Search Results

Creator:

Garden Club of America  Search this

Names:

New York Flower Show  Search this

Extent:

37000 Slides (photographs) (35mm slides)

33 Linear feet ((garden files))

3,000 Lantern slides

Type:

Collection descriptions

Archival materials

Slides (photographs)

Lantern slides

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Date:

circa 1920-present

Summary:

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

Biographical/Historical note:

The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- France  Search this

Gardens -- Italy  Search this

Gardens -- Japan  Search this

Gardens -- Mexico  Search this

Flower shows  Search this

Gardening -- United States -- societies, etc  Search this

Gardens -- England  Search this

Landscape architecture  Search this

Gardens -- United States  Search this

Gardens -- Spain  Search this

Gardens -- Scotland  Search this

Genre/Form:

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Lantern slides

Slides (photographs)

Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA

See more items in:

The Garden Club of America collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb617385372-1028-4cb7-b07d-04fea2e51c47

EDAN-URL:

ead_collection:sova-aag-gca

Creator:

Smithsonian Gardens  Search this

Type:

YouTube Videos

Uploaded:

2020-08-18T17:30:01.000Z

YouTube Category:

Education  Search this

Topic:

Gardens  Search this

See more by:

SmithsonianGardens

Data Source:

Smithsonian Gardens

YouTube Channel:

SmithsonianGardens

EDAN-URL:

edanmdm:yt_fPaxDocB5Jk

Creator:

Morison, George S., 1842-1903  Search this

Names:

Baring Brothers Company  Search this

Isthmian Canal Commission.  Search this

Extent:

30 Cubic feet (63 boxes and 152 map-folders)

Type:

Collection descriptions

Archival materials

Blueprints

Tracings

Place:

Peterborough (NH)

Panama

Date:

1846-1903

Summary:

The collection documents the career of George S. Morison, a prominent civil engineer, specializing in railroad bridge design. The materials consist primarily of drawings and maps (linen tracings, blueprints, sketches); final bridge reports; photographs; glass plate negatives; daily diaries; correspondence; and published material documenting George S. Morison's participation on the Isthmian Canal Commission, 1898-1903.

Arrangement:

The collection is arranged into seven series.

Series 1: Diaries, 1863-1903

Subseries 1.1: Biographical Materials, 1863-1903

Subseries 1.2: Diaries, 1863-1903

Subseries 1.3: Newspaper Clippings, 1880-1898

Series 2: Correspondence, 1870-1903

Series 3: Reports/Printed Materials, 1846-1903

Series 4: Photographs, 1888, 1892-1893

Series 5: Glass Plate Negatives, 1886-1889

Subseries 5.1: Bellefontaine Bridge, undated

Subseries 5.2: Blair Crossing, 1893

Subseries 5.3: Cairo Bridge, 1888-1889

Subseries 5.4: Kansas City Bridge, 1886

Subseries 5.5: Memphis Bridge, circa 1893

Subseries 5.6: Memphis Bridge, 1891-1893

Subseries 5.7: Nebraska City Bridge, 1887-1888

Subseries 5.8: Omaha Bridge, undated

Subseries 5.9: Panama Canal, undated

Subseries 5.10: Rulo Bridge, 1886-1889

Subseries 5.11: Sioux City, circa 1881

Series 6: Lantern Slides, 1878-1894

Subseries 6.1: Isthmian Canal, undated

Subseries 6.2: General, 1878-1894

Series 7: Drawings, circa 1881-1900

Biographical / Historical:

Morison (1842-1903) of Peterborough, New Hampshire, was a prominent civil engineer specializing in railroad bridge design. He built ten bridges over the Missouri River, five over the Mississippi River and one over the Ohio River. Morison designed bridges in New York, and worked on the New York waterfront. He also helped to locate a deep water harbor in southern California and designed and built several viaducts.

Morison served on numerous engineering boards and acted as a consulting expert for Baring Brothers Company. Morison was a member of several important engineering committees, the most important of which was the Isthmus Canal (Panama Canal) Commission, 1899-1903. He was instrumental in changing its recommended location from Nicaragua to Panama.

Related Materials:

Materials in the Archives Center, National Museum of American History

George W. Sims Papers, 1896-1981. (AC0127)

Underwood & Underwood Glass Stereograph Collection, 1895-1921 (AC0143)

Silas H. Woodard Papers, ca. 1899-1932 (AC1038)

Make the Dirt Fly!

Materials in Other Organizations

Minnesota Historical Society

Engineering Dept. records. Northern Pacific Railway Company records, 1867-1970.

Subject files (1867-1970); accounting records (1879-1921); standard plans for buildings, bridges, and other structures ([188-]-[196-]); track profile maps (1890-1927); and bridge records (1892-1960) created or compiled by the Northern Pacific administrative unit responsible for locating, surveying, constructing, and maintaining roadways and structures. Contains letter press books for George S. Morison.

Library of Congress, Historic American Buildings Survey/Historic American Engineering Record/Historic American Landscapes Survey

Includes photographs and drawings for some of Morison's bridges.

Separated Materials:

Artifacts related to this collection are in the Division of Work & Industry (See accessions #1984.1093 and #1993.0113) and includes camera equipment, drafting curves, and an omnimeter transit with tripod.

Provenance:

The collection was donated by Robert S. Morison, Elting Morison, and John H. Morison on June 17, 1985.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Bridges -- Design and construction  Search this

Railroad bridges  Search this

Genre/Form:

Blueprints

Tracings

Citation:

George Morison Collection, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0978

See more items in:

George S. Morison Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep847ba2160-f43c-47ce-a3ba-973eeb23f8de

EDAN-URL:

ead_collection:sova-nmah-ac-0978

Creator:

Modjeski and Masters  Search this

Collector:

National Museum of American History (U.S.). Division of History of Technology  Search this

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

Names:

Masters, Frank, 1883-1974  Search this

Modjeski, Ralph, 1861-1940  Search this

Interviewer:

Vogel, Robert M.  Search this

Extent:

60 Cubic feet (140 boxes, 23 map folders)

Type:

Collection descriptions

Archival materials

Oral history

Lantern slides

Photographs

Drawings

Contracts

Letterpress books

Correspondence

Place:

Harrisburg (Penn.)

Pennsylvania

Date:

1870-1979

bulk 1900-1940

Summary:

The records document the work of consulting engineers and bridge builders, Ralph Modjeski (1861-1940) and Frank Masters (1883-1974) of Harrisburg, Pennsylvania.

Scope and Contents:

This collection documents the civil engineering career of Ralph Modjeski (1861-1940) and Frank masters (1883-1974). The materials include bound volumes and loose photographs of bridge work-in-progress; printed reports; articles, pamphlets; drawings, blue prints and tracings of bridges; letterpress books of correspondence; contracts; reports; studies of bridge materials; and glass plate negatives and lantern slides depicting bridges.

Arrangement:

The collection is arranged into ten series.

Series 1: Biographical Materials, 1915-1986

Series 2: Letter Press Books, 1898-1906

Series 3: Photographs, 1878-1979

Series 4: Contracts, 1895-1960

Series 5: Printed Materials, 1862-1969

Series 6: Newspaper Clippings, 1924-1941

Series 7: Lantern Slides, undated

Series 8: Glass Plate Negatives, 1906-1926

Series 9: Film Negatives, 1924, undated

Series 10: Drawings, 1901-1952

Biographical / Historical:

Rudolphe Modrzejewski was born to Helena Jadwiga Opid (d.1909) and Gustav Sinnmayer Modrzejewski (d. 1901) on January 27, 1861, in Cracow, Poland. His mother was an internationally known stage actress who went by the name Helena Modrzejewska. In 1868, Helena married Count Karol Bożenta Chłapowski. In July 1876, Helena and Rudolphe emigrated to America, where, for purposes of American citizenship, the Polish form of their surname was later changed to Modjeski (feminine form Modjeska). Modjeski became a naturalized citizen in 1883 in San Francisco, California.

In 1882, Modjeski returned to Europe to study at the Ecole Des Ponts et Chaussees and graduated in 1885 with a degree in civil engineering. Modjeski worked with prominent civil engineer and "Father of American Bridge Building," George S. Morison, on the Union Pacific Railroad Bridge over the Missouri River at Omaha as an assistant engineer. He remained with Morison from 1885 to 1892. Some of his assignments included working in the shops which produced steel sections; the design office where he advanced to chief draftsman; and as an inspector of quality control in shops that fabricated steel elements. Modjeski worked with Morison on his Willamette, Nebraska City, Sioux City, Winona, Cairo, and Memphis bridges across the Mississippi River. The Memphis bridge was the longest span cantilever in the country at the time.

In 1893, Modjeski opened a civil engineering practice in Chicago with S. Nicholson. After some financial difficulties, Nicholson and Modjeski dissolved their partnership. Modjeski's first individual large commission was the bridge at Rock Island, Illinois (1895) across the Mississippi River where he designed and supervised the construction of the bridge for the federal government and the Chicago, Rock Island and Pacific Railway Company.

In 1902, Modjeski went into partnership with fellow civil engineer, Alfred Noble (1844-1914) forming the firm of Noble and Modjeski. He went into partnership with Walter Angier, under the name Modjeski and Angier, civil and inspecting engineers, between 1912 and 1924 with several offices around the United States. Angiers had worked with him beginning in 1902 on the bridge across the Mississippi at Thebes, Illinois. Modjeski partnered, in 1924, with Frank Masters (1883-1974), who had worked with him and Angiers between 1904 and 1914 on the Memphis and Louisville Bridges, forming Modjeski and Masters. Clement E. Chase and Montgomery B. Case later joined the firm as partners. In 1937, Masters assumed full control and ownership of the firm which specialized in the design and construction supervision of large bridges and other structures, rehabilitation and reconstruction of existing bridges, the design of highways and expressways, subways and wharves, the design of large and complex foundations, inspection of construction materials, and the creation of surveys, investigations and reports.

Modjeski built and/or consulted on over forty bridges in his lifetime. He built truss, steel arch, and suspension bridges. He introduced steel tower pylons in place of masonry towers and he used better grades of steel, such as new steel alloys with improved strength and durability. He also introduced advancements in the design of cable configurations and deck-stiffening beams. Some of his major projects included: the Columbia River and Willamette bridges, McKinley Bridge at St. Louis; the Celilo Railroad Bridge at Celilo, Ohio; the Thebes Bridge over the Mississippi; the Quebec Bridge over the St. Lawrence River; the Delaware River Bridge; the San Francisco-Oakland Bay Bridge, the Manhattan Bridge, and the Mid-Hudson Bridge.

On December 28, 1885, Modjeski married Felicie Benda (d. 1936) in New York and the couple had three children: Felix Bozenta Modjeski (1887); Marylka Stuart Modjeski (1894) and Charles Emmanuel John Modjeski (1896-1944). Ralph and Felicie divorced in 1931. He later married Virginia Giblyn on July 7, 1931. Modjeski died in Los Angles on June 26, 1940.

Related Materials:

Materials in the Archives Center

Bollman Truss Bridge Collection, 1852-1986 (AC1064)

Canadian Bridges Photograph Albums, 1873-1911 (AC1025)

Victor C. Darnell Bridge Construction Photographs, 1911-1913 and undated (AC1018)

Beata Drake Covered Bridge Collection, 1954-1981 (AC0998)

Ben Franklin Bridge Photograph Album, 1922-1926 (AC1029)

Hartford, Connecticut Bridge Collection, 1903-1905 (AC1066)

Lake Shore and Michigan Southern Railroad Bridge Profiles, 1877-1896 (AC1073)

Richard H. Miller Bridge Collection : postcards and slides, circa 1950-1988 and undated, #950

George S. Morison Collection, 1846-1903 (AC0978)

Niagara Falls Bridge Commission Records, 1848-1946 (bulk 1890-1929) (AC1060)

Northern Pacific Railroad Bridge Construction Photograph Album, 1883-1884 (AC1030)

David Plowden North American Bridge Photographs, 1970-1976 (AC1019)

Quebec Bridge Photograph Collection, 1905-1986 (bulk 1905-1916) (AC1026)

Railroad Bridges Construction Photograph Album, circa 1905-1914 (AC1024)

Samuel Reed Bridge Collection, 1947-1964 (AC1001)

Rip Van Winkle Bridge Photographs, 1933-1935 (AC1027)

John A. Roebling Collection,1836-1975 (bulk 1930-1950) (AC0981)

Holton Duncan Robinson Papers, 1889-1938 (AC0963)

Lucinda Rudell Covered Bridges Collection, 1942-1979 (AC1028)

Lester Shanks Collection of Covered Bridge Photographs and Ephemera, 1876-2010 (bulk 1973-2008) (AC1244)

Washington, D.C. Bridges Collection, 1900-1905 (AC01095)

Raymond E. Wilson Covered Bridge Collection, 1958-1974 (AC0999)

Materials at Other Organizations

Southern Illinois University, Morris Library Special Collections

Walter E. Angier photograph collection, 1901-1915

Walter E. Angier Vertical File Manuscript, 1924

Michigan Historical Collections, Bentley Historical Library, University of Michigan

Alfred Noble Papers, 1862-1922

Provenance:

The collection was donated by Modejeski and Masters Consulting Engineers, through Joseph J. Scherrer, October 2, 1990.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Civil engineering  Search this

Bridge failures  Search this

Bridges  Search this

Genre/Form:

Oral history -- 1950-1970

Lantern slides

Photographs -- Black-and-white negatives -- Glass

Drawings

Contracts

Letterpress books

Photographs -- 19th century

Correspondence

Citation:

Modjeski and Masters Company Records, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0976

See more items in:

Modjeski and Masters Company Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep827750b46-05ec-4519-8a2c-dddf6ab57d6e

EDAN-URL:

ead_collection:sova-nmah-ac-0976

Collection Creator:

Freer, Charles Lang, 1856-1919  Search this

Container:

Box 315

Box 316

Box 317

Box 318

Box 319

Box 320

Box 321

Box 322

Box 323

Box 324

Box 325

Box 326

Box 327

Box 328

Box 329

Box 330

Box 331

Box 332

Box 333

Box 334

Box 335

Box 336

Box 337

Box 338

Box 339

Box 340

Box 341

Box 342

Box 343

Box 344

Box 345

Box 346

Box 347

Box 348

Box 349

Box 350

Box 351

Box 352

Box 353

Box 354

Box 355

Box 356

Box 357

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Collection Citation:

Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.

Identifier:

FSA.A.01, Subseries 12.14

See more items in:

Charles Lang Freer Papers

Charles Lang Freer Papers / Series 12: Photographs

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3d38664f8-0ee1-413e-bc4d-10852107424d

EDAN-URL:

ead_component:sova-fsa-a-01-ref2513

Collection Creator:

Freer, Charles Lang, 1856-1919  Search this

Container:

Box 258

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Collection Citation:

Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.

See more items in:

Charles Lang Freer Papers

Charles Lang Freer Papers / Series 12: Photographs / 12.1: Portraits of Freer

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3c2cbe79f-02b3-4b7e-9833-5afd5f9b9412

EDAN-URL:

ead_component:sova-fsa-a-01-ref2527

Collection Creator:

Freer, Charles Lang, 1856-1919  Search this

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Collection Citation:

Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.

See more items in:

Charles Lang Freer Papers

Charles Lang Freer Papers / Series 11: Outsize Material / Series 12 Outsize: Photographs

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3d8a550a7-45ce-4ffd-9600-44c45f540be3

EDAN-URL:

ead_component:sova-fsa-a-01-ref2654

Collection Creator:

Freer, Charles Lang, 1856-1919  Search this

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Collection Citation:

Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.

See more items in:

Charles Lang Freer Papers

Charles Lang Freer Papers / Series 11: Outsize Material / Series 12 Outsize: Photographs / Subseries 12.4: Lantern Slides

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc331c8ba30-143a-4627-9453-72515201a891

EDAN-URL:

ead_component:sova-fsa-a-01-ref2655

Collector:

Oliver, Alfred Cookman, 1885-1952  Search this

Extent:

306 Lantern slides (black and white and color)

Type:

Collection descriptions

Archival materials

Lantern slides

Place:

Beijing (China)

China -- Beijing -- Beijing

China -- Description and Travel

Date:

circa 1920's and 1930's

Scope and Contents:

Lantern slides and stereopticons, black and white and hand-colored, assembled by Chaplain Oliver (he appears in several), depicting monuments and scenes, especially in Beijing, such as Ming tombs, temples, the Summer Palace, landscapes, place views, military soldiers, Chinese people, Western visitors, and daily life. Also includes images of the Great Wall and the Forbidden City. Four boxes of the slides are housed in original wooden slide cases with Chaplain Oliver's name and the subject of the slide within painted on the cover. Many slides are numbered on the mount ; some credit the Hui Wen Photo Department, Tiensin Hui Wen Academy.

Arrangement:

Slides organized in 10 boxes; arranged by scene

Biographical / Historical:

Colonel Alfred C. Oliver Jr. graduated from Princeton University in 1917, and subsequently became an U.S. Army Chaplain, serving in both the First and Second World Wars. Oliver spent two years in China from 1930-1932. In 1942, he was taken prisoner of war by the Japanese in the Phillipines. Upon surviving the Bataan death march, he was kept imprisoned until his release in 1945. Over the course of his life, he was stationed at Walter Reed Army Hospital (Washington, D.C.) , in Hawaii, and in Fort Harrison, Indiana, where he became involved in the Civilian Conservation Corps. He co-authored with Harold M. Dudley a book entitled "This new America: the spirit of the Civilian Conservation Corps" (1937) regarding his experience in this work. He retired from the U.S. Army in 1946.

Restrictions:

Collection is open for research.

Genre/Form:

Lantern slides -- 1900-1950

Citation:

Chaplain A.C. Oliver Jr. Lantern Slide Collection, FSA.A1997.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A1997.06

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc328112585-3e72-4ffb-919e-d13b48ba64b7

EDAN-URL:

ead_collection:sova-fsa-a1997-06

Donor:

Little Manila Foundation  Search this

Extent:

4.33 Cubic feet (13 boxes)

Culture:

Filipino Americans  Search this

Type:

Collection descriptions

Archival materials

Diaries

Correspondence

Photographs

Receipts

Date:

circa 1917-1980, undated

Summary:

Collection of archival materials removed from trunks of personal belongings abandoned at death by Filipino agricultural workers in Stockton, California.

Scope and Contents:

Archival materials containing correspondence, photographs, albums, work receipts, books, and other ephemera documenting the lives of Filipino migrants in Stockton, California dating from 1920s-1970s.

Arrangement:

Collection is arranged into twenty-three series.

Series 1: Enrique Andales, 1917-1937, undated

Series 2: Julian S. Arofo, 1950-1953

Series 3: A.T. Bastion, undated

Series 4: Julian Felicita Bernido, 1971

Series 5: Andres Salle Casinas, 1912-1980, undated

Series 6: Cesario Hotora Comparativo, 1925-1945, undated

Series 7: Hilario Samson Cuevas, 1925-1930, udated

Series 8: Vinancio Felisarta, 1971

Series 9: Jose Madridejo Galinato, 1926-1949, undated

Series 10: Eufricino Janier, 1920-1929, undated

Series 11: Felimon Laga, 1922-1923, undated

Series 12: Seven Madrias, 1936-1938, undated

Series 13: Eusebio Maglente, 1920-1923, undated

Series 14: Epimaco Fariola Mansueto, 1874-1947, undated

Series 15: Sixto Olaco, 1921-1954, undated

Series 16: Anastacio Atig Omandam, 1924-1937

Series 17: Juan Campoco Pascual, 1936, 1948, undated Series 18: Julian Rogas, 1929-1936, undated

Series 19: Arcadio Simangca, 1961-1971

Series 20: Julio Saranza, 1971

Series 21: Pablo Mendoza Solomon, 1921-1971, undated

Series 22: Victor Yano, 1971

Series 23: Legionarios del Trabajo: Daguhoy Masonic Lodge, 1928-1935, undated

Biographical / Historical:

This collection consist of letters, diaries from Filipino Agricultural Workers

Related Materials:

Archives Center, National Museum of American History



Warshaw Collection of Business Americana Subject Categories: World Expositions, NMAH.AC.0060

Underwood & Underwood Glass Stereograph Collection, NMAH.AC.0143

Alexander Alland, Sr., Photoprints, NMAH.AC.0204

Sam DeVincent Collection of Illustrated American Sheet Music, Series 8: Geography, NMAH.AC.0300

Duncan Family Yo-Yo Collection, NMAH.AC.807

Catherine Hann Papers, NMAH.AC.0921

Kamikawa, Omata and Matsumoto Families Papers, NMAH.AC.0924

Juanita Tamayo Lott Filipino American Photographs and Papers, NMAH.AC.0925

Bishop Mitsumyo Tottori Memorial Notebooks, NMAH.AC.0926

Division of Cultural History Lantern Slides and Stereographs, NMAH.AC.0945

Other Respositories

Sacramento Public Library, Sacramento Room Photograph Collection

holdings include photograph of Legionarios Del Trabajo

Separated Materials:

The National Museum of American History's Divison of Work and Industry holds the objects that came with the collection including:

Accession number 2022.0058.

Provenance:

Collection donated by the Little Manila Foundation through Dillon Delvo, Executive Director, 2021.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Agriculture -- California  Search this

Migrant workers  Search this

Tagalog language  Search this

Genre/Form:

Diaries

Correspondence -- 20th century

Photographs -- 20th century

Receipts -- 20th century

Citation:

Filipino Agricultural Workers Collection, Archives Center, National Museum of American History

Sponsor:

Processing and encoding funded by a grant from the American Women History Initiative, 2023.

Identifier:

NMAH.AC.1515

See more items in:

Filipino Agricultural Workers Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep865b08d8d-170d-410c-9794-1f0f1f0b1388

EDAN-URL:

ead_collection:sova-nmah-ac-1515

Creator:

Kepes, Gyorgy, 1906-2001  Search this

Names:

Center for Advanced Visual Studies  Search this

Illinois Institute of Technology  Search this

Saidenberg Gallery  Search this

Triennale di Milano (Milan, Italy)  Search this

Arnheim, Rudolf  Search this

Bertoia, Harry  Search this

Blee, Michael  Search this

Boghosian, Varujan  Search this

Brazdys, Konslancija  Search this

Burgess, Lowry, 1940-  Search this

Burnham, Jack, 1931-  Search this

Calder, Alexander, 1898-1976  Search this

Chermayeff, Serge, 1900-  Search this

Dreyfuss, Henry, 1904-1972  Search this

Eames, Charles  Search this

Eames, Ray  Search this

Egawa, Kazuhiko  Search this

Entwhistle, Clive  Search this

Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this

Gropius, Walter, 1883-1969  Search this

Hayter, Stanley William, 1901-1988  Search this

Hélion, Jean, 1904-1987  Search this

Johnson, Philip, 1906-2005  Search this

Kepes, Juliet  Search this

Kowalski, Piotry  Search this

Lynch, Kevin, 1918-1984  Search this

McLuhan, Marshall, 1911-1980  Search this

Mead, Margaret, 1901-1978  Search this

Moholy-Nagy, László, 1895-1946  Search this

Moholy-Nagy, Sibyl, 1905-  Search this

Nusberg, Lev, 1937-  Search this

Osborn, Robert Chesley, 1904-1994  Search this

Piene, Otto, 1928-  Search this

Read, Herbert Edward, Sir, 1893-1968  Search this

Richards, I. A. (Ivor Armstrong), 1893-1979  Search this

Rickey, George  Search this

Saarinen, Eero, 1910-1961  Search this

Sonfist, Alan  Search this

Steinberg, Saul  Search this

Tacha, Athena, 1936-  Search this

Takis, Vassilakis  Search this

Tange, Kenzō, 1913-  Search this

Thiel, Philip  Search this

Tovish, Harold, 1921-2008  Search this

Tsʻai, Wen-ying, 1928-  Search this

Wolff, Robert Jay, 1905-  Search this

Wurster, William Wilson  Search this

Zvilna, Jēkabs, 1913-1997  Search this

Faculty:

Massachusetts Institute of Technology  Search this

Extent:

21.2 Linear feet

Type:

Collection descriptions

Archival materials

Caricatures

Designs

Photographs

Sketchbooks

Sketches

Sound recordings

Place:

Times Square (New York, N.Y.)

Date:

1909-2003

bulk 1935-1985

Summary:

The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.

Scope and Contents:

The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.

Correspondence provides a wide range of documentation on all aspects of Kepes's career including his collaborations and friendships with artists, architects, writers, scientists, and fellow educators including Rudolf Arnheim, Alexander Calder, Henry Dreyfuss, Charles and Ray Eames, Clive Entwhistle, R. Buckminster Fuller, Walter Gropius, S. W. Hayter, Jean Hélion, Laszlo and Sibyl Moholy-Nagy, Lev Nussberg, Robert Osborn, George Rickey, Saul Steinberg, Kenzo Tange, Robert Jay Wolff, and Jekabs Zvilna. Correspondence also documents the evolution of Kepes's vision for the Center for Advanced Visual Studies, which he established in 1967, and his subsequent leadership of CAVS at M.I.T. Records document his collaborations with students and fellows including Lowry Burgess, Jack Burnham, Piotry Kowalski, Margaret Mead, Otto Piene, Alan Sonfist, Athena Tacha, Vassilakis Takis, Philip Thiel, Harold Tovish, and Wen-Ying Tsai. Correspondents also include people who contributed to Kepes's Vision + Value series, including Michael Blee, Kazuhiko Egawa, Jean Hélion, and others. Correspondence includes three motion picture films, including what appears to be an early version of Powers of Ten by Charles and Ray Eames.

Writings include notes and manuscripts for articles and essays in which Kepes explored ideas evident in his books The New Landscape and Language of Vision, and submitted to publications such as Daedalus, Design, Domus, and Leonardo. Writings also include manuscripts for lectures, and draft manuscripts documenting Kepes's collaborative work with fellow M.I.T. professor Kevin Lynch on city planning, which culminated in Lynch's research project "The Perceptual Form of the City."

A small group of "Times Square Project" files documents Kepes's proposal for a lightscape in Times Square that was ultimately not realized.

Teaching files include sound recordings of circa five symposia and discussions held at M.I.T., the Illinois Institute of Technology, and elsewhere, some featuring Kepes and including Philip Johnson, Eero Saarinen and others.

Exhibition files include documentation of three exhibitions, including Light as a Creative Medium (1968) and a Kepes exhibition at Saidenberg Gallery (1968). They also record Kepes's involvement in designing the 1968 Triennale di Milano.

Printed material includes a substantial collection of announcements and catalogs for Kepes exhibitions, lectures, and other events, and includes catalogs and announcements for scattered exhibitions of his wife, artist and illustrator, Juliet Kepes. Clippings from newspapers and magazines include articles about Kepes, and contain some copies of published writings and designs by him. The series also includes sound recordings and motion picture films containing original material for a CBS television series "The 21st Century," probably as part of the episode "Art for Tomorrow," which appear to feature M.I.T. fellows Jack Burnham and Vassilakis Takis. Another motion picture film of an Italian documentary "Operazione Cometa" can also be found here.

Two sketchbooks contain pen and ink and painted sketches by Kepes. Artwork by Kepes includes original poster designs, caricatures, and many pencil, and pen and ink sketches and paintings on paper and board, including designs for stained glass. Artwork by others includes ink on mylar sketches by D. Judelson and Konstancija Brazdys, and a sketch by Harold Tovish. Also found are circa seventeen motion picture films and four sound recordings, the majority of which are untitled and by unidentified artists, but include films by M.I.T. fellows Otto Piene, Vassilakis Takis, Philip Thiel, Harold Tovish, Wen-Ying Tsai, and others.

Photographs are of Kepes, Juliet Kepes, and other family members; students, colleagues, and friends, including R. Buckminster Fuller, Serge Chermayeff, Harry Bertoia, Varujan Boghosian, Alexander Calder, Marchall McLuhan, Margaret Mead, Herbert Read, I. A. Richards, Saul Steinberg, and William Wurster; and of Kepes in his studio. There are also photos of exhibition installations in which Kepes's work appeared or which he designed, and photos of his artwork and of images for publications which he wrote or edited. Photos by others include artwork by established artists and work by students, as well as photographs arranged by subjects such as cityscapes, forms found in nature, light patterns, mechanical devices, and photomicrographs. A collection of lantern slides with similar content to the photos of artwork and photos by subject is also found in this series and includes a lantern slide of Picasso creating a design with light.

Arrangement:

The collection is arranged as eleven series.

Series 1: Biographical Material, circa 1940-circa 1980 (0.25 linear feet; Boxes 1, 28)

Series 2: Correspondence, 1936-1984 (5.7 linear feet; Boxes 1-7, 28 OV 33, FCs 39-41)

Series 3: Interviews and Transcripts, 1954-1970 (4 folders; Box 7)

Series 4: Writings and Notes, 1948-circa 1980s (1.4 linear feet; Boxes 7-8, 28)

Series 5: Times Square Project Files, 1972-1974 (6 folders; Box 9)

Series 6: Teaching Files Sound Recordings, circa 1953-1972 (0.7 linear feet; Box 9)

Series 7: Exhibition Files, 1958-1973 (0.4 linear feet; Boxes 9-10)

Series 8: Printed Material, circa 1922-1989 (3.6 linear feet; Boxes 10-12, 28-29, OVs 35, 37, FCs 42-49)

Series 9: Sketchbooks, circa 1940s-circa 1970s (2 folders; Box 12)

Series 10: Artwork and Moving Images, circa 1924-2003 (2.5 linear feet; Boxes 12, 13, OVs 33-36, 38, FCs 50-62)

Series 11: Photographs, 1909-1988 (10.4 linear feet; Boxes 13-32)

Biographical / Historical:

Painter, designer, art theorist, and educator, Gyorgy Kepes (1906-2001), was born in Selyp, Hungary, and studied at the Royal Academy of Fine Arts, Budapest. He worked with Moholy-Nagy in Berlin and London before joining him at the New Bauhaus (later the Chicago Institute of Design) in 1937.

Kepes taught courses at the New Bauhaus from 1937 to 1945, and published Language of Vision in 1944, summarizing the educational ideas and methods he had developed during his time at the institute. In 1946 he accepted a teaching position at the Massachusetts Institute of Technology (M.I.T.) where he initiated a program in visual design.

In 1956 Kepes published The New Landscape in Art and Science, in which he presented images from nature that were newly accessible due to developments in science and technology, and explored his ideas for a common language between science and the visual arts.

In 1965, these ideas were apparent in Kepes's proposal of an expanded visual arts program at M.I.T., which would "build new as yet undetermined bridges between art and engineering and science," according to the minutes of an M.I.T. Art Committee meeting in March of that year. Kepes's vision dovetailed with M.I.T.'s vested interest in promoting the arts, and faculty and administrators were open to the argument that "The scientific-technical enterprise needs schooling by the artistic sensibilities." In 1967, they appointed Kepes Director of M.I.T.'s Center for Advanced Visual Studies (CAVS).

Kepes retired from the regular faculty at M.I.T. in 1967, to focus on his role as director of CAVS, where he worked to provide artists with opportunities for exploring new artistic forms on a civic scale through a working dialogue with scientists and engineers. Early fellows of the center included Maryanne Amacher, Joan Brigham, Lowry Burgess, Jack Burnham, Piotry Kowalski, Otto Piene, Vassilakis Takis, and Wen-Ying Tsai.

In 1965-1966 Kepes edited a six-volume series entitled Vision + Value, published by George Braziller, Inc. Each volume featured essays that centered around a core theme: The Education of Vision; Structure in Art and Science; The Nature and Art of Motion; Module, Symmetry, Proportion, Rhythm; Sign, Image, Symbol; and Man-Made Object. Contributions came from prominent artists, designers, architects, and scientists of the time including Rudolf Arnheim, Saul Bass, Marcel Breuer, John Cage, R. Buckminster Fuller, Johannes Itten, Marshall McLuhan, and Paul Rand.

Kepes experimented widely with photography, producing abstract images through the application of fluids and objects to photographic paper. He also took commercial work throughout his career, producing designs for all kinds of objects, including books and stained glass windows for churches. He returned to painting in the 1950s, and his development as a painter continued throughout his career at M.I.T., where he remained until his retirement in 1974, and beyond. His paintings, which were abstract and often incorporated organic shapes and hints of landscapes, can be found in museums such as the Brooklyn Museum of Art, the Corcoran Gallery of Art, and the Whitney Museum of American Art.

Kepes received many awards during his lifetime, including a Guggenheim Fellowship (1958); the Gold Star Award of the Philadelphia College of Art (1958); the National Association of Art Colleges Annual Award (1968); the California College of Art Award (1968); and the Fine Arts Medal from the American Institute of Architects (1968). In 1973 he was elected into the National Academy of Design as an associate member, and became a full academician in 1978. He was a member of the National Institute of Arts and Letters and Fellow of the American Academy of Arts and Sciences.

Related Materials:

Additional papers of Gyorgy Kepes can be found at Stanford University and the Massachusetts Institute of Technology Center for Advanced Visual Studies Special Collection.

Separated Materials:

The Archives of American Art also holds microfilm of material lent for microfilming (reel 1211) including ninety-eight letters to Kepes from colleagues, 1946-1974. Lent materials were returned to the lender and are not described in the collection container inventory.

Provenance:

Gyorgy Kepes lent papers for microfilming in 1974 and donated material to the Archives of American Art in a series of gifts between 1974 and 1993.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.

Rights:

Authorization to publish, quote, or reproduce requires written permission from Juliet Kepes Stone or Imre Kepes. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art -- Philosophy  Search this

Artists' studios--Photographs  Search this

City planning  Search this

Educators--Massachusetts--Cambridge  Search this

Motion pictures (visual works)  Search this

Genre/Form:

Caricatures

Designs

Photographs

Sketchbooks

Sketches

Sound recordings

Citation:

Gyorgy Kepes papers, 1909-2003, bulk 1935-1985. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.kepegyor

See more items in:

Gyorgy Kepes papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f863f285-f429-48f1-ba6e-fb74702c12ba

EDAN-URL:

ead_collection:sova-aaa-kepegyor

Collection Creator:

Hirsch, Stefan, 1899-1964  Search this

Rogo, Elsa, 1901-1996  Search this

Container:

Box 16, Folder 20-22

Type:

Archival materials

Date:

1920s

Collection Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Original film reels and archival negative copies are stored off-site and are closed to researchers.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Stefan Hirsch and Elsa Rogo papers, 1851-1986, bulk 1920s-1960s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund. Funding for the preservation of the Stefan Hirsch and Elsa Rogo home movies shot in Mexico was provided by the National Film Preservation Foundation. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Stefan Hirsch and Elsa Rogo papers

Stefan Hirsch and Elsa Rogo papers / Series 7: Photographs and Motion Picture Films

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98125e1ff-2e8f-4893-8a19-286ff333d735

EDAN-URL:

ead_component:sova-aaa-hirsstef-ref263

Creator:

Lee, George Washington Custis, 1832-1913  Search this

Custis, Geo. Washington Parke  Search this

Arlington House, the Robert E. Lee Memorial (Va.)  Search this

Lee, Robert E.  Search this

Lee, Mary Anna Randolph Custis  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Lantern slide (glass lantern, col., 3 x 5 in.)

Type:

Archival materials

Lantern slides

Place:

Virginia -- Arlington

Date:

circa 1905-1920

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Children  Search this

Historic houses  Search this

Shrubs  Search this

Boys  Search this

Urns  Search this

Girls  Search this

Porches  Search this

Walkways, brick  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item VA091003

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Virginia / VA091: Arlington County -- Arlington House

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6cbfd8241-971e-48b0-bcfa-f4e8683fd1d5

EDAN-URL:

ead_component:sova-aag-gca-ref1

Photographer:

Gleason, Herbert Wendell, 1855-1937  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)

Type:

Archival materials

Photographs

Lantern slides

Place:

Mt. Hood (Oregon)

United States of America -- Oregon -- Clackamas -- Mt. Hood

Date:

[between 1914 and 1949?]

General:

Mount reads: "Herbert W. Gleason"

Historic plate number: "53."

Historic plate caption: "Mt. Hood from Tabor Heights, Washington"

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Landscapes -- Oregon -- Mt. Hood  Search this

Mountains  Search this

Snow  Search this

Valleys  Search this

Evergreens  Search this

Farmland  Search this

Houses  Search this

Genre/Form:

Lantern slides

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item OR011001

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Oregon / OR011: Mt. Hood -- Mt. Hood

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6e4c7b31b-0549-4c1b-ab5f-b36acc293000

EDAN-URL:

ead_component:sova-aag-gca-ref10227

Photographer:

Stephenson, George C.  Search this

Creator:

Ash, O. M., Mrs.  Search this

Provenance:

The Portland Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)

Type:

Archival materials

Photographs

Lantern slides

Place:

Oregon -- Portland

United States of America -- Oregon -- Multnomah County -- Portland

Date:

[between 1914 and 1949?]

General:

Mount reads: "Geo. C. Stephenson, Portland, Oregon."

Historic plate number: "26N."

Historic plate caption: "Mrs. O. M. Ash; Country garden."

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Rills  Search this

Woodlands  Search this

Wild flowers  Search this

Bulbs  Search this

Stones  Search this

Genre/Form:

Lantern slides

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item OR001001

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Oregon / OR001: Portland -- Ash Garden

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6cc96e160-1e91-44d2-9756-6be3afb0dbef

EDAN-URL:

ead_component:sova-aag-gca-ref10252

Photographer:

Stephenson, George C.  Search this

Creator:

Ash, O. M., Mrs.  Search this

Provenance:

The Portland Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)

Type:

Archival materials

Photographs

Lantern slides

Place:

Oregon -- Portland

United States of America -- Oregon -- Multnomah County -- Portland

Date:

[between 1914 and 1949?]

General:

Mount reads: "Geo. C. Stephenson, Portland, Oregon."

Historic plate number: "23."

Historic plate caption: "Mr. and Mrs. O. M. Ash, Country Garden. Wild Flowers."

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Ferns  Search this

Ornamental grasses  Search this

Azaleas  Search this

Trees  Search this

Rills  Search this

Stones  Search this

Genre/Form:

Lantern slides

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item OR001002

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Oregon / OR001: Portland -- Ash Garden

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6b08a7308-8853-4102-a7e0-f0d5c888812d

EDAN-URL:

ead_component:sova-aag-gca-ref10253

Photographer:

Stephenson, George C.  Search this

Creator:

Ash, O. M., Mrs.  Search this

Provenance:

The Portland Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)

Type:

Archival materials

Photographs

Lantern slides

Place:

Oregon -- Portland

United States of America -- Oregon -- Multnomah County -- Portland

Date:

[between 1914 and 1949?]

General:

Mount reads: "Geo. C. Stephenson, Portland, Oregon."

Historic plate number: "32N."

Historic plate caption: "Mr. and Mrs. O. M. Ash, Country Garden."

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Trees  Search this

Ivy  Search this

Stones  Search this

Stairs  Search this

Walkways  Search this

Gravel  Search this

Gates  Search this

Benches  Search this

Garden borders  Search this

Birdhouses  Search this

Finials  Search this

Genre/Form:

Lantern slides

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item OR001003

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Oregon / OR001: Portland -- Ash Garden

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb695cccc9b-671f-459f-ba9d-1ecbdfb598f0

EDAN-URL:

ead_component:sova-aag-gca-ref10254

Photographer:

Stephenson, George C.  Search this

Creator:

Ash, O. M., Mrs.  Search this

Provenance:

The Portland Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)

Type:

Archival materials

Photographs

Lantern slides

Place:

Oregon -- Portland

United States of America -- Oregon -- Multnomah County -- Portland

Date:

[between 1914 and 1949?]

General:

Mount reads: "Geo. C. Stephenson, Portland, Oregon."

Historic plate number: "84."

Historic plate caption: "Mr. and Mrs. O. M. Ash, Country Garden."

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Ponds  Search this

Tulips  Search this

Dogwoods  Search this

Rock gardens  Search this

Water lilies  Search this

Genre/Form:

Lantern slides

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item OR001004

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Oregon / OR001: Portland -- Ash Garden

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6d9602f48-1376-404c-9c32-7a18f6a5d0f8

EDAN-URL:

ead_component:sova-aag-gca-ref10255

Photographer:

Stephenson, George C.  Search this

Creator:

Kerr, Peter, Mrs.  Search this

Kerr, Peter  Search this

Architect:

Lawrence, D. E.  Search this

Landscape architect:

Olmsted, John Charles, 1852-1920  Search this

Olmsted Brothers  Search this

Provenance:

The Portland Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)

Type:

Archival materials

Photographs

Lantern slides

Place:

Oregon -- Portland

United States of America -- Oregon -- Multnomah County -- Portland

Date:

[between 1914 and 1949?]

General:

Mount reads: "Geo. C. Stephenson, Portland, Oregon."

Historic plate number: "3, 28R, 55."

Historic plate caption: "Mr. and Mrs. Peter Kerr."

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Rock gardens  Search this

Stairs  Search this

Perennials  Search this

Annuals (Plants)  Search this

Gravel  Search this

Pansies  Search this

Genre/Form:

Lantern slides

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item OR002001

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Oregon / OR002: Portland -- Bishop's Close At Elk Rock

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb651dedd0b-8469-4629-8c7b-7aedd2a13d4d

EDAN-URL:

ead_component:sova-aag-gca-ref10256

Photographer:

Stephenson, George C.  Search this

Creator:

Kerr, Peter, Mrs.  Search this

Kerr, Peter  Search this

Architect:

Lawrence, D. E.  Search this

Landscape architect:

Olmsted, John Charles, 1852-1920  Search this

Olmsted Brothers  Search this

Provenance:

The Portland Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)

Type:

Archival materials

Photographs

Lantern slides

Place:

Oregon -- Portland

United States of America -- Oregon -- Multnomah County -- Portland

Date:

[between 1914 and 1949?]

General:

Mount reads: "Geo. C. Stephenson, Portland, Oregon."

Historic plate caption: "Mr. and Mrs. Peter Kerr; Country Garden."

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Ponds  Search this

Trees  Search this

Shrubs  Search this

Ferns  Search this

Flowering trees  Search this

Water lilies  Search this

Genre/Form:

Lantern slides

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item OR002002

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Oregon / OR002: Portland -- Bishop's Close At Elk Rock

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb646584176-b91b-4644-9b06-a1561ffd36d3

EDAN-URL:

ead_component:sova-aag-gca-ref10257