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Alice Barber Stephens papers

Creator:
Stephens, Alice Barber, 1858-1932  Search this
Names:
Laessle, Albert, 1877-1954  Search this
Oakley, Thornton, 1881-1953  Search this
Pyle, Howard, 1853-1911  Search this
Smith, Jessie Willcox, 1863-1935  Search this
Stephens, Charles H., 1851-1931  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1884-1986
Summary:
The papers of engraver and illustrator Alice Barber Stephens measure 0.3 linear feet and date from 1884 to 1986. The collection includes letters, photographs, printed material, and miscellaneous items.
Scope and Contents:
The papers of engraver and illustrator Alice Barber Stephens measure 0.3 linear feet and date from 1884 to 1986. The collection includes letters, photographs, printed material, and miscellaneous items.

Letters are from publishers discussing projects and fees, and by writers complimenting her work. Correspondents include Edward Bok, Sir Arthur Conan Doyle, Hamlin Garland, Ella Higginson, Herbert Hoover, Thornton Oakley, Howard Pyle, and Jessie Willcox Smith.

Photographs contain pictures of Stephens, her husband, and their house Thunderbird Lodge in Rose Valley, Pennsylvania. There are also photographs of amateur theatrical productions and of the dedication ceremony for Albert Laessle's monument "The Beaver."

Printed material consists of clippings concerning Stephens' work and her husband's collection of Native American artifacts, reproductions of Stephens' illustrations, exhibition catalogs, and a booklet about Stephens.

Miscellaneous items includes a manuscript "The Artist's Masque" by Charles H. Stephens, various notes, an inventory of furniture, Library of Congress receipts for works of art, and award certificates.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Alice Barber Stephens (1858-1931) was an engraver and illustrator active in the arts and crafts community established by William Price in 1901. She studied at the Pennsylvania Academy of Fine Arts under Thomas Eakins, the Drexel Academy under Howard Pyle, the Pennsylvania Academy of Design for Women, and at the Julian and Colarossi Academies in Paris. Stephens is primarily known for her illustrations in Harper's, Century, and Scribner's magazines. She was married to the illustrator Charles H. Stephens and lived in a barn remodeled by William Price in Rose Valley, Pennsylvania.
Provenance:
The Alice Barber Stephens papers were donated in 1988 by Stephen's granddaughter and her husband, Mr. and Mrs. Samuel Starr.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Illustrators -- Pennsylvania -- Rose Valley  Search this
Women artists -- United States  Search this
Topic:
Arts and crafts movement  Search this
Citation:
Alice Barber Stephens papers, 1884-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stepalic
See more items in:
Alice Barber Stephens papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stepalic
Online Media:

Albert Laessle papers, 1897-1971

Creator:
Laessle, Albert, 1877-1954  Search this
Subject:
Boutier, E.  Search this
Grafly, Charles  Search this
Zoll, Victor Hugo  Search this
Chappel, Vivian  Search this
Fraser, Laura Gardin  Search this
Fraser, James Earle  Search this
Record number:
(DSI-AAA_CollID)9111
(DSI-AAA_SIRISBib)211305
AAA_collcode_laesalbe
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211305

Albert Laessle papers

Creator:
Laessle, Albert, 1877-1954  Search this
Names:
Boutier, E.  Search this
Fraser, James Earle, 1876-1953  Search this
Fraser, Laura Gardin, 1889-1966  Search this
Grafly, Charles, 1862-1929  Search this
Zoll, Victor Hugo  Search this
Photographer:
Chappel, Vivian  Search this
Extent:
1.2 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1897-1971
Scope and Contents:
Letters, photographs, sketches, printed material and miscellany.
REEL 74: Photocopies of letters received commenting on specific sculptures and discussing such matters as exhibitions of his work and the theft of several of his sculptures from an art gallery. Includes letters from James Earle Fraser and his wife, Laura G. Fraser, David French of the Metropolitan Museum of Art, as well as Mrs. Albert Laessle's correspondence with the National Collection of Fine Arts. Also included are copies of sketches, biographical data, D. Roy Miller's article about Laessle entitled "A Sculptor of Animal Life," and clippings.
UNMICROFILMED: Correspondence from colleagues, patrons and students; photographs of Laessle's work as a student and sculptor, clippings, and articles. Among the photos are one of him with a penguin sculpture taken by Vivian Chappel, 1917, and a group photo of Laessle, Charles Grafly, E. Boutier, and Victor Hugo Zoll in front of a sculpture, 1904. [Copyprints of these 2 photographs were microfilmed on reel 1817 with AAA's Photographs of Artists-Collection II].
Biographical / Historical:
Animal sculptor; Miami, Fla.
Provenance:
Donated 1971-1972 by Laessle's widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors  Search this
Sculptors -- Florida -- Miami  Search this
Identifier:
AAA.laesalbe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-laesalbe

Allen Townsend Terrell papers

Creator:
Terrell, Allen Townsend, 1897-1986  Search this
Names:
Laessle, Albert, 1877-1954  Search this
Extent:
4.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Sketches
Travel diaries
Date:
1908-1982
Summary:
The papers of New York, Rome, and Paris painter Allen Townsend Terrell painter measure 4.5 linear feet and date from 1908-1982. Included are biographical materials; detailed letters from Terrell to his parents; fourteen diaries describing European travels; scattered financial records; three sketchbooks and miscellaneous sketches; printed material; and photographs of Terrell, his colleagues, his home and studios, artwork, and exhibition installations.
Scope and Content Note:
The papers of New York, Rome, and Paris painter Allen Townsend Terrell painter measure 4.5 linear feet and date from 1908-1982. Included are biographical materials; detailed letters from Terrell to his parents; fourteen diaries describing European travels; scattered financial records; three sketchbooks and miscellaneous sketches; printed material; and photographs of Terrell, his colleagues, his home and studios, artwork, and exhibition installations.

Biographical material includes a passport, membership cards for miscellaneous organizations, brief biographical accounts, and a guestbook containing signatures from several exhibition openings. There are almost daily letters written by Terrell to his parents describing his travels and education in the arts while in Europe. Scattered letters are from friends and colleagues, including one from Albert Laessle.

Fourteen diaries describe daily events in Terell's European travels. Scattered financial material includes banking records and miscellaneous receipts.

Three sketchbooks contain several block prints and miscellaneous sketches by Terrell. Printed material includes clippings, exhibition announcements and catalogs for Terrell and for others, as well as programs, and miscellaneous brochures. Photographs are of Terrell, and of his colleagues, studio, and artwork, in addition to albums containing photographs of his apartment, the Riverhead studio, commissioned projects, and exhibition installations.
Arrangement:
The collection is organized as 7 series; each series is arranged chronologically.

Series 1: Biographical Material, 1924-1978 (Boxes 1, 6; 3 folders)

Series 2: Letters, 1908-1978 (Boxes 1-3; 2.8 linear feet)

Series 3: Diaries, 1965-1978 (Boxes 3-4; 12 folders)

Series 4: Financial Material, 1925-1933 (Box 4; 7 folders)

Series 5: Artwork, 1925-1982 (Boxes 4, 6; 7 folders)

Series 6: Printed Material, 1911-1976 (Box 4; 15 folders)

Series 7: Photographs, 1925-1972 (Box 5; 15 folders)
Biographical Note:
Allen Townsend Terrell (1897-1986) was a painter and sculptor who worked in Paris, Rome, and New York. Terrell was born in Riverhead, New York and graduated from the Columbia University School of Architecture in 1921. He also studied painting and sculpture at the Art Students League with Edward McCartan and at the Pennsylvania Academy of Fine Arts with Albert Laessle. In 1924, he studied in France at the Conservatoire Américain de Fontainebleau with sculptor Charles Despiau, and at the Académie Julian in Paris.

Between 1924 and 1926, Terrell established a studio in Paris, later moving to Rome between 1928 and 1931. From 1934 to 1935, he taught watercolor and still life painting at the Parsons School of Design.

Among other exhibitions in Paris, New York, and Philadelphia, Terrell had a solo exhibition at the National Arts Club in 1975. He was a member of the American Watercolor Society and president of the Alumni of the American School at Fontainebleau.

Allen Townsend Terrell died on July 8, 1986.
Provenance:
Allen Townsend Terrell donated his papers in 7 installments between 1975 and 1981.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Allen Townsend Terrell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters  Search this
Topic:
Travel -- Europe  Search this
Artists' studios -- Photographs  Search this
Art -- Study and teaching -- France -- Paris  Search this
Art -- Study and teaching -- Italy  Search this
Genre/Form:
Photographs
Sketchbooks
Sketches
Travel diaries
Citation:
Allen Townsend Terrell papers, 1908-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.terralle
See more items in:
Allen Townsend Terrell papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-terralle

Edna Andrade papers

Creator:
Andrade, Edna, 1917-2008  Search this
Names:
Philadelphia Focuses on Women in the Visual Arts (1974 : Philadelphia, Pa.)  Search this
Andrade, C. Preston (Clarence Preston), 1912-1977  Search this
Breckenridge, Hugh H. (Hugh Henry), 1870-1937  Search this
Laessle, Albert, 1877-1954  Search this
McCarter, Henry, 1866-1942  Search this
McEntee, Dorothy, 1902-  Search this
Extent:
4.9 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Silkscreen prints.
Woodcuts
Wood engravings
Date:
1917-1995
Scope and Contents:
Biographical information; writings; correspondence; a file relating to the Marian Locks Gallery; art works; photographs; 2 photograph albums; printed material; and a videotape.
Included in the biographical material are resumes, an artist's statement, press releases for exhibitions, a letter, 1987, from Andrade outlining the life of her husband, architect C. Preston Andrade. Memorabilia includes a baby book, report cards, awards, travel mementos, and a wood engraving of a cat by Dorothy McEntee.
Writings consist of short stories written by Andrade, 1934-1935 and a poem "Memo to Dwight D. Eisenhower." Personal correspondence includes letters, 1925-1981, from Andrade to her parents when she was a student at the Pennsylvania Academy in which she discusses her teachers, Hugh Breckenridge, Henry McCarter, and Albert Laessle, among others, and their critiques of her work, her 1936 and 1938 trips abroad on Cresson Scholarships, and war work in Washington, D.C.; letters from C. Preston Andrade (Andy), 1965-1981, providing information about her exhibitions, sales, and discusions of her paintings, as well as documenting his work as an architect with the Ford Foundation in India.
Professional correspondence, 1936-1985, relates to commissions, exhibitions, competitions, awards and loans to the East Hampton Gallery in New York City, as well as to many Philadelphia art institutions, and the "Philadelphia Focuses on Women in the Visual Arts" in which Andrade participated, 1974.
A file on Andrade's association with the Marian Locks Gallery contains consignment lists, bills of sale, receipts and loan agreements, 1970-1974. A card file created in the 1960s is incomplete, but contains information on individual works. Art works (29.4 x 22.7 cm. or smaller) include 3 childhood sketches, 4 drawings, 1 woodcut entitled "Pa. Farmhouse," signed, 2 woodcut Christmas cards of the Madonna and child, signed, and 1 abstract silkscreen print, signed, dated 1966. Printed materials are clippings, 1930-1987, including some relating to Andrade's work with the OSS during WWII, exhibition invitations, brochures, and catalogs, 1930-1986. Photographs are of Andrade, her family, homes, exhibitions and works, an album containing photographs of Andrade's works, and an annotated album, 1961, compiled for Andrade's mother, contains photographs of Andrade's exhibitions and works.
Not microfilmed is one VHS videotape, "A Vision Transformed : Profile of Artist Edna Andrade," produced by the Philadelphia Museum of Art.
Andrade's passports, exhibition catalogs and announcements, newspaper and magazine clippings, and photographs of Andrade, her family, friends and works of art. Two spiral-bound volumes of photographs taken by Reuben Goldberg also include photographs of a performance of the Martha Graham Dance Company, circa 1955.
Biographical / Historical:
Edna Andrade (1917-2008) was a painter from Philadelphia, Pennsylvania. Studied at the Pennsylvania Academy of the Fine Arts, 1933-1937, receiving a B.F.A. from the University of Pennsylvania in 1937. She won Cresson Scholarships to travel to Europe in 1936 and 1937. In 1941, she married architect C. Preston Andrade. During WWII, she worked under Eero Saarinen in the office of Strategic Services. After the war, Andrade returned to Philadelphia, where she taught at the Philadelphia College of Art between 1958 and her retirement in 1982. Andrade was a participant in the "op art" movement of the 1960s.
Provenance:
Donated by Edna Andrade, 1987 and 2004. 1987 portion Microfilmed as part of AAA's Philadelphia Arts Documentation Project. Andrade retained her more current gallery records.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- Pennsylvania -- Philadelphia  Search this
Topic:
Women painters -- Pennsylvania -- Philadelphia  Search this
Art, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Optical painting -- Pennsylvania -- Philadelphia  Search this
Painting, Abstract -- Pennsylvania -- Philadelphia  Search this
Genre/Form:
Video recordings
Silkscreen prints.
Woodcuts
Wood engravings
Identifier:
AAA.andredna
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-andredna

Oral history interview with Roswell Weidner

Interviewee:
Weidner, Roswell, 1911-1999  Search this
Interviewer:
Pacini, Marina  Search this
Names:
Barnes Foundation  Search this
Pennsylvania Academy of the Fine Arts  Search this
United States. National Youth Administration  Search this
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Curran, Mary  Search this
De Mazia, Violette, 1899-  Search this
Garber, Daniel, 1880-  Search this
Harding, George, 1882-1959  Search this
Laessle, Albert, 1877-1954  Search this
McCarter, Henry, 1866-1942  Search this
Nuse, Roy Cleveland, b. 1885  Search this
Pierson, Joseph  Search this
Pinto, Angelo, 1908-1994  Search this
Speight, Francis, 1896-1989  Search this
Thrash, Dox, 1892-1965  Search this
Weidner, Marilyn Kemp, 1928-  Search this
Extent:
134 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1989 July 20-27
Scope and Contents:
An interview of Roswell Weidner conducted 1989 July 20-27, by Marina Pacini, for the Archives of American Art Philadelphia Project. Weidner discusses his early life, education, and art training at the Pennsylvania Academy of the Fine Arts, first at the school at Chester Springs, and later at the main school in Philadelphia. He discusses the programs at both schools, and recalls some of the faculty members, including Roy Nuse, Albert Laessle, George Harding, Joseph Pierson, Francis Speight, Daniel Garber, and Henry McCarter. He discusses the courses, exhibitions, and the competitions for traveling scholarships. He also discusses his study at the Barnes Foundation with Violette De Mazia and Angelo Pinto. After leaving the Academy, he joined the National Youth Administration and then transferred to the WPA with the Museum Extension, the Painting Project and the Print Project. He speaks of his work for each of these programs, their administration, and some of the individuals involved including Dox Thrash. He recalls Mary Curran and the efforts made by Albert Barnes to have her removed as head of the Painting Project. Weidner discusses his fifty years as a teacher at the Academy, beginning in 1939, and the changes in the institution since then, including the introduction of printmaking, the growth of abstraction, the hiring of women and black instructors, and other changes. He speaks of his wife, Marilyn Kemp Weidner, a paper conservator, and the development of her practice, as well as his own future work.
Biographical / Historical:
Roswell T. Weidner (1911-1999) was a painter and educator from Philadelphia, Pennsylvania.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr.; 18 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Art, American  Search this
Art -- Study and teaching -- Pennsylvania -- Philadelphia  Search this
Painters -- Pennsylvania -- Philadelphia -- Interviews  Search this
Educators -- Pennsylvania -- Philadelphia -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.weidne89
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weidne89

Peabody Gallery of Art records

Creator:
Peabody Gallery of Art  Search this
Johns Hopkins University. Peabody Institute  Search this
Names:
Aitken, Robert, 1878-1949  Search this
Cecere, Gaetano, 1894-1985  Search this
Chamberlin, F. Tolles (Frank Tolles), 1873-1961  Search this
Dobbin, George W., 1809-1891  Search this
Eaton, Charles James Madison, 1808-1893  Search this
Frick, Frank, 1828-  Search this
Konti, Isidore, 1862-1938  Search this
Laessle, Albert, 1877-1954  Search this
Manship, Paul, 1885-1966  Search this
Mayer, Frank Blackwell, 1827-1899  Search this
Pach, Walter, 1883-1958  Search this
Rabillon, Leonce, 1814-1886  Search this
Raskin, Saul, 1878-1966  Search this
Rinehart, William Henry, 1825-1874  Search this
Schuler, Hans, 1874-1951  Search this
Watson, Charles A., 1857-1923  Search this
Young, Mahonri Mackintosh, 1877-1957  Search this
Extent:
4 Reels (ca. 1600 items (on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
1860-1972 and undated
Scope and Contents:
Correspondence, 1867-1972, of Peabody Institute officials regarding gallery exhibitions, including artists' and museums' requests for exhibition space and gifts, loans, and purchases of works of art. Correspondents include Robert Aitken, Gaetano Cecere, F. Tolles Chamberlin, Isidore Konti, Albert Laessle, Paul Manship, Walter Pach, Leonce Rabillon, Saul Raskin, Hans Schuler, Charles Watson, Mahonri M. Young, the Art Institute of Chicago, the Baltimore Museum of Art, the Charcoal Club, the Maryland Academy of Design, and the School Art League of Baltimore.
Also included is a 22 page letter from Frank Blackwell Mayer to George W. Dobbin, 1872, in which he enumerates the requisites for the establishment of an art school. Also includes Provost's reports, reports to the Trustees, submitted by Executive Secretary Louis H. Dielman, annual reports and Gallery of Art committee reports concerning gallery expenditures, acquisitions, and renovations; acquisition records and lists of works of art in the Institute; lists of works deposited at the Baltimore Museum of Art, undated & 1964; records concerning the Art Loan exhibition, 1879; ca. 100 exhibition catalogs and announcements, ca. 1879-1924; printed materials; photographs of the gallery and of works of art; and miscellany.
Biographical / Historical:
Established 1866, Baltimore, Md. Founded by George Peabody to improve "the moral and intellectual culture of the inhabitants of Baltimore and ...the State." The institute was to include a research library, lecture series, academy of music and gallery of art. Served as Baltimore's art school and museum until the opening of the Baltimore Museum of Art in 1914 and the Walters Gallery in 1934. To enlarge the space available to the expanding conservatory of music, much of the Peabody collection was transferred to these institutions. Works of art belonging to the Peabody are still exhibited regularly including occasional exhibitions at the Institute.
Provenance:
Lent for microfilming 1984 by the Peabody Institute of the John Hopkins University.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art patronage -- Maryland -- Baltimore  Search this
Function:
Art museums, University and college -- Maryland -- Baltimore
Identifier:
AAA.peabgall
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-peabgall

Sketches of five turkeys on logs

Creator:
Laessle, Albert, 1877-1954  Search this
Type:
Artworks
Date:
ca. 1911
Record number:
(DSI-AAA)7254
See more items in:
Albert Laessle papers, 1897-1971
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7254
Online Media:

Sketch of Turkey on log

Creator:
Laessle, Albert, 1877-1954  Search this
Type:
Artworks
Date:
ca. 1911
Record number:
(DSI-AAA)7255
See more items in:
Albert Laessle papers, 1897-1971
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7255

Sketch of a turkey

Creator:
Laessle, Albert, 1877-1954  Search this
Type:
Artworks
Date:
circa 1911
Topic:
Animals  Search this
Record number:
(DSI-AAA)7256
See more items in:
Albert Laessle papers, 1897-1971
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7256

Sketch of Turkey on log with head tilted

Creator:
Laessle, Albert, 1877-1954  Search this
Type:
Artworks
Date:
ca. 1911
Record number:
(DSI-AAA)7257
See more items in:
Albert Laessle papers, 1897-1971
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7257

Abandoned, (sculpture)

Sculptor:
Laessle, Albert 1877-1954  Search this
Founder:
Roman Bronze Works  Search this
Medium:
Sculpture: bronze; Base: marble
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1972.167.80
Date:
1916
Topic:
Animal--Cougar  Search this
Control number:
IAS 08580872
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112828

Abundance / America, (sculpture)

Sculptor:
Laessle, Albert 1877-1954  Search this
Medium:
Bronze
Type:
Sculptures-Medal
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1972.167.5
Date:
1934
Topic:
Allegory--Quality--Wealth  Search this
Allegory--Place--America  Search this
Animal--Bird--Turkey  Search this
Control number:
IAS 08580873
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112829

Bear Walking, (sculpture)

Sculptor:
Laessle, Albert 1877-1954  Search this
Founder:
Roman Bronze Works  Search this
Medium:
Sculpture: bronze; Base: marble
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1971.122
Date:
1916
Topic:
Animal--Bear  Search this
Control number:
IAS 08580875
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112831

Cat with Back Up, (sculpture)

Sculptor:
Laessle, Albert 1877-1954  Search this
Medium:
Sculpture: bronze; Base: marble
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1972.167.82
Date:
1916
Topic:
Animal--Cat  Search this
Control number:
IAS 08580877
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112833

Crawling Squirrel, (sculpture)

Sculptor:
Laessle, Albert 1877-1954  Search this
Medium:
Sculpture: bronze; Base: marble
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1972.167.83
Date:
Ca. 1916
Topic:
Animal--Squirrel  Search this
Control number:
IAS 08580880
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112836

First Step, (sculpture)

Sculptor:
Laessle, Albert 1877-1954  Search this
Medium:
Sculpture: bronze; Base: marble
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1972.167.91
Date:
1909
Topic:
Animal--Bird--Chicken  Search this
Control number:
IAS 08580882
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112838

The Hunter, (sculpture)

Sculptor:
Laessle, Albert 1877-1954  Search this
Medium:
Sculpture: bronze; Base: marble
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1972.167.92
Date:
1908
Topic:
Animal--Amphibian--Frog  Search this
Animal--Insect--Beetle  Search this
Control number:
IAS 08580883
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112839

Kid Feeding, (sculpture)

Sculptor:
Laessle, Albert 1877-1954  Search this
Founder:
Roman Bronze Works  Search this
Medium:
Sculpture: bronze; Base: marble
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1972.167.84
Date:
Ca. 1916-1920
Topic:
Animal--Goat  Search this
Control number:
IAS 08580884
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112840

Kingcrab and Beetle, (sculpture)

Sculptor:
Laessle, Albert 1877-1954  Search this
Medium:
Sculpture: bronze; Base: marble
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1972.167.93
Date:
1903
Topic:
Animal--Fish--Crab  Search this
Animal--Fish--Mussel  Search this
Animal--Insect--Beetle  Search this
Control number:
IAS 08580885
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112841

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