1. Lillooet ("Lilowat") vocabulary. March 16, 1859. 8 pages in notebook. Note on page 3: "The Lilowat is spoken on the river which feeds Harrison's Lake, a branch of Fraser River. The vocabulary was obtained from the chief of a village at the mouth through Skehukl, the Soomass [Sumass: dialect of Cowichan group of Coast Salish], and may be relied on as tolerably accurate." The Lillooet River feeds into Harrison Lake. The Interior Salish dialect for west British Columbia is referred to as "Lillooet" in Handbook of American Indians, page 417.
2. "Saamena"vocabularies. 1858 and no date. 10 pages in notebook. Two vocabularies: Vocabulary of the "Saamena or as it is called by the Canadians, "Couteau," was obtained at Fort Hope, Mch. 4, 1858 from Kwee-tah-lich-kan, son of Pa-haa-luk, the Chief of the Kletch-ah-meh'h village at Forks of Fraser & Thompson's Rivers." 7 pages. Includes names for varieties of salmon in "Soomass" (Sumass) and Saamena. pages 12-19. Vocabulary obtained from Te-o-sa-luk, a Saamena of the Chileweyech [--?--]," no date. 3 pages. On page 1 note in Mooney's hand: "alias Nientemewh." Page 11 marked "copied".
3. "Yukeh" vocabulary. No place or date recorded. 3 pages in notebook. The word "Ross" follows the name "Yukeh." This refers to note on page iv: Mr Edward Ross says that the Yukehs have no numerals above five; thus they would say o'-pe mahote, twice five, for ten."
4. "Tai-eet vocabulary. Fort Hope, 1850. 10 pages in notebook. "The following vocabulary of the Tai-eet was obtained at Fort Hope, Sept. 25, 1850 from two men and a woman. It is the dialect intervening between the Kwantlen and the Saamena on Fraser River." page 25.
5. "Nevada or Yuba (Ross)" vocabulary. No date. 2 pages in notebook, pages 35-36. Possibly copied from Ross (?).
6. "Chilowhe'huk (Chilliwack) vocabulary. 4 pages in notebook, pages 36-39. No date. "Not completed as it does not differ sufficiently from the Kwantlen & neighboring dialects in Fraser River to make it an object." Chilliwack belongs to the Cowichan group of Coast dialects, Handbook of American Indians, page 417.
7. "Hailt-zuk or Belbella" vocabulary" obtained at Victoria, April 26, 1859, from Capt. Stewart." 10 pages in notebook, pages 40-42, 44, 46, 48, 50, 52, 54. Note on page 40: "...obtained at Victoria, April 26, 1859, from "Capt. Stewart" and Indian of the tribe through the medium of Frederic Minni, a Canadian, who partially spoke the language. It is generally reliable...." Page 41 marked "copied;" Another copy by Gibbs of this vocabulary in Ms. Number.
8. "Bel-le-whil-la or Bel'hoo-la" vocabulary. Victoria. 1859. 10 pages in notebook, pages 41, 43, 45, 47, 49, 51, 53, 55, 56. Note on page 56: "The vocabulary of the Belhoola was obtained from a woman of that tribe with the assistance of the Indian Stewart through the means of the Belbella vocabulary (cf. 277, part 7). With the exception of a very few words, my rendering of the latter [Belbella] was perfectly intelligible to her. The principal difficulty experienced in this was the excessively gutteral pronounciation of the language. I have classed this without hesitation among the Flathead languages from its obvious analogies. Some words, identical with those of the Belbella are marked with an asterisk. These are probably borrowed the one from the other, or perhaps were given by the woman from having mixed with the Belbellas." Page 41 marked "copied." 8-a Words obtained by Mackenzie at "Friendly Village," page 57.
9-10. Vocabularies of the "Okina'kane (O-Kin-ah-kehn[=Okinagan]) & Similkameen." 1853 & 1859. 17 pages in notebook, pages 58-74. "The incomplete vocabulary of the Okinakane was obtained in 1853. That of the Similkameen in 1859 and the latter is to be retained in place of the first as much more reliable. Given by "Sam" the guide employed by the N.W.B.S." The contents at the beginning of this volume has penciled note indicating that "Okinakane" and "Similkameen" are two dialects of one language.--page 1, note in hand of Mooney.
11. "Additional forms in Yakima," from Rev Marie Charles Pandosy, No date. 1 page in notebook, page 75.
12. "Piskwowse or Winatsha" vocabulary obtained 1853 and revised in 1860. 14 pages in notebook, pages 76-90, & 201. Note on page 76: "Revised at Ft. Colville, March 1860, by the assistance of Lahome's daughter. I have not however confidence in its being entirely correct. There may have been a difference in dialect between her and the first interpreter." Marked "copied" on page 76. Originally a Salish tribe, "Gibbs states that by 1853 they were so largely intermarried with the Yakima as to have almost lost their identity." page 264 of Handbook of American Indians. Page 201 has list of Winatsha Indians in 1853.
13. Vocabulary obtained from Spokane Gerry in 1854. 13 pages in notebook, pages 91-104. Marked "copied" on page 91.
14. Klikatat vocabulary obtained from Yahotowit in 1854. Copy by Gibbs of his original vocabulary, 15 pages in notebook, pages 105-119 and 222. Note in Gibbs' hand: "I am not certain that this is unmixed with the Yakama, as it resembles more closely two vocabularies of that dialect which I obtained then I have been led to expect. It was received from Ya-ho-tow-it." Apparently a copy by Gibbs from his original in Manuscript Number 671. Another copy by Gibbs is cataloged as Manuscript Number 693.
14. "Klikatat" vocabulary, copied from (?) "Tolmie." No date. 1 page in notebook, page 222. 15 Kalispel or Pend Oreille vocabulary, 1860. 15 pages in notebook, pages 119-133. "...vocabulary of the Kalispelm or Pend Oreille obtained from a man at Colville Depot, Jany., 1860. It is spoken by the Indians of Clarke's Fork of the Columbia River." Page 119 marked "copied."
16. "Shoos-whap or She-whap-much" vocabulary, 1860. 15 pages in notebook, pages 134-138. "Obtained at Colville Depot, Jany., 1860 from a woman by the assistance of the man from which the foregoing of the Kalispeln was derived [Manuscript Number 227, part 15], and using that in interpreting. Page 134 marked "copied."
17. "Chepewyan vocabulary" extracted from MacKenzie." No date. 7 pages in notebook, pages 149, 150, 152, 154, 156, 158, 160, 162.
18-19. "Knistinaux" (Cree) (18) and "Algonquin" (19) vocabulary "extracted from MacKenzie." 8 pages in notebook, pages 149, 151, 153, 155, 157, 161, 163.
20. "Kootenay" vocabulary. Place and date not recorded, 33 pages in notebook, pages 164-198, not including page 186 and 192. Page 164 is marked "copied." A copy by Gibbs of this vocabulary, pages 164-176 is filed Manuscript 512 with the note that this vocabulary "was taken from the son of the chief at the Chelenta Depot (Che-tam-towse)" with help of half breed interpreter; "I think the vocabulary can be relied on." Also note in Manuscript Number 512: "additional words of the Algonquin Kootenay in the book." This probably refers to pages 177-198 in Manuscript Number 227. Manuscript Number 512 contains 1 page of "Additional words in Kootenay" not found in Number 227.
21. Vocabulary of the Kalispel & Flathead including geographical names, No date. 2 pages in notebook, pages 199-200.
22. "Similkameen", dialect of the Okinagan, vocabulary, No date,. 9 pages in notebook, pages 202-210. Note in Mooney's hand on page 1 says Okinakane and Similkameen are 2 dialects of 1 language. Note on page 202: "Sam says that the Similkameen, Okin-a-kane, Sin-ke-mah-pe-luks, Skla-kum Methone; Che-lehn, Sin-pai-li-hooch; Se-leh-nich, Sins-peh-lich; Swoi-yehlp, Sche-wuch-hooch all understand one another but not the Soushwap & Couteaux." Sam was informant in 1853, cf. 227, part 10.
23. "Nooksaak" ("Nooksahk") vocabulary. June, 1859. 2 pages in notebook, pages 211 & 228. The Nooksak is a dialect of Squawmish coast group, Handbook of American Indians, page 417.
24. "Soomass" vocabulary. Place and date not recorded. 3 pages in notebook, pages 212-214. Sumass is a dialect of the Cowichan group of coast dialects, Handbook of American Indians, page 417.
25. "Simiahmoo" vocabulary: animals and proper names. 1 page in notebook, page 215. No date. The Semiahmoo is a dialect of the Songish coast group, Handbook of American Indians, page 417.
26. "Saamena" vocabulary. 1 page in notebook, page 216. No date.
27. Skagit vocabulary "(vide Dr Craig's corrections)." No date. 1 page in notebook, page 217. Skagit is a dialect of the Nisqualli group of coast dialects, Handbook of American Indians, page 417.
28. "Simiahmoo" vocabulary of 10 terms. Date and place not recorded. 1 page in notebook, page 218. The Semiahmoo is a dialect of the Songish coast group, Handbook of American Indians, page 417.
29. "Chiloweyuck" vocabulary. Date and place not recorded. 2 pages in notebook, pages 218 & 223. Chilliwack is a dialect of the Cowichan coast group, Handbook of American Indians, page 417.
30. "Nisqually" vocabulary. October, 1858. 6 pages in notebook, pages 219-221, 223 & 226. Note on page 219, "copied."
31. Chehalis vocabulary of 8 words. (Terms for salmon.) No date. page 222. Chinook vocabulary of 9 terms. (Terms for salmon.) No date. Page 224 in notebook. "Cowlitz" vocabulary of 5 terms. (Terms for salmon.) Page 224 in notebook. No date.
32. "Toanhooch" vocabulary. No date. 1 page in notebook, page 227; only 4 terms are recorded.
33. Chimakum- Not filled in; English only.
34. Kwillehyuts- Not filled in; English only.
35. Kwinaiutl- Not filled in; English only.
36. Noo-so-lupsh- Not filled in; English only.
Local Numbers:
NAA MS 227
Local Note:
Notes by Gibbs on the source of many of the Salishan vocabularies in this volume are catalogued under Numbers 735 and 742.
Topic:
Language and languages -- Documentation Search this
Manuscript 227, National Anthropological Archives, Smithsonian Institution
Sponsor:
Digitization and preparation of these materials for online access has been funded by the National Science Foundation under BCS Grant No. 1561167 and the Recovering Voices initiative at the Smithsonian's National Museum of Natural History.
Photographs collected by Willis G. Tilton, a dealer in artifacts and photographs relating to Native Americans. Many of the photographs were made by Field Columbian Museum photographer Charles Carpenter at the Louisiana Purchase Exposition in 1904; many others were created by various photographers for Field Museum publications. Notable subjects include Big Foot, dead in the snow at the Wounded Knee battlefield; Arapaho and Cheyenne social dances; Hopi ceremonies; a reenactment of the shooting of Sitting Bull; Sun Dances (Arapaho, Assiniboin, Gros Ventre, Blackfoot, Cheyenne, Ponca); and views of the United States Indian School Building and Pawnee people at the the Louisiana Purchase Exposition in St. Louis, Missouri. Other photographs include portraits and images of artifacts, basket weaving, cradles, dress, dwelling, tipis and other dwellings, and tree burials. There are also some photographs of Henry Field's expedition to Iraq in 1934 (Field museum anthropological expedition to the Near East), work elephants in Burma, Pipestone Quarry in Minnesota, a church in the Yucatan, and a rickshaw and cart in Ceylon.
Biographical/Historical note:
Willis G. Tilton was a dealer and owner of the store, Tilton Indian Relics, in Topeka, Kansas.
Local Call Number(s):
NAA Photo Lot 89-8, NAA Photo Lot 135
Location of Other Archival Materials:
Photographs in the Tilton Collection, previously filed in Photo Lot 135, have been relocated and merged with Photo Lot 89-8. These photographs were also purchased by the Bureau of American Ethnology from Willis G. Tilton and form part of this collection.
Associated photographs still held in the Field Museum of Natural History, Chicago.
Most photographs included in the card catalog of copy negatives and in the reference file prints by tribe.
Additional photographs by Dorsey held in the National Anthropological Archives in MS 4721 and Photo Lot 24.
Correspondence from Dorsey held in the National Anthropological Archives in MS 4821, records of the Bureau of American Ethnology, the J.C. Pilling Papers, and the Ales Hrdlicka Papers.
Additional photographs by Nelson held in National Anthropological Archives Photo Lot 171, Photo Lot 133, Photo Lot 24, and the BAE historical negatives.
Additional Maude photographs held in National Anthropological Archives Photo Lot 90-1 and Photo Lot 24.
Additional E. E. Hall photographs held in National Anthropological Archives MS 4978 and Photo Lot 24.
The Smithsonian Institution Archives holds Nelson's field reports (SIA Acc. 97-123) and the Edward William Nelson and Edward Alphonso Goldman Collection (SIA RU007364).
See others in:
Willis G. Tilton photograph collection of American Indians, circa 1880-1930 (bulk 1899-1904)
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Date:
1934
Scope and Contents:
Much of this material is relevant to the Dakotas. Includes: miscellaneous notes on Dakota history, bands, and sign for "Dakota," Autograph Document. Approximately 100 pages. (Box 2); account of the Battle of Little Big Horn by He Dog, Red Feather, and Whirling, Autograph Document. 7 pages. (Box 3); "The Custer Battle with the Sioux, Autograph Document. 10 pages. (Box 3); notes on sign language in general, its history and distribution, Autograph and Typescript Document, 1 box (Box 4).
Microfilm of the Benjamin Stone collection of photographs relating to Britain and Europe, North America, South America, Africa, India, and Australasia. Prints made from the microfilm are mostly of portraits of American Indians and some field images relating to delegations, expeditions, dwellings, and the 1862 Sioux uprising in Minnesota. They include depictions of Arikara, Ojibwa, Miniconjou, Dakota, Pawnee, Winnebago, Iroquois, Ute, Blackfoot, Cree, Crow, Salish, and Kootenai Indians. There are also images of buildings, boats, railroads, and scenic views from around America, as well as the Smithsonian Castle in 1871 and Chicago after the Great Fire. Photographers represented include B. H. Gurnsey, Joel Emmons Whitney, and Adrian J. Ebell.
Biographical note:
Sir John Benjamin Stone (1838-1914) was born in Birmingham, England, to a glass-making family, a profession he briefly joined before starting a career in politics. He was elected representative of the Duddlestone Ward on the Birmingham Town Coucil in 1869, later becoming Mayor Cutton (1886-1891) and Member of Parliament for East Birmingham (1895-1910). Inspired by a love of antiquities, Stone began to collect and then make photographs during his international travels to East Asia, the West Indies, Africa, and North and South America. As the first president of the Birmingham Photographic Society, he encouraged the development of the Warwickshire Photographic Survey. Additionally, he helped found the National Photographic Record Association, and served as President of the organization. During his time in Parliament, Stone made a photographic survey of the Palace of Westminster and was official photographer for the Coronation of King Geroge V in 1910. His photographs were published in the two-volume Sir Benjamin Stone's Pictures (1905).
Local Call Number(s):
NAA Photo Lot R4859
Reproduction Note:
Prints made by the Smithsonian Institution, 1969.
Location of Other Archival Materials:
Some photographs have been separated into Photo Lot 24. These photographs are represented by item-level descriptions linked to this record.
Contained in:
Numbered manuscripts 1850s-1980s (some earlier)
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Copy prints of photographs in the Birmingham Public Library in Birmngham, England. Reference copies can be made for Smithsonian Institution staff only. Permission to publish and other prints can be obtained from the Birmingham Public Library.
Eastern Band of Cherokee Indians of North Carolina
Date:
1932-1958
Summary:
These are the papers of Washington, D.C. attorney James E. Curry, whose legal career included work both as a government attorney and in his own private practice. The bulk of the papers reflect his private practice in the area of Indian affairs.
Scope and Contents:
The material in the collection includes documents relating to many aspects of Curry's career but most of it relates to his work with Indian tribes and the National Congress of American Indians. For the most, the collection is made up of such materials as letters exchanged with government officials, Indians, and other attorneys; copies of legal documents; published government documents; notes; and clippings and other printed materials. Of particular significance is a subject file relating to Indian affairs. It includes material concerning affairs of Alaskan natives and the Aleut (Akutan, Pribilof Islands), Apache (including Fort Sill, Jicarilla, Mescalero, San Carlos White Mountain), Arapaho (Southern), Assiniboine (Fort Belknap, Fort Peck), Bannock (including Fort Hall), Blackfeet, Caddo, Catawba, Cherokee (Eastern), Cheyenne (Northern, Southern), Chickahominy, Chickasaw, Chippewa (including Lac Courte Oreilles), Choctaw, Cochiti, Cocopa, Coeur d'Alene, Colville, Comanche, Creek, Croatan, Crow, Dakota (Big Foot, Cheyenne River, Crow Creek, Devil's Lake, Flandreau, Fort Totten, Lower Brule, Mdewakanton, Oglala, Rosebud, Santee, Sisseton-Wahpeton, Standing Rock, Yankton), Delaware, Eskimo (including Gambell, Kiana), Flathead, Fox, Haida (including Kasaan), Havasupai, Hopi, Iroquois (Caughnawaga, Seneca, St. Regis), Isleta, Jemez, Kalilspel, Kansa (Kaw), Kickapoo, Kiowa, Klamath, Kutenai, Laguna, Lummi, Maricopa (Gila River, Salt River), Menominee, Missouria, Mohave (Fort Mohave), Mohave Apache (Fort McDowell), Muckleshoot, Navaho, Nez Perce, Niska, Nooksak, Omaha, Osage, Oto, Papago, Paiute (Fallon, Fort McDermitt), Moapa, Pyramid Lake, Shivwits, Walker River, Yerington), Pima (Gila River, Salt River), Potowatomi, Quinaielt, San Felipe, San Ildefonso, San Juan, Santa Ana, Santa Clara, Sandia, Sauk, Seminole (Florida, Oklahoma), Seneca, Seri, Shawnee (Eastern), Shoshoni (including Fort Hall), Sia, Spokan, Stockbridge, Taos (Pyote clan), Tesuque, Three Affiliated Tribes (Mandan, Arikara, and Hidatsa), Tillamook, Tlingit (including Angoon, Craig, Juneau, Kake, Ketchikan, Klawak, Klukwan, Taku, Wrangell), Tsimshian (Metlakatla), Umatilla, Ute (including Uintah-Ouray), Walapai, Washo, Wesort, Winnebago, Wyandot, Yakima, Yaqui, Yavapai, Yuma, and Zuni. There are also materials relating to Curry's work with the Bureau of Indian Affairs and National Congress of American Indians, and material that reflects his interest in conditions and events in given locations (often filed by state) and in organizations with interest in Indians. The material relating to Curry's work in Puerto Rico has been deposited in the Archivo General de Puerto Rico, Instituto de Cultura Puertorriquena, in San Juan.
Arrangement note:
The James E. Curry Papershave been arranged into 6 series: (1) Daily Chronological Files, 1941-1955; (2) Subject Files Regarding Indian Affairs, bulk 1935-1955; (3) Miscellaneous Files Regarding Indian Affairs, bulk 1947-1953; (4) Non-Indian Affairs, n.d.; (5) Puerto Rico Work, 1941-1947; (6) Miscellany, undated.
Biographical/Historical note:
James E. Curry was trained in law in Chicago and practiced in that city from 1930 until 1936, serving part of that time as secretary of the local branch of the American Civil Liberties Union. From 1936 to 1938, he was an attorney with the United States Department of the Interior Bureau of Indian Affairs, being largely involved with matters of credit affecting Indians. From 1938 to 1942, he continued service with the Interior Department but worked in several capacities involving the Puerto Rico Reconstruction Administration, the department's Consumers' Counsel Division, and the Puerto Rico Water Resources Authority.
In 1945, Curry returned to Washington and set up private practice, also maintaining for a time an office in Puerto Rico. In Washington, he became the attorney for the National Congress of American Indians and from that time until the 1950s his practice increasingly involved representation of American Indian tribes, mostly in claims against the federal government. In this work, for a time, he was involved in business relations with a New York Law firm that included Henry Cohen, Felix Cohen, and Jonathan Bingham.
He also often worked closely with lawyers who lived near the tribes he represented, William L. Paul, Jr., of Alaska, for example. This aspect of his practice--representing Indian tribes--was largely broken up during the early 1950s when the Commissioner of Indian Affairs began to use his powers to disapprove contracts between Curry and the tribes. In 1952 and 1953, his official relationship with the National Congress of American Indians was also ended. After this, while Curry continued until his death to act as a consultant in Indian claims with which he had earlier been involved, his career and life developed in a different direction.
Related Materials:
Additional material relating to James E. Curry can be found in the records of the National Congress of American Indians, also located at the National Museum of the American Indian Archive Center.
Provenance:
The Curry papers were originally donated to the National Anthropological Archives by James E. Curry's daughter Mrs. Aileen Curry-Cloonan in December 1973. In 2007 The Curry papers were transferred from the National Anthropological Archives to the National Museum of the American Indian Archive Center along with several other records concerning American Indian law and political rights.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Genre/Form:
Notes
Letters
Clippings
Legal documents
Citation:
Identification of specific item; Date (if known); James E. Curry papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Photographs made as part of Joseph C. Farber's project to document modern NAtive American everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos, Tlingit, and Zuni. Subject coverage is broad and varies from tribe to tribe. Included are portraits, as well as totem poles, carving, weaving, pottery, painitng, landscapes, boats and canoes, ceremonial regalia, camps, classes and vocational training, homes and traditional dwellings, construction projects, rodeos and powwows, dances, industries (including lumber), herding and ranching, agriculture, stores and storefronts, cliff dwellings, parades, crab cleaning, fishing, games, health care, legal processes, music, office work, sewing, vending, and a funeral. There are also photographs of R. C. Gorman (and a letter from Gorman to Farber) and Fritz Shoulder (some in color).
Farber's travels included Alaska (Point Barrow, Dead Horse, Glacier Bay, Haines, Hoona, Hydaberg, Ketchikan, Mount McKinley, Prudhoe Bay, Saxman, and Sitka); Alberta (Blackfeet Reservation); Arizona (Canyon de Chelly, Cocopa Reservation, Flagstaff, Kayenta, Monument Valley, Pima Reservation, Quechan Reservation, Mojave Reservation, and Yuma); California (Alcatraz, Oakland, and San Francisco); Florida (Big Cypress Reservation; Miccosukee Reservation); Minnesota (Minneapolis and Nett Lake); Montana (Northern Cheyenne Reservation); New Mexico (Acoma, Gallup, Navajo Forest, Picuris, Puye, San Ildefonso, Santa Clara, Santa Fe, Taos, San Ildefonso, Santa Clara, and Tesuque); New York (New York City and Onandaga Reservation); North Carolina (Cherokee Reservation); Oklahoma (Anadarko, Apache, Lawton, Stilwell, and Tahlequah); South Dakota (Rosebud and Wounded Knee); and Washington (Lummi Reservation, Nisqually River, Puyallup River, and Quinalt Reservation).
Biographical/Historical note:
Joseph C. Farber (1903-1994) was a successful New York businessman and professional photographer. He studied with Edward Steichen at the New York Camera Club in the 1920s. The prints in this collection resulted from a five-year project that involved travelling to Native communities throughout the United States to document modern Native American life. The project resulted in a book, Native Americans: 500 Years After (1975), as well as exhibits, including one in the National Museum of Natural History in 1976-1977.
Local Call Number(s):
NAA Photo Lot 78-1, NAA ACC 95-3
Location of Other Archival Materials:
Farber's photographs, previously located in Photo Lot 95-3 have been relocated and merged with Photo Lot 78-1. These photographs were also made by Joseph C. Farber and form part of this collection.
The National Museum of American History Archives Center holds the Joseph Farber Papers and Photographs, circa 1962-1990.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Photographs published in Farber's books still under copyright. Reproduction permission from artist's estate.
The collection comprises Edward S. Curtis original and copy negatives, prints, and photogravures relating to the Harriman Alaska Expedition and Curtis's 20 volume publication, the North American Indian (NAI), as well as ephemera and one gold-tone of Fort Lapawi.
Scope and Contents:
The Christopher Cardozo collection of Edward S. Curtis papers and photographs primarily relate to Curtis's opus, the North American Indian, and also the 1899 Harriman Alaska Expedition. Papers in the collection include promotional ephemera for the NAI as well as articles by Curtis and others. Photographic material includes original and copy negatives, prints, two Harriman Alaska Expedition souvenir albums, and one gold-tone of Fort Lapawi.
Arrangement:
The collection is arranged in two series: 1. Papers; and 2. Photographs and photogravures.
Biographical / Historical:
Edward Sherriff Curtis (1868-1952) was an American photographer famous for his photographs of the indigenous peoples of North America. His work was highly influential in shaping a sympathetic yet romantic view of cultures that he and many others believed to be "vanishing." Over the course of 30 years, Curtis visited more than 80 Native American communities and published his photographs and ethnographies in the twenty-volume North American Indian (NAI) (1907-1930).
Curtis was born in Whitewater, Wisconsin, to Ellen and Johnson Curtis in 1868. In about 1874, his family moved to a farm in Cordova, Minnesota. At a young age, Curtis built a camera, and it is possible that he may have worked in a Minneapolis photography studio for a time. In 1887, Curtis and his father moved West and settled on a plot near what is now Port Orchard, Washington, with the rest of the family joining them the following year. When Johnson Curtis died within a month of the family's arrival, 20-year-old Curtis became the head of the family.
In 1891, Curtis moved to Seattle and bought into a photo studio with Rasmus Rothi. Less than a year later, he and Thomas Guptill formed "Curtis and Guptill, Photographers and Photoengravers." The endeavor became a premier portrait studio for Seattle society and found success in photoengraving for many local publications. In 1892, Curtis married Clara Phillips (1874-1932) and in 1893 their son Harold was born (1893-1988), followed by Elizabeth (Beth) (1896-1973), Florence (1899-1987) and Katherine (Billy) (1909-?). Around 1895, Curtis made his first photographs of local Native people, including the daughter of Duwamish chief Seattle: Kickisomlo or "Princess Angeline." Curtis submitted a series of his Native American photographs to the National Photographic Convention, and received an award in the category of "genre studies" for Homeward (later published in volume 9 of the NAI). In 1896, the entire Curtis family moved to Seattle, which included Curtis's mother, his siblings Eva and Asahel, Clara's sisters Susie and Nellie Phillips, and their cousin William Phillips. Most of the household worked in Curtis's studio along with other employees. Curtis became sole proprietor of the studio in 1897, which remained a popular portrait studio but also sold his scenic landscapes and views of the Seattle Area. Curtis also sent his brother Asahel to Alaska and the Yukon to photograph the Klondike Gold Rush, and sold those views as well. Asahel went on to become a well-known photographer in his own right, primarily working in the American Northwest.
Curtis was an avid outdoorsman and joined the Mazamas Club after his first of many climbs of Mount Rainier. On a climb in 1898, Curtis evidently met a group of scientists, including C. Hart Merriam, George Bird Grinnell, and Gifford Pinchot, who had lost their way on the mountain, and led them to safety. This encounter led to an invitation from Merriam for Curtis to accompany a group of over 30 well-known scientists, naturalists, and artists as the official photographer on a maritime expedition to the Alaskan coast. Funded by railroad magnate Edward Harriman, the Harriman Alaska Expedition left Seattle in May of 1899, and returned at the end of July. Curtis made around 5000 photographs during the trip, including photographs of the indigenous peoples they met as well as views of mountains, glaciers, and other natural features. Many of the photographs appeared in the expedition's 14 published volumes of their findings.
In 1900, Curtis accompanied Grinnell to Montana for a Blackfoot Sundance. Here, Curtis made numerous photographs and became interested in the idea of a larger project to document the Native peoples of North America. Almost immediately upon returning from the Sundance, Curtis set off for the Southwest to photograph Puebloan communities. By 1904, Curtis had already held at least one exhibit of his "Indian pictures" and his project to "form a comprehensive and permanent record of all the important tribes of the United States and Alaska that still retain to a considerable degree their primitive customs and traditions" (General Introduction, the NAI) had taken shape and already received some press coverage. With his fieldwork now increasing his absences from home, Curtis hired Adolph Muhr, former assistant to Omaha photographer Frank Rinehart, to help manage the Seattle studio.
In 1904, Curtis was a winner in the Ladies Home Journal "Prettiest Children In America" portrait contest. His photograph of Marie Fischer was selected as one of 112 that would be published and Fischer was one of 12 children selected from the photographs who would have their portrait painted by Walter Russell. Russell and Curtis made an acquaintance while Russell was in Seattle to paint Fischer's portrait, and not long afterwards, Russell contacted Curtis to make photographic studies of Theodore Roosevelt's children for portraits he would paint. Curtis subsequently photographed the entire Roosevelt family, and developed a social connection with the President. Several important outcomes came of this new friendship, including Roosevelt eventually writing the foreword to the NAI, as well as making introductions to influential people.
Key among these introductions was one to wealthy financier John Pierpont Morgan, in 1906. After a brief meeting with Curtis during which he viewed several of Curtis's photographs of Native Americans, Morgan agreed to finance the fieldwork for the NAI project for five years, at $15,000.00 per year. It was up to Curtis to cover publishing and promotion costs, with the publication being sold as a subscription. In return, Morgan would receive 25 sets of the 20-volume publication. The ambitious publication plan outlined 20 volumes of ethnological text, each to be illustrated with 75 photogravure prints made from acid-etched copper plates. Each volume would be accompanied by a companion portfolio of 35 large photogravures. With high-quality papers and fine binding, a set would cost $3000.00. 500 sets were planned. Under Morgan, the North American Indian, Inc. formed as body to administer the monies. Also around this time, Frederick Webb Hodge, Director of the Smithsonian Institution's Bureau of American Ethnology, agreed to edit the publications.
Curtis then began more systematic fieldwork, accompanied by a team of research assistants and Native interpreters. In 1906, Curtis hired William E. Myers, a former journalist, as a field assistant and stenographer. Over the years, Myers became the lead researcher on the project, making enormous contributions in collecting data and possibly doing the bulk of the writing for the first 18 volumes. Upon meeting a new community, Curtis and his team would work on gathering data dealing with all aspects of the community's life, including language, social and political organization, religion, food ways, measures and values, and many other topics. (See box 2 folder 1 in this collection for Curtis's list of topics.) Curtis and his assistants, especially Myers, brought books and papers to the field relating to the tribes they were currently concerned with, and often wrote from the field to anthropologists at the Bureau of American Ethnology and other institutions for information or publications. In addition to fieldnotes and photographs, the team also employed sound recording equipment, making thousands of recordings on wax cylinders. Curtis also often brought a motion picture camera, although few of his films have survived.
The first volume of the NAI was published towards the end of 1907. Already, Curtis was encountering difficulty in finding subscribers to the publication despite great praise in the press and among those who could afford the volumes. Curtis spent progressively more of his time outside the field season promoting the project through lectures and in 1911, presenting his "Picture Musicale"—a lecture illustrated with lantern slides and accompanied by an original musical score—in major cities. After the initial five funded years, only eight of the twenty volumes had been completed. However, Morgan agreed to continue support for the fieldwork and publication continued.
Starting in 1910, Curtis and his team worked among the Kwakwaka'wakw First Nation on Vancouver Island, and in 1913 began to develop a documentary film project featuring the community in Alert Bay. In 1914, Curtis produced the feature-length film, In the Land of the Headhunters. The film showcased an all-indigenous cast and included an original musical score. Screened in New York and Seattle, it received high praise. However after this initial success, it did not receive the attention Curtis had hoped for, and resulted in financial loss.
Meanwhile, Curtis's prolonged absences from home had taken a toll on his marriage and in 1919 Clara and Edward divorced. The Seattle studio was awarded to Clara, and Curtis moved to Los Angeles, opening a photography studio with his daughter Beth and her husband Manford "Mag" Magnuson. Daughters Florence and Katherine came to Los Angeles sometime later. Curtis continued with fieldwork and promotion of the project, and in 1922 volume 12 of the NAI was published. Also in 1922, Curtis was accompanied during the field season in California by his daughter Florence Curtis Graybill, the first time a family member had gone to the field with him since the Curtis children were very small.
Curtis continued to push the project and publications along, yet never without financial struggle and he picked up work in Hollywood as both a still and motion picture photographer. John Pierpont Morgan, Jr., continued to provide funding for the fieldwork in memory of his father, but with the various financial upsets of the 1910s and 1920s, Curtis had a difficult time getting subscribers on board. In 1926, Myers, feeling the strain, regretfully resigned after the completion of volume 18. Anthropologist Frank Speck recommended Stewart Eastwood, a recent graduate from the University of Pennsylvania, to replace Myers as ethnologist for the final two volumes.
In 1927, Curtis and his team, along with his daughter Beth Curtis Magnuson, headed north from Seattle to Alaska and Canada on a final field season. Harsh weather and a hip injury made the trip difficult for Curtis, but he was very satisfied with the season's work. The party returned to Seattle, and upon arrival Curtis was arrested for unpaid alimony. He returned exhausted to Los Angeles, and in 1930 the final two volumes of NAI were published without fanfare. Curtis spent the next two years recovering from physical and mental exhaustion. Beth and Mag continued to run the Curtis studio in LA, but for the most part, Curtis had set down his camera for good. With the NAI behind him and his health recovered, Curtis pursued various interests and employment, eventually, settling down on a farm outside Los Angeles. he later moved in with Beth and Mag. Curtis died at home in 1952.
Sources Cited Davis, Barbara. Edward S. Curtis: the life and times of a shadowcatcher. San Francisco: Chronicle Books, 1984. Gidley, Mick. The North American Indian, Incorporated. New York: Cambridge University Press, 1998.
Christopher Cardozo (1948-2021) was a major collector and dealer in Edward S. Curtis photography.
Related Materials:
The National Anthropological Archives holds additional Curtis papers and photographs in NAA.2010-28, the Edward S. Curtis papers and photographs, MS 2000-18, the Edward Curtis investigation of the battle of Little Bighorn and Photo Lot 59, the Library of Congress copyright prints collection.
The Archives of Traditional Music at Indiana University holds Curtis's wax cylinder audio recordings from 1907-1913.
The Braun Research Library at the Autry Museum of the American West holds the Frederick Webb Hodge papers (1888-1931), which contain substantial correspondence from Curtis. The Braun also holds a small amount of Curtis papers and photographs, including some of Curtis's cyanotypes.
The Getty Research Institute holds the Edward S. Curtis papers (1900-1978), which include the original manuscript scores for the Curtis Picture Musicale and film In the Land of the Headhunters.
The Palace of the Governors at the New Mexico History Museum holds original Curtis negatives pertaining to the southwest.
The Pierpont Morgan Library holds the Edward S. Curtis papers (1906-1947), which contain the records of the North American Indian, Inc., as well as Curtis's correspondence to librarian, and later library director, Belle Da Costa Greene. The library also holds a large collection of Curtis's lantern slides, used in his Picture Musicale.
The Seattle Public Library holds correspondence of Curtis to Librarian Harriet Leitch (1948-1951), pertaining to his career.
The Seaver Center for Western History Research at the Los Angeles County Museum of Natural History holds collection GC 1143, which contains Curtis's field notes as well as manuscript drafts for the North American Indian.
The Smithsonian's National Museum of the American Indian holds NMAI.AC.080, the Edward S. Curtis photogravure plates and proofs, as well as NMAI.AC.053, the Mary Harriman Rumsey collection of Harriman Alaska Expedition photographs.
The University of Washington Libraries Special Collections holds the Edward S. Curtis papers (1893-1983). Additionally, the Burke Museum holds papers and photographs of Edmund Schwinke, which relate to Curtis's work with the Kwakwaka'wakw community.
Provenance:
The collection was donated to the National Anthropological Archives by Julie Cardozo in 2022.
Restrictions:
Viewing of the photographic negatives requires advance notice and the permission of the Photo Archivist.
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
1890
Scope and Contents:
Replies to correspondence (circular letter) sent to various Indian Agencies relative to marriage customs among the various Indian tribes. The tribes represented are: Flathead, Kalispel, Kootenai, Mescalero Apache, Navaho, Oto, Pend d Oreille, and Shoshoni.
Contents as follows: Slavery; Origins, migrations, etc; "Algonquian appellations of the Amerindian tribes and peoples." (A.F.C ?) "Ditmarsh dialect and modern English; Mohawk words; Algonquian words in English. (A.F.C. ?) "Some radicals of the Kootenay language." (A.F.C. ?) Algonquian plant and fruit names (A.F.C. ?); Counting; "Removal by whites of Indians from America." (A.F.C ?); Kutenai notes; Chinese vocabulary (1891); Trail in Illinois; South America (Bibliography); Trumbull, Bibliographic linguistic material.
Local Numbers:
NAA MS 3447
Other Title:
Algonquian appellations of the Amerindian tribes and peoples
Copy prints of photographs in the Birmingham Public Library in Birmngham, England. Reference copies can be made for Smithsonian Institution staff only. Permission to publish and other prints can be obtained from the Birmingham Public Library.
Genre/Form:
Photographs
Collection Citation:
Photo Lot R4859, Copies of photographs in the Benjamin Stone collection, National Anthropological Archives, Smithsonian Institution
Information from letter of Claude E. Schaeffer, Museum of the Plains Indian, Browning, Montana, August 13, 1965: "According to Ambrose Gravelle, the present Kutenai Chief at Tobacco Plains, B.C., this particular Sun Dance was put on for a sort of demonstration by the Elmo, Montana, Kutenai at Hot Springs, Montana. He claimed that it took place about 1914 and that a merchant named Pissaw (?) sponsored the ceremony. The Sun Dance leader was Chief Hat, of Elmo, Montana, who Gravelle claims, fell from the center pole during the erection of the lodge. I hope to check this information at Elmo this fall but I thought it might be useful for your records. Gravelle claims to have been present as a youth at the ceremony.
