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Interview with Roger Kuntz for the "Art scene" radio series

Creator:
Kuntz, Roger, 1926-1975  Search this
Gore, Marian L.  Search this
Type:
Sound Recording
Date:
1963 March 6
Citation:
Roger Kuntz and Marian L. Gore. Interview with Roger Kuntz for the "Art scene" radio series, 1963 March 6. Marian Gore "Art Scene" interviews and papers, 1958-1969. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)12279
See more items in:
Marian Gore "Art Scene" interviews and papers, 1958-1969
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12279

Interview with Roger Kuntz

Creator:
Kuntz, Roger, 1926-1975  Search this
Saltman, Molly, 1915-2010  Search this
Subject:
KPAL (Radio station : Palm Springs, California)  Search this
Type:
Sound Recording
Date:
1966-1967
Citation:
Roger Kuntz and Molly Saltman. Interview with Roger Kuntz, 1966-1967. Molly Saltman "Art and Artists" interviews, 1966-1967. Archives of American Art, Smithsonian Institution.
Topic:
Painters  Search this
Record number:
(DSI-AAA)20867
See more items in:
Molly Saltman "Art and Artists" interviews, 1966-1967
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20867

Marian Gore "Art Scene" interviews and papers

Creator:
Gore, Marian L.  Search this
Names:
Ankrum Gallery  Search this
Ceeje Gallery  Search this
Comara Gallery  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
KPFK (Radio staion : Los Angeles, Calif.)  Search this
Silvan Simone Gallery  Search this
Albers, Josef  Search this
Albert, Michel (artist)  Search this
Ankrum, Joan  Search this
Blair, Streeter, 1888-1966  Search this
Brigante, Nicholas P., 1895-1989  Search this
Carter, Earl  Search this
Cremean, Robert, 1932-  Search this
Cuevas, José Luis, 1934-  Search this
Elliot, James, 1943-2011  Search this
Falkenstein, Claire, 1908-1997  Search this
Geoffrey, J. Iqbal, 1939-  Search this
Gerchik, Paul  Search this
Goeritz, Mathias, 1915-1990  Search this
Greene, Balcomb, 1904-1990  Search this
Hansen, Jurgen  Search this
Hopps, Walter  Search this
Kuntz, Roger, 1926-1975  Search this
Leavitt, Thomas W.  Search this
Lebrun, Rico, 1900-1964  Search this
Lipchitz, Jacques, 1891-1973  Search this
Luna, Mario  Search this
Mallary, Robert, 1917-1997  Search this
Nevelson, Louise, 1899-1988  Search this
Ortiz, Emilio, 1936-  Search this
Robles, Esther  Search this
Schniede, Otto  Search this
Schwaderer, Fritz (Fritz Karl), 1901-  Search this
Siqueiros, David Alfaro  Search this
Tamayo, Rufino, 1899-  Search this
Vicente, Esteban, 1903-2001  Search this
Wark, Robert R.  Search this
Wayne, June, 1918-2011  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Photographs
Interviews
Transcripts
Date:
1958-1969
Summary:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marian Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.
Scope and Contents:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marion Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.

The "Art Scene" Interviews series contains 36 interviews from Gore's "Art Scene" radio series of interviews relating to the contemporary art scene in Los Angeles, particularly galleries and artists showing on La Cienega Boulevard in West Hollywood. Also found is a single episode of another KPFK program called "Seen at the galleries" and hosted by Earl Carter, featuring an interview with Jacques Lipchitz on the occasion of his retrospective at UCLA. Two interviews, with Mathias Goeritz and David Siqueiros, were conducted in Mexico City. Other interview subjects include Michel Albert, Josef Albers, Joan Ankrum, Streeter Blair, Nick Brigante, Robert Cremean, José Luis Cuevas, James Elliott, Claire Falkenstein, Balcomb Greene, Paul Gerchik, Jurgen Hansen, Walter Hopps, Roger Kuntz, Rico Lebrun, Dr. Thomas Leavitt, Jacques Lipchitz, Mario Luna, Robert Mallary, Louise Nevelson, Emilio Ortiz, Esther Robles, Otto Schniede, Fritz Schwaderer, Rufino Tamayo, Esteban Vicente, Robert Wark, and June Wayne.

Artist files include mainly brief, typewritten notes created for Gore's radio interviews, with the questions she asked her interview subjects and brief introductory or concluding remarks. Correspondence is also found in files for Robert Cremean, Iqbal Geoffrey, Balcomb Greene, Robert Mallary, Emilio Ortiz, and Esteban Vicente. Louise Nevelson's file also contains a transcript of her interview with Gore. Also found scattered in some files are notes, photographs, clippings, press releases, resumes, and exhibition programs. Note that not every person in this series has a corresponding sound recording in Series 1, and not every interviewee in Series 1 has a corresponding file in this series.

Most of the material in the Printed Materials series consists of exhibition announcements, programs, and posters from Galleries in the Los Angeles, California area, particularly those along La Cienega Boulevard. Of these, Ankrum Gallery, Ceeje Gallery, Comara Gallery, Dwan Gallery, Ferus Gallery, and Silvan Simone Gallery on Olympic Boulevard contain the most material, with many of the other files containing only one or two pieces. Of note are original prints promoting exhibitions at the Ferus and Ceeje Galleries, and a poster for an art walk along La Cienega Boulevard in the file for the Los Angeles County Museum of Art.
Arrangement:
The collection is arranged in 3 series:

Missing Title

Series 1: "Art Scene" Interviews (1.3 linear feet, Boxes 1-2, 4)

Series 2: Artist Files (0.2 linear feet, Boxes 2, 4)

Series 3: Printed Materials (0.7 linear feet, Boxes 3-4, OV 5)
Biographical / Historical:
Marian L. Gore (1914-2009) volunteered as a radio interviewer for KPFK between 1962-1964, conducting a series of interviews with Los Angeles-area artists, curators, collectors, and gallerists in response to a growing awareness of Los Angeles' rapidly growing role as a creative center and art market.

Born Marian Lucille Moore on Feb. 27, 1914, in Los Angeles to Fred and Lucille Moore. Fred Moore, an attorney, defended Nicola Sacco and Bartolomeo Vanzetti in the infamous 1921 trial. Following her divorce in the early 1960s, Gore approached the radio station KPFK, who was looking for someone to interview local artists. In a 1997 letter that accompanied her donation of the collection to the Archives, Gore writes,

"The early 1960's were an interesting and probably unique period for the Southern California art world. In Los Angeles on La Cienega Boulevard galleries had sprung up like mushrooms, and on Friday nights those who were interested in this scene would go from one gallery to another noting what artists were featured and what trends were apparent. It was a pleasurable way to meet artists as well as a social event where one could see friends and exchange impressions.

"Because I was searching for something to do, at the suggestion of a friend I had gone to radio station KPFK to volunteer my services in any way possible. It turned out to be a most fortuitous time for this offer. The management was interested in possible intervie3ws with artists, and so it all began. I had never done an interview in my life and was astounded to discover how easy it was to get artists, gallery owners, and even museum personnel to talk aobut what they did. Once this began I was swaped with requests for taped interviews, far more than I could manage."

Gore later became an antiquarian bookseller specializing in books on food and drink. She retired in 1994 and donated her book collection to the Los Angeles Public Library.
Provenance:
Donated 1997 by Marian Gore.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Curators -- California -- Los Angeles  Search this
Gallery owners -- California  Search this
Artists -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Photographs
Interviews
Transcripts
Citation:
KPFK "Art Scene" interviews, 1950-1969. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goremari
See more items in:
Marian Gore "Art Scene" interviews and papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b8a530a5-0d06-4fcc-95c4-d1f0648c0264
EDAN-URL:
ead_collection:sova-aaa-goremari

Los Angeles Art Association records

Creator:
Los Angeles Art Association  Search this
Names:
George Eastman House  Search this
Stendahl Art Galleries  Search this
Watts Towers Commission  Search this
Burkhardt, Hans Gustav, 1904-1994  Search this
Engel, Jules  Search this
Kosa, Emil Jean, 1903-1968  Search this
Kuntz, Roger, 1926-1975  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Menches, Arnold  Search this
Selz, Peter Howard, 1919-2019  Search this
Wurdemann, Helen  Search this
Zajac, Jack, 1929-  Search this
Extent:
12.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Visitors' books
Scrapbooks
Date:
1922-1990
Summary:
The Los Angeles Art Association records measure 12.6 linear feet and date from 1922-1990. Almost a third of the collection consists of artists' files containing a wide variety of materials documenting the association's relationship with numerous California and international artists. Also found are ten scrapbooks documenting exhibitions and events over the course of 50 years, administrative files, correspondence, subject files, exhibition files, financial and legal records, printed material, and photographic material depicting artists, events, and artwork. Scattered files of Executive Director Helen Wurdemann's are also found throughout the collection.
Scope and Contents:
The Los Angeles Art Association records measure 12.6 linear feet and date from 1922-1990. Almost a third of the collection consists of artists' files containing a wide variety of materials documenting the association's relationship with numerous California and international artists. Also found are ten scrapbooks documenting exhibitions and events over the course of 50 years, administrative files, correspondence, subject files, exhibition files, financial and legal records, printed material, and photographic material depicting artists, events, and artwork. Scattered files of Executive Director Helen Wurdemann's are also found throughout the collection.

Administrative records include board of trustees' meeting minutes, membership correspondence, materials relating to publicity, visitor and artist registers, founding documents, and files on the history of the organization. Files about or created by Executive Director Helen Wurdemann are also found.

Correspondence, including greeting cards and notes, documents the LAAA's relationship with artists, other associations, museums, and collectors. Hans Burkhardt, Emil J. Kosa Jr., Roger Kuntz, Stanton MacDonald-Wright, Arnold Menches, and Peter Selz are among the correspondents.

Subject files compiled and maintained by the LAAA document special interests, events, and projects. There are files for various arts organizations, Stendhal Gallery, and the Watts Towers Commission.

Exhibition files are found for "Loan Exhibition of International Art" (1937), "Photographs of the George Eastman House Collection 1840-1915" (1968), "Independent Artists of Los Angeles" (1923), and "Top Flight Artists of Southern California" (1941), among others.

Almost a third of the collection consists of artists' files documenting the LAAA's relationship with many California and international artists over the years. Files are varied but often include artists' biographical information, resumes, photographs, price lists, artist statements, and printed materials. Artists include Hans Burkhardt, Jules Engel, and Jack Zajac, among many others.

Financial and legal records consist of daily and exhibition ledgers, art rental and sales files, audit reports and financial statements, billing receipts, bankruptcy legal papers, a prints price list, and miscellaneous financial notes.

Printed material consists of museum and LAAA bulletins, clippings, art school catalogs and brochures, exhibition announcements and catalogs, bulletins and newsletters from other organizations, periodicals, proofs of the "Loan Exhibition of International Art" (1937) exhibition catalog, and a limited edition copy of the book, Paintings by William Merritt Chase signed to the LAAA by B. M. Newhouse.

Photographs, slides, negatives, and copy prints depict LAAA events and gallery openings, artists and people, Executive Director Helen Wurdemann, and works of art by various artists. There are also photographs for publications and a photograph album of artwork by Douglass Parshall.

Ten scrapbooks document LAAA events and exhibitions through clippings, articles, photographs, notes and annotations, announcements, and printed materials.
Arrangement:
This collection is arranged as 9 series. Records are generally arranged by material type and chronologically thereafter.

Missing Title

Series 1: Administrative Records, 1925-1989 (Box 1; 0.75 linear feet)

Series 2: Correspondence, 1933-1990 (Boxes 1-2; 0.5 linear feet)

Series 3: Subject Files, 1924-1987 (Box 2; 0.5 linear feet)

Series 4: Exhibition Files, 1923-1982 (Boxes 2-3; 0.45 linear feet)

Series 5: Artists' Files, 1926-1986 (Boxes 3-6; 3.6 linear feet)

Series 6: Financial and Legal Records, 1932-1987 (Boxes 6-8; 1.6 linear feet)

Series 7: Printed Material, 1922-1987 (Boxes 8-9; 1.5 linear feet)

Series 8: Photographic Materials, 1925-1980 (Boxes 9-10, 13; 0.9 linear feet)

Series 9: Scrapbooks, 1934-1985 (Boxes 10-12, 14; 2.8 linear feet)
Biographical / Historical:
Originally founded as the Museum Patrons Association in 1925, the Los Angeles Art Association (LAAA) supported California artists and played an integral role in developing the Los Angeles art community.

The original intent of the Museum Patrons Association was to purchase works of art for the Los Angeles Museum of History, Science and Art. In 1933, the organization separated from the museum and was renamed the Los Angeles Art Association with a primary goal to connect to the broader Los Angeles art community through exhibitions, limited sales, rentals, events, and education. In 1944, with Helen Wurdemann (1892-1988) as Executive Director, the LAAA began to focus more on contemporary local artists, providing a place for the Southern California "hard-edge" abstractionist movement to flourish. In 1951, California painter Lorser Feitelson curated an exhibition of Hans Burkhardt, the LAAA's first solo exhibition of a local artist. Throughout its existence and continuing today, the LAAA has served as a place for arts education, outreach, and community-from its representation of artists studying under the GI bill between 1953 and 1965, to its participation in Monday night art-walks after its move to "Gallery Row" in 1960.
Provenance:
The Los Angeles Art Association records were donated to the Archives of American in 1990 and 1991 by Richard Campbell of the Los Angeles Art Association.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Exhibitions -- California -- Los Angeles  Search this
Artists -- California -- Los Angeles  Search this
Function:
Arts organizations -- California
Genre/Form:
Photographs
Visitors' books
Scrapbooks
Citation:
Los Angeles Art Association records, 1922-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.losangea
See more items in:
Los Angeles Art Association records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cd967004-33e6-41c6-b364-9324d2974d86
EDAN-URL:
ead_collection:sova-aaa-losangea
Online Media:

Margery Byers papers

Creator:
Byers, Margery  Search this
Names:
Bengston, Billy Al  Search this
Irwin, Robert, 1928-  Search this
Kienholz, Edward, 1927-  Search this
Kuntz, Roger, 1926-1975  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
McLaughlin, John, 1898-1976  Search this
Extent:
3 Items
Type:
Collection descriptions
Archival materials
Date:
1962
Scope and Contents:
Two letters, from John McLaughlin and Stanton Macdonald-Wright regarding their features in LIFE magazine; and an edited typescript about Billy Al Bengston, Robert Irwin, Edward Kienholz, Roger Kuntz, Stanton Macdonald-Wright, and John D. McLaughlin by Byers and published in LIFE.
Biographical / Historical:
Writer (New York City).
Provenance:
Donated 1982 by Margery Byers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Authors -- New York (State) -- New York  Search this
Topic:
Women authors  Search this
Identifier:
AAA.byermarg
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95797810b-132c-4ed3-9290-7c3a5a83319a
EDAN-URL:
ead_collection:sova-aaa-byermarg

Challis Galleries records

Creator:
Challis Galleries (Laguna Beach, Calif.)  Search this
Names:
Adele Bednarz Galleries  Search this
Laguna Art Museum (Laguna Beach, Calif.)  Search this
Laguna Beach. City Council (Calif.)  Search this
Bongart, Sergei, 1918-1985  Search this
Bradbury, Bennett  Search this
Brandt, Rex, 1914-2000  Search this
Challis, Richard  Search this
Dan, Virginia  Search this
DiBert, Paul  Search this
Dike, Phil, 1906-1990  Search this
Farron, Paul  Search this
Franks, Leon  Search this
Kuntz, Roger, 1926-1975  Search this
Marlette, Lacy  Search this
O'Hara, Frank, 1926-1966  Search this
Pillin, Polia  Search this
Proctor, Burt  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1950-1994
Summary:
The records of Challis Galleries located in Laguna Beach, California, measure 2.2 linear feet and date from 1950 to 1994. The bulk of the records consist of artists' files and sales ledgers. Also included are a few administrative files and business correspondence.
Scope and Contents:
The records of Challis Galleries located in Laguna Beach, California, measure 2.2 linear feet and date from 1950 to 1994. The bulk of the records consist of artists' files and sales ledgers. Also included are a few administrative files and business correspondence.

Administrative files include Challis Galleries brochures, materials related to exhibitions and events; one folder on Adele Bednarz Galleries, which Richard Challis ran for two years; and one folder of miscellaneous printed material.

Business correspondence is from art world colleague Paul Farron, accountant Lacy Marlette, Laguna Beach City Council, and Laguna Beach Museum of Art on matters relating to operating Challis Galleries.

Artists' files include a range of materials on artists represented by Challis Galleries such as biographical outlines, photographs, printed material and price lists. Notable artists include Bennett Bradbury, Sergei Bongart, Rex Brandt, Virginia Dan, Paul Di Bert, Phil Dike, Leon Franks, Roger Kuntz, Eliot O'Hara, Polia Pillin and Burt Proctor, among others.

There are 16 ledgers that record the sales of artwork at Challis Galleries.
Arrangement:
The collection is arranged as four series.

Series 1: Administrative Files, 1965-1989 (Box 1; 6 folders)

Series 2: Business Correspondence, 1951-1983 (Box 1; 0.2 linear feet)

Series 3: Artists' Files, 1950-1994 (Boxes 1-2; 1.3 linear feet)

Series 4: Sales Ledgers, 1958-1984 (Boxes 2-3; 0.6 linear feet)
Biographical / Historical:
Challis Galleries (1950-1984) was an art gallery in Laguna Beach, California, that featured the work of local and regional artists.

Richard Challis was born in London, England in 1920 and moved to Laguna Beach, California in 1946. Roughly three years after arriving in California, he purchased a building at 1390 South Coast Highway which became Laguna Studio Gallery, later renamed as Challis Galleries in 1966. The gallery officially opened its doors in 1950.

Challis Galleries showcased the work of California watercolorists and regional artists. Among the artists represented are Bennett Bradbury, Sergei Bongart, Rex Brandt, Virginia Dan, Paul Di Bert, Phil Dike, Leon Franks, Roger Kuntz, Eliot O'Hara, Polia Pillin, Burt Proctor, and many others. The gallery held regular exhibitions with Richard Challis as its director until his retirement in 1984. Shortly thereafter the gallery was sold to Esther Wells and became known as the Esther Wells Collection.
Provenance:
The Challis Galleries records were donated to the Archives of American Art by gallery owner Richard Challis in 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Art, Modern -- 20th century -- California -- Exhibitions  Search this
Function:
Art galleries, Commercial -- California
Citation:
Challis Galleries records, 1950-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chalgall
See more items in:
Challis Galleries records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92cf3eb48-bf4c-498e-8fc5-126d9143dd71
EDAN-URL:
ead_collection:sova-aaa-chalgall

Arts 1967, (sculpture)

Sculptor:
Kuntz, Roger 1926-1975  Search this
Medium:
Bronze
Type:
Sculptures
Date:
1967
Topic:
Undetermined  Search this
Control number:
IAS 76006675
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_17498

Untitled (Dancing Nude), (sculpture)

Sculptor:
Kuntz, Roger 1926-1975  Search this
Medium:
Bronze on pink granite base
Type:
Sculptures
Owner/Location:
Administered by Galleries of the Claremont Colleges 333 College Way Claremont California 91711-6344 Accession Number: P85.4.3
Located at Pomona College Montgomery Art Gallery Claremont California 91711-6344
Topic:
Figure--Nude  Search this
Performing Arts--Dance  Search this
Control number:
IAS 02240010
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_30042

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