Correspondence of the Century Magazine and its predecessors, Scribner's Monthly, and St. Nicholas Magazine. Also included is material related to the Century War Series.
Among the correspondents are: Cecilia Beaux, James C. Beckwith, Samuel G. W. Benjamin, William M. Chase, William A. Coffin, Timothy Cole (98 letters), Charles C. Coleman, Royal Cortissoz, Kenyon Cox, Reginald C. Coxe, Christopher P. Cranch, Henry H. Cross, Frederick S. Dellenbaugh, Thomas W. Dewing, Alexander W. Drake, Wyatt Eaton, George W. Edwards, Frank E. Elwell, Gaston Fay, Harry Fenn, Mary H. Foote, William L. Fraser, Charles L. Freer, Daniel C. French, Frank French, Isabella S. Gardner, Jay Hambidge, Charles H. Hart, Arthur Hoeber, George Inness, Jr., August F. Jaccaci, Arthur I. Keller, Edward W. Kemble, Knoedler M. & Company, Christopher G. La Farge, John La Farge, Charles R. Lamb, Florence N. Levy, Frank J. Mather, Leila Mechlin, Gari Melchers, Francis D. Millet, Thomas Moran, Edward L. Morse, Hobart Nichols, Elizabeth Nourse, Thornton Oakley, Violet Oakley, Maxfield Parrish, William O. Partridge, Elizabeth R. Pennell (83 letters & 55p. handwritten article), Joseph Pennell, Henry R. Poore, Eva A. Remington, Henry Reuterdahl, Boardman Robinson, Henry Sandham, DeCost Smith, Jessie W. Smith, Albert E. Sterner, Alfred Stieglitz, William J. Stillman (ca. 95 letters), Lorado Taft, Henry O. Tanner, Abbott H. Thayer, Gerald H. Thayer, Dwight W. Tryon, John C. Van Dyke, Douglas Volk, Irving R. Wiles, and others.
Biographical / Historical:
A quarterly publication on the arts and current affairs.
Other Title:
Century Company collection (NYPL microfilm title)
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Scrapbook contains clippings concerning the construction and history of "Dewey Arch" in New York City, a monument designed by Lamb built to honor and welcome Admiral George Dewey upon his return from Manila Bay where Dewey destroyed the Spanish fleet, helping to end the Spanish-American War in 1898.
Biographical / Historical:
Architect, sculptor; New York, N.Y. Lamb was the designer and architect of the Dewey Arch. Born in New York City, Lamb studied there as a pupil of the Art Students League of New York, where he also served as president, 1886-1887. Lamb was the first to suggest the idea for the arch while he was vice-president of the National Sculpture Society. In 1899, under the auspices of the National Sculpture Society, he designed the initial model for the arch using the Roman Arch of Titus as a prototype. John Quincy Adams Ward, who was president of the National Sculpture Society at the time, designed part of the sculptural detail of the arch. The Dewey Arch never achieved permanent form.
Provenance:
Lent for microfilming 1972 by, Joseph Condie Lamb, the youngest son of Charles R. Lamb.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
