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Oral history interview with Allan Sekula

Interviewee:
Sekula, Allan  Search this
Interviewer:
Panzer, Mary  Search this
Names:
Artforum  Search this
California Institute of the Arts  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
The Ohio State University -- Faculty  Search this
University of California, San Diego  Search this
Altoon, John, 1925-  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Baldessari, John, 1931-  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Bo Diddley, 1928-2008  Search this
Brach, Paul, 1924-  Search this
Braderman, Joan  Search this
Burch, Noël, 1932-  Search this
Burn, Ian, 1939-1993  Search this
Captain Beefheart  Search this
Charlesworth, Sarah, 1947-2013  Search this
Chayefsky, Paddy, 1923-1981  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Evans, Walker, 1903-1975  Search this
Farber, Manny  Search this
Feldman, Ronald, 1938-  Search this
Folks, Homer, 1867-1963  Search this
Fox, Terry, 1943-  Search this
Fried, Howard, 1946-  Search this
Ginsberg, Allen, 1926-1997  Search this
Graham, Dan, 1942-  Search this
Graves, Michael, 1934-2015  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab, 1925-2015  Search this
Hayes, Woody, 1913-1987  Search this
Heinecken, Robert, 1931-  Search this
Higgins, Dick, 1938-1998  Search this
Hine, Lewis Wickes, 1874-1940  Search this
Kienholz, Edward, 1927-  Search this
Kirschenbaum, Baruch David, 1931-  Search this
Knowles, Alison, 1933-  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
König, Kasper  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard, 1932-  Search this
Lonidier, Fred  Search this
Lord, Catherine, 1949-  Search this
Lunn, Harry, 1933-1998  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta, 1912-2002  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A., 1949-  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene, 1950-  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff, 1946-  Search this
Extent:
12 Items (Sound recording: 12 sound files (6 hr.,14 min.), digital, wav)
143 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 August 20-2012 February 14
Scope and Contents:
An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.
Sekula speaks of his career and some of the mediums he works in; language and contemporary art; Roland Barthes; his relation to contemporary art; west coast conceptualism; genre switches; realism; documentary photography; Belgium and the industrial revolution; Meunier; minor figures; art history and marginalism; Roberto Matta; World War I; Homer Folks; Fish Story; historic cinema; economic factors of art shows and publication; galleries and the art world; growing up and his family; his father and moving; Ohio; his brothers and sisters; San Pedro; demographics of students at school; sports at school; Vietnam; protests; cross country and swimming; California; fishing; college; U.C. system; declaring a major; John Altoon; Ed Kienholz; exposure to art; visiting museums; Marcuse's classes; Baldessari's classes; course work and student life; student demonstrations; working in a library and exposure to books; father losing his job; science and working as a chemical technician; politics; his uncle committing suicide; moving away from his father; the draft; John Birch; Students for a Democratic Society; his mother; politics of his parents; Aerospace Folk Tales, autodidacts and scholarship; San Diego and Mexico; obtaining a camera and starting to use it; art school; CalArts; UCSD; Meditations on a Triptych; David Salle; Fred Lonidier; Phel Steinmetz; MFA and art training; poets; story of Allen Ginsberg and one of Sekula's sculptures; production and the audience; A Photograph is Worth a Thousand Questions, photography and the burden of tradition; pictorialism; moving to New York; Artforum; October; New York music scene; Captain Beefheart; Bo Diddley; Little Richard; Steichen and aerial photography; origins of October; New Criterion; Art Critic's Grant; teaching at Ohio State; television; technological historians; New York subway and getting a ticket for using French money; RISD lectures; Long Beach; photography; collages; Metro Pictures; New Topographics; School as a Factory; moral choice and the viewer; work method and the audience; Social Criticism and Art Practice; east and west coasts; Ed Ruscha; documentary; film, Los Angeles; cinema and social history; Ohio State Department of Photography and Cinema; Los Angeles Plays Itself; Committee in Solidarity with the People of El Salvador; Ohio State campus, anti-Semitism; Ronald Reagan and protest; influences and colleagues; intellectual genealogy; Michael Graves and Ohio State architecture; Bad Ohio; tenure; University Exposed; AIDS issue of October; The Body and the Archive; making film; Korean War; collectors and images. Sekula also recalls Eleanor Antin, Jeff Wall, Terry Fox, Lewis Hine, Walker Evans, Paul Saltman, Marcuse, Baldessari, Sacvan Bercovitch, Stanley Miller, Jef Raskin, Paul Brach, David Antin, Howard Fried, Peter Van Riper, Alison Knowles, Dick Higgins, Manny Farber, Ihab Hassan, Diane Wakoski, Jackson Mac Low, Martha Rosler, Lenny Neufeld, Joshua Neufeld, David Wing, Brian Connell, Max Kozloff, Ian Burn, Mel Ramsden, Carole Conde, Karl Beveridge, Barry Rosens, Tom Crow, John Copeland, Harry Lunn, Hilton Kramer, Grace Mayer, Carol Duncan, Eva Cockroft, Richard Pommer, Rosalind Krauss, Sally Stein, Paddy Chayefsky, John Hanhardt, Mel Ramsden, Sarah Charlesworth, Jospeh Kosuth, Baruch Kirschenbaum, Robert Heinecken, Brian O'Doherty, Howard Becker, Jay Ruby, Jerry Liebling, Anna Wilkie, Ronald Feldman, John Gibson, David Ross, Britt Salvesen, Larry Sultan, Mike Mandel, Roy Ascott, Ilene Segalove, Paul Schimmel, DeeDee Halleck, Noel Burch, Joan Braderman, Woody Hayes, Thom Andersen, John Quigley, Ron Green, Kasper Koenig, Dan Graham, Jonathan Green, Christa Wolf, Catherine Lord, Ben Lifson, and Annette Michelson.
Biographical / Historical:
Allan Sekula (1951-2013) was a photographer, filmmaker, and writer, based at the California Institute of the Arts in Valencia, California. Mary Panzer (1955- ) is a historian from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Photographers -- California  Search this
Filmmakers -- California  Search this
Authors -- California  Search this
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.sekula11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d657e5da-cd1b-4366-9fe9-1852a4c5be81
EDAN-URL:
ead_collection:sova-aaa-sekula11
Online Media:

Oral history interview with Max Kozloff, 2014 May 19-2015 January 20

Interviewee:
Kozloff, Max, 1933-  Search this
Interviewer:
Leddy, Annette C., 1953-  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Max Kozloff, 2014 May 19-2015 January 20. Archives of American Art, Smithsonian Institution.
Topic:
Photographers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)16187
(DSI-AAA_SIRISBib)367238
AAA_collcode_kozlof14
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_367238

Point of Tranquility

Artist:
Morris Louis, American, b. Baltimore, Maryland, 1912–1962  Search this
Medium:
Magna on canvas
Dimensions:
101 3/4 x 135 3/4 in. (258.2 x 344.9 cm)
Type:
Painting
Date:
(1959-1960)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.3111
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Washington Color School
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2b402d6ac-b6d5-4234-99b7-348ccf31177f
EDAN-URL:
edanmdm:hmsg_66.3111

Oral history interview with Allan Sekula, 2011 August 20-2012 February 14

Interviewee:
Sekula, Allan, 1951-2013  Search this
Interviewer:
Panzer, Mary, 1955-  Search this
Subject:
Altoon, John  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Braderman, Joan  Search this
Baldessari, John  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Bo Diddley  Search this
Brach, Paul  Search this
Burch, Noël  Search this
Burn, Ian  Search this
Captain Beefheart  Search this
Charlesworth, Sarah  Search this
Chayefsky, Paddy  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Evans, Walker  Search this
Farber, Manny  Search this
Feldman, Ronald  Search this
Folks, Homer  Search this
Fox, Terry  Search this
Fried, Howard  Search this
Ginsberg, Allen  Search this
Graham, Dan  Search this
Graves, Michael  Search this
Halleck, DeeDee  Search this
Hanhardt, John G.  Search this
Hassan, Ihab  Search this
Hayes, Woody  Search this
Heinecken, Robert  Search this
Higgins, Dick  Search this
Hine, Lewis Wickes  Search this
Kienholz, Edward  Search this
Kirschenbaum, Baruch David  Search this
Knowles, Alison  Search this
König, Kasper  Search this
Kosuth, Joseph.  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard  Search this
Lonidier, Fred  Search this
Lord, Catherine  Search this
Lunn, Harry  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta  Search this
Mayer, Grace M.  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A.  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff  Search this
Artforum  Search this
California Institute of the Arts  Search this
The Ohio State University  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Allan Sekula, 2011 August 20-2012 February 14. Archives of American Art, Smithsonian Institution.
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art -- Exhibitions -- Economic aspects  Search this
Art -- History  Search this
Art, Modern -- 20th century  Search this
Art -- Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music -- New York (State) -- New York  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Record number:
(DSI-AAA_CollID)16239
(DSI-AAA_SIRISBib)370420
AAA_collcode_sekula11
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_370420
Online Media:

Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-2007  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-2018  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Topic:
Art, American  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c4de66ef-397b-4e6e-9fde-d6deca12fa3a
EDAN-URL:
ead_collection:sova-aaa-artitalk
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Online Media:

Rapt at Rappaport's

Artist:
Stuart Davis, American, b. Philadelphia, Pennsylvania, 1892–1964  Search this
Medium:
Oil on canvas
Dimensions:
52 x 40 in. (132.8 x 101.4 cm)
Type:
Painting
Date:
1952
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.1165
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Abstraction (Mid-Century)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2250a1435-9d26-4445-a63f-af94692812da
EDAN-URL:
edanmdm:hmsg_66.1165

By Others, "Mexican and Chicano Workers in Visual Arts" by Shifra M. Goldman

Collection Creator:
Casas, Mel, 1929-2014  Search this
Container:
Box 1, Folder 17
Type:
Archival materials
Date:
1982
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mel Casas papers, 1963-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Mel Casas papers
Mel Casas papers / Series 3: Writings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9db9da8b9-f317-4565-b88b-92af72115005
EDAN-URL:
ead_component:sova-aaa-casamel-ref17
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Oral history interview with Max Kozloff

Interviewee:
Kozloff, Max  Search this
Interviewer:
Leddy, Annette  Search this
Extent:
14 Items (Sound recording, master: 14 sound files (3 hr.), digital, wav)
81 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2014 May 19-2015 January 20
Scope and Contents:
An interview with Max Kozloff conducted 2014 May 19-June 5, by Annette C. Leddy, for the Archives of American Art, at Kozloff's home, in New York, N.Y.
Biographical / Historical:
Max Kozloff (1933- ) is a photographer, art historian, and art critic in New York. N.Y. Annette Leddy is a collector for the Archives of American Art.
General:
Originally recorded as 14 sound files. Duration is 4 hr, 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- New York (State) -- New York -- Interviews  Search this
Art critics -- New York (State) -- New York -- Interviews  Search this
Topic:
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kozlof14
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97e82fd7a-09fa-46f3-9dc7-3a508d48e46e
EDAN-URL:
ead_collection:sova-aaa-kozlof14
Online Media:

Nakian--Noland

Collection Creator:
Solomon, Alan R., 1920-1970  Search this
Container:
Box 5, Folder 7
Type:
Archival materials
Date:
1958-1967
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alan R. Solomon papers, 1907-1970, bulk 1944-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Alan R. Solomon papers
Alan R. Solomon papers / Series 6: Subject Files / Painters and Sculptors
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9741a2d8f-9c6c-4958-9650-5ad9f8c39375
EDAN-URL:
ead_component:sova-aaa-soloalan-ref217
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Kozloff, Max

Collection Creator:
Bowman, Ruth, 1923-  Search this
Extent:
1 Sound tape reel
Container:
Box 18, Folder 7
Type:
Archival materials
Sound tape reels
Date:
1970 June 23
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Research material including correspondence, writings and notes, photographs, and printed material on Cezanne, Thomas Eakins, and Picasso: Authorization to publish, quote, or reproduce requires written permission from Ruth Bowman. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Bowman papers, 1936-2006, bulk 1963-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Ruth Bowman papers
Ruth Bowman papers / Series 5: Interviews / WNYC "Views on Art" Radio Program
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97e30f1ff-2818-415d-8206-7b595c721eef
EDAN-URL:
ead_component:sova-aaa-bowmruth2-ref1078

Kozloff, Max (1970 June 23), Digital Audio Recording

Collection Creator:
Bowman, Ruth, 1923-  Search this
Extent:
0.286 Gigabytes (One computer file)
Container:
Folder ER40
Type:
Archival materials
Gigabytes
Date:
2018
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Research material including correspondence, writings and notes, photographs, and printed material on Cezanne, Thomas Eakins, and Picasso: Authorization to publish, quote, or reproduce requires written permission from Ruth Bowman. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Bowman papers, 1936-2006, bulk 1963-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Ruth Bowman papers
Ruth Bowman papers / Series 5: Interviews / WNYC "Views on Art" Radio Program
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4080c05-f9a1-4da1-aecb-a1ef121c62fc
EDAN-URL:
ead_component:sova-aaa-bowmruth2-ref1930

K

Collection Creator:
Parsons, Betty  Search this
Container:
Box 23, Folder 42
Type:
Archival materials
Date:
1951-1978
Scope and Contents note:
Kahn, Mrs. Arthur

Kardon, Robert

Kanitz, Dr. E.

Kasle, Gertrude

Kaufman, Irving

Kealy, Hinman and Susan

Kelman, Charles

Kennedy, Robert F.

Keyser, Barbara

Kilborn, Paul C.

Kimball, Abbott

King, Antoinette

Kinnicutt, Frank

Kitaj, Jeanne

Kizhner, Michael

Koenig, Kasper

Kopf, Dorothy Thompson

Koska, Zentaro

Kostolowski, Andrej

Kozloff, Max

Krauss, Sophie

Kuhl, Mary Lou

Kumar, Ravi

Kusama, Yayoi
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 3: Correspondence Files / 3.2: Individuals and Collectors
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d742a05e-9c62-424d-b7b3-7b1b0a992364
EDAN-URL:
ead_component:sova-aaa-parsbett-ref981

Rauschenberg, Robert

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 83, Folder 6
Type:
Archival materials
Date:
1974
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 4: Artists Files / 4.1: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw969178ef4-0ff1-476e-8c62-fb0a442e8e23
EDAN-URL:
ead_component:sova-aaa-leocast-ref11609
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Rauschenberg, Robert digital asset number 1

Kozloff, Max

Collection Creator:
Holly Solomon Gallery  Search this
Container:
Box 31, Folder
Type:
Archival materials
Date:
circa 1975-2002
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Holly Solomon Gallery records / Series 4: Artists' Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw989a79b32-3cd7-4600-be5a-9fc98d3903db
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref613

Kozloff, Max

Collection Creator:
Holly Solomon Gallery  Search this
Container:
Box 32, Folder
Type:
Archival materials
Date:
circa 1975-2002
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Holly Solomon Gallery records / Series 4: Artists' Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b4ba2516-754b-45c4-b807-b853c075d744
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref614

Max Kozloff papers, circa 1950-2015

Creator:
Kozloff, Max, 1933-  Search this
Subject:
Sontag, Susan  Search this
Schapiro, Miriam  Search this
Antin, David  Search this
Johns, Jasper  Search this
Ashton, Dore  Search this
Leider, Philip  Search this
Kaprow, Allan  Search this
Nochlin, Linda  Search this
Motherwell, Robert  Search this
Type:
Interviews
Citation:
Max Kozloff papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.
Topic:
Art criticism -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)16326
(DSI-AAA_SIRISBib)379669
AAA_collcode_kozlmax
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_379669
Online Media:

Queen of Hearts

Artist:
Willem de Kooning, American, b. Rotterdam, The Netherlands, 1904–1997  Search this
Medium:
Oil and charcoal on fiberboard
Dimensions:
46 1/8 x 27 5/8 in. (117 x 70 cm)
Type:
Painting
Date:
1943-1946
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.1223
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2b2fe00b0-515f-401c-b0c4-e7c2e0a08a91
EDAN-URL:
edanmdm:hmsg_66.1223

Child in the Soup Kitchen

Artist:
Medardo Rosso, Italian, b. Turin, 1858–1928  Search this
Medium:
Beeswax over plaster
Dimensions:
19 7/8 x 19 1/4 x 7 1/8 in. (50.5 x 48.9 x 18.1 cm) BASE: 2 3/16 x 17 1/2 x 5 7/8 in. (5.6 x 44.5 x 14.9 cm)
Type:
Sculpture
Date:
(1893/cast c. 1943-1944)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4410
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Symbolism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2d332afeb-92d1-4d5f-aaf0-a6e72187219e
EDAN-URL:
edanmdm:hmsg_66.4410

Behold the Boy (Ecce Puer)

Artist:
Medardo Rosso, Italian, b. Turin, 1858–1928  Search this
Medium:
Beeswax over plaster
Dimensions:
17 1/4 x 13 3/4 x 10 3/8 in. (43.8 x 34.9 x 26.2 cm)
Type:
Sculpture
Date:
(1906/cast c. 1958-1959)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4411
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Symbolism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py25ab7f849-ba4a-4a9f-82e6-ef48978ea481
EDAN-URL:
edanmdm:hmsg_66.4411

Pagosa Springs

Artist:
Frank Stella, American, b. Malden, Massachusetts, 1936  Search this
Medium:
Copper paint and pencil on canvas
Dimensions:
99 3/8 x 99 1/4 in. (252.3 x 252.1 cm)
Type:
Painting
Date:
(1960)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1972
Accession Number:
72.277
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Formalist Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2484bd1bc-0364-4e61-88b2-4e25864fc314
EDAN-URL:
edanmdm:hmsg_72.277

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