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Hiram Powers papers

Creator:
Powers, Hiram, 1805-1873  Search this
Names:
Adams, John Quincy, 1767-1848  Search this
Astor, William B. (William Backhouse), 1792-1875  Search this
Atlee, Samuel Yorke, b. 1808  Search this
Browning, Elizabeth Barrett, 1806-1861  Search this
Bryant, William Cullen, 1794-1878  Search this
Calhoun, John C. (John Caldwell), 1782-1850  Search this
Crawford, Thomas, 1813 or 14-1857  Search this
Dix, John A. (John Adams), 1798-1879  Search this
Durand, Asher Brown, 1796-1886  Search this
Everett, Edward, 1794-1865  Search this
Fuller, Charles Francis  Search this
Gray, Henry Peters, 1819-1877  Search this
Greeley, Horace, 1811-1872  Search this
Healy, G.P.A. (George Peter Alexander), 1813-1894  Search this
Jackson, Andrew, 1767-1845  Search this
Kinney, E. Clementine  Search this
Kinney, William  Search this
Longfellow, Henry Wadsworth, 1807-1882  Search this
Marsh, George Perkins, 1801-1882  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Peabody, George, 1795-1869  Search this
Powers, Longworth, 1835-1904  Search this
Powers, Preston, 1842 or 1843-1904  Search this
Sartain, John, 1808-1897  Search this
Story, William Wetmore, 1819-1895  Search this
Taylor, Bayard, 1825-1878  Search this
Trollope, Francis  Search this
Webster, Daniel, 1782-1852  Search this
Extent:
12.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Writings
Drawings
Poetry
Date:
1819-1953
bulk 1835-1883
Summary:
The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.
Scope and Content Note:
The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence, which is particularly rich in documenting his artwork, methodology, and his interaction with business associates, purchasers of his artwork, and his numerous friends in the United States and Florence, Italy. Other papers include scattered biographical material, writings by Powers and others, financial and legal records, news clippings and printed items, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

Biographical material consists of documents for honors conferred on Powers, price lists and inventories of his artwork, papers regarding his death, including a translation of his will, and ephemera, such as his studio cap.

The bulk of the collection consists of Powers' correspondence with family, friends, business associates, and others, documenting his career as an artist and his personal life after he and his family moved to Florence, Italy, in 1837. Almost all of the letters have typed unconfirmed transcriptions completed by volunteers at the Smithsonian American Art Museum. Besides details of his studio work and business dealings, his letters often discuss his views on aesthetics, American politics, slavery and the Civil War, and Spiritualism. Notable correspondence is with William B. Astor, Edward Everett, Samuel York Atlee, William and E. Clementine Kinney, George P. Marsh, George Peabody, Presidents Andrew Jackson and John Quincy Adams, William Cullen Bryant, Elizabeth Barrett Browning, John C. Calhoun, Thomas Crawford, John A. Dix, Asher Durand, Charles Francis Fuller, Henry Peters Gray, Horace Greeley, George P. A. Healy, Henry Wadsworth Longfellow, Samuel F. B. Morse, W. W. Story, John Sartain, Frances Trollope, and Daniel Webster.

Writings by Powers include his "Studio Memorandum," a journal-type notebook he kept from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional writings include poetry and autobiographical essays and instructions for handling his sculptures. Writings by others include poetry, most of which was written in praise of Powers' artwork. Of note are handwritten transcripts of poems by Elizabeth Barrett Browning, Bayard Taylor, and John Quincy Adams. Also found here are short writings about Powers and his artwork.

Scattered financial and legal records in this collection include patent documents for tools invented by Powers, legal agreements, account statements, and bills and receipts. Printed material consists of news clippings, two booklets, an art association brochure, and an exhibition catalog for works by Powers.

This collection contains photographs of Hiram Powers, his family, friends, notable public figures, and artwork. Many of the photographs were taken by his son, Longworth Powers, who had a private photography studio in Florence. Included are portraits of Powers and his family, as well as a collection of 267 carte de visite and cabinet card portraits of artists, performers, politicians, writers, scientists, and other public figures, many of whom were friends with the Powers family. Other photographs depict Woodstock, Vermont, the marble quarry at Carrara, Italy, and artwork by Hiram and Preston Powers. Also found here is a photograph album kept by Louisa Powers.

Artwork consists of three drawings by Hiram Powers, including a caricature of Miner Kellogg. Also found in this collection is a scrapbook containing news clippings regarding the American tour of the sculpture Greek Slave, an autograph album belonging to Louisa Powers, and an album containing pencil drawings by Preston Powers and dried flowers collected on travels.
Arrangement:
The collection is arranged into 8 series:

Series 1: Biographical Material, 1841-1927 (Box 1, 15; 0.8 linear feet)

Series 2: Correspondence, 1819-1883 (Box 1-10; 9.0 linear feet)

Series 3: Writings, 1827-1887 (Box 10; 0.3 linear feet)

Series 4: Financial and Legal Records, circa 1840s-1892, 1915 (Box 10, OV 17; 8 folders)

Series 5: Printed Material, circa 1845-1953 (Box 10; 5 folders)

Series 6: Photographs, circa 1860s-1900, 1927, 1932, early 1950s (Box 10-13, 16, OV 17; 1.8 linear feet)

Series 7: Artwork, 1860, mid-1800s (Box 11; 4 folders)

Series 8: Scrapbooks and Albums, 1847-1876 (Box 14; 3 folders)
Biographical Note:
American sculptor Hiram Powers (1805-1873) was born in Woodstock, Vermont, and lived and worked briefly in Washington, D.C. and Boston, before settling permanently in Florence, Italy. Powers is known for portrait busts of prominent American politicians and his idealized neo-classical sculptures, most notably the Greek Slave.

The second youngest of nine children, Powers moved with his family to Cincinnati, Ohio in 1817. When he was 18 he began working in a factory that repaired watches and organs, and he later worked in the mechanical department of Dorfeuille's Western Museum. There, he developed his interest in sculpture and received a commission to create wax figures for a tableau of Dante's Inferno. In 1825 he studied with the Prussian sculptor Frederick Eckstein, who taught him how to model clay and make plaster casts. His early commissions for portrait busts caught the attention of Nicholas Longworth, who became his first patron and funded his travel to Washington, DC, in 1834. While in Washington, Powers completed portrait busts of several prominent politicians, including President Andrew Jackson. He also briefly worked on several commissions in Boston. In 1837, thanks to the patronage of Colonel John S. Preston, he and his family moved to Florence, Italy. He intended to live there for only a few years, but remained there for the rest of his life.

Powers set up a studio in Florence with several assistants, and continued to work on portrait bust commissions. He and his family were active members of the intellectual community of American and English émigrés, such as Robert and Elizabeth Barrett Browning, Horatio Greenough, the Trollope family, and many others. His studio was also a frequent stop on tourists' visits to Florence. In 1839 Powers began working on idealized sculptures in the Neo-classical style, based on history, mythology, and religion. Perhaps most famous of these are Greek Slave and Fisher Boy. Completed in 1845, Greek Slave was exhibited in London and toured the United States. The sculpture received wide attention from the press for its depiction of female nudity and its philosophical significance, and established Powers' international success as a sculptor.

During his career Powers received private and government commissions for portrait busts and ideal sculptures, and sold many replicas of his work. He also invented improved tools for use in his studio, which were patented in the United States, and he developed a special finishing process for marble from the Carrara quarry. He maintained friendships with many Americans through extensive correspondence, and openly expressed his views on the Civil War and the abolition of slavery. Powers' son Longworth had a photography and sculpture studio nearby, and his son Preston, also a sculptor, took over many of Hiram Powers' remaining projects at the time of his death in 1873.
Related Material:
Additional Hiram Powers papers are available at the Winterthur Museum.
Separated Materials:
The Archives of American Art also holds materials lent for microfilming. Reel D117 contains "The Sculpture of Hiram Powers," by Paul B. Metzler. Reels 815-818 includes a "Collection of Letters from Old Residents of Cincinnati to Hiram Powers," compiled by Clara Louise Dentler. Reels 1102-1103 are comprised of an unpublished manuscript entitled "White Marble: The Life and Letters of Hiram Powers, Sculptor," by Clara Louise Dentler. Lent materials were returned to the lenders and are not described in the collection container inventory.
Provenance:
The Hiram Powers papers were purchased by the Smithsonian American Art Museum in 1967 from Christina Seeber, great-granddaughter of Hiram Powers which was subsequenlty transferred to the Archives of American Art in 1984. The Cincinnati Historical Society and Ohio State University also lent the Archives omaterials for microfilming in 1974.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculptors -- Italy -- Florence  Search this
Genre/Form:
Scrapbooks
Photographs
Writings
Drawings
Poetry
Citation:
Hiram Powers papers, 1819-1953, bulk 1835-1883. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.powehira
See more items in:
Hiram Powers papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-powehira
Online Media:

Hiram Powers papers, 1819-1953, bulk 1835-1883

Creator:
Powers, Hiram, 1805-1873  Search this
Subject:
Browning, Elizabeth Barrett  Search this
Atlee, Samuel Yorke  Search this
Astor, William B. (William Backhouse)  Search this
Adams, John Quincy  Search this
Webster, Daniel  Search this
Healy, G.P.A. (George Peter Alexander)  Search this
Peabody, George  Search this
Powers, Preston  Search this
Powers, Longworth  Search this
Story, William Wetmore  Search this
Sartain, John  Search this
Trollope, Francis  Search this
Taylor, Bayard  Search this
Bryant, William Cullen  Search this
Calhoun, John C. (John Caldwell)  Search this
Crawford, Thomas  Search this
Dix, John A. (John Adams)  Search this
Durand, Asher Brown  Search this
Everett, Edward  Search this
Fuller, Charles Francis  Search this
Gray, Henry Peters  Search this
Greeley, Horace  Search this
Jackson, Andrew  Search this
Kinney, E. Clementine  Search this
Kinney, William  Search this
Longfellow, Henry Wadsworth  Search this
Marsh, George Perkins  Search this
Morse, Samuel Finley Breese  Search this
Type:
Scrapbooks
Photographs
Writings
Drawings
Poetry
Topic:
Sculptors -- Italy -- Florence  Search this
Record number:
(DSI-AAA_CollID)7255
(DSI-AAA_SIRISBib)209405
AAA_collcode_powehira
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209405
Online Media:

Kinney, William B. & E. Clementine Kinney

Collection Creator:
Powers, Hiram, 1805-1873  Search this
Container:
Box 5, Folder 56
Type:
Archival materials
Date:
1860-1865
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hiram Powers papers, 1819-1953, bulk 1835-1883. Archives of American Art, Smithsonian Institution.
See more items in:
Hiram Powers papers
Hiram Powers papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-powehira-ref1373

Kinney, William B. & E. Clementine Kinney

Collection Creator:
Powers, Hiram, 1805-1873  Search this
Container:
Box 5, Folder 57
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hiram Powers papers, 1819-1953, bulk 1835-1883. Archives of American Art, Smithsonian Institution.
See more items in:
Hiram Powers papers
Hiram Powers papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-powehira-ref1374

Kinney, William B. & E. Clementine Kinney

Collection Creator:
Powers, Hiram, 1805-1873  Search this
Container:
Box 5, Folder 55
Type:
Archival materials
Date:
circa 1854-1858
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hiram Powers papers, 1819-1953, bulk 1835-1883. Archives of American Art, Smithsonian Institution.
See more items in:
Hiram Powers papers
Hiram Powers papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-powehira-ref267

Kinney, William S.

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 50, Folder 91
Type:
Archival materials
Date:
1923-1927
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Fragile original scrapbooks are closed to researchers.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-macbgall-ref8868

Kindler - Klitgaard

Collection Creator:
Frank K. M. Rehn Galleries  Search this
Container:
Box 7
Reel 5858, Frame 1328-1474
Type:
Archival materials
Date:
1924-1966
Scope and Contents note:
Kindler, Alice

King, Gwyneth

King, Lawrence

King, Paul

King, Ralph T.

King, William V.

Kingdon, Frank

Kingsport Press Sales Agency

Kinney, William S.

Kinney System Rent a Car

Kiorboe, Mr. and Mrs. Vilhelm

Kipbuth, De Laney

Kirkham and Hall

Kirsch, John

Kit Kat Club

Klatt, C.

Kleege, James H.

Kleeman Galleries

Klitgaard, Georgina

Klitgaard, Kaj
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Frank K. M. Rehn Galleries records
Frank K. M. Rehn Galleries records / Series 1: Correspondence, A-Z
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-franrehg-ref256

Kinney, William S.

Collection Creator:
Carnegie Institute, Museum of Art  Search this
Container:
Box 71, Folder 56
Type:
Archival materials
Date:
1911
1923
1928
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Carnegie Institute, Museum of Art records
Carnegie Institute, Museum of Art records / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carninst-ref4378

Orders and Circulars Issued and Received

Type:
Archival materials
Date:
1865–67
Scope and Contents:
The unbound orders and circulars issued and received, 1865–67, are arranged by type of order or circular, thereunder by whether received or issued, and thereunder chronologically. Included in these records is a copy of General Sherman's Special Field Order 15.
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M869, Subseries 8.5
See more items in:
Records of the Assistant Commissioner for the State of South Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870
Records of the Assistant Commissioner for the State of South Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870 / Series 8: Orders and Circulars
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m869-ref89
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William Burnet Kinney

Artist:
John Hagny, 1833 - 1876  Search this
Sitter:
William Burnet Kinney, 1799 - 1880  Search this
Medium:
Oil on canvas
Dimensions:
76.7cm x 64.2cm (30 3/16" x 25 1/4"), Accurate
Type:
Painting
Date:
1871
Topic:
William Burnet Kinney: Male  Search this
William Burnet Kinney: Communications\Journalist  Search this
Portrait  Search this
Credit Line:
Owner: New Jersey Historical Society
Object number:
1971.11
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm45286d725-ab77-4343-a096-8cc0e8a17842
EDAN-URL:
edanmdm:npg_1971.11

Light, (sculpture)

Sculptor:
Parks, Charles Cropper 1922-2012  Search this
Fabricator:
Pigeon Granite Works  Search this
Subject:
Kinney, William Light  Search this
Medium:
Sculpture: bronze; Base: fine grain granite
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Wofford College 429 North Church Street Spartanburg South Carolina 29301
Located Wofford College 429 North Church Street In front of Library Spartanburg South Carolina 29301
Date:
1990. Dedicated Sept. 9, 1990
Topic:
Portrait male--Full length  Search this
Occupation--Education--Student  Search this
Control number:
IAS SC000190
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_326380

The collection of William Sloane Kinney / Susan Schulman, Carolyn Bullard

Author:
Schulman, Susan (Firm)  Search this
Bullard, Carolyn  Search this
Subject:
Kinney, William Sloane Art collections  Search this
Whistler, James McNeill 1834-1903  Search this
Bullard, Carolyn (Firm)  Search this
Schulman, Susan (Firm)  Search this
Physical description:
[32] p. : chiefly ill. ; 16 x 23 cm
Type:
Catalogs
Date:
2001
2001]
Topic:
Prints, American--Private collections  Search this
Call number:
NE505 .S34 2001
NE505 .S38 2001
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_633335

Medical science and space travel. Introd. by Harry G. Armstrong. Illustrated with photos

Author:
Kinney, William Aloysius 1907-  Search this
Physical description:
150p. illus. 22cm
Type:
Books
Date:
1959
[1959]
Topic:
Space medicine  Search this
Call number:
RC1062 .K5X
RC1062.K5X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_39362

William B. Kinney, (painting)

Painter:
Unknown  Search this
Subject:
Kinney, William B  Search this
Medium:
Oil
Type:
Paintings
Date:
LATE 1860'S?
Topic:
Portrait male  Search this
Control number:
IAP 31660425
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_276705

William Burnet Kinney, (painting)

Painter:
Hagny, John 1838-1876  Search this
Subject:
Kinney, William Burnet  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
New Jersey Historical Society 230 Broadway Newark New Jersey 07104
Date:
1871
Topic:
Portrait male  Search this
Control number:
IAP 70830519
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_131414

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