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William S. Soule Photographs

Photographer:
Soule, William S. (William Stinson), 1836-1908  Search this
Extent:
40 Prints
Culture:
Cheyenne Indians  Search this
Kiowa Indians  Search this
Wichita Indians  Search this
Comanche Indians  Search this
Inunaina (Arapaho)  Search this
Kiowa Apache Indians  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Prints
Date:
ca. 1867-74
Scope and Contents:
Photos are of Arapaho, Cheyenne, Commanche, Kiowa, Kiowa-Apache, and Wichita Indians; portraits, villages, and landscape views, including (miscellaneous ?) views of Fort Sill, Indian Territory. [Oklahoma]. Believed to have been taken by William S. Soule at and near Fort Sill, Indian Territory [Oklahoma] and possibly in the vicinity of Fort Dodge [Kansas], and Camp Supply [Oklahoma], ca. 1867-74. Prints placed in album at Smithsonian Office of Anthropology-A, numbered 1-40 with original captions.
Local Numbers:
NAA MS 4791
Local Note:
Filed: Original prints, numerical shelf.
Topic:
Photographs  Search this
Towns, villages and other settlements -- Oklahoma  Search this
Plains Apache  Search this
Oklahoma  Search this
Citation:
Manuscript 4791, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4791
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms4791

Out of Many, One by artist Jorge Rodríguez-Gerada

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2014-10-31T15:14:54.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_PjxK7Vt5eGw

Palmyra

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2015-08-28T14:17:17.000Z
YouTube Category:
Film & Animation  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_uppak1uBZPo

What Every Photographer Can Learn from Ansel Adams

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2012-05-03T18:50:07.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_ymjxhZPIPKg

Last Call for the Bayou 101: On a Wing and a Prayer

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2020-04-08T15:30:02.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_M1XeP9HVHBA

J. Henry Fair on Devastating Beauty

Creator:
Smithsonian Magazine  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2010-12-29T22:33:14.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianMagazine
Data Source:
Smithsonian Magazine
YouTube Channel:
SmithsonianMagazine
EDAN-URL:
edanmdm:yt_bGks4mhn6-k

#APeoplesJourney: Musical Crossroads - Regions Without Borders

Creator:
National Museum of African American History and Culture  Search this
Type:
YouTube Videos
Uploaded:
2017-06-22T16:11:30.000Z
YouTube Category:
Education  Search this
Topic:
African Americans  Search this
See more by:
WatchNMAAHC
Data Source:
National Museum of African American History and Culture
YouTube Channel:
WatchNMAAHC
EDAN-URL:
edanmdm:yt_CTwNw0SEk40

Harlem Focus | Architectural Photography: The Imaging of Design

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2013-06-13T00:14:13.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_T7AGciQTSRk

Introduction: Landscapes in Passing

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2013-07-15T13:13:39.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_7zw9bX4rlm0

Exhibition talk: A Conversation with Photographer John Gossage

Creator:
Smithsonian American Art Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2010-11-02T20:31:06.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_PZ4OUYrYg4s

Episode 1: Landscapes in Passing - Elaine Mayes

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2013-07-15T13:16:25.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_TuVT0xs_-hI

Meet the Artist: Camilo José Vergara on "65 East 125th Street, Harlem"

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2017-12-18T15:32:53.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_Ji2w1qUb98c

Photographer Albert Watson

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2016-11-10T02:03:46.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_M2993rnB2Vs

Meet The Artist: Ruben Ochoa on "What if Walls Created Spaces?"

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2017-12-27T16:03:06.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt__mAkXNAoKNk

"Trevor Paglen: Sites Unseen" at the Smithsonian American Art Museum

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2018-06-28T19:06:39.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_wyk0_bFg3KE

W.M. Cline Company photographs of Eastern Band of Cherokee

Photographer:
W.M. Cline Company  Search this
Extent:
10 Photographic prints
Culture:
Eastern Band of Cherokee  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Place:
North Carolina
Date:
circa 1937-1938
Summary:
This collection contains 10 photographs depicting the Eastern Band of Cherokee in North Carolina. The photographs were shot by W.M. Cline Company of Chattanooga, Tennessee circa 1937.
Scope and Contents:
This collection contains 10 photographs depicting scenes on the Eastern Band of Cherokee Reservation in North Carolina. The photographs were shot by W.M. Cline Company of Chattanooga, TN circa 1937. The photographs were originally sold in a small souvenir self-mailer portfolio entitled, "Selected Snapshots, 10 views, Cherokee Indian Reservation, N.C." The photographs themselves feature descriptions printed at the bottom. Based on the copyright entry, it seems that the photographs were copyrighted on Oct. 14, 1937 and most likely published in the souvenir package in 1938.

The photographs include images of Chief Nollyton and Chief Standing Deer; scenes of basket and pottery makers and bead workers; Green Corn Dancers; and landscapes.
Arrangement:
The photographs in this collection are arranged in folders by image number.
Biographical / Historical:
Born in Guernsey County, Ohio on April 21, 1873, Walter Matson Cline, Sr. began practicing photography in high school. He went on to establish Bell and Cline studio in Cambridge, Ohio and later moved with his mother and sister to Chattanooga, Tennessee in 1904 where he worked for photographers Elworth L. Mudge and Amos W. Judd. Around 1910, Cline established his own photography business Cline Studios. He traveled the country producing scenic and travel photography for commercial sale. In January 1914, he married Lucy Haley and their son Walter Matson, Jr. was born later in the year and Sara Antoinette was born in 1916. The family opened the C. M. Cline Company in 1938, which specialized in postcard photography, however, Walter Matson Cline, Sr. died three years later in 1941. His family took over the business.
Related Materials:
The University of Tennessee in Chattanooga and the Library of Congress in Washington, DC also hold photographs shot by Cline Studios and the W.M. Cline Company.
Provenance:
Gift of Fern Thomas Robertson and Martha N. Lundquist, 2004.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; Date (if known); W.M. Cline Company photographs of Eastern Band of Cherokee, image #, NMAI.AC.362; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.362
See more items in:
W.M. Cline Company photographs of Eastern Band of Cherokee
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-362
Online Media:

Luther Douglas Diné (Navajo) slides

Photographer:
Douglas, Luther A., 1919-1976  Search this
Extent:
195 Color slides
Culture:
Diné (Navajo)  Search this
Type:
Collection descriptions
Archival materials
Color slides
Place:
New Mexico
Arizona
Date:
April 1964
Summary:
This collection contains 195 slides that were taken by photographer Luther A. Douglas on the Navajo (Diné) Reservation in April of 1964.
Scope and Contents:
Catalog numbers: S03663 - S03686 and S07774 - S07945

This collection contains 195 color slides which were taken in April of 1964 on the Navajo Reservation in New Mexico by photographer Luther A. Douglas. The photographs depict Diné (Navajo) everyday scenes (portraits/ landscapes) including images of trading posts, Hogans or Diné (Navajo) houses, schools, hospitals, churches, sheep corrals, performances for tourists, and ceremonies. Douglas used both a Yashica and a Rollei, which worked best for his field expeditions. He may have used these cameras during this visit to the Navajo Reservation.
Arrangement note:
This collection is arranged according to catalog number.
Biographical/Historical note:
Luther A. Douglas was born in Idaho in 1919 and died in 1976. Douglas had a rough childhood and at the age of 8 was left without parents. His father passed away before he was born, and his mother was on the run with her then boyfriend after robbing a bank. Douglas was abandoned by his mother on the Navajo reservation and he walked to the nearest trading post where he was then noticed by a Diné (Navajo) family who took him home and cared for him. He lived with this family for just under a year until a social worker visited and took him back to Idaho where he was put into foster care. Since then he had an admiration for Diné (Navajo) culture, as he experienced daily life and some ceremonies while living with the Diné (Navajo) family. This was the first time he was able to experience being part of a family and he believed that they saved his life in many ways.

In his adult life, Douglas pursued independent studies for more than four decades traveling to the Navajo reservation many times and recording knowledge of the Navajo culture, focusing on the preservation of sand paintings. He was a craftsman and an ethnographer with lifelong interests in the Diné (Navajo) culture, and even experimented and mimicked sand paintings but it was noted by his wife they were altered in various and minimal ways in order to alter the ceremonial paintings. His wife, Conda Elisabeth (Betsy) Douglas worked closely with him and often accompanied him during lectures and slide programs.

In 1954 Douglas was elected as a Fellow of the International Explorers Clubs in recognition of his studies of Diné (Navajo) culture. In 1960s Douglas worked as a Research Associate or Field Agent for the Museum of the American Indian and traveled out to the Diné (Navajo) Reservation during this time. In 1976 he received recognition as an outstanding Idaho citizen since the time of Idaho's formation as a Territory at the Idaho Bicentennial celebration.
Separated Materials:
NMAI also holds the following reports written by Luther Douglas: Storytelling Among the Navajo , 1965 and Survey Report on Navajo Ceremonial Practices , undated. These are held in the Museum of the American Indian/Heye Foundation Records, NMAI.AC.001, Box 213, folders 15 and 16.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Genre/Form:
Color slides -- 20th century
Citation:
Identification of specific item; Date (if known); Luther Douglas Diné (Navajo) slides, image #, Collection NMAI.AC.393; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.393
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-393

Anonymous Artists, Landscapes

Collection Creator:
Lipman, Howard, 1905-1992  Search this
Container:
Box 25, Folder 9-10
Type:
Archival materials
Date:
undated
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Howard W. and Jean Lipman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Howard W. and Jean Lipman papers, 1848, 1916-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Howard W. and Jean Lipman papers
Howard W. and Jean Lipman papers / Series 4: Research and Writings Files / 4.4: Folk Art / Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipmhowa-ref926

Abigail Adler Diné (Navajo) photographs

Creator:
Adler, Abigail  Search this
Names:
National Endowment for the Arts  Search this
Navajo Nation, Arizona, New Mexico & Utah  Search this
Extent:
11 Photographic prints
0.03 Linear feet (3 folders)
Culture:
Diné (Navajo)  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Place:
Arizona
Date:
1976-1979
Summary:
This collection contains 11 gelatin silver prints that were shot by photographer Abigail Adler throughout the Navajo Reservation in Arizona, New Mexico, and Utah in 1976 and 1979.
Scope and Contents:
This collection contains 11 gelatin silver prints that were shot by photographer Abigail Adler throughout the Navajo Reservation in Arizona, New Mexico, and Utah in 1976 and 1979. The photographs depict Diné (Navajo) individuals and family portraits; ceremonial scenes, such as a Kinaaldá (girl's puberty ceremony), portrait of woman and mother on wedding day, and a Medicine Man with sand painting; and daily activities such as planting corn, outdoor cooking, and traveling by horse-drawn wagon. Photographs from this collection were possibly part of Alder's "Navajo Matriarch" project funded by the Navajo Nation and a grant from the National Endowment for the Arts.
Arrangement:
This collection has been organized into three folders. Folder 1 (P34072- P34074): Individual and family portraits, folder 2 (P34066- P34068, P34071): ceremonial scenes, and folder 3 (P34069- P34070, P34075- P34076): landscape and daily activities.
Provenance:
Gift of Gail Adler Hughes (Abigail Adler), 1979.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Some images restricted: Cultural Sensitivity
Topic:
Photographs  Search this
New Mexico  Search this
Utah  Search this
Citation:
Identification of specific item; Date (if known); Abigail Adler Diné (Navajo) photographs, catalog #; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.373
See more items in:
Abigail Adler Diné (Navajo) photographs
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-373
Online Media:

Frederick Webb Hodge photographs on the Havasupai (Coconino) Reservation

Creator:
Hodge, Frederick Webb, 1864-1956  Search this
Museum of the American Indian  Search this
Names:
Nusbaum, Jesse L. (Jesse Logan)  Search this
Extent:
0.8 Linear feet
41 Glass plate negatives
41 Copy negatives
Note:
The glass plate negatives are in boxes 152 (N05849-N05860), 153 (N05861-N05879), 154 (N08880-N05889) and B23 (N05863) in the cool room.
Culture:
Havasupai (Coconino)  Search this
Type:
Collection descriptions
Archival materials
Glass plate negatives
Copy negatives
Place:
Havasupai Reservation (Ariz.)
Grand Canyon (Ariz.)
Date:
1919 September
Summary:
This collection includes glass plate and copy negatives taken by Frederick Webb Hodge on a collecting trip to the Havasupai Reservation in the Grand Canyon, Arizona in 1919. Hodge was an archaeologist and collector for the Museum of the American Indian, Heye Foundation between 1918 and 1931 most famously leading the Hendricks-Hodge Hawikku excavations between 1917 and 1923.
Scope and Contents:
This collection includes 41 glass plate negatives made by Frederick Webb Hodge on a trip to the Havasupai (Coconino) Reservation in 1919. It is likely the trip took place in September of that year following work done by Hodge at Hawikkuh, New Mexico and before he returned to New York City. It is also likely that Jesse Nusbaum accompanied Hodge on this trip and may have shot some (or many) of the photographs himself. Many of the photographs are landscape shots of the Havasu Canyon on the Havasupai (Coconino) reservation which include views of the Havasu Falls, Havasu Creek, Wigleeva rock formation and various rock walls. There are also photographs of people and structures around the Havasupai reservation including several portraits of Havasupai community members, mostly women, holding baskets and posing in the Supai Village. Copy negatives were made of the glass plate negatives during a large photograph conservation project conducted by the Museum of the American Indian, Heye Foundation in the 1960s.
Arrangement:
Arranged by negative number: N05849 - N05889.
Biographical / Historical:
Frederick Hodge (1864-1956) was an editor, anthropologist, archaeologist, and historian born in Plymouth, England to Edwin and Emily (Webb) Hodge. His parents moved to Washington, D.C. when Frederick was seven years old. In Washington, he attended Cambridge College (George Washington University). Hodge was employed by the Smithsonian Institution in 1901 as executive assistant in charge of International Exchanges, but transferred to the Bureau of American Ethnology in 1905, where he worked until February 28, 1918. Hodge was the editor for Edward S. Curtis's monumental series The North American Indian. After leaving the Bureau, he moved to New York City and became editor and assistant director at the Museum of the American Indian, Heye Foundation. In 1915, accompanied by the museum's director George Gustav Heye and staff member George H. Pepper, Hodge undertook excavations at the Nacoochee Mound near Helen, Georgia. Hodge then directed the excavations of the ruins of Hawikkuh, near Zuni Pueblo, during the period 1917-23.

He was associated with Columbia University, Hemenway Southwestern Archaeological Expedition, and the U.S. Geological Survey. He was the director of the Southwest Museum of the American Indian in Los Angeles. He served as executive officer at the Smithsonian Institution, chairman of the Committee of Editorial Management and the Committee dealing with the Linguistic Families North of Mexico. He was a member of the Committee on Archaeological Nomenclature, the Committee of Policy, the National Research Council, and the Laboratory of Anthropology, School of American Research, Journal of Physical Anthropology, and the Museum of the American Indian.
Separated Materials:
Ethnographic material collected by Frederick Webb Hodge on this trip can be found in NMAI's Ethnology collection with catalog numbers 093309 - 093312 (09/3309 - 09/3312).
Provenance:
Donated to the Museum of the American Indian, Heye Foundation, by Frederick Webb Hodge in 1919.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Photographs  Search this
Identifier:
NMAI.AC.001.043
See more items in:
Frederick Webb Hodge photographs on the Havasupai (Coconino) Reservation
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-001-043
Online Media:

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