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Oral history interview with Peter Shire

Interviewee:
Shire, Peter  Search this
Interviewer:
Lauria, Jo  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Chouinard Art Institute (Los Angeles, Calif.) -- Students  Search this
Los Angeles City College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Bennett, Garry Knox, 1934-  Search this
Cibic, Aldo, 1955-  Search this
Duran, Gonzalo  Search this
Jiminez, Juanita  Search this
Kashalek, Robert  Search this
Maruyama, Wendy, 1952-  Search this
Saxe, Adrian Anthony, 1943-  Search this
Scaccia, Anthony  Search this
Sheets, Millard, 1907-1989  Search this
Thun, Matteo  Search this
Westermann, H. C. (Horace Clifford), 1922-  Search this
Zanini, Marco  Search this
Extent:
77 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2007 September 18-19
Scope and Contents:
An interview of Peter Shire conducted 2007 September 18-19, by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Shire's studio, in Los Angeles, California.
Shire speaks of being a native Californian; his childhood growing up in the Los Angeles community of Echo Park; his parents' socialist political ideas; memories of FBI surveillance of his home and parents; defining the term kitsch as "the substitution of spurious values for real ones," using plastic flowers as an example; the essence of the craft movement as the handmade, the real; attending Saturday classes at Chouinard Art Institute while in high school; clothing fashion in his neighborhood during the late 1960s; the influence of high school teacher Anthony Scaccia; attending Los Angeles City College for one semester; discovering Domus magazine in the school library; receiving his B.F.A. from Chouinard in 1970; teaching at InterPace; being inspired by H.C. Westermann's work; traveling to Milan, Italy and visiting Ettore Sottsass; his interest in a humanistic, personal expression in art; encountering resistance to his "art furniture"; his 2007 show at Frank Lloyd Gallery, "Peter Shire Chairs"; the desire to create a total spatial experience of his work by charging the everyday function of objects with an emotional impact; and his public art commissions. Shire also recalls Gonzalo Duran, Juanita Jiminez, Millard Sheets, Adrian Saxe, Wendy Maruyama, Gary Knox Bennett, Marco Zanini, Matteo Thun, Aldo Cibic, Robert Koshalek, and others.
Biographical / Historical:
Peter Shire (1947- ) is a sculptor from Los Angeles, California. Jo Lauria is a curator and arts writer also from Los Angeles, California.
General:
Originally recorded as 13 digital wav files. Duration is 4 hr., 8 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Sculptors -- California -- Los Angeles -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.shire07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw922cf02bd-dcfd-4567-b3c2-86e862befe33
EDAN-URL:
ead_collection:sova-aaa-shire07
Online Media:

Clement Greenberg papers

Creator:
Greenberg, Clement, 1909-1994  Search this
Names:
American Committee for Cultural Freedom  Search this
Avedisian, Edward, 1936-2007  Search this
Bannard, Walter Darby, 1934-  Search this
Baziotes, Ethel  Search this
Bush, Jack, 1909-  Search this
Caro, Anthony, 1924-  Search this
Connolly, Cyril, 1903-1974  Search this
Davis, Gene, 1920-1985  Search this
Diebenkorn, Richard, 1922-1993  Search this
Dorazio, Piero, 1927-  Search this
Dzubas, Friedel, 1915-  Search this
Emmerich, André  Search this
Feeley, Paul, 1910-1966  Search this
Francis, Sam, 1923-1994  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Peter, 1947-1990  Search this
Goodnough, Robert, 1917-  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hofmann, Hans, 1880-1966  Search this
Hosaisson, Philippe  Search this
Kainen, Jacob  Search this
Krauss, Rosalind E.  Search this
Moffett, Kenworth  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Noland, Kenneth, 1924-  Search this
O'Faolin, Nuala  Search this
Olitski, Jules, 1922-2007  Search this
Pepper, Beverly  Search this
Rothko, Mark, 1903-1970  Search this
Sander, Ludwig, 1906-  Search this
Smith, David, 1906-1965  Search this
Smith, Kimber, 1922-1981  Search this
Solomon, Deborah  Search this
Still, Clyfford, 1904-  Search this
Truitt, Anne, 1921-2004  Search this
Waddington, Leslie  Search this
Wisenski, Kurt  Search this
Extent:
8.6 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Interviews
Etchings
Photographs
Reports
Date:
1937-1983
Summary:
The papers of art critic, author, and lecturer Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the collection consists of letters from art critics, artists, family, friends, galleries, and museums. Notable correspondents include Jack Bush, Anthony Caro, Richard Diebenkorn, Friedel Dzubas, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Morris Louis, Robert Motherwell, Charles Pollock, Jules Olitski, David Smith, and Anne Truitt among others. Also found are biograpical materials, personal business and financial records, an etching by Kurt Wisneski, printed materials, and two reports by Greenberg concerning his travels.
Scope and Content Note:
The papers of influential New York art critic Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the papers (7 feet) consists of letters from art critics, artists, family, friends, galleries, and museums, with some letters from Greenberg. Correspondents include Edward Avedisian, Darby Bannard, Ethel Baziotes, Jack Bush, Anthony Caro, Gene Davis, Richard Diebenkorn, Piero Dorazio, Friedel Dzubas, Andre Emmerich, Paul Feeley, Sam Francis, Helen Frankenthaler, Robert Goodnough, Adolf Gottleib, Hans Hofmann, Philippe Hosiasson, Jacob Kainen, Rosalind Krauss, Robert Motherwell, Ken Moffett, Barnett Newman, Kenneth Noland, Jules Olitski, Beverly Pepper, Ludwig Sander, David Smith, Kimber Smith, Clyfford Still, Anne Truitt, and Leslie Waddington.

Biographical materials include a transcript of an interview with Greenberg conducted by Deborah Solomon in 1983. Greenberg's personal business and financial records include correspondence regarding his lectures and seminars, requests for his writings, student queries, documents regarding his television and radio appearances, royalty statements, and receipts for gifts of works of art. Also found within business records are documents relating to Greenberg's testimony at the Mark Rothko Trial in 1974.

Artwork consists of one etching by Kurt Wisenski entitled "Spring." The papers contain very few of Greenberg's writings about art. Found are lists of artists, and reports written by Greenberg on the state of art in Japan and India in 1967, likely related to his membership in the American Committee for Cultural Freedom. Printed material includes scattered clippings concerning art and exhibition announcements.

One series of ACCESS RESTRICTED papers contains documents relating to Greenberg's role as a trustee in the David Smith estate; correspondence between Greenberg with Andre Emmerich and Peter Fuller, Nuala O'Faolain, and the Greenberg family; and some financial materials regarding the sale and loan of Greenberg's art collection.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Information, circa 1950s-1983 (Box 1; 2 folders)

Series 2: Business and Financial Records, 1940-1983 (Box 1; 12 folders)

Series 3: Correspondence, 1937-1983 (Boxes 1-8; 7 linear feet)

Series 4: Artwork, 1973 (Box 8; 1 folder)

Series 5: Writings and Notes, 1967-1983 (Box 8; 3 folders)

Series 6: Printed Material, 1950-1982 (Box 8; 2 folders)

Series 7: David Smith Estate Materials (Boxes 9-11; 1.2 linear feet)
Biographical Note:
Clement Greenberg was a highly influential art critic working in New York City from the 1940s through the 1960s. He was an advocate of modern art, particulary the abstract expressionist movement, and one of the first critics to recognize the significance of Jackson Pollock's work.

Greenberg was born in 1909 to Russian immigrants in Bronx, New York. After graduating from Syracuse University in 1930, he married and had a child, David. He settled in New York City while working at the United States Customs Department as an appraiser.

In the late 1930s, Clement Greenberg attended a meeting of the U.S. Works Progress Administration and heard Hans Hofmann speak of avant-garde art. In 1939, he wrote one of his first important critical pieces "Avant-Garde and Kitsch" for the Partisan Review. Greenberg argued that the avant-garde art movement rose out of the need to defend and maintain high art standards against the decline in taste brought about by America's consumerism and capitalist culture.

In 1940, Greenberg joined Partisan Review as an editor. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. In December 1950, he joined the CIA-fronted American Committee for Cultural Freedom.

Throughout the 1940s through the 1960s Greenberg continued to write and, in his essays and articles, he promoted the work of Abstract Expressionists, among them Jackson Pollock, Willem de Kooning, Hans Hofmann, Barnett Newman, and Clyfford Still. He particularly championed Jackson Pollock. Greenberg wrote several seminal essays that defined his views on art history in the 20th century. "Greenberg on Collage" was one one of his most important.

Greenberg's views on pop art were mixed. He also became less enamored with Abstract Impressionism, particularly the second generation. However, he became very interested in the Color-Field and Hard-Edge painters.

Through the 1960s Greenberg's views informed a younger generation of art critics including Michael Fried and Rosalind E. Krauss. Some writers maintain that Greenberg's views were so well-respected that he had too much of an influence on the world of art. In time, Greenberg's antagonism to Postmodernist theories and other modern art movements caused him to lose much of his credibility among both artists and art critics.

Greenberg died at the age of eighty-five in 1994.

Since his death, letters edited by his widow, Janice Van Horne and a re-evaluation of his writings have helped to restore his reputation within the art world.
Related Material:
The Portland Art Museum holds Clement Greenberg's private art collection as well as a library of exhibition catalogs.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels N69-91, N70-7, and N737). Most, but not all, of these papers were later donated by Greenberg. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
Clement Greenberg initally lent material for microfilming in 1968-1969. He donated most of this material with additional papers in several accretions between 1984 to 1991.
Restrictions:
Use of original papers requires an appointment. Some of the collection is ACCESS RESTRICTED: documents relating to the estate of David Smith; some correspondence with Peter Fuller, Nuala O'Faolain, and the Greenberg family; and sale and loan agreements (Boxes 9, 10, and 11). Contact the reference staff for more information about permission to use this portion of the collection.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Topic:
Art criticism -- New York (State) -- New York  Search this
Art -- Japan  Search this
Art -- India  Search this
Modernism (Art)  Search this
Art -- Economic aspects  Search this
Genre/Form:
Transcripts
Interviews
Etchings
Photographs
Reports
Citation:
The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.greeclep
See more items in:
Clement Greenberg papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9583b0d2a-ad31-4fa9-a3b5-eacce3cb0313
EDAN-URL:
ead_collection:sova-aaa-greeclep
Online Media:

Oral history interview with Peter Shire, 2007 September 18-19

Interviewee:
Shire, Peter Anton, 1947-  Search this
Shire, Peter Anton, 1947-  Search this
Interviewer:
Lauria, Jo, 1954-  Search this
Subject:
Saxe, Adrian Anthony  Search this
Scaccia, Anthony  Search this
Bennett, Garry Knox  Search this
Sheets, Millard  Search this
Duran, Gonzalo  Search this
Jiminez, Juanita  Search this
Maruyama, Wendy  Search this
Kashalek, Robert  Search this
Zanini, Marco  Search this
Thun, Matteo  Search this
Cibic, Aldo  Search this
Westermann, H. C. (Horace Clifford)  Search this
Chouinard Art Institute (Los Angeles, Calif.)  Search this
Los Angeles City College  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- California -- Los Angeles -- Interviews  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13651
(DSI-AAA_SIRISBib)273135
AAA_collcode_shire07
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_273135
Online Media:

Italo Scanga papers

Creator:
Scanga, Italo, 1932-2001  Search this
Names:
Chihuly, Dale, 1941-  Search this
Merkin, Richard  Search this
Schwedler, William, 1942-1982  Search this
Stoneman, Gary  Search this
Extent:
15.4 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Date:
circa 1930-2001
Summary:
The papers of Italian-American sculptor, educator, printmaker, and painter Italo Scanga, date from circa 1930 to 2001 and measure 15.4 linear feet. The papers focus on Scanga's work as an artist but also include scattered teaching materials. Found are biographical materials, correspondence, artist files, exhibition and gallery files, professional files, a video recording, and printed material.
Scope and Contents:
The papers of Italian-American sculptor, educator, printmaker, and painter Italo Scanga, date from circa 1930 to 2001 and measure 15.4 linear feet. The papers focus on Scanga's work as an artist but also include scattered teaching materials. Found are biographical materials, correspondence, artist files, exhibition and gallery files, professional files, a video recording, and printed material.

Of note are files containing correspondence, photographs, and printed materials on Dale Chihuly, a friend and collaborator of Italo Scanga. Considerable material is also found for Richard Merkin, William Schwedler, and Gary Stoneman.
Arrangement:
This collection is arranged as 6 series.

Series 1: Biographical Material, circa 1930-2001 (2.5 linear feet; Box 1-3)

Series 2: Correspondence, circa 1950s-2000s (3.4 linear feet; Box 3-6, 17)

Series 3: Artist Files, 1957-2000s (3.4 linear feet; Box 6-10, 16)

Series 4: Exhibition and Gallery Files, 1973-2001 (1.1 linear feet; Box 10-12)

Series 5: Professional Files, 1971-2001 (0.6 linear feet; Box 12)

Series 6: Printed Material, 1950s-2000s (3.5 linear feet; Box 12-17)
Biographical / Historical:
Italo Scanga (1932-2001) was a sculptor, painter, and educator based in San Diego, California.

Born in Calabria, Italy in 1932, Italo Scanga and his family immigrated to the United States in 1946 and settled in Michigan. After graduating from high school, Scanga worked on the assembly line of General Motors and enlisted in the United States Army, serving in Austria in the early 1950s. Upon returning to Michigan, Scanga studied at Michigan State University where he received his MFA in sculpture in 1961.

Scanga's career was marked by a dual love of teaching and creating art. He accepted many teaching positions at various institutions including the University of Wisconsin, Madison, the Tyler School of Art, Rhode Island School of Design, Pilchuck Glass School, and the University of California, San Diego. He created works of art in various forms of media including sculpture, sometimes using found-objects, prints, ceramics, glass, painting, and mixed-media. His works combined fine art, craft, and kitsch.

Scanga married Mary Louise Ashley in 1956 and together they had five children. Later, he married artist Stephanie Smedley. Italo Scanga died in 2001 and is survived by his partner, Su Mei Yu, a restauranteur and his five children, Katherine, Sarah, Anthony, Joseph, and William.
Provenance:
The Italo Scanga Foundation via Joseph and Katherine Scanga, Italo Scanga's children, donated the papers in 2002.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- San Diego  Search this
Painters -- California -- San Diego  Search this
Educators -- California -- San Diego  Search this
Topic:
Italian American artists  Search this
Genre/Form:
Video recordings
Citation:
Italo Scanga papers, circa 1930-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.scanital
See more items in:
Italo Scanga papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw933f5cc1f-87af-4499-a675-e928f1e9940f
EDAN-URL:
ead_collection:sova-aaa-scanital

Noguchi, Isamu

Collection Creator:
Stable Gallery  Search this
Container:
Box 2, Folder 21
Type:
Archival materials
Date:
1954-1961
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Stable Gallery records
Stable Gallery records / Series 2: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bbd38752-2cdb-4955-8100-7292de550c63
EDAN-URL:
ead_component:sova-aaa-stabgall-ref57
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Jane and Michael Stern Collection

Creator:
Stern, Michael, 1946-  Search this
Stern, Jane  Search this
Extent:
17 Cubic feet (41 boxes)
Type:
Collection descriptions
Archival materials
Ephemera
Trade literature
Articles
Notes
Menus
Cookbooks
Brochures
Correspondence
Slides (photographs)
Writings
Business records
Postcards
Date:
1890-2008
Summary:
Collection documents Jane and Michael Stern's travels across the United States collecting data for their books on American material culture subjects, with particular emphasis on food and dining.
Scope and Contents:
Collection primarily consists of the raw materials amassed by Jane and Michael Stern as they traveled the United States, researching for their books on American material culture subjects, with particular emphasis on food and dining. These materials include writings and notes from their various stops while traveling; photographs and slides of places they visited; vintage postcards collected in their travels; paper ephemera such as take-out menus, placemats, etc.; large quantities of trade literature such as product cookbooks (some dating back to the 1920s), food packaging and brochures on food related subjects, under headings such as "Meat, Fish, Game", "Parties, Etiquette, How-To", "Baking" and numerous others; trade literature on other material culture subjects the Sterns wrote books about with headings which include Rodeo, Cowboys, Indians" and many others; correspondence; business records, articles, and clippings. The collection is arranged into five series: Series 1, Research Documentation and Writings, 1975-2015, undated; Series 2, Product Cookbooks, and Trade Literature, 1890-1993, undated; Series 3, Photographic Materials, 1947-2008, undated; Series 4, Subject Files, 1910-1995; and Series 5, Vintage Postcards, undated.
Arrangement:
Collection is arranged into five series:

Series 1, Research Documentation and Writings, 1975-2015, undated

Series 2, Product Cookbooks, and Trade Literature, 1890-1993, undated

Series 3, Photographic Materials, 1947-2008, undated

Subseries 3.1, Photographs, 1947-2002, undated

Subseries 3.2, Slides and Transparencies, 1965-2008, undated

Series 4, Subject Files, 1910-1995

Series 5, Vintage Postcards, undated
Biographical / Historical:
Jane Grossman Stern (1946-) and Michael Stern (1946-) are American writers best known for their popular series of books titled Roadfood. These publications provided recommendations of restaurants, truck stops, diners, delis, bakeries, and other food-related establishments in the United States who served classic American regional specialties. The Sterns are also authors of books about American material culture subjects including truckers, cowboys, kitsch, and dog shows. They have been guests on public radio, contributors to magazine columns, and have won numerous awards for their work.
Provenance:
Collection donated by Jane and Michael Stern, 2016.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Automobile travel -- United States  Search this
Diners -- United States  Search this
Bakeries -- United States  Search this
Restaurants -- United States  Search this
Truck stops -- United States  Search this
Cowboys -- United States  Search this
Roads -- United States  Search this
Delicatessens -- United States  Search this
Dining  Search this
Dog shows -- United States  Search this
Truck drivers -- United States  Search this
Rodeos -- United States  Search this
Food -- United States  Search this
Local foods -- United States  Search this
Kitsch -- United States  Search this
Material culture -- United States  Search this
Genre/Form:
Ephemera -- 20th century
Ephemera -- 21st century
Trade literature
Articles -- 21st century
Notes -- 20th century
Menus -- 20th century
Cookbooks -- 21st century
Brochures -- 20th century
Correspondence -- 21st century
Brochures -- 21st century
Cookbooks -- 20th century
Slides (photographs) -- 20th century
Writings
Business records -- 20th century
Articles -- 20th century
Postcards -- 20th century -- United States
Correspondence -- 20th century
Menus -- 21st century
Citation:
Jane and Michael Stern Collection, circa 1920-2015, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1392
See more items in:
Jane and Michael Stern Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep89b79d74d-7499-469b-8dad-ee18dd9a59e3
EDAN-URL:
ead_collection:sova-nmah-ac-1392
Online Media:

William L. Bird Postcard Collection

Former owner:
Bird, William L.  Search this
Extent:
6 Cubic feet (19 boxes)
Type:
Collection descriptions
Archival materials
Picture postcards
Postcards
Place:
United States -- description and travel
Date:
1900-1990
Summary:
Collection consists of postcards on numerous subjects.
Content Description:
Postcards, on numerous subjects including American architecture, infrastructure, attractions, businesses, and travel related subjects.
Arrangement:
Collection is unarranged.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Airports  Search this
Architecture -- United States  Search this
Beaches  Search this
Bridges -- United States  Search this
Cities and towns  Search this
Dams  Search this
Highways  Search this
Hotels  Search this
Kitsch -- United States  Search this
Museums -- United States  Search this
National parks  Search this
Restaurants -- United States  Search this
Shopping malls -- United States  Search this
State parks  Search this
Genre/Form:
Picture postcards -- 20th century
Postcards -- 20th century -- United States
Citation:
William L. Bird Postcard Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1465
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ef55ba1b-a5dc-4c59-847d-c8499e6d5677
EDAN-URL:
ead_collection:sova-nmah-ac-1465

Moved to tears : rethinking the art of the sentimental in the United States / Rebecca Bedell

Author:
Bedell, Rebecca Bailey  Search this
Physical description:
xi, 220 pages : illustrations (some color) ; 25 cm
Type:
Books
History
Place:
United States
Date:
2018
Topic:
Sentimentalism in art  Search this
Art--History  Search this
Art--Themes, motives  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1096503

Route 66 road trip / Candacy Taylor

Title:
Moon. Route 66 road trip
Route Sixty-six road trip
Author:
Taylor, Candacy A.  Search this
Physical description:
349 pages : color illustrations, color maps ; 20 cm
Type:
Guidebooks
Local history
Tours
Place:
West (U.S.)
United States Highway 66
United States
Date:
2016
Topic:
Automobile travel  Search this
Description and travel  Search this
Tours  Search this
History, Local  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1073771

Juxtapoz

Title:
Art juxtapoz
Physical description:
v. : ill. ; 28 cm
Type:
Periodicals
Place:
United States
U.S.A
Date:
1994
C1994-
1994-9999
Topic:
Psychedelic art  Search this
Kitsch  Search this
Popular culture  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1101842

The 20 Best Small Towns To Visit in 2018

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Lectures
Blog posts
Published Date:
Tue, 05 Jun 2018 15:53:16 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_123736ffea813b692f076559942bee6d

Come and get it! : the saga of Western dinnerware / Corinne Joy Brown

Author:
Brown, Corinne Joy 1948-  Search this
Physical description:
xiii, 241 pages : illustrations ; 26 cm
Type:
Books
History
Place:
United States
West (U.S.)
Date:
2011
©2011
20th century
Topic:
Ceramic tableware--History  Search this
Decoration and ornament, Rustic  Search this
Cowboys--Collectibles  Search this
Collectibles  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1087534

Material Christianity : religion and popular culture in America / Colleen McDannell

Author:
McDannell, Colleen  Search this
Physical description:
x, 312 pages : illustrations (some color) ; 27 cm
Type:
Texts
Place:
United States
Date:
1995
Topic:
Religious articles  Search this
Christianity  Search this
Religious life and customs  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_490464

Super 8 Said Farewell to Its Kitschy Motel Art With a Gallery Show

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
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Published Date:
Mon, 09 May 2016 14:52:34 +0000
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Smithsonian Magazine
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Top 10 Biggest Roadside Foods in America

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Smithsonian Magazine  Search this
Type:
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Smithsonian staff publications
Interviews
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Published Date:
Tue, 10 Sep 2013 18:59:00 +0000
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A Life Devoted to the American Diner

Creator:
Smithsonian Magazine  Search this
Type:
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Smithsonian staff publications
Interviews
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Published Date:
Tue, 15 Jun 2010 03:00:00 +0000
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The 20 Best Small Towns to Visit in 2017

Creator:
Smithsonian Magazine  Search this
Type:
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Smithsonian staff publications
Conversations and talks
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Published Date:
Tue, 02 May 2017 17:00:35 +0000
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Historic Photos of Baltimore Show the Real-Life "Hairspray"

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Smithsonian Magazine  Search this
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Smithsonian staff publications
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Published Date:
Wed, 07 Dec 2016 19:58:08 +0000
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Some Very Bunny Antics

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Cooper-Hewitt, National Design Museum  Search this
Type:
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Smithsonian staff publications
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Published Date:
Thu, 17 Aug 2017 13:00:47 +0000
Topic:
Design  Search this
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Cooper Hewitt, Smithsonian Design Museum
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Tourists of history : memory, kitsch, and consumerism from Oklahoma City to Ground Zero / Marita Sturken

Author:
Sturken, Marita 1957-  Search this
Physical description:
xii, 344 p. : ill ; 24 cm
Type:
Books
Place:
United States
Date:
2007
Topic:
Collective memory  Search this
Psychic trauma--Social aspects  Search this
Souvenirs (Keepsakes)--Social aspects  Search this
Consumption (Economics)--Social aspects  Search this
National characteristics, American  Search this
Popular culture  Search this
Oklahoma City Federal Building Bombing, Oklahoma City, Okla., 1995  Search this
September 11 Terrorist Attacks, 2001  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_838519

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