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Collection Creator:

Taylor, Prentiss, 1907-1991  Search this

Container:

Box 14

Reel 5928, Frame 320-363

Type:

Archival materials

Date:

1975-1982

Collection Restrictions:

The collection has been digitized and is available online via AAA's website.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Prentiss Taylor papers, 1885-1991. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art. Funding for the conservation of Prentiss Taylor's photograph album, 1929-1939, was provided by the Smithsonian Women's Committee.

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Prentiss Taylor papers

Prentiss Taylor papers / Series 10: Subject Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-taylpren-ref1336

Collection Creator:

Taylor, Prentiss, 1907-1991  Search this

Extent:

(5 folders)

Container:

Box 11

Reel 5923, Frame 917-1047

Type:

Archival materials

Date:

1946-1980

Collection Restrictions:

The collection has been digitized and is available online via AAA's website.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Prentiss Taylor papers, 1885-1991. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art. Funding for the conservation of Prentiss Taylor's photograph album, 1929-1939, was provided by the Smithsonian Women's Committee.

See more items in:

Prentiss Taylor papers

Prentiss Taylor papers / Series 10: Subject Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-taylpren-ref934

Collection Creator:

Richardson, Edgar Preston, 1902-1985  Search this

Richardson, Constance, 1905-  Search this

Container:

Box 3, Folder 32

Type:

Archival materials

Date:

1966-1969

Collection Restrictions:

Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Edgar P. Richardson papers, 1814-1996, bulk 1921-1996. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.

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E.P. (Edgar Preston) and Constance Richardson papers

E.P. (Edgar Preston) and Constance Richardson papers / Series 3: Correspondence / 3.1: General

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-richedga-ref173

Creator:

Sheets, Millard, 1907-1989  Search this

Names:

Dalzell Hatfield Galleries  Search this

Millard Sheets & Associates Designs  Search this

Sheets, Mary Baskerville  Search this

Extent:

27.6 Linear feet

Type:

Collection descriptions

Archival materials

Slides (photographs)

Photographs

Date:

circa 1907-2000

Summary:

The Millard Sheets papers comprise 27.6 linear feet of material dating from circa 1907 to 2000 with bulk dates spanning 1956 to 1981. The collection documents Sheets's career as a designer, painter, and muralist, and his personal and professional interests through correspondence, writings, lectures, printed material, drawings, slides, photographs, and ephemera. A small addition donated 2018 by Carolyn Owen-Toole, Sheet's daughter. There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.

Scope and Content Note:

The personal papers of Millard Sheets (1907-1990) measure 27.6 linear feet and date from circa 1907-2000, with bulk dates of 1956-1981. The collection reflects Sheets's career as a designer, painter, and muralist, as well as his other personal and professional interests, through correspondence, writings, lectures, clippings, blueprints, drawings, slides, photographs, and ephemera.

The Project Files comprise the largest group of materials in the collection and document design work undertaken by Sheets through his company Millard Sheets & Associates Designs. Sheets and his associates produced concept drawings and blueprints and supervised the construction for a wide range of design projects that ranged in scale from architectural plans for private residences to bid proposals for shopping malls and financial institutions located in California and the Southwest.

Sheets designed interior and exterior plans for over forty Home Savings and Loan bank branches in California. The distinctive modular design which Sheets created and then customized by integrating interior and exterior art elements that highlighted local historical events or natural features became synonymous with the image of Home Savings and Loan. Sheets also teamed up with the architect Edward Durrell Stone to produce a proposal for the Capitol Mall Project, an urban renewal project for the Redevelopment Agency of the City of Sacramento. Researchers will find correspondence, job costs and billing statements, and notes that trace the development of these and other building construction projects. In some instances the documents are supplemented by blueprints, photographs, and/or drawings of the project, but in many cases, visual documentation is missing.

The Project Files also document work done by Millard Sheets on public projects such as the Family of Man mural in the Los Angeles City Hall Annex, a mosaic dome in the National Shrine of the Immaculate Conception, Washington, D.C., and the Word of Life mural at the University of Notre Dame, Ind., along with numerous other murals and mosaics created for private individuals and corporations.

The Correspondence Series primarily reflects the interaction between Sheets and his clients, colleagues, and personal acquaintances. These files will prove valuable to researchers who are interested in the way that Sheets's beliefs about the role of art in everyday life impacted the way he conducted business and managed both large and small design projects. The correspondence also reflects Sheets's interest in popular American culture, travel, political issues of the day, and art collecting.

The Membership Files document the wide variety of interests that Sheets maintained through active membership in associations and organizations. The material in this series consists primarily of correspondence, minutes of meetings, and notes which Sheets created or used as he served as a board member or trustee on a number of organizational boards, such as the California Institute of the Arts, the Claremont Colleges, Virginia Steele Scott Foundation, Webb School of California, and Goodwill Industries of Southern California.

Also found in this series is material that documents his interest and participation in various recreational and professional organizations. Sheets maintained a long association with the Economic Roundtable, a group of businessmen who met regularly to give presentations and share discussion on contemporary political and social issues. Sheets was a frequent speaker and his talks given at the Economic Roundtables can be found in Lectures and Speeches, a subseries of the Writings Series.

Included in the Millard Sheets & Associates Designs, Inc. series are records that reflect the day-to-day operations of Sheets's design firm. Found here are chronological copies of correspondence that were sent out, files Sheets maintained on various independent contractors that the design firm frequently used, resumes and letters of recommendation that Sheets received regarding potential employees, as well as records relating to the cost and maintenance of Sheets's office building.

The Teaching and Workshop Files document the instructional activities undertaken by Sheets throughout his career in the arts. Although Sheets became pivotal in establishing a regionally recognized art department at Scripps College in Claremont, California, the files that reflect his academic position there are limited in scope and depth. Researchers will find more substantive the files that he maintained on the numerous art demonstrations and paintings workshops that he conducted privately throughout his career. Sheets traveled extensively around the world through his teaching activities and the files in this series track his path.

Closely related to the Teaching and Workshop Files is the Painting Trips series. The material in these files document Sheets's service as an American Specialist in the Bureau of Educational and Cultural Affairs of the USIS, Department of State. Sheets served two times as a cultural arts representative in Turkey in 1960 and in the former USSR in 1961. Sheets also made numerous trips to South East Asia, which had proved an area of fascination for him since his experiences as a war correspondent in Burma and India in World War II. The files in this series document his painting trips to Tahiti, the Pacific Ocean Rim, and Hawaii. Also found are files that detail his painting activities in Mexico.

The Exhibition Files reflect the records that Sheets maintained regarding his participation in art exhibitions, as well as his files on art shows that he personally directed or organized for public or private groups or organizations. Although Sheets exhibited his work predominantly in the West and Southwest, the files in this series demonstrate that he exhibited both nationally and internationally as well.

Also found within the records for this series are files relating to Sheets's representation of his artwork through established galleries and art agents. The Dalziel Hatfield Galleries of Los Angeles, California, served as his primary agent for most of his painting career. Correspondence between Sheets and the Hatfields provide insight into Sheets's development into a regionally and nationally significant watercolorist and painter. The files relating to the Kennedy Galleries in New York and the Circle Gallery in Chicago reflect Sheets's efforts to maintain a national presence in the arts community.

The Jury Files document Sheets's involvement as a juror in regional, as well, as national shows. The files reveal the great variety of professional watercolor and painting exhibitions in which Sheets participated as either a jury panelist or solo judge.

The Writings Files provide an excellent source for researchers interested in Sheets's philosophical beliefs about the relationship between art and everyday life. His articles, lectures, and speeches predominantly address the role of the artist, the relationships that exist between artists and the community, and the role that art can play in making a fuller, more productive life. Also found in the files of this series are articles written by others about Sheets.

The Biographical Material series provides a short introduction to Millard Sheets. The files consist of the calendars maintained by Sheets and his wife and staff, which were used to coordinate his many commitments and appointments. Also found in the files of this series are family chronologies that were created by Mary Baskerville Sheets. Medical records and resumes provide personal information about Sheets's background and health. A small file of military memorabilia provides information about Sheets's contributions to the war effort in World War II.

The Printed Matter series documents family activities and personalities through publicity clippings. Also found are exhibition catalogs and announcements that Sheets saved regarding other artists. Miscellaneous interests and activities of Sheets are found through magazine articles, brochures, and flyers.

The Photographs series includes photographic documentation for Sheets's artwork, horses, and major projects. A small group of photographs of Sheets are also in this series.

The files in the Artwork series include original drawings by Mary Baskerville Sheets and Millard Sheets.

There is a 4.6 linear foot unprocessed addition to this collection donated 2018 that includes writings; sketchbooks and sketches; photographs and negatives of works of art, images of Millard Sheets and others; printed material, including two scrapbooks; and scattered correspondence regarding Sheet's projects.

Arrangement:

The collection is arranged into fifteen series. Small series, such as Biographical Material are generally based on type of document. Larger series, such as Correspondence or Project Files, are arranged alphabetically by name of correspondent or project. General correspondence has been made into its own series, but other series or subseries may also contain some correspondence. Within particular series, materials have been further divided into subseries which represent particular aspects of the project or event. For example, the Writings Series is further divided into subseries of books and articles, eulogies, and lectures and speeches. An outline listing series and subseries titles and dates follows.

Series 1: Biographical Material, 1907-1982, undated (boxes 1-2; 1.25 linear ft.)

Series 2: Correspondence, 1929-1990, undated (boxes 2-4; 2.75 linear ft.)

Series 3: Personal Business Records, 1933-1980, undated (boxes 5-6; 1.25 linear ft.)

Series 4: Membership Files, 1946-1982, undated (boxes 6-8; 2.5 linear ft.)

Series 5: Millard Sheets & Associates Designs, 1934-1982, undated (boxes 8-9; 1.0 linear ft.)

Series 6: Project Files, 1956-1981, undated (boxes 9-18; 8.25 linear ft.)

Series 7: Teaching and Workshop Files, 1932-1982 (box 18; 0.5 linear ft.)

Series 8: Painting Trips, 1959-1980, undated (box 18; 16 folders)

Series 9: Exhibition Files, 1932-1937, 1951-1988, undated (box 19; 0.75 linear ft.)

Series 10: Jury Files, 1941-1982 (boxes 19-20; 42 folders)

Series 11: Writings, 1936-1988, undated (boxes 20-22; 2.5 linear ft.)

Series 12: Printed Matter, 1936-1922, undated (boxes 22-23; 20 folders)

Series 13: Photographs, 1934-1983, undated (box 23; 17 folders)

Series 14: Artwork, circa 1929, undated (box 23; 2 folders)

Series 15: Unprocessed Addition, circa 1930-2000 (boxes 24, 26-30, OV25: 4.6 linear ft.)

Biographical Note:

"Your painting is a measure of your mind"-Millard Sheets

Millard Sheets, as one of the founding members of the "California Scene Painters," exerted a lasting influence upon subsequent generations of Western painters. He and the small group of painters who worked in California during the 1930s and 1940s, developed a new style of watercolor painting that was at the forefront of the American watercolor movement of the time, and that later gave rise to a subsequent generation of painters who became known as the California Regionalist school.

Sheets was born in Pomona, California on June 24, 1907. His mother died in childbirth, and his father, John Sheets, unprepared to raise a baby alone, sent Millard to Pomona, California to be raised by his maternal grandparents, Lewis and Emma Owen. Sheets's grandfather proved to be a guiding force in his life, and when Sheets's father remarried and offered Millard the opportunity to return to the Sheets household, Millard chose instead to remain with his grandparents.

Sheets's love of horses can be directly traced back to his childhood years spent living at his grandfather's horse ranch. Millard rode his first horse when he was three years old. Throughout his life, Sheets returned to the theme of horses in his paintings, as well as maintaining a private stable of horses, and raising and breeding racehorses.

His interest in art also began in childhood. When he was still a young boy, his two maternal aunts encouraged him to play with crayons and pencils. Sheets took his first painting lesson from a neighbor at the age of seven, and by 1919 he had already submitted artwork to the copy division of the Los Angeles County Fair fine arts show competition. He submitted a drawing he had copied of a tinted photograph of Lake KIlarney, California. Sheets won first prize in his division.

It was through this competition that Millard met Theodore B. Modra, a Polish artist who had retired to the Pomona area. After giving Sheets a lecture on the evils of copying art, Modra offered to give him art lessons.

Sheets continued to pursue his interest in art and enrolled in the Choinard School of Art in Los Angeles, California. By the time that he graduated in 1929, Sheets had also managed to come to the attention of Dalzell and Ruth Hatfield of the Dalzell Hatfield Galleries in Los Angeles, California. The Hatfields were one of the most influential art dealers in Southern California, and that same year, they sponsored Sheets in his first one-man exhibition in 1929. The exhibition brought Sheets to the attention of Western Coast art critics and launched Sheets on his painting career.

In 1929 Sheets also learned that he had won second place in the annual Edgar B. Davis art competition held in San Antonio, Texas. The award came with a cash prize and Sheets made plans to travel to Europe to study and paint. Shortly before his departure, however, he met an art student, Mary Baskerville, and they began a whirlwind romance. With Baskerville's enthusiastic support for European plans, and with her promise that she would wait for him, Sheets departed for New York and then Europe.

While overseas during 1929 and 1930, Sheets studied under Dorfinant, a master printer in Paris. Through his work at this studio workshop, he met Henri Matisse.

Five months after Millard returned to the California in 1930, Sheets and Mary Baskerville married. Sheets worked as the director of the Fine Arts Exhibition of the Los Angeles County Fair. In 1932 Sheets returned to school to study art and humanities at Scripps College in Claremont, California. After graduating from Scripps, school officials approached Sheets with an offer to set up a separate fine arts program and asked him to chair the new department. This was the beginning of a twenty year association with the school. In 1938, he also became the Director of Art at Claremont Graduate School.

Sheets left the school during the years of World War II to serve as a war-time artist and journalist for Life magazine, and from 1943-1944 was stationed on the Burma-India Front. His experiences in Asia appeared to affect him deeply. In contrast to his earlier works which featured backgrounds with neutral tones and brilliant shades that highlighted and punctuated the compositions, the paintings from the wartime featured somber tones. Sheets remarked of this time:

During the fighting and the time I spent in the C-B-1 theater, I was too shaken and intellectually stunned to do any complete paintings. I made many, many sketches, though, as well as a real effort to remember each scene that particularly affected me. Then, once I returned to America, I painted frantically, for months, exorcising demons. [Lovoos, Janice and Edmund F. Penney, Millard Sheets: One-Man Renaissance, Northland Press, Flagstaff, AZ, 1984]

Sheets returned from the war in 1944 and resumed his position at Scripps College until 1955 when he was approached by the Los Angeles County Board of Supervisors and asked to overhaul the fledgling Los Angeles County Art Institute. Sheets accepted the position and spent the next five years reshaping the mission and format of the school, renaming it the Otis Art Institute. In the years after Sheets left the directorship, the school eventually became part of the Parson's School of Design on the West Coast.

In 1953 Sheets founded the Millard Sheets Designs company. He hired between twenty-five and thirty artisans for large projects, with Susan Hertel, a former student of his, serving as his assistant in all the operations of the design studio. The working staff included engineers, registered architects, draftsmen, and artists, and the projects that the firm produced included murals, mosaics, stained glass, and sculpture for private homes and public and commercial businesses.

The design studio completed several major architectural projects throughout the late 1950s through the mid 1970s, including the design and construction of Cal Aero, a flight training school for the US Air Force, the National American Insurance Company offices for the California financier, Howard Ahmanson, Ahmanson Bank and Trust Company in Beverly Hills, many Home Savings and Loan Association Buildings, private residences, and the Scottish Rite Memorial Temples in Los Angeles and San Francisco, among many other projects.

Sheets also designed and completed mural and mosiac work for numerous public buildings in the Los Angeles area, as well as across the nation. Many of the murals and mosiacs were for those buildings designed by his firm while others were done as independent commissions.

In 1968 Sheets first proposed the murals he designed for the Los Angeles City Hall. His design was approved and he was awarded a commission to complete The Family of Man murals over the two main entrances to the Los Angeles City Hall. The murals were completed in 1971 and installed in 1972. Sheets also designed mosiacs and murals for the Mayo Clinic in Minnesota, the Library at Notre Dame University, the Scottish Rite Masonic Temple in Los Angeles, several Home Savings and Loan Association buildings in the Los Angeles area, the Detroit Public Library, and the Dome of the National Shrine of the Immaculate Conception in Washington, DC.

During the early 1960s Sheets participated in the American Specialist Program of the US Department of State. His first assignment was to Turkey in 1960, where he served as a visiting artist. The following year he went to the USSR in the same capacity.

During the early to mid 1950s Sheets became involved with Columbia Pictures and was technical advisor and production designer for a few years.

Millard Sheets was a member of the National Watercolor Society, the American Watercolor Society, the National Academy of Design, the Society of Motion Picture Art Directors, and the Century Association. Sheets actively promoted his own work and was a businessman, an active and prolific artist, instructor, and designer. Millard Sheets died on March 31, 1989 in Gualala, California.

Separated Materials:

The Archives of American Art also holds material lent for microfilming (reels LA 10) including a biographical sketch, career resume, and a list of sheets' work prepared in 1964. Loaned materials were returned to the lender and are not described in the collection container inventory.

Provenance:

Millard Sheets lent material for microfilming in 1965. Mary B. Sheets, Millard's widow, donated the papers to the Archives of American Art in 1992. Carolyn Owen-Toole, Sheet's daughter, gave a small addition of material in 2018.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art -- Study and teaching  Search this

Art -- California  Search this

Art and society  Search this

Horses -- Breeding  Search this

Watercolorists -- California  Search this

Muralists -- California  Search this

Art -- Philosophy  Search this

Designers -- California  Search this

Genre/Form:

Slides (photographs)

Photographs

Citation:

Millard Sheets papers, circa 1907-2000. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.sheemill

See more items in:

Millard Sheets papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-sheemill

Collection Creator:

Sheets, Millard, 1907-1989  Search this

Container:

Box 19, Folder 76

Type:

Archival materials

Date:

1980-1981

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Millard Sheets papers, circa 1907-2000. Archives of American Art, Smithsonian Institution.

See more items in:

Millard Sheets papers

Millard Sheets papers / Series 9: Exhibition Files / 9.3: Galleries

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-sheemill-ref779

Creator:

Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this

Names:

American Federation of Arts  Search this

Archives of American Art  Search this

Corcoran Gallery of Art  Search this

Detroit Institute of Arts  Search this

Henry Francis du Pont Winterthur Museum  Search this

Kennedy Galleries  Search this

Kraushaar Galleries  Search this

M. Knoedler & Co.  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Midtown Galleries (New York, N.Y.)  Search this

Milwaukee Art Center  Search this

Museum of Modern Art (New York, N.Y.)  Search this

National Gallery of Art (U.S.)  Search this

Pennsylvania Academy of the Fine Arts  Search this

Philadelphia Museum of Art  Search this

United States Information Agency  Search this

University of Michigan. Museum of Art  Search this

Whitney Museum of American Art  Search this

Allston, Washington, 1779-1843  Search this

Arms, John Taylor, 1887-1953  Search this

Bailey, Grace  Search this

Bailey, Truman E., 1902?-1959  Search this

Bohrod, Aaron  Search this

Burchfield, Charles Ephraim, 1893-1967  Search this

Culver, Charles B. (Charles Beach), 1908-1967  Search this

Eakins, Thomas, 1844-1916  Search this

Evergood, Philip, 1901-1973  Search this

Fleischman, Barbara  Search this

Gentle, Esther, 1900-  Search this

Krentzin, Earl, 1929-  Search this

Marin, John, 1870-1953  Search this

Pollack, Peter, 1909-1978  Search this

Rattner, Abraham  Search this

Richardson, Constance, 1905-  Search this

Richardson, Edgar Preston, 1902-1985  Search this

Ryder, Albert Pinkham, 1847-1917  Search this

Sellers, Charles Coleman, 1903-  Search this

Watkins, Franklin Chenault, 1894-1972  Search this

Extent:

4.9 Linear feet

Type:

Collection descriptions

Archival materials

Typescripts

Photographs

Date:

1837-1984

bulk 1935-1979

Summary:

The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.

Scope and Contents:

The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.

One folder of biographical material includes a biographical account and a certificate of appreciation from the Common Council for the City of Detroit.

The bulk of the collection is comprised of correspondence documenting the Fleischman's art related activities and interests primarily during the 1950s and 1960s. Individual correspondents include Aaron Bohrod, Charles E. Burchfield, Charles B. Culver, Philip Evergood, Earl Krentzin, John Marin, Jr., Abraham Rattner and Esther Gentle, Peter Pollack, Edgar P. and Constance Richardson, Charles Coleman Sellers, and Franklin Watkins. One letter from Charles E. Burchfield includes four etching plates used to create the color print of Hot September Wind.

Arts organizations and galleries represented in the correspondence include the American Federation of Arts, the Archives of American Art, the Arts Commission of the City of Detroit, the Corcoran Gallery of Art, the Detroit Institute of Art, Kennedy Galleries, M. Knoedler and Co., Inc., Kraushaar Galleries, the Metropolitan Museum of Art, the Midtown Galleries, the Museum of Modern Art, the National Gallery of Art, the Pennsylvania Academy of the Fine Arts, the Philadelphia Museum of Art, the School of the Society of Arts and Crafts, the United States Information Agency, the Whitney Museum of American Art, and the Winterthur Museum.

Autograph letters purchased by the Fleischmans include letters written by artists Washington Allston (addressed to Thomas Sully), Albert Pinkham Ryder, and John Taylor Arms.

Exhibition files document the various exhibitions of art work from the Lawrence and Barbara Fleischman Collection at the University of Michigan Museum of Art; the Detroit Institute of Art; in Central and South America; in Greece, Israel and Russia; and at the Milwaukee Art Center. The files contain letters, notes, printed material, and photographs.

Three folders of notes and writings include "Introduction to Earl Krentzin Catalog" by Lawrence Fleischman and "Selection of Excerpts from the Soviet Press and Radio Attacking U. S. Culture" by unidentified authors.

Scattered printed material includes miscellaneous clippings and catalogs not connected with the Exhibition Files series. There is also a book John Marin: The Man and his Work by E. M. Benson that was autographed by Marin to the Fleischmans in 1953.

Photographs include portrait photographs of Lawrence Fleischman, photographs of Lawrence and Barbara Fleischman with colleagues, of art work from the Fleischman Collection, of Truman and Grace Bailey in their studio, and a copy photograph of Thomas Eakins as a boy.

Arrangement:

The collection is arranged as 7 series:

Series 1: Biographical Material, 1958 (Box 1; 1 folder)

Series 2: Correspondence, 1949-1984 (Boxes 1-4, 7; 3.8 linear feet)

Series 3: Autograph Letters, 1837-1942 (Box 4; 4 folders)

Series 4: Exhibition Files, 1953-1960 (Boxes 4-5, 7; 0.5 linear feet)

Series 5: Notes and Writings, 1957-1962 (Box 5; 3 folders)

Series 6: Printed Material, 1935-1969 (Box 5-6; 6 folders)

Series 7: Photographs, 1953-1965 (Box 6; 13 folders)

Biographical / Historical:

Lawrence Fleischman (1925-1997) of New York City was an American art collector, patron, philanthropist, and benefactor. He and his wife, Barbara Greenberg Fleischman, assembled an impressive collection of art and artifacts that they shared with the public as part of their philanthropic activities aimed at fostering a wider appreciation of the arts around the world.

Lawrence Fleischman was born on February 14, 1925 in Detroit, Michigan, the son of Stella and Arthur Fleischman, the owner of a large carpet business. He attended the Western Military Academy in Alton, Illinois, and studied engineering at Purdue University. In 1942, he interrupted his studies to volunteer for service in the U.S. Army during World War II. While serving in France, he met a doctor who further fostered Fleischman's ever growing interest in American art. Following the war, he graduated with a degree in physics from the University of Detroit. Fleischman met Barbara Greenberg in Detroit and they were married in 1948.

Beginning in the late 1940s, Fleischman established a fledgling television station, developed holdings in real estate, and began purchasing art work. Initially the Fleischmans collected undervalued 20th century American art and were friends with several artists, including John Marin, Charles Burchfield, Stuart Davis, and Ben Shahn. They also expanded the scope of their collection to include 19th century American works.

During the 1950s, Lawrence Fleischman realized how there were few American art historians and college departments, as well as a lack of primary source material. Fleischman worked with Edgar P. Richardson, then director of the Detroit Institute of Art, to raise funds and they founded the Archives of American Art at the Detroit Institute of Art in 1954. The Archives of American Art was, and still is, dedicated to the collection, preservation, and study of primary source records that document the history of the visual arts in the United States. Lawrence A. Fleischman is a founding Trustee of the AAA and served as the Chairman of the Board from 1958 to 1966. His wife, Barbara joined the Board of Trustees in 1997 and served as Chair from 2003 to 2007. She is a Trustee Emerita.

Lawrence Fleischman's business and philanthropic interests included the Arthur Fleischman Carpet Company, the Lee Plaza Hotel-Motel in Detroit, Art Adventurers, the Art School of the Society of Arts and Crafts in Detroit, the Friends of the Whitney Museum of American Art in New York, the Cultural Committee of the United States Information Agency, and the Art Commission of Detroit, which governed the Detroit Institute of Art. He also served as an officer of the Board for many of the arts-related organizations.

In 1996, the Fleischmans moved their family from Detroit to New York City, where Lawrence Fleischman became a partner in the Kennedy Galleries.

The Fleischmans philanthropic activities include generous support of the Metropolitan Museum of Art, the Detroit Institute of Art, the Cleveland Museum, the British Museum, the Vatican Museum, and lifelong support of the Archives of American Art.

Lawrence Fleischman died on January 31, 1997 in London, England. Barbara Fleischman lives in New York City and continues to be an active supporter of the visual arts.

Related Materials:

Among the Archives holdings are two oral history interviews with Lawrence A. Fleischman. The first was conducted by Paul Cummings in 1970 and the second conducted by Gail Stavitsky in 1994 . Both interviews have transcripts available.

Separated Materials:

The Archives of Art also holds microfilm of material lent for microfilming, the majority of which was later donated, except for five letters on reel D197. These include one postcard from Constance Richardson, 1956; one letter from Constance Richardson, 1957; one letter from Franklin Watkins, 1955; one letter from Lawrence Fleischman to Wilbur H. Hunter, 1960; and one letter from Richard D. Tucker, 1960. This material remains with lender and is not described in the collection container inventory.

Provenance:

The Lawrence and Barbara Fleischman papers were donated in several accretions by Lawrence and Barbara Fleischman from 1954 to 2007. Letters were also loaned for microfilming in 1965, but nearly all of them were subsequently donated.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- United States  Search this

Topic:

Painting, American  Search this

Art patrons Michigan Detroit  Search this

Artists' studios -- Photographs  Search this

Philanthropists  Search this

Art -- Collectors and collecting -- United States  Search this

Genre/Form:

Typescripts

Photographs

Citation:

Lawrence and Barbara Fleischman Papers, 1837-1984. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art.

Identifier:

AAA.fleilawr

See more items in:

Lawrence and Barbara Fleischman papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-fleilawr

Collection Creator:

Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this

Container:

Box 2, Folder 128

Type:

Archival materials

Date:

1959

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Lawrence and Barbara Fleischman Papers, 1837-1984. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art.

See more items in:

Lawrence and Barbara Fleischman papers

Lawrence and Barbara Fleischman papers / Series 2: Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-fleilawr-ref184

Collection Creator:

Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this

Extent:

3.8 Linear feet (Boxes 1-4, 7)

Type:

Archival materials

Date:

1949-1984

Scope and Contents note:

Correspondence includes letters exchanged between the Fleischmans and artists and colleagues including Aaron Bohrod, Charles E. Burchfield, Charles B. Culver, Philip Evergood, Earl Krentzin, John Marin, Jr., Abraham Rattner and Esther Gentile, Peter Pollack, Edgar P. and Constance Richardson, Charles Coleman Sellers, and Franklin Watkins. One letter from Charles E. Burchfield includes four etching plates used to create the color print of Hot September Wind.

The Fleishman's corresponded with many arts organizations, museums, and galleries, including the American Federation of Arts, the Archives of American Art, the Arts Commission of the City of Detroit, the Corcoran Gallery of Art, the Detroit Institute of Art, Kennedy Galleries, M. Knoedler and Co., Inc., Kraushaar Galleries, the Metropolitan Museum of Art, the Midtown Galleries, the Museum of Modern Art, the National Gallery of Art, the Pennsylvania Academy of the Fine Arts, the Philadelphia Museum of Art, the Smithsonian Institution, the School of the Society of Arts and Crafts, the United States Information Agency, the Whitney Museum of American Art, and the Winterthur Museum.

There are also a small number of letters each from Ivan Albright, Truman and Grace Bailey, Leonard Baskin, Herbert Bayer, Isabel Bishop, Louis Bouché, Frederic Castellón, Joseph Cornell, Jimmy Ernst, Lyonel Feininger, George Grosz, Joe Hirsch, Ben Kamihira, James Kearns, Norman Kent, Jack Levine, Richard Lippold, Reginald Marsh, John Paul Miller, Walter Tandy Murch, Alejandro Obregón, Guy Palazzola, Louis Pomerantz, Ruth Reeves, Reuven Rubin, Eero Saarinen, Ben Shahn, Charles Sheeler, Millard Sheets, Raphael Soyer, Richard Tucker, and William Zorach.

Arrangement note:

Correspondence is arranged alphabetically by recipient.

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Lawrence and Barbara Fleischman Papers, 1837-1984. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art.

Identifier:

AAA.fleilawr, Series 2

See more items in:

Lawrence and Barbara Fleischman papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-fleilawr-ref21

Creator:

Kennedy Galleries  Search this

Kennedy Galleries  Search this

Subject:

Krentzin, Earl  Search this

Kennedy Galleries  Search this

Type:

Printed Materials

Date:

1969 Dec. 2-31

Topic:

Decorative arts  Search this

Silversmiths  Search this

Record number:

(DSI-AAA)5388

See more items in:

Society of North American Goldsmiths records, [ca. 1965-2003], bulk bulk 1985-1995

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_5388

Creator:

University of Kansas  Search this

University of Kansas  Search this

Subject:

Curry, John Steuart  Search this

Kennedy Galleries  Search this

Type:

Photographs

Place:

New York, N.Y.

Date:

19--

Record number:

(DSI-AAA)19745

See more items in:

Kennedy Galleries Miscellaneous records, 1864-circa 1983

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_19745

Interviewee:

Krentzin, Earl, 1929-  Search this

Krentzin, Earl, 1929-  Search this

Interviewer:

Yager, Jan, 1951-  Search this

Subject:

Cranbrook Academy of Art  Search this

Wayne State University  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Type:

Sound recordings

Interviews

Topic:

Metal-workers -- Michigan -- Interviews  Search this

Metal-work -- Study and teaching -- Michigan  Search this

Decorative arts  Search this

Theme:

Craft  Search this

Record number:

(DSI-AAA_CollID)11615

(DSI-AAA_SIRISBib)238672

AAA_collcode_krentz02

Theme:

Craft

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_238672

Creator:

Cherney, Marvin, 1925-1967  Search this

Cherney, Marvin, 1925-1967  Search this

Type:

Drawings

Scrapbooks

Theme:

Lives of American Artists  Search this

Record number:

(DSI-AAA_CollID)7404

(DSI-AAA_SIRISBib)209561

AAA_collcode_chermarv

Theme:

Lives of American Artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209561

Creator:

Dehn, Adolf Arthur, 1895-1968  Search this

Dehn, Virginia Engleman, 1922-2005  Search this

Dehn, Adolf Arthur, 1895-1968  Search this

Subject:

Castellón, Federico  Search this

Christ-Janer, Albert  Search this

Bohrod, Aaron  Search this

Dehn, Virginia E. (Virginia Engleman)  Search this

Eastman, Max  Search this

Dehn, Mura  Search this

Robinson, Boardman  Search this

Spruance, Benton  Search this

Thayer, Scofield  Search this

Zigrosser, Carl  Search this

Marsh, Reginald  Search this

Lake, Eileen Hall  Search this

Olds, Elizabeth  Search this

Mitchell, Olivia Dehn  Search this

Rattner, Abraham  Search this

Smith, William Arthur  Search this

Shane, Fred  Search this

Gag, Wanda  Search this

Freeman, Joseph  Search this

Grosz, George  Search this

Goetsch, Gustav F. (Gustav Frederick)  Search this

Hayter, Stanley William  Search this

Kuh, Frederick  Search this

Kertész, André  Search this

Atelier Desjobert  Search this

American Artists Group  Search this

Associated American Artists  Search this

University of Missouri Press  Search this

Kennedy Galleries  Search this

Type:

Manuscripts

Sketches

Etchings

Scrapbooks

Photographs

Poems

Topic:

Painting -- Technique  Search this

Painters -- New York (State) -- New York  Search this

Printmakers -- New York (State) -- New York  Search this

Graphic arts -- New York (State) -- New York  Search this

Theme:

Lives of American Artists  Search this

Record number:

(DSI-AAA_CollID)7446

(DSI-AAA_SIRISBib)209604

AAA_collcode_dehnadop

Theme:

Lives of American Artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209604

Creator:

Lansil, Walter F. (Walter Franklin), 1846-1925  Search this

Lansil, Walter F. (Walter Franklin), 1846-1925  Search this

Place:

Venice (Italy) -- Description and travel -- 1914-

Theme:

Diaries  Search this

American Art and Artists in a Global Context  Search this

Record number:

(DSI-AAA_CollID)7859

(DSI-AAA_SIRISBib)210026

AAA_collcode_lanswalt

Theme:

Diaries

American Art and Artists in a Global Context

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210026

Creator:

Goulet, Lorrie H., 1925-  Search this

Goulet, Lorrie H., 1925-  Search this

Subject:

Vorhees, Aimee  Search this

De Creeft, José  Search this

Anuszkiewicz, Richard  Search this

Gross, Chaim  Search this

Nalle, Anna Beck  Search this

Vogel, Dorothy  Search this

Vogel, Herbert  Search this

New York Artists Equity Association  Search this

Art Students League (New York, N.Y.)  Search this

Kennedy Galleries  Search this

Carolyn Hill Gallery  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Scarsdale Studio Workshop  Search this

Contemporaries  Search this

David Findlay Galleries  Search this

National Museum of Women in the Arts  Search this

Inwood Pottery School  Search this

New School for Social Research  Search this

Type:

Diaries

Photographs

Interviews

Sound recordings

Video recordings

Scrapbooks

Sketches

Topic:

Art -- Study and teaching -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Transcripts  Search this

Sculptors -- New York (State) -- New York -- Interviews  Search this

Artists' studios -- Photographs  Search this

Women sculptors -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this

Theme:

Women  Search this

Lives of American Artists  Search this

Record number:

(DSI-AAA_CollID)8983

(DSI-AAA_SIRISBib)211170

AAA_collcode_goullorr

Theme:

Women

Lives of American Artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211170

Creator:

Kensett, John Frederick, 1816-1872  Search this

Kensett, John Frederick, 1816-1872  Search this

Subject:

Ciarrocchi, Ray  Search this

Topic:

Landscape painting -- 19th century -- United States  Search this

Theme:

Diaries  Search this

Art Movements and Schools  Search this

Record number:

(DSI-AAA_CollID)9136

(DSI-AAA_SIRISBib)211330

AAA_collcode_kensjohn

Theme:

Diaries

Art Movements and Schools

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211330

Creator:

Rattner, Abraham, 1893-1978  Search this

Gentle, Esther, 1900-1992  Search this

Rattner, Abraham, 1893-1978  Search this

Subject:

Gwathmey, Robert  Search this

Guthrie, Ramon  Search this

Griffin, John Howard  Search this

Hiler, Hilaire  Search this

Hayter, Stanley William  Search this

Lipchitz, Jacques  Search this

Hall, William Weeks  Search this

Hélion, Jean  Search this

Holty, Carl  Search this

Hirsch, Stefan  Search this

Leepa, Allen  Search this

Lebrun, Rico  Search this

Kronberg, Louis  Search this

Bedwell, Bettina  Search this

Burlin, Paul  Search this

Carton, Norman  Search this

Boyle, Kay  Search this

Gonzalez, Xavier  Search this

De Rochemont, Richard  Search this

Dehn, Adolf  Search this

Coates, Robert M. (Robert Myron)  Search this

Gentle, Esther  Search this

Dos Passos, John  Search this

Davis, Stuart  Search this

Biddle, George  Search this

Hirsch, Joseph  Search this

Weller, Allen S. (Allen Stuart)  Search this

Ruvolo, Feliz  Search this

Watkins, Franklin Chenault  Search this

Stark, Jack Gage  Search this

Nordfeldt, Bror Julius Olsson  Search this

Poor, Henry Varnum  Search this

Peake, Channing  Search this

Miró, Joan  Search this

Malcolm, Thalia Westcott  Search this

Ludgin, Earle  Search this

Miller, Henry  Search this

Kennedy Galleries  Search this

Esther Gentle Reproductions  Search this

Downtown Gallery (New York, N.Y.)  Search this

Paul Rosenberg & Co.  Search this

Type:

Sketches

Diaries

Scrapbooks

Photographs

Interviews

Topic:

Painters -- New York (State) -- New York  Search this

Works of art  Search this

Artist couples  Search this

Painters -- France -- Paris  Search this

Art -- Study and teaching -- France -- Paris  Search this

Theme:

Diaries  Search this

Lives of American Artists  Search this

Record number:

(DSI-AAA_CollID)9183

(DSI-AAA_SIRISBib)211378

AAA_collcode_rattabra

Theme:

Diaries

Lives of American Artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211378

Creator:

Jacques Seligmann & Co.  Search this

Jacques Seligmann & Co.  Search this

Subject:

Hauke, Cesar M. de (Cesar Mange)  Search this

Glaenzer, Eugene  Search this

Haardt, Georges  Search this

Seligman, Germain  Search this

Seligmann, Arnold  Search this

Parker, Theresa D.  Search this

Waegen, Rolf Hans  Search this

Trevor, Clyfford  Search this

Seligmann, René  Search this

Seligmann, Jacques  Search this

De Hauke & Co., Inc.  Search this

Jacques Seligmann & Co  Search this

Eugene Glaenzer & Co.  Search this

Germain Seligmann & Co.  Search this

Gersel  Search this

Type:

Gallery records

Topic:

Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this

Schiff, Mortimer L. -- Art collections  Search this

Arenberg, duc d' -- Art collections  Search this

Liechtenstein, House of -- Art collections  Search this

Art -- Collectors and collecting -- France -- Paris  Search this

Art -- Collectors and collecting  Search this

World War, 1939-1945 -- Art and the war  Search this

La Fresnaye, Roger de, 1885-1925  Search this

Art, Renaissance  Search this

Decorative arts  Search this

Art treasures in war  Search this

Art, European  Search this

Theme:

The Art Market  Search this

Art Gallery Records  Search this

Record number:

(DSI-AAA_CollID)9936

(DSI-AAA_SIRISBib)212486

AAA_collcode_jacqself

Theme:

The Art Market

Art Gallery Records

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_212486

Creator:

Fleischman, Lawrence Arthur, 1925-1997  Search this

Fleischman, Barbara G.  Search this

Fleischman, Lawrence Arthur, 1925-1997  Search this

Subject:

Sellers, Charles Coleman  Search this

Ryder, Albert Pinkham  Search this

Burchfield, Charles Ephraim  Search this

Rattner, Abraham  Search this

Richardson, Edgar Preston  Search this

Richardson, Constance  Search this

Pollack, Peter  Search this

Watkins, Franklin Chenault  Search this

Bailey, Grace  Search this

Arms, John Taylor  Search this

Allston, Washington  Search this

Evergood, Philip  Search this

Eakins, Thomas  Search this

Culver, Charles B. (Charles Beach)  Search this

Bohrod, Aaron  Search this

Bailey, Truman E.  Search this

Krentzin, Earl  Search this

Gentle, Esther  Search this

Fleischman, Barbara  Search this

Marin, John  Search this

University of Michigan  Search this

United States Information Agency  Search this

Whitney Museum of American Art  Search this

Archives of American Art  Search this

Kraushaar Galleries  Search this

American Federation of Arts  Search this

National Gallery of Art (U.S.)  Search this

Detroit Institute of Arts  Search this

Corcoran Gallery of Art  Search this

M. Knoedler & Co.  Search this

Kennedy Galleries  Search this

Henry Francis du Pont Winterthur Museum  Search this

Pennsylvania Academy of the Fine Arts  Search this

Philadelphia Museum of Art  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Midtown Galleries (New York, N.Y.)  Search this

Milwaukee Art Center  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Type:

Typescripts

Photographs

Topic:

Painting, American  Search this

Art patrons Michigan Detroit  Search this

Artists' studios -- Photographs  Search this

Philanthropists  Search this

Art -- Collectors and collecting -- United States  Search this

Theme:

The Art Market  Search this

Record number:

(DSI-AAA_CollID)10245

(DSI-AAA_SIRISBib)213339

AAA_collcode_fleilawr

Theme:

The Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_213339

Creator:

H. Wunderlich & Company  Search this

H. Wunderlich & Company  Search this

Subject:

Wunderlich, Hermann  Search this

Kennedy & Company  Search this

Topic:

Prints, American  Search this

Prints -- 19th century  Search this

Prints -- 20th century  Search this

Theme:

The Art Market  Search this

Art Gallery Records  Search this

Record number:

(DSI-AAA_CollID)10382

(DSI-AAA_SIRISBib)213724

AAA_collcode_hwundcom

Theme:

The Art Market

Art Gallery Records

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_213724