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Pinback button for the Young Lords Organization

Manufactured by:
Unidentified  Search this
Subject of:
Young Lords Party, American, founded 1969  Search this
Medium:
ink on paper with metal and plastic
Dimensions:
H x W x D: 1 1/2 × 1 1/2 × 1/4 in. (3.8 × 3.8 × 0.6 cm)
Type:
buttons (information artifacts)
Place depicted:
Puerto Rico, United States, Caribbean, Latin America, North and Central America
Place used:
Chicago, Cook County, Illinois, United States, North and Central America
Date:
1970s
Topic:
African American  Search this
Activism  Search this
Civil Rights  Search this
Decolonization  Search this
Identity  Search this
Resistance  Search this
United States--History--1969-2001  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of T. Rasul Murray
Object number:
2013.68.26
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera-Political and Activist Ephemera
Exhibition:
A Changing America: 1968 and Beyond
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Concourse 1, C1 053
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd59adf3ac1-f260-48cb-86be-ae4517748d0a
EDAN-URL:
edanmdm:nmaahc_2013.68.26
Online Media:

Baltimore and Ohio Railroad Records

Collector:
History of Technology, Division of, NMAH, SI  Search this
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
History of Technology, Division of, NMAH, SI  Search this
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
Author:
Garrett, John W. (John Work), 1820-1884  Search this
Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this
Creator:
Baltimore and Ohio Railroad Company  Search this
Extent:
33 Cubic feet (75 boxes, 46 oversize folders)
Type:
Collection descriptions
Archival materials
Tracings
Correspondence
Drawings
Date:
1827-1987
Summary:
The collection consists of correspondence, invoices, drawings, photographs, and negatives and other printed literature documenting the Baltimore and Ohio Railroad from its inception in 1827 to its merger with the Chesapeake and Ohio Railroad in the 1960s.
Scope and Contents:
The collection consists of correspondence, engineering drawings, notes, photographs, transparencies, negatives, glass plate negatives, printed materials, and newspaper clippings documenting the Baltimore and Ohio railroad from its inception in 1827 to its merger with the Chesapeake and Ohio in the 1960s.
Arrangement:
The records are arranged into ten series.

Series 1, Historical Background, 1827-1987

Series 2, Bridge Histories, 1867-1966

Series 3, President's Office, 1826-1880

Series 4, Correspondence, 1826-1859

Series 5, Business Records, 1894-1914, and undated

Series 6, Agreement, 1870

Series 7, Drawings, 1858-1957, and undated

Subseries 7.1, Indices and Lists, 1924-1943, undated

Subseries 7.2, Bailey's Station, 1887; 1899; 1901

Subseries 7.3, Baltimore Belt Railroad, 1895, undated

Subseries 7.4, Bay View and Canton Bridges, 1884-1885

Subseries 7.5, Big Seneca Creek Viaduct, 1905

Subseries 7.6, Bollman Bridges, undated

Subseries 7.7, Boyds, Maryland Station, 1886; 1927

Subseries 7.8, Bridewell Station, undated

Subseries 7.9, Bridges (general), 1893-1917

Subseries 7.10, Brunswick, Maryland, 1890-1907

Subseries 7.11, Building Materials List, undated

Subseries 7.12, Building Signs, 1911-1912

Subseries 7.13, Camden Station, 1881-1942 (not inclusive)

Subseries 7.14, Camden Station (related), 1881-1915

Subseries 7.15, Centenary Bridge Models, 1927

Subseries 7.16, Central Office Building, undated

Subseries 7.17, Chestnut Street Station, 1925-1952

Subseries 7.18, Coaling facilities, water tanks, turntables, and miscellaneous structures, 1888-1912

Subseries 7.19, Cumberland Station, 1910-1955

Subseries 7.20, Curtis Bay Branch, 1900-1911

Subseries 7.21, Frederick Station, 1908-1915

Subseries 7.22, Hyattsville Station, 1913

Subseries 7.23, Keedysville Station, undated

Subseries 7.24, Laurel Station, undated

Subseries 7.25, Ledger, undated

Subseries 7.26, Lieperville Station, 1889

Subseries 7.27, Locust Point, 1881-1957

Subseries 7.28, Maps, 1862; 1918

Subseries 7.29, Martinsburg, West Virginia, 1913-1927

Subseries 7.30, Miscellaneous Buildings, 1875-1956

Subseries 7.31, Miscellaneous Large Photographs, undated

Subseries 7.32, Miscellaneous Structures, 1890-1916

Subseries 7.33: Mt. Clare (general)

Subseries 7.34, Mt. Clare New Blue Line Stable, 1899; 1905

Subseries 7.35, Mt. Clare New Car Shops, undated

Subseries 7.36, Mt. Royal Station, undated

Subseries 7.37, Newton Falls and Fairpoint, Ohio, 1909

Subseries 7.38, Patapsco River Bridge, 1883

Subseries 7.39, Plans for house no. 1846 (N. Gay Street, Baltimore, Maryland), undated

Subseries 7.40, Point of Rocks Station, 1951

Subseries 7.41, Scales, 1903

Subseries 7.42, Signal towers, 1900-1908

Subseries 7.43, Stations (general), 1866-1907

Subseries 7.44, Sykesville Station, undated

Subseries 7.45, Untitled, undated

Subseries 7.46, Warnings, 1894-1911

Subseries 7.47, Woodstock Station, undated

Subseries 7.48, Miscellaneous (rolled), 1858-1930 (not inclusive)

Series 8, Photographs and Copy Prints, 1872-1980s (not inclusive)

Subseries 8.1, Photographs, 1872-1980s

Subseries 8.2, Copy prints, 1901-1931, undated

Subseries 8.3, Indices and Lists, 1909-1920

Series 9, Negatives, 1850-1983 (bulk 1920s-1930s)

Subseries 9.1, Glass plate negatives (unidentified), undated

Subseries 9.2, Glass plate negatives (numbered), 1850-1957 (bulk 1920s-1930s)

Subseries 9.3, Negatives by number, undated

Subseries 9.4, Negatives by location, 1870; 1978-1983

Subseries 9.5, Negatives by subject, 1922-1930s, undated

Series 10, Stations and Buildings, 1884-1982
Biographical / Historical:
The Baltimore and Ohio Railroad (B&O) was the nation's first extensive steam powered railroad. It was founded by Baltimore merchants in 1827 as a means of promoting trade and making Baltimore competitive with other east coast ports. The original intent of the founders was to provide direct and fast access to the Ohio River, and the markets that the river reached. The railroad, however, went beyond the Ohio River and its lines went as far west as St. Louis and Chicago. The B&O was also known for its use of an electric locomotive in the mid 1890s. It also had a completely air conditioned train, and it was a forerunner in the use of diesel-electric locomotives. Company activities paralleled those of other American railroads and over the course of its life included expansion, near bankruptcy, innovations, regulations, and finally buy out. In February 1963, the Chesapeake and Ohio (C&O) completed its purchase of the B&O. Today, B&O is part of the CSX Transportation (CSX) network.

John Work Garrett president of the Baltimore and Ohio Railroad 1858-1884, was born in Baltimore, Maryland July 31, 1820. He was the second son of Elizabeth Stouffer and Robert Garrett. He married Rachel Ann Harrison, the daughter of Thomas Harrison, a Baltimore merchant. They had one daughter, Mary and two sons Robert and Thomas Harrison Garrett.

After attending Lafayette College (Pennsylvania) for two years John W. Garrett left in 1836 to become associated with his father's commission business in Baltimore. The commission house which dealt in wholesale groceries, produce, forwarding and a commission business expanded to establish direct connections with Latin America, seek outlets in Europe and develop its own banking operations. In time its financial operations overshadowed the commission and shipping business.

When John W. Garrett began to invest heavily in Baltimore and Ohio Railroad stock, the road was in competition with the Chesapeake and Ohio Canal and the stock was not popular. Its value rose steadily over the years. Mr. Garrett was elected a director of the railroad in 1855. His report as chairman of a subcommittee on the need for additional funds to complete the line to the Ohio River led to his election to the presidency of the road on November 17, 1858, a position he held for 26 years. New policies with emphasis on economy, personal supervision and gradual expansion were inaugurated and consistently maintained, in spite of a general financial crisis, Mr. Garrett's first year in office showed a net gain in earnings.

Sympathetic to his southern friends during the Civil War, Mr. Garrett nevertheless supported the Union. He recognized the inevitability of Confederate defeat by superior northern resources. Confederate leaders blamed him for their inability to seize Washington and he received warm appreciation for his services to the Union cause from President Lincoln. The railroad stretched along the theater of war and twice crossed Confederate territory. It was, therefore, a main objective for southern attack. Branches were frequently damaged by Confederate raids, but the main line to Washington became important for the transport of troops and supplies. The Baltimore and Ohio carried out the first military rail transport in history and the transfer of 20,000 men from the Potomac to Chattanooga in 1863 was a major triumph for its president.

With the advent of peace Mr. Garrett turned to rebuilding and strengthening the railroad. He replaced equipment and track damaged by the war, then extended the system by securing direct routes to Pittsburgh and Chicago and arranging an independent line into New York. Wharves were built at Locust Point for ocean liners and a system of elevators erected. The B&O. built its own sleeping and dining cars, established hotels in the mountains and created its own express company. By 1880, after battles over rates with other trunk lines, a costly rivalry with the Pennsylvania Railroad over the eastern route and charges of discrimination against local shippers Mr. Garrett was at the height of his success. He cooperated in establishing the B. and 0. Employees Relief Association for accident and life insurance, a hospital system, saving and building funds, and arrangements for improving sanitation in the work place. He was on friendly terms with Johns Hopkins, a trustee of John Hopkins Hospital, and with George Peabody, founder of the Peabody institute of which he was also a trustee. Garrett County, Maryland was named in his honor.

John W. Garrett died on September 26, 1884 within a year of his wife's death in a carriage accident. During his connection with the railroad the stock increased from $57 to $200; at the outbreak of the Civil War the railroad was operating 514 miles of rail, gross earnings were $4,000,097 and net per mile was $4246.1 By 1864 gross earnings were $10,138,876 and net per mile, $7113.2 By the end of his presidency mileage had increased to 1711 miles and net earnings were $4535 per mile.3

References

1 -- National Cyclopedia of American Biography -- Vol. 18:3

2 -- National Cyclopedia of American Biography -- Vol. 18:3

3 -- National Cyclopedia of American Biography -- Vol. 18:3
Related Materials:
Materials at Other Organizations

Maryland Historical Society

Baltimore and Ohio Museum
Provenance:
This collection was donated to the National Museum of American History by the Baltimore and Ohio Railroad in the 1960s.
Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Railroads  Search this
Engineering -- 19th century  Search this
Repairing -- Railroads  Search this
Railway engineering -- 1860-1890  Search this
Bridges  Search this
Construction  Search this
Genre/Form:
Tracings
Correspondence -- 19th century
Drawings -- 1860-1890
Citation:
Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1086
See more items in:
Baltimore and Ohio Railroad Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1086
Online Media:

poster

Depicted (sitter):
Clinton, Hillary Rodham  Search this
Physical Description:
paper (overall material)
red (overall color)
white (overall color)
blue (overall color)
Measurements:
overall: 17 1/2 in x 21 1/2 in; 44.45 cm x 54.61 cm
Object Name:
poster
Used:
Puerto Rico
Date made:
2008
Used date:
2008
Subject:
Presidential Candidates  Search this
Hispanic  Search this
Women's Rights  Search this
Latino  Search this
Puerto Rico  Search this
Latin America  Search this
Related event:
Presidential Campaign of 2008  Search this
ID Number:
2008.0140.15
Catalog number:
2008.0140.15
Accession number:
2008.0140
See more items in:
Political and Military History: Political History, Campaign Collection
Princeton Posters
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-6b68-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1341118

Puertorriquenos con Hillary

Depicted (sitter):
Clinton, Hillary Rodham  Search this
Maker:
Graphic Communications, Inc.  Search this
Physical Description:
paper (overall material)
red (overall color)
whie (overall color)
blue (overall color)
grey (overall color)
Measurements:
overall: 14 in x 22 in; 35.56 cm x 55.88 cm
Object Name:
poster
Used:
Puerto Rico
Date made:
2008
Subject:
Women's Rights  Search this
Hispanic  Search this
Presidential Candidates  Search this
Latin America  Search this
Latino  Search this
Puerto Rico  Search this
Related event:
Presidential Campaign of 2008  Search this
ID Number:
2008.0140.16
Catalog number:
2008.0140.16
Accession number:
2008.0140
See more items in:
Political and Military History: Political History, Campaign Collection
Princeton Posters
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-6b69-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1341123

Ramparts, Volume 9, Number 4

Published by:
Edward M. Keating, American, 1925 - 2003  Search this
Subject of:
Ramparts, American, 1962 - 1975  Search this
Felipe Luciano, American, born 1947  Search this
Young Lords Party, American, founded 1969  Search this
Medium:
ink on paper with metal
Dimensions:
H x W x D: 10 15/16 × 8 7/16 × 1/8 in. (27.8 × 21.4 × 0.3 cm)
Type:
magazines (periodicals)
Place depicted:
Puerto Rico, United States, Caribbean, Latin America, North and Central America
Date:
October 1970
Topic:
African American  Search this
Activism  Search this
Political organizations  Search this
Politics (Practical)  Search this
United States--History--1969-2001  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.109.7.9
Restrictions & Rights:
© 1970 Ramparts Magazine, Inc. Permission required for use.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Memorabilia and Ephemera-Political and Activist Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5f8172986-aad1-430a-962e-bd206353ee0b
EDAN-URL:
edanmdm:nmaahc_2014.109.7.9

Inka Engineering Symposium 1: Introductions & Opening Remarks

Creator:
National Museum of the American Indian  Search this
Type:
Youtube videos
Uploaded:
2013-11-19T15:28:08Z
Topic:
Native Americans;American Indians  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianNMAI
YouTube Channel:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
EDAN-URL:
edanmdm:yt_LH5Vajc5g_M

Curatorial Records, 2010-2017

Creator:
National Museum of the American Indian (U.S.) Office of Latin America  Search this
Subject:
Matos Mendieta, Ramiro  Search this
The Great Inka Road: Engineering an Empire (Exhibition) (2015-2020: Washington, D.C.)  Search this
Type:
Electronic mail
Collection descriptions
Electronic records
Place:
South America
Inka (Peru)
Qhapaq Ñan
Date:
2010
2010-2017
Topic:
Inca roads  Search this
Incas--Civilization  Search this
Inca architecture  Search this
Archaeology  Search this
Ethnology  Search this
Ethnohistory  Search this
Roads--Design and construction  Search this
Cosmology  Search this
Museum exhibits  Search this
Museum curators  Search this
Local number:
SIA Acc. 18-096
Restrictions & Rights:
Restricted for 15 years; until Jan-01-2033. Records may contain personally identifiable information (PII) that is permanently restricted. Transferring office; 02/07/2018 memorandum, Toda to Penney; Contact reference staff for details
See more items in:
Curatorial Records 2010-2017 [National Museum of the American Indian (U.S.) Office of Latin America]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_394646

Negative Log Book Number 3, (72-1 to 72-11410)

Creator:
Smithsonian Institution Archives Smithsonian Photographic Services  Search this
Physical description:
Ink on paper
Type:
Logs (records)
Date:
1972
Topic:
Photography--History  Search this
Local number:
SIA Acc. 10-001 [SIA_10-001_NLB03]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_367100
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  • View Negative Log Book Number 3, (72-1 to 72-11410) digital asset number 1

Negative Log Book Number 16, (84-5412 to 85-7765)

Creator:
Smithsonian Institution Archives Smithsonian Photographic Services  Search this
Physical description:
Ink on paper
Type:
Logs (records)
Collection descriptions
Date:
1984
1984-1985
Topic:
Photography--History  Search this
Local number:
SIA Acc. 10-001 [SIA_10-001_NLB16]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_367113
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  • View Negative Log Book Number 16, (84-5412 to 85-7765) digital asset number 1

Productions, 1976, 1985-1999

Creator:
Smithsonian Productions  Search this
Uniform title:
300 Years of American Papermaking (Video recording : 1990)  Search this
Covering the Environment: Front Page or Yesterday's News? (Video recording : 1990)  Search this
Men of Greatness, Feats of Daring (Video recording : 1985)  Search this
Monumental Propaganda (Video recording : 1994)  Search this
Phone Philm (Motion picture : 1976)  Search this
The Buried Mirror: Reflections on Spain and the New World (Video recording : 1991)  Search this
Thomas A. Edison and his Amazing Invention Factories (Motion picture : 1979)  Search this
Woody Guthrie's Legacy (Documentary film : 2000)  Search this
Yesterday's Tomorrows: Visions of the Future on Film (Video recording : 1984)  Search this
Subject:
Edison, Thomas A (Thomas Alva) 1847-1931  Search this
Fuentes, Carlos  Search this
Guthrie, Woody 1912-1967  Search this
Rittenhouse, William 1644-1708  Search this
Comisión Nacional del Quinto Centenario del Descubrimiento de América (Spain)  Search this
Discovery Channel (Firm)  Search this
National Museum of American History (U.S.)  Search this
Smithsonian Institution  Search this
Sogetel (Firm)  Search this
Iron Clad Agreement (Musical group)  Search this
National Museum of History and Technology (U.S.) Electricity Hall  Search this
Smithsonian Institution International Center  Search this
300 Years of American Papermaking (Exhibition) (1990-1991: Washington, D.C.)  Search this
Edison: Lighting a Revolution (Exhibition) (1980: Washington, D.C.)  Search this
Monumental Propaganda (Exhibition) (1994: Washington, D.C.)  Search this
Person to Person (Exhibition) (1976: Washington, D.C.)  Search this
This Land is Your Land: The Life and Legacy of Woody Guthrie (Exhibition) (2000: Washington, D.C.)  Search this
Physical description:
1 cu. ft. (1 record storage box)
Culture:
Columbus Quincentenary, 1992-1993  Search this
Type:
Documentary films
Collection descriptions
Audiotapes
Videotapes
Video recordings
Place:
Latin America
Spain
Germantown (Philadelphia, Pa.)
Date:
1985
1985-1999
1976, 1985-1999
Topic:
Earth Day  Search this
Environmental education  Search this
Exhibitions  Search this
Inventors  Search this
Journalism  Search this
Paper mills  Search this
Papermaking  Search this
Telephone  Search this
Civilization  Search this
Local number:
SIA Acc. 06-265
Restrictions & Rights:
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if viewing/listening copies are not currently available. Viewing/listening copies can be made for a fee. Contact reference staff for details
See more items in:
Productions 1938-2009 and undated [Smithsonian Productions]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_260979

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
National Association of Broadcasters, American  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
National Association of Black Social Workers, American, founded 1968  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
The Girl Friends, Inc., American, founded 1927  Search this
Duke Ellington, American, 1899 - 1974  Search this
National Medical Association, American, founded 1895  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
John Albert Morsell, American, 1912 - 1974  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Insurance Association, American, founded 1921  Search this
National Urban League, American, founded 1910  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Dental Association, American, founded 1913  Search this
CBS Broadcasting, Inc., American, founded 1927  Search this
American Bridge Association, American, founded 1932  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1906  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Nettie B. Smith, American  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National Medical Association, American, founded 1895  Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this
John Warren Davis, American, 1888 - 1980  Search this
Shriners International, American, founded 1870  Search this
Congressional Black Caucus, American, founded 1971  Search this
National Business League, American, founded 1900  Search this
National Alliance of Postal and Federal Employees, American, founded 1913  Search this
369th Veterans Association, American  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
National Council of Negro Women, founded 1935  Search this
Clifton Herman Johnson, American, 1921 - 2008  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 3/8 in. (27.5 × 21.4 × 0.9 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Date:
1975
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Calypso (Music)  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Funeral customs and rites  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Law  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics (Practical)  Search this
Professional organizations  Search this
Religious groups  Search this
Sororities  Search this
Television  Search this
United States--History--1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.9
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c80d5f1b-2384-44ae-91b1-bb42a6fc4395
EDAN-URL:
edanmdm:nmaahc_2012.167.9
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  • View <I>Delegate</I> digital asset number 1

Giulio V. Blanc papers

Creator:
Blanc, Giulio V.  Search this
Names:
Cuban Museum of Arts and Culture (Miami, Fla.)  Search this
Brito, Maria, 1947-  Search this
Cano, Margarita, 1932-  Search this
Cano, Pablo  Search this
Carreño, Mario  Search this
Carulla, Ramón, 1938-  Search this
Demi, 1955-  Search this
Garcia, Hernan, 1935-  Search this
Gattorno, Antonio  Search this
Gaztelu, A. (Angel)  Search this
Goldman, Shifra M., 1926-2011  Search this
Gómez-Peña, Guillermo  Search this
Lam, Wifredo  Search this
Larraz, Julio  Search this
Libin, Victoria  Search this
Macia, Carlos A., 1951-1994  Search this
Martínez-Cañas, María  Search this
Riverón, Enrique  Search this
Rodríguez, Arturo, 1956-  Search this
Sánchez, Juan, 1954-  Search this
Sí, Juan  Search this
Trasobares, César  Search this
Vater, Regina  Search this
Vázquez Lucio, Oscar E. (Oscar Edgardo), 1932-  Search this
Interviewee:
Cabrera, Lydia  Search this
Gómez Sicre, José  Search this
Extent:
11 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Date:
1920-1995
Summary:
The dates for the Giulio V. Blanc papers range from 1920-1995. Measuring a total of eleven linear feet and 0.001 GB, the collection provides documentation of the art exhibitions Blanc curated during his career, including original writings and exhibition catalogs. The extensive artists files in the collection provide information on numerous Latin American and Caribbean artists. The collection also provides historical information on the life and culture of Cuba.
Scope and Content Note:
The Giulio V. Blanc papers measure approximately 11 linear feet and 0.001 GB and date from 1920 to 1995. Compiled by Blanc since the beginning of his curatorial, writing, and research career in the 1980s, the papers consist primarily of artist files on Cuban, Cuban-American, and Latin American artists (1920-1995 and undated). Also found is biographical information (1994-1995), interviews by Blanc (1984-1987, 1994) and miscellaneous letters from artists and friends (1983-1995 and undated).

The first series, Biographical Files, 1994-1995 includes information about Blanc's career. Series 2: Miscellaneous Letters, 1983-1995, undated, consists of letters from artists and friends on various topics. Series 3: Artist Files, 1920-1995, undated, represents the bulk of the collection (approximately 300 artists in all, 6 linear feet), and contain materials either collected by Blanc or received by Blanc from the artists themselves. These consist of biographical material about the artist, usually two or three paragraphs written by Blanc, scattered resumes and copies of fellowship applications. Also found are newspaper clippings, exhibition announcements and catalogs, and letters or correspondence between Blanc and the artists. Of special interest in this series are numerous taped interviews with celebrated Cuban artists and art historians such as José Gómez Sícre, founder and first director of the Art Museum of the Americas, Organization of American States. Gómez-Sícre describes his early career and involvement with acquisitions for the museum's permanent collection as well as his working relationship with Alfred H. Barr, first director of the Museum of Modern Art in New York. Gómez-Sícre's notable book, Pintura Cubana de Hoy, published in Havana in 1944 is included in the files.

Elena Peláez de Medero, another interviewee, discusses her sister, Cuban painter Amelia Peláez (1896-1968). Blanc interviewed Elena Peláez in Miami for his 1988 exhibition Amelia Peláez: A Retrospective. The Peláez file includes Blanc's correspondence with her as well as copies of rare 1930s and 1940s exhibition catalogs from Amelia Peláez's early career. Among the catalogs is a copy of Modern Cuban Painters from the 1944 exhibition held at the Museum of Modern Art in New York. Also found are rare French, German and Spanish newspaper clippings on Peláez dating back to the 1920s. Of interest is a copy of Amado Blanco's 1937 poetry book, Poema desesperado. Published in Havana, the book is dedicated to the memory of Federico García Lorca and includes illustrations by Peláez.

Another prominent artist whom Blanc interviewed was Enrique Riverón (b. 1901) leader of the Cuban vanguardia. He was a member of El Grupo de Montparnasse, a talented group of painters and writers living in the southern district of Paris in the late 1920s, an area noted for its boisterous after-hour activities. The interview was published in the Journal of Decorative and Propaganda Arts in 1997. Also found in the papers are illustrated letters and greeting cards addressed to Blanc and his parents, Baron Lodovico Blanc and María V. Blanc.

Series 4: Exhibition Files, 1977-1995, undated, consists primarily of material Blanc compiled for exhibitions he curated. Found here are letters from museum directors, artists and colleagues, drafts and finished essays for exhibition catalogs, and printed material such as newspaper clippings of art reviews. This series also includes files on exhibitions Blanc did not curate.

Series 5: Subject Files, 1933-1995, undated, are files relating to Cuban art, culture, and society, the Cuban revolution, book projects, Biennials in Havana and São Paulo, the 1988 controversy surrounding the Cuban Museum of Arts and Culture (Miami, FL) and other topics. Found are letters, drafts of writings, notes, printed material such as newspaper clippings and magazine articles, press releases, and exhibition announcements.

Particularly extensive is the documentation about the 1980s conflict at the Cuban Museum of Arts and Culture. In April 1988, a fund-raising auction at the 24-year-old 'little Havana' institution resulted in heated disputes that escalated to violence. The works auctioned were by Cuban artists still living on the island. Many in Miami's Cuban community considered these artists to be supporters of the Communist regime and were outraged. One of the disputed works purchased the night of the auction, a drawing by Manuel Mendive, was taken across the street by its successful bidder and burned. In addition, the museum building was damaged by a pipe bomb shortly after the sale. In the National Public Radio news story (available in Blanc's papers on audio cassette) Helen Kohen, critic for the Miami Herald commented, "We're not talking about paintings. We're talking about `my brother's in jail'. That's what we're talking about." The situation intensified quickly; transcending local politics and involving the Treasury and Justice Departments, the American Civil Liberties Union, the Federal Bureau of Investigation, and Sotheby's and Christie's auction houses. Ramón Cernuda, the museum vice-president who organized the auction also had his personal collection of Cuban art impounded by the FBI. A second bombing took place in 1989 to protest an exhibition of Cuban artists who came to the U. S. during the early 1980s Mariel boatlift.

The seriousness of the conflicts in the Miami museum prompted the Museum of Modern Art in New York to withdraw an offer to lend three paintings to the Cuban museum for the 1988 exhibition Amelia Peláez: A Retrospective scheduled to open later that year. Curated by Giulio Blanc, it was the first U.S. retrospective of this important Cuban artist and the exhibition helped situate her work. The Cuban Museum of Art in Daytona Beach, an institution that helped start the Miami museum, also withdrew an offer to lend "Amelias". The result was an exhibition devoid of works owned by the Museum of Modern Art, important paintings created after 1963, the year President Kennedy imposed economic sanctions on Cuba.

To publicize the Peláez exhibition and boost attendance, the museum placed a public invitation in the Spanish section of the Miami Herald. The half page ad, also found in the Blanc papers, lists more than 100 intellectuals and professionals who supported the exhibition. Blanc stated in a letter to the Miami Herald, "It is horrifying to think there are those in Miami who would burn a painting for the sake of politics. This was the same reasoning utilized by Joseph Goebbels when he made bonfires of books and paintings by anti-Nazi and `degenerate' artists and writers in 1930s Germany... One can only pity the ignorance of those who play into the hands of the Castro regime by resorting to uncivilized tactics that can only hurt the image of the Cuban-exile community and of Miami in general."

The files concerning the Cuban Museum of Arts and Culture contain exhibition announcements, copies of court orders, press releases and correspondence between Blanc and the Museum of Modern Art in New York regarding the museum and the Peláez exhibition. Also included are a great number of newspaper articles printed in two of Miami's major newspapers, the Miami Herald and El Nuevo Herald which covered the story until it was resolved in the early 1990s. Offering additional information on the controversy are a number of letters addressed to either Blanc or his parents from artists and friends expressing either discontent with the museum's state of affairs or gratitude for the Blanc's financial support during the museum's reconstruction. These provide remarkable insight into a relatively heterogeneous Cuban community.

Series 6: Sound Recordings, 1992, 1994 consists of two untranscribed audio cassette tapes. One is of the 1992 College Art Association's session: Artistic Voices of Latin America: The Aesthetics of Anti-Colonialism held in Chicago, Illinois in which Giulio V. Blanc was a panelist. The other is a rare 1994 interview conducted by Blanc with poet-priest Monseñor Angel Gaztelu, a friend of many Cuban writers and artists, and who presided over Peláez's funeral service in 1968.

The last series, Series 7: Photographs, 1981-1993, undated, includes black and whiteportraits of artists, group shots of Blanc with "Miami Generation" artists María Brito, Pablo Cano, María Martínez-Cañas, Carlos Macía, Arturo Rodríguez, and César Trasobares, and photos of other artists.
Arrangement:
The Giulio V. Blanc papers are arranged into seven series primarily according to type of material. Within each series, materials are arranged chronologically, except for Artist Files and Subject Files which are arranged alphabetically by either name or subject.

Series 1: Biographical Files, 1994-1995, undated (box 1; 3 folders)

Series 2: Miscellaneous Letters, 1983-1995, undated (box 1; 3 folders)

Series 3: Artist Files, 1920-1995, undated (boxes 1-8, ER01; 6 linear ft., 0.001 GB)

Series 4: Exhibition Files, 1977-1995, undated (box 8; 1 linear foot)

Series 5: Subject Files, 1933-1995, undated (boxes 8-12; 2.5 linear feet)

Series 6: Untranscribed Sound Recordings, 1992-1994 (box 12; 2 folders)

Series 7: Photographs, 1981, 1993, undated (box 12; 2 folders)
Biographical Note:
Independent curator, critic, art historian and consultant Giulio V. Blanc (1955-1995) specialized in Cuban and Latin American art history and in his lifetime collected a wealth of material on the subject. Through his numerous exhibitions and keen articles appearing in national and international art journals, Blanc became a leading authority on Latin American art and successfully established himself as a link between Cuban and Cuban-American artists and US galleries and museums. The Miami Generation (1983) and Amelia Peláez: A Retrospective (1988) are two significant exhibitions Blanc curated for Miami's Cuban Museum of Arts and Culture in addition to the celebrated Wifredo Lam and His Contemporaries, 1938-1952 (1992) for New York's Studio Museum in Harlem. Giulio V. Blanc was among the key figures that catapulted Latin American art onto the mainstream in the early 1980s.

Giulio V. Blanc was born in Havana in 1955 to Baron Lodovico Blanc and María V. Blanc. The Blanc name hails from Italy and the title of Baron was awarded to Alberto Blanc, Lodovico Blanc's grandfather, while he was Secretary of State in 1873 under Victor Emmanuel II of Italy. As young advocates of Cuban culture, the Blanc's collected a number of paintings by Cuban artists but were forced to leave behind the works of Cuban masters such as Carlos Enríquez, Victor Manuel, René Portocarrero, Fidelio Ponce and others to facilitate an uncomplicated exodus from the country during the revolution. Lodovico and María were in their thirties and Giulio was five years old when the family settled in Miami.

Giulio Blanc completed his undergraduate education at Harvard and proceeded to Brown University and the Institute of Fine Arts in New York for graduate work (1979-1980). During his career, he served as an independent curator and consultant to The Cuban Museum of Arts and Culture (Miami), The Metropolitan Museum (Miami), and The Museum of Contemporary Hispanic Art (New York) among others. He also lectured on Latin American art history at the Art Museum of the Americas, OAS (Organization of American States), Washington, DC, The University of Miami, and El Museo Nacional de Arte in La Paz, Bolivia. In addition, he worked as a consultant in the Latin American Paintings Department at Sotheby's auction house in New York and served on the editorial board of the magazine Art Nexus. Blanc was pursuing a doctoral degree in art history at the City University of New York before his premature death in 1995 at the age of thirty-nine.

1955 -- Born November 1 in Havana, Cuba to Baron Lodovico and Baroness María V. Blanc, young collectors of Cuban art. The title of Baron was awarded to Alberto Blanc, Lodovico Blanc's grandfather, in 1873 while Alberto was Secretary of State under Victor Emmanuel II of Italy.

1960 -- The Blanc family migrates to the United States because of the escalating revolution. Lodovico and Maria V. Blanc are in their thirties when they flee the island. The works of Cuban painters such as Carlos Enríquez, Victor Manuel, René Portocarrero, Fidelio Ponce and others were left behind to facilitate an uncomplicated exodus.

1976 -- Giulio V. Blanc serves as research assistant for one year at the Tozzer Library, Peabody Museum, Harvard University.

1977 -- Graduates cum laude from Harvard College with a B.A. in Archeology.

1979 -- Graduates from Brown University with a M.A. in Archeology. Was a research assistant until 1980 at the Gallery of the Center for Inter-American Relations, New York city.

1980 -- Receives a certificate in Museum Studies from the Graduate School of Arts and Science, New York University. Curates Emilio Sánchez: Lithographs which opens at the Pagoda, Ransom-Everglades School, Coconut Grove, Florida. Co-curates Cuba in the Nineteenth Century for Miami's Miami-Dade Public Library.

1981 -- Joins the Latin American Paintings Department, Sotheby's Auction House, New York and serves for two years.

1982 -- Co-curates Young Hispanics, USA which opens at the Lehigh University Museum, Bethlehem, Pennsylvania and curates Ten Out of Cuba for INTAR Latin American Gallery in New York.

1983 -- Curates Cuban Fantasies at the Kouros Gallery in New York and Pablo Cano en Paris for the 4 Place de Saussaies in Paris, France. Also curates The Miami Generation: Nine Cuban-American Artists for the Cuban Museum of Arts and Culture in Miami and the Meridian House in Washington, DC.

1984 -- Serves as independent curator and consultant to Miami's Metropolitan Museum and Art Center and The Cuban Museum of Arts and Culture; The Museum of Contemporary Hispanic Art in New York and other institutions. Lectures at the Art Museum of the Americas (Organization of American States) in Washington, DC; The University of Miami; The Cuban Museum of Arts and Culture (Miami); The Center for the Fine Arts (Miami); Rockland Center for the Arts (West Nyack, NY); and the National Museum of Art, La Paz, Bolivia. Curates Young Collector's of Latin American Art which opened at Miami's Metropolitan Museum and Art Center.

1985 -- Curates Dancing Faces: An Exhibition of Mexican Masks for the Metropolitan Museum and Art Center in Miami and Nuevas Vistas: Latin American Paintings which opens at the Wistariahurst, Holyoke, Massachusetts. Curates Architecture in Cuban Painting, for the Miami Dade Public Library.

1986 -- Receives and M.A. in Art History at New York University's Institute of Fine Arts. Curates Carlos Enríquez for the Cuban Museum of Arts and Culture, Miami, Florida and Into the Mainstream: Ten Latin American Artists Working in New York for the Jersey City Museum in Jersey City, New Jersey.

1987 -- The exhibition Aurelia Muñoz: Selections, curated by Blanc, opens at the Metropolitan Museum of Art in Miami, Florida. Serves as juror for Expresiones Hispanas: Coors National Hispanic Art Exhibition, Denver, Colorado. Curates Visions of Self: The American Latin Artist for the Miami-Dade Community College gallery.

1988 -- Receives a grant from the NY State Council on the Arts for research on Cuban artist Wifredo Lam for the exhibition at the Studio Museum in Harlem, New York. Enrolls in the art history Ph.D. program at the City University Graduate Center, New York city. First bombing of the Cuban Museum of Arts and Culture in Miami takes place. Blanc's Amelia Peláez: A Retrospective successfully opens at the Cuban Museum of Arts and Culture despite much controversy.

1989 -- Curates Urgent Dream: New Work by Mario Bencomo at the Museum of Contemporary Hispanic Art (MoCHA), New York. Second bombing of the Cuban Museum of Arts and Culture, Miami FL.

1990 -- New York correspondent for Arte en Colombia, Bogota. Serves as adjunct lecturer at Queens College (CUNY) for the Fall semester. Curates the exhibition, The Post-Miami Generation for the Inter-American Gallery in Miami, Florida. Co-curates Figurative Perspectives: Six Artists of Latin American Background for the Rockland Center for the Arts, West Nyack, NY.

1991 -- Visiting scholar at University of Massachusetts at Amherst. Writes a small play, Tía Carmela: A Cuban Tragicomedy, illustrated by Cuban artist and friend Pablo Cano.

1995 -- Dies at the age of forty of AIDS related complications.
Provenance:
Margherite Blanc, sister of Giulio V. Blanc, donated her brother's papers in 1998 to the Archives of American Art, Smithsonian Institution. This collection, along with numerous other Latino collections, was acquired through the 1996 Latino Art Documentation Project in South Florida. Initiated to chronicle the thriving art scene so apparent in the city's galleries, museums, and private collections, the project resulted in numerous acquisitions described in the revised edition of the Papers of Latino and Latin American Artists. Both the project and the publication were made possible, in part, with funding provided by the Smithsonian Institution's Center for Latino Initiatives.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Giulio V. Blanc papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Cuban American art -- Florida -- Miami  Search this
Art, Latin American  Search this
Artists -- Cuba  Search this
Cuban American artists  Search this
Art historians -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Citation:
Giulio V. Blanc papers, 1920-1995. Smithsonian Institution. Archives of American Art.
Identifier:
AAA.blangiul
See more items in:
Giulio V. Blanc papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-blangiul
Online Media:

William Walker

Artist:
Webster Brothers, active 1850s - 1860s  Search this
Edward Z. Webster, c. 1821 - ?  Search this
Israel B. Webster, 1826 - ?  Search this
Sitter:
William Walker, 8 May 1824 - 12 Sep 1860  Search this
Medium:
Salted paper print
Dimensions:
Image: 18.3 x 13.3cm (7 3/16 x 5 1/4")
Sheet: 31.6 x 23.3cm (12 7/16 x 9 3/16")
Mat: 45.7 x 35.6cm (18 x 14")
Type:
Photograph
Date:
1857
Topic:
Interior  Search this
Costume\Dress Accessory\Tie\Bowtie  Search this
William Walker: Male  Search this
William Walker: Natural Resources\Adventurer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.97.209
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm43bda662f-07f4-4377-8400-b9136cfd47ba
EDAN-URL:
edanmdm:npg_NPG.97.209

1968 Summer Olympics souvenir banner used by Cathy Jamison (Imwalle)

User:
Imwalle, Catherine Jamison  Search this
Physical Description:
fabric (overall material)
wood (overall material)
plastic (overall material)
Measurements:
overall: 8 1/4 in x 7 1/2 in x 1/4 in; 20.955 cm x 19.05 cm x .635 cm
Object Name:
souvenir banner, olympics
olympics banner
Date made:
1968
Subject:
Swimming  Search this
Olympics  Search this
Women  Search this
Related event:
Olympic Summer Games: Mexico City, 1968  Search this
ID Number:
2018.3065.01
Nonaccession number:
2018.3065
Catalog number:
2018.3065.01
See more items in:
Cultural and Community Life: Sport and Leisure
Sports & Leisure
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-9f70-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1893703

1968 Summer Olympics souvenir flag

User:
Imwalle, Catherine Jamison  Search this
Physical Description:
fabric (overall material)
wood (overall material)
plastic (overall material)
Measurements:
overall: 10 1/2 in x 4 1/2 in x 1/4 in; 26.67 cm x 11.43 cm x .635 cm
Object Name:
flag, olympics
olympic souvenir flag
souvenir flag, olympics
Date made:
1968
Subject:
Swimming  Search this
Olympics  Search this
Women  Search this
Related event:
Olympic Summer Games: Mexico City, 1968  Search this
ID Number:
2018.3065.02
Nonaccession number:
2018.3065
Catalog number:
2018.3065.02
See more items in:
Cultural and Community Life: Sport and Leisure
Sports & Leisure
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-9f71-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1893704

Swim cap worn by Cathy Jamison (Imwalle) at the 1968 Mexico City Summer Olympics

User:
Imwalle, Catherine Jamison  Search this
Physical Description:
rubber (overall material)
Measurements:
overall: 5 1/4 in x 10 1/2 in x 1/4 in; 13.335 cm x 26.67 cm x .635 cm
Object Name:
swim cap, olympics
swim cap
Date made:
1968
Subject:
Swimming  Search this
Olympics  Search this
Women  Search this
Related event:
Olympic Summer Games: Mexico City, 1968  Search this
ID Number:
2018.3065.03
Nonaccession number:
2018.3065
Catalog number:
2018.3065.03
See more items in:
Cultural and Community Life: Sport and Leisure
Sports & Leisure
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-a07b-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1893705

Competition bathing suit worn by swimmer Victoria King at the 1968 Mexico City Summer Olympics

User:
King, Victoria  Search this
Maker:
Speedo International Ltd.  Search this
Physical Description:
fabric, nylon (overall material)
Measurements:
overall: 27 in x 14 in; 68.58 cm x 35.56 cm
Object Name:
bathing suit, olympics
olympic bathing suit
Date made:
1968
Subject:
Swimming  Search this
Olympics  Search this
Women  Search this
Related event:
Olympic Summer Games: Mexico City, 1968  Search this
ID Number:
2018.0081.02
Accession number:
2018.0081
Catalog number:
2018.0081.02
See more items in:
Cultural and Community Life: Sport and Leisure
Sports & Leisure
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-9fee-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1893707

Pajama top worn by swimmer Victoria King at the 1968 Mexico City Summer Olympics

User:
King, Victoria  Search this
Physical Description:
fabric, nylon (overall material)
Measurements:
overall: 23 1/2 in x 17 1/2 in; 59.69 cm x 44.45 cm
Object Name:
pajama top, olympics
pajama top
Date made:
1968
Subject:
Swimming  Search this
Olympics  Search this
Women  Search this
Related event:
Olympic Summer Games: Mexico City, 1968  Search this
ID Number:
2018.0081.03.1
Accession number:
2018.0081
Catalog number:
2018.0081.03.1
See more items in:
Cultural and Community Life: Sport and Leisure
Sports & Leisure
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-9fef-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1893708
Online Media:

Pajama bottoms worn by swimmer Victoria King at the 1968 Mexico City Summer Olympics

User:
King, Victoria  Search this
Physical Description:
fabric, nylon (overall material)
Measurements:
overall: 36 in x 9 in; 91.44 cm x 22.86 cm
Object Name:
pajama bottoms, olympics
pajama bottoms
Date made:
1968
Subject:
Swimming  Search this
Olympics  Search this
Women  Search this
Related event:
Olympic Summer Games: Mexico City, 1968  Search this
ID Number:
2018.0081.03.2
Accession number:
2018.0081
Catalog number:
2018.0081.03.2
See more items in:
Cultural and Community Life: Sport and Leisure
Sports & Leisure
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-9ff0-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1893709
Online Media:

Beach towel used by swimmer Victoria King at the 1968 Mexico City Summer Olympics

User:
King, Victoria  Search this
Physical Description:
fabric, terry cloth (overall material)
Measurements:
overall: 24 in x 43 in; 60.96 cm x 109.22 cm
Object Name:
beach towel, olympics
beach towel
Date made:
1968
Subject:
Swimming  Search this
Olympics  Search this
Women  Search this
Related event:
Olympic Summer Games: Mexico City, 1968  Search this
ID Number:
2018.0081.04
Accession number:
2018.0081
Catalog number:
2018.0081.04
See more items in:
Cultural and Community Life: Sport and Leisure
Sports & Leisure
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-9ff1-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1893710

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