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La Jolla Museum of Contemporary Art (Aug.-Oct. 1988)

Collection Creator:
Fine, Jud  Search this
McCarren, Barbara  Search this
Container:
Box 2, Folder 18
Type:
Archival materials
Date:
circa 1986-1988
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jud Fine and Barbara McCarren papers, circa 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Jud Fine and Barbara McCarren papers
Jud Fine and Barbara McCarren papers / Series 3: Personal Business / Exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw997c4d7dc-b164-455f-a4db-2c9358e5a76e
EDAN-URL:
ead_component:sova-aaa-finejud-ref95

McLaughlin, John: La Jolla Museum of Contemporary Art, 1973 July 7-August 19

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 223, Folder 8
Type:
Archival materials
Date:
1973
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 16: Photographic Materials / 16.3: Installations
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw932c4d4e6-c31c-4fb4-81a2-601e00868190
EDAN-URL:
ead_component:sova-aaa-andremmg-ref7786

General (see also: Gómez-Peña, Guillermo)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 3, Folder 29
Type:
Archival materials
Date:
1987-1992
Scope and Contents note:
(clippings; "Look up Latina" art directory advertisement; letter to TYF from Patricio Chávez of the Centro Cultural de la Raza, 04/01/1992 re. the Dos Ciudades project; photocopy of proposal, Dos Ciudades/Two Cities: A Border Project, La Jolla Museum of Contemporary Art; exhibition printed material; "The Border is..." by Guillermo Gomez-Peña and other pieces of creative writing)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files / Border Art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw936c9bf55-9ef4-4800-9dcc-f5afe0c6ed87
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref225

La Jolla Museum of Contemporary Art

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 158, Folder 50
Type:
Archival materials
Date:
1989
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 7: Castelli Graphics / 7.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98bcb6d57-3862-4ea1-be4b-18dbb0286bea
EDAN-URL:
ead_component:sova-aaa-leocast-ref13461

Ed Moses papers

Creator:
Moses, Ed, 1926-  Search this
Extent:
2 Reels (ca. 1,000 items (on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
1954-1980
Scope and Contents:
Biographical material; correspondence with artists, galleries, and museums; photographs of Moses, Charles Eames, Frank Gehry, Kenneth Price, H. C. Westermann, members of the Tamarind Lithograph Workshop, 1968, and others; exhibition catalogs and announcements; and clippings.
Correspondents include Akron Art Institute, Alan Gallery, Albright-Knox Gallery, Brooke Alexander Inc., Allen Memorial Art Museum, Aquinas College (Mich.), Galleria dell 'Ariete, Jason Aver Gallery, Barone Gallery, Larry Bell, Billy Al Bengston, John Berggruen Gallery, Tony Berlant, Wally Berman, Irving Blum, Bocour Artist Colors, Inc., Brooklyn Museum, Dorothy Brown, Lydis Brown, Robert D. Brown, California State University (L.A), Vija Celmins, Norman Colp, Contemporary Arts Center, Corcoran Gallery of Art, James Corcoran Gallery, Roy De Forest, Mark Di Suvero, Dilexi Gallery, Documenta 5 (Greece), Dootson/Calderhead Gallery (Seattle, Wa.), Downey Museum of Art, Dunkelman Gallery, Editions Alecto of American, Ltd., Edizioni O (Milan), Robert Elkon Gallery, Everett Ellin Gallery, Sam Francis, Grapestake Gallery, Marcia Hafif, Hansen Fuller Gallery, Harry Holtzman, Walter Hopps, International Institute of Experimental Printmaking (Santa Cruz, Ca.), Ithaca College, Martha Jackson Gallery, Bernard Jacobson, Ltd. (London), Robert C. Kauffman, Leslie Kerr, Phyllis Kind Gallery, Robert Kinmont, Krikhaar Art Dealers (Amsterdam), La Jolla Museum of Contemporary Art, La Tortue Gallery, Galerie Dorothea Leonhart (Munich), Lippincott, Inc., Penny Little Fine Arts Service (Calif.), Los Angeles County Museum of Art, Alan Lynch, Christophe De Minel, Richard Minsky, Margaret Muller Galerie (Stuttgart), Multiples, Inc.,Hans Neuendorf Galerie (Hamburg), Newark Museum, Barnett Newman,Fine Arts Patrons of Newport Harbor, Oakland Museum, Mike Olodort, Constance Perkins, Philadelphia Museum of Art, Peter Plagens, Kenneth Price, Ad Reinhardt, Bruce Reynolds, Cesar Romero, Courtney Sale Gallery (Dallas), Alan D. Shean, Michael and Ileana Sonnabend, Galerie Darthea Speyer (Paris), Gene Sturman, Simon W. Taylor, Morgan Thomas, University of California at Los Angeles, U.C.L.A. Oral History Program (Michael Auping), University of New Mexico at Albuquerque, Larry Urrutia, H. C. Westermann, Nicholas Wilder Gallery, Malcolm Winton, and Theo Wujeik.
Biographical / Historical:
Painter; Venice, California. Moses was born in Long Beach, Calif., 1926. He studied, and later taught at the University of California, Los Angeles. He also taught at the Skowhegan School of Painting and Sculpture (Me.), and California State College.
Provenance:
Lent for microfilming 1980 by Ed Moses.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- California  Search this
Art teachers -- California  Search this
Painters -- California -- Venice  Search this
Identifier:
AAA.moseed
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw983ffc62c-ce28-43dd-bbb5-417f7952d0f6
EDAN-URL:
ead_collection:sova-aaa-moseed

Oral history interview with David Avalos

Interviewee:
Avalos, David  Search this
Interviewer:
Nieto, Margarita  Search this
Extent:
100 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1988 June 16-July 5
Scope and Contents:
An interview of David Avalos conducted 1988 June 16-July 5, by Margarita Nieto, for the Archives of American Art. Avalos speaks of his childhood, education at the University of California at San Diego; his involvement with the Centro Cultural de la Raza; the socio-political environment that produced the San Diego Chicano Muralist movement (specifically Chicano Park); the formation of the Border art Workshop (BAW/TAF); the collaboration between the Centro and the La Jolla Museum of Contemporary Art (presently the San Diego Museum of Contemporary Art); art activity in San Diego; Chicano activity distinct from Los Angeles; his philosophy on conceptual art; and his art career.
Biographical / Historical:
David Avalos (1947-) is a painter and administrator from San Diego, California.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 4 hr., 44 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- California -- San Diego -- Interviews  Search this
Latino and Latin American artists  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Mural painting and decoration -- 20th century -- California -- San Diego  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.avalos88
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ecf1441-e4c4-49e0-a259-1632aa2da159
EDAN-URL:
ead_collection:sova-aaa-avalos88
Online Media:

Oral history interview with Thomas Tibbs

Interviewee:
Tibbs, Thomas S., 1917-2002  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
American Crafts Council. Museum of Contemporary Crafts  Search this
Extent:
2 Sound cassettes (Sound recording (120 min.), analog)
49 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1996 March 19-May 9
Scope and Contents:
An interview of Thomas Tibbs conducted 1996 March 19-May 9, by Paul Karlstrom, for the Archives of American Art, at the artist's home, in Fallbrook, California.
Tibbs discusses his family background and early interest in the arts that led him to the University of Rochester (N.Y.), where he had his first museum experience and studied music and literature before doing post-graduate work as curator of prints and of education; the museum field in the late 1940s and the professionals he knew, among them his mentor Phillip Adams of the Cincinnati Art Museum and Grace McCann Morley; the changing ideas of contemporary art, regionalism, and New York's emergence as the center in the 1950s; his experiences with the New York school artists in the 1950s and his observations of their interests and individuality, and the Louis Comfort Tiffany exhibition at the Crafts Museum in 1958, an event which he credits the Tiffiany fashion "rage" of the 1960s. Tibbs recalls artists Adolph Gottlieb, Mark Rothko, Franz Kline, Betty Parsons, Barnett Newman, Jackson Pollock, and Peggy Guggenheim, David Campbell, Earl Parten, Wharten Escherick, Margret Craver Withers, and Arlene Fisch.
Biographical / Historical:
Thomas Tibbs (1917-2002) was a museum director and educator from San Diego, California. Tibbs was founding director (1956-1960) of the Museum of Contemporary Crafts in New York and the La Jolla Museum of Contemporary Art (1968), now Museum of Contemporary Art, San Diego, where he promoted an interest in crafts, their collection and exhibition as art. He was director of the new museum in Huntington, W.V., where he initated a crafts competition as a means to "fill the museum." His long-time interest in modern and contemporary art led him to hire I.M. Pei to design the new museum wing in Des Moines when he was director. Tibbs is professor emeritus of San Diego State University where he taught contemporary art.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 5 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview provided by Pasadena Art Alliance.
Topic:
Handicraft  Search this
Museum directors -- California -- San Diego -- Interviews  Search this
Educators -- California -- San Diego -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.tibbs96
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cfe53259-8056-47bb-856c-f587d06f2d57
EDAN-URL:
ead_collection:sova-aaa-tibbs96
Online Media:

La Jolla Museum of Contemporary Art

Collection Creator:
Holman, Thomas S., 1953-2015  Search this
Container:
Box 1, Folder 85
Type:
Archival materials
Date:
1983
Collection Restrictions:
Use of original material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas S. Holman research materials on Reginald Marsh, 1970-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas S. Holman research materials on Reginald Marsh
Thomas S. Holman research materials on Reginald Marsh / Series 1: Research Files / Marsh, Reginald - Exhibition Research
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e93e1316-0685-4331-9189-a86d5fd4d5a2
EDAN-URL:
ead_component:sova-aaa-holmthom-ref108

Museum of Fine Arts, Boston - Connections: Richard Artschwager (1992)

Collection Creator:
Artschwager, Richard, 1923-  Search this
Container:
Box 4, Folder 19
Type:
Archival materials
Date:
1991-1992
Collection Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard Artschwager papers, 1959-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Richard Artschwager papers
Richard Artschwager papers / Series 3: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw978f8551f-14ba-4e1f-b7a4-246ed88c9bf6
EDAN-URL:
ead_component:sova-aaa-artsrich-ref210
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La Jolla Museum of Contemporary Art

Collection Artist:
Ireland, David, 1930-2009  Search this
Container:
Box 13, Folder 15
Type:
Archival materials
Date:
circa 1990
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
See more items in:
David Ireland Papers
David Ireland Papers / Series 4: Installation Projects and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b81ed81-1bb0-47d9-ac47-ac8e7716d3ed
EDAN-URL:
ead_component:sova-aaa-ireldavi-ref150

Smithsonian Institution

Collection Creator:
Feitelson, Lorser, 1898-1978  Search this
Container:
Box 4, Folder 29
Type:
Archival materials
Date:
1959-1985
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lorser Feitelson and Helen Lundeberg papers, circa 1890s-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Lorser Feitelson and Helen Lundeberg papers
Lorser Feitelson and Helen Lundeberg papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9363bd57b-df31-4825-94d3-e4dfe7e0e615
EDAN-URL:
ead_component:sova-aaa-feitlors-ref205
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Resume and Biography

Collection Creator:
De Forest, Roy, 1930-2007  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1972-2005
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Roy De Forest papers
Roy De Forest papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a74705a6-cd3f-4e99-ba60-fbc9f0831626
EDAN-URL:
ead_component:sova-aaa-deforoy-ref10
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Seven decades of twentieth-century art from the Sidney and Harriet Janis Collection of the Museum of Modern Art and the Sidney Janis Gallery collection introd. by William Rubin ; catalogue [of] the works from the Sidney Janis Collection by Marian Burleigh-Motley

Author:
Burleigh-Motley, Marian  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Sidney Janis Gallery  Search this
La Jolla Museum of Contemporary Art  Search this
Santa Barbara Museum of Art  Search this
Subject:
Janis, Sidney 1896-1989 Art collections  Search this
Physical description:
111 pages illustrations (some color) 28 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Catalogues d'exposition
Date:
1980
20th century
20e siècle
Topic:
Art, Modern  Search this
Art--Private collections  Search this
Art  Search this
Art--Collections privées  Search this
Call number:
N6487.L34 L37X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_134493

La Jolla Museum of Contemporary Art

Collection Creator:
Parsons, Betty  Search this
Container:
Box 22, Folder 7
Type:
Archival materials
Date:
1969-1972
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 3: Correspondence Files / 3.1: Institutions and Dealers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f65a5ed1-1852-462e-9b08-c8348af3b36b
EDAN-URL:
ead_component:sova-aaa-parsbett-ref853

General Correspondence

Collection Creator:
McCoy, Esther  Search this
Type:
Archival materials
Date:
1922-1989
Scope and Contents note:
This subseries primarily contains letters concerning McCoy's career in architectural history and criticism. Her career in fiction writing is covered to a lesser degree. Among the correspondents are researchers, writers, professors, architects, art professionals, publishers, and professional associations. Topics covered include research and writing projects, Los Angeles area preservation and restoration projects, and grant projects.

Major correspondents in this series include the American Institute of Architects, the Graham Foundation, City of Los Angeles Cultural Heritage Board, Domus Magazine, Los Angeles Times, editor Monica Pidgeon, architectural critics Reyner Banham, David Gebhard, William Jordy, Robin Middleton, Allan Temko, and Nathan Shapira, and architects J. R. Davidson, Craig Ellwood, Joseph Giovannini, Hans Hollein, A. Quincy Jones, and Bruno Zevi. Also found is extensive correspondence with the University of California, Berkeley, Santa Barbara, and Santa Cruz. Correspondence for 1959 contains a letter from Albert Camus requesting McCoy's assistance with helping Spanish refugees, and correspondence for 1989 contains photographs of Esther McCoy and others at the Athenaeum at Caltech for the third annual gala of the Historical Society of Southern California.

See Appendix for a list of selected correspondents from Series 2.3.
Arrangement note:
Material is arranged chronologically. The bulk of McCoy's correspondence with architects is arranged in Series 6: Architect Files. Additional correspondence pertaining to specific projects can be found in Series 4: Architectural Writings and in Series 5: Project Files. Correspondence in this series complements the files found in these other series and they should be consulted together for a better understanding of McCoy's career.
Appendix: Selected Correspondents from Series 2.3:
Abbot, Mary Squire (McIntosh and Otis, Inc.), 1949, 1950, 1953, 1957

Adahura, Yuki, 1942

Adams, Christopher, 1962

Albinson, Don, 1989

Alexander, Christopher, 1965

Allen, Albert, 1968

Amantea, Kirjah, 1982

Ambre, Reuth, 1986

American Academy in Rome, 1970

American Federation of Arts, 1966

American Film Institute, 1975

American Institute of Architects, 1959, 1967, 1968, 1969, 1972, 1973, 1977, 1978, 1979, 1980, 1981, 1982, 1983, 1984, 1985, 1987, 1988, 1989

American Institute of Interior Designers, 1974

Anderson, Sherwood, undated

Andrews, Wayne, 1983

Architecture -- , 1985

Architecture in Australia, 1974

Architectural Forum -- , 1965, 1966, 1968

Architectural History Foundation, Inc., 1982, 1983, 1984

Architectural Publishing Co., 1967

Architectural Record -- , 1959

Archive of Women in Architecture, 1975

Archives of American Art, 1984, 1985, 1986, 1987, 1989

Arizona Quarterly -- , 1949

Arizona State University, 1969

Arts in Society -- , 1964

Ashton, Raymond J., 1948

Ashton, Ruth (KNX Radio), 1964

Atkinson, Janet Irene, 1980, 1985

Author and Journalist, 1951

Bailey, Van Evera, 1953

Baldauf, Lisa, 1989

Balint, Dr. D. P., 1963

Banham, Reyner (Peter) and Mary, 1964, 1966, 1967, 1969, 1970, 1971, 1973, 1979, 1982, 1983, 1988, 1989, undated

Barnette-Stratford, Mrs. Lou, 1968

Barsocchini, Michael, 1970

Beach, John, 1984

Beebe, Tina, 1989

Behrman, S. N., 1960

Belluschi, Pietro, 1949

Beltram Carla, 1966

Bendixson, T. M. P., 1961

Bennett, Janey, 1986

Berkeley, Ellen Perry, 1975, 1987, 1988, undated

Bicknell, Catherine, 1985

Birkmeyer, Karl, 1968

Blanton, John, 1988

Blau, Milton, 1947

Boaz, Joseph N., 1949

Bowlby, Bob, 1983, 1989

Boyer, John, 1982

Brant, Sandra, 1975

Brooks, Allen, 1975

"The Bradbury Girls," 1972

Brunati, Mario, 1963, 1965, 1966

California Coastal Commission, 1977, 1978

California Council of Architects, 1957

California Department of Parks and Recreation, 1973

California Historical Society, 1979

California Magazine -- , 1985, 1986

California Polytechnic State University, 1978, 1984

California State Office for Historic Preservation, 1978

Camus, Albert, 1959

Carrott, Richard, 1973

Carson, Sam, 1969

Casabella (Gian Antonio Bernasconi), 1965

Charles Scribner's Sons, 1930

Chang, Ching Yu, 1977, undated

Chase, John, undated

Chermayeff, Serge, undated

Choate, Forrest, 1986

Christian Science Monitor -- , 1987

City Attorney, Santa Monica, California, 1968

City of Beverly Hills, 1982, 1983, 1984

City of Los Angeles, Cultural Heritage Board, 1963, 1966, 1967, 1969, 1973, 1974, 1982, 1983, 1987, 1988

Clark, Alson, 1984, undated

Cochran, Victor E., 1953

Cohen, Elaine Lustig, 1985

Cohen, Stuart, 1979

Colgan, Susan, 1979

Collier's -- , 1953

Columbia Broadcasting System, Inc., 1947, 1948

Columbia University, 1972, 1973

Communication Dynamics, 1963

Compagnia Nazionale Artigiana, 1956, 1960

Contini, Edgardo, 1963

Correa, Frederico, 1975

Craft and Folk Art Museum, 1983

Cragar, Robert, 1949, 1950

Craig, Mary, 1945

Crosbie, Michael, 1985, 1987, 1988, 1989

Cross, Paula, 1981

Culot, Maurice, 1972, 1973

Curtis, William, 1982, 1985, 1987, 1989

Dailey, Gardner A., 1948

Dale, John R., 1989

Davidson, Barnaby, 1984

Davidson, Carlos, 1984

Davidson, Erica, 1983, undated

Davidson, J. R. and Greta, 1973, 1974, 1976, 1977, 1978, undated

Davidson, Tom, 1981, undated

Day, Peter, 1985

De Bretteville, Peter and Sheila (The Woman's Building), 1975, 1976, 1977, 1978

De Long, James, 1947

Dearborn-Massar, 1961

Delano, Leonard H., 1949

Design Quarterly -- , 1975, 1987

Dictionary of American Biography -- , 1975

Dictionary of Art -- , 1986

Diefenbach, John, 1973

Dimster, Frank, 1966

Dixon, John Morris, 1979

Domus -- (Lisa Licitra Ponti), 1970, 1971, 1972, 1973, 1974, 1975, 1981, 1982

Donohoe, Victoria, 1965, undated

Dorman, Richard, 1970

Dougherty, Carole, 1989, undated

Downing, Holly, 1974

Dudley, George, 1984, 1988, undated

Dukeminier, Jesse, Jr., 1967

Dyson, Arthur, 1985, 1987

Easton, Bob, 1977

Eckbo, Gerrett, 1977, 1982

Eder, Richard, 1987, 1988

Edilizia Moderna, 1965

Eisner, Richard K., undated

Elliott, James, 1986

Ellwood, Craig, 1967, 1968, 1971, 1984, 1988

Elwyn, Adolph, 1946

Emanuel, Muriel, 1979

Emmons, Donn, 1975

E. P. Dutton and Co., 1975

Favro, Diane, 1987

Fetherson, Kate, 1979, 1980, 1981, 1988

Feiss, Carl, 1948, 1949

Field, Ellen, 1964

Filler, Martin, 1986

Fisher, Shirley, 1978

Flack, Peter, 1975

Fonda-Bonardi, Mario, 1989

Ford, Edward R., 1986

Foreign Service of the United States of America, 1959, 1962

Forsyth, Robert J., 1961, 1962

Fortune -- , 1936

Francis, Marcia, 1979

Franks, Milton, 1962

Franzen, Ulrich, 1968, 1969

Frey, Albert, 1988

Friends of Cast Iron Architecture, 1972, 1974, 1977, undated

Friends of Kebyar, 1984

Fulton, Weldon, undated

Gebhard, David, 1963, 1964, 1965, 1966, 1967, 1968, 1969, 1970, 1972, 1973, 1974, 1975, 1977, 1979, 1980, 1981, 1982, 1983, 1984, 1985, 1986, 1987, 1988, undated

Geddes, Robert L., 1977

General Services Administration, 1973

Giella, Alfonso and Bobbi, 1967, 1974, 1982

Gill, Dorothy, 1985

Giovannini, Joseph (Gio), 1979, 1981, 1986, 1988, 1989, undated

Goldberger, Paul, 1972, 1973, 1975

Goldman, Shifra M., 1979, undated

Goldstein, Barbara, 1981, 1982, 1985, 1989, undated

Gordon, Don, 1980, undated

Gould, Jean, 1965

Graham Foundation for Studies in the Fine Arts (Carter Manny), 1964, 1965, 1966, 1968, 1969, 1970, 1971, 1974, 1975, 1978, 1979, 1981, 1983, 1984, 1985, 1986, 1987, undated

Granger, Kathleen, 1981

Gray, Paul, 1977

Greenbaum, Katherine, 1980

Greene, Herb, 1971, 1972, 1976, undated

Greenhill, Nigel, 1973

Gregory, Dan, 1982, 1984, 1986, 1987

Guss, Jack, 1961

Hall, Milly, 1970, 1976, 1977

Hanks, David, 1986

Harnish, John, 1960

Harper and Row, 1979

Harper's Bazaar -- , 1951, 1952, 1961

Harris, Robert, 1981, 1982

Harvard Architecture Review -- , 1977, 1979

Harvey, Harold E., 1972, 1973

Haupt, Peter, 1967

Hayden, Dolores, 1984, undated

Helene Wurlitzer Foundation of New Mexico, 1967, 1969

Hernandez, Diana, 1976, undated

Herron, Ron, 1969

Hess, Alan, 1985

Hillyer, Elinor, 1949

Hinerfeld, Susan and Robert, 1984

Hines, Tom, 1971, 1975

Historical Society of Southern California, 1988, 1989

Hitchcock, H. R., 1956

Hite, Garron S., 1972

Hoag, Paul Sterling, 1981

Hollein, Hans, 1960, 1963, 1964, 1965, 1966, 1972, 1976, 1984, undated

Hollywood Revitalization Committee, 1979

Holt, Rinehart and Winston, 1977

Houvener, Robert, 1969

Howe, John H., 1980

Howe, Sanora Babb, 1980, 1982, 1989

Humanities West -- , 1984, 1985

Huxley, Aldus, 1960

Ingalls, David K., 1987

Interiors -- , 1984, 1985

Istituto Nazionale per il Commercio Estero, 1970

Jansen, Virginia, 1978

Japan Architect -- , 1968

Jarrico, Paul, 1971

Johnson, Mark R., 1981

Jokl, Magda, 1978

Jonas, Susan, 1963

Jones, A. Quincy and Elaine, 1968, 1969, 1970, 1971, 1974, 1975, 1979, 1981, 1984, 1986, 1987, 1988, undated

Jordy, William H., 1959, 1961, 1967, 1972, 1973, 1974, 1977, 1978, 1979, 1984

Jourdan, Erven, 1951

Jurney, David, 1957

Kahn, Louis, 1960

Kamerling, Bruce, 1980, 1985

Kappe, Raymond and Shelly, 1970, 1973

Kazin, Alfred, 1961, 1984

KCRW 89.9 FM, 1989

Kennedy, Jacqueline (letter to and reply from secretary), 1964

Kershner, Irvin, 1960

Khoury, E. M., 1960, 1963

Killingsworth, Edward, 1989

King, Jean, 1975, 1977, 1987, undated

King, Robert I., 1963

Kirsch, Jonathan, 1977

Koeper, Fred, 1980

Kotas, Jerry, 1971, 1973, undated

Kripacz, Francisco, 1985

Kultermann, Udo, 1967

Lagorio, Elena, 1975

La Jolla Museum of Contemporary Art, 1977, 1986

Lamb, Paul, 1982

Landau, Sarah B., 1971

Langer, Elinor, 1975, 1983

Lawson, John Howard (Jack), 1947

Lebovich, William, 1979

Lee, Joyce, 1975

Leedy, Walter, 1970, 1971, 1972, 1973, 1976, undated

Legorreta, Ricardo, 1971

Lehman, John, 1948

Le Veque, Ann, 1980

Library of Congress, 1983

Lindauer, Theodore, 1983

Lingeman, Richard, 1986, 1987

Longstreth, Richard, 1982

Lorman, William, 1954

Los Angeles Conservancy, 1984, 1986

Los Angeles County Museum of Art, 1966, 1967, 1982

Los Angeles Times, 1957, 1959, 1960, 1966, 1968, 1969, 1971, 1976, 1977, 1978, 1980, 1981, 1983, 1985

Lovell, Gary, 1968, 1978

Lovell, Leah, 1960

Lovell, Philip, 1968, 1972

Lowenkopf, Anne, 1975

Lumsden, Anthony, 1969, 1974

Luna, Fernando, 1971, 1974

Lyman, Frederic, 1974, 1989

Lyndon, Maynard, 1983, 1984, undated

MacDowell Colony Fellows, 1988

Mangiarotti, Angelo, 1970

Manson, Grant, 1974

Massachusetts Institute of Technology, 1984

Maston, Carl, 1969, 1970, 1972

May, Cliff, 1983, 1985

McCoy, John, 1954, 1976, 1977, 1979, 1981, 1986, 1987, 1988

McCoy, Tori, 1974

McCulloch, Peter, 1962

McWilliams, Carey, 1980

Mendelsohn, Mrs. Eric, 1974, 1975

Meyer, Kurt, 1969

Middleton, Robin, 1971, 1972, 1973, 1974, 1975, 1976, 1977, 1978, 1979, 1980, 1981, 1982, 1983, 1984, 1986, 1987, 1988

Mies Van Der Rohe Centennial Project, 1984

Miller, R. Craig, 1973

Miller, Donald M., 1986

Minister, Chancery of Pakistan, 1965

Moholy-Nagy, Sibyl, 1966, 1969

Mouton, Pierre, 1986, 1988, 1989

Muller, Louis, 1988

Murphy, William (Bill), 1969, 1970, 1982, 1983, 1984, 1985, 1986, 1987, 1988, 1989, undated

Museum of Contemporary Art, Los Angeles, 1984, 1985, 1986, 1987, 1989

Museum of Fine Arts, Houston, 1976

Museum of Modern Art, 1961, 1964, 1976

Mutlow, John, 1982

Nakamura, Toshio, 1981, 1982, 1984, 1985

National Building Museum, 1981

National Committee for the Defense of Political Prisoners, 1933

National Endowment for the Arts, 1971, 1975, 1980, 1981, 1982

National Trust for Historic Preservation, 1970, 1971, 1972, 1973, 1977

Nelson, June Kompass, 1985

Nelson, Sara, 1974

New West -- , 1976

New Yorker -- , 1953, 1962, 1968, 1974, 1975, 1876, undated

Nichols, Henry L., 1982, 1987

Nishimoto, Kenneth, 1959, 1968

Nixon, Peg and Chuck, 1976, 1989, undated

North Carolina State University, 1983

Novotny, Norbert, 1973

Nunis, Doyce, Jr., 1989

Oakley, Susan H., 1974

O'Gorman, Brit and Peter, 1983

O'Gorman, James F., 1973, 1984

Ohannesian, Paul B., 1978, 1979

On Site -- , 1975

Owen, Tom, 1963, undated

Pacific Design Center, 1985

Palazzo Dell'Edilizia, 1963, 1964

Pan American World Airways System, 1955, 1956

Pardee, Clark, 1989

Park, Donald, 1986

Park, Helen, 1979

Paul, Stella, 1988

Peregrine Press, 1971, 1977, 1986, 1989

Perspecta (Jeff Limerick), 1961, 1975, 1976, undated

Pflueger, Donald, 1989

Pidgeon, Monica, 1973, 1974, 1980, 1982, 1986

Plantin Press, Ltd., 1984

Praeger Publishers, Inc., 1972

Price, Joe D., 1969

Price, Martin, 1964

Prinsloo, Ivor, 1988

Producer-Writers Guild of America Pension Plan, 1960

Pyne Press, 1974

Rand, Marvin, 1989

Read, Gardner, 1968

Reinhold Book Division, 1968

Reinhold Publishing Division, 1960, 1970

Rhode Island Historical Society, 1977

Rhode Island School of Design, 1977

Ricasoli, Bettino, 1960

Ricci, Leonardo, 1966

Rice Design Alliance, 1976

Richardson, Betty, 1982

Richardson, Sara, 1987

Riggs, Lutah Maria, 1978

Rinehart, Arley, 1977, 1978

Roark, I. L., Jr., 1948

Robertson, A. G., 1954

Robinson, Sidney, 1973

Roche, Kevin, 1968

Rosa, Joseph, 1987, 1988

Rose, Ronald, 1984

Rosenberg, George, 1952

Rosenstone, Robert, 1973, 1974

Ross, Michael Franklin, 1979

Ross, William D., 1952

Roth, Leland, 1978

Rouillard, Dominique, 1985

Rucker, Karen Conan, 1985, 1986

Ruff, Carl, 1977

Ruocco, Ilse, 1946

Russell, Julia, 1982

Rydell, Roy, 1974, 1976

Sadler, H. G., 1973

San Diego City Council, 1984

San Diego Museum of Art, 1979

San Francisco State College, 1968

Sanders, Terry, 1965

Sanguinetti, Vittorio, 1963, 1964

Santa Monica Landmarks Commission, 1981

Santini, Pier Carlo, 1964

Saturday Evening Post -- , 1959, 1960

Sauer, Louis, 1968

Sawelson-Gorse, Naomi, 1989

Secrest, Meryle, 1988

Serulnic, Mrs. George, 1967

Sewell, Elaine K., 1966

Shapira, Nathan, 1966, 1967, 1968, 1969, 1979, 1983, undated

Shaw, Lawrence C., 1948

Shultz, Susan, 1969

Simo, Melanie, 1987, 1988

Simon and Schuster, Inc., 1963

Smith, C. Ray, 1972

Smith, Frank Folsom, 1967

Smith, Kathryn, 1979, 1987, 1988, undated

Smith, Robert, 1972

Smith, Whitney, 1970

Smithson, Alison, 1983, 1985

Snow, C. P., 1960, 1961

Solomon, Barbara Probst, 1984

Southern California Institute of Architecture, 1989

Southwest Review -- , 1952

Space Design -- , 1984

Speiss, Fred, 1977, undated

Stahlberg, Arlen, 1976

Stanfield, Cecil E., 1949

Stegner, Wallace, 1947, 1951

Steinbrueck, Victor, 1964

Stern, Robert and Lynn, 1965, 1966, 1973

Sterner, Carl John, 1974

Stickney, Charles, 1964, 1967

Stone Magazine -- , 1965

Strand, Janann, undated

Straub, Calvin, 1970

Sunset Magazine -- , 1981

Sussman, Deborah, 1987, 1989, undated

Super, Rob, 1974

Taylor, Crombie, 1967

Tazewell, E. Bradford, Jr., 1967

Temko, Allan, 1957, 1966, 1970, 1988, 1989

The Modern Quarterly -- , 1948

The Pacific Spectator -- , 1947

Thiry, Paul, 1949

Tigerman, Stanley, 1965, 1977

Toland, James, 1955, 1957

Travers, David, 1963, 1964, 1966, 1967, 1968, 1972, 1977, 1987, undated

Tulane University, 1982, 1983, undated

Turner, George P., 1960

Underhill, Anna A., 1941

University of California, Berkeley, 1974, 1978

University of California Extension, 1974

University of California, Santa Barbara, 1966, 1969, 1972, 1982, 1987

University of California, Santa Cruz, 1972, 1973, 1974, 1978, 1979

University of Cambridge, Department of Architecture, 1975

University of Oklahoma, 1949, 1985

University of Pennsylvania, 1984

University of Southern California, 1970

University Press of Kentucky, 1974

University Prints, 1957

University Women's Club, 1972, 1975, 1983

Vaccarino, Donna, 1989

Van Doren, Phyllis, 1984

Veret, Jean-Louis, 1960

Ventre, Francis T., 1985

Veronesi, Giulia, 1966, 1974

Via -- , 1976

Victor Gruen Foundation for Environmental Planning, 1972

Victor, Michael, 1983

Voelcker, John, 1968

Von Breton, Harriette, 1969

Von Eckardt, Wolf, 1981, 1983, 1984

Vreeland, Thomas, 1965, 1969, 1974, 1984

W. W. Norton and Co., 1966

Walker Art Center, 1975

Walker, Derek, 1982

Walker, Sam, 1985

Walton, Billy, 1986

Ward, Robert and Sandra Williams Photography of Architecture, 1977, 1978

Ward, Robertson, 1981

Wasserman, Steve, 1984, 1985, 1986

Waugh, Arthur B., 1959

Wayne, June, 1981, 1985

Weirick, James, 1970, 1974

Weiss, Peggy, 1982, 1984

Wemple, Emmet L., 1974, undated

Western Association of Art Museums, 1967

Wicks, Ebba L., 1949

Wight, Frederick S., 1966

Wilk, Christopher, 1987

William Morris Agency, 1957

William Morrow and Company, Inc., 1950

Williams, Alexander Kruse, 1985

Williams, Wayne R., 1952, 1953, 1972

Wills, David, 1969

Wilson, Forrest, 1972, 1975, 1983,1987

Wilson, Richard Guy, 1981

Winslow, Carleton Monroe, 1969, undated

Winter, Bob, 1964, 1975, 1976, undated

Woman's Building, 1987

Woman's Day -- , 1957

Women's Architectural League, 1981

Wood, Donna, 1981

Woodbridge, Sally, 1977, 1982

Woollen, Evans, 1983, 1984

Wright, Eric Lloyd, 1984

Writers Guild of America, West, 1967, 1969

Wurster, William, 1964

Zevi, Bruno, 1959, 1960, 1963, 1965, 1974
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccoesth, Subseries 2.3
See more items in:
Esther McCoy papers
Esther McCoy papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw959b6b072-2801-4a48-897a-dbdaff4b6fde
EDAN-URL:
ead_component:sova-aaa-mccoesth-ref115

Richard Artschwager's theme(s)

Author:
Artschwager, Richard 1923-2013  Search this
Author:
Albright-Knox Art Gallery  Search this
University of Pennsylvania Institute of Contemporary Art  Search this
La Jolla Museum of Contemporary Art  Search this
Subject:
Artschwager, Richard 1923-2013  Search this
Physical description:
103 p. : ill. ; 26 cm
Type:
Books
Exhibitions
Date:
1979
C1979
Call number:
N6537.A72 A4 1979X
N40.1.A787 A3
N40.1.A787A3
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_126193

Rauschenberg, Robert

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 84, Folder 7
Type:
Archival materials
Date:
1984
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 4: Artists Files / 4.1: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96d680829-80f7-4be2-be08-ddad381245f0
EDAN-URL:
ead_component:sova-aaa-leocast-ref11624
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La Jolla Museum of Contemporary Art

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 47, Folder 45
Type:
Archival materials
Date:
1974, 1980-1990
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 5: Dealer and Institution Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ef1ea0d4-b091-447e-9867-e0cd7554d1d8
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1510

La Jolla Museum of Contemporary Art; Carlo Lamango Gallery; Dan Rice

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 47, Folder 46
Type:
Archival materials
Date:
1985
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 5: Dealer and Institution Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98b41b8c7-7abc-4d46-9e62-171dc83b8a0e
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1511

Artschwager, Richard: Theme(s) - La Jolla Museum of Contemporary Art (January-March)

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 56, Folder 26
Type:
Archival materials
Date:
1980
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 3: Exhibition Files / 3.6: Solo Shows, Other Galleries
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92d4a0330-2e8b-449d-ac9a-5a7a35af8e45
EDAN-URL:
ead_component:sova-aaa-leocast-ref11046

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