Skip to main content Smithsonian Institution

Search Results

Collections Search Center
49,933 documents - page 1 of 500Result pages are truncated to 500.

Joan Semmel papers

Creator:
Semmel, Joan, 1923-  Search this
Names:
Bernstein, Judy  Search this
Edelson, Mary Beth  Search this
Golden, Eunice  Search this
Grossman, Nancy  Search this
Hammond, Harmony  Search this
Hardy, John  Search this
Markson, David  Search this
Nieto, José Antonio  Search this
Schapiro, Miriam, 1923-2015  Search this
Sleigh, Sylvia  Search this
Stevens, May  Search this
Extent:
5.9 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Illustrations
Photographs
Date:
1949-2013
bulk 1960-2013
Summary:
The papers of painter Joan Semmel measure 5.9 linear feet and span the dates of 1949-2013 with the bulk of the material dated circa 1960s-2013. The papers reflect her career and activities as a painter, writer, feminist, and educator through biographical materials, correspondence, interviews, writings, project files, teaching files, printed material, and photographic materials.
Scope and Contents:
The papers of painter Joan Semmel measure 5.9 linear feet and span the dates of 1949-2013 with the bulk of the material dated circa 1960s-2013. The papers reflect her career and activities as a painter, writer, feminist and educator through biographical materials, correspondence, interviews, writings, project files, teaching files, printed material, and photographic materials.

Among the biographical materials are awards, educational records,and audiovisual recordings about Joan Semmel and her work.

Professional correspondence concerns exhibitions, publication permissions, panel discussions, symposia, and visiting artist and summer school appointments. Also included are letters of recommendation for colleagues and students. A scattering of personal letters are from novelist David Markson and José Antonio, both of whom had personal relationships with Semmel. There are also a few letters from friends of a purely social nature and a few letters concerning routine personal affairs.

There are two interviews with Joan Semmel on video recordings, one was conducted for a television broadcast and the other is unidentified.

Writings by Semmel include the manuscript, illustrations, research material, and letters relating to her unpublished book about women's erotic art. Also found are articles, artist's statements, and notes for talks about her work. The writings about Semmel consist of several student papers.

Project files relate to two exhibitions curated by Semmel, Contemporary Women: Consciousness and Content (1977) at The Brooklyn Museum of Art School and Private Worlds (2000). One file is related to a project in which Semmel was involved to document the role and status of women in the arts.

Scattered teaching files concern a course about contemporary women artists developed and taught by Semmel for the women's studies program at Rutgers University, circa 1978. Also documented are summer programs at Skowhegan and Sommerakademie in Austria where Semmel served as an instructor.

Binders (now unbound) of printed materials were compiled by Semmel consisting of exhibition catalogs and announcements for solo and group shows, reviews, posters, and miscellaneous printed matter.

Photographs of people include Joan Semmel, friends and colleagues. Among the individuals pictured are: writer David Markson, painter John Hardy, José Antonio Nieto; and feminist artists: Judy Bernstein, Mary Beth Edelson, Eunice Golden, Nancy Grossman, Harmony Hammond, Miriam Schapiro, Sylvia Sleigh, and May Stevens. There are slides, photographs, color photocopies and digital images of Semmel's paintings. Of particular interest are photographs, photocopies of photographs, and digital images that served as source material for paintings, including portrait commissions.
Arrangement:
The collection is arranged in 8 seres:

Series 1: Biographical Materials, 1949-2013 (Box 1; 0.6 linear feet)

Series 2: Correspondence, 1973-2013 (Boxes 1-2; 1.2 linear feet)

Series 3: Interviews, circa 1970s-1986 (Box 2; 0.2 linear feet)

Series 4: Writings, 1970s-2009 (Box 3; 0.7 linear feet)

Series 5: Project Files, 1972-2000 (Box 3; 3 folders)

Series 6: Teaching Files, 1970s-2000 (Box 3; 0.4 linear feet)

Series 7: Printed Material, circa 1960s-2013 (Boxes 4-6, OV 8; 2.2 linear feet)

Series 8: Photographic Materials, circa 1965-2013 (Boxes 6-7; 0.6 linear feet)
Biographical / Historical:
Joan Semmel (1932- ) is an abstract painter working in New York City and Easthampton, N. Y. Semmel's work explores erotic themes and the female body. She taught painting at the Mason Gross School of the Arts at Rutgers University from 1978-2000.

Born in New York City in 1932, Joan Semmel studied at the Cooper Union, the Art Students League of New York, and received her BFA in 1963 and MFA in 1972 from Pratt Institute. Semmel moved to Spain in 1963 and exhibited her abstract expressionist work in galleries and museums there before returning to New York in 1970.

Upon Semmel's return to New York, she became involved in the feminist art movement. One of the original Guerrilla Girls, Semmel was involved with several feminist activist art groups devoted to gender equality in the art world. Semmel spent years researching a book about women's erotic art. At the same time, her painting style shifted to incorporate more figurative imagery and she began working on series that explored the themes of the female body, desire, and aging. Each series consisted of 10-30 paintings, produced over several years, among them First and Second Erotic Series, Self Images, Portraits, Figure in Landscape, Gymnasium, Locker Room, Overlays, and Mannequins.

In addition to her teaching career at Rutgers University as a tenured Professor of Painting, Semmel taught briefly at the Brooklyn Museum Art School, Skowhegan, and the Summer Academy of Fine Arts in Salzburg, Germany. Over the years she served as a visiting artist, critic, and lecturer at many colleges, and participated in numerous symposia, panel discussions and conferences. She has received several grants and awards including Macdowell Colony and Yaddo residencies.

Semmel has exhibited widely and prolifically in the United States, Spain, the Netherlands, and South America, in addition to curating two exhibitions, Contemporary Women: Consciousness and Content (1977) at The Brooklyn Museum of Art School and Private Worlds - Art in General (2000). Her work is represented in the permanent collections of many museums including the Brooklyn Museum of Art, Chrysler Museum, Guild Hall, Museum of Women in the Arts, Parrish Art Museum, and Vassar College Museum.

Joan Semmel continues to live and work in New York City and Easthampton, NY.
Provenance:
Donated by Joan Semmel in 2014.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Joan Semmel papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws
Occupation:
Authors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Women and erotica  Search this
Women artists  Search this
Painting, Abstract  Search this
Feminism and art  Search this
Feminism  Search this
Erotica  Search this
Art -- Political aspects  Search this
Genre/Form:
Interviews
Video recordings
Illustrations
Photographs
Citation:
Joan Semmel papers, 1949-2013, bulk circa 1960s-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.semmjoan
See more items in:
Joan Semmel papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-semmjoan
Online Media:

Oral history interview with Paula Colton Winokur, 2011 July 21-22

Interviewee:
Winokur, Paula Colton, 1935-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Andre, Carl  Search this
Blai, Boris  Search this
Bobrowicz, Yvonne  Search this
Cunningham, Imogen  Search this
Cushing, Val M.  Search this
De Staebler, Stephen  Search this
Ferguson, Ken  Search this
Heizer, Michael  Search this
Higby, Wayne  Search this
Leon, Dennis  Search this
Long, Richard  Search this
Love, Arlene  Search this
Marks, Graham  Search this
McKinnell, James  Search this
Mestre, Enrique  Search this
Minter, Myrna  Search this
Moran, Lois  Search this
Natzler, Gertrud  Search this
Natzler, Otto  Search this
Nesbitt, Lowell  Search this
Notkin, Richard  Search this
Ólafur Elíasson  Search this
Randall, Theodore  Search this
Schulman, Norman  Search this
Sedestrom, Carol  Search this
Serra, Richard  Search this
Shores, Kenneth  Search this
Simon, Sandy  Search this
Slivka, Rose  Search this
Staffel, Rudolf  Search this
Takaezu, Toshiko  Search this
Vavrek, Ken  Search this
Winokur, Robert  Search this
Beaver College  Search this
Graphic Sketch Club (Philadelphia, Pa.)  Search this
Helen Drutt Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Council on Education for the Ceramic Arts (U.S.)  Search this
Philadelphia Museum of Art  Search this
Temple University.  Search this
Tyler School of Art  Search this
Type:
Interviews
Sound recordings
Place:
Alaska
Hungary
Iceland
Mesa Verde (Calif.)
Rocky Mountains
Stonehenge (England)
Topic:
Art -- Study and teaching  Search this
Ceramicists -- Pennsylvania -- Interviews  Search this
Ceramics -- Study and teaching  Search this
Painting -- Study and teaching  Search this
Women artists -- Pennsylvania -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15988
(DSI-AAA_SIRISBib)305477
AAA_collcode_winoku11
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_305477
Online Media:

Kraushaar Galleries records, 1877-2006

Creator:
Kraushaar Galleries  Search this
Subject:
Wilson, Ralph L.  Search this
Fausett, Dean  Search this
Lasker, Joe  Search this
Murdock, Roland P.  Search this
Phillips, Duncan  Search this
Kuhn, Walt  Search this
Smith, Vernon  Search this
Robinson, Boardman  Search this
Lechay, James  Search this
Laurent, Robert  Search this
Hartell, John  Search this
Cantene, David  Search this
Schnakenberg, H. E. (Henry Ernest)  Search this
Kraushaar, Antoinette M.  Search this
Harrison, Preston  Search this
Heliker, John  Search this
Williams, Esther  Search this
Luks, George Benjamin  Search this
Glackens, Edith  Search this
Navas, Elizabeth S.  Search this
DeLonga, Leonard  Search this
Evett, Kenneth Warnock  Search this
Halberstadt, Ernst  Search this
Prendergast, Maurice Brazil  Search this
Morris, Carl  Search this
Ruellan, Andrée  Search this
Smalley, David  Search this
Flannery, Vaughn  Search this
Cowles, Russell  Search this
Penney, James  Search this
Beal, Gifford  Search this
Bacon, Peggy  Search this
Beal, Reynolds  Search this
Hardy, Thomas  Search this
Glackens, William J.  Search this
Prendergast, Charles  Search this
Demuth, Charles  Search this
Albrizio, Humbert  Search this
Lachaise, Gaston  Search this
Bignou, Etienne  Search this
Kirsch, Frederick D. (Frederick Dwight)  Search this
Sloan, John  Search this
Allard, J.  Search this
Bouché, Louis  Search this
Juley, Peter A.  Search this
Stanley, Alix W.  Search this
Arnest, Bernard  Search this
Brueming, Karen  Search this
Miller, Harriette  Search this
Kraushaar, John F.  Search this
Guillaume, Paul  Search this
Art Institute of Chicago  Search this
Toledo Museum of Art  Search this
Cleveland Museum of Art  Search this
Wichita Art Museum  Search this
Whitney Museum of American Art  Search this
New Britain Institute  Search this
Ernest Brown and Co.  Search this
Carnegie Institute  Search this
University of Nebraska--Lincoln  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Photographs
Sketches
Drawings
Exhibition catalogs
Financial records
Notes
Sketchbooks
Topic:
Works of art  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, American  Search this
Artists -- United States  Search this
Depressions -- 1929  Search this
Record number:
(DSI-AAA_CollID)7781
(DSI-AAA_SIRISBib)209946
AAA_collcode_kraugall
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209946
Online Media:

William Anderson Coffin papers, 1886-1924

Creator:
Coffin, William A. (William Anderson), 1855-1925  Search this
Subject:
Stella, Joseph  Search this
Warren, Whitney  Search this
Mauer, Alfred  Search this
Benson, Frank Weston  Search this
Blashfield, Edwin Howland  Search this
Zorach, William  Search this
Gay, Walter  Search this
Gussow, Bernard  Search this
Bouché, Louis  Search this
Cortissoz, Royal  Search this
Pan-American Exposition  Search this
Société des artistes français  Search this
Exposition d'artistes de l'école Américaine  Search this
American Rights Committee  Search this
American Artists' Committee of One Hundred  Search this
Lotos Club (New York, N.Y.)  Search this
Musée d'histoire et d'art (Luxembourg)  Search this
Committee for the Exhibition of American Painting and Sculpture (Paris, France)  Search this
Type:
Scrapbooks
Photographs
Topic:
Harper's Weekly  Search this
New York Post  Search this
Art Exhibitions France Paris  Search this
Landscape painters -- New York (State) -- New York  Search this
Art, American  Search this
World War, 1914-1918 -- Civilian relief -- France  Search this
Record number:
(DSI-AAA_CollID)7476
(DSI-AAA_SIRISBib)209634
AAA_collcode_coffwill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209634
Online Media:

The Garden Club of America collection

Creator:
Garden Club of America  Search this
Names:
New York Flower Show  Search this
Extent:
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Type:
Collection descriptions
Archival materials
Slides
Lantern slides
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Slides (photographs)
Date:
circa 1920-present
Summary:
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.
Biographical/Historical note:
The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- France  Search this
Gardens -- Italy  Search this
Gardens -- Japan  Search this
Gardens -- Mexico  Search this
Flower shows  Search this
Gardening -- United States -- societies, etc  Search this
Gardens -- England  Search this
Landscape architecture  Search this
Gardens -- United States  Search this
Gardens -- Spain  Search this
Gardens -- Scotland  Search this
Genre/Form:
Plans (drawings)
Brochures
Articles
Correspondence
Clippings
Lantern slides
Slides (photographs)
Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA
See more items in:
The Garden Club of America collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-gca
Online Media:

Smithsonian Folklife Festival records: 2010 Smithsonian Folklife Festival

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Notes
Videotapes
Memorandums
Audiocassettes
Audiotapes
Digital images
Sound recordings
Plans (drawings)
Photographic prints
Correspondence
Contracts
Business records
Negatives
Slides (photographs)
Video recordings
Place:
Caribbean Area
Haiti
Date:
June 24-July 5, 2010
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 2010 Smithsonian Folklife Festival. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Asian Pacific Americans: Local Lives, Global Ties

Series 3: México: From Unknown Mexico to Amazing Mexico

Series 4: Smithsonian Inside Out

Series 5: Special Events
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 2010 Smithsonian Folklife Festival was produced by the Smithsonian Center for Folklife and Cultural Heritage and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
As in preceding years, the 2010 Festival featured many of the finest practitioners of diverse, living traditions - both old and new. The Festival's overall goal is to strengthen and preserve these traditions by presenting them on the National Mall in a respectful way to promote mutual understanding. The 2010 Festival featured three major programs.

The Asian Pacific American program offered visitors the opportunity to meet Asian Pacific Americans from the Washington, D.C., area who speak dozens of different languages, teach classes that emphasize ethnic identity, participate in traditional practices, and contribute to the cultural landscape of our nation's capital. Mexico is home to more than sixty-two indigenous groups, making it one of the richest countries in the world in terms of ethnic diversity. Festival audiences were able to meet people from communities whose histories and cultures reach back to pre-Columbian civilizations. The third program, Smithsonian Inside Out, invited visitors to step behind the scenes of the Smithsonian Institution and meet the curators, archivists, conservators, security experts, exhibition fabricators, and many more workers who shared their research, knowledge, and passion with the public.

In planning this year's Festival, curators traveled throughout Mexico with partners from that country's National Council for Culture and the Arts (Conaculta) and the National Institute of Anthropology and History (INAH); around the Asian Pacific American communities of the Washington, D.C., area with collaborators from the University of Maryland, George Mason University, and the Smithsonian Asian Pacific American Program; and within the museums, research centers, and workshops of the Smithsonian itself, guided by colleagues who are intimately familiar with many of the Institution's hidden hallways and secluded collections seldom seen by members of the public. Through the Festival, visitors could meet, talk with, and learn from many of the most interesting people those curators and researchers have found in the course of their travels.

The 2010 Festival took place for two five-day weeks (June 24-28 & July 1-5) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). It featured three programs and the Rinzler Concert.

The 2010 Program Book included participant lists for each program; keynote essays provided background on each of the programs; a separate brochure provided a site plan and daily schedules.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife and Cultural Heritage.

Center for Folklife and Cultural Heritage

Daniel Sheehy, Director; Smithsonian Folklife Festival: Stephen Kidd, Acting Festival Director

Center for Folklife and Cultural Heritage Advisory Council

Kurt Dewhurst (chair), J. Scott Raecker (vice chair), Michael Asch (ex officio), Mounir Bouchenaki, G. Wayne Clough (ex officio), Anthony Gittens, Mickey Hart, John Herzog, Debora Kodish, Richard Kurin (ex officio), Ellen McCulloch-Lovell, Libby O'Connell, Robert Santelli, Cathy Sulzberger

National Park Service

Jonathan B. Jarvis, Director; Peggy O'Dell, Regional Director; John Piltzecker, Superintendent, National Mall and Memorial Parks

The Festival was supported by federally appropriated funds; Smithsonian trust funds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; and food, recording, and craft sales. Support for select musical performances at the Festival came from the Music Performance Fund, with general in-kind support provided by WAMU-88.5 FM and WashingtonPost.com.
Forms Part Of:
Smithsonian Folklife Festival records: 2010 Smithsonian Folklife Festival forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
World music  Search this
arts and crafts  Search this
Folk art  Search this
Folklore  Search this
Folk music  Search this
Food habits  Search this
Folk festivals  Search this
Genre/Form:
Notes
Videotapes
Memorandums
Audiocassettes
Audiotapes
Digital images
Sound recordings
Plans (drawings)
Photographic prints
Correspondence
Contracts
Business records
Negatives
Slides (photographs)
Video recordings
Citation:
Smithsonian Folklife Festival records: 2010 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2010
See more items in:
Smithsonian Folklife Festival records: 2010 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-2010

Smithsonian Folklife Festival records: 1992 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Correspondence
Digital images
Business records
Contracts
Notes
Sound recordings
Plans (drawings)
Negatives
Audiotapes
Memorandums
Slides (photographs)
Audiocassettes
Photographic prints
Video recordings
Videotapes
Date:
June 25-July 5, 1992
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1992 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: The Changing Soundscape in Indian Country

Series 3: Creativity and Resistance: Maroon Culture in the Americas

Series 4: New Mexico

Series 5: Workers at the White House
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1992 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The Columbus Quincentenary that was commemorated in 1992 gave pause to reflect on the forces that over the preceding 500 years had shaped social life in the Americas. The Festival programs on New Mexico, Maroons, and American Indian musics illustrated important historical and ongoing processes through which communities establish cultural identities in complex and dynamic social circumstances.

"The Changing Soundscape in Indian Country," produced jointly with the National Museum of the American Indian, explored ways that Indian musicians and their communities creatively adapted elements from the musical traditions brought to this continent from Europe, Africa, and elsewhere. Although many of the forms of this Indian music are non-Indian in origin, the themes and performance styles clearly address Indian experience and aesthetic expectations. In their creative hands, as Festival visitors could experience first-hand, external musical influences became part of the self-definition of Indian identity and trenchant commentary on what had been happening in "Indian Country" over the past five centuries.

Nowhere is the connection between creativity and self-definition more clear than in the cultural identities of contemporary Maroon peoples, whose ancestors escaped plantation slavery in the Americas and founded independent societies. Faced with the task of constructing and defending their positions, Maroons creatively defined themselves from a variety of sources. While their political institutions, expressive arts, religions, and other social forms were predominantly African in origin, they drew from a broad range of African cultures, and from European and Native American cultures as well. Much of the aesthetic component of Maroon cultures - their vibrant traditions of verbal and visual arts, shared with Festival visitors on the National Mall - encourages the cohesiveness of their society and voices themes that embody common experience and interest.

The Spanish Conquest established the Western Hemisphere's European presence and its most widely spoken language. While the original conquerors' culture did not value the Native cultures it encountered, over the centuries segments of Hispanic and Native American and later English-speaking and other populations engaged one another, by necessity, in ways that gave rise to today's rich array of cultural identities. New Mexico's distinctive cultural landscape took shape in this way, represented by some peoples who sustain their cultural identities through centuries-old combinations of Indian and European forms of thought and action, and by others whose basis of identity lies in reaffirming the wisdom and relevance of ancestral ways. Festival visitors could witness how, in New Mexico, cultural identity reflects the changes that continue to be wrought from the varieties of these social encounters.

The 1992 Festival also marked the 200th anniversary of the White House. Not a king's palace but rather "the people's house," the White House is at once national symbol, executive office and conference center, ceremonial setting, museum, tourist attraction, and family residence. The Festival revealed the culture of White House workers, who supported this broad array of functions over a span of history shaped by remarkable events, people and social change. White House workers had made the White House work with their labor and dedication. The Festival's living exhibition presented some of the skills, experiences, and values through which they gave shape to their occupational identities, calling visitors' attention to an important human component of the 200 year institutional history.

The 1992 Festival took place during two five-day weeks (June 25-29 and July 2-5) between Madison Drive and Jefferson Drive and between 10th Street and 13th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

The 1992 Program Book included schedules and participant lists for each program; keynote essays provided background on the Festival and each of the four programs, with shorter essays spotlighting particular traditions and offering a forum for statements from Maroon spokespeople.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies.

Center for Folklife Programs & Cultural Studies

Richard Kurin, Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian/Folkways Recordings; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Olivia Cadaval, Director, Quincentenary Projects; Richard Kennedy, Program Analyst; Vivian Chen, Diana Baird N'Diaye, Folklorists; Ken Bilby, Marjorie Hunt, Curators; Carla Borden, John Franklin, Program Managers; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist; Betty Belanus, Frank Proschan, Nicholas Spitzer, Research Associates

Folklife Advisory Council

Roger Abrahams, Jacinto Arias, Jane Beck, Pat Jasper, Barbara Kirshenblatt-Gimblett, Bernice Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, John Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez

National Park Service

James M. Ridenour, Director; Robert G. Stanton, Regional Director, National Capital Region
Forms Part Of:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Folklore  Search this
Food habits  Search this
Folk festivals  Search this
arts and crafts  Search this
World music  Search this
Folk music  Search this
Folk art  Search this
Genre/Form:
Correspondence
Digital images
Business records
Contracts
Notes
Sound recordings
Plans (drawings)
Negatives
Audiotapes
Memorandums
Slides (photographs)
Audiocassettes
Photographic prints
Video recordings
Videotapes
Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-1992

[Schwab Garden]

Creator:
Schwab, Charles R.  Search this
Photographer:
Schilling, Dianne P.  Search this
Landscape architect:
Cole, Todd  Search this
Sculptor:
Calder, Alexander, 1898-1976  Search this
Flanagan, Barry  Search this
Serra, Richard, 1938-  Search this
Former owner:
McDurrin, Edward Mr Mrs  Search this
Cowles, Francis Mr Mrs  Search this
Petersen, Baltzer Mr Mrs  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col.)
Type:
Archival materials
Slides
Place:
Schwab Garden (Atherton, California)
California -- Atherton
United States of America -- California -- San Mateo County -- Atherton
Date:
1996 Apr.
General:
This is a central California garden that features sweeping lawns and oaks over 200 years old.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Wisteria  Search this
Flowering shrubs  Search this
Trellises  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item CA319003
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / California / CA319: Atherton -- Schwab Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref24524

Schwab Garden

Creator:
Schwab, Charles R.  Search this
Photographer:
Schilling, Dianne P.  Search this
Landscape architect:
Cole, Todd  Search this
Sculptor:
Calder, Alexander, 1898-1976  Search this
Flanagan, Barry  Search this
Serra, Richard, 1938-  Search this
Former owner:
McDurrin, Edward Mr Mrs  Search this
Cowles, Francis Mr Mrs  Search this
Petersen, Baltzer Mr Mrs  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col.)
Type:
Archival materials
Slides
Place:
Schwab Garden (Atherton, California)
California -- Atherton
United States of America -- California -- San Mateo County -- Atherton
Date:
1996 Apr.
General:
This is a central California garden that features sweeping lawns and oaks over 200 years old.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Spruce  Search this
Gates -- wooden  Search this
Roses, climbing  Search this
Terra-cotta  Search this
Topiary work  Search this
Plants, Potted  Search this
Latticework  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item CA319004
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / California / CA319: Atherton -- Schwab Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref24525

Schwab Garden

Creator:
Schwab, Charles R.  Search this
Photographer:
Schilling, Dianne P.  Search this
Landscape architect:
Cole, Todd  Search this
Sculptor:
Calder, Alexander, 1898-1976  Search this
Flanagan, Barry  Search this
Serra, Richard, 1938-  Search this
Former owner:
McDurrin, Edward Mr Mrs  Search this
Cowles, Francis Mr Mrs  Search this
Petersen, Baltzer Mr Mrs  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col.)
Type:
Archival materials
Slides
Place:
Schwab Garden (Atherton, California)
California -- Atherton
United States of America -- California -- San Mateo County -- Atherton
Date:
1996 Apr.
General:
This is a central California garden that features sweeping lawns and oaks over 200 years old.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Sculpture  Search this
Benches, wooden  Search this
Parterres  Search this
Rose gardens  Search this
Walkways, brick  Search this
Edging, brick  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item CA319005
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / California / CA319: Atherton -- Schwab Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref24526

Schwab Garden

Creator:
Schwab, Charles R.  Search this
Photographer:
Schilling, Dianne P.  Search this
Landscape architect:
Cole, Todd  Search this
Sculptor:
Calder, Alexander, 1898-1976  Search this
Flanagan, Barry  Search this
Serra, Richard, 1938-  Search this
Former owner:
McDurrin, Edward Mr Mrs  Search this
Cowles, Francis Mr Mrs  Search this
Petersen, Baltzer Mr Mrs  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col.)
Type:
Archival materials
Slides
Place:
Schwab Garden (Atherton, California)
California -- Atherton
United States of America -- California -- San Mateo County -- Atherton
Date:
1996 Apr.
General:
This is a central California garden that features sweeping lawns and oaks over 200 years old.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Tulips  Search this
Bulbs  Search this
Parterres  Search this
Hedges  Search this
Water gardens  Search this
Irises (Plants)  Search this
Walkways, gravel  Search this
Hyacinths  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item CA319006
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / California / CA319: Atherton -- Schwab Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref24527

Schwab Garden

Creator:
Schwab, Charles R.  Search this
Photographer:
Schilling, Dianne P.  Search this
Landscape architect:
Cole, Todd  Search this
Sculptor:
Calder, Alexander, 1898-1976  Search this
Flanagan, Barry  Search this
Serra, Richard, 1938-  Search this
Former owner:
McDurrin, Edward Mr Mrs  Search this
Cowles, Francis Mr Mrs  Search this
Petersen, Baltzer Mr Mrs  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col.)
Type:
Archival materials
Slides
Place:
Schwab Garden (Atherton, California)
California -- Atherton
United States of America -- California -- San Mateo County -- Atherton
Date:
1996 Apr.
General:
This is a central California garden that features sweeping lawns and oaks over 200 years old.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Patios, brick  Search this
Tennis courts  Search this
Latticework  Search this
Terra-cotta  Search this
Plants, Potted  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item CA319008
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / California / CA319: Atherton -- Schwab Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref24528

Schwab Garden

Creator:
Schwab, Charles R.  Search this
Photographer:
Schilling, Dianne P.  Search this
Landscape architect:
Cole, Todd  Search this
Sculptor:
Calder, Alexander, 1898-1976  Search this
Flanagan, Barry  Search this
Serra, Richard, 1938-  Search this
Former owner:
McDurrin, Edward Mr Mrs  Search this
Cowles, Francis Mr Mrs  Search this
Petersen, Baltzer Mr Mrs  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col.)
Type:
Archival materials
Slides
Place:
Schwab Garden (Atherton, California)
California -- Atherton
United States of America -- California -- San Mateo County -- Atherton
Date:
1996 Apr.
General:
This is a central California garden that features sweeping lawns and oaks over 200 years old.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Reflecting pools  Search this
Trees  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item CA319009
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / California / CA319: Atherton -- Schwab Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref24529

Schwab Garden

Photographer:
Schilling, Dianne P.  Search this
Landscape architect:
Cole, Todd  Search this
Sculptor:
Calder, Alexander, 1898-1976  Search this
Flanagan, Barry  Search this
Serra, Richard, 1938-  Search this
Owner:
Schwab, Charles R.  Search this
Former owner:
McDurrin, Edward Mr Mrs  Search this
Cowles, Francis Mr Mrs  Search this
Petersen, Baltzer Mr Mrs  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slide (col.)
Type:
Archival materials
Slides
Place:
Schwab Garden (Atherton, California)
California -- Atherton
United States of America -- California -- San Mateo County -- Atherton
Date:
1996 Apr.
General:
This is a central California garden that features sweeping lawns and oaks over 200 years old.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Container gardening  Search this
Vegetables  Search this
Fences  Search this
Latticework  Search this
Walkways, gravel  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item CA319012
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / California / CA319: Atherton -- Schwab Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref24530

Solomon A. Card, Jr. United States Army Chaplain Papers

Creator:
Card, Solomon A., Jr., 1921-1975  Search this
Names:
United States. Army  Search this
Extent:
1 Cubic foot (4 boxes)
Type:
Collection descriptions
Archival materials
Letters (correspondence)
Slides (photographs)
Clippings
Diplomas
Postcards
Date:
1938-1976
Summary:
Papers documenting the career of Chaplain Solomon A. Card, Jr, a United States Army chaplain,who served tours of duty in Korea and in Vietnam. He remained in the Army for twenty years and died just three months after retiring at Fort Hood, Texas.
Scope and Contents:
The collection primarily documents the military career of Chaplain Solomon A. Card, Jr. It includes postcards, correspondence, photographs, slides, newspaper clippings and articles. There is a substantial amount of photographic materials relating to his tours in Korea and Vietnam. These images document the social activities of the military, chapels, orphanages and the landscapes of the two countries. There is a small amount of material relating to his personal life, primarily his education. Other personal papers include wedding documents, photographs, and a death certificate. The materials are arranged into three series.
Arrangement:
The collection is arranged into three series.

Series 1, Personal Papers, 1938-1976

Series 2, Correspondence, 1956-1971

Series 3, Photographic Materials, 1939-1975, undated

Subseries 3.1, Photographs, 1939-1975, undated

Subseries 3.2, Slides, 1957, undated
Biographical / Historical:
Solomon Ackley Card, Jr. was a United States Army chaplain. He was born on November 28, 1921 to Solomon Ackley Card, Sr. and Jennie Louise Mudge in New York. He attended public schools in graduating from Leonardsville High School in 1939. Card attended Cazenovia Seminary and Junior College in 1941. In August 1942, he married Lavina Coral Gates and from this union four children were born; James, David, Diana, and Nancy. Card earned a Bachelors of Divinity degree from Syracuse University in 1943 and his Masters of Divinity degree from Drew University. He was ordained in 1946. Upon graduation he was appointed pastor of the Black River Methodist Church in New York in May, 1946, and in 1950 was assigned to the Clayton Church of Christ. He also served parishioners at Felts Mills, Omar and St. Lawrence in New York. Card joined the United States Army Reserves as a chaplain with the rank of first lieutenant in 1950. He was promoted to captain in July 1952. For five years he was chaplain of the 314th military police battalion with headquarters in Ogdensburg, New York. During the Korean War he was called in for several brief tours of active duty at Camp Drum and Murphy Army General Hospital in Waltham, Massachusetts. He also served tours of duty in Europe, Korea, and Vietnam. In 1966, he was awarded the Soldier's Medal for disarming a distraught soldier who had fired seventeen rounds from an M-16 rifle near the heavily populated Da Nang base camp in Vietnam. While serving in Da Nang, Vietnam, as chaplain for headquarters of the Army Support Command, he was promoted to the, rank of colonel. Card remained in the Army for twenty years. He died December 4, 1975, just three months after retiring at Fort Hood, Texas, at the age of fifty-four.
Provenance:
The papers were donated to the Archives Center by Nancy L. Card in 2011.
Restrictions:
The collection is open for research. Gloves must be worn when handling unprotected photographs, negatives, and slides.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Clergy  Search this
Military chaplains  Search this
Genre/Form:
Letters (correspondence) -- 20th century.
Slides (photographs) -- 20th century
Clippings -- 20th century
Diplomas
Postcards
Citation:
Solomon A. Card, Jr. United States Army Chaplain Papers, 1938-1975, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1260
See more items in:
Solomon A. Card, Jr. United States Army Chaplain Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1260
Online Media:

Oral history interview with Paula Colton Winokur

Interviewee:
Winokur, Paula, 1935-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Beaver College -- Faculty  Search this
Graphic Sketch Club (Philadelphia, Pa.)  Search this
Helen Drutt Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Council on Education for the Ceramic Arts (U.S.)  Search this
Philadelphia Museum of Art  Search this
Temple University. -- Students  Search this
Tyler School of Art -- Students  Search this
Andre, Carl, 1935-  Search this
Blai, Boris, 1893-1985  Search this
Bobrowicz, Yvonne  Search this
Cunningham, Imogen, 1883-1976  Search this
Cushing, Val M.  Search this
De Staebler, Stephen, 1933-2011  Search this
Ferguson, Ken, 1928-  Search this
Heizer, Michael, 1944-  Search this
Higby, Wayne  Search this
Leon, Dennis, 1933-  Search this
Long, Richard, 1945-  Search this
Love, Arlene, 1953-  Search this
Marks, Graham, 1951-  Search this
McKinnell, James  Search this
Mestre, Enrique, 1936-  Search this
Minter, Myrna  Search this
Moran, Lois  Search this
Natzler, Gertrud  Search this
Natzler, Otto  Search this
Nesbitt, Lowell, 1933-1993  Search this
Notkin, Richard  Search this
Randall, Theodore, 1914-1985  Search this
Schulman, Norman, 1924-  Search this
Sedestrom, Carol  Search this
Serra, Richard, 1938-  Search this
Shores, Kenneth, 1928-  Search this
Simon, Sandy  Search this
Slivka, Rose  Search this
Staffel, Rudolf, 1911-2002  Search this
Takaezu, Toshiko  Search this
Vavrek, Ken  Search this
Winokur, Robert, 1933-  Search this
Ólafur Elíasson, 1967-  Search this
Extent:
9 Items (Sound recording: 9 sound files (6 hr., 24 min.))
171 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Alaska
Hungary
Iceland
Mesa Verde (Calif.)
Rocky Mountains
Stonehenge (England)
Date:
2011 July 21-22
Scope and Contents:
An interview of Paula Colton Winokur conducted 2011 July 21-22, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Winokur's home and studio, in Horsham, Pennsylvania.
Paula speaks of taking drawing and painting classes at the Graphic Sketch Club (now the Fleischer Art Memorial) in Philadelphia at age 11; her first experience handling clay at 13 or 14 when taking a class at the Philadelphia Museum of Art; when her family agreed to send her to college, providing she became a teacher, and she attended the Tyler School of Art at Temple University as a painting major; the influence of her teacher Rudolf Staffel in her sophomore year when she took a ceramics class and fell in love with working in clay; meeting her husband Robert Winokur when they were students at Tyler, getting married in 1958, eventually having two sons; glaze testing to find a palette of glazes to use; moving to Massachusetts and starting Cape Street Pottery for their production pottery; her involvement with NCECA [National Council on Education for the Ceramic Arts] and other professional organizations; when she began a 30-year teaching career at Beaver College in 1973 (more recently known as Arcadia University), building their ceramics department; changing from using stoneware to porcelain in 1970; making boxes and architectural forms; how she stopped making functional items when her first child was born and began creating the things she wanted to; the decision in 1982 to make landscapes and how geology, the Artic, and threats to the environment influence her work; the process she uses when creating texture; selling exclusively through the Helen Drutt Gallery beginning in 1973 until the gallery closed in 2011; the important influences in her work of artists such as Michael Heizer, Carl Andre, Richard Long, Richard Serra, Olafur Eliasson, and Steven De Staebler and others; the immense the geologic formations of Mesa Verde, the Rocky Mountains, Stonehenge, Alaska and Iceland are inspiring; various lecturing opportunities and exhibits through the years, as well as a working residency she took advantage of in Hungary in 1994; slowly moving away from glazes and instead using metallic sulfates for color; that her intention is to express the relationship between the internal part of herself and the external world for other people to experience and find something in common; the importance of a liberal arts education for art students; her gelatin and clay prints; the concern over collectors of clay art dying off and no new ones taking their places; that galleries are closing and Internet galleries are the norm; meeting photographer, Imogen Cunningham, and seeing her as a wonderful role model; and the feeling that the high cost of fuel and the invention of newer materials may end ceramic classes. Paula also recalls Lowell Nesbitt, Myrna Minter, Arlene Love, Dennis Leon, Boris Blai, Ted Randall, Val Cushing, Norm Schulman, Jim McKinnel, Gertrud Natzler, Otto Natzler, Ken Ferguson, Rose Slivka, Enrique Mestre, Sandy Simon, Wayne Higby, Richard Notkin, Graham Marks, Toshika Takaezu, Yvonne Bobrowicz, Ken Vavrek, Carol Sedestrom, Lois Moran, and Ken Shores and others.
Biographical / Historical:
Paula Colton Winokur (1935- ) is a ceramist in Horsham, Pennsylvania. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded as 9 sound files. Duration is 6 hr., 24 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- Study and teaching  Search this
Ceramicists -- Pennsylvania -- Interviews  Search this
Ceramics -- Study and teaching  Search this
Painting -- Study and teaching  Search this
Women artists -- Pennsylvania -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.winoku11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-winoku11

Folder 17 #722-724, Montana's Swan Range, 1905.

Collection Creator::
Walcott, Charles D. (Charles Doolittle), 1850-1927  Search this
Container:
Box 44 of 117
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 7004, Charles D. Walcott Collection
See more items in:
Charles D. Walcott Collection
Charles D. Walcott Collection / Series 18: PHOTOGRAPHS, 1860, 1868, 1877, 1895-1925, AND UNDATED. / Box 44
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7004-refidd1e7428

Arnold Mesches papers

Creator:
Mesches, Arnold, 1923-  Search this
Names:
New York University  Search this
Ciment, Jill, 1953-  Search this
Danto, Arthur Coleman, 1924-  Search this
Marshall, Kerry James, 1955-  Search this
Miami Dade College  Search this
Miller, Henry, 1891-  Search this
Motherwell, Robert  Search this
Shahn, Ben, 1898-1969  Search this
Siqueiros, David Alfaro  Search this
Storr, Robert  Search this
Wayne, June, 1918-2011  Search this
Zinn, Howard, 1922-2010  Search this
Extent:
13.6 Linear feet
Type:
Collection descriptions
Archival materials
Collages
Diaries
Drawings
Sketches
Date:
1939-2015
Summary:
The papers of New York City and Gainesville, Florida based painter Arnold Mesches (1923-2016) measure 13.6 linear feet and date from 1939-2015. The collection documents Mesches' politically-engaged career and work process through biographical material, correspondence, writings, gallery and exhibition files, project files, subject files, teaching files, personal business records, printed material, and photographic material. Project files comprise a bulk of the collection and include grant files, activism files, project notebooks, and over 100 art project files containing drawings, source material, and photographic material for individual artworks.
Scope and Contents:
The papers of New York City and Gainesville, Florida based painter Arnold Mesches (1923-2016) measure 13.6 linear feet and date from 1939-2015. The collection documents Mesches' politically engaged career and work process through biographical material, correspondence, writings, gallery and exhibition files, project files, subject files, teaching files, personal business records, printed material, and photographic material.

Biographical material includes addresses, family papers, interview transcripts, life documents, identification cards, a residency file, resumes, biographical statements, and travel records. Correspondence is both personal and professional in nature and is with wife, novelist Jill Ciment, family, friends, artists, museums, galleries, and magazines. Notable correspondents include Arthur Danto, Robert Storr, June Wayne, and Howard Zinn. Single items of correspondence are from Kerry James Marshall, Henry Miller, Robert Motherwell, and Ben Shahn.

Writings include manuscripts of unpublished novels and short stories, autobiographical writings, recordings of dreams, introductions to artists, a journal, memorials, project proposals, statements on art and politics, notes from Mesches' psychotherapy sessions, as well as numerous outlines, fragments, and notes.

Gallery and exhibition files document dozens of Mesches' gallery and museum exhibitions, including his 2013 retrospective at Miami Dade College, Arnold Mesches: A Life's Work.

Project files consist of grant files, activism files, project notebooks, and art projects. Activism files pertain to the Los Angeles Peace Tower, Arts Coalition for Freedom of Expression, and the pardon of muralist David Alfaro Siqueiros. Project notebooks contain preliminary sketches, technical notes including color palette and paint formulas, Polaroids of in-process works, and source material. Over 100 art project files further detail individual works, and include preliminary drawings in pen, pencil and charcoal, as well as collages, source material, and Polaroids. Several of Mesches' serial works are well represented here, including Anomie, Comings Attractions, and The FBI Files.

Subject files consist of a sequence of alphabetical files maintained by Mesches as reference material. Teaching files document posts at New York University and other institutions and include course descriptions, lists of materials, course notes, newsletters, reference articles, and correspondence.

Personal business records include documentation related to donations, Mesches' estate, gallery representation, inventories, properties, artwork shipment, supplies, and website design.

Printed material documents Mesches' career as both political illustrator and fine artist. Found here are brochures, leaflets, and Frontier and The Nation magazines featuring illustrations by Mesches. Calendars, newsletters, clippings, announcements, exhibition catalogs, and press releases document Mesches' gallery and museum exhibitions.

Photographic material includes hundreds of photographic prints, contact sheets, slides, and negatives of Arnold Mesches, Mesches' family and friends, studio, and artworks from his seven decade long career.
Arrangement:
The collection is arranged as ten series.

Series 1: Biographical Material, 1960s-2012 (0.2 linear feet, Box 1)

Series 2: Correspondence, 1949-2014 (0.8 linear feet, Box 1)

Series 3: Writings, 1958-2013 (1.1 linear feet, Box 2-3)

Series 4: Gallery and Exhibition Files, 1979-2015 (0.8 linear feet, Box 3)

Series 5: Project Files, 1950s-2014 (5.3 linear feet, Box 3-8, 15, OV 16-19)

Series 6: Subject Files, 1939-2000s (1.3 linear feet, Box 8-9)

Series 7: Teaching Files, 1992-2004 (0.2 linear feet, Box 9-10)

Series 8: Personal Business Records, 1983-2015 (0.5 linear feet, Box 10)

Series 9: Printed Material, 1950s-2000s (1.5 linear feet, Box 10-11, 15, OV 20)

Series 10: Photographic Material, 1940s-2010s (1.9 linear feet, Box 12-15)
Biographical / Historical:
Arnold Mesches (1923-2016) was a painter in New York, New York and Gainesville, Florida. Born in the Bronx and raised in upstate Dunkirk, New York, Mesches studied advertising design in high school before moving to Los Angeles in 1943 to study art at the Jepson Art Institute and Chouinard Art Institute.

Mesches began his career as a scenic painter for Hollywood while honing his own style as a fine artist and illustrator influenced by the political landscape and social realism. As a result of his political activity and involvement in the Communist Party, the FBI opened a file on Mesches in the 1950s, and began tracking his activities. The file, obtained by Mesches through a Freedom of Information Act request in 1999, became the basis for one of his most famous series, The FBI Files.

Throughout his life, Mesches was a socially-oriented figurative painter working in an expressionist style, mining the daily news and the current political landscape for subject matter, including the Cold War, the trial of Julius and Ethel Rosenberg, and the Vietnam War. Mesches was also one of the organizers of the 1966 Peace Tower artwork in Los Angeles and contributed illustrations to Frontier magazine throughout the 1950s, and The Nation magazine from 1960s-1980s.

In the early 1980s, Mesches relocated to New York City with wife, novelist Jill Ciment.

Mesches held several teaching posts over the course of his career, including at the New School, New York University, and the University of Florida.
Provenance:
Donated to the Archives of American Art in 2017 by Jill Ciment, Mesches' widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Arnold Mesches papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- California -- Los Angeles  Search this
Painters -- Florida  Search this
Topic:
Art -- Political aspects  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Painting -- Technique  Search this
Politics in art  Search this
Interviews  Search this
Photographs  Search this
Transcripts  Search this
Genre/Form:
Collages
Diaries
Drawings
Sketches
Citation:
Arnold Mesches papers, 1939-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mescarno
See more items in:
Arnold Mesches papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mescarno
Online Media:

De Hirsh Margules papers

Creator:
Margules, De Hirsh, 1899-1965  Search this
Names:
Babcock Galleries  Search this
Brooklyn Museum  Search this
Buffalo Fine Arts Academy  Search this
Feigl Gallery  Search this
Ferargil Galleries  Search this
Museum of Fine Arts, Boston  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Niveau Gallery (New York, N.Y.)  Search this
Solomon R. Guggenheim Museum  Search this
Walker Art Center  Search this
Whitney Museum of American Art  Search this
Worcester Art Museum  Search this
Beaudoin, Kenneth Lawrence, 1913-  Search this
Connick, Charles J., 1875-1945  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Frankel, Aaron  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gillespie, Al Lincoln, Jr.  Search this
Gilman, Esther  Search this
Grady, James  Search this
Higgins, Dick, 1938-  Search this
Horblit, Harrison D.  Search this
Horblit, Jean  Search this
Jensen, Alfred, 1903-1981  Search this
King, Alex  Search this
Kolin, Sacha, 1911-1981  Search this
Lechay, Myron, 1898-1972  Search this
Lehman, Herbert H. (Herbert Henry), 1878-1963  Search this
Lindsay, John V.  Search this
Mandel, Marieli Kailin  Search this
Margules, Blanche London  Search this
Marin, John, 1870-1953  Search this
Miller, Henry, 1891-  Search this
O'Brien, Lawrence F.  Search this
Schnitzler, Max, 1903-  Search this
Stieglitz, Alfred, 1864-1946  Search this
Weber, David A.  Search this
Extent:
5.5 Linear feet
Type:
Collection descriptions
Archival materials
Writings
Photographs
Notebooks
Sketchbooks
Sound recordings
Poems
Scrapbooks
Oil paintings
Collages
Date:
1888-2001
bulk 1923-1965
Summary:
The papers of painter De Hirsh Margules measure 5.5 linear feet and date from 1888-2001, with the bulk dating from 1923-1965. The papers contain biographical material, and business and personal correspondence, including letters from Alfred Stiegliz, John Marin, Henry Miller, Max Schnitzler, Charles J. Connick, Louis M. Eilshemius, Alex King, and Myron Lechay. Also found are writings, printed material, scrapbooks, photographs, works of art and audio recordings documenting Margules' personal life and professional career.
Scope and Content Note:
The papers of painter De Hirsh Margules measure 5.5 linear feet and date from 1888-2001, with the bulk dating from 1923-1965. The papers contain biographical material, and business and personal correspondence, including letters from Alfred Stiegliz, John Marin, Henry Miller, Max Schnitzler, Charles J. Connick, Louis M. Eilshemius, Alex King, and Myron Lechay. Also found are writings, printed material, scrapbooks, photographs, works of art and audio recordings documenting Margules' personal life and professional career.

Biographical material consists of Margules' curriculum vitae, address books, war ration books, press credentials, passports, naturalization documents, membership and social security cards, and memorial material on De Hirsh and Blanche Margules.

Correspondence of De Hirsh Margules covers both personal and business matters. Family correspondents include his wife Blanche London, her parents, De Hirsh's mother Rosa and his sister Sam. There is correspondence with Jean and Harrison Horblit, friends and business associates of the Margules, as well as correspondence with his girlfriend, Marieli Kailin Mandel. Other correspondents include Alfred Stieglitz, John Marin, Henry Miller, Max Schnitzler, Charles J. Connick, Louis M. Eilshemius, Alex King, Myron Lechay, and two letters from New York Governor Herbert H. Lehman. There are single letters from Sasha Kolin; New York City Mayor John V. Lindsay; Lawrence F. O'Brien, special assistant to President John F. Kennedy; Buckminster Fuller. This last letter was not addressed exclusively to Margules. Other personal correspondence includes letters, postcards and greeting cards from family members and friends. Other business correspondents include galleries and museums such as Babcock Galleries, Museum of Modern Art, Whitney Museum of American Art, Niveau Gallery, Museum of Fine Arts Boston, Brooklyn Museum, Buffalo Fine Arts Academy, Ferargil Gallery, Feigl Gallery, Guggenheim Museum, Worcester Art Museum and Walker Art Center.

Writings consist mostly of poems by De Hirsh Margules, sometimes appearing in multiple draft forms, as well as a longer work titled "Mulberry Bend." Also included within the series are notebooks filled with poems and works of prose, the latter expounding upon his theories and ideas. Writings by other authors range from poetry to works of prose, criticism and biography, including A. Lincoln Gillespie, Jr., Kenneth Lawrence Beaudoin, David Weber, Aaron Frankel, James Grady, Dick Higgins, and Esther Gilman, among others. There are three illustrated writings by Alfred Jensen. Audio recordings contain a sound tape reel of De Hirsh Margules reciting his poems Rainbow and Mulberry Bend.

Printed material includes newspaper and magazine clippings, press releases, exhibition announcements, catalogues and books. Scrapbooks include printed material, newspaper and magazine clippings, and exhibition announcements on the career of De Hirsh Margules. Also included are two scrapbooks by Blanche London Margules, representing newspaper clippings of her writing, among others.

Works of Art include an oil painting on wood and sketchbooks by Margules. Also included are six collages in a series by Kenneth Lawrence Beaudoin titled "Eye Poems"; and text-based drawings/writings by A. Lincoln Gillespie, Jr.

Photographs, transparencies and slides include works of art by De Hirsh and Blanche London Margules. Also included are personal photographs of the Margules', their friends, family and students, and two folders of photographs of Marieli Kailin Mandel.
Arrangement:
The De Hirsh Margules papers are organized into 8 series:

Series 1: Biographical Material, 1888-1978, undated (Box 1, 6; 0.2 linear feet)

Series 2: Correspondence, 1923-2000, undated (Box 1-3; 2.8 linear feet)

Series 3: Writings, 1936-1965, undated (Box 4; 1.0 linear feet)

Series 4: Printed Material, 1933-2001, undated (Box 5; 0.2 linear feet)

Series 5: Scrapbooks, 1922-1957, undated (Box 5, 7; 0.2 linear feet)

Series 6: Photographs, 1926-1992, undated (Box 5, 7; 0.8 linear feet)

Series 7: Works of Art, 1948, undated (Box 6, 7; 0.4 linear feet)

Series 8: Audio Recordings, undated (Box 6; 1 folder)
Biographical Note:
De Hirsh Margules (1899-1965) was a painter in New York, NY. Margules was born in Jasse, Romania and arrived in New York City at only ten months of age. His parents were in the Yiddish Theater; his father, Edouard was a playwright/director, and his mother, Rosa, was an actress. Margules received much of his art education outside of the conventional art institutional framework. Early on, he studied with Edwin Randby in Pennsylvania from 1917-1918, but it was really his neighbor, the painter Benno Greenstein, who encouraged Margules to pursue a career in the arts. From 1919-1921 he studied period architecture, design and decoration at the New York Evening School of Art and Design.

By 1922, Margules began working nights as a police reporter for the City News Association of New York, a job he would hold until 1942. However, he continued to study and paint during the day, this time working with Myron Lechay.

In 1927 Margules took a leave of absence from the City News Association to travel to Paris. He studied at the Musée du Louvre, and painted landscapes in Montmartre, Paris; Fontenay-près-Vézelay, Burgundy; and Tunis, Africa. In 1929 Margules returned to New York and met artist/dealer Alfred Stieglitz, who quickly became his most trusted friend and advisor. It was through Stieglitz that Margules was introduced to John Marin, Georgia O'Keeffe, Paul Rosenfeld, Stuart Davis and Jan Matulka. While Margules would benefit from his relations with all of these artists, it was John Marin who would become his most important mentor. He felt that Marin was the only one who could help him with the formal problems he was having with painting.

Margules lived most of his life in Greenwich Village and was a well-known member of the colorful and vivacious arts community. He was commonly recognized by his affable demeanor, but mostly it was his attire, particularly the dark blue beret that he was rarely seen without. To his friends he was known simply as "the Baron."

De Hirsh Margules has been called an abstract realist. He used saturated colors and bold textures in the construction of his abstract landscapes, but more specifically it was his interest in the concept of "time painting" or "time perspective" that propelled his work. It was through the physical rendering and representation of his subject matter that he explored the psychological concepts of time. From 1936-1937 Margules established "Another Place," an exhibition space set up in his New York City apartment at 43 West 8th Street. Over a two year period there were fourteen solo-exhibitions by Margules and other artists.

He taught painting in 1951 at Ball State College in Muncie, Indiana, and at the New York Equity Workshop in 1952. In 1951 Elaine de Kooning wrote a piece about his working methods in the December edition of Art News.

De Hirsh Margules died from a heart attack in 1965. He was 65 years old.
Provenance:
The papers were donated to the Archives in 2005 by Elita Agee.
Restrictions:
The De Hirsh Margules papers are open for research. Use requires an appointment.
Rights:
The De Hirsh Margules papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Poets -- New York (State) -- New York  Search this
Works of art  Search this
Genre/Form:
Writings
Photographs
Notebooks
Sketchbooks
Sound recordings
Poems
Scrapbooks
Oil paintings
Collages
Citation:
De Hirsh Margules papers, 1888-2001, bulk 1923-1965. Archives of America Art, Smithsonian Institution.
Identifier:
AAA.margde
See more items in:
De Hirsh Margules papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-margde

Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Business records
Negatives
Digital images
Plans (drawings)
Memorandums
Slides (photographs)
Notes
Videotapes
Video recordings
Audiotapes
Photographic prints
Contracts
Sound recordings
Correspondence
Audiocassettes
Date:
June 25-July 6, 2014
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 2014 Smithsonian Folklife Festival. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 4 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: China: Tradition and the Art of Living

Series 3: Kenya: Mambo Poa

Series 4: Special Events
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 2014 Smithsonian Folklife Festival was produced by the Smithsonian Center for Folklife and Cultural Heritage and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
For forty-eight years, the Smithsonian Folklife Festival has gathered people from around the globe on the National Mall to celebrate the best of the human spirit. In response, millions of visitors have been inspired, challenged, and delighted by culture bearers manifesting the ordinary and the astounding. The Folklife Festival's history is a remarkable one in which creativity and culture have transformed grass, gravel, and trees into a vibrant landscape for exploration and exchange.

The 2014 Festival added another chapter to that history with programs illuminating the cultural heritage of China and Kenya. With song and story, movement and craft in tow, exemplars of traditional genres demonstrated practices that continue to resonate in our modern world. The alchemy of their presence and the curiosity of visitors is what drives the Festival.

The 2014 Festival took place for two five-day weeks (June 25-29 and July 2-6) between Madison Drive and Jefferson Drive and between 9th Street and 12th Street, south of the National Museum of Natural History (see site plan). It featured two programs and special events including the Rinzler Concert.

The 2014 guide included participant lists for each program, a site plan, and daily schedules.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife and Cultural Heritage.

Center for Folklife and Cultural Heritage

Michael Atwood Mason, Director; Smithsonian Folklife Festival: Sabrina Lynn Motley, Festival Director; Cristina Díaz-Carrera, Production Manager; Education and Program Support: Betty Belanus, Education Specialist, Evaluation Coordinator; Olivia Cadaval, Cross-Cultural Programs Coordinator; Marjorie Hunt, Family Activities Consultant (Kenya); Diana N'Diaye, Curator; Arlene Reiniger, Intern Coordinator; Arnie Malin, Foodways Coordinator; Ralph Rinzler Folklife Archives and Collections: Jeff Place, Archivist; Stephanie Smith, Photo Documentation Coordinator; Dave Walker, Audio Documentation Coordinator; Cecilia Peterson, Project Archivist; Greg Adams, Processing Archivist

Center for Folklife and Cultural Heritage Advisory Council

Ellen McCulloch-Lovell, Chair; Cathy Sulzberger, Co-Chair; Bill Ivey, Dawn McCall, Susan Norton, Anna Maria Ochoa, George Papagiannis, Frederik Paulsen, Jennifer Cover Payne, Ann Elizabeth Sheffer, Deborah Wong, Council Members; Libby O'Connell, J. Scott Raecker, Honorary; Patricia Shehan-Campbell, G. Wayne Clough, Richard Kurin, Michael Atwood Mason, Daniel Sheehy, Ex Officio

National Park Service

Jonathan B. Jarvis, Director; Robert Vogel, Superintendent, National Mall and Memorial Parks

The Festival was supported by federally appropriated funds; Smithsonian trust funds; contributions from governments, businesses, foundations, and individuals; in-kind assistance; and food, recording, and craft sales.
Forms Part Of:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Folk music  Search this
Folk festivals  Search this
arts and crafts  Search this
World music  Search this
Food habits  Search this
Folk art  Search this
Folklore  Search this
Genre/Form:
Business records
Negatives
Digital images
Plans (drawings)
Memorandums
Slides (photographs)
Notes
Videotapes
Video recordings
Audiotapes
Photographic prints
Contracts
Sound recordings
Correspondence
Audiocassettes
Citation:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2014
See more items in:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-2014

Modify Your Search







or


Narrow By