Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Opening song of prayer--Midnight water sing--Morning water song--Quilting song--Origin of the Native American church--Runnning tht evening meeting--Prayer--Explanation on the meeting--Morning water song--Prayer and final stages of meeting
Local Numbers:
FW-ASCH-7RR-1809
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Peyote song--Description of four songs--Starting song--Midnight song--Morning song--Quitting song
Local Numbers:
FW-ASCH-7RR-2147
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
unk--Kiowa hymn--Blossom praying--Talking/ lullaby--War dance--49 song--Rabbit dance--Model T song--49 song--Wherever I go--Peyote song--Daylight song--Unk Kiowa song--Preamble--unk
Local Numbers:
FW-ASCH-7RR-2148
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Opening song/ Midnight water song/ Morning water song/ Quitting song--Descriptions of peyote meeting
Local Numbers:
FW-ASCH-7RR-2158
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Peyote song--Talking/ 49 song--My grandfather's song--Description of ghost dance/ Dance song--Talking toad/ Dance song--Prairie dog lullaby
Local Numbers:
FW-ASCH-7RR-2159
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Talking/War veteran's song--49 songs (2x)--I'd like to be living when Jesus comes--Conversations/ In the pines
Local Numbers:
FW-ASCH-7RR-2160
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Tape set up--Old Apache round dance--Discussion of snger and song-- 49 songs (5x)--Latin song--49 songs (4x)
Local Numbers:
FW-ASCH-7RR-2162
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Unknown (2x(--Jesus is all the world to me--Talking/Praying--Origin of the flutule
Local Numbers:
FW-ASCH-7RR-2168
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Sounds in the Tingley's pawn shop--49 song--Conversation- Jim Padelty and Pinkey Tsatoke--Conversation Litha Chesney--If we could live our lives over--Conversation
Local Numbers:
FW-ASCH-7RR-2805
General:
CDR copy
FW-ASCH-7RR-2805 is one of a series of at least six tapes of interviews of Kiowa Indians recorded by Harry Smith. Although some of his recordings of Kiowa Indians were used on the Folkways album, "The Kiowa Peyote Meeing" (FW04601), the current tape wasn't used and there is no mention of peyote in it. This tape, recorded on 4/3/1964, consists of two sessions - the first was recorded in "Tingley's Pawn Shop," and contains very informal conversation, plus one 49 song which sounds like a typical traditional Indian song. Harry Smith has provided neat handwritten notes which are included in the reference CD jewel case and tape box. The second session, recorded at "FloraBelle Harrington's" contains informal conversation, largely about tornadoes and religion, plus three short songs, two in English. The tape box says 4/1. There is no indication as to the precise location of the recording sessions other than the above; however, the sessions used on the Folkways recording were made in Anadarko, OK, so perhaps this tape was recorded there also.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Morphine blues--Little darling pal of mine--Don't do it, darling--If we could live our lives over--I loved you once--Going to Oklahoma--Morphine blues--Babes in the woods--The sailor's plea--There's a long long tail--The sailor's plea--
Local Numbers:
FW-ASCH-7RR-2806
General:
CDR copy
FW-ASCH-7RR-2806 is one of a series of at least six tapes of interviews of Kiowa Indians recorded by Harry Smith. Although some of his recordings of Kiowa Indians were used on the Folkways album, "The Kiowa Peyote Meeing" (FW04601), the current tape wasn't used and there is no mention of peyote in it. On this tape, Litha Chesney sings early country songs, old sentimental songs and two folk songs, and Jim Padlety sings one song. The tape box says 4/2. The handwritten notes of Harry Smith say 4/3/1964.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Send me the pillow that you dream on--I hate to see you go--Gathering flowerrs--Chatsworth wreck--Wreck of the number 9--Chained to a memory of you--Bachelor's hall--In the pines--Tell me darling--She gave me a rose--Twelve pound nugget--I am sailing--Remember the pony--Putting on the style--Farewell forever--Mother, the queen of my heart--
Local Numbers:
FW-ASCH-7RR-2807
General:
CDR copy
FW-ASCH-7RR-2807 is one of a series of at least six tapes of interviews of Kiowa Indians recorded by Harry Smith in the town of Anadarko, Oklahoma. Although some of his recordings of Kiowa Indians were used on the Folkways album, "The Kiowa Peyote Meeing" (FW04601), the current tape wasn't used and there is no mention of peyote in it. However, the liner notes for that album indicate that Harry originally intended there to be about eight albums and one of them was to be "Litha Chesney's Ballad Boxes." This tape, recorded on 4/3/1964, consists solely of songs - usually older country and/or popular love songs,but a few usually considered folk songs, e.g., Putting on the Style and In the Pines - sung by Litha Chesney. Conversation with Harry Smith takes place throughout. No Indian songs are present. Harry Smith's song list is included.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
A single life choose--Today I read your old love letters--I wonder if you feel the way I do--Chained to a memory of you--Chickasaw nation--Live and let live--Don't do it, darling--Love gone cold--Careless love--My buddy--Pretty young Annie--Cowboy's Christmas ball (2x)--You can't put that money on my back--I want a good woman
Local Numbers:
FW-ASCH-7RR-2808
General:
CDR copy
FW-ASCH-7RR-2808 is one of the series of at least six tapes of interviews of Kiowa Indians recorded by Harry Smith (See above). Similar to FW-ASCH-7RR-2807, this tape contains more singing of predominantly sentimental country songs sung by Litha Chesney, this time recorded on 4/24/1964. A few folk songs - or possible folk songs - are A Single Life Choose, Chickasaw Nation, Careless Love and The Cowboys' Christmas Ball. (The latter song is in the Lomax collection, "Cowboy Songs".)
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
FW-ASCH-7RR-2809 is one of a series of at least six tapes of interviews of Kiowa Indians recorded by Harry Smith in the town of Anadarko, Oklahoma. Although some of his recordings of Kiowa Indians were used on the Folkways recording, "The Kiowa Peyote Meeing" (FW04601), the current tape wasn't used and there is no mention of peyote in it. However, the liner notes for that album indicate that Harry originally intended there to be about eight albums and one of them was to be "Litha Chesney's Ballad Boxes." The tape was recorded on 4/24/1964 and continues conversation and song with Litha Chesney. No Indian songs are present. After the first two songs, most of the songs are folk songs; one - The Soldier's Sweetheart - relates to the Spanish-American War. Harry Smith's song list is included. In brief "biographical notes," Litha mentions that she is 77 years old.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
FW-ASCH-7RR-2810 is one of the series of at least six tapes of interviews of Kiowa Indians recorded by Harry Smith (See above). It features Winston Catt, who relates a legend about the birth of a pair of twins and one of their lives, including digging a hole into Mother Earth, and conflict with a Spider Woman and the Devil. The tape terminates with some philosophizing. Winston Catt is included in the Folkways recording mentioned above (first paragraph), but nothing from this tape is included.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Round dance song--49 song--Round dance--Navajo round dance--Western front--Description of life in camp--My own song (peyote song)--Peyote song (frag.)
Local Numbers:
FW-ASCH-7RR-3817
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Statement and songs by Mabel Wallace--Bar crosstalk--Pinkey--When the dance is over--Slow war dance songs--45th division song (2x)--Black foot song (2x)--Chickisaw Nation--Cotton eyed Joe
Local Numbers:
FW-ASCH-7RR-5036
General:
CDR copy; in DAMS system; digitized by Steve Lorenz, 4/9/2013
includes "49" songs
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Indians of North America -- Great Plains Search this
Type:
Archival materials
Photographs
Scope and Contents:
Copies of original drawings by Wo Haw, Kiowa Indian artist, confined to Fort Marion, Florida, 1875-78.
Local Numbers:
OPPS NEG.41071
Local Note:
Black and white copy negative
Restrictions:
For Reference only. Permission for Smithsonian Institution to photograph the drawings granted by Charles van Ravenswaay, Director of the Missouri Historical Society. Requests for prints should be referred to the Missouri Historical Society. 10/1969 JCS
Indians of North America -- Great Plains Search this
Type:
Archival materials
Photographs
Scope and Contents:
Copies of original drawings by Wo Haw, Kiowa Indian artist, confined to Fort Marion, Florida, 1875-78.
Local Numbers:
OPPS NEG.41071 A
Local Note:
Black and white copy negative
Restrictions:
For Reference only. Permission for Smithsonian Institution to photograph the drawings granted by Charles van Ravenswaay, Director of the Missouri Historical Society. Requests for prints should be referred to the Missouri Historical Society. 10/1969 JCS
