson and Nancy Holt papers, 1905-1987, bulk 1952-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13659

Printed Matter, Inc. records

Creator:
Printed Matter, Inc.  Search this
Names:
Davis, Douglas  Search this
DeAk, Edit  Search this
Fasnacht, Heide, 1951-  Search this
Huebler, Douglas  Search this
Lawler, Louise  Search this
LeWitt, Sol, 1928-2007  Search this
Linn, Nancy  Search this
Lippard, Lucy R.  Search this
Nonas, Richard, 1936-  Search this
Princenthal, Nancy  Search this
Rosler, Martha  Search this
Ruscha, Edward  Search this
Sischy, Ingrid  Search this
Spiegelman, Art  Search this
Stuart, Michelle, 1933-  Search this
Tacha, Athena, 1936-  Search this
Weiner, Lawrence  Search this
Extent:
24.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Architectural drawings
Date:
1970-1990
Summary:
The records of Printed Matter, Inc., a non-profit artists' book publisher and distributor in New York, measure 24.9 linear feet and date from 1970 to 1990. Documentation on this organization includes artist, distributor, and client files; inventory records; legal and administrative records; general correspondence; ledgers, invoices, and other financial records; files arranged by subject; and architectural drawings of the interior office space. The administrative correspondence scattered across the various series shows Printed Matter's philosophy, operations, and relationships to artists. Many early notes and minutes are in Sol LeWitt's handwriting. Among the names to be found in the files are former staff members Edith deAk, Mike Glier, Nancy Linn, Ingrid Sischy, and Nancy Princenthal; founders Sol LeWitt and Lucy Lippard; and contracted artists, such as Douglas Davis, Heidi Fasnacht, Jenny Holzer, Douglas Huebler, Louise Lawler, Richard Nonas, Martha Rosler, Ed Ruscha, Art Spiegelman, Michelle Stuart, Athena Tacha, and Lawrence Weiner.
Scope and Contents:
The records of Printed Matter, Inc., a non-profit artists' book publisher and distributor in New York, measure 24.9 linear feet and date from 1970 to 1990. Documentation on this organization includes artist, distributor, and client files; inventory records; legal and administrative records; general correspondence; ledgers, invoices, and other financial records; files arranged by subject; and architectural drawings of the interior office space. The administrative correspondence scattered across the various series shows Printed Matter's philosophy, operations, and relationships to artists. Many early notes and minutes are in Sol LeWitt's handwriting. Among the names to be found in the files are former staff members Edith deAk, Mike Glier, Nancy Linn, Ingrid Sischy, and Nancy Princenthal; founders Sol LeWitt and Lucy Lippard; and contracted artists, such as Douglas Davis, Heidi Fasnacht, Jenny Holzer, Douglas Huebler, Louise Lawler, Richard Nonas, Martha Rosler, Ed Ruscha, Art Spiegelman, Michelle Stuart, Athena Tacha, and Lawrence Weiner.
Arrangement:
The collection is arranged as 9 series.

Artist Files, circa 1970-1990 (Boxes 1-3; 3.0 linear feet)

Distributor Files, 1976-1988 (Boxes 4-6; 3.0 linear feet)

Client Files, 1971-1989 (Boxes 7-8; 2.0 linear feet)

Inventory Cards, circa 1970s-1980s (Boxes 9-10; 2.0 linear feet)

Legal and Administrative Records, 1976-1989 (Boxes 11-13; 2.6 linear feet)

Correspondence, 1975-1986 (Boxes 13-14; 0.7 linear feet)

Subject Files, 1972-1990 (Boxes 14-20; 6.0 linear feet)

Financial Records, 1975-1989 (Boxes 20-25; 5.5 linear feet)

Architectural Drawings, circa 1985 (OV 26; 0.1 linear feet)
Biographical / Historical:
Printed Matter, Inc., a non-profit artists' book publisher and distributor in New York was established in 1976 by Sol LeWitt, Lucy Lippard, and others. The organization grew from a small business coalition of artists into the largest facility dedicated to publications made by artists in book form. By 1986, Printed Matter had published or disseminated books by more than 1800 artists. Its history also mirrors the trajectory of the downtown art scene in the 1970s and 1980s, for which it became a matrix, an outlet, and a representative.
Provenance:
Donated in 2001 by David Platzker for Printed Matter, Inc.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Function:
Publishing houses -- New York (State)
Genre/Form:
Photographs
Architectural drawings
Citation:
Printed Matter, Inc. records, 1970-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.prinmati
See more items in:
Printed Matter, Inc. records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91cf104ae-e549-4fda-89bf-85184f345171
EDAN-URL:
ead_collection:sova-aaa-prinmati
Online Media:

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