The papers of painter Jennett Lam measure 0.6 linear feet and date from 1954 to 1981. Found are artworks, biographical material, correspondence, photographs of Lam, of Louise Nevelson, and of works of art, and printed material. Also found is a copy of Lam's senior thesis on collage.
Scope and Contents:
The papers of painter Jennett Lam measure 0.6 linear feet and date from 1954 to 1981. Found are artworks, biographical material, correspondence, photographs of Lam, of Louise Nevelson, and of works of art, and printed material. Also found is a copy of Lam's senior thesis on collage.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Jennett Lam (1911-1985) was a painter and educator active in Bridgeport, Connecticut. Lam taught art at the University of Bridgeport and was a recipient of the MacDowell fellowship.
Related Materials:
The Archives of American Art also holds the Colette Roberts Papers and Interviews with Artists, 1918-1971, which contains multiple interviews with Lam.
Provenance:
Provenance unknown.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jennett Lam papers, 1954-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jennett Lam papers, 1954-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jennett Lam papers, 1954-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jennett Lam papers, 1954-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jennett Lam papers, 1954-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jennett Lam papers, 1954-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
Artwork consists of a small collage signed by Lam and an unsigned watercolor sketch. Biographical materials include resumes, lists of works of art and exhibitions, biographical sketches, and a passport. The bulk of Lam's correspondence consists of letters written to and from friends while in Europe in the mid-1960s, including Colette Roberts. Also found is Lam's 1954 senior thesis for Yale University entitled "The Evolution of Collage." Photographs depict Lam, Lam with her artwork and with friends, Lam's works of art, and an exhibition. Also found are two photos of Louise Nevelson and a photo of a painting by Nevelson owned by Lam. Printed materials include clippings, exhibition announcements and catalogs for Lam and Louise Nevelson, and magazines.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jennett Lam papers, 1954-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jennett Lam papers, 1954-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jennett Lam papers, 1954-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jennett Lam papers, 1954-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jennett Lam papers, 1954-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jennett Lam papers, 1954-1981. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received support from the Smithsonian American Women's History Initiative.
The records of New York City's Grand Central Art Galleries measure 1.3 linear feet and date from 1931 to 1968, with the bulk of the material from circa 1952 to circa 1965. The majority of the records are related the Grand Central Moderns, the modern art division of Grand Central Art Galleries. The collection includes group exhibition files, artists' files, printed material and photographs.
Scope and Contents:
The records of New York City's Grand Central Art Galleries measure 1.3 linear feet and date from 1931 to 1968, with the bulk of the material from circa 1952 to circa 1965. The majority of the records are related the Grand Central Moderns, the modern art division of Grand Central Art Galleries. The collection includes group exhibition files, artists' files, printed material and photographs.
Group exhibition files consist of catalogs, announcements, clippings, artist biographies, correspondence and photographs. The art exchange exhibition between Grand Central Moderns and Galerie Jeanne Bucher is especially noteworthy.
Artists' files include exhibition catalogs, announcements, resumes, clippings, photographs and limited correspondence. The bulk of the material is on artists who had exhibitions at Grand Central Moderns. Notable artists include Elise Asher, Byron Browne, Victor Candell, Joseph De Martini, Xavier Gonzalez, Jacob Kainen, Jennett Lam, Seong Moy, Arthur Osver, Herman Rowan, Lucia Salemme, and Robert Watts, among others.
Printed material mostly consists of exhibition catalogs and announcements of other galleries. There are a few clippings on Grand Central Art Galleries.
There are a few photographs of artwork.
Arrangement:
The collection is arranged as 4 series.
Series 1: Group Exhibition Files, 1952-1957 (Box 1, OV 3; 0.3 linear feet)
Series 2: Artists' Files, 1940-1968 (Box 1, 0.7 linear feet)
Series 3: Printed Material, 1951-1965 (Boxes 1-2; 0.3 linear feet)
Series 4: Photographs, 1931, circa 1960-circa 1965 (Box 2; 2 folders)
Biographical / Historical:
Grand Central Art Galleries (1923-1994) was a large New York-based art gallery, which also had a modern art division called Grand Central Moderns (1947-circa 1967).
The Grand Central Art Galleries was founded in 1923 and operated as the exhibition space of the Painters and Sculptors Gallery Association in New York City. Grand Central Art Galleries was located at Grand Central Terminal for nearly 30 years before moving on to the Biltmore Hotel at 40 Vanderbilt Avenue, then relocating to 24 West 57th Street. The Galleries regularly exhibited the works of its members and sometimes boasted as many as thirty to forty exhibitions annually.
From its establishment in 1923, Edwin S. Barrie was the director of Grand Central Art Galleries and he founded Grand Central Moderns in 1947, which he also managed until the early 1950s. The gallery moved from one address to another before ultimately relocating to 130 East 56th Street. Colette Roberts was the curator and she took over as director in 1952 until roughly 1965, about two years before Grand Central Moderns closed. Byron Browne, Kenneth Campbell, Lamar Dodd, Xavier Gonzalez, George Morrison and Louise Nevelson were a few of the artists represented by the gallery.
Erwin S. Barrie retired from his position as director of Grand Central Art Galleries in 1975. The gallery closed in 1994.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels NGCAG1-NGCAG2) including 23 yearbooks, 1928-1945, and exhibition catalogs, 1923-1929. The originals were returned to Grand Central Art Galleries after microfilming and are not described in the the container listing of this finding aid.
Provenance:
Grand Central Art Galleries loaned materials for microfilming in 1966. Addition records were donated to the Archives of American Art by Grand Central Art Galleries in 1966 and 1967.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture at the Brooklyn Museum, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation at the museum.
Scope and Content Note:
Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation.
The artists interviewed are: Lennart Anderson, Stephen B. Antonakos, Marshall Arisman, Walter Barker, Leonard Baskin, Mary Bauermeister, Thomas Hart Benton, Isabel Bishop, Robert Brackman, Sydney Butchkes, Edmund Casarella, George Constant, Robert Warren Dash, Jose DeCreeft, Blanche Dombek, Tom Doyle, Jimmy Ernst, Neil Estern, Philip Evergood, Helen Frankenthaler, Jane Freilicher, Leon Goldin, Sidney Goodman, Sante Graziani, Balcomb Greene, John Grillo, William Gropper, Chaim Gross, Roy Gussow, Robert Gwathmey, Grace Hartigan, Edward Hopper, Nora Jaffe, Paul Jenkins, Minoru Kawabata, William Kienbusch, Karl Knaths, John Koch, Yayoi Kosama, Jennett Lam, Steven Lang, Robert Laurent, Jacob Lawrence, Jack Levine, Jacques Lipchitz, Seymour Lipton, Boris Margo, Ursula Meyer, Hans Moller, Walter Murch, Louise Nevelson, Toshio Odate, Elliot Offner, Douglas Ohlson, Kenzo Okada, Amanda Palmer, Irene Rice Pereira, Gabor Peterdi, Ad Reinhardt, Bill Richards, Larry Rivers, Emilio Sanchez, Karl Schrag, Ben Shahn, Charles Sheeler, Aaron Sopher, Moses Soyer, Raphael Soyer, William Thon, Albert Weinberg, and William and Marguerite Zorach.
Arrangement:
The collection is arranged as a single series:
Missing Title
Series 1: Interviews, 1965-1968 (Box 1-7; 7 lin. ft.)
Historical Note:
The interview program at the Brooklyn Museum was begun by Arlene Jacobowitz in the spring of 1965 with artists whose works were on exhibition at the Brooklyn Museum. In 1968, excerpts from the interviews were incorporated into an exhibition entitled "Listening to Pictures," in which visitors could access the sound recordings using headphones while standing before the painting being discussed. The exhibition opened April 28, 1968, and was gradually disassembled, 1971-1973.
Related Material:
The Brooklyn Museum Archives houses the records of the Departments of European Painting and Sculpture, American Painting and Sculpture, Contemporary Art (1897-2005), which contain records relating to the work of Arlene Jacobowitz.
Provenance:
This collection was donated to the Archives of American Art by Dierdre Lawrence of the Brooklyn Museum in 1989.
Restrictions:
Use of original papers requires an appointment. Researchers may view the original reels for the archival notations on them, but original reels are not available for playback due to fragility.
Rights:
Authorization to quote or reproduce for purposes of publication requires written permission from the interviewee. Citations must read:"Interview between [artist's name] and [interviewer's name] from the "Listening to Pictures" program of the Brooklyn Museum. Archives of American Art. Gift of the Brooklyn Museum." Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Interviews Search this
Interview between [artist's name] and [interviewer's name] from the "Listening to Pictures" program of the Brooklyn Museum. Gift of the Brooklyn Museum. Archives of American Art, Smithsonian Institution.
Roberts, Colette Jacqueline, 1910-1971 Search this
Type:
Sound Recording
Date:
1966
Citation:
Jennett Lam and Colette Jacqueline Roberts. Interview with Jennett Lam, 1966. Colette Roberts Papers and Interviews with Artists, 1918-1971. Archives of American Art, Smithsonian Institution.
Roberts, Colette Jacqueline, 1910-1971 Search this
Type:
Sound Recording
Date:
1966
Citation:
Jennett Lam and Colette Jacqueline Roberts. Interview with Jennett Lam, 1966. Colette Roberts Papers and Interviews with Artists, 1918-1971. Archives of American Art, Smithsonian Institution.
Jennett Lam and Arlene Jacobowitz. Interview with Jennett Lam by Arlene Jacobowitz of the Brooklyn Museum, 1966 July 26. Colette Roberts Papers and Interviews with Artists, 1918-1971. Archives of American Art, Smithsonian Institution.
Jennett Lam and Colette Jacqueline Roberts. Interview with Jennett Lam, 1968 Apr. 11 through May 20. Colette Roberts Papers and Interviews with Artists, 1918-1971. Archives of American Art, Smithsonian Institution.
