The papers of artist and silent film actress Wilna Hervey and her lifelong companion painter Nan Mason date from 1883 through 1985 and measure 4.9 linear feet. The collection is comprised mostly of letters to Hervey and Mason from friends, colleagues, and Mason's father, Dan Mason, also a silent film actor. Also found are personal photographs and snapshots, Hervey's handwritten memoirs, as well as twelve folders of Dan Mason's papers.
Scope and Content Note:
The papers of artist and silent film actress Wilna Hervey and her lifelong companion painter Nan Mason date from 1883 through 1985 and measure 4.9 linear feet. The collection is comprised mostly of letters to Hervey and Mason from friends, colleagues, and Mason's father, Dan Mason, also a silent film actor. Also found are personal photographs and snapshots, Hervey's handwritten memoirs, as well as twelve folders of Dan Mason's papers.
Biographical materials include a personal narrative, notes on family history, newspaper clippings related to family, legal and financial records, and Wilna Hervey's notes on artwork.
Hervey and Mason were friends with many artists and their correspondence includes letters from artists such as Albert Heckman, Georgina Klitgaard, Manuel Komroff, Leon Kroll, Doris Lee, Fred Dana Marsh, Henry Lee McFee, William Pachner, Caroline and Paul Rohland, Andrée Ruellan, Eugene Speicher, and Dorothy Varian. There are very few letters written by Hervey or Mason, and the correspondence is mostly personal in nature. There are over 250 letters from Elsie Speicher, wife of portrait artist Eugene Speicher. Correspondence to Dan Mason has been separated and is filed in a separate series.
Wilna Hervey wrote a a number of handwritten memoirs of her days in the The Toonerville Trolley film series. She had hopes of publishing these one day and worked with writer Karin Whiteley on the project. Although her memoirs were never published, Hervey and Whiteley wrote and compiled materials for the book. Included in the Memoir Book Production series are handwritten memoirs by Hervey chronicling her years prior to and during the 1920s (many of the handwritten memoirs have been typed by Karin Whiteley). It also includes research materials, such as two typed synopses of The Toonerville Trolley scripts from Fontaine Fox's files, newspaper clippings, and playbills, seemingly intended to provide background and verification of the memoirs.
This collection also includes a few pieces of artwork; three small watercolor sketches by an unidentified artist, and a print by Edward Chavez.
Photographs are mostly snapshots of friends and family, life in Woodstock, New York and Anna Maria, Florida. Negatives originally housed in an un-postmarked envelope with a return address labeled "Betzwood Film Co.," appear to be from the filming of The Toonerville Trolley. In several of the negatives Wilna Hervey is dressed as The Powerful Katrinka, and in one negative Dan Mason is The Skipper.
The personal files of Dan Mason include letters from Hervey and Nan Mason, the bulk from their trip to Europe and North Africa in 1926-1927. This series also includes Dan Mason's own handwritten and typed memoirs, newspaper clippings, and financial records.
Arrangement:
The collection is arranged into six series:
Series 1: Biographical Material, 1916-1960 (Box 1; 5 folders)
Series 2: Correspondence, 1890-1985 (Box 1-10, OV 13; 3.8 linear feet)
Series 3: Memoir Book Production, 1883-1959 (Box 11, OV 13; 0.4 linear feet)
Series 4: Artwork, 1961, undated (Box 11, OV 13; 2 folders)
Series 5: Photographs, circa 1915 - 1982 (Box 12; 5 folders)
Series 6: Personal Files of Dan Mason, 1919-1928 (Box 12; 0.4 linear feet)
Biographical Note:
Wilna Hervey was born in 1894 and grew up in Far Rockaway, New York. She met Nan Mason (1896-1982), daughter of silent film actor Dan Mason, while on production of The Toonerville Trolley silent film comedies in 1920. They were lifelong companions until Hervey's death in 1979.
As a young woman in the late 1910s, Hervey took art lessons at the Art Students League in New York City, Winold Reiss' studio at 4 Christopher Street, New York City, and during the summer of 1918 in Woodstock, New York. In 1919, she joined the Betzwood Studios in Audubon, Pennsylvania to play the role of "The Powerful Katrinka" in The Toonerville Trolley, a series of silent films based on Fontaine Fox's comic strip. Co-star Dan Mason, who played the Skipper, took Hervey under his wing, and Hervey lived with the Masons while filming the series. After The Toonerville Trolley series ended in 1921, Dan and Nan Mason traveled to Hollywood to start a new company, and Wilna followed shortly after, taking the train across the country in early 1922. The new endeavor, Plum Street Comedies, began at the Paul Gerson Pictures Corporation in San Francisco and was based on The Toonerville Trolley series; the film crew included the young Frank Capra. The Plum Street Comedies were in production for only one year, 1922-1923.
Around 1919-1920, Hervey's father bought Wilna a small studio in Bearsville, New York. From 1922-1929 Hervey and Nan Mason split their time between painting and farming in Woodstock, New York, and pursuing acting while living with Dan Mason in California. In 1926-1927, the women traveled to Europe and North Africa together to see museums, art, and architecture.
After the death of Dan Mason in 1929, Hervey and Nan Mason made Bearsville their permanent home. Beginning in the late 1950s, Hervey and Mason began spending winters in Anna Maria, Florida and summers in New York. Hervey and Mason achieved success as artists in the 1960s - Hervey as an enamel painter, and Mason as a painter and photographer.
Wilna Hervey passed away in 1979, and Nan Mason died in 1982.
Sources consulted include "The Biggest Girl" by Joseph P. Eckhardt (http://faculty.mc3.edu/jeckhard/biggestgirlarticle/thebiggestgirl.html).
Provenance:
The Wilna Hervey and Nan Mason papers were donated to the Archives of American Art by Daniel Gelfand, a friend of Wilna Hervey and Nan Mason, in 2008.
Restrictions:
Use of the original papers requires an appointment.
Rights:
The Wilna Hervey and Nan Mason papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Correspondence, photographs, clippings, biographical data on artists, press notices, Christmas cards, and publications documenting the organization's attempt to provide a market for artists affected by the Depression by using original work for greeting cards.
REELS NAGI-NAG12: Correspondence is between Samuel Golden, director, and artists whose work was sought. Among the correspondents are George Ahgupuk, C.W. Anderson, Ralph Avery, R. Fayerweather Babcock, Merrill A. Bailey, Jozef Bakos, Ken Barker, Nile Jurgen Behncke, Ludwig Bemelmans, Thomas H. Benton, Aaron Bohrod, Clarence Bolton, Cornelius Botke, Jessie Arms Botke, Fiske Boyd, Conrad Buff, Charles E. Burchfield, Ranulph Bye, Howard N. Cook, John O'Hara Cosgrave, John Steuart Curry, Gladys R. Davis, Harold Thomas Denison, Frederick K. Detwiller, Olin Dows, Yvonne Pène Dubois, Roger Antoine Duvoisin, Mabel Dwight, Kerr Eby, Louis M. Eilshemius, W.J. Enright, Daniel R. Fitzpatrick, Don Freeman, Tom Funk, Richard Gaige, Emil Ganso, Joseph Webster Golinkin, Witold Gordon, Gordon Grant, Vernon Grant, Jim Harmon, Dalzell Hatfield, Peter Helik, Edward Hopper, Peter Hunt,
Victoria Hutson Huntley, Elmer Jacobs, Ralph Johnstone, Ilonka Karasz, Norman Kent, Rockwell Kent, Nettie King, Hans Kleiber, Georgina Klitgaard, Gene Kloss, Manuel Komroff, Jo Kotula, Leon Kroll, Adolf Kronengold, Max Kuehne, Richard Lahey, Paul Hambleton Landacre, Edward Landon, Barbara Latham, Margaret Laughlin, Wolfgang Lederer, Lois Lenski, James Lewicki, Gisella Loeffler, C. A. Luce, Omer Luneau, Kyra Markham, Reginald Marsh, Maxwell Mays, Dudley Morris, Thomas F. Naegele, Thomas W. Nason, Alexander Nesbitt, Vera Neville, Woldemar Neufeld, Warren Newcombe, Edith Newton, Dale Nichols, Hobart Nichols, Frank L. Nicolet, Olle Nordmark, Jose Clemente Orozco,
William E. Pajaud, Virginia Plummer, Grace Paull, John C. Pellew, A. Sheldon Pennoyer, Leon Pescheret, Gilmer Petroff, John Pike, Henry C. Pitz, Stan Poray, Tina Prentiss, Gregorio Prestopino, Rosalie Rees, Grant Reynard, John Rogers,Conrad Roland, Arnold Ronnebeck, Ruth Starr Rose, James N. Rosenberg, Doris Rosenthal, Sanford Ross, Andree Ruellan, Rudolph Ruzicka, Martha Ryther,Paul Sample, Patsy Santo, Helen Sawyer, William J. Schaldach, Georges Schreiber,Frederick Shane, John Sharp, Charles Sheeler, Millard Sheets, Alphonse Shelton, Dwight Shepler, William Shevis, Harry Shokler, Gerrit V. Sinclair, Mortimer Slotnick, Bissell Phelps Smith, Yngve Edward Soderberg, Harry Sternberg, Anthony Thieme, Nura Ulreich, Joseph P. Vorst, Maynard Walker, Heinz Warneke,Stow Wengenroth, John Whorf, Warren F. Wheelock, Harry H. Wickey, Guy Wiggins, Myra A. Wiggins, Edward A. Wilson, Ronau W. Woiceske, Stanley W. Woodward, and others.
UNMICROFILMED: A portfolio of 106 Christmas cards, with the evelopes and original packing materials, printed and distributed by the American Artists Group in 1935. This is a nearly complete set (missing only two cards) and the first set published by the group. Also included are three publications: "Handbook of the American Artists Group," 1935, "Original Etchings, Lithographs, and Woodcuts Published by the American Artists Group," 1937, and "Ten Years, A Christmas Card Adventure," ca. 1944
Biographical / Historical:
Greeting card company. Founded 1934; New York, N.Y. One of its aims was to popularize contemporary American art by publishing fine reproductions of original etchings, lithographs, drawings and paintings on greeting cards.
Provenance:
Materials on reels NAG1-12 lent for microfilming by the American Artists Group, 1966-1968. Unmicrofilmed material donated 1994 by Allen P. Golden, son of Samuel Golden who founded the American Artists Group.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art -- Marketing -- New York (State) -- New York Search this
Contemporaries of Marco Polo : consisting of the travel records to the eastern parts of the world of William of Rubruck [1253-1255]; the journey of John of Pian de Carpini [1245-1247]; the journal of Friar Odoric [1318-1330] & the oriental travels of Rabbi Benjamin of Tudela [1160-1173] / edited by Manuel Komroff
