Skip to main content Smithsonian Institution

Search Results

Collections Search Center
17,824,041 documents - page 1 of 500Result pages are truncated to 500.

Lynn McLaren Slides of India

Creator:
McLaren, Lynn, 1922-  Search this
Names:
Cooke, Hope, 1940-  Search this
Nehru, Jawaharlal, 1889-1964  Search this
Extent:
1,632 Slides (color)
Container:
Box 1
Box 2
Box 3
Box 4
Box 5
Type:
Collection descriptions
Archival materials
Slides
Slides
Slides (photographs)
Place:
India -- 1960-1969
Date:
1960-1969
Scope and Contents:
A set of original 35mm color slides, photographed in India in the 1960s by photojournalist Lynn McLaren (1922-2008). Subjects include people, street scenes, and temple and domestic architecture. Images from photo assignments include Nehru's funeral pyre, the Queen of Sikkim, and traditional Indian actors.
Arrangement:
Slides organized in slide boxes by location.
Biographical / Historical:
Lynn McLaren was a freelance photojournalist whose work appeared in National Geographic, Newsweek, and other publications. She also produced several books of photography. The State Department career of her first husband, John Y. Millar, took McLaren to various locales around the world, including India, Tanzania, and Berlin, where she was drawn to shots that included architecture and people, especially children. McLaren went on to earn a degree in photojournalism from the University of Missouri. After her divorce from Millar, she moved to Beaufort, South Carolina. Her years there with her second husband, William Demarest, resulted in a book devoted to her photographs of Beaufort County.
Local Numbers:
FSA A2007.01
Restrictions:
Collection is open for research. Due to cold storage requirements, digital surrogates are prefered for access. One week's notice is required prior to access originals.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Genre/Form:
Slides (photographs)
Identifier:
FSA.A2007.01
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc34d31e086-c5dd-442d-889a-8cd14e470547
EDAN-URL:
ead_collection:sova-fsa-a2007-01
Online Media:

Elizabeth Gordon Papers

Creator:
Gordon, Elizabeth, 1906-2000  Search this
Names:
Claiborne, Craig  Search this
Gordon, Elizabeth, 1906-2000  Search this
Leach, Bernard, 1887-1979  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Periodicals
Photographs
Correspondence
Personal papers
Place:
Japan
Date:
1958-1987
Summary:
Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.
Scope and Contents:
The Elizabeth Gordon Papers measure 4.5 linear feet and span the years 1959-1987. The collection mainly documents Ms. Gordon's research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; research notes and materials; articles; lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; article materials; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.
Arrangement note:
This collection is organized into eight series. 1. Biographical data, 2. Shibui research, 3. Shibui issues of, House Beautiful, 4. Correspondence, 5. Shibui promotion, 6. Exhibition files, 7. Printed materials, and 8. Photographs.
Biographical Information:
Born in Logansport, Indiana in 1906, Elizabeth Gordon served as editor of House Beautiful magazine 1941 to 1964. Ms. Gordon first became interested in Japanese aesthetics during the mid-1950s. As a result she began to read and study Japanese art, history and culture. In 1959, Gordon travelled to Japan with three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize. In August and September, 1960, House Beautiful, under the editorial control of Ms. Gordon, published two extremely popular issues devoted to the subject of "shibui". Due to the popularity of the issues, museum exhibits devoted to the concept of "shibui" travelled around the United States. Ms. Gordon died in Adamstown, Maryland in 2000.

Biographical Overview

1906 -- Born in Logansport, Indiana

1920s -- Attended the University of Chicago

1930s -- Moved to New York to work as a promotional copywriter for several newspapers

1930s -- Syndicated columnist on home maintenance for The New York Herald Tribune

1930s -- Editor at Good Housekeeping (here for 8 years)

1937 -- More House for your Money by Elizabeth Gordon and Dorothy Ducas published by W. Morrow and Company: New York.

1937 -- Married Carl Hafey Norcross

1939 -- Appointed editor of House Beautiful

1964 -- Left the magazine world

1972 -- Published a special issue on Scandinavian design and awarded the insignia of a knight, first class, in the Finnish Order of the Lion

1987 -- American Institute of Architects made her an honorary member

1988 -- Carl Hafey Norcross died

September 3, 2000 -- Died in Adamstown, MD

(The following biography of Elizabeth Gordon comes courtesy of curator Louise Cort. Written in consultation with Elizabeth Gordon, October 23, 1987)

The research papers, memoranda, magazines, books, photographs and color transparencies and other materials in this archives are related to the publication by Elizabeth Gordon (Mrs. Carl Norcross), editor of House Beautiful from 1941 to 1964 and creator of the August, 1960 issue of the magazine on the special theme of the Japanese aesthetic concept of "shibui". The "shibui issue" was followed by the September, 1960, issue of the same publication on the theme, "How to be shibui with American things." As a by-product of the issues, a "Shibui Exhibition" travelled to eleven museums in the United States during 1961-1964. Each exhibition was opened with a slide lecture by Elizabeth Gordon.

Miss Gordon first became curious about Japanese aesthetics in the mid-1950s when she began to see Japanese objects being displayed and used in the homes of Americans who had spent time in Japan during the Occupation and Japanese influence began to appear in wholesale showrooms of home furnishings manufacturers. It was clear that the time had come: she HAD to go to Japan!

She read for five years before going to Japan - history, social mores, art history. (Many of the books on Japan that she collected during this time have been presented to the library at the University of Maryland, College Park.)

An important bit of advice came from Alice Spaulding Bowen, owner of Pacifica, the highest quality shop of Asian antiquities in Honolulu, who told her, "Be sure to read, The Tale of Genji - then you'll understand everything."

She made her first trip to Japan in April, 1959, accompanied by three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Miss Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize.

Miss Gordon came home, planning to spend the summer researching "shibui" with the aid of the Japan Society. But she found virtually nothing written in English on the concept. So she returned to Japan in December, 1959 together with staff member Marion Gough, to dig deeper and to work out details and get better educated with Eiko Yuasa. One of their devices was to walk through department stores and discuss with sales personnel whether objects for sale were "shibui", or were "jimi" or "hade", and why. Between themselves, they did the same for the costumes of women they saw on the streets.

Lacking printed sources for information on "shibui", Miss Gordon sought out and interviewed experts, including Douglas Overton, head of the Japan Society in New York. In Japan in December, 1959, she met Yanagi Soetsu, founder of Japan's Folk Craft Movement and head of the Craft Museum in Tokyo (with an introduction from Tonomura Kichinosuke, head of the Craft Museum in Kurashiki). She met the chef Tsuji Kaichi, who was commissioned to write an article on "kaiseki" (that could not be used because of an inadequate English translation) and Frances Blakemore. She met several times with Bernard Leach and attended his lecture at Bonnier's while he was in New York in March, 1960. (He would later write a "fan letter" for the issue)

As the concept of "the shibui issue" began to take shape, a third trip in the spring of 1960 focused on photography - to produce the shooting script decided on the preceding December. This was executed by the noted photographer Ezra Stoller of Rye, New York, and John DeKoven Hill, House Beautiful's Editorial Director. (Mr. Hill worked with Frank Lloyd Wright except for the ten years that he was a member of the House Beautiful editorial staff)

Miss Gordon was back in Japan in Mid-August 1960 as the "shibui issue" was causing a sensation. Altogether she spent sixteen months in Japan.

As one of the experiences that influenced her strong interest in Japanese costumes and textiles, Miss Gordon remembers a spectacularly thorough exhibition at the Tokyo National Museum in Ueno on, 1200 Years of Japanese Costume. She saw it on the last day of its exhibition (possibly 1964).

The August 1960 issue sold out quickly. Copies of the magazine, which sold for fifty cents, were sold on the "black market" for ten dollars.

The publication of the August 1960 issue was followed by an unprecedented avalanche of "fan mail". Many department heads in colleges and universities, including the Harvard-Yenching Institute and the Oriental Institute of the University of Chicago (where Miss Gordon had worked as an undergraduate) wrote to comment on the issue. Many people in other fields of endeavor wrote: heads of firms concerned with interior design, landscape architecture, and related areas expressed their interest in the concept of "shibui" Other writers include Bernard Leach, Gertrude Natzler, Laura Gilpin, Mainbocher, the architect Yoshimura Junzo, the textile artist Marianne Strengell, Walter Kerr, Craig Claiborne, and Oliver Statler.

The "shibui issue" was followed immediately by the September issue dealing with the use of non-Japanese objects to express the concept of "shibui." (Miss Gordon convinced her advertisers, who had been skeptical about the potential success of the August issue, by promising the September issue dealing with American products.) Four American firms were involved in the production of an integrated line of paints, wallpaper, furniture and carpets expressive of the concept. Products were designed by the firms' designers following the clues offered by objects and fabrics purchased by Miss Gordon in Japan in December 1959 and spring 1960. Miss Gordon has expressed her dissatisfaction with the September issue, although public opinion was positive. She feels that some of the firms failed in the "shibui" project, though some "caught" the message: namely the paint company and the fabric/wallpaper company.

In response to strong public interest, the House Beautiful staff prepared a travelling exhibition to introduce the concept of "shibui" through a series of vignettes, mixing fabrics and objects, colors and textures. The museum installation was designed by John Hill of House Beautiful. Japan Air Lines underwrote shipping costs.

The exhibition began in Philadelphia in late 1961. Ezra Stoller was sent to photograph the installation in considerable detail at the Dallas Museum of Fine Arts in January, 1962, so that his photographs cold serve as guidelines for installations at the other museums, which included the San Francisco Museum of Art (April 1962), the Newark Pubic Library, and the Honolulu Academy of Art. Miss Gordon presented a lecture on "shibui" at each of the museum installations.

In appreciation of her work to introduce Americans to the concept of "shibui", the city of Kyoto presented a bolt of especially "shibui" kimono fabric executed by a Living National Treasure textile artist. Miss Gordon eventually tailored the fabric into a dress and jacket. She received the 1961 Trail Blazer Award from the New York Chapter of the National Home Fashions League, Inc. In June, 1987, Miss Gordon was named an honorary member of the American Institute of Architects, with her introduction of the concept of "shibui" and her promotion of an understanding of other culture cited as her major contributions to American architecture.
Provenance:
Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.
Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.
Restrictions:
Collection is open for research.
Rights:
No restrictions on use.
Topic:
Interior decoration -- Periodicals  Search this
Landscape gardening  Search this
Art, Japanese  Search this
Aesthetics, Japanese  Search this
House funishings  Search this
Interior decoration  Search this
Museum exhibits  Search this
Interior decorators  Search this
Gardens -- Japan  Search this
Genre/Form:
Periodicals -- 1940-1970
Photographs
Correspondence
Personal papers -- 1950-2000
Citation:
The Elizabeth Gordon Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Elizabeth Gordon, 1988
Identifier:
FSA.A1988.03
See more items in:
Elizabeth Gordon Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3bd5683e5-f956-4a04-9d0c-4565a6b761b7
EDAN-URL:
ead_collection:sova-fsa-a1988-03
Online Media:

Space Astronomy Oral History Project

Creator:
DeVorkin, David H., 1944-  Search this
Names:
National Air and Space Museum (U.S.). Division of Space History  Search this
Space Astronomy Oral History Project (SAOHP) (U.S.)  Search this
Aaron, Jules  Search this
Baum, William  Search this
Behring, William  Search this
Bergstralh, Jay T.  Search this
Bleach, Richard  Search this
Brunk, William Edward, 1928-  Search this
Code, Arthur D.  Search this
Connor, Jerry  Search this
DeVorkin, David H., 1944-  Search this
Drake, Frank D.  Search this
Fastie, William  Search this
Fraser, Lorence  Search this
Friedman, Herbert  Search this
Frier, Phyllis  Search this
Frosch, Robert  Search this
Gianoplis, George  Search this
Gold, Thomas  Search this
Goldberg, Leo  Search this
Harwit, Martin, 1931-  Search this
Hibbs, Albert R.  Search this
Hinners, Noel W.  Search this
Hinteregger, Hans H.  Search this
Johnson, Charles Yothers, 1920-  Search this
Johnson, Francis  Search this
Jursa, Adolph S.  Search this
Kondracki, Henry  Search this
Krause, Ernst H.  Search this
Neugebauer, G. (Gerry)  Search this
Neupert, Werner  Search this
Newburn, R. L. (Ray L.)  Search this
Newkirk, Gordon Allen, 1928-  Search this
Ney, Edward  Search this
Nier, Alfred  Search this
O'Dell, Charles  Search this
Pickering, William  Search this
Porter, Richard W. (Richard William), 1913-1996  Search this
Purcell, J. DeWitt (James DeWitt), 1912-1986  Search this
Rense, William  Search this
Roberts, Walter  Search this
Roman, Nancy Grace, 1925-  Search this
Rosen, Milton W.  Search this
Scheiderman, Dan  Search this
Schorn, Ronald  Search this
Schwarzschild, Martin  Search this
Silberstein, Richard  Search this
Simpson, John A. (John Alexander), 1916-2000  Search this
Spencer, Nelson  Search this
Spitzer, Lyman, 1914-  Search this
Strand, K. Aage (Kaj Aage), 1907-  Search this
Strong, John  Search this
Tape, Gerald  Search this
Tombaugh, Clyde William, 1906-  Search this
Tousey, Richard, 1908-1997  Search this
Tycz, Mona  Search this
Van Allen, James Alfred, 1914-  Search this
Wasserburg, Gerald  Search this
Webb, James E. (James Edwin), 1906-1992  Search this
Westphal, James  Search this
Whitsett, Charles  Search this
Wilshusen, Fred  Search this
Withbroe, G. L. (George L.)  Search this
Extent:
3.59 Cubic feet (19 boxes)
Type:
Collection descriptions
Archival materials
Transcripts
Date:
1981-1991
Summary:
The collection consists of the transcripts for the Space Astronomy Oral History Project (SAOHP), which examined the early use of rockets and satellites to study the upper atmosphere and space for the period 1946 through the early 1960s. This project constitutes one of several oral history projects conducted within the Department of Space History, NASM. The principal investigator for the SAOHP was David H. DeVorkin, and the interview set contains 225 hours of interviews with 56 individuals. The central thread of this collection is how the availability of new technologies for research, first the rocket and later satellites, helped to create a new social matrix for research. The following were interviewed: Jules Aaron; Ball Brothers; William Baum, William Behring; Jay Bergstrahl; Richard Bleach; William Brunk; Arthur Code; Jerry Conner; Frank Drake; William Fastie; Lorence Fraser; Herbert Friedman; Phyllis Frier; Robert Frosch; George Gianoplis; Thomas Gold; Leo Goldberg; Martin Harwit; Ralph Havens; Albert Hibbs; Noel Hinners; Hans Hinteregger; Charles Johnson; Francis Johnson; Adolph Jursa; Henry Kondracki; Ernst Krause; Alfred Nier; Gerry Neugebauer; Werner Neupert; Ray Newburn; Gordon Newkirk; Edward Ney; Charles O'Dell; William Pickering; Richard Porter; James Purcell; William Rense;Walter Roberts; Nancy Roman; Milton Rosen; Dan Scheiderman; Ronald Schorn; Martin Schwarzschild; Richard Silberstein; John Simpson; Lyman Spitzer; Kaj Strand; Nelson Spencer; John Strong; Gerald Tape; Clyde Tombaugh; Richard Tousey; Mona Tycz; James Van Allen; Gerald Wasserburg; James Webb; James Westphal; Charles Whitsett; Fred Wilshusen; and George Withbroe.
Scope and Contents:
Audio cassettes and transcipts.
Arrangement:
The Space Astronomy Oral History Project interviews are arranged alphabetically by interviewee.
Historical Note:
This collection contains the interviews for the Space Astronomy Oral History Project. These interviews explore the early use of rockets and satellites over the period 1946 through the early 1960s to investigate the upper atmosphere and space. This project constitutes one of several oral history projects conducted within the National Air and Space Museum's (NASM) Department of Space History. The principal interviewer for this project was David H. DeVorkin and the interview set consists of 225 hours of interviews with 67 individuals. Please note that there are a few instances where audio cassette tapes of the interview subjects exist but without written transcripts while there are also a few cases of existing transcripts of the interviews without any audio cassette tapes. The following were interviewed for this project: Jules Aaron; Frank Bateson; William Alvin Baum; William Behring; Jay Thor Bergstrahl; Richard Bleach; William E. Brunk; Arthur Dodd Code; Jerry Conner; Fred Dolder; Frank Donald Drake; William G. Fastie; Lorence Fraser; Phyllis Freier; Herbert Friedman; Robert Frosch; Reuben H. Gablehouse; R.A.Gaiser; George Gianopolis; Thomas Gold; Leo Goldberg; Martin Otto Harwit; Ralph Havens; Albert Roach Hibbs; Noel Hinners; Hans Erich Hinteregger; Charles Yothers Johnson; Francis S. Johnson; Adolph Simon Jursa; Jerome Kohl; Henry Kondracki; Ernst Henry Krause; R.C. Mercure; Alfred O. Neir; Gerry Neugebauer; Werner Neupert; Ray Leon Newburn; Gordon Allen Newkirk; Edward P. Ney; Charles Robert O'Dell; William Hayward Pickering; Richard W. Porter; James D. Purcell; William A. Rense; Walter Orr Roberts; Nancy Grace Roman; Milton W. Rosen; Dan Schneiderman; Ronald A. Schorn; Martin Schwarzschild; Richard Silberstein; John Simpson; Nelson W. Spencer; Lyman Spitzer, Jr.; Kaj Strand; John Strong; Gerald Tape; Clyde William Tombaugh; Richard Tousey; Mona Tycz; James Van Allen; Gerald Joseph Wasserburg; James Edwin Webb; James A. Westphal; Charles Edward Whitsett; Fred Wilshusen and George Withbroe.
Provenance:
Space History, NASM, Transfer, 1999, 1999-0034, Varies
Restrictions:
The audio cassette tapes of these interviews have yet to be remastered and, due to their fragility, are unavailable to researchers. Transcripts are available to researchers though, there are restrictions placed on a number of them. A NASM staff member will advice the patron which transcripts are available for copying or viewing and how to order copies of transcripts and/or CDs.
Rights:
Permissions Requests
Topic:
Rockets (Aeronautics)  Search this
Atmosphere, Upper -- Rocket observations  Search this
Astronomy  Search this
Astronautics  Search this
Artificial satellites  Search this
Genre/Form:
Transcripts
Citation:
Space Astronomy Oral History Project, Acc. 1994-0034, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.1999.0034
See more items in:
Space Astronomy Oral History Project
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2f48230d1-0cab-4975-bb6f-184a87b297ca
EDAN-URL:
ead_collection:sova-nasm-1999-0034
Online Media:

Brunk, William E. [tape 1 of 2]

Collection Creator:
DeVorkin, David H., 1944-  Search this
Extent:
[tape 1 of 2]
Container:
Box 1
Type:
Archival materials
Audio
Date:
August 9, 1983
Series Restrictions:
These tapes have yet to be remastered and, due to their fragility, are not available to researchers.
Collection Rights:
Permissions Requests
Collection Citation:
Space Astronomy Oral History Project, Acc. 1994-0034, National Air and Space Museum, Smithsonian Institution.
See more items in:
Space Astronomy Oral History Project
Space Astronomy Oral History Project / Series 1: Audio cassette tapes
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg26feb40c6-09c5-44c7-8410-452e65718d91
EDAN-URL:
ead_component:sova-nasm-1999-0034-ref42
Online Media:

Latino Winemakers Oral History Project Collection

Creator:
National Museum of American History (U.S.)  Search this
Interviewer:
Johnson, Paula, Curator  Search this
Loza, Mireya  Search this
Velasquez, Steve  Search this
Interviewee:
Bazán, Mario  Search this
Brambila, Gustavo , 1953-  Search this
Castillo Llamas, Alejandro  Search this
Ceja, Juanita  Search this
Ceja, Pedro  Search this
García , Placido  Search this
Herrera, Rolando  Search this
Hurtado, Aurelio  Search this
Llamas , Rosa  Search this
Llamas, Esther  Search this
Maldonado, Hugo  Search this
Maldonado, José Guadalupe  Search this
Morán Ceja, Amelia  Search this
Portillo, Lorenzo  Search this
Preciado, Salvador  Search this
Robledo, Everardo  Search this
Robledo, Vanessa  Search this
Segura, Rosaura  Search this
Torres, Edgar  Search this
Extent:
7.71 Gigabytes (9 .mp3 files, 13 .wav files, 19 .pdf files)
Culture:
Latinos  Search this
Latinx  Search this
Type:
Collection descriptions
Archival materials
Gigabytes
Born digital
Oral history
Transcripts
Date:
2011-2019
Summary:
Collection documents Mexican American winemakers through oral history interviews and transcripts.
Content Description:
Born-digital audio interviews and transcripts with Mexican American winemakers.
Arrangement:
Collection is arranged into one series, alphabetically by interviewee name.
Historical:
The history of winemaking in California cannot be told without recognizing the significant contributions of Mexican and Mexican American workers, who planted, nurtured and harvested the wine grapes. In recent decades, some have become successful wine makers and owners, applying technical expertise as well as knowledge gained through years of experience and mentorship under established winemakers. The Sonoma, Napa and Lake Country districts now include numerous Latino-owned wine estates.
Related Materials:
Materials in the Archives Center

American Wine Documentation Project, NMAH.AC.0817
Provenance:
Collection made for the National Museum of American History.
Restrictions:
Collection is open for research. Access and use of born digital audio materials available in the Archives Center reading room.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Latinas  Search this
Labor  Search this
Mexican American business enterprises  Search this
Wine and wine making  Search this
Wine industry  Search this
Bracero Program  Search this
Migrant workers  Search this
Entrepreneurship  Search this
Genre/Form:
Born digital
Oral history
Transcripts
Citation:
Latino Winemakers Oral History Project Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1516
See more items in:
Latino Winemakers Oral History Project Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8d96351eb-0716-4f22-b151-cfaa7a33606a
EDAN-URL:
ead_collection:sova-nmah-ac-1516

Anne Valk Papers

Creator:
Valk, Anne M., 1964-  Search this
Names:
Martin-Felton, Zora  Search this
Reagon, Bernice Johnson, 1942-  Search this
Extent:
3.75 Linear feet (4 boxes)
Culture:
African American women  Search this
Type:
Collection descriptions
Archival materials
Oral histories (document genres)
Newsletters
Audio cassettes
Correspondence
Newspapers
Date:
bulk 1964-1997
Scope and Contents:
The papers of Anne Valk— a specialist in oral history, public history, and the social history of the 20th-century United States measure 3.75 linear feet and date from 1964 to 1997. The collection contains oral history interviews and documents acquired or created by Dr. Valk during her extensive research of key figures in D.C. community activism for her book, Radical Sisters: Second-Wave Feminism and Black Liberation in Washington D.C. (University of Illinois Press, 2010).

Research files and ephemera from the following people, organizations, and publications are represented in the collection: Josephine Butler (DC Statehood Party; Adams Morgan Organization), Etta Horn (Southeast Neighborhood House's Band of Angels; National Welfare Rights Organization), Dorothy Burlage (Southeast Neighborhood House), Betty Garman (Student Nonviolent Coordinating Committee), Judy Richardson (Student Nonviolent Coordinating Committee), Bernice Reagon (Student Nonviolent Coordinating Committee), Marcia Sprinkle (Student Nonviolent Coordinating Committee), Juanita Weaver (Quest), LaValleJones (Rape Crisis Center), Loretta Ross (Rape Crisis Center, National Black United Front, National Organization of Women), Peggy Cleveland (The Bridge), Joan Biren (DC Women's Liberation Movement), Cathy Wilkerson (SDS, Weather Underground), Tina Smith (SNCC), Off Our Backs newspaper, and Congress Of Racial Equality (CORE), among others.
Biographical / Historical:
Anne Valk (1964- ) is a specialist in oral history, public history, and the social history of the 20th-century United States. Dr. Valk received a M.A. from Mount Holyoke College and a PhD in history from Duke University in 1996. Professor Valk has written extensively in the areas of women's history, history of feminism, and oral history. She teaches public history at the Graduate Center at City University of New York (CUNY) and is the director of the Center for Media and Learning/American Social History Project.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Anne Valk papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Feminism  Search this
Activism  Search this
Women  Search this
Student Nonviolent Coordinating Committee (U.S.)  Search this
Civil rights  Search this
Housing  Search this
Genre/Form:
Oral histories (document genres)
Newsletters -- 1960-1970
Audio cassettes -- 20th century
Correspondence
Newspapers
Citation:
Anne Valk papers, Anacostia Community Museum, Smithsonian Institution, Dr. Anne Valk.
Identifier:
ACMA.06-114
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7e83e8566-9fba-41a4-989a-58300f2e2900
EDAN-URL:
ead_collection:sova-acma-06-114

Ida Roff Fick collection of Oklahoma Territory photographs

Extent:
276 Photographs
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1898-1902
Summary:
This collection contains 276 photographs and documents that were collected by Episcopal missionary and teacher Ida Roff Fick working in Anadarko, Oklahoma Territory circa 1898-1902. Most of the photographs are believed to have been taken by amateur photogarapher Annette Ross Hume (1858-1933).
Scope and Contents:
N41392, N41421, N41434-37 P19866-69, P20203-P20465, P20783-84

This collection contains 276 photographs and documents that were collected by Episcopal missionary and teacher Ida Roff Fick working in Anadarko, Oklahoma Territory circa 1898-1902.

The photographs depict scenes in Oklahoma Territory, primary Anadarko region and features portraits of Wichita, Kiowa, Niuam (Comanche), Oklahoma Delaware people; daily activities; reservation schools; beef issues; leisure such as games. The bulk of the photographs depict the land allotment registration and auction process in 1901 when "surplus" lands were open to non-Indian settlers and the establishment of Anadarko town.

It is unclear if Ida Roff Fick only collected the photographs or if she photographed some of them herself. It is believed that most of the photos were likely photographed by Annette Ross Hume, with whom Ida Roff boarded with until her marriage in 1902. A handful of photographs in this collection are also attributed to other photographers including George Addison, Russell and Miller Co, and William E. Irwin, among others.

The paper materials in this collection include correspondence, manuscripts, clippings, and notes, circa 1897-1955.
Arrangement:
Arranged by catalog number.
Biographical / Historical:
Ida Roff was born in New York City on May 3, 1868. In the late 1880s, Ida Roff Fick graduated from Hunter Normal School and then traveled to Oklahoma Territory to work as a missionary and Sunday school teacher. She also taught the art of lace making to the Native women she worked with as part of the Woman's Auxiliary of the Domestic and Foreign Missionary Society of the Protestant Episcopal Church. She boarded with Annette Ross Hume (1858-1933) On Dec. 18, 1902, Ida Roff married Henry L. H. Fick. Ida Roff Rick died on February 16, 1960.

The biography of Annette Ross Hume below is from the Encyclopedia of Oklahoma history and culture on the Oklahoma History Society website.

"Annette Ross Hume, Amateur photographer and clubwoman Annette Ross Hume, daughter of James and Catherine Darling Ross, was born on March 8, 1858, in Perrysburg, Ohio. Annette Ross married Dr. Charles R. Hume on December 27, 1876, and in 1890 they moved to Anadarko, where Dr. Hume was agency physician for the Kiowa, Comanche, and Wichita. Of five children, two sons survived, Carleton Ross and Raymond Robinson.

In the late 1800s, with the advent of light-weight cameras and less toxic chemicals, middle-class women enjoyed photography as a hobby. For twenty years beginning in 1891 Annette Hume photographed American Indians (including Geronimo and Quanah Parker) living near the agency as well as the settling of Anadarko after the land lottery in 1901. Her photographs, numbering more than seven hundred, add imagery to history as Oklahoma Territory transformed from reservations to towns and farm communities.

Before her death on January 19, 1933, in Minco, Oklahoma, Hume, a Presbyterian, was president of the Women's Territorial Synodical Society. Inducted into the Oklahoma Hall of Fame in 1930, she was a charter member of the Anadarko Philomathic Club, organized in 1899, and had served as president of the Oklahoma Federation of Women's Clubs from 1913 to 1915. She wrote An Historical Sketch of the Federation of Women's Clubs of Oklahoma and Indian Territories, 1898–1908, published at Anadarko in 1908."
Related Materials:
Other Annette Ross Hume photographs can be found at the University of Oklahoma; the Annette Ross Hume Collection at the Oklahoma Historical Society Research Center; and the Phillips Collection in Washington, DC.
Separated Materials:
This collection includes drawings and watercolors by children in the class of Ida Roff that are housed in NMAI's object collections under catalog #s: 23/1620 - 23/1623
Provenance:
Gift of Margaret Cronk to the Museum of the American Indian in 1962.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; Date (if known); Ida Roff Fick collection of Oklahoma Territory photographs, image #, NMAI.AC.217; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.217
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv40a154da3-962e-49c0-b9de-18ba395837c1
EDAN-URL:
ead_collection:sova-nmai-ac-217

Felix V. DiGiovanni collection from Colombia

Creator:
DiGiovanni, Felix V.  Search this
Beer, Paul  Search this
Extent:
2 Film reels (16mm)
100 Photographic prints (13.5 x 10.5)
0.1 Linear feet
7 Videocassettes (VHS)
3 Videocassettes (U-matic)
Culture:
Guahibo  Search this
Piapoco (Piapoko)  Search this
Baniwa  Search this
Tukano (Tucano)  Search this
Type:
Collection descriptions
Archival materials
Film reels
Photographic prints
Videocassettes (vhs)
Videocassettes (u-matic)
Documentary films
Place:
Orinoco River Region (Venezuela and Colombia)
Date:
1935-1941
Summary:
This collection includes the original documentary film "Guahiboland: Indian Life in the Orinoco Plains of Colombia," produced and directed by Felix V. DiGiovanni in 1941. Also included are 100 photographic prints, shot by DiGiovanni and his cameraman Paul Beer, that document the daily life of Guahibo community members in the Vichada and Orinoco regions of Colombia between 1935-1941. Other indigenous communities photographed include the Piapoco (Piapoko), Baniwa, and Tukano (Tucano).
Scope and Contents:
Series 1: "Guahiboland: Indian Life in the Orinoco Plains of Colombia" film, 1941, includes the original 16mm film produced and directed by Felix V. DiGiovanni. Paul Beer served as the cameraman. The original film (approximately 1200 feet) came in two parts, a metal can with black and white film and a small, metal can with Kodachrome film. The NMAI film and video center made several viewing copies on VHS tapes. There are also three video recordings on U-Matic tapes which include the original black and white, original color, a first generation copy and a second generation copy.

Series 2: Photographs from the Colombian Plains, 1935-1941, includes 100 mounted black and white photographic prints (13 ½ x 10 ½) made by Felix DiGiovanni and Paul Beer. The majority of the photographs were shot during the making of DiGiovanni's documentary film and highlight the daily life and activities of Guahibo community members in the Orinoco and Vichada regions of Colombia. A smaller amount of photographs include other indigenous communities in the region including the Piapoco (Piapoko), Baniwa, and Tukano (Tucano). The captions and descriptions of the photographs were provided by the DiGiovanni family in 1992.

Catalog numbers: P25101-P25200.

Series 3: The Call of the Curassow and the Land of the Guahibo Indians, includes a copy of the manuscript written by Felix V.D. Giovanni and published posthumously by his wife Pauline in 1994. This was formerly in the Museum of the American Indian, Heye Foundation records in Box 422, Folder 13.
Arrangement:
Arranged into series by format, the photographs are arranged by catalog number.
Biographical / Historical:
Felix V. DiGiovanni (ca. 1913-1990) was an American engineer, writer, photographer, and filmmaker. He was raised in the Bronx and graduated with an engineering degree from The City College of New York in 1933. As a young man, he traveled throughout Colombia, Venezuela, and Brazil, and later became interested in documenting the eastern plains of Colombia, known as Los Llanos, as well as its inhabitants. In the late 1930s, he returned to Colombia to film a documentary on the indigenous people of the Vaupés region. DiGiovanni's partner in the expedition was Paul Beer. Beer (1904-1979) was a German photographer active in Bogota, Colombia, in the late 1920s. By 1941, DiGiovanni's documentary film about the Guahibo, "Guahiboland" was completed. In 1944 he returned to Colombia to work with the U.S. Cinchona Mission, which comprised a team of scientists travelling to the Andes region to find cinchona trees, whose bark produces the alkaloid quinine, used for treating malaria. DiGiovanni met Tom Bellis during this time. Bellis (1907-1993) was an officer with the Food and Drug Administration. From October 1942 until December 1945, he worked for the Board of Economic Warfare in Bogota, Colombia at the Instituto Nacional de Higiene Samper-Martinez. Here, he directed a laboratory which analyzed cinchona bark. In November 1945, Bellis purchased this set of photographs, along with 28 Guahibo artifacts, from DiGiovanni. Felix DiGiovanni returned to New York in 1946 and became a mechanical engineer with a major oil company. In 1960, he completed a draft of a manuscript about his experiences with the Guahibo, titled The Call of the Curassow and the Land of the Guahibo Indians. He intended to publish it and also produce a Spanish translation, but he died December 31, 1990, before it could be finished. In 1994, Pauline DiGiovanni, DiGiovanni's widow, published 40 copies of the manuscript in English. After the expedition with DiGiovanni, Paul Beer's photography focused primarily on architectural and industrial themes. He lived in Bogota until his death in 1979.

Biographical note from: https://sova.si.edu/record/NAA.PhotoLot.1995-41
Related Materials:
The National Anthropological Archives (NAA) holds a collection of Felix DiGiovanni and Paul Beer photographs of the Guahibo and other indigenous tribes of eastern Colombia, Photo lot 1995-41. https://sova.si.edu/record/NAA.PhotoLot.1995-41
Separated Materials:
A collection of Guahibo ethnographic materials were also donated to the National Museum of the American Indian object collections with catalog numbers 25/4002-25/4047. See the Smithsonian Collections Search Center.
Provenance:
Gift of Felix V. and Pauline G. DiGiovanni, 1992.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Rights retrictions apply. Contact the NMAI Archives center (nmaiphotos@si.edu) for more information.
Genre/Form:
Documentary films
Photographic prints
Citation:
Identification of specific item; Date (if known); Felix V. DiGiovanni collection from Colombia, image #, NMAI.AC.300, National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.300
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv494ace419-bffa-4e6a-8381-7f50c028401e
EDAN-URL:
ead_collection:sova-nmai-ac-300

Oral history interview with Edith Gregor Halpert

Interviewee:
Halpert, Edith Gregor, 1900-1970  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Names:
C.W. Kraushaar Art Galleries  Search this
Daniel Gallery  Search this
Downtown Gallery (New York, N.Y.)  Search this
Ferargil Galleries  Search this
Grand Central Art Galleries  Search this
M. Knoedler & Co.  Search this
Montross Gallery  Search this
New Gallery (New York, N.Y.)  Search this
Bacon, Peggy, 1895-1987  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Barrie, Erwin S., 1886-1983  Search this
Benton, Thomas Hart, 1889-1975  Search this
Brackman, Robert, 1898-  Search this
Bridgman, George Brant, 1864-1943  Search this
Brixey, Richard de Wolfe  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Cary, Elisabeth Luther, 1867-1936  Search this
Chase, William Merritt, 1849-1916  Search this
Coleman, Glenn O., 1887-1932  Search this
Crowninshield, Frank, 1872-1947  Search this
Daniel, Charles, 1878-1971  Search this
Davis, Stuart, 1892-1964  Search this
Demuth, Charles, 1883-1935  Search this
Deskey, Donald, 1894-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dudensing, F. Valentine, 1892-1967  Search this
Fergusson, John Duncan, 1874-1961  Search this
Field, Hamilton Easter  Search this
Force, Juliana, 1876-1948  Search this
Ford, Ford Madox, 1873-1939  Search this
Frost, Robert, 1874-1963  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Goodyear, A. Conger (Anson Conger), 1877-1964  Search this
Greenberg, Clement, 1909-1994  Search this
Halpert, Samuel, 1884-1930  Search this
Hartley, Marsden, 1877-1943  Search this
Hirsch, Stefan, 1899-1964  Search this
Hopkinson, Charles, 1869-1962  Search this
Hopper, Edward, 1882-1967  Search this
Johns, Jasper, 1930-  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Kroll, Leon, 1884-1974  Search this
Kuhn, Walt, 1877-1949  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laurent, Robert, 1890-1970  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Levy, Julien  Search this
Locke, Charles, 1899-  Search this
Luks, George Benjamin, 1867-1933  Search this
Léger, Fernand, 1881-1955  Search this
Marin, John, Jr., 1915?-1988  Search this
McBride, Henry, 1867-1962  Search this
Mellon, Paul  Search this
Mercer, Henry Chapman  Search this
Montross, N. E. (Newman E), 1849-1932  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pascin, Jules, 1885-1930  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Pound, Ezra, 1885-1972  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Edward G., 1893-1973  Search this
Rockefeller, Abby Aldrich  Search this
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Saklatwalla, Beram K.  Search this
Sandburg, Carl, 1878-1967  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Siporin, Mitchell, 1910-1976  Search this
Soutine, Chaim, 1893-1943  Search this
Steichen, Edward, 1879-1973  Search this
Stein, Gertrude, 1874-1946  Search this
Stella, Frank  Search this
Stern, Louis E., 1886-1962  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tannahill, Robert Hudson  Search this
Vollard, Ambroise, 1867-1939  Search this
Weber, Max, 1881-1961  Search this
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Williams, William Carlos, 1883-1963  Search this
Wittenberg, Philip, 1895-1987  Search this
Zerbe, Karl, 1903-1972  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Extent:
436 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Date:
1962-1963
Scope and Contents:
An interview of Edith Halpert conducted 1962-1963, by Harlan Phillips, for the Archives of American Art.
Halpert speaks of her childhood in Russia and growing up in New York City; working at Bloomindale's, Macy's, Stern Brothers, and Cohen Goldman; her marriage to artist Sam Halpert, his health, and living in Paris in 1925; becoming an art student at the Academy of Design and feeling that Leon Kroll was an excellent art teacher until he began to correct her drawings; when George Bridgman thought she was ruining his class; the Lincoln Square Arcade, when she and Ernest Fiener and Robert Brackman would rent Conan's studio evenings and bring in instructors; how Newman Montross influenced her more than anybody about showing her art that she loved; burning all of her work because Kroll said she had no talent; receiving a painting from John Marin; her friendship and working relationship with Abby Rockefeller and other family members.
She recalls opening the Downtown Gallery, in Greenwich Village, in 1926; a brief history of modern art; many artists helping decorate the new Daylight Gallery in 1930 and the first show being called "Practical Manifestations of Art"; meeting Robert and Sonia Delaunay in France; when she refused to allow Ezra Pound to speak at one of the gallery lectures because of his anti-Semite remarks and William Carlos Williams and Ford Madox Ford argued with her over it; experiencing jealousy and professional attacks from other dealers; the successful "Pop" Hart show and book in 1929; the "Thirty-three Moderns" show in 1930 at the Grand Central Galleries; the Jules Pascin show in 1930; in America, most of the art buyers supporters of culture were women, until the WPA and World War II, when it became fashionable for men to be involved; Ambroise Vollard's advice on selling art; handling the frustrations of working in the art field; friendships with Stuart Davis,Charles Sheeler, and Ben Shahn; how artists work through dry periods in their creativity and the "Recurrent Image" show; a discussion on modern art galleries of New York City, such as Daniel, Knoedler, Ferargil, the New Gallery, 291, the Grand Central, Kraushaar, and Montross; her travels through Pennsylvania and Maine for good examples of folk art for the gallery; the "The Artist Looks at Music" show; the non-competitive spirit of the early modern American artists; of being saved financially in 1940 by selling a William Harnett painting to the Boston Museum and then renting new space for the gallery.
Also, Mitchell Siporin bringing Halpert and Edmund Gurry to Mitchell Field during World War II for a camouflage show and consequently Downtown Gallery artists and others were enlisted in the camouflage corps for the U.S. Air Force; Charles Sheeler and his wife find Halpert a house in Newtown, Conn.; her decision in 1933 to push folk art for acquisition by the William Rockhill Nelson Gallery in Kansas City, Missouri; her great concern about what to do with her folk art literature collection; dismay and that no one writes about the history of folk art and those responsible for its creation and popularity; Louis Stern hiring her to organize a municipal exhibit in Atlantic City, N.J., with Donald Deskey designing the furniture and Holger Cahill managing the publicity; Joe Lillie helping her meet Fiorello La Guardia and Joe McGoldrick in 1934 about a municipal show in New York City, but it is moved to Radio City Music Hall through Nelson Rockefeller; the "Salons of America" show; wanting articles written about art for love rather than art for investment; working with Aline Saarinen on her book, "Proud Possessors;" letters from Stuart Davis, William Zorach and others that hurt her feelings; enjoying giving educational lectures and considering retirement because of ill health; the desire to write a book on the history of trade signs in folk art; feeling that the young artists are being ruined by too much support without working for it; planning to write a book entitled, "Unsung Heroes," about artists brave enough to experiment; organizing a show in Russia at her own expense; later representing the U.S. in art at the "American National Exposition"; the agitators and success of the exposition; Alfred Stieglitz and Georgia O'Keeffe.
Halpert also recalls Juliana Force, Gertrude Vanderbilt Whitney, Yasuo Kuniyoshi, Buckminster Fuller, George Luks, Edsel Ford, Max Weber, Danny Diefenbacker, Hamilton Easter Field, Frank Stella, Glenn Coleman, Margaret Zorach, Diego Rivera, Frida Kahlo, Henry Mercer, Romany Marie, Edward G. Robinson, Paul Mellon, Charles Pollet, Alex Brook, Lunca Curass, Dorothy Lambert, Duncan Candler, Frank Rhen, Louis Rittman, Bea Goldsmith, Arthur Craven, Robert Frost, Philip Wittenberg, Caesar de Hoke, Richard deWolfe Brixey, Seymour Knox, Walt Kuhn, Elisabeth Luther Cary, Charles Locke, Duncan Fergusson, Mrs. Solomon Guggenheim, Bob Tannahill, David Thompson, Marsden Hartley, Erwin Barrie, Robert Laurent, Conger Goodyear, Henry McBride, Edward Hopper, Charles Daniel, William Merritt Chase, Charles Hopkinson, Thomas Hart Benton, Frank Crowninshield, Alfred Barr, Lord Duveen, Jacob Lawrence, John Marin Jr., Karl Zerbe, Franz Kline, Arthur Dove, Julian Levy, Jack Levine, Valentine Dudensing, Peggy Bacon, Stefan Hirsch, Gertrude Stein, Isamu Noguchi, Jasper Johns, Chaim Soutine, B. K. Saklatwalla; Fernand Leger, Pablo Picasso, Ben Shahn, Charles Demuth, Alexander Calder, Jackson Pollock, Edward Steichen, Carl Sandburg, Clement Greenberg, and others.
Biographical / Historical:
Edith Halpert (1900-1970) was an art dealer from New York, N.Y.
General:
Originally recorded on 7 tape reels. Reformatted in 2010 as 27 digital wav files. Duration is 32 hrs., 27 min.
Provenance:
This interview is part of the Archives of American Art History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. The transcript was microfilmed in 1996.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Art -- Economic aspects  Search this
Camouflage  Search this
Folk art -- Collectors and collecting  Search this
Women art dealers  Search this
Identifier:
AAA.halper62
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b057b9a-c3f9-4586-8d44-ee2d58857127
EDAN-URL:
ead_collection:sova-aaa-halper62
Online Media:

Milton and Edith Lowenthal papers

Creator:
Lowenthal, Milton  Search this
Lowenthal, Edith  Search this
Names:
Brooklyn Museum  Search this
Avery, Milton, 1885-1965  Search this
Davis, Stuart, 1892-1964  Search this
De Creeft, José, 1884-1982  Search this
Gross, Chaim, 1904-1991  Search this
Lawrence, Jacob, 1917-2000  Search this
Miller, Henry, 1891-1980  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Rattner, Abraham  Search this
Sheeler, Charles, 1883-1965  Search this
Weber, Max, 1881-1961  Search this
Extent:
4.4 Linear feet ((on 5 microfilm reels))
Type:
Collection descriptions
Archival materials
Sound recordings
Scrapbooks
Date:
1940-1989
Scope and Contents:
Biographical material; correspondence and greeting cards; writings; business records; printed material about the Lowenthal collection, exhibitions, and artists, photographs; scrapbooks; and sound recordings.
REEL 4904, frames 1-114: Thirty-nine greeting cards from artists, illustrated with original prints, drawings, and off-set reproductions. Included are 20 from Jose de Creeft and Lorrie Goulet, 8 from Abraham and Esther Rattner, 4 each from Chaim Gross and Milton and Sally Avery, 2 from Max Weber, and 1 from Jacob Lawrence.
REELS 4904 (fr. 126-end) - 4908: Biographical material includes a resume and transcripts for Edith Lowenthal, an obituary of Isadore Lowenthal, M.D., Milton's father, and clippings related to the Lowenthals. General correspondence, 1947-1991, is primarily with museums, university galleries, and publishers regarding loans and gifts of art work, contributions, lectures, travel, and permissions to reproduce for publication. In addition, there are a correspondence file, 1963-1990, with the Brooklyn Museum, regarding loans, contributions, and conservation work, and correspondence from artists, including letters, greeting cards, and announcements from Stuart Davis, Jacob Lawrence, Josef Presser, Abraham Rattner, Charles Sheeler, Max Weber, and others.
Writings and notes by Milton Lowenthal are about the role of the art collector, his thoughts on works of art and artists, and drafts of letters. Writings by others include Henry Miller's "The Rattner Portfolio" and Elizabeth McCausland's proposal for a Marsden Hartley catalog raisonne. Material relating specifically to the Lowenthal Collection includes lists, valuations, collection exhibition records, documentation of gifts, financial records, receipts, clippings, catalogs, and a 2 v. index of acquisitions. A file containing memorabilia relating to Stuart Davis includes clippings, an address book, printed materials, and notes.
Printed materials include clippings about artists, collectors, and other art related issues and exhibitions, exhibition announcements, and catalogs. Photographs are of artists and works of art. Files relating to the "Friends of the Whitney", ca. 1956-1961, include correspondence, by-laws, annual and other reports, statements, and catalogs of loan exhibitions. Scrapbooks (4 v.), 1942-1953, contain letters and greeting cards (many illustrated) from friends, artists and associates, clippings, exhibition announcements, and catalogs about artists, museums, and exhibitions.
Unmicrofilmed material consists of negatives, slides, and transparencies of works of art and 3 phonograph albums (78 r.p.m) of a radio interview with art collectors and a recording of a school performance by Stuart Davis' son.
Biographical / Historical:
Art collectors, benefactors of the Brooklyn Museum; New York, N.Y. Mr. Lowenthal was a lawyer whose clients included Stuart Davis.
Provenance:
Donated 1993 by Louis M. Bernstein, Mrs. Lowenthal's nephew, except for illustrated greeting cards on reel 4904, frames 1-114, which were received as a loan for microfilming.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art -- Collectors and collecting  Search this
Greeting cards  Search this
Genre/Form:
Sound recordings
Scrapbooks
Identifier:
AAA.lowemilt
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ff6c9a9-440c-40db-a074-e6cb92ca04a8
EDAN-URL:
ead_collection:sova-aaa-lowemilt

Terry Dintenfass, Inc. records

Creator:
Terry Dintenfass, Inc.  Search this
Names:
Art Dealers Association of America  Search this
Grace Borgenicht Gallery  Search this
Bloom, Hyman, 1913-  Search this
Cober, Alan E.  Search this
Dintenfass, Terry, 1920-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Evergood, Philip, 1901-1973  Search this
Fleischner, Richard, 1944-  Search this
Frasconi, Antonio  Search this
Goodman, Sidney  Search this
King, William, 1925-2015  Search this
Lawrence, Jacob, 1917-2000  Search this
Merkin, Richard  Search this
Pippin, Horace, 1888-1946  Search this
Suttman, Paul, 1933-1993  Search this
Tovish, Harold, 1921-2008  Search this
Extent:
22.1 Linear feet
Type:
Collection descriptions
Archival materials
Visitors' books
Date:
1947-1987
bulk 1961-1983
Summary:
The records of New York art gallery Terry Dintenfass, Inc. date from 1947 to 1987, with the bulk of the collection dating from 1961 to 1983, and measure 22.1 linear feet. The records are comprised of administrative files, correspondence, exhibition files, artists' files, and financial records.
Scope and Contents:
The records of New York art gallery Terry Dintenfass, Inc. date from 1947 to 1987, with the bulk of the collection dating from 1961 to 1983, and measure 22.1 linear feet. The records include administrative files, correspondence, exhibition files, artists' files, and financial records.

Administrative files include advertising and membership records, insurance documents, a guest book, resumes, and agreements with other corporations. Correspondence is with artists, galleries, museums, and arts organizations. There is a significant amount of correspondence regarding the Art Dealers Association of America. Exhibition files are found for numerous exhibitions to which Dintenfass either loaned art or helped to organize. There is extensive documentation of the 20 Galleries/20 Years exhibition held at the Grace Borgenicht Gallery and the Terry Dintenfass Gallery in 1982 and the "Machine Themed Shows" in 1974-1975.

Artists' files comprise the largest group of materials within the collection. Files for Hyman Bloom, Alan Cober, Arthur Dove, Philip Evergood, Richard Fleischner, Antonio Frasconi, Sidney Goodman, William King, Jacob Lawrence, Richard Merkin, Horace Pippin, Paul Suttman, and Harold Tovish bulk the largest.

Financial records contain artist expense and sales ledgers, consignment papers, invoices and receipts, as well as records for D Contemporary Paintings.
Arrangement:
The collection is arranged as 5 series.

Missing Title

Series 1: Administrative Files, 1961-1983 (1.0 linear feet; Box 1)

Series 2: Correspondence, 1961-1981 (1.0 linear feet; Boxes 1-2)

Series 3: Exhibition Files, 1962-1983 (4.5 linear feet; Boxes 2-7, OV 23)

Series 4: Artists' Files, 1947-1987 (8.5 linear feet; Boxes 7-15, OV 23)

Series 5: Financial Records, 1959-1981 (7.0 linear feet; Boxes 16-22, OV 23)
Biographical / Historical:
Terry Dintenfass, Inc. is a New York City art gallery founded in 1959 by Terry Dintenfass (1920-2004).

In 1954, Theresa "Terry" Dintenfass opened D Contemporary Paintings in Atlantic City, New Jersey. With financial backing from Armand Erpf, she moved the gallery to New York City in 1959 and changed the name to Terry Dintenfass Gallery. There, she became a protégé of Downtown Gallery owner Edith Halpert. Dintenfass was one of several notable female art dealers in the city during the 1940s-1980s among Edith Halpert, Betty Parsons, Grace Borgenicht, Antoinette Kraushaar, and others. She showed work on consignment from other dealers, and when Edith Halpert retired, Terry Dintenfass, Inc. began to represent the estate of Arthur Dove. Other notable artists represented by the gallery included social realists Philip Evergood and Robert Gwathmey, and African American painters Horace Pippin and Jacob Lawrence, whom she represented for 25 years. The gallery's stable also included William King, Sidney Goodman, Hyman Bloom, Antonio Frasconi, and others.

After Dintenfass retired in 1999, her son Andrew took over the business and continues to run the gallery today. Terry Dintenfass died in 2004 in Manhattan.
Related Materials:
Also found at the Archives of American Art is an oral history interview with Terry Dintenfass conducted by Paul Cummings on December 2, 1974-January 13, 1975 for the Archives of American Art.
Provenance:
The collection was donated in 1995 by Terry Dintenfass.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Visitors' books
Citation:
Terry Dintenfass, Inc. records, 1947-1987, bulk 1961-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.terrdint
See more items in:
Terry Dintenfass, Inc. records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e485640b-ef7f-49bb-8964-fed4c50e6438
EDAN-URL:
ead_collection:sova-aaa-terrdint
Online Media:

Dale-Patterson Family collection

Creator:
Dale, Dianne  Search this
Polk, P. H., 1898-1985  Search this
Names:
Barry, Marion, 1936-2014  Search this
Dale, Almore M., 1911-1984  Search this
Dale, Dianne  Search this
Dale, John Henry, Jr., 1888-1973  Search this
Dale, Lucille Emma Patterson, 1889-1973  Search this
Dale, Marie Howard, 1914-2011  Search this
Dale, Norman Edward, 1908-1991  Search this
Garner, Araminta Dale, 1913-1987  Search this
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Patterson, Wilhelmina Bessie, 1888-1962  Search this
Extent:
6 Linear feet (9 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Place:
Anacostia (Washington, D.C.)
Date:
1866 - 1990.
Summary:
The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.
Scope and Contents note:
The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.
Arrangement note:
The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files
Biographical/Historical note:
The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.
General Note:
Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883
Provenance:
The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African Americans  Search this
African American families  Search this
Genre/Form:
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Citation:
Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.
Identifier:
ACMA.06-074
See more items in:
Dale-Patterson Family collection
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7c29572e9-2bd6-4b2a-8982-b527693b7885
EDAN-URL:
ead_collection:sova-acma-06-074
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Dale-Patterson Family collection digital asset number 1
Online Media:

List of individuals who volunteered time with Douglass Home repairs

Names:
Frederick Douglass Memorial Home  Search this
Collection Creator:
Dale, Dianne  Search this
Polk, P. H., 1898-1985  Search this
Extent:
1 Letter (1 page, 10 x 7 1/2 inches.)
Container:
Box 12, Folder 18
Type:
Archival materials
Letters
Lists
Place:
Anacostia (Washington, D.C.)
Date:
undated
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Community Organizations  Search this
Genre/Form:
Lists
Collection Citation:
Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.
See more items in:
Dale-Patterson Family collection
Dale-Patterson Family collection / Series 2: Charles Qualls Papers / 2.2: Community Organizations / Coordinating Committee of Anacostia and Vicinity
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7df8aa535-463d-43b1-ae31-75073f171184
EDAN-URL:
ead_component:sova-acma-06-074-ref1049

Arwin Galleries records

Creator:
Arwin Galleries (Detroit, Mich.)  Search this
Names:
Arwin, Kathleen G.  Search this
Arwin, Lester B.  Search this
Shahn, Ben, 1898-1969  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
8.7 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Motion pictures
Date:
1948-1981
Summary:
The records of Detroit art gallery Arwin Galleries measure 8.7 linear feet and date from 1948 to 1981. The collection comprises administrative records including sales, a financial ledger of artists' account consignment and loan records; personal and professional correspondence; artist files for Chuang Chi, Richard Kozlow, Ben and Bernarda Bryson Shahn, Jo Snyder, Russel Thayer, Adja Yunkers, and others; printed materials documenting the 1963 fire at the gallery, exhibitions, and other activities related to the gallery; artwork by Frederick Simper, Donald Snydor, and a few others; and photographic materials and moving images including photos of the Arwins, gallery artists, and exhibitions, and two film reels relating to the gallery fire.
Scope and Contents:
The records of Detroit art gallery Arwin Galleries measure 8.7 linear feet and date from 1948 to 1981. The collection comprises administrative records containing sales records, consignment and loan records, appraisals, framing and graphics orders, a financial ledger of artists' accounts, and other administrative documents; personal and professional correspondence; artist's files for Chuang Chi, Richard Kozlow, Ben and Bernarda Bryson Shahn, Jo Snyder, Russel Thayer, Adja Yunkers, and others; printed materials documenting the 1963 fire at the gallery, exhibitions, and other articles related to the gallery; artwork by Frederick Simper, Donald Snydor, and a few others; and photographic materials and moving images include portraits and candid shots of the Arwins, gallery installations and openings, artists, works of art, and two film reels relating to the fire at the gallery.
Arrangement:
The collection is arranged as six series.

Series 1: Administrative Records, 1959-1981 (2.5 linear feet; Boxes 1-3, 13, OV 11)

Series 2: Correspondence, 1958-1981 (0.4 linear feet; Box 3)

Series 3: Artist's Files, 1948-1981 (4.0 linear feet; Boxes 3-7, 13, OV 11)

Series 4: Printed Materials, 1956-1981 (0.4 linear feet; Boxes 7-8, OV 11)

Series 5: Artwork, circa 1970s (0.2 linear feet; Box 3)

Series 6: Photographic Materials and Moving Images, circa 1950-1981 (0.8 linear feet; Box 3, FC 12)
Biographical / Historical:
The Arwin Galleries (est. 1963-1981) was founded by Lester and Kathleen (Kitty) Arwin in Detroit, Michigan.

Although intending to move to Chicago in the 1930s, Lester Arwin found himself remaining in Detroit due to lack of funds. There he spent time observing Diego Rivera painting the murals at the Detroit Institute of Art. He also visited Rivera's studio and purchased his first piece of artwork, thus beginning his career as an art collector and dealer. Arwin served as director of Grinnell Art Galleries prior to opening his own business.

In 1963, Lester and his wife Kitty opened the Arwin Galleries, specializing in contemporary art, in Robinsons Furniture Store on Washington Boulevard. A fire at the gallery in 1963 destroyed approximately $300,000 worth of artwork, including works by Picasso with an estimated value of $150,000. The Arwin Galleries reopened at W. Grand River in 1965. The Arwins worked closely with many renowned artists such as Richard Kozlow, Ben Shahn, and numerous others.

Lester and Kitty Arwin died in 1981.
Provenance:
The Arwin Galleries records were donated in 1981, 1984 and 2021 by Melanie Arwin, the daughter of Lester and Kathleen Arwin.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Women art dealers  Search this
Function:
Art galleries, Commercial -- Michigan
Genre/Form:
Drawings
Motion pictures
Citation:
Arwin Galleries records, 1948-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.arwigall
See more items in:
Arwin Galleries records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cf38970b-0287-482f-9a00-39cc5ea2f2d4
EDAN-URL:
ead_collection:sova-aaa-arwigall

Oral history interview with Walker Evans

Interviewee:
Evans, Walker, 1903-1975  Search this
Interviewer:
Cummings, Paul  Search this
Names:
United States. Farm Security Administration  Search this
Kirstein, Lincoln, 1907-  Search this
Shahn, Ben, 1898-1969  Search this
Stryker, Roy Emerson, 1893-1975  Search this
Extent:
2 Sound tape reels (Sound recording, 5 in.)
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1971 Oct. 13-Dec. 23
Scope and Contents:
Interview of Walker Evans conducted 1971 Oct. 13-Dec. 23, by Paul Cummings, for the Archives of American Art. Evans discusses his early life and education; his early desire to become a writer; living for two years in Paris; teaching himself photography; taking pictures for the Farm Security Administration; his later work with FORTUNE and TIME magazines; photographing celebrities; his "Subway" series; teaching at Yale; influences on his work. He recalls Lincoln Kirstein, Roy Stryker and Ben Shahn.
Biographical / Historical:
Walker Evans (1903-1975) was a photographer.
General:
Originally recorded as 2 audio reels. Duration is 2 hr., 33 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Photography  Search this
Photographers -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.evans71
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a5b4f5dd-861c-4e0a-90a9-8f9eac52834a
EDAN-URL:
ead_collection:sova-aaa-evans71
Online Media:

Oral history interview with Jacob Lawrence and Gwendolyn Knight

Interviewee:
Lawrence, Jacob, 1917-2000  Search this
Knight, Gwendolyn  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Extent:
82 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1998 November 18
Scope and Contents:
An interview of Jacob Lawrence and Gwendolyn Knight conducted 1998 November 18, by Paul Karlstrom, for the Archives of American Art, in the artists' home in Seatle, Washington.
Biographical / Historical:
Jacob Lawrence (1917-2000) was a painter and educator in Seattle, Washington and New York, New York. Gwendolyn Knight (1914-2005) was the wife of Lawrence, as well as an artist, herself and lived in New York, New York and Seattle Washington.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Use requires an appointment.
Occupation:
Painters -- New York (State) -- New York  Search this
Painters -- Washington (State) -- Seattle  Search this
Topic:
African American artists  Search this
African American painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lawren98
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c4cfd632-d284-4160-826b-182cd12bfc23
EDAN-URL:
ead_collection:sova-aaa-lawren98

Eva Lee Gallery records

Creator:
Eva Lee Gallery  Search this
Names:
Korvettes  Search this
New Art Circle (New York, N.Y.)  Search this
Albers, Josef  Search this
Benn, Ben, 1884-  Search this
Benton, Thomas Hart, 1889-1975  Search this
Calder, Alexander, 1898-1976  Search this
Christo, 1935-  Search this
Corinth, Lovis, 1858-1925  Search this
Cornell, Joseph  Search this
Dalí, Salvador, 1904-1989  Search this
Feininger, Lyonel, 1871-1956  Search this
Grosz, George, 1893-1959  Search this
Hartley, Marsden, 1877-1943  Search this
Hopkins, John  Search this
Indiana, Robert, 1928-  Search this
Lee, Eva  Search this
Lieberman, Harry, 1880-1983  Search this
Lipchitz, Jacques, 1891-1973  Search this
Loewe, Frederick  Search this
Magritte, René, 1898-1967  Search this
Marin, John, 1870-1953  Search this
Mommer, Paul  Search this
Nesbitt, Lowell, 1933-1993  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Odets, Clifford, 1906-1963  Search this
Ritchie, Andrew Carnduff  Search this
Shahn, Ben, 1898-1969  Search this
Simpson, Merton D. (Merton Daniel), 1928-  Search this
Valentin, Curt, 1902-1954  Search this
Vasarely, Victor, 1906-1997  Search this
Weber, Max, 1881-1961  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Watercolor drawings
Photographs
Date:
1921-1973
Summary:
The scattered records of the New York contemporary American art Eva Lee Gallery measure 4.0 linear feet and date from 1921-1973. Artist files contain provenance notes, photographs of artwork, records of sales and consignments, exhibition catalogs from other galleries, and reference information on numerous contemporary artists, many represented by the gallery. There are also scattered letters and artwork from artists, scattered sales records of J.B. Neuman's New Art Circle Gallery, and a photocopy of an auction catalog for Korvettes Art Galleries in Douglastan, New York. A significant amount of information is found within the collection about Alexander Calder, Lovis Corinth, Salvadore Dali, Lyonel Feininger, George Grosz, Robert Indiana, Harry Lieberman, Rene Magritte, John Marin, Lowell Nesbitt, Ben Shahn, Victor Vasarely, and Max Weber.
Scope and Content Note:
The scattered records of the New York contemporary American art Eva Lee Gallery measure 4.0 linear feet and date from 1921-1973. Artist files contain provenance notes, photographs of artwork, records of sales and consignments, exhibition catalogs from other galleries, and reference information on numerous contemporary artists, many represented by the gallery. There are also scattered letters and artwork from artists, scattered sales records of J.B. Neumann's New Art Circle Gallery, and a photocopy of an auction catalog for Korvettes Art Galleries in Douglastan, New York.

The records are comprised of artists' files arranged into four categories established by the gallery: general artists' files; notebooks of artists' files; financial artists' files; and consignment and sales artists' files. General artists' files contain background and reference information on numerous contemporary artists, performers, and art-related organizations. More information exists for Alexander Calder and Harry Lieberman than the other names represented in the general files. Lee also arranged provenance notes and photographs of artwork into notebooks, presumably including many of the artists represented by the gallery. There is a significant amount of material in the notebooks on Alexander Calder, Robert Indiana, Lowell Nesbitt, Ben Shahn, Victor Vasarely, and Max Weber.

Financial artists' files contain correspondence with artists and patrons concerning the sale of artwork by both the Eva Lee Gallery and J. B. Neumann of the New Art Circle Gallery, scattered artwork, printed material, photographs of artists, and checks signed by Neumann and endorsed by miscellaneous artists. Eva Lee worked on the estate of J. B. Neumann and collected and interspersed his files with her own. These files include letters from Josef Albers, Thomas Hart Benton, Alexander Calder, Christo, Joseph Cornell, Robert Indiana, and a postcard of Calder's studio from Ben Shahn. There are also watercolor sketches by Clifford Odets, an exhibition catalog autographed by Ben Shahn, and photographs of Marsden Hartley, Jacques Lipchitz, composer Frederick Loewe, Paul Mommer, Mert Simpson, and Curt Valentin with Andrew Ritchie.

Eva Lee Gallery artists' consignment and sales files primarily contain photographs of artwork and notes concerning sales of specific artwork by the Eva Lee Gallery. Also found in these sales files are scattered letters, receipts, and printed material. There is a significant amount of material for Ben Benn, Alexander Calder, Lovis Corinth, Salvadore Dali, Lyonel Feininger, George Grosz, Marsden Hartley, John Hopkins, Rene Magritte, and John Marin. It is assumed that Eva Lee separated the two latter sets of artists' files containing sales records.

Also found in the collection is a photocopy of the Korvettes Art Galleries auction catalog, which lists artwork sold at a 1970 auction liquidating the holdings of the Douglaston, New York gallery.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: General Artist Files, 1923-1972 (Boxes 1-2; 1.3 linear feet)

Series 2: Notebooks of Artist Files, 1929-1973 (Boxes 2-3; 1.4 linear feet)

Series 3: Financial Artist Files, 1921-1970 (Boxes 3-4; 0.6 linear feet)

Series 4: Eva Lee Gallery Consignment and Sales Artist Files, 1960-1972 (Box 4; 0.7 linear feet)

Series 5: Photocopy of Korvettes Art Galleries Auction Catalog, 1970 (Box 4; 1 folder)
Historical Note:
Eva Lee was born circa 1924. She fled from Nazi Germany to the United States, becoming an art dealer and the owner of the Eva Lee Gallery, Inc. Located in Great Neck, New York, the Eva Lee Gallery specialized in modern art and handled the work of many prominent artists including Alexander Calder, Lyonel Feininger, George Grosz, Marsden Hartley, Jacob Lawrence, Ben Shahn, and Max Weber. The gallery was in operation through the first half of 1973.

Eva Lee died suddenly on November 4, 1973 in Terre Haute, Indiana, while undergoing unspecified medical treatment.
Provenance:
The Eva Lee Gallery records were donated in 1973 by Eva Lee through Eloise Spaeth, and in 1978 by Neal Richmond of the Paul Klapper Library, Queens College, Flushing, New York, who had been asked to disperse Lee's gallery records following her sudden death in 1973. A photocopy of the Korvettes Art Galleries Auction Catalog was donated by Eva Lee in 1970.

Lee's records also contained financial files belonging to art dealer J. B. Neumann and his New Art Circle Gallery, whose estate she had worked on in 1966.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Works of art  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Watercolor drawings
Photographs
Citation:
Eva Lee Gallery records, 1921-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.evalee
See more items in:
Eva Lee Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94fc1585b-1c6a-4e39-9484-b34a914e88a2
EDAN-URL:
ead_collection:sova-aaa-evalee
Online Media:

Oral history interview with Charles Alan

Interviewee:
Alan, Charles, 1908?-1975  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Downtown Gallery (New York, N.Y.)  Search this
Yale School of Drama -- Students  Search this
Allen, Lawrence  Search this
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Baker, Richard Brown  Search this
Breinin, Raymond, 1910-  Search this
Conner, Bruce, 1933-2008  Search this
Davis, Stuart, 1892-1964  Search this
Geddes, Norman Bel, 1893-1958  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Harnett, William Michael, 1848-1892  Search this
Hirshhorn, Joseph H.  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Landau, Felix, 1924-2003  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
Levine, Jack, 1915-2010  Search this
Levy, Julien  Search this
Marin, John, 1870-1953  Search this
Marin, John, Jr., 1915?-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Root, Edward Wales, d. 1956  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Shahn, Ben, 1898-1969  Search this
Washburn, George  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
37 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 August 20-25
Scope and Contents:
An interview of Charles Alan conducted 1970 August 20-25, by Paul Cummings, for the Archives of American Art.
Alan speaks of studying scene and stage design; attending Yale School of Drama; doing illustrations for various publications; traveling and studying in Europe; working as a set designer for MGM and Warner Brothers; his experiences working at the Downtown Gallery; his thoughts and recollections about Edith Halpert; leaving Downtown Gallery and starting his own gallery; his opinions on the future of small galleries in New York; museum purchases; Edith Halpert's art collection; selling his gallery to Felix Landau; and various thoughts concerning the art world. He recalls Norman Bell Geddes, Edith Halpert, Stuart Davis, Julien Levy, Yasuo Kuniyoshi, Kirk Askew, Raymond Breinin, Ben Shahn, George Washburn, Edward Root, Joe Hirshhorn, John Marin, John Marin Jr., Lawrence Allen, Georgia O'Keeffe, William Harnett, Julian Levi, Jack Levine, Karl Zerbe, Bruce Conner, Richard Baker, Paul Sachs, and many others.
Biographical / Historical:
Charles Alan (1908?-1975) was an art dealer from New York, New York. Alan attended Horace Mann School, graduating in 1924. Attended Yale School of Drama in 1925, then worked as a set designer for MGM and Warner Brothers. In 1930, Alan became a theatrical set designer and director. After serving in the Army in World War II, he worked for Edith Halpert at the Downtown Gallery. In 1952, he opened the Charles Alan Gallery, specializing in contemporary art. Alan closed the gallery in 1970 to become a private dealer.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 2 hrs., 58 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Set Designers -- United States -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.alan70
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b58bbd57-ca81-4a18-a614-fc868226702e
EDAN-URL:
ead_collection:sova-aaa-alan70
Online Media:

Crosscurrents U.S.A. artists' statement : sound recording

Creator:
Detroit Institute of Arts  Search this
Names:
Bearden, Romare, 1911-1988  Search this
Bell, Leland  Search this
Cunningham, Ben, 1904-1975  Search this
De Kooning, Elaine  Search this
Greene, Balcomb, 1904-1990  Search this
Hirsch, Joseph, 1910-1981  Search this
Johnson, Lester, 1919-2010  Search this
Katz, Alex, 1927-  Search this
Kaupelis, Robert  Search this
Koch, John, 1909-1978  Search this
Lawrence, Jacob, 1917-2000  Search this
Neel, Alice, 1900-1984  Search this
Wilson, John, 1922-2015  Search this
Extent:
1 Sound tape (7 in.)
Type:
Collection descriptions
Archival materials
Sound tapes
Sound recordings
Date:
1969 Mar
Scope and Contents:
Statements from artists participating in the "Crosscurrents U.S.A." exhibit at the Detroit Institute of Arts, including Romare Bearden, Leland Bell, Benjamin F. Cunningham, Elaine De Kooning, Balcomb Greene, Joseph Hirsch, Lester F. Johnson, Alex Katz, Robert Kaupelis, John Koch, Jacob Lawrence, Alice Neel and John Wilson.
Provenance:
Provenance unknown.
Restrictions:
Untranscribed; use requires an appointment.
Topic:
Art, American  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.diacross
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9044042df-c756-4aea-a5a0-0e3b40f5f718
EDAN-URL:
ead_collection:sova-aaa-diacross

Oral history interview with Inslee Hopper

Creator:
Hopper, Inslee  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Bruce, Edward, 1879-1943  Search this
Force, Juliana, 1876-1948  Search this
Shahn, Ben, 1898-1969  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
1 Sound tape reel (Sound recording, 5 in.)
44 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1981 July 28
Scope and Contents:
An interview of Inslee Hopper conducted 1981 July 28, by Robert Brown, for the Archives of American Art.
Hopper speaks of his education in art history at Princeton University; his work as editor of THE ARTS under Forbes Watson, 1933-1934; a survey of sculptors for Juliana Force of the Whitney Museum of American Art, 1934-1935; his involvement in the Painting and Sculpture section of the Treasury Department under Edward Bruce, 1935-1938; supervising the decoration for the Federal Building at the World's Fair, 1938-1939; his work with Ben Shahn on the documentation of a resettlement project in West Virginia; the Smithsonian Gallery of Art project, 1938-1940; and his work as Edward Bruce's aide.
Biographical / Historical:
Inslee Hopperis an art administrator and preservationist.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- Interviews  Search this
Topic:
Art and state  Search this
Preservationists -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hopper81
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f78d7a86-5d09-4d2a-8513-0441342309ac
EDAN-URL:
ead_collection:sova-aaa-hopper81
Online Media:

Modify Your Search







or


Narrow By