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Thomas Prichard Rossiter and Rossiter Family papers

Creator:
Rossiter, Thomas Prichard, 1818-1871  Search this
Names:
Archipenko, Alexander, 1887-1964  Search this
Beaux, Cecilia, 1855-1942  Search this
Beckwith, J. Carroll (James Carroll), 1852-1917  Search this
Bevan, Edith Rossiter  Search this
Birch, Reginald Bathurst, 1856-1943  Search this
Cadwalader-Guild, Emma Marie, 1843-1911?  Search this
Castaigne, Andre  Search this
Coffin, William A. (William Anderson), 1855-1925  Search this
Cooper, James Fenimore, 1789-1851  Search this
Cory, Fanny Y.  Search this
Cox, Kenyon, 1856-1919  Search this
Craig, Frank, 1874-1918  Search this
French, Daniel Chester, 1850-1931  Search this
Gibson, Charles Dana, 1867-1944  Search this
Hambidge, Jay, 1867-1924  Search this
Hunt, William Morris, 1824-1879  Search this
Hutt, Henry, b. 1875  Search this
Jay, John, 1817-1894  Search this
Keller, A. J.  Search this
Kensett, John Frederick, 1816-1872  Search this
Kent, Rockwell, 1882-1971  Search this
Kimball, Fiske, 1888-1955  Search this
Low, Will Hicok, 1853-1932  Search this
Melchers, Gari, 1860-1932  Search this
Morris, William H., 1834-1896  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Mowbray, H. Siddons (Harry Siddons), 1858-1928  Search this
Newell, Peter, 1862-1924  Search this
Nicholls, Rhoda Holmes  Search this
Peabody, George, 1795-1869  Search this
Pearson, Ralph M., 1883-1958  Search this
Remington, Frederic, 1861-1909  Search this
Rossiter, Ehrick Kensett, 1854-1941  Search this
Rossiter, Thomas Prichard, 1818-1871  Search this
Sartain, William, 1843-1924  Search this
Scott-Moncrieff, David  Search this
Soglow, Otto, 1900-1975  Search this
Tack, Augustus Vincent, 1870-1949  Search this
Tryon, Dwight William, 1849-1925  Search this
Whitmore, Elizabeth  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Sketchbooks
Photographs
Scrapbooks
Date:
1840-1961
Summary:
The Thomas Prichard Rossiter and Rossiter Family papers measure 0.5 linear feet and date from 1840 to 1961. Included are letters to painter Thomas Prichard Rossiter and letters to his son, architect Ehrick Kensett Rossiter, documenting their friendships with many artists and Thomas Prichard Rossiter's sketchbook and loose sketches. Edith Rossiter Bevan's papers include her writings on her grandfather, Thomas Prichard Rossiter; a scrapbook; photographs of the Rossiter family; notes by Bevan; news clippings; and other printed material. Also found is Bevan's collection of artists' letters.
Scope and Content Note:
The Thomas Prichard Rossiter and Rossiter Family papers measure 0.5 linear feet and date from 1840 to 1961. Included are letters to painter Thomas Prichard Rossiter and letters to his son, architect Ehrick Kensett Rossiter, documenting their friendships with many artists. Notable letters are from James Fenimore Cooper, William Morris Hunt, John Jay, J. F. Kensett, William H. Morris, Samuel F. B. Morse, George Peabody, Cecelia Beaux, William A. Coffin, Daniel Chester French, Will H. Low, Gari Melchers, William Sartain, Augustus Vincent Tack, Dwight Tryon, and many others.

The collection contains Thomas Prichard Rossiter's sketchbook drawn while living in Italy in 1943, and three other sketches including a portrait of his family.

Also found are letters to Edith Rossiter Bevan and her writings on her grandfather, Thomas Prichard Rossiter, including a biography and checklist of his paintings. Bevan also compiled a scrapbook on his career and family history which includes drawings by Rossiter, photographs of the Rossiter family and his artwork, notes by Bevan, news clippings, and other printed material.

A collection of Edith Rossiter Bevan's artists' letters is found within the papers. Letters are from Alexander Archipenko, J. Carroll Beckwith, Reginald Birch, Emma M. Cadwalader-Guild, Andre Castaigne, Fanny Cory, Kenyon Cox, Frank Craig, Charles Dana Gibson, Jay Hambridge, Henry Hutt, A. J. Keller, Rockwell Kent, Fiske Kimball, David Scott Moncrieff, H. Siddons Mowbray, Peter Newell, Rhoda Holmes Nicholls, Ralph M. Pearson, Frederic Remington, Otto Soglow, and Elizabeth Whitmore.
Arrangement:
The collection is arranged into 2 series:

Series 1: Thomas Prichard Rossiter and Rossiter Family Papers, 1840-1961 (Box 1-2; 0.4 linear feet)

Series 2: Edith Rossiter Bevan Collection of Artists' Letters, circa 1891-1939, 1951 (Box 1; 2 folders)
Biographical Note:
Thomas Prichard Rossiter (1818-1871) was born in New Haven, Connecticut. He first learned painting as an apprentice for a Mr. John Boyd, and also studied with Nathaniel Jocelyn. In 1838 he exhibited two paintings at the National Academy of Design, and in 1939 moved to New York City and opened a studio.

In 1840, Rossiter traveled to Europe with Asher B. Durand, John Kensett, and John Casilaer, and while there visited Rome with Thomas Cole. He decided to stay in Italy until 1846 when he moved to New York City and shared a studio with Kensett and Louis Lang. During this period he relied on portrait painting for his income, but also painted historical and religious paintings.

In 1851 Rossiter married Anna Ehrick Parmly and they toured Europe in 1853. They settled in Paris where Anna gave birth to twins Ehrick Kensett and Charlotte. Rossiter exhibited at the Exposition Universelle in Paris in 1855. Anna died shortly after the birth of their daughter Anna, and the family moved back to New York.

For a brief period of time Rossiter had an art gallery, exhibiting his work and the work of his friends. In 1860 he married Mary (Mollie) Sterling and moved his family to Cold Spring, New York on the Hudson River. He continued to paint portraits, historical, and religious paintings, and exhibited at the National Academy of Design and the Pennsylvania Academy of the Fine Arts, until his death in 1871.

Ehrick Kensett Rossiter (1854-1941), named after his father's friend John Frederick Kensett, attended Cornell University and became an architect in New York as part of the firm Rossiter & Muller. He was a member of the Architectural League, United States Public Architects' League, and trustee of the American Fine Arts Society. In 1877 he married Mary Heath and they had three sons and a daughter. Their daughter Edith Rossiter Bevan was a historian and avid collector of historical autographs.
Related Material:
Also found in the Archives of American Art is a Thomas Prichard Rossiter letter to Elias Beirs dated January 12, 1840.
Provenance:
A portion of the collection was donated in 1957 by Edith Rossiter Bevan, daughter of Ehrick Kensett Rossiter, and granddaughter of Thomas Prichard Rossiter. Additional material was donated in 2007 by Patti Rossiter Ravenscroft, Rossiter's Great Great Granddaughter.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Architects -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Sketchbooks
Photographs
Scrapbooks
Citation:
Thomas Prichard Rossiter and Rossiter Family papers, 1840-1957. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rossthom
See more items in:
Thomas Prichard Rossiter and Rossiter Family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rossthom
Online Media:

Philadelphia Museum of Art selected records

Creator:
Philadelphia Museum of Art  Search this
Names:
Pennsylvania Museum of Art. School of Industrial Art  Search this
Philadelphia Museum of Art. School of Industrial Art  Search this
Public Works of Art Project  Search this
United States. Works Progress Administration  Search this
Barber, Edwin Atlee, 1851-1916  Search this
Bruce, Edward, 1879-1943  Search this
Cahill, Holger, 1887-1960  Search this
Curran, Mary  Search this
Dorr, Dalton, 1846-1901  Search this
Kimball, Fiske, 1888-1955  Search this
Pepper, William Platt, d. 1907  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
15 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1874-1954
Scope and Contents:
Selected records, including scrapbooks, 1874-1954; letterbooks of the Dalton Dorr administration, 1876-1904; Board of Trustees letterbooks regarding the Pottery and Porcelain exhibitions, 1888-1890; and Fiske Kimball correspondence relating to the PWAP and the WPA, 1933-1942.
REELS P14-P16 and 4557-4758: Scrapbooks, 1874-1954, containing clippings relating to the museum.
REEL P16, frames 350-375: "Bulletin of the Pennsylvania Museum and School of Industrial Art" (No. 1-8, Jan. 1903-Oct. 1904).
REELS 1395-1396: Correspondence and other papers of Director Fiske Kimball, 1933-1942, relating to various federal and state relief projects, particularly the Public Works of Art Project (PWAP), of which he was chairman of Region 3 (Del, Penn., N.J.), and the WPA, which financed several projects at the Museum. Much of the correspondence relates to the selection of artists to be given employment under the PWAP, and to the controversy surrounding the administration of the program by Mary Curran, including complaints from artists and groups. Frequent correspondents include Forbes Watson, Edward Bruce, and Holger Cahill.
REELS 4549-4557: Letterbooks of Acting Director Dalton Dorr, 1876-1904 (incoming) and 1876-1901 (outgoing), and of curator Edwin Atlee Barber, 1893-1901, and President William Platt Pepper, 1893-1901. Correspondence pertains to acquisitions, the collection, staff, Memorial Hall repairs, and the overall establishment of the museum and school. Also included are letterbooks of the Board of Trustees, 1888-1890, relating to the 1888-1889 Pottery and Porcelain exhibitions at the museum, containing correspondence with firms and individuals regarding submissions and prizes.
Biographical / Historical:
Art museum; Philadelphia, Pennsylvania. Est. 1876 as the Pennsylvania Museum and School of Industrial Art. In 1929 the name changed to the Pennsylvania Museum of Art, and in 1938 to the Philadelphia Museum of Art and School of Industrial Art. Dalton Dorr served as director, 1876-1904. Fiske Kimball was director 1925-1954.
Provenance:
Material on reels P14-P16 lent for microfilming by the Pennsylvania Museum of Art, 1955. The Fiske Kimball material on reels 1395-1396 was filmed at the Museum in 1963; the remainder on reels 4549-4558 was microfilmed in 1993 as part of AAA's Philadelphia Arts Documentation Project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce requires written permission from Philadelphia Museum of Art Archives. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Federal aid to the arts -- United States  Search this
Function:
Art museums -- Pennsylvania -- Philadelphia
Art Schools -- Pennsylvania -- Philadelphia
Identifier:
AAA.philmuse
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-philmuse

Carl Zigrosser papers

Topic:
Modern school magazine
Creator:
Zigrosser, Carl, 1891-  Search this
Names:
American Artists Group  Search this
Armory Show (1913: New York, N.Y.)  Search this
Art Institute of Chicago  Search this
Art in America  Search this
Independent Citizens Committee for the Arts, Sciences, and Professions  Search this
John Simon Guggenheim Memorial Foundation  Search this
Philadelphia Museum of Art  Search this
Print Club (Philadelphia, Pa.)  Search this
Print Council of America  Search this
Solomon R. Guggenheim Museum  Search this
Tamarind Lithography Workshop  Search this
Weyhe Gallery  Search this
Whitney Museum of American Art  Search this
Arms, John Taylor, 1887-1953  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Boyd, E. (Elizabeth), 1903-1974  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Calder, Alexander, 1898-1976  Search this
Carrington, Fitz Roy, 1869-1954  Search this
Castellón, Federico, 1914-1971  Search this
Colker, Ed, 1927-  Search this
Cook, Howard Norton, 1901-1980  Search this
Dehn, Adolf, 1895-1968  Search this
Durieux, Caroline, 1896-1989  Search this
Dwight, Mabel, 1876-1955  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Girard, André  Search this
Hayter, Stanley William, 1901-1988  Search this
Hopper, Edward, 1882-1967  Search this
Huntley, Victoria Hutson, 1900-1971  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Kent, Rockwell, 1882-1971  Search this
Keppel, Frederick, 1845-1912  Search this
Kimball, Fiske, 1888-1955  Search this
Kohn, Misch, 1916-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lankes, Julius J., 1884-1960  Search this
Lasansky, Mauricio, 1914-  Search this
Mauzey, Merritt, 1898-  Search this
McNulty, Kneeland  Search this
Michener, James A. (James Albert), 1907-  Search this
Mitchell, Marian  Search this
Nalbandian, Karnig  Search this
Norman, Dorothy, 1905-1997  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pach, Walter, 1883-1958  Search this
Rivera, Diego, 1886-1957  Search this
Ronnebeck, Arnold, 1885-1947  Search this
Rose, Ruth Starr, 1887-1965  Search this
Rosenwald, Lessing J. (Lessing Julius), 1891-1979  Search this
Ruellan, Andrée, 1905-2006  Search this
Schniewind, Carl Oscar, 1900-1957  Search this
Seidenberg, Roderick, 1889-1973  Search this
Spratling, William, 1900-1967  Search this
Spruance, Benton, 1904-1967  Search this
Sternberg, Harry, 1904-2001  Search this
Stieglitz, Alfred, 1864-1946  Search this
Teng, Kuei  Search this
Valentin, Curt, 1902-1954  Search this
Warneke, Heinz (Heinrich), 1895-1983  Search this
Weston, Edward, 1886-1958  Search this
Wickey, Harry  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
30 Linear feet ((on 63 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1891-1971
Scope and Contents:
Personal and professional records including correspondence, writings, notes, printed material, subject files, photograph album, and diaries relating to Zigrosser's work as an authority on prints and printmaking and his personal relationships with artists.
Included are: correspondence with family and with over 900 printmakers, painters, sculptors, acquaintances, friends, associates, organizations, museums, publishers, and magazines; general correspondence, notes, clippings, and manuscripts pertaining to The Modern School Magazine; files of correspondence from Zigrosser's work at: the Philadelphia Museum of Art, 1932-1971; John Simon Guggenheim Memorial Foundation; Solomon R. Guggenheim Foundation and Museum, 1946-1971, including correspondence with Frank Lloyd Wright concerning the Guggenheim Memorial Museum; Print Council of America, 1954-1971, regarding exhibitions, council meetings and other matters; and the Tamarind Workshop, 1960-1971.
Of particular interest is material relating to the 1913 Armory Show, including Zigrosser's annotated catalog, notes and sketches. Also included are speeches and notes, 1930-1968; manuscripts for lectures and unpublished materials; memorabilia; a photo album of sculpture by John B. Flannagan; art work, including prints and drawings by Karig Nalbandian, prints by Rockwell Kent, and oversized works of art on paper by Mabel Dwight, Wanda Gag and Kent; family photograph album; journals and pamphlets (covers only); and diaries, 1916-1971, discussing personal and professional events such as art openings, conversations and activities with Rockwell Kent, Alfred Stieglitz, and Georgia O'Keeffe, among others.
Among the correspondents are: the American Artists Group, John Taylor Arms, Art in America magazine, Art Institute of Chicago, Alfred Barr, E. Boyd, Charles Burchfield, Alexander Calder, Fitz Roy Carrington, Federico Castellon, Ed Colker, Howard N. Cook, Crown Publishers, Adolf Dehn, Caroline Durieux, John Bernard Flannagan, Andre Girard, Stanley William Hayter, Edward Hopper, Victoria Hutson Huntley, Independent Citizens Committee for the Arts, Sciences and Professions, R. Sturgis Ingersoll, Frederick Keppel, Rockwell Kent, Fiske Kimball, Misch Kohn, Yasuo Kuniyoshi, Julius Lankes, Mauricico Lasansky, Merritt Mauzey, Kneeland McNulty, James A. Michener, Marian Mitchell,
Museum of Non-Objective Painting (Solomon R. Guggenheim Museum), Karnig Nalbandian, Dorothy Norman, Georgia O'Keeffe, Walter Pach, Harold Paris, Print Club (Philadelphia), Diego Rivera, Ruth Starr Rose, Arnold Ronnebeck, Lessing J. Rosenwald, Andre Ruellan, Carl Oscar Schniewind, Roderick Seidenberg, William Spratling, Benton Spruance, Alfred Stieglitz, Harry Sternberg, Tamarind Lithography Workshop, Kuei Teng, U.S. Office of War Information, Curt Valentin, Heinz Warneke, Edward Weston, Weyhe Gallery, Whitney Museum of American Art, Harry Wickey, and Adja Yunkers.
Biographical / Historical:
Print curator; Philadelphia, Pa.; d. 1975. Graduated Columbia University in literature. Worked with prints in New York City at Keppel and Co. and Weyhe Gallery; print curator at Philadelphia Museum of Art 1940-1963; author of books on prints and art works.
Provenance:
Lent for microfilming, 1991, by the University of Pennsylvania Special Collections Department, Van Pelt Library. Zigrosser donated the papers to the University in 1972. Portions of the papers not microfilmed include research files, manuscript materials for published work, family records, and journals.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce requires written permission from the Curator of Manuscripts, Rare Book & Manuscript Library, University of Pennsylvania. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists -- United States  Search this
Printmakers -- United States  Search this
Museum curators -- Pennsylvania -- Philadelphia  Search this
Topic:
Art, American  Search this
Prints -- societies, etc  Search this
Prints -- Collectors and collecting  Search this
Prints, American  Search this
Prints, European  Search this
Identifier:
AAA.zigrcarl
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zigrcarl

Charles Nagel papers

Creator:
Nagel, Charles, 1899-1992  Search this
Names:
Brooklyn Museum  Search this
City Art Museum of St. Louis  Search this
Nagel & Dunn (Firm : St. Louis, Mo.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
St. Mark's Episcopal Church (St. Louis, Mo.)  Search this
Yale University. Gallery of Fine Arts  Search this
Hurd, Peter, 1904-1984  Search this
Kimball, Fiske, 1888-1955  Search this
Nagel, Anne, 1866-1951  Search this
Nagel, Charles, 1849-1940  Search this
Nagel, Charles, 1899-1992  Search this
Proetz, Victor, 1897-1966  Search this
Proetz, Victor, 1897-1966  Search this
Ripley, S. Dillon (Sidney Dillon), 1913-2001  Search this
Saarinen, Eero, 1910-1961  Search this
Warren, Earl, 1891-1974  Search this
Wurster, William Wilson  Search this
Extent:
3.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
ca. 1927-1992
Scope and Contents:
The bulk of the papers consist of Nagel's files on his various positions and projects (ca. 3.3 ft), containing a variety of materials, including correspondence, writings, notes, art works, clippings, photographs and printed material. Also included are files pertaining to Nagel's father, lawyer and statesman Charles Nagel, and to his mother, Anne; and papers of and relating to Nagel's friend and associate, architect Victor Proetz (0.6 ft).
Nagel's files on positions and projects are arranged chronologically, and relate to: design projects while a student at Yale University, ca. 1926-1928; his struggle with career choices (mostly typescripts of letters to his father), ca. 1927-1931; his appointment to the Yale University Gallery of Fine Arts; commissions during his partnership in Nagel & Dunn (includes photographs of Fred Dunn, St. Mark's Episcopal Church, and other designs); organizing the exhibit "Italy at Work: Her Renaissance in Design Today, 1950-1951," his publication American Furniture, 1650-1850, and other activities while director of the Brooklyn Museum, 1946-1955; his position as juror and secretary for the Jefferson National Expansion Memorial Competition and working with other jurors Fiske Kimball and William Wurster, and design winner, Eero Saarinen; the Independence National Historical Park Project, Philadelphia, Pa.; positions at the City Art Museum, St. Louis, Mo.; establishment of the National Portrait Gallery (includes photographs of staff, the building, exhibitions, and opening celebrations, 1964-1969, notably Chief Justice Earl Warren, Smithsonian Secretary S. Dillon Ripley, and artist Peter Hurd); his emigration to Cuernavaca, Morelos, Mex.; and alterations and additions to St. Michael and All Angels Church in Cuernavaca, 1983. Included in several files are photographs of Nagel, his residences, and colleagues, and architectural drawings.
Files on his father contain honorary degrees and awards, photographs and printed material relating to the naming of a post office in his honor, St. Louis, Mo., and other events honoring him.
The papers of Victor Proetz, ca. 1928-1966 (ca. 0.6 ft), include obituaries; correspondence; a Last Will and Testament; a list of Proetz's commissions, 1934-1943; writings by Proetz and others; Proetz's "The Astonishment of Words," 1971, posthumously published; a scrapbook; exhibition announcements and catalogs; printed material; and photographs of Proetz and his designs for interiors and furniture.
Biographical / Historical:
Museum director; architect. Nagel was born in St. Louis, Mo. He attended Yale University, earning a B.A. in 1923, a B.A. in architecture in 1926 and M.F.A. in architecture in 1928. Upon graduation, he was employed at the firms of Jamieson & Spearl, and Hall & Proetz, St. Louis, and with Coolidge, Shepley, Bulfinch, Abbott in Boston.
He taught art history at Yale, and served as curator of Decorative Arts at Yale's Gallery of Fine Arts, 1930-1936, returning to architecture with the firm Nagel & Dunn, St. Louis, from 1936-1942. His positions as museum director include the City Art Museum in St. Louis, 1942-1946 (acting) and 1955-1964; the Brooklyn Museum, 1946-1955; and the National Portrait Gallery, 1964-1969.
Provenance:
Donated 1992 and 1994 by Lucie O. Nagel, widow of Charles Nagel. According to Mrs. Nagel, the material relating to Victor Proetz was given to Nagel by Proetz, who was a close friend and associate, and by the Proetz estate following his death in 1966.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Museum directors -- Missouri -- St. Louis  Search this
Museum directors -- New York (State) -- Brooklyn  Search this
Museum directors -- Washington (D.C.)  Search this
Museum curators -- Connecticut -- New Haven  Search this
Architects -- Connecticut  Search this
Architects -- Massachusetts -- Boston  Search this
Architects -- Missouri -- St. Louis  Search this
Architects -- New York (State) -- New York  Search this
Interior decorators -- Missouri -- St.Louis  Search this
Interior decorators -- Washington (D.C.)  Search this
Interior decorators -- New York (State) -- New York  Search this
Topic:
Gateway Arch (Saint Louis, Mo.)  Search this
Church architecture  Search this
Function:
Art museums -- United States
Architectural firms -- United States
Genre/Form:
Drawings
Identifier:
AAA.nagechar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nagechar

Oral history interview with John Canaday

Interviewee:
Canaday, John, 1907-1985  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Kimball, Fiske, 1888-1955  Search this
Extent:
47 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 August 17-24
Scope and Contents:
An interview of John Edwin Canaday conducted 1971 August 17-24, by Paul Cummings, for the Archives of American Art.
Canaday reminisces about his childhood in Kansas and Texas; his family; studying at the University of Texas, at Yale and in Paris; and teaching at Hollins, the University of Virginia, and Tulane. He speaks of his travels, his military experiences, writing mystery novels under a pseudonym, and working at the Philadelphia Museum of Art and as the art critic for The New York Times. He comments on the problems of a critic, his influence, the art section of the Times, and his other publications. He recalls Fiske Kimball.
Biographical / Historical:
John Canaday (1907-1985) was an art critic from New York, New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 4 digital wav file. Duration is 2 hr., 29 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews of artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Art critics -- New York (State) -- New York  Search this
Topic:
Art criticism -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.canada71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-canada71

Jerry Bywaters papers

Creator:
Bywaters, Jerry  Search this
Names:
Dallas Art Association  Search this
Dallas Museum of Fine Arts  Search this
Albright, Ivan, 1897-1983  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bellows, Emma Louise Story  Search this
Benton, Thomas Hart, 1889-1975  Search this
Canaday, John, 1907-1985  Search this
Cisneros, José, 1910-  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Dobie, J. Frank (James Frank), 1888-1964  Search this
Goodrich, Lloyd, 1897-1987  Search this
Hertzog, Carl  Search this
Hurd, Peter, 1904-1984  Search this
Kimball, Fiske, 1888-1955  Search this
Lea, Tom, 1907-  Search this
Mayor, A. Hyatt (Alpheus Hyatt), 1901-1980  Search this
Nicholson, Ben, 1894-  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Wyeth, Andrew, 1917-2009  Search this
Zorach, William, 1887-1966  Search this
Interviewee:
Cullinan, Nina J., 1896 or 9-1983  Search this
Staub, John F., 1892-  Search this
Extent:
1 Linear foot ((on 6 microfilm reels))
3 Photographic prints (Unmicrofilmed, b&w, 8 x 10 in and smaller.)
Type:
Collection descriptions
Archival materials
Photographic prints
Sound recordings
Interviews
Date:
[ca. 1900-1979]
Scope and Contents:
Personal papers, mainly correspondence, as well as files on Texas art and artists compiled by Bywaters.
REELS 1512-1513: Correspondence, ca. 1950-1979, with artists, museum personnel, writers, and others; biographical data; a 20 p. transcript of an interview of Bywaters by Marla Redelsperger, October 3, 1975; a 2 part "Autobiographical Sketch With Slides of Works" delivered June 18, 1975, in Dallas; a monograph by Bywaters, ART MUSEUMS: REPOSITORIES OR CREATIVE CENTERS; exhibition catalogs of the Dallas Museum of Fine Arts; printed material about Bywaters; a personal photograph and photos of his works. Among the correspondents are Ivan Le Lorraine Albright, Alfred Barr, Mrs. George Bellows, Thomas Hart Benton, John Canaday, Jose Cisneros, René d'Harnacourt, J. Frank Dobie, Lloyd Goodrich, Carl Hertzog, Peter Hurd, Fiske Kimball, Tom Lea, A. Hyatt Mayor, Ben Nicholson, Georgia O'Keeffe, Andrew Wyeth, and William Zorach.
REELS 1648-1649: Files on 55 Texas artists, containing biographical material, photographs, and catalogs. The files were the result of Bywaters' solicitation of information as director of the Dallas Museum of Fine Arts and as a field worker for the Archives of American Art's Texas Documentation Pilot Project. Artists include: Jose Arpa, Henri Bert Bartscht, Keveau Bassett, John Biggers, Son Bradley, Milesio Casas, Cecil Long Casebier, Pat Colville, Ben L. Culwell, George Dahl, Otis Dozier, Edward G. Eisenlohr, Philip Hohn Evett, Xavier Gonzales, Wilfred Higgons, Dorothy Hood, DeForrest Judd, Chapman Kelly, Edmund D. Kinzinger, Tom Lea, Amy Freeman Lee, William Lester, Jim Love, Keith McIntyre, David McManaway, Octavio Medellin, Perry Nichols, Eleanor Onderdonk, Julian Onderdonk, Robert J. Onderdonk, Robert Preusser, Stephen T. Rascoe, Frank Reaugh, William Reily, Herbert Rogalla, E. M. Schiwetz, Lawrence Scholder, Vera Simons, Everett Spruce, Tom Stell, Robert Tiemann, Allie Tennant, Chester Toney, Olin H. Travis, Charles Unlauf, Wilbert Verhelst, Donald Vogel, Donald Weismann, Ralph White, Charles T. Williams, Bill Wiman, Dan Wingren, and Roger Winter.
REELS 3752-3753: Transcripts of oral history interviews with art patron Nina Cullinan (17 p.; reel 3752), and architect John F. Staub (31 p.; reel 3753), both conducted by Susan Bodin October 23, 1975. [Original cassette tapes are with the collection: Cullinan (1); Staub (2).
UNMICROFILMED: Three photographs relating to Bywaters' book Seventy-Five Years of Art in Dallas," 1978. One taken by Rogers, ca. 1918, is annotated "early art patron, Dallas," is of a woman inspecting possible purchases. Two taken by C.E. Arnold show the Dallas Fine Arts Building (destroyed in 1957) exterior, and an interior view, 1920, showing the Dallas Art Association permanent collection.
Biographical / Historical:
Painter, art historian, and museum director; Dallas, Texas. Director of the Dallas Museum of Fine Arts. Born 1906. Died 1989.
Provenance:
Donated 1979 by Jerry Bywaters except for the correspondence on reel 1512, which he lent for microfilming. Microfilmed as part of the Archives of American Art's Texas project. Three photographs were inadvertently not microfilmed.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Artists -- Texas  Search this
Museum directors -- Texas -- Dallas  Search this
Painters -- Texas -- Dallas  Search this
Topic:
Painting, American  Search this
Art patrons -- Texas -- Interviews  Search this
Architects -- Texas -- Interviews  Search this
Function:
Art museums -- Texas -- Dallas
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bywajerr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bywajerr

Katherine Dunn Pagon papers relating to the Barnes Foundation

Creator:
Pagon, Katherine W. Dunn, 1892-1988  Search this
Names:
Barnes Foundation  Search this
Philadelphia Museum of Art  Search this
Barnes, Albert C. (Albert Coombs), 1872-1951  Search this
Kimball, Fiske, 1888-1955  Search this
Extent:
0.4 Linear feet ((75 items))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1938-1961]
Scope and Contents:
Letters, notes, writings and printed material collected by Pagon regarding the Barnes Foundation, Albert C. Barnes, and the Philadelphia Museum of Art.
Included are letters, 1948-1952, from Pagon to the editors of Philadelphia area newspapers regarding the Barnes Foundation, and several letters received, 1948-1953, including one from Barnes, 1950; Pagon's notes from a Barnes Foundation class taught by Angelo Pinto, 1946, and other notes; a file containing copies of correspondence between Barnes, Henry Clifford and Fiske Kimball regarding a 1948 Matisse exhibition at the Philadelphia Museum of Art; writings by Barnes, including pamphlets on art education and writings on Fiske Kimball, the Philadelphia Museum of Art, and the arts in Philadelphia, 1938-1948.
Printed material includes a pamphlet, 1938, by Harry Fuiman, "The Progressive Decay of the Pennsylvania Museum of Art," an article on Matisse, and pamphlets and clippings on Barnes and the Foundation, primarily focused on the lawsuit after Barnes' death to force the Foundation to open its gallery to the public, 1943-1961.
Biographical / Historical:
Painter, Philadelphia, Pa., and Baltimore, Md. Studied at the Pennsylvania Academy of the Fine Arts between 1910 and 1918, and later at the Barnes Foundation. Albert C. Barnes was a collector of modern art who acquired over 800 paintings, particularly French Impressionists and other modern painters such as Cezanne, Renoir, Matisse and Picasso. The collection is housed in the Barnes Foundation in Merion, Pa. Barnes directed in his will that the collection never be allowed to tour or be reproduced.
Provenance:
Donated by Pagon's granddaughter, Katherine Pagon Tawney and her husband, Lee Tawney, 1992.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art, Modern -- 20th century -- Collectors and collecting  Search this
Art -- Collectors and collecting -- Pennsylvania  Search this
Identifier:
AAA.pagokath
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pagokath

Francis Patrick Garvan papers

Creator:
Garvan, Mabel Brady  Search this
Garvan, Francis Patrick, 1875-1937  Search this
Names:
American Art Association  Search this
Garvan Collection (Yale University)  Search this
Macbeth Gallery  Search this
O'Reilly's Plaza Art Galleries  Search this
Parke-Bernet Galleries  Search this
Yale University -- Art collections  Search this
Bigelow, Francis Hill, 1859-1933  Search this
Day, George Parmly, 1876-1959  Search this
Ensko, Robert  Search this
Halsey, R. T. Haines (Richard Townley Haines), 1865-1942  Search this
Jones, E. Alfred (Edward Alfred), 1872-1943  Search this
Keough, Andrew, 1869-1953  Search this
Kimball, Fiske, 1888-1955  Search this
Nutting, Wallace, 1861-1941  Search this
Phillips, John Marshall, 1905-1953  Search this
Extent:
44.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1912-1953
1867
Summary:
The papers of art collector Francis Patrick Garvan measure 44.9 linear feet and date from 1912 to 1953, with one document from 1867. The papers provide extensive documentation on the Garvan collection which included rare books, ceramics, glass, paintings, prints, and furniture. The majority of the collection consists of inventory records that give descriptive information regarding each piece in the collection; in many cases the files also include a photograph of the object. Also found are correspondence and subject files; auction records for sales at the American Art Association, Parke-Bernet Galleries, and Plaza Art Galleries; loan records; estate records; and a small amount of printed material, writings, and photographs. Approximately half of the Garvan papers were created posthumously by Mabel Brady Garvan and the managers of Garvan's estate.
Scope and Contents:
The papers of art collector Francis Patrick Garvan measure 44.9 linear feet and date from 1912 to 1953, with one document from 1867. The papers provide extensive documentation on the Garvan collection which included rare books, ceramics, glass, paintings, prints, and furniture. The majority of the collection consists of inventory records that give descriptive information regarding each piece in the collection; in many cases the files also include a photograph of the object. Also found are correspondence and subject files; auction records for sales at the American Art Association, Parke-Bernet Galleries, and Plaza Art Galleries; loan records; estate records; and a small amount of printed material, writings, and photographs. Approximately half of the Garvan papers were created posthumously by Mabel Brady Garvan and the managers of Garvan's estate.

Notable correspondence is with antique, art and rare book dealers, museums, curators, conservators, Garvan's employees, George Parmly Day, Andrew Keough, and John Marshall Phillips of Yale University regarding the 1930 gift of the [Mabel Brady] Garvan Collection to Yale, as well as the American Art Association, Anderson Galleries, Inc., Francis Bigelow, Robert Ensko, Richard T. Haines Halsey, E. Alfred Jones, Fiske Kimball, William Macbeth, Inc., Wallace Nutting, Richard W. Symonds, and others.
Arrangement:
The collection is arranged as 8 series.

Series 1: Correspondence and Subject Files, 1912-1942, 1953 (11.5 linear feet; Boxes 1-12, 46)

Series 2: Auction Records, circa 1930s-1949 (1.75 linear feet; Boxes 12-13)

Series 3: Loan Records, 1919-1948 (3.0 linear feet; Boxes 14-16, 46)

Series 4: Estate Records, 1929-1951 (0.75 linear feet; Box 17, 45)

Series 5: Inventory, 1928-1949 (26.0 linear feet; Boxes 17-43)

Series 6: Printed Materials, 1867, 1926-1949 (1.0 linear foot; Boxes 43-44, 46)

Series 7: Writings, 1930s (0.3 linear feet; Box 44)

Series 8: Photographic Materials, 1930s-1940s (0.8 linear feet; Boxes 44-45, 47)
Biographical / Historical:
Francis Patrick Garvan (1875-1937) and his wife Mabel Brady Garvan were art collectors in the 1920s and 1930s, specializing in decorative arts and furniture. Professionally, Garvan was a lawyer who spent the majority of his career serving as President of the Chemical Foundation, to which he was appointed by President Woodrow Wilson. He maintained relationships with many prominent museums and galleries including the American Art Association, the Anderson Galleries, the Brooklyn Museum, the Metropolitan Museum of Art, and the Whitney Museum of American Art. Over the course of his life, Garvan had amassed a collection of thousands of decorative and fine art objects. During his final years, Garvan arranged for the majority of his art collection to be donated to Yale University, his alma mater.
Provenance:
Donated 1981 by Anthony N. B. Garvan and Phil Hoyt for the estate of Mabel Brady Garvan.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Collectors -- New York (State) -- New York  Search this
Topic:
Decorative arts  Search this
Decorative arts -- Collectors and collecting -- New York (State) -- New York  Search this
Art -- Collectors and collecting  Search this
Genre/Form:
Photographs
Citation:
Francis Patrick Garvan papers, 1867, 1912-1953. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.garvfran
See more items in:
Francis Patrick Garvan papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-garvfran
Online Media:

Newport -- Bellevue House Gardens

Provenance:
Newport Garden Club  Search this
Former owner:
Codman, Martha  Search this
Langley, Jane Pickens  Search this
McCormack, Marcella  Search this
Architect:
Codman, Ogden, Jr.  Search this
Landscape designer:
Duchêne, Achille, 1866-1947  Search this
Creator:
Kimball, Fiske, 1888-1955  Search this
Garden designer:
Couture, Jon-Paul  Search this
Fleming, Ronald Lee  Search this
Gardener:
Khut, Horus  Search this
Gowen, Kidder  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
United States of America -- Rhode Island -- New Port County -- Newport
Bellevue House Gardens (Newport, Rhode Island)
Scope and Contents:
1 folder and 19 digital images (2016-2018).
General:
The Colonial Revival Newport cottage was designed by architect Ogden Codman Jr. for his niece Martha circa 1910 with gardens designed by Achille Duchêne. The 3.7-acre property is enclosed in brick walls, with historic specimen trees that predate the mansion; it is a certified Level 1 arboretum with more than 50 cultivars. There are 12 garden rooms, several follies, more than 60 monkey-themed artifacts, and numerous references to Pomona, the goddess of the orchard and abundance as well as Pomona College, the owner's alma mater. The owner describes his gardens as the narrative of himself and his family with spaces for history, celebration, storytelling and reflection. Garden rooms with water features include the American renaissance water garden with layered borders on either side of a rill, an Oriental water garden with a red Chinese Chippendale style footbridge modeled after the design of Englishman James Paine, an Arts and Crafts garden and south pool with a lotus fountain and other stylistic nods to Sir Edwin Lutyens, and another pool on the east side of the property with cabanas and a pavilion of pleasure used for family gatherings.

Features remaining from the original designs include a 5-sided lattice gazebo, an excedra in the same style as Edith Wharton's, and a pergola. A 20 -foot square tea house added in 1926 replicates the 1793 Derby summer house designed by Samuel McIntire. Additional follies and outbuildings that have been added in the 21st century include a summer house and a ground level cupola, with plans for a greenhouse/library that will be accessible to the public. The rhombic-shaped property is organized by crossing axes; the north-south axis starts at the gazebo next to the outer wall, dropping to the tea house and tea house allée with another gazebo marking a crossing point. Other garden rooms include pollarded hornbeam, a sprawling beech that shades the moss garden, a kitchen garden, and a keyhole garden. The classic formal style of structures and plantings contrasts with contemporary statues and bronzes, some of which were designed by or depict family members; one sculpture is named "The Social Contract".

Persons associated with the garden include: Martha Codman (former owner, 1907- ); Jane Pickens Langley (former owner, 1964-1992); Marcella McCormack (former owner, 1995-1999); Ogden Codman Jr. (1863-1951) (architect, 1910); Achille Duchêne (1866-1947) (landscape designer); Sidney Fiske Kimball (1888-1955) (teahouse architect, 1926); Jon-Paul (JP) Couture (garden designer/architect); Ronald Lee Fleming (garden designer, 1999- ); Horus Khut (gardener, 2014- ); Kidder Gowen (gardener, 2014- ).
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Rhode Island -- Newport  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File RI214
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Rhode Island
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref32883

Stratford -- Stratford Hall Plantation

Birthplace:
Lee, Robert E. (Robert Edward), 1807-1870  Search this
Landscape architect:
Innocenti, Umberto  Search this
Hopkins, Alden  Search this
Innocenti & Webel  Search this
Restoration architect:
Kimball, Fiske, 1888-1955  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Stratford Hall Plantation (Stratford, Virginia)
Virginia -- Stratford
United States of America -- Virginia -- Westmoreland County -- Stratford
Scope and Contents:
Folders include worksheets, brochures, and copies of articles.
General:
Built ca. 1730, Stratford Hall was home to the Lee family until the early 1800s. Relatives subsequently bought and lived in the property until the turn-of-the-century when the Robert E. Lee memorial Foundation took over the property to restore and open as a museum. In the early 1930s, The Garden Club of Virginia restored the formal East Garden in an eighteenth-century English style. They restored a flat area to a terraced garden enclosed by brick walls. Parterres are outlined with English Box. The West Garden, planned by Innocenti and Webel, is a utilitarian part of the garden planted with vegetables, herbs, fruit trees, and ornamental flowers. The North Vista and Nature Trail are additional parts of the estate.
Persons associated with the property include: Thomas Lee (former owner, ca. 1729-1750); Robert E. Lee (birthplace, 1807); Philip Ludwell Lee (former owner, 1750); Matilda Lee (former owner); Henry Lee (former owner, 1798-1828); Mrs. Starke (former owner); Dr. Richard Stewart (former owner); Robert E. Lee Memorial Foundation (owners, 1929); Morley Jeffers Williams (presenter of restoration plans, 1932); Fiske Kimball (restoration architect, 1939-1940); Umberto Innocenti of Innocenti & Webel (landscape architect, 1941-1955); Garden Club of Virginia (east garden restoration, 1930); Alden Hopkins (landscape architect, 1955-1960); A. G. Smith (landscape architect, 1960-1981); and Ronald L. Wade (superintendent of gardens and grounds, 1981).
Related Materials:
Stratford Hall Plantation related holdings consist of 1 folder (9 glass lantern slides and 23 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Virginia -- Stratford  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File VA002
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Virginia
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref18910

Mason Neck -- Gunston Hall

Former owner:
Hertle, Louis  Search this
Mason, George, 1725-1792  Search this
Architect:
Buckland, William, 1734-1774  Search this
Restoration architect:
Kimball, Fiske, 1888-1955  Search this
Landscape architect:
Hopkins, Alden  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Gunston Hall (Mason Neck, Virginia)
United States of America -- Virginia -- Fairfax County -- Mason Neck
Scope and Contents:
Folders include worksheets, brochures, and copies of articles.

Five 35 mm. slides have not been catalogued. They include copies of images from Better Homes and Gardens America's Gardens (p. 22); brochure aerial view; and Historic Virginia Gardens (pp. 110-111, 300, and 301).
General:
George Mason built Gunston Hall between 1753 and 1755. The house and gardens remained in the Mason family until the 1860s. After the Civil War ended, owners worked to restore the house and gardens which were destroyed by troops. Louis Hertle added a perola, rose garden with hybrid tea roses, and a reflecting pool. By 1934, nothing remained of the eighteenth-century garden except for the box hedge. When the Garden Club of Virginia took over the garden restoration, the pools, fountains, figures, summer house, roses, and flowering cherry trees were removed. Four parterres along the boxwood walk were planted in dwarf box. Also, two Chinese Chippendale gazebos were built on the outer corners of the lower terrace. The gardens and museum are open to the public.
Persons associated with the property include: George Mason (former owner, 1755-1792); General Robert Gibson Smith or Colonel Edward Daniels (former owner, ca. 1870); Jospeh Specht (former owner); Paul Kester (former owner, 1907-1913); Louis Hertle (former owner, 1913-1949); Commonwealth of Virginia (owner); William Buckland (architect, ca. 1753); National Society of Colonial Dames (caretakers, 1932-present); Alden Hopkins (landscape designer, ca. 1950); Glenn Brown (architect for restorations of house and grounds, ca. 1912); Garden Club of Virginia (garden designers); William and Harvey Nursery (transplanting box, 1952); and Thurman Bushrod (gardener).
Related Materials:
Gunston Hall related holdings consist of 1 folder (12 glass lantern slides and 10 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Virginia -- Mason Neck  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File VA003
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Virginia
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref18938

Domestic architecture of the American colonies and of the early republic, by Fiske Kimball ..

Author:
Kimball, Fiske 1888-1955  Search this
New York Metropolitan Museum of Art Committee on Education  Search this
Physical description:
xx, 314 p. illus. (incl. plans) 29 cm
Type:
Electronic resources
Place:
United States
Date:
1922
Topic:
Architecture, Domestic  Search this
Architecture, Colonial  Search this
Historic buildings  Search this
Call number:
NA707.K45x
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_181717

Dr. Kimball and Mr. Jefferson : rediscovering the founding fathers of American architecture / Hugh Howard

Author:
Howard, Hugh 1952-  Search this
Subject:
Kimball, Fiske 1888-1955  Search this
Jefferson, Thomas 1743-1826  Search this
Physical description:
xii, 305 p. : ill. ; 25 cm
Type:
Books
Place:
United States
Date:
2006
18th century
Topic:
Architecture and society--History  Search this
Architecture--Historiography  Search this
Historic preservation  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_795412

The influence of the Hancock House in the colonies / by R.T.H. Halsey

Author:
Halsey, R. T. Haines (Richard Townley Haines) 1865-1942  Search this
Kimball, Fiske 1888-1955  Search this
Subject:
Hancock House (Boston, Mass.)  Search this
New York State Historical Association  Search this
Physical description:
[8] p. : ill. ; 23 cm
Type:
Books
Place:
Massachusetts
Boston
Date:
1924
1929
192-?]
Topic:
Historic buildings  Search this
Call number:
NA7123 .H19
NA7123.H19
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_389880

The restoration of colonial Williamsburg in Virginia

Author:
Kimball, Fiske 1888-1955  Search this
Perry, William Graves 1883-1975  Search this
Shurcliff, Arthur A (Arthur Asahel) 1870-1957  Search this
Nash, Susan Higginson  Search this
Physical description:
[355]-458 p. incl. illus. (part col.; incl. ports., plans, facsim.) plates. 31 x 23 cm
Type:
Books
Pictorial works
Place:
Virginia
Williamsburg
Williamsburg (Va.)
Date:
1935
C1935
Topic:
Architecture  Search this
Architecture, Colonial  Search this
Historic buildings  Search this
Call number:
NA735.W5A7X 1935
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_278996

Triumph on Fairmount: Fiske Kimball and the Philadelphia Museum of Art, by George and Mary Roberts

Author:
Roberts, George June 26, 1900-  Search this
Roberts, Mary (Howland)  Search this
Subject:
Kimball, Fiske 1888-1955  Search this
Philadelphia Museum of Art  Search this
Physical description:
321 p. illus. 22 cm
Type:
Books
Date:
1959
[1959]
Call number:
N406.K4 R6
N406.K4R6
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_291787

The life portraits of Jefferson and their replicas [by] Fiske Kimball

Author:
Kimball, Fiske 1888-1955  Search this
American Philosophical Society  Search this
Subject:
Jefferson, Thomas 1743-1826 Portraits  Search this
Physical description:
1 p. l., 497-534 p. illus. (ports.) 27 cm
Type:
Books
Date:
1944
Call number:
N7628.J45K4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_105040

The creation of the rococo decorative style / by Fiske Kimball

Author:
Kimball, Fiske 1888-1955  Search this
Physical description:
xvii, 242 p., [52] leaves of plates : ill. ; 28 cm
Type:
Books
Place:
France
Date:
1980
1943
Topic:
Art, Rococo  Search this
Decoration and ornament, Rococo  Search this
Call number:
N6846.5.R6 K55 1980X
N6846.5.R6K55 1980X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_133668

Mr. Samuel McIntire, carver : the architect of Salem / by Fiske Kimball

Author:
Kimball, Fiske 1888-1955  Search this
Essex Institute  Search this
Subject:
McIntire, Samuel 1757-1811  Search this
Physical description:
xiii, 157 p. illus., fold. map, plates, plans. 31 cm
Type:
Books
Place:
Massachusetts
Salem
Date:
1940
Topic:
Architecture, Domestic  Search this
Decoration and ornament, Architectural  Search this
Wood-carving  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_180170

Thomas Jefferson, architect; original designs in the Coolidge Collection of the Massachusetts Historical Society, with an essay and notes, by Fiske Kimball

Author:
Jefferson, Thomas 1743-1826  Search this
Kimball, Fiske 1888-1955  Search this
Subject:
Monticello (Va.)  Search this
Physical description:
xi, vii, 205 p., [101] p. of illus., xi p. 40 cm
Type:
Designs and plans
Date:
1968
1916
Topic:
Architecture  Search this
Call number:
E332 .J45t 1968
E332.J45t 1968
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_16420

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