3.83 Cubic feet (8 binders containing contact sheets, slides, and prints; 7 boxes (8.5"x10.75"x2.5") of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints.)
Type:
Collection descriptions
Archival materials
Contact sheets
Slides (photographs)
Black-and-white negatives
Photographic prints
Place:
New York (N.Y.)
Saint Simons Island (Ga. : Island)
Date:
1963-2009
Summary:
The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides.
Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.
Scope and Contents:
The Diana Davies photographs, 1963-2009, consist of black and white negatives, contact sheets and prints, as well as color slides and negatives. The bulk of materials depict major festivals and protest movements (including the Poor People's March of 1968) documented by Diana Davies (located in Series 1: Newport Folk Festival, Series 2: Philadelphia Folk Festival, Series 6: Festival of American Folklife, and Series 11: Social Justice). Also well-represented are non-festival performances (in locations such as clubs, concert halls, and homes), recording sessions, and other music-related images, mainly of notable figures in the American folk music revival (located in Series 3: Broadside Magazine, Series 4: Sing Out! Magazine Concerts, Series 5: Miscellaneous Concerts and People, Series 7: Recording Sessions, Series 8: Instruction Book Shots, and Series 9: Jazz, Blues, and Salsa Musicians). Series 10: Georgia Sea Islands consists of photographs depicting the culture, environment, and daily life of these coastal islands in 1966. Series 12: New York City Scenes contains photographs taken on the street depicting everyday life in NYC in the 1960s and 1970s. The collection also contains related papers in Series 13: Miscellaneous Papers and Correspondence.
Arrangement note:
Each item in the Diana Davies Photographs has been assigned an accession number, and like materials have been put together such as the Newport Folk Festival photographs, in a chronological sequence as much as possible. Materials in the three more recent donation batches (1998, 2004, and 2006) were numbered and integrated into the collection. In some series, the accession numbers are in numerical order, and in others, the numbers are random because like items with different number sequences were pulled together in a series for subject coherence. The best way to find occurrences of a particular subject is to use the ctrl+F function. Please consult the archivists if you have any questions about the collection contents.
Contact sheets, slides, and prints arranged in 8 binders; negatives and oversize prints are stored separately.
Arranged in 14 series:
Series 1: Newport Folk Festival
Series 2: Philadelphia Folk Festival
Series 3: Broadside Magazine
Series 4: -- Sing Out! -- Magazine Concerts
Series 5: Miscellaneous Concerts and People
Series 6: Festival of American Folklife
Series 7: Recording Sessions
Series 8: Instruction Book Shots
Series 9: Jazz, Blues, and Salsa Musicians
Series 10: Georgia Sea Islands
Series 11: Social Justice
Series 12: New York City Scenes
Series 13: Miscellaneous Papers and Correspondence
Series 14: Oversize Materials
Biographical/Historical note:
Diana Davies is a well-known photographer of folk performers and festivals. Davies photographed the Smithsonian Folklife Festival in its earlier years. Born in 1938, Davies grew up in Maine, the Catskills, New York City, and Boston. Her grandparents were local union organizers and Debs socialists; one grandfather was a gandy dancer with the railroad, and her grandmother was a textile worker in Massachusetts, New York, and Pennsylvania. Davies finds that her family background was later expressed in her own activist efforts.
Davies left high school at 16, and worked sweeping out coffeehouses, which gave her the opportunity to listen to music while she worked. She became interested in theater and music. In Greenwich Village, she began doing some sound technician work, and then got interested in photography. She taught herself how to develop and print photographs in a darkroom, and began photographing in theaters, shooting from behind the scenes. Her theater photos are at Smith College in Northampton, where she presently lives. In the early 1960s, she began working with the editors of Broadside Magazine, Sis Cunningham and Gordon Friesen. She developed an interest in human rights work, which grew from her contact with Sis and Gordon, and also her own family background. She also worked as a photographer in a wide range of settings, including night clubs, weddings, and doing portrait photography. This led her to work for major national and international media including the New York Times, covering such events as the war in Biafra, and traveling to Mexico, Cuba, and Portugal on assignment.
Davies' folk photographs represent about one-quarter of her body of work; her other major photographic work includes the Civil Rights Movement, the Peace Movement, and theater. Davies began photographing at the Newport Folk Festival in 1964, which she covered for a number of years. She knew Ralph Rinzler, and found him a vibrant, alive person excited by all aspects of culture. He introduced her to Bessie Jones from the Georgia Sea Islands, and in 1966 she made a photographic journey to the islands. Her work from this trip is included in the collection. Davies has also been a musician. She became involved with the punk rock movement of the 1970s, and felt that there was a connection between the hard-hitting songs from the punk world and the songs being published in Broadside Magazine. In 1975, she became part of a folk/punk women's band in Boston, and later moved to Western Massachusetts. In addition to being a photographer and musician, Davies is also a writer. She wrote a play entitled "The Witch Papers" in 1980, which was produced in Boston and other locations. The play was a vehicle for her human rights activism, comparing the technology of inquisition with labor sweatshops. In 1998, her play "The War Machine" was produced in Amherst, Mass. She lives in Northampton, and enjoys and participates in street performance, which she describes as the "most essentially communicative stuff you can come up with."
General note:
All contact sheets from the collection are digitized and accessible through this finding aid. Series-level slideshows accessible through this finding aid represent a small sampling from the collection.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives and Collections. These two more recent donations of additional photographs (contact sheets, prints, and slides) consisted of documentation of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the provison that her work be credited in any use.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Photographs taken by Diana Davies at the 1965 Newport Folk Festival. This series includes black-and-white contact sheets, negatives for the contact sheets, photographic prints, and slides. The photographs feature various performers and audience members at the Newport Folk Festival.
Restrictions:
Access by appointment only at the Ralph Rinzler Folklife Archives and Collections.
Rights:
Authorization to publish or reproduce requires written permission from Diana Davies. Please contact the Ralph Rinzler Folklife Archives and Collections for further information.
Topic:
Folk festivals -- Rhode Island -- Newport -- Photographs Search this
Genre/Form:
Contact sheets
Collection Citation:
Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
or
Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.
Fixin' to die (3:47) -- Blow whistle blow (2:44) -- My little woman (2:10) -- Ginger man (2:05) -- Bad dream blues (3:52) -- Winding boy (3:26) -- I'm troubled (2:27) -- France blues (2:31) -- Don't you leave me here (2:46) -- Devil got my woman (4:06) -- Southbound train (4:04) -- Downtown blues (2:28) -- Leavin' here blues (4:48) -- Hello baby blues (1:59) -- She's gone (2:05) -- Slappin' on my black cat bone (2:17).
Track Information:
101 Fixin' to Die / Dave Ray. Guitar.
102 Blow Whistle Blow / Eric Von Schmidt. Guitar.
103 My Little Woman / John Koerner. Guitar.
104 Ginger Man / Geoff Muldaur. Guitar.
105 Bad Dream Blues / Dave Van Ronk. Guitar.
106 Wining Boy / Ian Buchanan. Guitar.
107 I'm Troubled / Danny Kalb. Guitar.
108 France Blues (Mobile Line) / Mark Spoelstra. Guitar.
201 Don't You Leave Me Here / Dave Van Ronk. Guitar.
202 Devil Got My Woman / Geoff Muldaur. Guitar.
203 Southbound Train / John Koerner. Guitar.
204 Downtown Blues / Geoff Muldaur. Guitar.
205 Leaving Here Blues / Dave Ray. Guitar.
206 Hello Baby Blues / Danny Kalb. Guitar.
207 She's Gone / Mark Spoelstra. Guitar.
208 Slappin' on My Black Cat Bone / Dave Ray. Guitar.
Local Numbers:
RA-RAMS-LP-0133
Elektra.7264
Publication, Distribution, Etc. (Imprint):
Elektra New York 1964
General:
Notes by Paul Nelson on container.
Electric blues; featuring Dave Van Ronk, Geoff Muldaur, Dave Ray, Danny Kalb, Ian Buchanan, Mark Spoelstra, and Eric Von Schmidt ; assisted by Tony Glover, Fritz Richmond, John B. Sebastian, Doug Pomeroy and Bob Landy.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Linin' track (2:16) --Ramblin' blues (2:42) --It's all right (3:50) -- Hangman (2:28) --Ted Mack rag (1:28) --Down to Louisiana (2:52) --Creepy John (2:38) --Bugger Burns (1:37) --Sun's wail (1:51) --One kind favor (3:56) --Go down ol' Hannah (2:55) -- Good time Charlie (1:39) --Banjo thing (1:23) --Stop that thing (2:00) --Snaker's here (3:41) --Low down rounder (2:09) -- Jimmy Bell (2:43)
Track Information:
101 Linin' Track / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
102 Ramblin' Blues / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
103 It's Alright / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
104 Hangman (Gallis Pole)(Gallows Pole) (Child No. 95)/ Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
105 Down to Louisiana / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
106 Bugger Burns / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
107 Creepy John / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
108 Sun's Wail / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
201 One Kind Favor / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
202 Go Down, Old Hannah / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
203 Good Time Charlie / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
204 Banjo Thing / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Banjo.
205 Stop That Thing / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
206 Snaker's Here / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
207 Low Down Rounder / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
208 Jimmy Bell / Koerner, Ray, and Glover (Musical group), John Koerner, Tony Glover. Guitar,Harmonica.
Local Numbers:
FP-RINZ-LP-0753
Elektra.240
Publication, Distribution, Etc. (Imprint):
New York Elektra 1963
Date/Time and Place of an Event Note:
1963.
General:
Blues; "Spider" John Koerner, guitar, vocals; Dave "Snaker" Ray, guitar, vocals; Tony "Little Sun" Glover, harmonica, vocals. Recorded, Mar. 24, 1963, at the Woman's Club, Milwaukee, Wis.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Special restrictions on use of these materials may apply. Viewing/listening copies are not currently available, but can be made for a fee, Transferring office; 4/10/2002 memorandum, Peters to SIA; Contact reference staff for details.
