Search Results

Creator:

Crossfield, A. Scott (Albert Scott), 1921-  Search this

Names:

Eastern Air Lines  Search this

National Advisory Committee for Aeronautics (NACA)  Search this

North American Aviation, Inc.  Search this

Extent:

20.23 Cubic feet (42 boxes)

Type:

Collection descriptions

Archival materials

Photographs

Audiotapes

Correspondence

Manuscripts

Date:

1940 - 2004

Summary:

This collection consists of over nine cubic feet of material documenting Scott Crossfield's aviation career, with emphasis on his involvement with the North American X-15. The following types of material are included: correspondence; reel to reel tapes; papers, manuscripts; newspaper and magazine clippings; aviation manuals; photographs; film; and Crossfield's notes and reports.

Scope and Content note:

This collection encompasses the entirety of Albert Scott "Scotty" Crossfield, Jr.'s career as an engineer, test pilot, airline executive, and speaker and advocate for aerospace education. Records in the collection date from Crossfield's time at college in the 1940s through his death in 2006. Crossfield's papers were donated to the National Air and Space Museum (NASM) Archives by the Crossfield family in 2006 and a second batch of material was received in 2008. The collection was received without any apparent organizational scheme, but some items were received in labeled folders and these folder titles were retained when the collection was processed. One group of material was loaned by the family for copying and these items were photocopied and placed within the appropriate folder in the case of documents, or were scanned and entered into the National Air and Space Museum (NASM) Archives image database in the case of photographs.

After his retirement from North American Aviation, Inc., Crossfield gave his papers to a former secretary, Marion Brown, so that she could organize them for his use in future writing projects. In February 1973, a U.S. Navy Vought A-7E Corsair II crashed into the apartment building where Brown lived and all of Crossfield's papers in her possession were destroyed. Due to this incident, the collection has more material from Crossfield's time with Eastern Air Lines and onwards, although the prior years are still well represented through records that were either retained in Crossfield's possession or copies that were gathered after the fact. There is correspondence from Crossfield relating to the crash in Box 11 of the collection.

The archival materials in this collection are organized into four series. The first series is composed of personal materials and includes school records, correspondence, personal photographs, records relating to various organizations in which Crossfield was active, information relating to the publication of Crossfield's autobiography, Always Another Dawn, other writings by Crossfield, financial records, subject files assembled by Crossfield, philatelic materials (Crossfield was an active collector and was a founding member and officer of The Aviation Historical Foundation, a philatelic organization), and news clippings. The material in this series is largely organized chronologically. Personal photographs and subject files are organized by topic first and chronologically within each folder and organizations are arranged alphabetically by name first and also chronologically within the individual folders.

The second series contains items relating to Crossfield's professional life, organized chronologically by place of employment. This series includes materials relating to Crossfield's work at Boeing, the U.S. Navy, the Kirsten Wind Tunnel at the University of Washington Aeronautical Laboratory, the National Advisory Committee for Aeronautics (NACA), North American Aviation, Inc., Eastern Air Lines, Hawker Siddeley Aviation, Crossfield's work as an Independent Technical Advisor, Crossfield's application for the position of Director of the National Air and Space Museum, Crossfield's time as a member of the United States Organizing Committee, and his work with organizations such as the Scott Crossfield Foundation and The Wright Experience. During the later part of his life, Crossfield toured the country extensively giving speeches, presenting awards, etc. and there is a large amount of material relating to these appearances in this part of the collection. These materials arrived already organized chronologically by individual trip and this organizational scheme was retained. Specifically, the professional life series includes flight reports, manuals, drawings, business correspondence, administrative records, presentations and papers, travel itineraries, notebooks, calendars, speeches delivered by Crossfield, and career related photographs (which are broken out as their own subseries). The professional life series also includes a section of miscellaneous professional items including job seeking correspondence, information on the patent for a power wheel braking or driving unit designed by Crossfield, and a folder of Crossfield's résumés.

The third series consists of audiotapes and is organized first by tape format and then chronologically within each category. Subjects of the audiotapes include speeches, a large number of North American X-15 cockpit recordings and radio communications, tape produced for a television program, and autobiographical notes. A number of the audiotapes include no description. With a total of 65 examples in this series, the most common audiotape format in the collection is, by far, 7 inch reel to reel tapes. Other formats in this series include 5 inch reel to reel tapes, 3.125 by 3.5 inch metal audiotape cartridges, and Dictaphone recording belts. Please note that these audio recordings are unavailable to the researcher at the time of processing due to the format and fragility of the tapes.

The fourth series of this collection is comprised of oversized materials and additional materials including galley proofs, news clippings, drawings, charts, professional records, and photographs. The organization of this series mirrors the folder titles found in the rest of the collection.

The researcher should note that the collection also contains several motion picture films relating to the life and career of Albert Scott "Scotty" Crossfield, Jr. These films are not included in the container list but a NASM Archives staff person can assist you regarding access.

Arrangement:

The A. Scott Crossfield Papers are organized into the following series and subseries:

Series I: Personal Materials

1.1 School Records

1.2 Correspondence

1.3 Personal Photographs

1.4 Organizations

1.5 Information Related to the Publication of Always Another Dawn

1.6 Other Writings by Crossfield

1.7 Financial Records

1.8 Subject Files

1.9 Philatelic Materials

1.10 News Clippings

1.11 Miscellaneous Personal Records

Series II: Professional Life

2.1 Boeing

2.2 U.S. Navy

2.3 Kirsten Wind Tunnel, University of Washington Aeronautical Laboratory

2.4 National Advisory Committee for Aeronautics (NACA)

2.5 North American Aviation, Inc.

2.6 Eastern Air Lines

2.7 Hawker Siddeley Aviation

2.8 Independent Technical Advisor

2.9 Application for NASM Director Position

2.10 United States Organizing Committee

2.11 Scott Crossfield Foundation

2.12 The Wright Experience

2.13 Speaking Engagements and Professional Appearances

2.14 Career Related Photographs

2.14 Miscellaneous Professional Records

Series III: Audiotapes

Series IV: Oversized Materials

Biographical/Historical note:

Albert Scott "Scotty" Crossfield, Jr. was born on October 2, 1921, in California. As a young boy, Crossfield was often confined indoors due to health problems related to pneumonia and rheumatic fever. During this time, he dreamed of becoming a pilot and designed and constructed model airplanes. Crossfield took his first airplane ride in 1927, at six years old, in an Alexander Eaglerock A-1 piloted by family friend Charles "Carl" Lienesch. Lienesch also encouraged Crossfield to become an engineer as well as a pilot. Unbeknownst to Crossfield's parents, he began taking flying lessons at the age of 12 at Wilmington Airport under the tutelage of pilot Vaughn McNulty. The family later moved to Washington State and it was there, at the Chehalis Airport, that Crossfield made his first solo flight in a Curtiss Robin. It was not until the summer of 1941, however, that Crossfield officially soloed and earned his pilot's license under the Civil Aeronautics Authority (CAA), Civilian Pilot Training Program (CPTP).

Crossfield enrolled in the University of Washington in 1940 and worked at the Boeing plant in Seattle, beginning in the fall of 1941, while still pursuing his studies. Crossfield's first assignment at Boeing was as an assembly page clerk. He was later promoted to the position of production expediter and shop salvage engineer. After the bombing of Pearl Harbor in December 1941, Crossfield enlisted in the U.S. Army Air Corps and continued to work at Boeing while he waited for an opening in a cadet class. In February 1942, tired of waiting on the Air Corps and eager to get into combat, Crossfield enlisted in the U.S. Navy instead where he joined the cadet class of May 7, 1942. Crossfield first trained in Seattle, Washington, and later was sent to the Naval Air Training Center in Corpus Christi, Texas, where he earned his Naval Aviator's wings in 1942. During his time in the Navy, Crossfield never fulfilled his ambition to see combat because he was selected instead to remain at Corpus Christi as a flight and gunnery instructor. Crossfield eventually was sent to Hawaii to prepare and train for an invasion of Japan but the war ended before this became necessary. During his time in the U.S. Navy, Crossfield flew the Grumman F6F Hellcat, Vought F4U Corsair, and the North American SNJ Texan, among other aircraft. After he separated from active duty with the Service, Crossfield remained active in the Naval Reserves and was part of an aerobatic team at Sand Point Naval Air Station that flew Goodyear FG-1D Corsairs.

Crossfield returned to his studies at the University of Washington in 1946 and was employed doing tests at the Kirsten Wind Tunnel at the University's Aeronautical Laboratory. Crossfield earned his Bachelor of Science degree in aeronautical engineering in 1949 and his master's degree in aeronautical science in 1950. After obtaining his degrees, Crossfield joined the National Advisory Committee for Aeronautics (NACA) as a research pilot. During his time with NACA, Crossfield flew many aircraft including the Convair XF-92A, Bell X-1, Northrop X-4 Bantam, Douglas D-558-1 Skystreak, Bell X-5, Republic F-84F Thunderstreak, Convair F-102 Delta Dagger, North American F-86 Sabre, and the North American F-100A Super Sabre. Crossfield made history in the Douglas D-558-2 Skyrocket on November 20, 1953, as the first pilot to exceed Mach 2 (twice the speed of sound).

In 1955, Crossfield left NACA and joined North American Aviation, Inc. to work on the X-15 program where he would not only serve as the X-15 Project Pilot but also as a Design Specialist, a role in which he was an integral part of the design of both the aircraft and the pressure suit developed by the David Clark Company for the X-15 program. The suit served as a prototype for the spacesuits later worn by astronauts. Crossfield helped to develop the X-15's cockpit, control, and engine systems; structural design; propulsion system; engineered its escape system; and contributed to its handling quality requirements. He also developed the ground control test methodology that would later become standard on the Mercury, Gemini, and Apollo space programs. Crossfield piloted the North American X-15 on its first captive flight in March 1959, first glide flight in June 1959, and the first powered flight in September 1959, as well as numerous other test flights, before the X-15 was delivered to the U.S. Air Force (USAF) and the National Aeronautics and Space Administration (NASA) in February 1960. Crossfield also served as Chief Engineering Test Pilot at North American from 1955-1961 before moving to the Space and Information Systems Division first as the Director of Systems Test (1961) then as the Division Director of Test and Quality Assurance (1961-1966) where he was responsible for quality control in all North American projects including the Hounddog Missile (AGM-28, GAM-77), Paragliders for the Gemini program, Apollo Command and Service Module, and the Saturn V launch vehicles, second stage. Crossfield's final position with North American was as the Technical Director, Research, Engineering and Test from 1966-1967.

Crossfield joined Eastern Air Lines in Miami, Florida, as Division Vice President, Flight, Research, and Development, Flight Operations in 1967, a position he held until 1971 when he moved to Washington, DC, to serve as Staff Vice President, Transportation Systems Development (1971-1973). From 1974 to 1975, Crossfield served as Senior Vice President at Hawker Siddeley Aviation's U.S. subsidiary branch, an office he helped to establish. After leaving Hawker Siddeley, Crossfield served for many years as an independent technical advisor to the U.S. Congress. Crossfield also served on the United States Organizing Committee to plan the Air and Space Bicentennial. In the later part of his life, Crossfield traveled extensively to give talks, attend events, and make various professional appearances and it was on a return flight home from one such trip in 2006 that Crossfield was killed when the plane he was piloting was caught in a thunderstorm.

Crossfield was active in various organizations including the American Institute of Aeronautics and Astronautics (AIAA), the National Aeronautic Association (NAA), and the Society of Experimental Test Pilots (SETP), a group in which he was a founding member. Crossfield also created the Scott Crossfield Foundation to support aerospace education. Crossfield was the recipient of numerous awards and honors including the Sperry (Lawrence B.) Memorial Award (1954) and Chanute (Octave) Award (AIAA, 1958), Kincheloe Award (SETP, 1960), Harmon Trophy (1960), Collier (Robert J.) Trophy (1961), NASA Distinguished Service Medal (1993), and the National Air and Space Museum (NASM) Trophy for Lifetime Achievement (2000).

Crossfield published his autobiography, Always Another Dawn, in 1960 with Clay Blair, Jr. and is the author of numerous other publications, articles, and technical papers.

Provenance:

Alice Crossfield, Gift, 2006

Restrictions:

No restrictions on access.

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Topic:

North American X-15  Search this

Air pilots  Search this

Aeronautics  Search this

Aeronautics -- Records  Search this

Genre/Form:

Photographs

Audiotapes

Correspondence

Manuscripts

Citation:

A. Scott Crossfield Papers, Accession number 2006-0041, National Air and Space Museum, Smithsonian Institution.

A. Scott Crossfield Papers, Acc. 2006-0041, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.2006.0041

See more items in:

A. Scott Crossfield Papers

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg28d41031c-4569-4e2e-b114-8a32f81be51e

EDAN-URL:

ead_collection:sova-nasm-2006-0041

Physical Description:

wood (overall material)

Measurements:

overall: 3.4 cm x 26.6 cm x 26 cm; 1 11/32 in x 10 15/32 in x 10 1/4 in

Object Name:

geometric models, set of

Date made:

ca 1920

Subject:

Mathematics  Search this

Crystallography  Search this

Credit Line:

Gift of Prof. Robert Gordon

ID Number:

1991.0868.01

Accession number:

1991.0868

Catalog number:

1991.0868.01

See more items in:

Medicine and Science: Mathematics

Science & Mathematics

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a5-03e3-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_690326

Measurements:

overall: 1 in x 1 1/4 in; 2.54 cm x 3.175 cm

overall: 1/8 in x 1 1/4 in; .3175 cm x 3.175 cm

Object Name:

Electrotherapeutic Apparatus

electrotherapeutic apparatus, battery

Other Terms:

Electrotherapeutic Apparatus, Boyd's Battery; Electrotherapeutic Apparatus; Battery, Boyd's; Medicine

Date made:

ca. 1880

Patent date:

1878-01-17

Credit Line:

From Milo Elso Emerson

ID Number:

MG.M-04999

Catalog number:

M-04999

Accession number:

161047

See more items in:

Medicine and Science: Medicine

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a5-632a-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_727991

Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Names:

Courlander, Harold, 1908-1996  Search this

Guthrie, Woody, 1912-1967  Search this

Jenkins, Ella  Search this

Leadbelly, 1885-1949  Search this

Ramsey, Frederic, 1915-1995  Search this

Seeger, Pete, 1919-2014  Search this

Extent:

841 Cubic feet

Type:

Collection descriptions

Archival materials

Business records

Correspondence

Phonograph records

Photographic prints

Audiotapes

Date:

1926-1986

bulk 1948-1986

Summary:

This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.

Scope and Contents:

The Moses and Frances Asch Collection measures 841 cubic feet and dates from 1926-1987, with some contemporary, relevant correspondence, clippings, and ephemera added after 1987.

Most of the collection consists of audio recordings (commercial 78 rpm and long-playing records, open reel tapes, acetate discs, and test pressings), correspondence with recording artists and producers, artwork, photographs, ephemera, clippings, record production materials, writings, and business papers relating to Folkways Records. Materials relating to Folkways Records can be found primarily in the Correspondence, Folkways Production, Business Records, Photographs, Artwork, Sound Recordings, and Film series.

The collection also contains some biographical materials and personal correspondence, including materials related to Asch's first business, Radio Laboratories, located in the Biographical Materials series. Correspondence, ephemera, photographs, record production materials, business papers, and recordings relating to Asch's record labels before Folkways Records (Asch Recordings, Disc Company of America, Cub Records) are located in the Early Label Materials series as well as the Audio Recordings and Photographs series.

Arrangement note:

The collection is arranged in 10 series:

Series 1: Correspondence, 1942-1987

Series 2: Folkways Production, 1946-1987

Series 3: Business Records, 1940-1987

Series 4: Woody Guthrie papers, 1927-1985

Series 5: Early Label Materials, 1940-1949

Series 6: Biographical Materials, 1926-1987

Series 7: Photographs

Series 8: Artwork

Series 9: Audio Recordings

Series 10: Film

At this time, the collection is partially processed. Please contact rinzlerarchives@si.edu for more information.

Biographical/Historical note:

The son of Yiddish writer Sholem Asch, Moses Asch was born in Poland in 1905. His childhood was spent in Poland, France, Germany, and New York. While young, Asch developed an interest in radio electronics, which ultimately lead him to his life's work, recording the music and sounds of the world. He established several record labels in succession, sometimes partnering with other record companies. Two of his fist record companies, Asch Recordings and DISC Co. of America, went bankrupt. They were followed by his best-known label, Folkways Records, which was founded in 1948 with Marian Distler (1919-1964). He was still working on Folkways recordings when he died in 1986.

Folkways Records sought to document the entire world of sound. The 2,168 titles Asch released on Folkways include traditional and contemporary music from around the world, spoken word in many languages, and documentary recordings of individuals, communities, and current events. Asch's business practices revolved around the commitment to keep every recording issued by Folkways in print, despite low sales. Asch stayed afloat by cutting costs where he could (such as color printing) and offering a high-quality product, meticulously recorded and accompanied by extensive liner notes. In doing this, he could charge a slightly higher price than other commercial outfits. Despite a tenuous relationship with financial solvency, Folkways grew to be not only one of the most important independent record companies in the United States in the 20th century, but also one of the largest and most influential record companies in the world.

Moses Asch's record labels featured famous and lesser known American writers, poets, documentarians, ethnographers, and grass roots musicians on commercial recordings. American folk icon Woody Guthrie recorded on the Asch, Disc, and Folkways labels, and the Asch Collection includes some of his correspondence, lyrics, drawings, and writings. The collection also includes correspondence with other notable musicians and artists such as John Cage, Langston Hughes, Margaret Walker, Huddie "Lead Belly" Ledbetter, Pete Seeger, Peggy Seeger, Ewan MacColl, Alan Lomax, Henry Cowell, and Kenneth Patchen. Also in the collection are ethnographic field notes and photographs by as well as correspondence with Béla Barók, Sidney Robertson Cowell, Harold Courlander, Helen Creighton, Laura Boulton, and Samuel Charters. Asch hired various prominent artists and graphic designers including David Stone Martin, Ben Shahn, John Carlis, and Ronald Clyne to create album cover art for his recordings. Much of the original art and designs for these covers can be found in the Asch Collection.

Asch's output of recordings on various labels, including published recordings, open reel master tapes, outtakes, and acetate disks, in addition to his business papers, correspondence, photographs, and other files were acquired by the Smithsonian Institution in 1987. The collection came to the Smithsonian with the understanding that all 2168 titles under the Folkways label would be kept available in perpetuity.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Provenance:

Ralph Rinzler arranged the Smithsonian's acquisition of the Moses and Frances Asch Collection in 1987, beginning with Asch before his death in 1986 and continuing with extensive discussions between Rinzler and the Asch family. Since its acquisition, archivist Jeff Place and others have added contemporary, relevant correspondence with Folkways artists and related individuals.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk music  Search this

Folk dance music  Search this

Electronic music  Search this

Oral interpretation of poetry  Search this

Oral interpretation of fiction  Search this

Music -- 20th century  Search this

Music -- 19th century  Search this

Music -- 18th century  Search this

Jazz  Search this

Folk music -- United States  Search this

World music  Search this

Sounds  Search this

Vocal music  Search this

Popular music -- 20th century -- United States  Search this

Genre/Form:

Business records

Correspondence

Phonograph records

Photographic prints

Audiotapes

Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH

See more items in:

Moses and Frances Asch Collection

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk533b8a927-559a-44ac-98d2-f32d871058b4

EDAN-URL:

ead_collection:sova-cfch-asch

Filmmaker:

Killy, Monroe P., 1910-  Search this

Extent:

6 Film reels

Culture:

Anishinaabe (Chippewa/Ojibwa)  Search this

Type:

Collection descriptions

Archival materials

Film reels

Date:

circa 1939-1949

Summary:

This collection contains 6 moving image films depicting the Anishinaabe (Chippewa/Ojibwa) community in Minnesota that were filmed by amateur filmmaker Monroe P. Killy, circa 1939-1949.

Scope and Contents:

This collection contains 6 moving image films shot by Monroe P. Killy from 1939-1949. The films depict Anishinaabe (Chippewa/Ojibwa) community in Minnesota and include the following titles: Sugar Bush (1939), Chippewa Handicraft (1939), The Moccasin (1940), Wild Rice Harvest (1940), Anishinaabe (1949), and Pow-wow (date unknown).

Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research.

Arrangement:

Films are arranged in 6 film canisters by date.

Biographical / Historical:

Monroe P. Killy was born in Minneapolis, Minnesota on October 28, 1910. He worked as an amateur photographer and ethnologist, while he managed the Eastman Kodak store Minneapolis laboratory. In addition to being an avid collector of American Indian cultural materials, he was also active in the Minneapolis Photographic Society. He died in 2010.

Related Materials:

The Minnesota Historical Society also holds Monroe P. Killy films.

Provenance:

Acquired from Monroe P. Killy in 1972.

Restrictions:

This collection is closed to researchers until it has been digitized.

Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Citation:

Identification of specific item; Date (if known); Monroe Killy Anishinaabe (Chippewa/Ojibwa) films, image #, NMAI.AC.430; National Museum of the American Indian Archives Center, Smithsonian Institution.

Identifier:

NMAI.AC.430

See more items in:

Monroe Killy Anishinaabe (Chippewa/Ojibwa) films

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv48aed88f6-7b98-42d0-b864-4da35bbd3d0e

EDAN-URL:

ead_collection:sova-nmai-ac-430

Collection Creator:

Broussard-Simmons, Vanessa  Search this

Kraft General Foods, Inc.  Search this

Archives Center, National Museum of American History  Search this

Container:

Box 1

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Archives Center Cookbook Collection, Archives Center, National Museum of American History.

See more items in:

Archives Center Cookbook Collection

Archives Center Cookbook Collection / Series 1: Bound Materials

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b4affdd7-0d09-45a5-8b9b-e429e9bb0913

EDAN-URL:

ead_component:sova-nmah-ac-0510-ref770

Collection Creator:

Broussard-Simmons, Vanessa  Search this

Kraft General Foods, Inc.  Search this

Archives Center, National Museum of American History  Search this

Container:

Box 3

Type:

Archival materials

Date:

1938

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Archives Center Cookbook Collection, Archives Center, National Museum of American History.

See more items in:

Archives Center Cookbook Collection

Archives Center Cookbook Collection / Series 1: Bound Materials

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8bbc08379-fc11-40db-84f0-c29617689e6b

EDAN-URL:

ead_component:sova-nmah-ac-0510-ref850

Collection Creator:

Broussard-Simmons, Vanessa  Search this

Kraft General Foods, Inc.  Search this

Archives Center, National Museum of American History  Search this

Container:

Box 3

Type:

Archival materials

Date:

1944

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Archives Center Cookbook Collection, Archives Center, National Museum of American History.

See more items in:

Archives Center Cookbook Collection

Archives Center Cookbook Collection / Series 1: Bound Materials

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8f1e922da-c293-465e-9fad-74f39a48719b

EDAN-URL:

ead_component:sova-nmah-ac-0510-ref851

Creator:

Archives Center, National Museum of American History  Search this

Doyle Dane Bernbach.  Search this

Jack Tinker & Associates.  Search this

Manufacturer:

Alka-Seltzer  Search this

Names:

Miles Laboratories, Inc.  Search this

Miles, Franklin, Dr.  Search this

Interviewee:

Beals, Richard  Search this

Case, Eugene  Search this

Chaplin, Charles  Search this

Lawrence, Mary Wells  Search this

Interviewer:

Griffith, Barbara S., Dr.  Search this

Extent:

7 Cubic feet (17 boxes)

Type:

Collection descriptions

Archival materials

Videotapes

Audiocassettes

Publications

Commercials

Motion pictures (visual works)

Audiotapes

Business records

Place:

Elkhart (Ind.) -- 1950-1990

Date:

1953-1987

Summary:

The Alka-Seltzer Oral History and Documentation Project is a result of a one year effort supported, in part, by Miles Laboratories, Incorporated. Twenty-four oral history interviews and a variety of related materials were gathered to document Alka- Seltzer advertising, primarily from the mid-1950s to the 1980s. The project covers "Speedy" Alka-Seltzer, "Oh what a relief it is," "The Blahs," "Alka Seltzer on the rocks," and "I can't believe I ate the whole thing" campaigns

Scope and Contents:

Oral histories with individuals associated with Alka-Seltzer and its advertising campaigns are at the core of the Alka-Seltzer Documenation and Oral History Project. Conducted by Smithsonian Institution staff, the oral histories primarily examine Alka-Seltzer's innovative and memorable print and television commercials. Abstracts exist for each interview.The collection also includes background information, archival materials from Miles Laboratories, Inc., television commercials, storyboards, and company publications.

Arrangement:

The collection is arranged in 8 series.

Series 1: Research Files, circa 1930-1986

Series 2: Interviewee Files, 1986-1987

Series 3: Oral Histories, 1986-1987

Subseries 3.1: Original Interviews

Subseries 3.2: Reference Cassettes

Subseries 3.3: Master Audio Tapes

Series 4: Miles Archives Materials, 1931-1980

Subseries 4.1: Marketing Research and Sales Data

Subseries 4.2: Alka-Seltzer Storyboards and History (Photocopies)

Subseries 4:3: Miles Advertising History and Oral History Program(photocopies)

Series 5: Company Publications, 1960-1986

Series 6: Photographs, circa 1950-1985

Series 7: Alka-Seltzer Posters, 1967-1986

Series 8: Audiovisual Materials

Subseries 8.1: Original Masters

Subseries 8.2: Reference Videos

Biographical / Historical:

The Alka-Seltzer Oral History and Documentation Project is a result of a one year effort supported, in part, by Miles Laboratories, Incorporated Twenty-four oral history interviews and a variety of related materials were gathered to document Alka- Seltzer advertising, primarily from the mid-1950s to the 1980s. The project covers "Speedy" Alka-Seltzer, "Oh what a relief it is," "The Blahs," "Alka Seltzer on the rocks," and "I can't believe I ate the whole thing" campaigns.

Miles Laboratories, Incorporated, the maker of Alka-Seltzer, and Wade Advertising of Chicago established a light-hearted advertising approach with the iconic puppet "Speedy", which had a tablet for a body and a smaller one for a hat. Speedy came to life through stop motion animation, a technique in which each of the puppet's movements was captured on a separate frame of film. The voice of Richard Beals made "Speedy" a distinctive character.

"Speedy" was a mainstay of Alka Seltzer advertising until 1964, when Miles,Incorporated took the account to Jack Tinker & Partners in New York. The agency's work for Alka-Seltzer embodied what came to be called advertising's "creative revolution," replacing the "talking heads" and "hard sell" of earlier advertising with humor, wit, and engaging storylines, even within the limits of a 30 second television spot. In 1969, the Alka Seltzer account went to Doyle, Dane, Bernbach, an agency which changed the look of print advertising during the early years of the "creative revolution." In 1970, Alka-Seltzer moved agencies to Wells, Rich, Greene, where the product's advertising came under the direction of Mary Wells Lawrence. Ms. Lawrence had worked on the Alka Seltzer account while at Tinker and continued Alka Seltzer's reputation for innovative and captivating work. In 1984 they shifted to McCann Erickson.

Provenance:

Collection donated by Miles Laboratories in 1988 and created by the Smithsonian Institution in 1986 and 1987.

Restrictions:

Researchers may use reference copies only. The interview with Charles Chaplin is restricted and may not be copied or quoted until his death.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

advertising -- History -- 1950-1990  Search this

Pharmaceutical industry -- 1950-1990  Search this

Television advertising  Search this

Medicine  Search this

Broadcast advertising  Search this

Business -- History  Search this

Genre/Form:

Videotapes

Audiocassettes

Publications -- Business

Commercials

Motion pictures (visual works) -- 20th century

Audiotapes -- 1950-2000

Business records -- 1950-2000

Citation:

Alka-Seltzer Oral History and Documentation Project, 1953-1987, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0184

See more items in:

Alka-Seltzer Documentation and Oral History Project

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e8d1c49b-5195-455a-8b65-8d475f101290

EDAN-URL:

ead_collection:sova-nmah-ac-0184

Collection Creator:

Archives Center, National Museum of American History  Search this

Container:

Box 1, Folder 2

Type:

Archival materials

Collection Restrictions:

Researchers may use reference copies only. The interview with Charles Chaplin is restricted and may not be copied or quoted until his death.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Alka-Seltzer Oral History and Documentation Project, 1953-1987, Archives Center, National Museum of American History, Smithsonian Institution.

See more items in:

Alka-Seltzer Documentation and Oral History Project

Alka-Seltzer Documentation and Oral History Project / Series 1: Research Files

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep81dcfcaaf-67d0-4a99-ba32-648c0ec8f31f

EDAN-URL:

ead_component:sova-nmah-ac-0184-ref14

Collection Creator:

Archives Center, National Museum of American History  Search this

Container:

Box 1, Folder 10

Type:

Archival materials

Collection Restrictions:

Researchers may use reference copies only. The interview with Charles Chaplin is restricted and may not be copied or quoted until his death.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Alka-Seltzer Oral History and Documentation Project, 1953-1987, Archives Center, National Museum of American History, Smithsonian Institution.

See more items in:

Alka-Seltzer Documentation and Oral History Project

Alka-Seltzer Documentation and Oral History Project / Series 1: Research Files

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep894910aa1-0a8a-4686-8fc5-7c96d42067e2

EDAN-URL:

ead_component:sova-nmah-ac-0184-ref16

Collection Creator:

Archives Center, National Museum of American History  Search this

Type:

Archival materials

Date:

1931-1980

Scope and Contents:

The series is divided into three subseries which are Marketing Research and Sales Data, Alka Seltzer Storyboards, and Miles Advertising/Oral History Program.

The first subseries, Marketing Research and Sale Data, contains various marketing research and sale reports produced by Miles Laboratories.

The second subseries, Alka Seltzer Storyboards, contains advertising storyboards dating from 1952 to 1983. Also included is a two part history of Alka Seltzer advertising.

The third subseries, Miles Advertising/Oral History Program, contains the Miles advertising history and three notebooks containing transcripts from the Miles Oral History Program.

Collection Restrictions:

Researchers may use reference copies only. The interview with Charles Chaplin is restricted and may not be copied or quoted until his death.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Alka-Seltzer Oral History and Documentation Project, 1953-1987, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0184, Series 4

See more items in:

Alka-Seltzer Documentation and Oral History Project

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8ff490352-a6e5-4031-b16a-4b94e8509092

EDAN-URL:

ead_component:sova-nmah-ac-0184-ref235

Collection Creator:

Archives Center, National Museum of American History  Search this

Container:

Box 9, Folder 1

Type:

Archival materials

Collection Restrictions:

Researchers may use reference copies only. The interview with Charles Chaplin is restricted and may not be copied or quoted until his death.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Alka-Seltzer Oral History and Documentation Project, 1953-1987, Archives Center, National Museum of American History, Smithsonian Institution.

See more items in:

Alka-Seltzer Documentation and Oral History Project

Alka-Seltzer Documentation and Oral History Project / Series 4: Miles Archives Material / 4.1: Marketing Research and Sales Data

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8ab1b85c1-3dcd-446a-a6c0-fbf5303b8a90

EDAN-URL:

ead_component:sova-nmah-ac-0184-ref250

Collection Creator:

Archives Center, National Museum of American History  Search this

Container:

Box 9, Folder 8

Type:

Archival materials

Collection Restrictions:

Researchers may use reference copies only. The interview with Charles Chaplin is restricted and may not be copied or quoted until his death.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Alka-Seltzer Oral History and Documentation Project, 1953-1987, Archives Center, National Museum of American History, Smithsonian Institution.

See more items in:

Alka-Seltzer Documentation and Oral History Project

Alka-Seltzer Documentation and Oral History Project / Series 4: Miles Archives Material / 4.1: Marketing Research and Sales Data

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep81a3f6609-8c57-4242-b352-3778f886d20f

EDAN-URL:

ead_component:sova-nmah-ac-0184-ref254

Collection Creator:

Archives Center, National Museum of American History  Search this

Container:

Box 9, Folder 9

Type:

Archival materials

Collection Restrictions:

Researchers may use reference copies only. The interview with Charles Chaplin is restricted and may not be copied or quoted until his death.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Alka-Seltzer Oral History and Documentation Project, 1953-1987, Archives Center, National Museum of American History, Smithsonian Institution.

See more items in:

Alka-Seltzer Documentation and Oral History Project

Alka-Seltzer Documentation and Oral History Project / Series 4: Miles Archives Material / 4.1: Marketing Research and Sales Data

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e22b75c1-58dd-442a-af1f-c47989190c36

EDAN-URL:

ead_component:sova-nmah-ac-0184-ref256

Collection Creator:

Archives Center, National Museum of American History  Search this

Container:

Box 9, Folder 10

Type:

Archival materials

Collection Restrictions:

Researchers may use reference copies only. The interview with Charles Chaplin is restricted and may not be copied or quoted until his death.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Alka-Seltzer Oral History and Documentation Project, 1953-1987, Archives Center, National Museum of American History, Smithsonian Institution.

See more items in:

Alka-Seltzer Documentation and Oral History Project

Alka-Seltzer Documentation and Oral History Project / Series 4: Miles Archives Material / 4.1: Marketing Research and Sales Data

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8ab9339a1-805d-4d0e-a7a4-eb1579ac5949

EDAN-URL:

ead_component:sova-nmah-ac-0184-ref257

Collection Creator:

Archives Center, National Museum of American History  Search this

Type:

Archival materials

Date:

circa 1930-1986

Scope and Contents:

Research Files, contains materials collected by the Archives Center at the beginning of the project to provide background information for the project team. The files include articles on the history of Miles Laboratories and articles on Alka Seltzer advertising over the years.

Collection Restrictions:

Researchers may use reference copies only. The interview with Charles Chaplin is restricted and may not be copied or quoted until his death.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Alka-Seltzer Oral History and Documentation Project, 1953-1987, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0184, Series 1

See more items in:

Alka-Seltzer Documentation and Oral History Project

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep850267cb3-19d6-4a33-b9e9-e8a7018c0712

EDAN-URL:

ead_component:sova-nmah-ac-0184-ref299

Collection Creator:

Archives Center, National Museum of American History  Search this

Container:

Box 3, Folder 12

Type:

Archival materials

Collection Restrictions:

Researchers may use reference copies only. The interview with Charles Chaplin is restricted and may not be copied or quoted until his death.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Alka-Seltzer Oral History and Documentation Project, 1953-1987, Archives Center, National Museum of American History, Smithsonian Institution.

See more items in:

Alka-Seltzer Documentation and Oral History Project

Alka-Seltzer Documentation and Oral History Project / Series 2: Interviewee Files

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep825eb514e-1981-4ed2-8550-aa8e8686a17a

EDAN-URL:

ead_component:sova-nmah-ac-0184-ref62

Collection Creator:

Archives Center, National Museum of American History  Search this

Container:

Box 3, Folder 21

Type:

Archival materials

Collection Restrictions:

Researchers may use reference copies only. The interview with Charles Chaplin is restricted and may not be copied or quoted until his death.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Alka-Seltzer Oral History and Documentation Project, 1953-1987, Archives Center, National Museum of American History, Smithsonian Institution.

See more items in:

Alka-Seltzer Documentation and Oral History Project

Alka-Seltzer Documentation and Oral History Project / Series 2: Interviewee Files

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8d345b2e8-eb42-4426-bfdb-03b9a68eaa28

EDAN-URL:

ead_component:sova-nmah-ac-0184-ref71

Collection Creator:

Archives Center, National Museum of American History  Search this

Container:

Box 3, Folder 24

Type:

Archival materials

Collection Restrictions:

Researchers may use reference copies only. The interview with Charles Chaplin is restricted and may not be copied or quoted until his death.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Alka-Seltzer Oral History and Documentation Project, 1953-1987, Archives Center, National Museum of American History, Smithsonian Institution.

See more items in:

Alka-Seltzer Documentation and Oral History Project

Alka-Seltzer Documentation and Oral History Project / Series 2: Interviewee Files

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8da0c0953-ccb6-4522-815d-1cb1ffef3a2f

EDAN-URL:

ead_component:sova-nmah-ac-0184-ref74