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Edward Mitchell Bannister scrapbook

Creator:
Bannister, Edward Mitchell, 1828-1901  Search this
Names:
Providence Art Club  Search this
Whittaker, George W.  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1866-1901
Summary:
The Edward Mitchell Bannister scrapbook measures 0.6 linear feet and dates from 1866-1901. The scrapbook contains approximately 102 pencil, charcoal, and watercolor drawings by Bannister, newspaper clippings and writings about Bannister and his exhibitions, a poem, and an exhibition catalog.
Scope and Contents:
The Edward Mitchell Bannister scrapbook measures 0.6 linear feet and dates from 1866-1901. The scrapbook contains approximately 102 pencil, charcoal, and watercolor drawings depicting landscapes with cattle, trees, brambles, rolling clouds, a few figure studies, seascapes, and Bibical scenes, by Bannister. The scrapbook also includes newspaper clippings and writings about Bannister including reviews of his exhibitions and tributes by George W. Whitaker, John Nelson Arnold, and T. Thomas Fortune; a 1901 poem about Bannister written by William E. Smith; and an exhibition catalog of the Edward Mitchell Bannister Memorial exhibition held at the Providence Art Club in May 1901.
Arrangement:
The collection is arranged as one series. The scrapbook has been disbound but contents remain in their original order and are arranged in three parts.
Biographical / Historical:
Edward Mitchell Bannister (1828-1901) was a Canadian-born African American landscape and portrait painter in Boston, Massachusetts and Providence, Rhode Island. He was among Providence's leading painters during the 1870s and 1880s and was one of the few African American painters of the nineteenth century to win significant recognition.

Bannister moved to Boston in 1848 where he enrolled in evening classes at the Lowell Institute and learned to paint. He settled in Rhode Island with his wife in 1870 and in 1876 won the first-prize bronze medal at the Philadelphia Centennial Exposition. Subsequently his growing reputation resulted in many commissions which allowed him to devote himself full-time to painting.

Bannister was an original board member of the Rhode Island School of Design and a respected art critic. Following his death in 1901 the Providence Art Club, of which he was a founding member, held a memorial exhibition of his paintings owned by Providence collectors.
Provenance:
The scrapbook was donated to the Archives of America Art in 1984 by Alan and Melvin S. Frank. The scrapbook was previously on loan to the National Museum of American Art.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Landscape painters -- Rhode Island -- Providence  Search this
Portrait painters -- Rhode Island -- Providence  Search this
Landscape painters -- Massachusetts -- Boston  Search this
Portrait painters -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
African American painters  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.bannedwa
See more items in:
Edward Mitchell Bannister scrapbook
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98cb721c3-9a05-400e-b3e1-6b45e4dadfda
EDAN-URL:
ead_collection:sova-aaa-bannedwa
Online Media:

Boston Harbor

Artist:
Charles Manger, born ca. 1832-died after 1870  Search this
Medium:
oil on canvas
Dimensions:
24 1/8 x 40 1/8 in. (61.2 x 102.0 cm)
Type:
Painting
Date:
ca. 1860-1869
Topic:
Landscape\Massachusetts\Boston  Search this
Waterscape\harbor\Boston Harbor  Search this
Travel\water\ship  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Mrs. George Viault
Object number:
1970.183
Restrictions & Rights:
CC0
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
On View:
Smithsonian American Art Museum, Luce Foundation Center, 3rd Floor, 9B
Smithsonian American Art Museum, Luce Foundation Center
Smithsonian American Art Museum, Luce Foundation Center, 3rd Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk75febf91c-8889-4ad2-bc0d-57dfb51a4e7d
EDAN-URL:
edanmdm:saam_1970.183

The Retreat

Maker:
Bachelder, John Badger  Search this
Lithographer:
Bufford, John Henry  Search this
Measurements:
image: 17 1/8 in x 27 1/4 in; 43.4975 cm x 69.215 cm
overall: 21 in x 30 in; 53.34 cm x 76.2 cm
Object Name:
lithograph
Object Type:
Chromolithograph
Place made:
United States: Massachusetts, Boston
Date made:
1863
Subject:
Horses  Search this
Civil War  Search this
Uniforms, Military  Search this
Related event:
Civil War  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.2605
Catalog number:
60.2605
Accession number:
228146
See more items in:
Home and Community Life: Domestic Life
American Civil War Prints
Art
Domestic Furnishings
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-e93a-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_324913

The Army of the Potomac

Maker:
Bachelder, John Badger  Search this
Lithographer:
Bufford, John Henry  Search this
Measurements:
image: 17 in x 27 1/4 in; 43.18 cm x 69.215 cm
overall: 20 1/2 in x 30 in; 52.07 cm x 76.2 cm
Object Name:
Lithograph
Object Type:
Lithograph
Place made:
United States: Massachusetts, Boston
Date made:
1863
Subject:
Horses  Search this
Civil War  Search this
Uniforms, Military  Search this
Related event:
Civil War  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.2604
Catalog number:
60.2604
Accession number:
228146
See more items in:
Home and Community Life: Domestic Life
American Civil War Prints
Art
Domestic Furnishings
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-e837-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_324916

Arthur Wesley Dow papers, circa 1826-1978, bulk 1879-1922

Creator:
Dow, Arthur W. (Arthur Wesley), 1857-1922  Search this
Subject:
Hess, Herbert A. (Herbert Arthur)  Search this
Kenyon, Henry Rodman  Search this
Käsebier, Gertrude  Search this
Académie Julian  Search this
Ipswich Summer Art School  Search this
Type:
Diaries
Photographs
Citation:
Arthur Wesley Dow papers, circa 1826-1978, bulk 1879-1922. Archives of American Art, Smithsonian Institution.
Topic:
Works of art  Search this
Printmakers -- Massachusetts  Search this
Photographers -- Massachusetts  Search this
Art educators -- Massachusetts  Search this
Art -- Study and teaching -- Massachusetts  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)7588
(DSI-AAA_SIRISBib)209750
AAA_collcode_dowarth
Theme:
Diaries
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209750
Online Media:

Frank Swift Chase papers, 1907-1965

Creator:
Chase, Frank Swift, 1886-1958  Search this
Citation:
Frank Swift Chase papers, 1907-1965. Archives of American Art, Smithsonian Institution.
Topic:
Landscape painting, American -- New England  Search this
Landscape painting, American -- New York (State)  Search this
Commercial art -- United States  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8139
(DSI-AAA_SIRISBib)210310
AAA_collcode_chasfran
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210310

Charles Franklin Pierce papers, 1870-1972

Creator:
Pierce, Charles Franklin, 1844-1920  Search this
Type:
Sketchbooks
Citation:
Charles Franklin Pierce papers, 1870-1972. Archives of American Art, Smithsonian Institution.
Topic:
Landscape painting -- Massachusetts  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8818
(DSI-AAA_SIRISBib)211003
AAA_collcode_pierchar
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211003

John Joseph Enneking papers, 1879-1972

Creator:
Enneking, John J., 1841-1916  Search this
Type:
Sketchbooks
Citation:
John Joseph Enneking papers, 1879-1972. Archives of American Art, Smithsonian Institution.
Topic:
Landscape painting -- Massachusetts -- Boston  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8864
(DSI-AAA_SIRISBib)211049
AAA_collcode_ennejohn
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211049

George Fuller papers, 1832-1959

Creator:
Fuller, George, 1822-1884  Search this
Citation:
George Fuller papers, 1832-1959. Archives of American Art, Smithsonian Institution.
Topic:
Portrait painting -- Massachusetts -- Boston  Search this
Painting, Modern -- 19th century -- Massachusetts -- Boston  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8923
(DSI-AAA_SIRISBib)211109
AAA_collcode_fullgeor
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211109

MacIvor Reddie papers, 1869-1975

Creator:
Reddie, MacIvor, 1899-1966  Search this
Subject:
MacIvor Reddie Gallery  Search this
School of Practical Art (Boston, Mass.)  Search this
Type:
Sketchbooks
Citation:
MacIvor Reddie papers, 1869-1975. Archives of American Art, Smithsonian Institution.
Topic:
Landscape painting -- 20th century -- Massachusetts  Search this
Marine painting -- 20th century -- Massachusetts  Search this
Watercolor painting -- 20th century -- Massachusetts  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9187
(DSI-AAA_SIRISBib)211382
AAA_collcode_reddmaci
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211382

Henry Hitchings papers, 1867-1896

Creator:
Hitchings, Henry, 1824-1902  Search this
Citation:
Henry Hitchings papers, 1867-1896. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Art, Modern -- 19th century -- United States  Search this
Drawing, American  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)10397
(DSI-AAA_SIRISBib)213773
AAA_collcode_hitchenr
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213773

[Sketchbook] [graphic] / Winkworth Allan Gay, 1846

Creator:
Gay, Winckworth Allan, 1821-1910  Search this
Type:
Sketchbooks
Place:
Boston (Mass.) -- Pictorial works
Massachusetts -- Description and travel -- Pictorial works
Citation:
[Sketchbook] [graphic] / Winkworth Allan Gay, 1846. Archives of American Art, Smithsonian Institution.
Theme:
Sketches & Sketchbooks  Search this
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)6487
(DSI-AAA_SIRISBib)215677
AAA_collcode_gaywinca
Theme:
Sketches & Sketchbooks
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215677

Emmet family papers

Creator:
Emmet family  Search this
Names:
Berkshire Museum  Search this
Danforth Museum  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Beaux, Cecilia, 1855-1942  Search this
Casals, Pablo, 1876-1973  Search this
De Glehn, Jane Erin Emmet, 1873-1961  Search this
De Glehn, Wilfrid-Gabriel, 1870-1951  Search this
Doyle, Nancy  Search this
Emmet, Julia Colt Pierson, 1829-1908  Search this
Emmet, Lydia Field, 1866-1952  Search this
Emmet, Robert, 1778-1803  Search this
Fontanne, Lynn  Search this
James, Henry, 1843-1916  Search this
La Farge, Bancel, 1865-1938  Search this
Lunt, Alfred  Search this
MacMonnies, Frederick William, 1863-1937  Search this
Metcalfe, Susy  Search this
Millay, Edna St. Vincent, 1892-1950  Search this
Monod, Lucien  Search this
Morgan, Elizabeth Emmet, d. 1934  Search this
Ormond, Violet Sargent  Search this
Quilter, Roger, 1877-1953  Search this
Rand, Ellen Emmet, 1875-1941  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sargent, Emily, 1857-  Search this
Sargent, John Singer, 1856-1925  Search this
Sherwood, Robert E. (Robert Emmet), 1896-1955  Search this
Sherwood, Rosamond, 1899-  Search this
Sherwood, Rosina Emmet, 1854-1948  Search this
White, Stanford, 1853-1906  Search this
Extent:
9.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Date:
1792-1989
bulk 1851-1989
Summary:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.
Scope and Content Note:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators, whose artistic talents flourished during the late nineteenth through the mid-twentieth centuries.

Biographical material consists of family trees and family histories; individual biographical accounts, award certificates, and documentation for Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and Wilfrid de Glehn; a diary titled "Sedgemere Diary" containing drawings and entries primarily by Rosina Emmet Sherwood, and a smaller diary which mentions Rosina's son, future playwright Robert Sherwood; a documentary by Nancy B. Doyle on two VHS videocassettes, entitled The Emmets: Portrait of a Family; and artifacts comprising a rear-view optical device and locks of hair from an early nineteenth century generation of the Emmet family.

Correspondence forms the bulk of the collection and illustrates the interaction between members of this large and influential family and their colleagues and friends, offering a wide-ranging view of life in the late nineteenth through the mid-twentieth centuries, and through two World Wars. The series consists of letters between family members, primarily Julia Colt Pierson Emmet and her daughters, as well as cousins Henry James, Ellen "Bay" Emmet Rand, and Rosamond Sherwood, and friends Cecilia Beaux, Louis Bancel LaFarge, Frederick MacMonnies, Lucien Monod, Roger Quilter, Augustus Saint-Gaudens, Emily and John Singer-Sargent, Violet Sargent Ormond, and Stanford White. Topics include experiences of the Emmets while studying art in Paris, Rosina's presentation at Queen Victoria's court, Lydia's work at the Columbia Exposition, Jane's marriage to Wilfrid de Glehn and her friendship with John Singer Sargent, portrait painting activities, the troubles of their friend Susy Metcalfe in her marriage to Pablo Casals, and the activities of Rosina's son, playwright Robert Emmet Sherwood, and friends Alfred Lund and Lynn Fontanne.

Writings and notes consist of scattered manuscripts and poems by family members, two notebooks, one identified as belonging to Jane Erin Emmet de Glehn, and typescripts about Wilfrid de Glehn following his death. Also found is a book, Out of Town, written and illustrated by Rosina Emmet Sherwood, and Edna St Vincent Millay's poem "Autum Daybreak" written in Millay's handwriting.

Exhibition files document an exhibition held at the Berkshire Museum/Danforth Museum in Pittsfield/Farmingham, Massachusetts in 1982 entitled The Emmets: A Family of Women Painters, and include two audio cassettes of recordings from the "Art for Lunch" series at the Berkshire Museum discussing the exhibition.

Business records include account books belonging to Lydia Field Emmet and Rosina Emmet Sherwood, both of which document income from artwork and other sources, and expenses; a contract for the reproduction of Lydia Field Emmet's artwork; and a document concerning ownership of property, possibly of Emmet family ancestors.

Printed Material consists of clippings, exhibition announcements and catalogs, and reproductions of artwork by Emmet family members and others.

Two scrapbooks contain a combination of drawings, primarily by Rosina Emmet Sherwood, reproductions of artwork, and photographs.

Artwork includes drawings and sketchbooks by Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn Ellen Emmet Rand, and other Emmet relatives, illustrating the early development of their talent.

Photographs are of family members, including Julia Colt Pierson Emmet and William Jenkins Emmet, their daughters Lydia Field Emmet, Jane Erin Emmet de Glehn and husband Wilfrid de Glehn, Rosina Emmet Sherwood and husband Arthur Murray Sherwood, and Robert Emmet Sherwood as a young man. Also found are photos of friends Richard Harding Davis, Frederick MacMonnies, and Augustus Saint-Gaudens; a series of photographs of the installation at Arden Galleries, New York (1936) for the exhibition Paintings, Drawings and Sculptures by Five Generations of the Emmet Family; and photographs of artwork by Emmet family members.
Arrangement:
The Emmet family papers are arranged as nine series.

Missing Title

Series 1: Biographical Material, circa 1855-1988 (0.6 linear feet; Boxes 1, 10, OV 12)

Series 2: Correspondence, 1792-1985 (6.2 linear feet; Boxes 1-7)

Series 3: Writings and Notes, circa 1870s-1981 (11 folders; Box 7)

Series 4: Exhibition Files, 1947-1983 (0.3 linear feet; Boxes 7-8)

Series 5: Business Records, circa 1799-1945 (7 folders; Box 8)

Series 6: Printed Material, 1872-1989 (0.35 linear feet; Boxes 8, 10)

Series 7: Scrapbooks, 1870-1890 (0.2 linear feet; Boxes 8, 10)

Series 8: Artwork, circa 1850-circa 1920 (0.35 linear feet; Boxes 8, 10)

Series 9: Photographs, circa 1870s-circa 1950s (1 linear foot; Boxes 8-9, 11)
Biographical Note:
The Emmet family, descended from patriot Thomas Addis Emmet, brother of Irish martyr Robert Emmet, counts many physicians, lawyers, and writers (including cousin Henry James) among its ranks. Although evidence of artistic talent existed in several previous generations, it flourished during the later 19th through the mid-20th centuries in the professional portraiture of sisters Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and their cousin Ellen "Bay" Emmet Rand.

The eldest daughter of Julia Colt Pierson Emmet (1829-1908), herself a talented illustrator who had studied under Daniel Huntington, Rosina "Posie" Emmet (1854-1948) studied under William Merritt Chase at his Tenth Street Studio in New York and under Robert-Fleury at the Academie Julian in Paris. Before her marriage to Arthur Murray Sherwood in 1887, Rosina established a studio in New York and continued to submit illustrations to various publications. During her marriage, she slowed her creative activities, until financial reverses dictated her return to her career around the turn of the 20th century. Her daughter Rosamond Sherwood (1899-1990) was also a portrait painter. Her son, Robert Emmet Sherwood (1896-1955) became a four-time Pulitzer Prize-winning playwright.

Lydia Field Emmet (1866-1952) studied under Collin, Bouguereau, MacMonnies, and Robert-Fleury at the Academie Julian. Upon her return to New York, Lydia continued her studies under Chase, Kenyon Cox, H. Siddons Mowbray, and Robert Reid at the Art Students League, as well as at Chase's Shinnecock Summer School of Art. She established her portrait studio in New York City and began spending summers at Stockbridge, Massachusetts, where she built her home, "Strawberry Hill," in 1905. Best known for her portraits of children, Lydia's subjects were members of the socially prominent families of New York, Boston, and Philadelphia.

The youngest sister, Jane Erin Emmet (1873-1961), also studied with Chase in New York, and in Paris. In 1904, she married British landscape painter Wilfrid Von Glehn, who had visited the United States with his friend John Singer Sargent. (The Von Glehns' surname was changed to De Glehn, in 1919.) Settling in London, Jane continued her painting, befriended many artists and composers, and accompanied her husband and Sargent on several art-related journeys through Europe.

The Emmet sisters' cousin, Ellen Gertrude "Bay" Emmet (1875-1941), studied in New York at the Art Students League and under Frederick MacMonnies in Paris, becoming a National Academician in 1934. She married William Blanchard Rand in 1911 and settled in Salisbury, Connecticut. After the stock market crash of 1929, Bay's portraits of prominent society figures provided most of her family's income.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4544) including one scrapbook, compiled by Rosina Emmet Sherwood, consisting of portrait sketches, drawings of her dogs, genre scenes, travel views, and photographs of travels, friends, actors, and the ship "Scythia,". Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1988-1991, the bulk of the Emmet family papers were donated by Rosamond Sherwood, daughter of Rosina Emmet Sherwood (via Katharine Emmet Bramwell of New York), by Rosamond Sherwood's estate (via F. Douglas Cochrane, executor, from Boston), and by Rosamond's nieces, Virginia Sherwood and Julia Shipway. Additionally, one scrapbook was lent for microfilming in 1990 and subsequently donated by Mrs. Earl Maize. Douglas Cochrane then loaned another scrapbook for microfilming (reel 4344) in 1991 which was returned to Mrs. Earl Maize.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- England -- London  Search this
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Works of art  Search this
Painting, American -- New York (State)  Search this
Illustrators -- New York (State)  Search this
Playwrights  Search this
Portrait painters -- New York (State) -- New York  Search this
Singers  Search this
World War, 1914-1918  Search this
World War, 1939-1945  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Citation:
Emmet family papers, 1792-1989 (bulk 1851-1989). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.emmefami
See more items in:
Emmet family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d9921791-cc0b-425c-810b-1da218cafcec
EDAN-URL:
ead_collection:sova-aaa-emmefami
Online Media:

Arthur Wesley Dow papers

Creator:
Dow, Arthur W. (Arthur Wesley), 1857-1922  Search this
Names:
Académie Julian -- Photographs  Search this
Ipswich Summer Art School -- Photographs  Search this
Hess, Herbert A. (Herbert Arthur)  Search this
Kenyon, Henry Rodman, 1861-1926 -- Photographs  Search this
Käsebier, Gertrude, 1852-1934  Search this
Extent:
1.3 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Photographs
Date:
circa 1826-1978
bulk 1879-1922
Summary:
The papers of Arthur Wesley Dow measure 1.3 linear feet and date from 1826-1978, with the bulk of the material dating from 1879-1922. The collection documents aspects of the life and work of the landscape painter, printmaker, photographer and educator. Papers include correspondence, diaries, writings, lecture notes, clippings, catalogs, ephemera, artwork, and photographs.
Scope and Content Note:
The papers of Arthur Wesley Dow measure 1.3 linear feet and date from 1826 to 1978, with the bulk of the materials dating from 1879 to 1922. Correspondence consists of two folders, which contain a few letters from Dow to his family during his stints painting in Brittany and to and from Columbia University's Teachers College, as well as letters from his wife (then fiancée) Minnie Pearson Dow to her mother and friend while she, too, was studying painting abroad. There is also a folder of typescript and handwritten notes on Dow's correspondence, the majority of which is not in this collection, attributed to his biographer, Arthur Warren Johnson. Diaries include travel diaries kept by Dow and his brother Dana F. Dow during their "trip around the world" in 1903-1904. Publications, clippings, exhibition catalogs, announcements for Dow's Ipswich Summer School of Art and a new edition of his book Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers are found within printed materials. Notes and writings include a substantial number of handwritten manuscripts and typescripts of Dow's lectures on art and art history during his tenure as the Dean of Fine Arts at the Teachers College of Columbia University. There are a few examples of works of art, including prints from the Ipswich Prints series, and a pencil sketch of a colonial home, similar to those that appeared in the serial Antiquarian Papers.

This collection is particularly rich in vintage prints of Dow portraits as well as family and group photographs, although it does not include any of the artist's landscape cyanotypes. Among the nineteen vintage prints are several platinum prints including a portrait by the renowned Pictorialist photographer Gertrude Käsebier and an atmospheric image of Dow taken at the Grand Canyon by Mrs. Fannie Coburn, the mother of another well-known Pictorialist photographer, Alvin Langdon Coburn. There are also three portraits by Herbert Hess and a photogravure of Dow by Kenneth Alexander that was used in the publication announcement for the second edition of Composition. Group photographs include an albumen print of fellow artist Henry R. Kenyon with Dow in his Ipswich studio, with classmates at the Académie Julian in Paris, and with his own students during a crafts class at his Ipswich Summer Art School. There are also several modern copy prints of vintage photographs from other collections as well as photographs of artworks by Dow and his contemporaries.
Arrangement:
The collection is arranged into 6 series:

Missing Title

Series 1: Correspondence, circa 1885-1934 (Box 1; 3 folders)

Series 2: Diaries, 1861-1904 (Box 1; 6 folders)

Series 3: Notes and Writings, circa 1904-1977 (Box 1; 0.4 linear feet)

Series 4: Printed Materials, circa 1826-1978 (Boxes 1-2; 5 folders)

Series 5: Photographs, circa 1880-1977 (Boxes 1-2; 0.6 linear feet)

Series 6: Artwork, circa 1879-1906 (Box 1; 3 folders)
Biographical Note:
Arthur Wesley Dow, landscape painter, printmaker, photographer, and influential art educator, was born in Ipswich, Massachusetts on April 6, 1857, the eldest son of Mary Patch and David Dow. As a young man, he showed interest in the colonial history of Ipswich and together with Reverend Augustine Caldwell, he produced the serial Antiquarian Papers from 1875 to 1880, which featured Dow's drawings of local colonial architecture. It was Caldwell who advised him to pursue formal art instruction and in 1880 Dow began studying in the Boston studio of James M. Stone.

Like many aspiring American artists of his generation, Dow traveled to Paris for further art instruction. Between 1884 and 1889, the artist alternated between spending time in Paris, where he had enrolled in the Académie Julian, and in Brittany where he painted landscapes en plein air. During this period he produced landscape paintings that were accepted into the Paris Salon and exhibited to moderate success back in the United States.

Shortly after his return to Ipswich, Dow took a studio in Boston, where he hoped to attract students and began an extremely fertile and successful period as an art educator. He began studying Japanese art, particularly the compositional elements employed in Japanese prints, which he synthesized with Western art techniques and utilized in teaching composition and design. In addition to seeing students in his Boston studio, he began the Ipswich Summer School of Art, which continued into 1907. Pratt Institute hired Dow as an art instructor in 1895 and he remained there until 1904, when he was appointed the Director of Fine Arts of the Columbia University Teacher's College, a position he retained until his death in 1922. Between 1897 and 1903, he also taught at the Art Students League.

In 1899 his seminal book, Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers, was published. Composition illustrated Dow's teaching method, which focused on the compositional elements of line, notan (a Japanese word for the balance of light and dark in a composition) and color. The book underwent several printings and art schools across the United States adopted the Dow method. Max Weber, Georgia O'Keeffe and the photographer Alvin Langdon Coburn were among the artists who personally benefited from Dow's instruction. Through his teaching, publications, and public speeches, Arthur Wesley Dow played an important role in shaping modern American art.
Related Material:
Also found at the Archives of American Art are the William H. Elsner papers relating to Arthur Wesley Dow, which include color photographs of Dow's works of art and correspondence regarding Dow between Frederick Moffatt and Rudolph Schaeffer.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 1027, 1033-1034, and 1079) including biographical material, correspondence, manuscripts, printed material, and one diary. Reel 1271 contains group photographs taken at the Académie Julian, Paris, as well as unidentified group photographs, some of the photographs and are available at the Ipswich Historical Society. All other loaned materials were returned to the lenders and are not described in the collection container inventory.
Provenance:
Material on reels 1027 and 1033-1034 were lent for microfilming by the Ipswich Historical Society, 1975. The diary on reel 1079 was lent by the Society for Preservation of New England Antiquities, 1976. Dow's grand-niece, Mrs. George N. Wright, donated material in 1976, and lent the photographs for microfilming in 1977. Additional material was received from Frederick Moffatt in 1989, who had obtained them in preparation for his book Arthur Dow (1977).
Restrictions:
The bulk of the collection has been digitized and is available online via the Archives of American Art's website. Use of material not digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Landscape painters -- Massachusetts  Search this
Topic:
Works of art  Search this
Printmakers -- Massachusetts  Search this
Photographers -- Massachusetts  Search this
Art educators -- Massachusetts  Search this
Art -- Study and teaching -- Massachusetts  Search this
Genre/Form:
Diaries
Photographs
Citation:
Arthur Wesley Dow papers, circa 1826-1978 (bulk 1879-1922). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dowarth
See more items in:
Arthur Wesley Dow papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw948ccb3fe-dce1-4cf1-9dda-8b2ec6c95e74
EDAN-URL:
ead_collection:sova-aaa-dowarth
Online Media:

Joseph Lindon Smith papers

Creator:
Smith, Joseph Lindon, 1863-1950  Search this
Names:
Académie Julian  Search this
Alma-Tadema, Lawrence, Sir, 1836-1912  Search this
Beaux, Cecilia, 1855-1942  Search this
Benson, Frank Weston, 1862-1951  Search this
Brush, George de Forest, 1855-1941  Search this
Carson, Kit, 1809-1868  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
James, Henry, 1843-1916  Search this
Loring, Charles Greely, 1828-1902  Search this
Manship, Paul, 1885-1966  Search this
Pershing, John J. (John Joseph), 1860-1948  Search this
Ross, Denman Waldo, 1853-1935  Search this
Sargent, John Singer, 1856-1925  Search this
Smith, Corinna Lindon, 1876-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Extent:
8.8 Linear feet
Type:
Collection descriptions
Archival materials
Notebooks
Photographs
Prints
Interviews
Drafts (documents)
Sound recordings
Scrapbooks
Diaries
Sketchbooks
Drawings
Place:
Egypt -- Antiquities
Egypt -- description and travel
Date:
1647-1965
bulk 1873-1965
Summary:
The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.
Scope and Content Note:
The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.

Scattered biographical material consists of family history documents for the Smith and Putnam families, a Jenkes family tree, and passports for Joseph Lindon Smith and his family.

Over three linear feet of letters are from family members, artists including Cecilia Beaux, Frank Benson, George DeForest Brush, and Denman Ross, museum staff concerned with work in Egypt, and art patrons including Isabella Stewart Gardner, and individuals involved with Smith's charitable pageants. There are scattered letters from Lawrence Alma-Tadema, Henry James, Charles G. Loring, Paul Manship, General John J. Pershing, John Singer Sargent, and Abbott Handerson Thayer. Among the subjects discussed are student life at the Académie Julian, the Smiths' travels, and individuals known by Smith.

Seven diaries written by Joseph Lindon Smith document his ravels in Egypt, Persia, Europe, and New Mexico. Two diaries were written by Corinna Smith during her travels to Beiram and Egypt.

Personal business records business records include contracts, price lists, lists of securities, and miscellaneous receipts of the Smith and Putnam families, Joseph Lindon Smith, Corinna Smith, and their daughter Lois Smith.

Notes include engagement calendars, notebooks, lists of art work, lecture notes, minutes of meetings, notes on family history and on travel, and an autograph by Kit Carson. Writings include miscellaneous typescripts by the Smiths and others concerning travel, work in Egypt and elsewhere, and anecdotes about various friends and acquaintances. There are also three drafts of "Egypt - My Winter Home."

Theatrical production files concern plays, pageants, and masques written and/or produced by the Smiths. Many of the performances were benefits, dedication or anniversary celebrations, such as a pageant given at Fenway Court in honor of Isabella Stewart Gardner, a pageant at the dedication of a memorial to Abbott Handerson Thayer, and the centenary celebration of the founding of Amherst, Massachusetts.

Art work includes a sketchbook with extensive notes, a painting, drawings by Joseph Lindon Smith, and prints by other artists.

A scrapbook contains clippings and an exhibition catalog from the St. Botolph Club. Additional printed material includes clippings, exhibition announcements and catalogs, press releases, programs, booklets, brochures, and books by others.

Photographs are of Smith, his family, friends including classmates from the Académie Julian, Isabella Stewart Gardner, Abbott Handerson Thayer, exhibition installations, military camp sites from World War I, travel scenes, and art work by Smith.

Audio recordings consist of four sound disc recordings of interviews for WKNE Radio, Keene, New Hampshire, with Corinna Smith and Barry Faulkner talking about Smith, and a program about Smith and his book Tombs, Temples, and Ancient Art.
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, 1711-1948 (Box 1, 10; 5 folders)

Series 2: Letters, 1768-1965 (Box 1-4, OV 11; 3.5 linear feet)

Series 3: Diaries, 1904-1949 (Box 4; 11 folders)

Series 4: Personal Business Records, 1647-1959 (Box 4, 10; 11 folders)

Series 5: Notes and Writings, 1783-1963 (Box 4-6; 2.0 linear feet)

Series 6: Theatrical Production Files, 1897-1950 (Box 6-7, 10; 1.2 linear feet)

Series 7: Art Works, 1932-1943 (Box 8, 10; 8 folders)

Series 8: Scrapbook, 1888-1901 (Box 8; 1 folder)

Series 9: Printed Material, 1723-1963 (Box 8, OV 11; 0.8 linear feet)

Series 10: Photographs, 1884-1956 (Box 8-10; 0.5 linear feet)

Series 11: Audio Recordings, 1956 (Box 9-10; 2 folders)

All material is arranged chronologically except for the writings by others and travel photographs that are arranged alphabetically.
Biographical Note:
Joseph Lindon Smith (1863-1950) of Boston, Massachusetts and Dublin, New Hampshire, was a painter primarily known for his ability to meticulously depict the murals and tomb sculpture of Egypt and other ancient cultures.

Joseph Lindon Smith was born on October 11, 1863 in Pawtucket, Rhode Island, the son of wholesale lumberman Henry Francis Smith and Emma Greenleaf Smith, a cousin of John Greenleaf Whittier.

From 1880 to 1882, Smith studied drawing and painting at the Art School of the Boston Museum of Fine Arts under Frederic Crowninshield and Otto Grundman. Accompanied by his friend, Frank Benson, he attended the Académie Julian and studied under William Bouguereau, Gustave Boulanger, and Jules Lefebvre from 1883 to 1885.

Upon his return to Boston, Smith established a studio as a portrait and landscape painter, attracting the attention of Denman Ross, a professor of History of Fine Arts at Harvard University. In the early 1890s Smith and Ross began to travel extensively and Smith became interested in ancient civilizations of Mexico, China, and Southeast Asia. In 1892, during a trip to Italy, Smith befriended Isabella Stewart Gardner, for whom he copied famous paintings, and occasionally acted as agent in purchasing art work.

Making his first trip to Egypt in 1898, Smith became enthralled with the art work of the ancient civilization and devoted himself to painting copies of the tomb sculptures and murals for educational uses in museums and other public institutions. In 1899, he married Corinna Haven Putnam and the couple spent much of their married life traveling between the United States and the Middle East, especially Egypt. From 1910 to 1939, Smith was a member of the Joint Expedition of the Boston Museum of Fine Arts and Harvard University directed by Dr. George A. Reisner.

For fifty years, Smith was also sought out as a writer and producer of plays and theatrical pageants, fetes, and masques primarily staged for various charitable fund-raising events.

Joseph Lindon Smith died on October 18, 1950 in Dublin, New Hampshire.
Related Material:
The papers of Smith's wife, Corinna Putnam Smith, are available at The Schlesinger Library of Radcliffe College, Cambridge, Massachusetts.
Provenance:
The Joseph Lindon Smith papers were donated by Jessie T. Hale, Smith's granddaughter, in 1977 and 1978.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Hampshire -- Dublin  Search this
Topic:
Historical drama  Search this
Community theater  Search this
Art, Egyptian  Search this
Art, Ancient  Search this
Art, Egypt  Search this
Genre/Form:
Notebooks
Photographs
Prints
Interviews
Drafts (documents)
Sound recordings
Scrapbooks
Diaries
Sketchbooks
Drawings
Citation:
Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smitjose
See more items in:
Joseph Lindon Smith papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw957fba9cb-a7d1-40b4-9a66-a5f4d2a0b7ed
EDAN-URL:
ead_collection:sova-aaa-smitjose
Online Media:

David Humphreys and Beatrice Jackson papers, 1928-1974

Creator:
Humphreys, David, 1901-1970  Search this
Humphreys, Beatrice Jackson, 1905-1991  Search this
Citation:
David Humphreys and Beatrice Jackson papers, 1928-1974. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7818
(DSI-AAA_SIRISBib)209984
AAA_collcode_humpdavi
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209984

Aldro T. Hibbard papers, 1914-1971

Creator:
Hibbard, A. T.  Search this
Type:
Sound recordings
Diaries
Citation:
Aldro T. Hibbard papers, 1914-1971. Archives of American Art, Smithsonian Institution.
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9013
(DSI-AAA_SIRISBib)211202
AAA_collcode_hibbaldr
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211202

Aldro T. Hibbard papers

Creator:
Hibbard, A. T. (Aldro Thompson) (1886-1972)  Search this
Extent:
1.7 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Diaries
Date:
1914-1971
Summary:
The papers of landscape painter Aldro T. Hibbard measure 1.7 linear feet and date from 1914 to 1971. The papers document his career as a painter through correspondence; diaries, notes and other writings; awards, discussions, and other professional activity; clippings, exhibition catalogs, and other printed material; and personal sound recordings.
Scope and Contents:
The papers of landscape painter Aldro T. Hibbard measure 1.7 linear feet and date from 1914 to 1971. The papers document his career as a painter through correspondence; diaries, notes and other writings; awards, discussions, and other professional activity files; clippings, exhibition catalogs, and other printed material; and personal sound recordings.

Correspondence includes letters to his wife, Winifred, fan letters, and letters to friends and art organizations. Writings include notes, a notebook, a diary of his travels through Europe in 1914, and a diary from 1962. Professional material includes awards, an audio reel lecture delivered to the Rockport Art Association, one motion picture film, photographs of Hibbard and his students, and a biographical statement. Printed material includes newspaper clippings, exhibition announcements and catalogs, and material related to the Hibbard School of Painting. Sound Recordings consist of 17 wire recordings. The recordings are mostly unlabeled and primarily personal in nature, but some contain lectures and sales records.
Arrangement:
The collection is arranged into five series.

Series 1: Correspondence, 1922-1971 (0.5 linear feet; Box 1)

Series 2: Writings, circa 1914-1962 (0.1 linear feet; Box 1)

Series 3: Professional Activity Files, 1927-1971 (0.2 linear feet; Box 1, FC 4)

Series 4: Printed Material, 1933-1970 (0.5 linear feet; Boxes 1-2)

Series 5: Sound Recordings, circa 1950 (0.4 linear feet; Boxes 2-3)
Biographical / Historical:
Aldro T. Hibbard (1886-1972) was an American landscape painter who worked primarily in oil. He studied at the Massachusetts College of Art and Design and later at the Museum of Fine Arts, Boston. Hibbard assisted in founding the Rockport Art Association and served as its president for 20 years. Hibbard also created and taught at the Hibbard School of Painting in Rockport, Massachusetts.
Provenance:
The Aldro Hibbard papers were donated 1977 and 1979 by Winifred Hibbard, the widow of Aldro T. Hibbard.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Rockport  Search this
Genre/Form:
Sound recordings
Diaries
Citation:
Aldro T. Hibbard papers, 1914-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hibbaldr
See more items in:
Aldro T. Hibbard papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98e390adb-d673-41b2-add7-bfc9f3760b5c
EDAN-URL:
ead_collection:sova-aaa-hibbaldr

Ross and Dorothy Lake Gregory Moffett papers

Creator:
Moffett, Ross  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Federal Art Project (U.S.)  Search this
Provincetown Art Association  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Del Deo, Josephine Couch  Search this
Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Portraits  Search this
Moffett, Dorothy Lake Gregory, 1893-1975  Search this
Moffett, Ross (Art in narrow streets)  Search this
Rehn, Frank Knox Morton, 1848-1914  Search this
Extent:
7.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Sketchbooks
Slides (photographs)
Place:
Cape Cod National Seashore (Mass.)
Florida -- Pictorial works
Provincetown (Mass.)
Date:
circa 1870-1992
Summary:
This collection measures 7.7 linear feet, dates from circa 1870 to 1992, and documents the life and career of painter Ross Moffett and, to a lesser extent, the life and career of his wife, painter, lithographer, etcher, and illustrator, Dorothy Lake Gregory Moffett. The collection includes correspondence, photographs, artwork including sketchbooks, and printed material including published writings, newspaper clippings, press releases, and exhibition catalogs.
Scope and Content Note:
The Ross and Dorothy Lake Gregory Moffett papers measure 7.7 linear feet and date from circa 1870 to 1992. Because Dorothy Moffett's papers were received separately they are filed together in Series 13. Series 1-12 deal primarily with the life and career of Ross Moffett. The collection documents Ross Moffett's participation in the Provincetown community as an artist and resident through correspondence, photographs, sketchbooks and printed material, including published writings, news clippings, press releases, and exhibition catalogs. The papers of Dorothy Moffett include family letters, photographs, a journal and original artwork providing scattered documentation of her life and career as an a printmaker and illustrator.

General correspondence primarily focuses on news and financial affairs of the Moffett family farm in Iowa. Also included are letters from Provincetown artist, Edwin Dickinson, and a small amount of correspondence with other artists, collectors and dealers.

Files documenting specific projects that Ross Moffett was involved with are arranged separately and include correspondence, printed material and photographs. Project files have been established for the following projects: the publication of Art in Narrow Streets, the Eisenhower mural, the Cape Cod National Seashore Park and the renovation of the Center Methodist Church.

The series of printed material, 1918-1992, relates to Ross Moffett's career as an artist and his general interest in art. Photographs primarily focus on scenes of Provincetown and include photographs of works of art by Provincetown artists. Also included are photographs of artwork by Moffett arranged chronologically, Moffett's studio in Provincetown, and installations at the Provincetown Art Association Galleries.

Artwork found in Series 10 and 11 includes drawings by Ross Moffett and 85 annotated sketchbooks, including four by Dorothy Moffett.

The collection also houses research notes and files written by Josephine Couch Del Deo in preparation of a biography of Ross Moffett. These annotations provide useful additional information about Moffett's life.

Papers of Dorothy Lake Gregory Moffett include Gregory family letters, Dorothy's correspondence with her father, and letters from other family and friends. Also found are drawings, lithographs and etchings by Dorothy and photographs of her family and friends.
Arrangement:
The collection is arranged into thirteen series:

Missing Title

Series 1: Biographical Material, circa 1888-1965 (box 1; 1 folder)

Series 2: Correspondence, 1915-1972 (box 1; 0.6 linear ft)

Series 3: Financial Material, 1933-1971 (box 1; 2 folders)

Series 4: Notebook/Notes, undated (box 1; 2 folders)

Series 5: Projects, 1880-1969, undated (boxes 1-2; 1.2 linear ft.)

Series 6: Subject File, 1960-1968 (box 2; 1 folder)

Series 7: Printed Material, 1916-1992, undated (boxes 2-4, 7; 1.5 linear ft.)

Series 8: Photographs, circa 1900-1975, undated (box 4; 15 folders)

Series 9: Slides of Art Association, Iowa Farmland and the Chrysler Museum, circa 1960, undated (box 4; 1 folder)

Series 10: Drawings, circa 1929-1934 (box 5; 1 folder)

Series 11: Sketchbooks, 1913-1969 (boxes 5-8; 2.5 linear ft.)

Series 12: Annotations/Item Descriptions by Josephine Couch Del Deo, undated (box 6; 2 folders)

Series 13: Dorothy Lake Gregory Moffett Papers, circa 1870-1975 (boxes 9-11; 0.7 linear ft.)
Biographical Note:
Ross Moffett (1888-1971) was an important figure in the development of modernism in American Art after World War I. His paintings primarily depict the life and landscapes of the Provincetown, Massachusetts area. Dorothy Lake Gregory Moffett is perhaps best known as a printmaker and illustrator of children's books and magazines.

Born in Iowa in 1888, Moffett trained at the Art Institute in Chicago and studied with Charles Hawthorne during the summer of 1913, in Provincetown, Massachusetts. Moffett then studied at the Art Students League and returned to Provincetown in 1915, to establish himself as an artist. He was one of the founders of the Provincetown Art Association and a leading figure in the art colony for many years. In 1920, Moffett married artist Dorothy Lake Gregory in Brooklyn, New York. Dorothy studied at the Pratt Institute and with Robert Henri and George Bellows in New York, and then went to Provincetown to study with Hawthorne as well.

During the 1920's and 1930's, Ross Moffett's success increased steadily and he had his first one-man show at the Frank Rehn Gallery in New York and also at The Art Institute of Chicago in 1928. He served on several exhibition juries around the country during this time. Between 1936 and 1938, Moffett painted four murals in two Massachusetts post offices for the Federal Works Progress Administration (WPA). Moffett received full membership to the National Academy of Design in 1942.

While Moffett's painting slowed somewhat during World War II he continued his involvement in the arts by maintaining the Provincetown Art Association. He taught briefly at the University of Miami in Ohio from 1932 to 1933, and returned to Provincetown to pursue painting full-time. In the 1950's, Moffett became interested in archaeology and even delivered a few lectures on the subject. During this time he continued to paint and his art reflected his preoccupation with the science of archaeology. In 1954, Moffett was one of two artists selected by the National Academy of Design to paint murals depicting President Dwight D. Eisenhower's life for the Eisenhower Memorial Museum in Abilene, Kansas. Moffett was chosen to portray Eisenhower's civilian life.

In 1960, Moffett became active in the movement to establish the 1400 acres known as the Province Lands as part of the Cape Cod National Seashore Park. After the park was established Moffett wrote and published a history of the first thirty-three years of the Provincetown Art Association in a book titled Art in Narrow Streets, 1964. He continued to serve as a juror for the Provincetown Art Association and was artist-in-residence for the Provincetown Fine Arts Work Center in 1970.

Dorothy Moffett also pursued a successful career in art, and publishers such as Rand McNally used her illustrations for youth magazines and childrens books, such as the classic Green Fairy Book. Her work was exhibited in the Metropolitan Museum, the National Academy, and the Brooklyn Museum, and her Alice in Wonderland series of lithographs was purchased for the permanent collection of the Boston Museum of Fine Arts. Though best known as a printmaker, Moffett also worked in oil.

Ross Moffett died of cancer on March 13, 1971.
Related Material:
Related resources in the Archives of American Art include a sound recording of a transcribed interview with Ross Moffett by Dorothy Seckler, August 27, 1962; and a sound recording of an untranscribed interview with Dorothy Lake Gregory Moffett by Robert F. Brown, September 22, 1972.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel D80) including 150 letters relating to art organizations, museums, and government art projects, news clippings, records of the Provincetown Art Association, and the Emergency Committee for the Protection of Province Lands, and miscellaneous publications. Lent materials were returned to Ross Moffett and are now housed at Syracuse University in Syracuse, New York. This material is not described in the collection container inventory.
Provenance:
Ross Moffett initally lent the Archives of American Art material for microfilming in 1962. The remainder of the collection was donated in 1974 by his widow, Dorothy Lake Gregory Moffett (died 1975), via Ross Moffett's biographer, Josephine Del Deo, who turned the papers over in installments. Archaeological material and artifacts received with the papers were donated to the Robert S. Peabody Museum of Archaeology, Phillips Academy, Andover, Massachusetts.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Landscape painters -- Massachusetts -- Provincetown  Search this
Topic:
Illustrators  Search this
Muralists -- Massachusetts -- Provincetown  Search this
Federal aid to the arts  Search this
Works of art  Search this
Women artists  Search this
Art, Modern -- 20th century -- Massachusetts -- Provincetown  Search this
Art, American  Search this
Art students -- New York N.Y. -- Photographs  Search this
Women painters  Search this
Genre/Form:
Photographs
Sketches
Sketchbooks
Slides (photographs)
Citation:
Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moffross
See more items in:
Ross and Dorothy Lake Gregory Moffett papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ac321bdb-9882-4e93-bc33-19a933d21823
EDAN-URL:
ead_collection:sova-aaa-moffross

Correspondence, Harrington - Moser

Creator:
McEvoy, Ambrose, 1878-1927  Search this
Healy, G. P. A. (George Peter Alexander), 1813-1894  Search this
Johnson, Eastman, 1824-1906  Search this
Maynard, George W. (George Willoughby), 1843-1923  Search this
Moser, James Henry, 1854-1913  Search this
Names:
Mercer, Edward  Search this
Washington, George Corbin, 1789-1854  Search this
Collection Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Extent:
9 Items (Letters, written in ink, ball point, graphite)
Type:
Archival materials
Correspondence
Date:
1848-1924
Scope and Contents:
This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters from George P. Healy, Eastman Johnson, George W. Maynard, Ambrose McEvoy, and James Henry Moser.
Arrangement:
Organized alphabetically by author.
Biographical / Historical:
Healy was an American academic painter during the 19th century who painted mostly portraits, including a rather well-known one of Abraham Lincoln seated, which hangs in the National Portrait Gallery in Washington, D.C. He studied in Paris, and worked in Paris, Rome, and Boston. Healy was prolific, painting as many as 50 portraits in a single year, including a series of American presidents, and group pictures depicting congressmen and other famous political figures. The picture depicts Senator Daniel Webster's (MA) reply in Senate to Senator Robert Hayne (SC) in 1830. They debated the issue of states' rights and nullification, and Webster defended a strong national government, famously declaring, "The motto should not be 'Liberty first, and Union afterwards,' but 'Liberty and Union, now and forever, one and inseparable!'"
Hon. George C. Washington was born in Virginia in 1789 and died in Georgetown, D.C. in 1854. He attended Phillips Academy in Andover, Massachusetts, served in the Maryland legislature, and served several terms representing Montgomery County in Congress.
Eastman Johnson was an American painter who co-founded the Metropolitan Museum of Art. Johnson painted many influential Americans of his day, and his style was influenced by the Dutch masters, earning him the title of "The American Rembrandt."He was born in Maine in 1824, but moved to Washington, D.C., where he completed many of his portraits. Johnson lived among Native American tribes and opened a studio in New York.
George Willoughby Maynard was an American painter who started his career by completing murals in Boston's Trinity Church. He later did many murals in the Library of Congress.
Ambrose McEvoy painted figures, landscapes, and portraits in the late 19th and early 20th centuries. He was a founder-member of the National Portrait Society in England, and painted a number of portraits of soldiers and sailors, which are now in the Imperial War Museum.
Edward StanleyMercer was an English artist who studied at the Slade School of Art, along with time in Holland, Spain, and Italy. He exhibited at the Royal Academy, and was a member of both the Royal Society of Portrait Painters and the Royal Institute of Oil Painters.
In the letter, Ambrose McEvoy mentions that he has "written to Harold Speed," who was an English painter of oil and watercolor landscapes and portraits. Speed (1872-1957) studied art at the Royal Academy Schools and was elected a member of the Royal Society of Portrait Painters. Speed exhibited at the Royal Academy.
James Henry Moser was born in Ontario, Canada, who worked as an illustrator and landscape painter in oil and watercolor. In Washington, D.C., he was awarded the first Corcoran Prize by the Washington Watercolor Club. He was an art critic for the Washington Times, Post, and Herald, and did freelance illustrations for Harper's, among other publications. Mrs. Benjamin Harrison, the First Lady, purchased one of Moser's pieces, "A Sunny Morning at Salisbury Beach," to hang in the White House living room. He died in 1913 after having suffered a stroke earlier that year.
Local Numbers:
FSA A2009.06 5
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American  Search this
Genre/Form:
Correspondence -- 19th century
Correspondence -- 20th century
Identifier:
FSA.A2009.06, Series FSA A2009.06 5
See more items in:
The Brumbaugh Collection of Artist Letters
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc393601999-7d3d-4e2d-8e2b-51f22faeead0
EDAN-URL:
ead_component:sova-fsa-a2009-06-ref3

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