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Robert Schoelkopf Gallery records

Robert Schoelkopf Gallery  Search this
Zabriskie Gallery  Search this
Andrejevic, Milet, 1925-  Search this
Aponovich, James, 1948-  Search this
Bailey, William, 1930-2020  Search this
Bell, Leland  Search this
Brassaï, 1899-  Search this
Cameron, Julia Margaret Pattle, 1815-1879  Search this
Cartier-Bresson, Henri, 1908-  Search this
Cornell, Joseph  Search this
Dawson, Manierre, 1887-1969  Search this
Driggs, Elsie, 1898-1992  Search this
Erlebacher, Martha Mayer  Search this
Evans, Walker, 1903-1975  Search this
Fiske, Gertrude, 1878-1961  Search this
Freund, Gisèle  Search this
Horton, William S., 1865-1936  Search this
Ito, Miyoko, 1918-1983  Search this
Lachaise, Gaston, 1882-1935  Search this
Laderman, Gabriel, 1929-  Search this
Ligare, David  Search this
Matthiasdottir, Louisa  Search this
Matulka, Jan, 1890-1972  Search this
Myers, Ethel  Search this
Nadelman, Elie, 1882-1946  Search this
Schoelkopf, Robert J., 1927-1991  Search this
Stella, Joseph, 1877-1946  Search this
Storrs, John Henry Bradley, 1885-1956  Search this
Wiesenfeld, Paul  Search this
29 Linear feet
Collection descriptions
Archival materials
Gallery records
Illustrated letters
bulk 1962-1991
The collection comprises 29 linear feet of records that document the day-to-day administration of the Robert Schoelkopf Gallery from 1962 to 1991, with additional items predating the founding of the gallery from 1851 to 1961. The collection records artist and client relations, exhibitions, and daily business transactions through artist files, correspondence, printed matter, and photographic material.
Scope and Content Note:
The records of the Robert Schoelkopf Gallery comprise 29 linear feet of material from 1851 to 1991, with some items predating the founding of the gallery. The bulk of the records date from 1962 to 1991, providing researchers with fairly comprehensive coverage of the gallery's development and operations from its inception in 1962 until its closure in 1991. Items dated prior to 1962 relate principally to the period of transition during which Robert Schoelkopf ended his partnership with the Zabriskie Gallery and established his own business. There are also some items relating to artists of the nineteenth and early twentieth century.

The collection consists primarily of artist files documenting relations with contemporary artists, representation of deceased artists, and other works of art handled by the gallery. It also chronicles the gallery's exhibition schedule and the day-to-day administration of the business. The types of material that can be found here include correspondence, exhibition inventories, price lists, accounting and consignment records, shipping and insurance records, printed material, and photographs.

The collection is a valuable source of information on twentieth-century American art history, focusing primarily on early-twentieth-century modernists as well as an important group of American realist painters and sculptors from the latter half of the century. The collection illuminates, in detail, the developing market for these schools and, in the case of the latter group, provides personal insights from artists on the realist perspective.

The records also document the Robert Schoelkopf Gallery's significant contribution to the resurgence of interest in fine art photography during the 1960s and 1970s as reflected in an increase in the value of works by important American photographers such as Walker Evans.

Much of the outgoing correspondence from the gallery consists of copies of letters written by Robert Schoelkopf, with additional business being handled by assistant staff and, from the mid-1970s, Schoelkopf's wife, Laura Jane Schoelkopf. The records offer insight into the personalities of the Schoelkopfs and how their congenial and candid management style influenced their relationships with the contemporary artists they represented.
Originally the collection was organized as one large file arranged alphabetically by folder title, with titles ranging from names of artists to general subject headings such as "Correspondence." During processing it became clear that the gallery delineated operations into three main functions: artist relations, client-dealer relations, and exhibitions. Consequently the collection is arranged as three main series based on these areas of concern. A small group of miscellaneous photographs of artists constitutes an additional series at the end of the collection.

Originally paper records throughout the collection were generally arranged chronologically, although this order was not strictly adhered to. Frequently, correspondence and memoranda were attached to related records going back several years. To preserve the relationship between such documents, records stapled together in this way have been left together. They are arranged in reverse chronological order and filed in the folder corresponding to the primary date (i.e., the date of the first and most recent paper in the group). Researchers should be aware that date ranges provided on folders refer to the primary dates of documents contained therein and that some items in the folder may predate that range. Otherwise, the general chronological scheme has been retained throughout the collection, with undated material placed at the beginning of the appropriate file.

Printed material is arranged in chronological order, with undated material at the beginning of the folder, and may include press releases, exhibition announcements, exhibition catalogs, posters, clippings from newspapers, magazines, and journals, and other publicity material. Large amounts of printed material are broken down into several discrete folder units.

The most consistent labeling system for photographic material apparent throughout the collection was title of work of art. The majority of images are not dated with a printing date or the date that the work of art was produced, and although many of them have a processing number, these are by no means consistent and there are no master lists that can be used to interpret them. Consequently, images are arranged primarily by media type and then alphabetically by title. Untitled images are placed at the beginning of a media group; "the" in a title is ignored. Exceptions to this method are addressed in the appropriate series descriptions.

Files labeled "Photographs of Works of Art" will typically include any or all of the following: black-and-white copy prints, black-and-white transparencies, color transparencies, slide transparencies, Polaroid prints, color snapshots, contact sheets, and separation sheets. Often the same image will be duplicated in several different formats. Any notes on photographic material found in or on the original folder in which the material was filed have been preserved with the material or transcribed onto a sheet of acid-free paper that either encloses or is placed directly before the item to which the information applies.

The designation "General" indicates that a file may contain any or all of the types of material outlined above.

Series 1: Artist Files, 1851-1991, undated (Boxes 1-23; 23 linear ft.)

Series 2: General Business Files, 1960-1991, undated (Boxes 24-28; 4.74 linear ft.)

Series 3: Group Exhibition Files, 1960-1988, undated (Boxes 28-29; 1 linear ft.)

Series 4: Photographs of Artists, undated (Box 29; 0.25 linear ft.)
Historical Note:
Robert Schoelkopf, Jr., was born in Queens, New York, in 1927. He graduated from Yale College in 1951 with a bachelor of arts degree and then taught briefly at his alma mater while conducting graduate research in art history. Schoelkopf began his career in commercial art in 1957 as an independent dealer of American painting and sculpture and became a member of the Art Dealers Association of America in 1958. In 1959 he formed a partnership with Virginia Zabriskie, of the Zabriskie Gallery in New York, which lasted until 1962. The gallery exhibited late-nineteenth and early-twentieth-century American painting, together with contemporary painting of a somewhat conservative style.

In 1962 Schoelkopf signed a three-year lease for the fourth floor of a building at 825 Madison Avenue in New York, where he opened the Robert Schoelkopf Gallery. From the outset, Schoelkopf aimed to specialize in American painting of the nineteenth and twentieth century and sculpture of all schools. He predicted a burgeoning market for the Hudson River School in particular, believing that American painting was increasingly perceived as being worthy of serious attention. In a letter dated January 3, 1963, Schoelkopf congratulated John Spencer for his decision to collect nineteenth-century American paintings for the Allen Memorial Art Museum at Oberlin College, assuring him that "progressive chauvanism [ sic] will operate to elevate prices in American painting. Every year more colleges teach Art History, and soon they shall have reached the level of sophistication and development where they will be obliged (for face) to offer tuition in specifically American art - hitherto neglected of academicians.... I and many other dealers have plans for exhibitions of nineteenth-century American painting, especially the Hudson River School."

Schoelkopf's instincts regarding the Hudson River School were undoubtedly correct, and consequently nineteenth-century American painters formed a permanent mainstay of his inventory. He is perhaps remembered more, however, for his dedication to reviving interest in lesser-known American painters from the turn-of-the-century who were impressionist or modernist in style. Schoelkopf developed something of a reputation for unearthing forgotten talent that, while sometimes mediocre or inconsistent, was occasionally exceptional and certainly worthy of note. He was committed to reinstalling Joseph Stella in the pantheon of major American artists, representing Stella's estate from 1963 to 1971 and holding regular exhibitions of the artist's work from 1962 on. In 1969 the gallery held the first New York exhibition of the paintings of Manierre Dawson, who was subsequently acclaimed by the critics for his important and innovative contributions to modernism. In 1970 Schoelkopf began showing the work of Jan Matulka, an artist whose work had been neglected since the 1930s, and his enthusiastic representation of the Matulka estate paved the way for a retrospective at the Whitney Museum of American Art in 1979.

Schoelkopf's interest in turn-of-the-century artists also extended to sculptors such as John Flannagan, Ethel Myers, Elie Nadelman, and John Henry Bradley Storrs, and he directed considerable energy to furthering Gaston Lachaise's reputation as an artist of major stature. When Lachaise died at the peak of his career in 1935, his estate was left to his wife, Isabel, and in 1957 to Isabel's son, Edward. When Edward died shortly thereafter, John B. Pierce, Jr., a nephew of Isabel Lachaise, was appointed trustee of the estate and formed the Lachaise Foundation. In 1962 Pierce entered an agreement with Robert Schoelkopf and Felix Landau to represent Lachaise's sculpture on the East and West Coasts, respectively. In this capacity Schoelkopf helped to launch a major retrospective of the artist's work at the Whitney Museum of American Art in 1964 and a traveling exhibition that began circulating in 1967.

The gallery's other major commitment was to painting and sculpture by contemporary American realists, many of whom worked in a figurative style and explored elements of allegory and classical mythology in their work, presenting landscapes, still lifes, and portraits from a realist perspective. The bulk of the gallery's exhibitions were, in fact, of work by contemporary artists, including metaphysical still-life painter William Bailey, colorist Leland Bell, figurative painter Martha Mayer Erlebacher, landscape and narrative painter Gabriel Laderman, and Icelandic artist Louisa Matthiasdottir. William Bailey was one of the gallery's most commercially successful artists, and his first one-person exhibition in New York was held there in 1968. Demand for Bailey's paintings often far exceeded his output, and by the late 1970s Schoelkopf invariably sold out his exhibitions and had compiled a lengthy waiting list for his work.

In its early years the Robert Schoelkopf Gallery contributed considerably to the development of interest in fine art photography that fostered an increasingly lucrative market for photographic prints during the 1960s and 1970s. In 1965 Schoelkopf began incorporating photography into the gallery's exhibition schedule and, in the spring of 1974, opened a gallery dedicated to photography on the second floor at 825 Madison Avenue. Between 1965 and 1979 Schoelkopf's was the only serious New York gallery dealing in painting and sculpture that also regularly exhibited photography as fine art. His interests lay primarily in antiquarian photography and the work of nineteenth-century and twentieth-century masters including Eugéne Atget, Mathew Brady, James Robertson, and Carleton Watkins. Schoelkopf organized shows examining specific photographic processes, the photogravure and the cyanotype, and presented surveys of genres such as portrait and landscape photography. In 1967 he held the first exhibition in many years of the work of Julia Margaret Cameron, an important figure in the history of Victorian photography, timing it to coincide with a show at the Metropolitan Museum of Art that focused on Cameron as one of four Victorian photographers.

Schoelkopf also handled the work of several influential contemporaries, most notably Brassaï, Henri Cartier-Bresson, Walker Evans, and Gisèle Freund. The gallery held Freund's first exhibition in the United States in 1975 and was, for a time, the only place in New York where one could see and purchase prints by Cartier-Bresson. Schoelkopf began exhibiting Evans's work in 1966 and regularly thereafter, including a 1971 exhibition that coincided with a major retrospective at the Museum of Modern Art.

In the fall of 1976 the second-floor gallery space was turned over to Marcuse (Cusie) Pfeifer, then the gallery's director, who planned to use it to show the work of young photographers in a gallery under her own name. Schoelkopf continued to hold several photography exhibitions a year in the fourth-floor gallery but decided to concentrate primarily on nineteenth-century masters.

In March 1971 a fire in the building at Madison Avenue resulted in substantial water damage to the gallery space. Although very little of the inventory was destroyed, the incident forced Schoelkopf to close until September. This temporary loss of revenue compounded with a nationwide recession cut into Schoelkopf's financial resources and left him questioning his commission policy and his level of commitment to contemporary work in all media. A letter to artist Adolph Rosenblatt dated May 3, 1971, records how Schoelkopf had become increasingly disenchanted with "all contemporary work" and would begin taking 40 percent commission on sales, instead of 33.3 percent. "Beside the matter of enthusiasm is the matter of economics," Schoelkopf remarked, "and the last year and a half have been really dreadful for the art business."

This difficult period was followed immediately by more prosperous times. January 1973 proved to be the gallery's most successful month to date, encouraging Schoelkopf to purchase a house in Chappaqua, New York, later that year. In November 1974 Schoelkopf wrote to Anthony D'Offay that business "is as slow as it has ever been, but what sales we make are big ones" and revealed that auctions had, at that point, become his primary avenue for trade.

Around 1975 Schoelkopf's wife of eleven years, Laura Jane Schoelkopf, began working in the gallery. Although seemingly dubious of the work at first, she became a considerable asset to the business and reputedly complemented her husband's relationship with the gallery's contemporary artists through her warmth and hospitality, qualities often noted by artists who corresponded regularly with the couple.

The financial instability that characterized the 1970s undoubtedly influenced Schoelkopf's decision to cease exhibiting photography in 1979. By 1978 however, his investment in early-twentieth-century art appeared to be paying off. Jan Matulka, Joseph Stella, and John Henry Bradley Storrs had all been represented in exhibitions at major museums, and sales of their work had increased considerably. Gaston Lachaise's reputation continued to grow, and the traveling exhibition still circulated, garnering far more interest than had originally been anticipated.

Although contemporary artists continued to take up the largest portion of the gallery's changing exhibitions, Schoelkopf's interest in contemporary work was growing more conservative, tending toward a narrower focus on the narrative and allegorical. By 1979 he no longer exhibited contemporary sculpture, admitting to a lack of enthusiasm for the work of any of the current figurative sculptors and a dislike of all contemporary abstract work. In a letter to Lillian Delevoryas, dated March 17, 1982, he confessed, "With age has come a hardening of the aesthetic arteries perhaps. What we have been showing is realism, but getting tighter all the time."

In April 1984 the gallery was moved to 50 West Fifty-seventh Street, and, during the years that followed, the Schoelkopfs pared down the number of contemporary artists they represented, handling only those to whom they felt most strongly committed while continuing to specialize in nineteenth-century and early-twentieth-century American painting and sculpture. As the gallery approached its thirtieth anniversary, Schoelkopf's achievements were considerable. He had operated a successful New York gallery for almost three decades, rejuvenated the reputations of several important American artists, and was respected by artists and clients alike for the integrity, intelligence, and humor with which he conducted his business affairs. In 1987 he had been appointed to the board of trustees of the Williamstown Regional Art Conservation Laboratory. By this time he was also a member of the advisory board to the National Academy of Design, and in 1988 he became a co-trustee of the Joseph and Robert Cornell Memorial Foundation.

In March 1990, Robert Schoelkopf was diagnosed with leukemia and underwent a regimen of cancer treatment that resulted in a brief remission by the summer. Schoelkopf returned to work temporarily, but by 1991 his condition had worsened and he died in April of that year. Having known for some time that her husband's prognosis was poor, Laura Jane Schoelkopf had apparently decided that she would not continue the gallery in the event of his death. With the help of the youngest of their two sons, Andrew, she settled final accounts and assisted the gallery's contemporary artists in finding representation elsewhere before closing the business in August 1991.
Twenty-seven linear feet of records were donated to the Archives of American Art by Laura Jane Schoelkopf, Robert Schoelkopf's widow, and the Coe Kerr Gallery in 1991 and 1992. An additional gift of 3.4 linear feet was donated by Laura Jane Schoelkopf in 1996. The collection was reduced slightly during processing.
The collection is open for research. Use requires an appointment.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Art, Modern -- 20th century  Search this
Works of art  Search this
Photography, Artistic  Search this
Realism  Search this
Art, American  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Gallery records
Illustrated letters
Robert Schoelkopf Gallery records, 1851-1991, bulk 1962-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Schoelkopf Gallery records
Archival Repository:
Archives of American Art
Online Media:

Gabriel Laderman: artist file, [photographs]

Laderman, Gabriel 1929-2011  Search this
Physical description:
1 folder
Artist files
Art, American  Search this
Image number:
VFM VF001733
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum

Artist's Studio [painting] / (photographed by Walter Rosenblum)

Laderman, Gabriel 1929-2011  Search this
Rosenblum, Walter 1919-2006  Search this
Architecture interior--Studio  Search this
Image number:
ROS R0001056
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum

Easel in Studio [painting] / (photographed by Walter Rosenblum)

Laderman, Gabriel 1929-2011  Search this
Rosenblum, Walter 1919-2006  Search this
Architecture interior--Studio  Search this
Image number:
ROS R0001057
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum

Easel [painting] / (photographed by Walter Rosenblum)

Laderman, Gabriel 1929-2011  Search this
Rosenblum, Walter 1919-2006  Search this
Architecture interior--Studio  Search this
Image number:
ROS R0001058
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum

Artist's Studio with Chair [painting] / (photographed by Walter Rosenblum)

Laderman, Gabriel 1929-2011  Search this
Rosenblum, Walter 1919-2006  Search this
Architecture interior--Studio  Search this
Image number:
ROS R0001059
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum

Artist's Studio [painting] / (photographed by Walter Rosenblum)

Laderman, Gabriel 1929-2011  Search this
Rosenblum, Walter 1919-2006  Search this
Architecture interior--Studio  Search this
Image number:
ROS R0001060
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum

Interior [art work] / (photographed by Peter A. Juley & Son)

Laderman, Gabriel 1929-2011  Search this
Architecture interior  Search this
Image number:
JUL J0028046
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum

Laderman, Gabriel, 1929-2011

Collection Creator:
Rosenblum, Walter, 1919-2006  Search this
5 Photographs
Binder 28
Archival materials
Collection Restrictions:
Researcher may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Collection Rights:
Copyright to photographs from the Walter Rosenblum Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Walter Rosenblum Collection, Photograph Archives, Smithsonian American Art Museum
See more items in:
Walter Rosenblum photographs
Walter Rosenblum photographs / Series 1: Photographs of artists' works
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center

Karl E. Fortess interviews with artists, circa 1963-1985

Fortess, Karl E (Karl Eugene) 1907-  Search this
Watkins, Franklin Chenault 1894-1972  Search this
Weeks, James 1922-  Search this
Weinberg, Elbert 1928-  Search this
White, Charles 1918-1979  Search this
Wilson, John 1922-2015  Search this
Wilson, Reginald 1909-  Search this
Wilson, Sol  Search this
Winters, Denny Sonke 1907-1985  Search this
Woodruff, Hale 1900-1980  Search this
Yarde, Richard 1939-  Search this
Zerbe, Karl 1903-1972  Search this
Vytlacil, Vaclav 1892-1984  Search this
Aach, Herbert 1923-1985  Search this
Abeles, Sigmund 1934-  Search this
Adler, Samuel 1898-  Search this
Alcalay, Albert 1917-2008  Search this
Alexander, F. O (Franklin Osborne)  Search this
Alston, Charles Henry 1907-1977  Search this
Andrews, Benny 1930-2006  Search this
Angeloch, Robert 1922-  Search this
Armitage, Kenneth 1916-  Search this
Avery, Sally  Search this
Baber, Alice  Search this
Barnet, Will 1911-2012  Search this
Baskin, Leonard 1922-2000  Search this
Baumbach, Harold 1903-  Search this
Bearden, Romare 1911-1988  Search this
Bell, Leland  Search this
Benton, Thomas Hart 1889-1975  Search this
Berger, Jason 1924-2010  Search this
Biddle, George 1885-1973  Search this
Birmelin, Robert 1933-  Search this
Bishop, Isabel 1902-1988  Search this
Blackburn, Robert Hamilton 1920-  Search this
Blanch, Arnold 1896-1968  Search this
Blanch, Lucile 1895-1981  Search this
Crawford, Ralston 1906-1978  Search this
Blume, Peter 1906-1992  Search this
Boghosian, Varujan  Search this
Bohlen, Nina  Search this
Bolotowsky, Ilya 1907-1981  Search this
Botkin, Henry 1896-1983  Search this
Bourgeois, Louise 1911-2010  Search this
Brandt, Warren 1918-  Search this
Breinin, Raymond 1910-  Search this
Bromberg, Manuel  Search this
Brook, Alexander 1898-1980  Search this
Brooks, James 1906-1992  Search this
Browning, Colleen  Search this
Burlin, Paul 1886-1969  Search this
Busa, Peter 1914-1985  Search this
Callahan, Kenneth 1905-1986  Search this
Candell, Victor 1903-1977  Search this
Castellón, Federico 1914-1971  Search this
Chaet, Bernard  Search this
Chasteen, Ancil  Search this
Chavez, Edward Arcenio 1917-1995  Search this
Cherry, Herman  Search this
Christ-Janer, Albert 1910-1973  Search this
Citron, Minna Wright 1896-1991  Search this
Cote, Alan A. 1937-  Search this
Cox, Gardner 1906-1988  Search this
Cox, Jan 1919-1980  Search this
Crampton, Rollin McNeil 1886-1970  Search this
Cusumano, Stefano 1912-1975  Search this
D'Arcangelo, Allan 1930-  Search this
D'Arista, Robert 1929-  Search this
De Creeft, José 1884-1982  Search this
Dehn, Adolf 1895-1968  Search this
De Diego, Julio 1900-  Search this
Dehner, Dorothy 1901-1994  Search this
De Kooning, Elaine  Search this
Demetropoulos, Charles  Search this
Dickinson, Edwin Walter 1891-1978  Search this
Dobkin, Alexander 1908-  Search this
Dodd, Betty  Search this
Dodd, Lamar  Search this
Eichenberg, Fritz 1901-1990  Search this
Edwards, Ethel 1914-1999  Search this
Engle, Harry  Search this
Ernst, Jimmy 1920-1984  Search this
Eshoo, Robert  Search this
Ferber, Herbert 1906-1991  Search this
Fine, Perle 1908-1988  Search this
Finkelstein, Louis  Search this
Floch, Joseph 1895-1977  Search this
Florsheim, Richard A. 1916-1979  Search this
Frank, Mary 1933-  Search this
Frankenthaler, Helen 1928-2011  Search this
Frasconi, Antonio  Search this
Freilicher, Jane 1924-  Search this
Georges, Paul 1923-2002  Search this
Gibran, Kahlil 1922-  Search this
Gikow, Ruth 1915-1982  Search this
Glaser, Milton  Search this
Golub, Leon 1922-2004  Search this
Gonzalez, Xavier 1898-1993  Search this
Gottlieb, Adolph 1903-1974  Search this
Graziani, Sante 1920-  Search this
Greene, Balcomb 1904-1990  Search this
Greenwood, Marion 1909-1970  Search this
Grippe, Peter 1912-  Search this
Gross, Chaim 1904-1991  Search this
Groth, John 1908-1988  Search this
Guston, Philip 1913-1980  Search this
Gwathmey, Robert 1903-1988  Search this
Haeberlin, Carolyn  Search this
Hale, Robert Beverly 1901-1985  Search this
Harmon, Lily 1912-  Search this
Hartigan, Grace  Search this
Held, Al 1928-  Search this
Heliker, John 1909-2000  Search this
Hillsmith, Fannie 1911-2007  Search this
Hirsch, Joseph 1910-1981  Search this
Hoener, Arthur 1929-  Search this
Hovannes, John 1900-1973  Search this
Hudson, Gary Van Voorhees 1936-  Search this
Hurwitz, Sidney 1932-  Search this
Isenburger, Eric 1902-1994  Search this
Jenkins, Paul 1923-2012  Search this
Jules, Mervin 1912-  Search this
Kahn, Wolf 1927-2020  Search this
Kallem, Henry 1912-  Search this
Kallem, Herbert 1909-1994  Search this
Kaplan, Joseph 1900-1980  Search this
Katz, Alex 1927-  Search this
Katzman, Herbert 1923-  Search this
Kay, Reed  Search this
Kaz, Nathaniel 1917-  Search this
Kepes, Gyorgy 1906-2001  Search this
Kienbusch, William 1914-1980  Search this
King, William 1925-  Search this
Kingman, Dong 1911-  Search this
Klitgaard, Georgina 1889-1977  Search this
Knaths, Karl 1891-1971  Search this
Koch, John 1909-1978  Search this
Kroll, Leon 1884-1974  Search this
Kupferman, Lawrence Edward 1909-1982  Search this
Laderman, Gabriel 1929-  Search this
Laning, Edward 1906-  Search this
Lasker, Joe  Search this
Lassaw, Ibram 1913-2003  Search this
Laufman, Sidney 1891-  Search this
Lawrence, Jacob 1917-2000  Search this
Lechay, James  Search this
Lee, Doris 1905-1983  Search this
Lee-Smith, Hughie  Search this
Leiber, Gerson August 1921-  Search this
Leslie, Alfred 1927-  Search this
Levi, Julian E (Julian Edwin) 1900-1982  Search this
Levine, Jack 1915-2010  Search this
Lewis, Norman 1909-1979  Search this
Lipton, Seymour 1903-1986  Search this
Loew, Michael 1907-1985  Search this
Lucioni, Luigi 1900-1988  Search this
Magafan, Ethel 1915 or 6-1993  Search this
Mandel, Howard 1917-1999  Search this
Manso, Leo  Search this
Marantz, Irving 1912-1972  Search this
Marcus, Marcia 1928-  Search this
Margo, Boris 1902-1995  Search this
Maril, Herman  Search this
Marsicano, Nicholas 1908-1991  Search this
Martin, Fletcher 1904-1979  Search this
Mason, Emily 1932-  Search this
Matsubara, Naoko  Search this
Mattson, Henry E (Henry Elis) 1887-1971  Search this
Mazur, Michael 1935-2009  Search this
Melcarth, Edward 1914-1973  Search this
Merkin, Richard  Search this
Metcalf, Conger 1914-1998  Search this
Milton, Peter 1930-  Search this
Moffett, Ross  Search this
Moller, Hans 1905-  Search this
Morgan, Maud 1903-1999  Search this
Morris, George L. K. 1905-1975  Search this
Moss, Ben Frank 1936-  Search this
Morris, Kyle  Search this
Motherwell, Robert  Search this
Moy, Seong  Search this
Muench, John  Search this
Murch, Walter  Search this
Nakian, Reuben 1897-1986  Search this
Neel, Alice 1900-1984  Search this
Neuman, Robert S  Search this
Neustadt, Barbara 1922-  Search this
Nivola, Costantino 1911-1988  Search this
Opper, John  Search this
Orsini, Robert  Search this
Ossorio, Alfonso 1916-1990  Search this
Pachner, William 1915-  Search this
Palmer, William 1906-1987  Search this
Parker, Raymond 1922-  Search this
Passlof, Pat 1928-  Search this
Pattison, Abbott L (Abbott Lawrence) 1916-1999  Search this
Pearlstein, Philip 1924-  Search this
Penney, James 1910-1982  Search this
Peterdi, Gabor  Search this
Petrov, Dimitre 1919-  Search this
Philipp, Robert 1895-1981  Search this
Picken, George 1898-  Search this
Pickens, Alton  Search this
Pike, John 1911-1979  Search this
Pineda, Marianna 1925-1996  Search this
Pittman, Hobson Lafayette 1899 or 1900-1972  Search this
Plate, Walter 1925-1972  Search this
Pollet, Joseph C. 1897-1979  Search this
Polonsky, Arthur  Search this
Ponce de Leon, Michael b. 1922  Search this
Poons, Larry  Search this
Prestopino, Gregorio  Search this
Preusser, Robert O (Robert Ormerod) 1919-1992  Search this
Prohaska, Ray  Search this
Redein, Alex 1912-  Search this
Refregier, Anton 1905-  Search this
Reich, Murray 1932-  Search this
Reisman, Philip 1904-  Search this
Resnick, Milton 1917-2004  Search this
Rickey, George  Search this
Rivers, Larry 1925-2002  Search this
Romano, Umberto 1905-1982  Search this
Rosati, James 1912-1988  Search this
Rose, Herman 1909-  Search this
Ruellan, Andrée 1905-2006  Search this
Russo, Alexander  Search this
Salemme, Lucia A  Search this
Sample, Paul 1896-1974  Search this
Sander, Ludwig 1906-  Search this
Sanders, Joop A. 1922-  Search this
Scarlett, Rolph b. 1889  Search this
Schrag, Karl  Search this
Schreiber, Georges 1904-  Search this
Schwartz, Henry 1927-  Search this
Schwartz, Manfred 1909-1970  Search this
Schmidt, Katherine 1898-1978  Search this
Sievan, Maurice  Search this
Simon, Sidney 1917-1997  Search this
Siporin, Mitchell 1910-1976  Search this
Small, Hannah  Search this
Sokole, Miron 1901-  Search this
Solman, Joseph 1909-2008  Search this
Solomon, Hyde 1911-  Search this
Solomon, Syd 1917-  Search this
Soyer, Isaac 1902-1981  Search this
Soyer, Moses 1899-1974  Search this
Soyer, Raphael 1899-1987  Search this
Stamos, Theodoros 1922-1997  Search this
Stasik, Andrew  Search this
Steffen, Bernard J. 1907-  Search this
Sternberg, Harry 1904-2001  Search this
Sterne, Hedda 1910-2011  Search this
Stoltenberg, Donald  Search this
Stone, Sylvia 1928-  Search this
Summers, Carol 1925-  Search this
Swan, Barbara 1922-  Search this
Tam, Reuben  Search this
Taylor, John 1897-1983  Search this
Thon, William 1906-2000  Search this
Toney, Anthony  Search this
Tovish, Harold 1921-2008  Search this
Townley, Hugh  Search this
Hopper, Jo N (Josephine Nivison) 1883-1968  Search this
Vehara, Carole  Search this
Vicente, Esteban 1903-2001  Search this
Vickrey, Robert 1926-  Search this
Physical description:
268 interviews
5.6 linear feet
Collection descriptions
Sound recordings
circa 1963-1985
Local number:
AAA fortkarl
Restrictions & Rights:
Interviews are untranscribed; use requires an appointment and is limited to AAA's Washington, D.C. and New York, N.Y Research Centers. Interviews without a duplicate copy requires advance notice
The donor has specified as a condition of the gift that the tapes may not be transcribed or edited
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Karl E. Fortess interviews with artists, circa 1963-1985
Data Source:
Archives of American Art

Interview with Gabriel Laderman

Laderman, Gabriel, 1929-  Search this
Gussow, Alan, 1931-1997  Search this
Sound Recording
circa 1970
Record number:
See more items in:
Alan Gussow research material for A Sense of Place, 1956-1994
Data Source:
Archives of American Art

Gabriel Laderman : new work, November 8 - December 3, 1997

Laderman, Gabriel 1929-2011  Search this
Tatistcheff and Company  Search this
Laderman, Gabriel 1929-2011  Search this
Physical description:
10 p. : col. ill. ; 22 cm
Call number:
ND237.L227 A4 1997
Data Source:
Smithsonian Libraries

Natalie Charkow, sculpture : [exhibition] October 31, 1981-November 25, 1981

Charkow, Natalie  Search this
Laderman, Gabriel 1929-2011  Search this
Hollander, John  Search this
Robert Schoelkopf Gallery  Search this
Charkow, Natalie  Search this
Physical description:
[12] p. : ill. ; 21 cm
Call number:
NB237.C4325 A4 1981
Data Source:
Smithsonian Libraries

Gabriel Laderman : unconventional realist / guest curators David Carbone, Lincoln Perry, Langdon Quin

Unconventional realist
Laderman, Gabriel 1929-2011-  Search this
Carbone, David  Search this
Perry, Lincoln Frederick 1949-  Search this
Quin, Langdon  Search this
University of Virginia Art Museum  Search this
University of New Hampshire Museum of Art  Search this
Laderman, Gabriel 1929-  Search this
Physical description:
62 p. : chiefly col. ill. ; 21 x 26 cm
Figurative painting, American  Search this
Call number:
ND237.L227 A4 2008
Data Source:
Smithsonian Libraries

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