Search Results

Creator:

Anacostia Community Museums Collections and Research  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2015-11-19T15:23:45.000Z

YouTube Category:

Education  Search this

Topic:

African Americans  Search this

See more by:

Anacostia_Community_Museums

Data Source:

Anacostia Community Museums Collections and Research

YouTube Channel:

Anacostia_Community_Museums

EDAN-URL:

edanmdm:yt_aMCx6T_Fxos

Creator:

National Museum of the American Indian  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2015-07-15T18:45:36.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_klJXUH03SS8

Creator:

National Museum of the American Indian  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2019-06-04T20:30:42.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_hrnDQwE1RY4

Creator:

Sanchez, Emilio, 1921-1999  Search this

Extent:

18.1 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Sketches

Interviews

Sketchbooks

Date:

1922-2012

Summary:

The collection measures 18.1 linear feet, dates from 1922 to 2012, and documents the career of Cuban born painter and printmaker, Emilio Sanchez. The collection includes letters to Sanchez, business records, photographs of the artist and sources for his artwork, many original sketches, printed material, and calendars.

Scope and Content Note:

The papers of Cuban born painter and print maker Emilio Sanchez comprise 18.1 linear feet of material dating from 1922 to 2012. The papers contain biographical information about Sanchez; letters from galleries and museums recording business transactions; letters from friends; photographs of his artwork and places he visited for inspiration; personal photographs; sketches; exhibition catalogs, announcements, and reviews; clippings; and calendars.

A major portion of the collection consists of sketchbooks and sketches that provide rich documentation of Sanchez's artistic development and his working methods, particularly from the 1950s to the 1970s. Many of the sketches have detailed notations about aspects of an image that Sanchez wanted to recall and capture in his work. Photographs also provide insight into the architecture and landscapes that provided sources of inspiration for Sanchez.

A 10.1 linear foot addition contains biographical materials, correspondence, writings, photographs, works of art, subject files, printed materials, and scrapbooks. Biographical materials include address books, birth certificates, naturalization documents, and family-related documents. Correspondence is personal and professional and is with family, friends and museums. Writings are personal and include a log book and a typed transcription (possibly incomplete). Photographs are of Sanchez, his family, works of art, and source subjects for works of art, as well as CD-Roms of works of art. Some photographs assembled by Hugh Harrison, long-time friend of the Sanchez. Works of art include 10 sketchbooks and loose sketches. Also included are a drawing and 4 prints by Estrella Fonts, Sanchez's mother. Subject files include a print register, appraisals, mailing lists, and consignments. Printed material includes exhibition announcements and clippings. Also included are 3 scrapbooks, 2000-2012, that chronicle the history of the Emilio Sanchez Foundation's activities, including press releases, photographs, and exhibition-related material and hard drives of the foundation's databases in Filemaker format.

Arrangement:

The collection is arranged as seven series. Records are generally arranged by subject category, and then chronologically.

Series 1: Biographical Material, 1969-1977, undated (box 1; 4 folders)

Series 2: Letters and Business Records, 1956-1979 (box 1; 25 folders)

Series 3: Photographs, 1922-1979, undated (boxes 1-3; 51 folders)

Series 4: Printed Material, 1950-1980, undated (boxes 3-4; 17 folders)

Series 5: Calendars, 1967-1976 (boxes 4-5; 7 folders)

Series 6: Sketches, circa 1940-1979, undated (boxes 5-6, sols 7-11, OV's 12-22, RD 23-24; 2.9 linear ft.)

Series 7: Unprocessed Addition to the Emilio Sanchez Papers, 1949-2012 (boxes 25-34, OV 35; 10.1 linear ft.)

Biographical Note:

Emilio Sanchez was born in 1921 in Camaguey, Cuba. He left his native country in 1952 to settle in New York where he became a naturalized citizen of the United States. A prolific painter and printmaker, Sanchez received his formal education at the Art Students' League and Columbia University during the late 1930s, and had his first of many one-man shows in New York in 1949. Sanchez traveled throughout the world sketching his impressions of houses and other buildings and capturing the details of doorways, windows, light, and shadow in his paintings and prints. His paintings of residential architecture in Cuba and throughout the Caribbean are some of his best known works, but in the 1980s he turned much of his attention to the skyline of his adopted home, and was often drawn also to American cities and landscapes over the course of his career.

Sanchez's work is represented in major museums and private collections the world over, including the Metropolitan Museum of Art, the Museum of Modern Art, the Hirshhorn Museum, the National Museum in Havana, and the Cintas Collection. He completed numerous commissions in both the United States and Mexico, has illustrated several books, including Arte del Peru Colonial by Felipe Cossío del Pomar (published in 1958 by the Fondo de Cultura Económica in Mexico), and has exhibited extensively in solo and group exhibitions in locations such as Mexico City, Paris, Havana, Madrid, Puerto Rico, Chile, Colombia, and throughout the United States.

Sanchez died in July, 1999 at the age of 78.

Related Material:

Papers of Emilio Sanchez can also be found at the Dade County Public Library in Florida.

Provenance:

The collection was donated to the Archives of American Art by Emilio Sanchez in a series of gifts between 1975 and 1980, and in 2012 by Emilio Sanchez via Erik J. Stapper, Emilio Sanchez Foundation.

Restrictions:

The collection is open for research. Use requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Painting, Modern -- 20th century -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Latino and Latin American artists  Search this

Genre/Form:

Photographs

Sketches

Interviews

Sketchbooks

Citation:

Emilio Sanchez papers, 1922-2012. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.sancemil

See more items in:

Emilio Sanchez papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-sancemil

Creator:

Riverón, Enrique  Search this

Names:

Wichita State University -- Faculty  Search this

Baker, Josephine, 1906-1975  Search this

Bermúdez, Cundo, 1914-  Search this

Cantinflas, 1911-1993  Search this

Carreño, Mario  Search this

Carreño, Mario -- Photographs  Search this

Cugat, Xavier, 1900- -- Photographs  Search this

De Diego, Julio, 1900-  Search this

García Lorca, Federico, 1898-1936  Search this

Gattorno, Antonio  Search this

Gómez Sicre, José  Search this

Hughes, Langston, 1902-1967  Search this

Kiki, 1901-1953  Search this

Lozano Castro, Alfredo  Search this

Milland, Ray -- Photographs  Search this

Neruda, Pablo, 1904-1973 -- Photographs  Search this

Orozco, José Clemente, 1883-1949 -- Photographs  Search this

Peláez, Amelia, 1897-1968 -- Photographs  Search this

Picasso, Pablo, 1881-1973  Search this

Pidgeon, Walter, 1897-  Search this

Prohias, Antonio  Search this

Rebajes, Pauline  Search this

Reed, Alma M. -- Photographs  Search this

Russell, Rosalind -- Photographs  Search this

Salinas, Baruj  Search this

Sicre, Juan José -- Photographs  Search this

Siqueiros, David Alfaro -- Photographs  Search this

Tamayo, Rufino, 1899- -- Photographs  Search this

Waguermert, Luis Gomez -- Photographs  Search this

Yunkers, Adja, 1900-  Search this

Extent:

3.3 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Photographs

Date:

1918-1990s

Summary:

The papers of Cuban born painter, sculptor, cartoonist, and illustrator Enrique Riverón measure 3.3 linear feet and date from 1918-1990s. The collection contains correspondence, writings, diary entries, scrapbooks, printed material, and photographs documenting Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, Riverón's teaching career at Wichita University in Kansas.

Scope and Content Note:

The papers of Cuban born painter, sculptor, cartoonist, and illustrator Enrique Riverón measure 3.3 linear feet, date from 1918-1990s and document Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, his teaching career at Wichita University in Kansas. The collection includes correspondence, the majority of which concerns Riverón's exhibitions; writings, primarily Riverón's recollections of his trips to Paris and Madrid and his memories of people he met in Latin America, Europe, and the United States; printed material documenting exhibitions and Riverón's work for magazines such as Cine-Mudial and Bally-Hoo; and photographs.

Arrangement:

The collection is organized into eight series.

Series 1: Biographical Material, circa 1929-1960 (Box 1; 2 folders)

Series 2: Correspondence, 1918-1991 (box 1, 0.6 ft.)

Series 3: Writings, 1923-1980s, undated (box 1, 0.2 ft.)

Series 4: Scrapbooks, 1920s-1990s, undated (boxes 1, 3, and 4, 0.7 ft.)

Series 5: Artwork, 1958-1983, undated (boxes 1 and 5, 0.4 ft.)

Series 6: Printed Material, circa 1930-1992 (boxes 2 and 5, 0.7 ft.)

Series 7: Photographs, 1918-1992, undated (boxes 2, 5 and 6, 0.6 ft.)

Series 8: Miscellany, 1927-1989, undated (box 6, 7 folders)

Biographical Note:

Painter, sculptor, cartoonist, and illustrator Enrique Riverón was born in 1902 in Cienfuegos, Cuba and belonged to the first generation of Cuban modernists, experimenting with Cubism and pursuing abstraction from very early on in his career. During his early twenties Riverón traveled to France, Italy, Belgium, and Spain to study under scholarships and attend the Academia de San Fernando in Madrid. In 1926 Riverón's first major one-man exhibition took place at the Association Paris Amerique Latine where the catalog introduction was written by noted Mexican writer Alfonso Reyes.

In 1927 Riverón returned to Havana and had a one-man show of his European work at the Asociación de Pintores y Escultores, as well as several other shows in Havana and New York. He moved to the United States in 1930 and became a United States citizen in 1943.

In addition to being known for his naturalistic drawings of street life in Paris and Cuba, Riverón began working with collage in the 1930s and was, for a number of years, a cartoonist for newspapers in Havana and other publications such as The New Yorker and Cine Mundial which was published in New York and widely circulated in Latin America. He also worked in Hollywood for a time as an illustrator for Walt Disney Pictures.

From 1940 on, Riverón focused on painting and sculpture. He moved to Miami from Wichita, Kansas, in 1964. Enrique Riverón died in 1998.

Related Material:

The Archives of American Art also has a collection of Enrique Riverón letters to Mario Carreño, 1981-1990, in which Riverón writes of their mutual friends, his memories of Cuba, health issues, politics, pricing paintings, collages, and his longings for Paris and New York.

Provenance:

The Enrique Riverón papers were donated to the Archives of American Art by Patricia Riverón Lee, daughter of Riverón, in 1996.

Restrictions:

The collection is open for research. Use requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Cartoonists  Search this

Topic:

Artists -- Florida -- Miami  Search this

Illustrators  Search this

Cuban American art  Search this

Artists -- Cuba  Search this

Expatriate artists -- Florida -- Miami  Search this

Cuban American artists  Search this

Magazine illustration  Search this

Caricatures and cartoons  Search this

Sculptors -- Florida -- Miami  Search this

Latino and Latin American artists  Search this

Genre/Form:

Scrapbooks

Photographs

Citation:

Enrique Riverón papers, 1918-1990s. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.riveenri

See more items in:

Enrique Riverón papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-riveenri

Collection Creator:

Riverón, Enrique  Search this

Extent:

0.7 Linear feet (Boxes 1, 3, 4)

Type:

Archival materials

Date:

1920s-1990s, undated

Scope and Contents note:

Scrapbooks found in this series contain clippings, printed cartoons and illustrations, photographs, and reviews of exhibitions from the United States and Latin American newspapers.

Collection Restrictions:

The collection is open for research. Use requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Enrique Riverón papers, 1918-1990s. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.riveenri, Series 4

See more items in:

Enrique Riverón papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-riveenri-ref118

Creator:

Ojeda, Naúl, 1939-2002  Search this

Names:

Bader, Franz, 1903-1994  Search this

Berrutti, Azucena  Search this

Caicedo Garzón, Armando  Search this

Haber, Alicia  Search this

Vila, Ernesto  Search this

Extent:

5.9 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Scrapbooks

Sketchbooks

Video recordings

Date:

circa 1960-2004

circa 2013

Summary:

The papers of Uruguayan born Washington, D.C. painter and printmaker Naúl Ojeda measure 5.9 linear feet and date from circa 1960-2004, and circa 2013. The papers document Ojeda's personal and professional life through biographical materials, correspondence, exhibition and gallery files, professional files, financial material, printed and broadcast materials, scrapbooks, artwork and sketchbooks, and a small amount of photographic material.

Scope and Contents:

The papers of Uruguayan born Washington, D.C. painter and printmaker Naúl Ojeda measure 5.9 linear feet and date from circa 1960-2004, and circa 2013. The papers document Ojeda's personal and professional life through biographical materials, correspondence, exhibition and gallery files, professional files, financial material, printed and broadcast materials, scrapbooks, artwork and sketchbooks, and a small amount of photographic material.

Biographical material includes immigration records, resumes, and a few certifications and credentials. Correspondence is personal and professional, with correspondents including Ojeda's family, and friends, and some general professional correspondents, including Alicia Haber, Moira Bowers, Ernesto Vila, Eduardo Galeano, Enrique Gomez, Armando Caicedo Garzón, Walter Jesus Gonzalez, Azucena Berrutti, and others.

Exhibition and gallery files document Ojeda's relationship with galleries, museums, and civic and cultural organizations, and include records of specific exhibitions as well as general documentation related to sales and commissions of his artwork. They include records of the exhibition In Honor of Franz Bader (1995), with a related video recording. Professional files document other activities including Ojeda's involvement with community organizations, art contests that he entered, work he was commissioned to do for businesses and organizations, and permissions for use of his work for a variety of publications, events, and media outlets. Financial records include a small but detailed number of records of sales with sales books, price lists and receipts.

Printed and broadcast materials provide a fairly comprehensive overview of Ojeda's career from the 1960s on, with announcements and catalogs for multiple exhibitions, news clippings from foreign and domestic newspapers, and posters, flyers, and other publications with illustrations by Ojeda. Three broadcast video recordings about his work and exhibitions can also be found here. This material is supplemented by two scrapbooks documenting Ojeda's exhibitions and news items about his career, from the 1960s to early 1980s.

The collection contains a substantial amount of artwork, including drawings, sketches, poster mockups, prints including woodcut proofs, and sixteen sketchbooks for various projects.

A small amount of photographic material includes three photos of a 1968 exhibition in Uruguay, photocopies of photos of a family group, and negatives including images of Ojeda in the studio.

Arrangement:

The bulk of Ojeda's papers initially combined Ojeda's records of his professional activities, including records of exhibitions and gallery transactions, and financial records in a single alphabetical file. To facilitate access this arrangement has been refined further into three smaller series (Series 3-5).

Series 1: Biographical Materials, 1963-1997 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1960s-2002 (Box 1, OV 9; 0.8 linear feet)

Series 3: Exhibition and Gallery Files, 1966-2004 (Boxes 1-2, 6; 0.9 linear feet)

Series 4: Professional Files, 1979-2002 (Boxes 2-3, 6; 0.65 linear feet)

Series 5: Financial Records, circa 1970-2004, circa 2013 (Box 3; 0.25 linear feet)

Series 6: Printed and Broadcast Materials, 1962-2003 (Boxes 3-4, 6-7, OV 10; 1.1 linear feet)

Series 7: Scrapbooks, 1961-1981 (Box 7; 0.2 linear feet)

Series 8: Artwork, circa 1960-circa 2000 (Boxes 4, 8, OVs 9, 11-14; 1.0 linear feet)

Series 9: Sketchbooks, circa 1967-2001 (Boxes 4-5, 8; 0.5 linear feet)

Series 10: Photographic Material, 1968-circa 2000 (Box 5; 0.3 linear feet)

Biographical / Historical:

Naúl Ojeda (1939-2002) was a painter and printmaker in Washington, D.C.

Ojeda was born in Uruguay and studied fine arts at the University of Uruguay. The political climate of Uruguay in the 1970s led Ojeda to leave the country. He traveled to France, Chile, and Mexico before settling in Washington, D.C. While in Chile, Ojeda covered the presidency of Salvador Allende as a photojournalist. He selected fifty of the photographs of that period for his exhibition Homage to the People of Chile at the Galeria Inti Centro de Arte in Washington, D.C.

Ojeda was best known for his woodblock prints and linocuts, which he printed by hand in small editions, usually of no more than twenty-five prints. He also had some success with decorated furniture, both pieces he designed and painted, and pieces he decorated. Although his images appear whimsical, they often express themes of separation from his homeland and family. His work has been shown in numerous exhibitions throughout the United States as well as in Europe and South America including Immigrant Artists/American Experience (1985-1987) and an exhibition in 1995 honoring Franz Bader, the owner of the Franz Bader Gallery in Washington, D.C. Bader and Ojeda bonded over their shared immigrant experiences. Bader represented Ojeda for nearly 20 years and frequently held exhibitions of Ojeda's work at his gallery.

Ojeda's work is represented in private collections as well as the collections of the Smithsonian American Art Museum and the Art Museum of the Americas, in Washington, D.C., the Museum of Modern Art in New York, and the National Hispanic Cultural Center in Albuquerque, New Mexico. Ojeda also produced illustrations for The Washington Post Book World, Washington Review, Curbstone Press, and the Institute for Policy Studies among others.

During his career Ojeda received several awards, including the 2001 Distinguished Immigrant Award from the American Immigration Law Foundation. He was also the recipient of several grants from the D.C. Commission of the Arts and Humanities, including grants to illustrate the poems of Pablo Neruda and Federico Garcia Lorca.

Ojeda died in 2002 in Washington, D.C.

Provenance:

The Naúl Ojeda papers were donated in 2016 by Philomena "Pennie" Ojeda.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Washington (D.C.)  Search this

Printmakers -- Washington (D.C.)  Search this

Topic:

Latino and Latin American artists  Search this

Genre/Form:

Drawings

Scrapbooks

Sketchbooks

Video recordings

Citation:

Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.

Identifier:

AAA.ojednaul

See more items in:

Naúl Ojeda papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-ojednaul

Interviewee:

Wudl, Tom, 1948-  Search this

Interviewer:

Leddy, Annette  Search this

Extent:

14 Items (sound files (4 hrs., 19 min.) Audio, digital, wav)

78 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2019 November 22-24

Scope and Contents:

An interview with Tom Wudl conducted 2019 November 22-24, by Annette Leddy, for the Archives of American Art, at Wudl's studio in Los Angeles, California.

Biographical / Historical:

Interviewee Tom Wudl (1948- ) is a painter in Los Angeles, Calif. Interviewer Annette Leddy is a writer in New York, N.Y.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

The transcript and audio recording are open for research. Contact Reference Services for more information.

Occupation:

Painters -- California -- Los Angeles  Search this

Topic:

Latino and Latin American artists  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview was provided by thte Lichtenberg Family Foundation.

Identifier:

AAA.wudl19

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-wudl19

Creator:

National Portrait Gallery  Search this

Type:

Video recordings

Podcast

MIME Type:

video/m4v

Uploaded:

Tue, 06 Jan 2015 10:00:00 EST

Topic:

Portraits  Search this

See more episodes:

Face-to-Face, from the National Portrait Gallery

Data Source:

National Portrait Gallery

EDAN-URL:

edanmdm:podcasts_ba854d86d46379a3ac753271d4f156ae

Creator:

Smithsonian Insider  Search this

Type:

Blog posts

Smithsonian staff publications

Blog posts

Published Date:

Mon, 11 Sep 2017 17:10:05 +0000

Topic:

Science  Search this

See more posts:

Smithsonian Insider

Data Source:

Smithsonian Insider

EDAN-URL:

edanmdm:posts_641752672fd01ae37a4a849db488ad50

Artist:

Antonio Martorell, Born Santurce, Puerto Rico 1939  Search this

Medium:

woodcut on Japanese paper

Dimensions:

sheet and image: 59 x 47 in. (149.9 x 119.4 cm)

Type:

Graphic Arts-Print

Date:

2010

Topic:

Cityscape\New York\New York  Search this

Architecture\bridge  Search this

Figure group\female  Search this

Ethnic\Puerto Rican  Search this

Object\other\sewing tool  Search this

Ethnic\Latino  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment

Copyright:

© 2010, Antonio Martorell

Object number:

2012.59.1

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7ef372ff5-45a0-4df8-959b-9307cadd5af7

EDAN-URL:

edanmdm:saam_2012.59.1

Artist:

Antonio Martorell, Born Santurce, Puerto Rico 1939  Search this

Medium:

woodcut on Japanese paper

Dimensions:

sheet and image: 59 x 47 in. (149.9 x 119.4 cm)

Type:

Graphic Arts-Print

Date:

2010

Topic:

Cityscape\New York\Brooklyn  Search this

Figure group\male  Search this

Ethnic\Puerto Rican  Search this

Ethnic\Latino  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment

Copyright:

© 2010, Antonio Martorell

Object number:

2012.59.2

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk79535bf60-0c1f-4c17-9b24-ceb8c34da0fd

EDAN-URL:

edanmdm:saam_2012.59.2

Artist:

Miguel A. Gandert, born Española, NM 1956  Search this

Medium:

gelatin silver print

Dimensions:

image: 12 1/2 × 18 5/8 in. (31.8 × 47.3 cm) sheet: 16 × 20 in. (40.6 × 50.8 cm)

Type:

Photography

Date:

1992

Topic:

Figure group\male  Search this

Landscape\New Mexico  Search this

Architecture Exterior  Search this

Ethnic\Latino  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center

Copyright:

© 1992, Miguel Gandert

Object number:

2016.20.1

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk75811d515-0ac6-4f92-a4b7-69e82ac4b2d3

EDAN-URL:

edanmdm:saam_2016.20.1

Artist:

Miguel A. Gandert, born Española, NM 1956  Search this

Medium:

gelatin silver print

Dimensions:

image: 17 3/4 × 12 in. (45.1 × 30.5 cm) sheet: 20 × 16 in. (50.8 × 40.6 cm)

Type:

Photography

Date:

1998

Topic:

Figure group  Search this

Dress\ceremonial  Search this

Ceremony\dance  Search this

Landscape\New Mexico\Talpa  Search this

Ethnic\Latino  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center

Copyright:

© 1998, Miguel Gandert

Object number:

2016.20.10

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk73c6e3266-3ab8-43c8-82cc-a46815436d70

EDAN-URL:

edanmdm:saam_2016.20.10

Artist:

Miguel A. Gandert, born Española, NM 1956  Search this

Medium:

gelatin silver print

Dimensions:

image: 12 1/2 × 18 3/4 in. (31.8 × 47.6 cm) sheet: 16 × 20 in. (40.6 × 50.8 cm)

Type:

Photography

Date:

1992

Topic:

Figure group\male  Search this

Performing arts\music\trumpet  Search this

Object\musical instrument\trumpet  Search this

Ethnic\Latino  Search this

Landscape\New Mexico\Tome  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center

Copyright:

© 1992, Miguel Gandert

Object number:

2016.20.2

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk77a9e563b-e04d-4340-9762-4718a5064db2

EDAN-URL:

edanmdm:saam_2016.20.2

Artist:

Miguel A. Gandert, born Española, NM 1956  Search this

Medium:

gelatin silver print

Dimensions:

image: 17 3/4 × 12 in. (45.1 × 30.5 cm) sheet: 20 × 16 in. (50.8 × 40.6 cm)

Type:

Photography

Date:

1993

Topic:

Animal\horse  Search this

Figure male\full length  Search this

Dress\ecclesiastical  Search this

Ceremony\religion\procession  Search this

Emblem\cross  Search this

Ethnic\Latino  Search this

Landscape\New Mexico\Santa Cruz  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center

Copyright:

© 1993, Miguel Gandert

Object number:

2016.20.3

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk73a4a31c2-5a2a-4246-81ef-d4d061c7b21b

EDAN-URL:

edanmdm:saam_2016.20.3

Artist:

Miguel A. Gandert, born Española, NM 1956  Search this

Medium:

gelatin silver print

Dimensions:

image: 12 1/2 × 18 7/8 in. (31.8 × 47.9 cm) sheet: 16 × 20 in. (40.6 × 50.8 cm)

Type:

Photography

Date:

1994

Topic:

Figure male\waist length  Search this

Architecture Exterior\commercial  Search this

Ethnic\Latino  Search this

Landscape\New Mexico\Alcalde  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center

Copyright:

© 1994, Miguel Gandert

Object number:

2016.20.4

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk70950444f-753b-4cb4-9707-07e25a6f2a25

EDAN-URL:

edanmdm:saam_2016.20.4

Artist:

Miguel A. Gandert, born Española, NM 1956  Search this

Sitter:

David Gonzales  Search this

Medium:

gelatin silver print

Dimensions:

image: 16 × 12 in. (40.6 × 30.5 cm) sheet: 19 3/4 × 16 in. (50.2 × 40.6 cm)

Type:

Photography

Date:

1995

Topic:

Dress\accessory\hat  Search this

Dress\ceremonial  Search this

Landscape\New Mexico\Talpa  Search this

Ethnic\Latino  Search this

Portrait male\bust  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center

Copyright:

© 1995, Miguel Gandert

Object number:

2016.20.5

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7ca01540a-8770-4f7b-8d8c-32a3da184a99

EDAN-URL:

edanmdm:saam_2016.20.5

Artist:

Miguel A. Gandert, born Española, NM 1956  Search this

Sitter:

Linda Elena  Search this

Medium:

gelatin silver print

Dimensions:

image: 15 3/4 × 12 in. (40.0 × 30.5 cm) sheet: 20 × 16 in. (50.8 × 40.6 cm)

Type:

Photography

Date:

1995

Topic:

Dress\accessory\hat  Search this

Dress\ceremonial  Search this

Dress\accessory\fur  Search this

Landscape\New Mexico\Talpa  Search this

Ethnic\Latino  Search this

Portrait female\bust  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center

Copyright:

© 1995, Miguel Gandert

Object number:

2016.20.6

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk71a89c47e-8eda-475d-8f46-fb6e12650271

EDAN-URL:

edanmdm:saam_2016.20.6

Artist:

Miguel A. Gandert, born Española, NM 1956  Search this

Medium:

gelatin silver print

Dimensions:

image: 11 5/8 × 17 3/4 in. (29.5 × 45.1 cm) sheet: 16 × 19 3/4 in. (40.6 × 50.2 cm)

Type:

Photography

Date:

1995

Topic:

Figure group\male  Search this

Dress\ceremonial  Search this

Ceremony\dance  Search this

Landscape\New Mexico\Talpa  Search this

Ethnic\Latino  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center

Copyright:

© 1995, Miguel Gandert

Object number:

2016.20.7

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk748498b76-3fbc-4d57-ac49-fd94e75847cf

EDAN-URL:

edanmdm:saam_2016.20.7