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Charles Campbell Gallery records, 1960-2001

Creator:
Charles Campbell Gallery (San Francisco, Calif.)  Search this
Subject:
Graves, Morris  Search this
Harvey, Robert  Search this
Hattis, Phyllis  Search this
Van Hoesen, Beth  Search this
Asawa, Ruth  Search this
Thiebaud, Wayne  Search this
Morton, Geer  Search this
Villa, Carlos  Search this
Reichman, Fred  Search this
Mattox, Charles  Search this
Berlind, Robert  Search this
Brown, Joan  Search this
Wonner, Paul  Search this
Bellocq, E. J.  Search this
Farr, Charles Griffin  Search this
Olivera, Nathan  Search this
Sanchez, Stephani  Search this
Battenberg, John Nelson  Search this
Cook, Gordon  Search this
Ghent, Henri  Search this
Rustin, Jean  Search this
Bischoff, Elmer Nelson  Search this
Brown, William Theo  Search this
Goray, John  Search this
Guest, Barbara  Search this
Allagaert, Peter  Search this
Qualters, Robert  Search this
Forum Gallery (New York, N.Y.)  Search this
San Francisco Art Dealers Association  Search this
Felix Landau Gallery  Search this
Allan Stone Gallery  Search this
Canfield Gallery  Search this
Bryce Bannatyne Gallery  Search this
Trini Gallery  Search this
Topic:
Travel  Search this
Figurative art  Search this
Artists' studios  Search this
Jazz  Search this
Law and art  Search this
Record number:
(DSI-AAA_CollID)5991
(DSI-AAA_SIRISBib)229525
AAA_collcode_campgall
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_229525
Online Media:

Morris Louis and Morris Louis Estate papers

Artist:
Louis, Morris, 1912-1962  Search this
Names:
André Emmerich Gallery  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Robert Pierce/Films, Inc.  Search this
Bocour, Leonard, 1910-1993  Search this
Brenner, Marcella, 1912-2007  Search this
Faatz, Anita J. (Anita Josephine)  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Noland, Kenneth, 1924-2010  Search this
Truitt, Anne, 1921-2004  Search this
Extent:
17.8 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Sound recordings
Interviews
Photographs
Date:
circa 1910s-2007
bulk 1965-2000
Summary:
The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.
Scope and Contents:
The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.

Within the Morris Louis papers (circa 3 linear feet) are scattered biographical materials for Morris Louis and Marcella Brenner. Correspondence is with family friends, artists, and galleries, the bulk of which consists of photocopies. Of note are letters from Helen Frankenthaler, Clement Greenberg, Leonard Bocour, Kenneth Noland, and Anne Truitt. Business records include lists of artwork, receipts for art supplies, and scattered tax records. Six notebooks belonging to Morris Louis contain miscellaneous notes about students, studio rental payments, addresses, travel expenses, and a short list of paintings. There is one notebook of Marcella Brenner's containing notes about expenses and addresses. Also found are printed materials, one canvas sample, and one embossing stamp. Photographs are of Morris Louis, Marcella Brenner, and the Bernstein family.

The majority of the collection (circa 15 linear feet) consists of records created and maintained by Marcella Brenner in the course of managing Louis' estate and posthumous exhibitions and projects. There are numerous gallery exhibition records for many posthumous and retrospective exhibitions between 1965 through 2002, including those held at the Andre Emmerich Gallery, the Hirshhorn Museum, and numerous other U.S. and international galleries and museums. Louis' artwork is documented in highly detailed inventory lists and cards. Legal records document the lawsuit brought by the Bernstein family against Marcella Brenner which began in 1964 and ended in 1970 in favor of Brenner. Financial records document sales.

Printed materials include clippings, exhibition catalogs and announcements, and other miscellaneous materials. Writings include essays about Louis and manuscript copies of the book Trustee for the Human Race: Litigation over the Morris Louis Paintings written by Ruth S. Blau under contract for Marcella Brenner. Photographs are primarily of artwork depicted in exhibition installations. Project files are found for several posthumous documentary film projects and a catalog raisonne, and include a series of audio recordings of interviews of 27 artists conducted by Anita Faatz in 1970-1971. Artists interviewed include Clement Greenberg, Leonard Bocour, Andre Emmerich, Helen Frankenthaler, Kenneth Noland, and many others.
Arrangement:
This collection is arranged as 2 series.

Series 1: Morris Louis Papers, circa 1910s-1998 (2.9 linear feet; Boxes 1-3)

Series 2: Morris Louis Estate Papers, 1947-2007 (14.9 linear feet; Boxes 3-19, OV 20)
Biographical / Historical:
Morris Louis (1912-1962) was one of the earliest American Color Field painters, and, along with other Washington, D.C., painters, formed the movement known as the Washington Color School.

Born in Baltimore, M.D., to Russian immigrants Louis Bernstein and Cecelia Luckman, Morris Louis attended the Maryland Institute of Fine and Applied Arts from 1927-1932 and served as president of the Baltimore Artists' Association in 1935. During the Depression, he worked in New York City on the steering committee of the Easel Division of the Federal Arts Projects of the Works Project Administration (WPA). He exhibited Broken Bridge at the WPA Pavilion of the New York World's Fair in 1939.

In 1947, Louis married Marcella (Siegel) Brenner, and moved to Silver Spring, Maryland, a close suburb of Washington, D.C., where he taught private art classes and continued painting, using his apartment bedroom as a studio. In 1948, Louis participated in the Maryland Artists, 16th Annual Exhibition at the Baltimore Museum of Art, and began using Leonard Bocour's Magna acrylic paint, which he would use exclusively for the rest of his painting career.

In 1952, Morris Louis and Marcella Brenner moved to Washington, D.C. and set up a studio in his home where he would complete his most notable canvases. He began teaching at the Washington Workshop Center for the Arts and met artist Kenneth Noland who was also exploring Color Field painting. Through Noland, Louis met art critic Clement Greenberg in 1953, and they visited artist studios in New York City to study abstract expressionist works, including those by Helen Frankenthaler, Jackson Pollock, and Franz Kline. Louis and Noland were greatly influenced by Frankenthaler's staining technique, and Louis began experimenting with staining methods upon his return to Washington. Clement Greenberg became a life-long advocate for Louis and, in 1954, included Louis in the seminal group exhibition, "Emerging Talent," organized by Greenberg for the Kootz Gallery. In 1960, Andre Emmerich became his dealer in the United States and Lawrence Rubin represented him in Paris.

Using thinned Magna paint and unstretched, unprimed canvases, Louis created his works by rotating the canvas as the paint moved across and soaked in. Between 1958 and 1962 Louis produced three major series of paintings—the Veils, the Unfurleds, and the Stripes. Each series numbered more than one hundred canvases. Louis never documented his exact painting methods and would not allow anyone to watch him work, including his wife. His own worst critic, Louis destroyed many of his paintings that did meet his standards, including a large number of his earliest works and many created between 1954 and 1957. He also designated numerous surviving works for destruction prior to his death.

Louis was diagnosed with lung cancer on July 1, 1962 and died a few months later. The Andre Emmerich Gallery held a previously scheduled exhibition as planned, a month following Louis' death, as a memorial exhibition.
Related Materials:
Also found at the Archives of American Art are the Marcella Brenner journals, 1962-2000. The Maryland Institute College of Art (MICA) also holds papers of Morris Louis and the Morris Louis Estate in their Morris Louis Study Collection.
Provenance:
The Morris Louis and Morris Louis Estate papers were donated by Marcella Brenner in several installments in 1976, 1986, and 1988. Subsequent donations in 2009 and 2012 were donated by Marcella Brenner via Ann M. Garfinkle, Executor. The Anita Faatz interviews were donated in 1976 by Marcella Brenner.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Many of the audio recordings and transcripts of interviews with 26 artists conducted by Anita Faatz in 1970-1971 are access restricted and written permission is required from the person interviewed. Please contact reference services for more information. Any use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Morris Louis and Morris Louis Estate papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Transcripts  Search this
Washington Color School (Group of artists)  Search this
Painters -- United States  Search this
Law and art -- United States  Search this
Color-field painting  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century  Search this
Abstract expressionism -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Sound recordings
Interviews
Photographs
Citation:
Morris Louis and Morris Louis Estate Papers, circa 1910s-2007, bulk 1965-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.louimorr
See more items in:
Morris Louis and Morris Louis Estate papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-louimorr
Online Media:

Morris Louis and Morris Louis Estate papers, circa 1910s-2007, bulk 1965-2000

Creator:
Louis, Morris, 1912-1962  Search this
Subject:
Faatz, Anita J. (Anita Josephine)  Search this
Louis, Marcella  Search this
Noland, Kenneth  Search this
Greenberg, Clement  Search this
Truitt, Anne Dean  Search this
Frankenthaler, Helen  Search this
Bocour, Leonard  Search this
Hirshhorn Museum and Sculpture Garden.  Search this
André Emmerich Gallery  Search this
Robert Pierce/Films, Inc  Search this
Type:
Sound recordings
Interviews
Video recordings
Topic:
Law and art  Search this
Washington Color School (Group of artists)  Search this
Art, Modern  Search this
Color-field painting  Search this
Abstract expressionism  Search this
Record number:
(DSI-AAA_CollID)7040
(DSI-AAA_SIRISBib)209173
AAA_collcode_louimorr
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209173
Online Media:

Legal records relating to the Estate of Mark Rothko, 1957-1986

Creator:
Harrow, Gustave  Search this
Subject:
Annenberg, Walter H.  Search this
Rothko, Mark  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
New York (State).Attorney General's Office  Search this
Topic:
Artists  Search this
Decedents' estates  Search this
Law and art  Search this
Record number:
(DSI-AAA_CollID)6067
(DSI-AAA_SIRISBib)216127
AAA_collcode_harrgust2
Theme:
Ephemera, Miscellany, and General Art Related
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216127
Online Media:

Legal records relating to Richard Serra v. United States General Services Administration et al., 1985-1988

Creator:
Harrow, Gustave  Search this
Subject:
Serra, Richard  Search this
United States.General Services Administration  Search this
Type:
Video recordings
Topic:
Law and art  Search this
Public sculpture  Search this
Record number:
(DSI-AAA_CollID)6104
(DSI-AAA_SIRISBib)216300
AAA_collcode_harrgust
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216300

Documents relating to the Andy Warhol estate, 1991-1994

Creator:
Weil, Stephen E., 1928-2005  Search this
Subject:
Warhol, Andy  Search this
Topic:
Law and art  Search this
Art  Search this
Appraising  Search this
Record number:
(DSI-AAA_CollID)6667
(DSI-AAA_SIRISBib)215982
AAA_collcode_weilstep
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215982

Legal records relating to the estate of Mathilde Beckmann, [ca. 1959-1997]

Creator:
Rathbone, Perry Townsend, 1911-2000  Search this
Subject:
Beckmann, Max  Search this
Beckmann, Mathilde Q.  Search this
Topic:
Decedents' estates  Search this
Law and art  Search this
Artists  Search this
Record number:
(DSI-AAA_CollID)6184
(DSI-AAA_SIRISBib)216419
AAA_collcode_rathpert
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216419

Gustave Harrow legal records relating to the Estate of Mark Rothko

Creator:
Harrow, Gustave  Search this
Names:
Mark Rothko Foundation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
New York (State). Attorney General's Office  Search this
Annenberg, Walter H., 1908-  Search this
Rothko, Mark, 1903-1970  Search this
Extent:
34.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1957-1986
Summary:
The Gustave Harrow legal records relating to the Estate of Mark Rothko measure 34.6 linear feet and date from 1957-1986. The records document the case brought by the New York State Attorney General's Office as cross-petitioner to the case brought by Rothko's daughter Kate, against the executors of Rothko's estate, Frank Lloyd and the Marlborough Gallery, for mismanagement and self-dealing. There are also records related to Harrow's writings about the case. Lastly, included in the collection are materials relating to art law issues in connection with the Metropolitan Museum of Art.
Scope and Contents:
New York State Attorney General Gustave Harrow's records relating to the Estate of Mark Rothko consist of legal and other documentation of the state's case in connection with the Mark Rothko Estate and Foundation, from Surrogate Court through appeals, as well as from Harrow's writings about the case, both during and after the trial. Various trial documents include affidavits, briefs, EBTs (examination before trial) trial transcripts, motions, depositions, notes and clippings, and miscellaneous records related to the case and post-trial activities. Also found are reference materials, Harrow's writings in connection with the case.

Unrelated to the Rothko case are Harrow's research materials for possible legal actions by the state in connection with Walter Annenberg's proposed donation of a Communication Center to the Metropolitan Museum of Art, and with other issues including donations, object authenticity and the Packard Collection.
Arrangement:
The collection is arranged in 7 series.

Series 1: General Files, 1957-1981, undated

Series 2: Motions, 1971-1979, undated

Series 3: Decisions, 1970-1979, undated

Series 4: Appeals Documents, 1972-1979, undated

Series 5: Miscellaneous Case and Post-Trial files, 1972-1984, undated

Series 6: Reference Materials, Notes and Writings, 1970-1986

Series 7: Metropolitan Museum of Art / Walter Annenberg Etc., 1971-1981, undated
Biographical / Historical:
Gustave Harrow was a New York State Assistant Attorney General, and an adjunct professor in the Graduate Program in Arts Administration at NYU. Abstract Expressionist Artist Mark Rothko died on February 25, 1970 leaving the bulk of his estate, including 798 paintings (the greater part of his life's work) to the Mark Rothko Foundation which he had created shortly before his death. His daughter Kate [Rothko Prizel] brought suit against the estate executors and Marlborough Gallery for self-dealing, fraud, and conspiring with Marlborough owner, Frank Lloyd to waste the assets of the estate. The state of New York Attorney General's Office, represented by Harrow, joined the case as a cross-petitioner on behalf of the people of New York's interest as beneficiaries of the charitable Foundation. The case resulted in the return of most of the paintings, the removal of the executors (accountant Bernard Reis, artist Theodoros Stamos, and anthropology professor Morton Levine), and a $9.2 million judgment against them and Frank Lloyd. The case had a lasting effect on laws dealing with artists' estates, and Harrow was instrumental in framing a bill that aimed at reducing fraud in the fine arts market. Harrow wrote about the Rothko Estate case in several articles and in the 1979 book Art, the Artist, and the Consequences of Rothko: Lasting Legal Impressions from the Estate of Great Artist.
Related Materials:
Among the holdings of the Archives of American Art are the Mark Rothko Foundation records, 1976-1987; Legal records relating to Richard Serra v. United States General Services Administration et al., 1985-1987.

The Archives of American Art interviewed multiple artists as part of the Mark Rothko and His Times Oral History Project. Many of the interviews reference Rothko and his work, and relationships with the artist.

The Legal records relating to Richard Serra v. United States General Services Administration et al., 1985-1987 contains documentation of another lawsuit handled by Gustave Harrow.
Separated Materials:
Another small collection (11 items) of Mark Rothko papers were loaned to the Archives for microfilming on reel 3135. The papers were in the possession of George Carson, husband of Rothko's ex-wife Edith Carson. Carson gave the papers to the Mark Rothko Foundation and gave the Archives of American Art permission to microfilm them. The microfilm is available at Archives of American Art offices and through interlibrary loan but are not described in the container listing of this finding aid.
Provenance:
The Gustave Harrow legal records relating to the Estate of Mark Rothko were donated to the Archives of American Art by Marilynn Karp March 23, 1996. Mr. Harrow had deposited the papers with Ms. Karp, a colleague of Harrow's at New York University where he was an adjunct professor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recording with no duplicate access copy requires advance notice. Contact Reference services for more information.
Rights:
The Gustave Harrow legal records relating to the Estate of Mark Rothko are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- Legal status, laws, etc. -- United States  Search this
Transcripts  Search this
Decedents' estates -- New York (State)  Search this
Law and art -- United States  Search this
Citation:
Gustave Harrow legal records relating to the Estate of Mark Rothko, 1957-1986, undated. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.harrgust2
See more items in:
Gustave Harrow legal records relating to the Estate of Mark Rothko
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-harrgust2

Law and the visual arts. Edited by Leonard D. DuBoff and Mary Ann Crawford DuBoff

Author:
Law and the Visual Arts Conference (1974 : Portland, Or).)  Search this
Northwestern School of Law  Search this
Editor:
DuBoff, Leonard D.  Search this
DuBoff, Mary Ann Crawford  Search this
Physical description:
359 pages 28 cm
Type:
Books
Conference papers and proceedings
Place:
United States
Date:
1974
[1974]
Topic:
Law and art  Search this
Artists' contracts  Search this
Copyright--Art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_48408

Models of integrity : art and law in post-sixties America / Joan Kee

Author:
Kee, Joan http://id.loc.gov/vocabulary/relators/aut http://id.loc.gov/authorities/names/n2013016147 http://viaf.org/viaf/251924960  Search this
Physical description:
x, 310 pages ; 27 cm
Type:
Case studies
History
Place:
United States
Date:
2019
20th century
Topic:
Law and art--History  Search this
Artists--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1110807

Beauty and the beasts : on museums, art, the law, and the market / Stephen E. Weil

Author:
Weil, Stephen E  Search this
Physical description:
xvi, 256 p. ; 24 cm
Type:
Books
Place:
United States
Date:
1983
Topic:
Museums--Law and legislation  Search this
Law and art  Search this
Museums  Search this
Call number:
KF4305.A75 W44 1983X
KF4305.A75 W44 1983X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_163312

Artist, authorship & legacy : a reader / edited by Daniel McClean

Title:
Artist, authorship and legacy : a reader
Editor:
McClean, Daniel  Search this
Physical description:
398 pages : illustrations ; 23 cm
Type:
Art
Date:
2018
Topic:
Artists--Legal status, laws, etc  Search this
Copyright  Search this
Copyright--Moral rights  Search this
Law and art  Search this
Art--Expertising  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1104861

Report of the law committee of the board of regents appointed to consider material papers relating to the freer gift and bequest

Author:
Smithsonian Institution  Search this
Subject:
Smithsonian Institution  Search this
Physical description:
12 p. ; 24 cm
Type:
Electronic resources
Place:
United States
Date:
1929
Topic:
Law and art  Search this
Call number:
N857.5.A3 S65 1929
708.1.F84 M1
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_858731

Will the real owner please stand up? : a manual on who owns art / [Anita Difanis and Chris Anagnos]

Author:
Difanis, Anita  Search this
Anagnos, Chirs  Search this
Association of Art Museum Directories  Search this
Physical description:
[224] p. ; 29 cm
Type:
Books
Place:
United States
Date:
2000
Topic:
Art museums--Management  Search this
Law and art  Search this
Copyright--Art  Search this
Call number:
N470 .W55 2000
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_741734

Art law : the guide for collectors, investors, dealers, and artists / Ralph E. Lerner, Judith Bresler

Author:
Lerner, Ralph E. 1943-  Search this
Bresler, Judith  Search this
Physical description:
3 v. (lxiii, 2291 p.) : ill., forms ; 24 cm
Type:
Books
Place:
United States
Date:
2005
C2005
Topic:
Law and art  Search this
Art--Collectors and collecting  Search this
Artists--Legal status, laws, etc  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_799195

Art law handbook / Roy S. Kaufman, editor

Author:
Kaufman, Roy S  Search this
Physical description:
xlv, 1164 p. : ill., forms ; 26 cm. + 1 computer optical disc (4 3/4 in.)
Type:
Books
Place:
United States
Date:
2000
C2000
Topic:
Law and art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_616524

A visual artist's guide to estate planning / Based on a Conference Co-sponsored by The Marie Walsh Art Foundation and The Judith Rothschild Foundation

Author:
Marie Walsh Sharpe Art Foundation  Search this
Judith Rothschild Foundation  Search this
Physical description:
viii, 278 p. : forms, photos. ; 23 cm
Type:
Books
Place:
United States
Date:
1998
C1998
Topic:
Estate planning  Search this
Law and art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_623533

Art law. 1993 supplement : rights and liabilities of creators and collectors / 1993 supplement prepared by Susan Duke Biederman

Author:
Duke Biederman, Susan  Search this
Weil, Stephen E  Search this
Physical description:
xiii, 524 p. ; 23 cm
Type:
Books
Place:
United States
Date:
1993
C1993
Topic:
Artists--Legal status, laws, etc  Search this
Law and art  Search this
Call number:
NK390.A7 F45 1993 Supp
KF390.A7 D95 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_652598

Trademarks and the arts / by William M. Borchard

Author:
Borchard, William M. 1938-  Search this
Columbia University Center for Law and the Arts  Search this
Physical description:
v, 85 p. ; 22 cm
Type:
Handbooks, manuals, etc
Place:
United States
Date:
1989
C1989
Topic:
Trademarks  Search this
Competition, Unfair  Search this
Law and art  Search this
Call number:
NX.635.B67.1989
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_652805

The Columbia journal of law & the arts

Title:
Journal of law & the arts
Law & the arts
Columbia journal of law and the arts
Journal of law and the arts
Law and the arts
Author:
Columbia University School of Law  Search this
Physical description:
v. ; 26 cm
Type:
Periodicals
Place:
United States
Date:
2001
C2001-
Topic:
Law and art  Search this
Artists--Legal status, laws, etc  Search this
Call number:
KF390.A7 A7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_697497

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