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Kirby, Michael

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 11, Folder 19
Type:
Archival materials
Date:
1960s-1970s
Scope and Contents:
Includes photo of Kirby
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9287d1539-3245-41a3-a35b-9f0a559434a1
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref1655

Kirby, Michael

Collection Creator:
Battcock, Gregory, 1937-  Search this
Container:
Box 1, Folder 64
Type:
Archival materials
Date:
1980
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Gregory Battcock Papers, 1952-circa 1980. Archives of American Art, Smithsonian Institution.
See more items in:
Gregory Battcock papers
Gregory Battcock papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99cc3db00-dcfd-4189-a337-df501597aeb5
EDAN-URL:
ead_component:sova-aaa-battgreg-ref81

Oral history interview with Jack Beal, 1968 March 27

Interviewee:
Beal, Jack, 1931-  Search this
Beal, Jack, 1931-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Blackshear, Kathleen  Search this
Doyle, Tom  Search this
Giles, William  Search this
Kirby, Michael  Search this
Landsman, Stanley  Search this
Michod, Ivan  Search this
Michod, Susan A.  Search this
Type:
Sound recordings
Interviews
Topic:
Painting, Modern -- 20th century -- United States  Search this
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)12182
(DSI-AAA_SIRISBib)212000
AAA_collcode_beal68
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212000

Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975, bulk 1964-1975

Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H. (Elayne Hanley), 1913-1987  Search this
Finch College. Museum of Art  Search this
Subject:
Acconci, Vito  Search this
Glimcher, Arnold B.  Search this
Benglis, Lynda  Search this
Anderson, David K.  Search this
Bochner, Mel  Search this
Benyon, Margaret  Search this
Janis, Sidney  Search this
Castelli, Leo  Search this
Brooks, James  Search this
Jackson, Martha Kellogg  Search this
Hollander, Irwin  Search this
Insley, Will  Search this
Gottlieb, Adolph  Search this
Graham, Dan  Search this
Smith, Tony  Search this
Siegelaub, Seth  Search this
Richter, Hans  Search this
Parsons, Betty  Search this
O'Doherty, Brian  Search this
Nauman, Bruce  Search this
Kirby, Michael  Search this
Chase, Doris  Search this
Cross, Lloyd G.  Search this
Davis, Douglas  Search this
Dwan, Virginia  Search this
Feigen, Richard L.  Search this
Wise, Howard  Search this
Weiner, Sam  Search this
Sonfist, Alan  Search this
Mazur, Michael  Search this
Meyer, Ursula  Search this
Lichtenstein, Roy  Search this
Levine, Les  Search this
Type:
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Topic:
Art dealers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Gallery directors  Search this
Gallery owners  Search this
Theme:
Communities, Organizations, Museums  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)8114
(DSI-AAA_SIRISBib)210285
AAA_collcode_finccoll
Theme:
Communities, Organizations, Museums
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210285
Online Media:

Interview with Michael Kirby for the University Roundtable radio series

Creator:
Kirby, Michael  Search this
Wechter, Vivienne Thaul  Search this
Kirby, Michael  Search this
Subject:
Kirby, Michael  Search this
Type:
Sound Recording
Date:
1970 March 5
Topic:
Happening (Art)  Search this
Record number:
(DSI-AAA)11941
See more items in:
WFUV radio interviews relating to art, 1969-1973
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11941

Interview with Michael Kirby

Creator:
Kirby, Michael  Search this
Varian, Elayne H. (Elayne Hanley), 1913-1987  Search this
Kirby, Michael  Search this
Type:
Sound Recording
Date:
circa 1967
Topic:
Sculpture  Search this
Record number:
(DSI-AAA)12315
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975, bulk 1964-1975
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12315

Rauschenberg, Robert

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 83, Folder 6
Type:
Archival materials
Date:
1974
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 4: Artists Files / 4.1: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw969178ef4-0ff1-476e-8c62-fb0a442e8e23
EDAN-URL:
ead_component:sova-aaa-leocast-ref11609
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Oral history interview with Jack Beal

Interviewee:
Beal, Jack, 1931-  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Blackshear, Kathleen, 1897-1988  Search this
Doyle, Tom  Search this
Giles, William, 1930-  Search this
Kirby, Michael  Search this
Landsman, Stanley, 1930-  Search this
Michod, Ivan  Search this
Michod, Susan A., 1945-  Search this
Extent:
35 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1968 March 27
Scope and Contents:
An interview of Jack Beal conducted 1968 March 27, by Paul Cummings, for the Archives of American Art.
Beal speaks of his family background, southern artists, the Chicago Art Institute, studying with Kathleen Blackshear, the "Wells Street Group", the influence of Arshile Gorky and Chicago artists. He discusses refusing a scholarship to the Hans Hofmann School; the Cedar Bar; the New York art world; his wife, Sandra; painting with Ivan and Susan Michod and the "color" of color television. Beal comments on making a movie with Tom Doyle, William Giles, Michael Kirby, and Stanley Landsman; living off the land; and overcoming the "masterpiece complex."
Biographical / Historical:
Jack Beal (1931- 2013) was a painter from Oneonta, New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 10 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
For information on how to access this interview contact Reference Services.
Occupation:
Painters -- Interviews  Search this
Topic:
Painting, Modern -- 20th century -- United States  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.beal68
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw979841577-3453-42e4-b5bd-fe37bdc9c0c2
EDAN-URL:
ead_collection:sova-aaa-beal68
Online Media:

Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art

Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H.  Search this
Names:
Acconci, Vito, 1940-  Search this
Anderson, David K., 1935-  Search this
Benglis, Lynda, 1941-  Search this
Benyon, Margaret, 1940-  Search this
Bochner, Mel, 1940-  Search this
Brooks, James, 1906-1992  Search this
Castelli, Leo  Search this
Chase, Doris, 1923-  Search this
Cross, Lloyd G.  Search this
Davis, Douglas  Search this
Dwan, Virginia  Search this
Feigen, Richard L., 1930-  Search this
Glimcher, Arnold B.  Search this
Gottlieb, Adolph, 1903-1974  Search this
Graham, Dan, 1942-  Search this
Hollander, Irwin  Search this
Insley, Will, 1929-2011  Search this
Jackson, Martha Kellogg  Search this
Janis, Sidney, 1896-1989  Search this
Kirby, Michael  Search this
Levine, Les, 1935-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Mazur, Michael, 1935-2009  Search this
Meyer, Ursula, 1915-  Search this
Nauman, Bruce, 1941-  Search this
O'Doherty, Brian  Search this
Parsons, Betty  Search this
Richter, Hans, 1888-1976  Search this
Siegelaub, Seth, 1941-  Search this
Smith, Tony, 1912-1980  Search this
Sonfist, Alan  Search this
Weiner, Sam  Search this
Wise, Howard  Search this
Extent:
20.9 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Date:
1943-1975
bulk 1964-1975
Summary:
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.
Scope and Contents:
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.

Administrative records include records relating to the general operation of the Contemporary Wing concerning fundraising, professional associations, budget, contact information for artists, donors, and lenders to exhibitions. Also found are records of the permanent collection of artworks acquired by the museum between 1964 and 1975 from contemporary artists and collectors of contemporary art.

Artist files contain basic biographical information on over 150 contemporary artists, with scattered correspondence, photographs, technical information about artworks, artist statements, and other writings. Artist files also include an incomplete run of artist questionnaires gathered by the New York Arts Calendar Annual for 1964.

Elayne Varian's personal papers include curatorial records, a course schedule and syllabus related to her teaching activities, and various writings. Curatorial projects documented in Varian's papers include three programs produced outside of Finch College, including a juried show at the New York State Fair in 1967, a film series at Everson Museum of Syracuse University, and an exhibition at Guild Hall in East Hampton in 1973. Several of Varian's writing projects involved interviews, which are also found in this series in the form of sound recordings and transcripts. Interview-based writing projects include individual profiles on Brian O'Doherty and Babette Newberger, and interviews conducted for an article on the artist-dealer relationship published in Art in America (January 1970). Dealers interviewed for the latter project include Leo Castelli, Virginia Dwan, John Gibson, Richard Feigen, Arnold Glimcher, Fred Mueller, Martha Jackson, Sidney Janis, Betty Parsons, Seth Siegelaub, and Howard Wise. Artists interviewed include Roy Lichtenstein, Adolph Gottlieb, and Charles Ross.

Exhibition files, comprising the bulk of the collection, document exhibitions held in the Contemporary Wing during its existence from 1964 to 1975. Types of records found in the series include exhibition catalogs, correspondence, loan agreements, lists, contact information, insurance valuations of artworks, photographs, biographical information on artists, clippings, posters, press releases, and other publicity materials. In addition to the rich textual and photographic records found for exhibitions, numerous audiovisual recordings are also found, some of which were made in preparation for an exhibition, some document mounted exhibitions, and others are artworks themselves or components of artworks exhibited in the galleries. Interviews with artists, dealers, and others involved in exhibitions include Alan Sonfist, Mel Bochner, Hans Richter, Ruth Richards, James Brooks and Janet Katz, Margaret Benyon, Irwin Hollander (transcript only), David Anderson, Doris Chase, Will Insley, Michael Kirby, Les Levine, Ursula Meyer, Brian O'Doherty, Charles Ross, Tony Smith, Douglas Davis, Jane Davis, Russ Connor, Les Levine, Michael Mazur, Paul Gedeohn, and physicists Lloyd G. Cross, Allyn Z. Lite, and Gerald Thomas Bern Pethick. Video artworks, recordings of performances, or components of multimedia artworks are found by artists Vito Acconci, Kathy Dillon, Douglas Davis, Dan Graham, Les Levine, Bruce Nauman, Michael Netter, Eric Siegel, and Robert Whitman. A film of the Art in Process: The Visual Development of a Structure (1966) exhibition is found, and video recordings of artists Lynda Benglis, Michael Singer, and Sam Wiener form as part of the documentation for the Projected Art: Artists at Work (1971) exhibition.
Arrangement:
The collection is arranged as 4 series.

Missing Title

Series 1: Administrative Records, 1950-1975 (2 linear feet; Boxes 1-2, 22, OV 23)

Series 2: Artist Files, 1958-1975 (2.4 linear feet; Boxes 3-4, 22, OV 23, FC 27-28)

Series 3: Elayne Varian Personal Papers, 1965-1970 (1.3 linear feet; Boxes 5-6)

Series 4: Exhibition Files, 1943-1975 (14.9 linear feet; Boxes 6-22, OV 24-25, FC 26)
Biographical / Historical:
The Contemporary Study Wing of the Finch College Museum of Art, later called simply the "Contemporary Wing," was established in 1964 by the president of Finch College, Roland De Marco, as an extension the Finch College Museum of Art in New York City.

Its mission was to educate art history students at the Manhattan women's college who were interested in working with contemporary art. DeMarco, himself an art collector, hired Elayne Varian as director and curator of the contemporary wing. DeMarco met Varian in the New York office of the prominent international art dealership Duveen Brothers, where she had worked since the mid-1940s, most recently as an art dealer. Varian received her art education in Chicago, where she studied art history and education at the University of Chicago, and took classes in film at the Bauhaus and in fine art the Art Institute of Chicago. Sensitive to emerging art movements in galleries and studios around the city of New York, as the contemporary wing's curator, Varian quickly established a reputation for thoughtfully conceived, cutting-edge exhibitions which were consistently well-received by the press.

Under Varian, the Contemporary Wing carried out a dual mission of showing work of living artists and educating students and the public about the artwork and museum work in general. Varian used the galleries to provide practical training to students interested in a gallery or museum career throughout its existence. For several years, she also maintained an assistantship position for post-graduate museum professionals to gain experience in the field, many of whom went on to careers in museums across New York State.

The Contemporary Wing's best-known exhibitions formed a series of six shows called Art in Process, held between 1965 and 1972. Each of the Art in Process shows took a different medium, including painting, sculpture, collage, conceptual art, installation art, and serial art, and brought the process of art-making into the gallery with the artworks in various ways. For example, for Art in Process V (1972), the show about installation art, the galleries were open to the public for the entire process of its installation, allowing visitors to watch the works take shape. Another show entitled Documentation (1968) exhibited artworks with documentation such as artist's notes, sales records, and conservation records, bringing to light the value of record-keeping in the visual arts. Two exhibitions entitled Projected Art were also innovative, with the first (1966-1967) bringing experimental films from the cinema to the galleries, and the second (1971) showing artists' processes via footage and slides of artists working. Another show, Artists' Videotape Performances (1971), involved both screening of and creation of works in the gallery using a range of experiments with recent video technology. The museum also participated in an experimental broadcast of an artwork entitled Talk Out! by Douglas Davis, in which a telephone in the gallery allowed visitors to participate in its creation while it was broadcast live from Syracuse, NY. Other exhibitions that showcased experimentation in art included N-Dimensional Space (1970), on holography in art, Destruction Art(1968), on destructive actions being incorporated into contemporary art-making, and Schemata 7 (1967), a show about the use of environments in contemporary art, whose working title was "Walk-in Sculpture."

Other popular exhibitions at the Contemporary Wing included shows on Art Deco (1970) and Art Nouveau (1969). Several shows mined the private collections of prominent contemporary art collectors including Martha Jackson, Betty Parsons, George Rickey, Paul Magriel, Jacques Kaplan, Josephine and Philip Bruno, and Carlo F. Bilotti. A number of exhibitions featured contemporary art from overseas including Art from Belgium (1965), Art from Finland (1973), Seven Swedish Painters (1965), and Art in Jewelry (1966), which featured mainly international jewelry artists. Retrospective exhibitions of Hans Richter, Hugo Weber, and James Brooks were also held.

Hundreds of contemporary artists were shown at the Contemporary Wing in the eleven years of its existence, including many who came to be leading figures in contemporary art, and some who already were, including Andy Warhol, Roy Lichtenstein, Mel Bochner, Eva Hesse, Lynda Benglis, Bruce Nauman, Robert Morris, Lawrence Weiner, Robert Smithson, Sol Le Witt, Dan Flavin, Philip Pearlstein, and Yayoi Kusama, to name just a few.

The Contemporary Wing and the entire Finch College Museum of Art shut its doors in 1975, when Finch College closed due to lack of funds. The permanent collection was sold at that time, and the proceeds were used to pay Finch College employee salaries. Elayne Varian went on to the position of curator of contemporary art at the John and Mabel Ringling Museum in Sarasota, Florida. She died in 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with curator Elayne Varian conducted by Paul Cummings, May 2, 1975.
Provenance:
The Archives of American Art acquired these records from the Finch College Museum of Art after it closed permanently in June 1975.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Video artists -- New York (State) -- New York  Search this
Museum administrators -- New York (State) -- New York  Search this
Museum curators -- New York (State) -- New York  Search this
Topic:
Sculptors -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Gallery directors  Search this
Gallery owners  Search this
Genre/Form:
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Citation:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.finccoll
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed5f13a2-eeb3-452a-8735-204ff25576b5
EDAN-URL:
ead_collection:sova-aaa-finccoll
Online Media:

Kirby, Michael X.

Collection Creator::
Smithsonian Institution. Office of Fellowships and Internships  Search this
Container:
Box 16 of 55
Type:
Archival materials
Collection Rights:
Restricted for 15 years; until Jan-01-2027. These records contain sensitive information and will be redacted by SIA before use by researchers. Boxes 38-54 contain materials restricted indefinitely; see finding aid; Transferring office; 8/19/2013 memorandum, Johnstone to Murphy; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 13-241, Smithsonian Institution, Office of Fellowships and Internships, Program Records
See more items in:
Program Records
Program Records / Box 16
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa13-241-refidd1e6894

Beyond realism

Title:
Place behind white print
Author:
Kirby, Michael  Search this
Pace Gallery  Search this
Physical description:
[8] p. : chiefly ill. ; 23 cm
Type:
Exhibitions
Date:
1965
[1965]
Topic:
Dreams in art  Search this
Art, American  Search this
Call number:
N8217.D74 B4 1965
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_634608

Markus Lüpertz

Author:
Lüpertz, Markus  Search this
Gookin, Kirby  Search this
Michael Werner (Gallery)  Search this
Subject:
Lüpertz, Markus  Search this
Physical description:
[40] p. : chiefly col. ill. ; 19 cm
Type:
Exhibitions
Date:
1991
[1991]
20th century
Topic:
Painting, German  Search this
Call number:
ND588.L95 A4 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_647084

The art of time; essays on the avant-garde

Author:
Kirby, Michael  Search this
Physical description:
255 p. 21 cm
Type:
Books
Date:
1969
20th century
Topic:
Arts, Modern  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_650155

Futurist performance. With manifestos and playscripts translated from the Italian by Victoria Nes Kirby

Author:
Kirby, Michael  Search this
Physical description:
xvi, 335 p. illus. 22 cm
Type:
Books
Place:
Italy
Date:
1971
Topic:
Performing arts  Search this
Futurism (Literary movement)  Search this
Call number:
PN1582.I8 K5
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_654602

Photoanalysis : a structuralist play / by Michael Kirby

Author:
Kirby, Michael  Search this
Subject:
Kirby, Michael  Search this
Physical description:
114 p. : ill. ; 22 cm
Type:
Books
Place:
United States
Date:
1978
Topic:
Artists' books  Search this
Call number:
N40.1.K577 A1 1978
N40.1.K577A1 1978
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_423294

Happenings, an illustrated anthology. Scripts and productions by Jim Dine [and others

Author:
Kirby, Michael  Search this
Dine, Jim 1935-  Search this
Physical description:
287 p. illus. 24 cm
Type:
Books
Date:
1965
Topic:
Happening (Art)  Search this
Call number:
PN3203.K5X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_193776

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