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Interview with Yayoi Kusama

Creator:
Kusama, Yayoi, 1929-  Search this
Conant, Howard Somers, 1921-2011  Search this
Kusama, Yayoi, 1929-  Search this
Type:
Sound Recording
Date:
1968 February 15
Record number:
(DSI-AAA)15654
See more items in:
Howard Somers Conant papers, 1944-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15654

Nanae Momiyama papers

Creator:
Momiyama, Nanae, 1924-2002  Search this
Names:
Bruce Museum  Search this
Kenkeleba House  Search this
National Association of Women Artists (U.S.)  Search this
Kusama, Yayoi, 1929-  Search this
Secor, Johanna  Search this
Extent:
3 Linear feet
3 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Scrapbooks
Sound recordings
Greeting cards
Interviews
Sketches
Drawings
Photographs
Place:
Japan
Date:
1928-circa 2000
bulk 1948-2000
1928-circa 2000
bulk 1948-2000
Summary:
The papers of New York painter, calligrapher, and educator, Nanae Momiyama measure 3.0 linear feet and date from 1928-circa 2000, with the bulk of the materials dating from 1948-1990s. The collection traces Momiyama's career as a first wave post-World War II Japanese-American artist through biographical material, correspondence, writings and notes, business records, printed material, scrapbooks, sketches and sketchbooks, and photographs.
Scope and Content Note:
The papers of New York painter, calligrapher, and educator, Nanae Momiyama measure 3.0 linear feet and date from 1928-circa 2000, with the bulk of the materials dating from 1948-1990s. The collection traces Momiyama's career as a first wave post-World War II Japanese-American artist through biographical material, correspondence, writings and notes, business records, printed material, scrapbooks, sketches and sketchbooks, and photographs.

Biographical material includes resumes, a graduation certificate, passports, artist's statements, a calendar of lectures, address books, miscellaneous biographical material, and a 1972 WGCH radio interview with Nanae Momiyama.

Correspondence is mostly professional and consists of incoming and outgoing letters with arts organizations, museums, and galleries, such as the Bruce Museum, the Japanese Artists'Association, Kenkeleba House, and the National Association of Women Artists. There is some personal correspondence from family and friends, including Yayoi Kusama and Johanna Secor.

Writings and notes contain writings and notes by Nanae Momiyama and others. Writings and notes mostly consist of drafts of lectures and press releases relating to Momiyama's class demonstrations on Sumi-e painting.

Business records include annotated painting lists, consignments, a loan agreement, a contract, and scattered receipts. Painting lists and sales receipts provide a detailed record of works sold by Nanae Momiyama from 1974-1987.

Nanae Momiyama's activities as an artist are well-documented through printed materials, including press releases, clippings, periodicals, exhibition invitations, announcements, and catalogs, periodicals, annotated checklists, and brochures. Also found is Momiyama's monograph on Sumi-e painting.

Five scrapbooks contain exhibition-related material, such as announcements, invitations, brochures, reviews, installation shots, and artwork. One scrapbook is of a more personal nature and includes notes, handmade holiday cards by the artist, and photographs of Momiyama's children.

Artwork comprises sketches, drawings, and graphic designs. Sketches are mostly studies for Nanae Momiyama's paintings. Also included are five sketchbooks; one sketchbook is devoted to Momiyama's calligraphy.

Photographs are of Nanae Momiyama and others, exhibition installations and artwork, miscellaneous photographs, and slides of artwork. Also found are six photograph albums of images of Nanae Momiyama with family, friends, and colleagues. Of interest, are two photograph albums depicting Nanae Momiyama's school life and social activities in Japan from 1928-1940s.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Material, 1948-1995 (Box 1: 0.4 linear feet)

Series 2: Correspondence, 1953, 1970s-1993 (Box 1; 0.1 linear feet)

Series 3: Writings and Notes, circa 1950s-1995 (Box 1; 0.1 linear feet)

Series 4: Business Records, 1962-1987 (Box 1; 0.1 linear feet)

Series 5: Printed Material, circa 1950s-1995 (Box 1; 0.8 linear feet)

Series 6: Scrapbooks, 1948-1978 (Box 2; 0.3 linear feet)

Series 7: Sketches and Drawings, circa 1950s-1970s (Box 2; 0.1 linear feet)

Series 8: Sketchbooks, circa 1975-1997 (Box 2; 0.1 linear feet)

Series 9: Photographs, 1928-circa 2000 (Box 3; 1.0 linear feet)
Biographical Note:
Nanae Momiyama (1924-2002) was a Japanese American painter, calligrapher, and educator based in New York City, New York and Greenwich, Connecticut.

In 1924, Nanae Momiyama was born in Tokyo, Japan. In 1944, she graduated from Bunka Gakuin College in Tokyo, where she later taught painting and drawing. In 1954, under the sponsorship of the Japanese government, Nanae Moimiyama attended the Art Students' League in New York City, where she was mentored by the painter, Morris Kantor. During this period, Momiyama participated in exhibitions organized by the cooperative galleries on East Tenth Street in New York City that were promoting the works of Abstract Expressionist artists.

Nanae Momiyama's artistic interests extended to the teaching of Japanese calligraphy and Sumi-e paintings at colleges, universities, and art institutions, including the National Teacher's Convention for Asian Studies at Brooklyn College, Columbia University, and Japan Society. During her career, Momiyama received commissions to design posters for movies, plays, and concerts and to illustrate books and magazines. In addition, she wrote Sumi-e, An Introduction to Ink Painting that became a standard text on the subject.

Nanae Momiyama participated in many solo and group exhibitions in the United States and abroad: Brata Gallery, the Bruce Museum, Gima Gallery, Ligoa Duncan Gallery, and Seibu Galleries, among others.

Nanae Momiyama was a long time resident of Greenwich, Connecticut. She died in 2002.
Provenance:
The collection was donated by Haniwa Gottlieb, Nanae Momiyama's daughter, in 2009.
Restrictions:
Use of original papers requires an appointment.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Calligraphers  Search this
Educators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Japanese American artists  Search this
Calligraphy, Japanese  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American women artists  Search this
Women artists  Search this
Asian American painters  Search this
Asian American educators  Search this
Genre/Form:
Sketchbooks
Scrapbooks
Sound recordings
Greeting cards
Interviews
Sketches
Drawings
Photographs
Citation:
Nanae Momiyama papers, 1928-circa 2000, bulk 1948-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mominana
See more items in:
Nanae Momiyama papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mominana

Oral history interview with Frank S. Okada

Interviewee:
Okada, Frank S. (Frank Sumio), 1931-2000  Search this
Interviewer:
Johns, Barbara  Search this
Names:
Cornish School of Allied Arts (Seattle, Wash.)  Search this
Cranbrook Academy of Art -- Students  Search this
University of Oregon -- Faculty  Search this
Bunce, Louis, 1907-1983  Search this
Charles, Ray, 1930-2004  Search this
Chin, Frank, 1940-  Search this
Davis, Sammy, 1925-  Search this
Derbyshire, Leon  Search this
Dusanne, Zoe, 1884-1977  Search this
Horiuchi, Paul, 1906-  Search this
Inada, Lawson Fusao  Search this
Ivey, William, 1919-1992  Search this
Jones, Quincy, 1933-  Search this
Kusama, Yayoi, 1929-  Search this
Martin, David Stone  Search this
Nomura, Kenjiro, 1896-1956  Search this
Okada, John  Search this
Peck, James Edward, 1907-  Search this
Shahn, Ben, 1898-1969  Search this
Tobey, Mark  Search this
Tsutakawa, George  Search this
Extent:
87 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1990 Aug. 16-17
Scope and Contents:
An interview of Frank Okada conducted 1990 Aug. 16-17, in Seattle, Wash., by Barbara Johns, for the Archives of American Art Northwest Asian American Project. Okada discusses his parents' background; his family including his brothers, John, author of "No-No Boy," and Charlie, a graphic designer; traveling to Japan for the Pacific Northwest Artists and Japan exhibition; being in an internment camp; painting in Eugene, Ore. and Seattle, Wash.; his painting techniques; studying under Leon Derbyshire; his connection with the jazz scene in Seattle in the late 1940s and 1950s including musicians Sammy Davis, Ray Charles, and Quincy Jones; attending Cornish School of Art, Seattle; meeting Mark Tobey; comparision of his painting style to Tobey's; his stint in the Army; attending Cranbrook Academy of Art and studying with painter Fred Mitchell; his Whitney fellowship in New York; study of Japanese, Chinese, and Zen paintings; working for Boeings in the early 1960s; traveling to France on a Guggenheim; teaching at University of Oregon in Eugene; his minimalist work; influence of Japanese art in his painting. Okada mentions Lawson Inada (Asian American poet), Frank Chin (Asian American playwright), artists David Stone Martin, James Edward Peck, Yayoi Kusama, George Tsutakawa, Paul Horiuchi, Ben Shahn, Kenjiro Nomura, Louis Bunce, Bill Ivey, and art gallery owner Zoe Dusanne.
Biographical / Historical:
Frank S. Okada (1931-2000) was a Japanese American painter based in Seattle, Washington. He taught at University of Oregon from 1969-1999.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hrs., 38 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Washington (State) -- Seattle  Search this
Sculptors -- United States  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Art, Japanese American influences  Search this
Painting, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Painting, Japanese  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Painting, Zen  Search this
Painting, Chinese  Search this
Asian American painters  Search this
Asian American sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.okada90
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-okada90

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