3.83 Cubic feet (8 binders containing contact sheets, slides, and prints; 7 boxes (8.5"x10.75"x2.5") of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints.)
Type:
Collection descriptions
Archival materials
Contact sheets
Slides (photographs)
Black-and-white negatives
Photographic prints
Place:
New York (N.Y.)
Saint Simons Island (Ga. : Island)
Date:
1963-2009
Summary:
The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides.
Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.
Scope and Contents:
The Diana Davies photographs, 1963-2009, consist of black and white negatives, contact sheets and prints, as well as color slides and negatives. The bulk of materials depict major festivals and protest movements (including the Poor People's March of 1968) documented by Diana Davies (located in Series 1: Newport Folk Festival, Series 2: Philadelphia Folk Festival, Series 6: Festival of American Folklife, and Series 11: Social Justice). Also well-represented are non-festival performances (in locations such as clubs, concert halls, and homes), recording sessions, and other music-related images, mainly of notable figures in the American folk music revival (located in Series 3: Broadside Magazine, Series 4: Sing Out! Magazine Concerts, Series 5: Miscellaneous Concerts and People, Series 7: Recording Sessions, Series 8: Instruction Book Shots, and Series 9: Jazz, Blues, and Salsa Musicians). Series 10: Georgia Sea Islands consists of photographs depicting the culture, environment, and daily life of these coastal islands in 1966. Series 12: New York City Scenes contains photographs taken on the street depicting everyday life in NYC in the 1960s and 1970s. The collection also contains related papers in Series 13: Miscellaneous Papers and Correspondence.
Arrangement note:
Each item in the Diana Davies Photographs has been assigned an accession number, and like materials have been put together such as the Newport Folk Festival photographs, in a chronological sequence as much as possible. Materials in the three more recent donation batches (1998, 2004, and 2006) were numbered and integrated into the collection. In some series, the accession numbers are in numerical order, and in others, the numbers are random because like items with different number sequences were pulled together in a series for subject coherence. The best way to find occurrences of a particular subject is to use the ctrl+F function. Please consult the archivists if you have any questions about the collection contents.
Contact sheets, slides, and prints arranged in 8 binders; negatives and oversize prints are stored separately.
Arranged in 14 series:
Series 1: Newport Folk Festival
Series 2: Philadelphia Folk Festival
Series 3: Broadside Magazine
Series 4: -- Sing Out! -- Magazine Concerts
Series 5: Miscellaneous Concerts and People
Series 6: Festival of American Folklife
Series 7: Recording Sessions
Series 8: Instruction Book Shots
Series 9: Jazz, Blues, and Salsa Musicians
Series 10: Georgia Sea Islands
Series 11: Social Justice
Series 12: New York City Scenes
Series 13: Miscellaneous Papers and Correspondence
Series 14: Oversize Materials
Biographical/Historical note:
Diana Davies is a well-known photographer of folk performers and festivals. Davies photographed the Smithsonian Folklife Festival in its earlier years. Born in 1938, Davies grew up in Maine, the Catskills, New York City, and Boston. Her grandparents were local union organizers and Debs socialists; one grandfather was a gandy dancer with the railroad, and her grandmother was a textile worker in Massachusetts, New York, and Pennsylvania. Davies finds that her family background was later expressed in her own activist efforts.
Davies left high school at 16, and worked sweeping out coffeehouses, which gave her the opportunity to listen to music while she worked. She became interested in theater and music. In Greenwich Village, she began doing some sound technician work, and then got interested in photography. She taught herself how to develop and print photographs in a darkroom, and began photographing in theaters, shooting from behind the scenes. Her theater photos are at Smith College in Northampton, where she presently lives. In the early 1960s, she began working with the editors of Broadside Magazine, Sis Cunningham and Gordon Friesen. She developed an interest in human rights work, which grew from her contact with Sis and Gordon, and also her own family background. She also worked as a photographer in a wide range of settings, including night clubs, weddings, and doing portrait photography. This led her to work for major national and international media including the New York Times, covering such events as the war in Biafra, and traveling to Mexico, Cuba, and Portugal on assignment.
Davies' folk photographs represent about one-quarter of her body of work; her other major photographic work includes the Civil Rights Movement, the Peace Movement, and theater. Davies began photographing at the Newport Folk Festival in 1964, which she covered for a number of years. She knew Ralph Rinzler, and found him a vibrant, alive person excited by all aspects of culture. He introduced her to Bessie Jones from the Georgia Sea Islands, and in 1966 she made a photographic journey to the islands. Her work from this trip is included in the collection. Davies has also been a musician. She became involved with the punk rock movement of the 1970s, and felt that there was a connection between the hard-hitting songs from the punk world and the songs being published in Broadside Magazine. In 1975, she became part of a folk/punk women's band in Boston, and later moved to Western Massachusetts. In addition to being a photographer and musician, Davies is also a writer. She wrote a play entitled "The Witch Papers" in 1980, which was produced in Boston and other locations. The play was a vehicle for her human rights activism, comparing the technology of inquisition with labor sweatshops. In 1998, her play "The War Machine" was produced in Amherst, Mass. She lives in Northampton, and enjoys and participates in street performance, which she describes as the "most essentially communicative stuff you can come up with."
General note:
All contact sheets from the collection are digitized and accessible through this finding aid. Series-level slideshows accessible through this finding aid represent a small sampling from the collection.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives and Collections. These two more recent donations of additional photographs (contact sheets, prints, and slides) consisted of documentation of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the provison that her work be credited in any use.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections.
Rights:
Copyright restrictions apply. Please contact the archives staff for further information.
New Lost City Ramblers--Wildwood weed--Dirt farmer--Little girl and the dreadful snake; Antonio Mosquera--March in-three instrumentals; Norman Kennedy--She's only my old shoes when he gets her
Track Information:
101 Old Time String Band / New Lost City Ramblers, John Cohen, Mike Seeger. Guitar,Banjo,Fiddle. English language.
103 Scottish Songs / Norman Kennedy. English language.
General note:
DPA number 70.101.12
Local Numbers:
FP-1970-10RR2-0012
General:
CDR copy
70.101.12
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1970.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Norman Kennedy--Green leaf--Gay Gordons; Pennywhistlers--Oyza Piellie--Bulgarian song--Put on a snowy white dress--Dragoma and the nightengale--I want to know
Track Information:
101 Scottish Songs / Norman Kennedy.
102 Eastern European Songs / Pennywhistlers (Musical group), Ethel Raim.
General note:
DPA number 70.101.13
Local Numbers:
FP-1970-10RR2-0013
General:
CDR copy
70.101.13
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1970.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Ralph Rinzler (MC); Mance Lipscomb--Rock me baby; Almeda Riddle--Chick-a-li-lee-lo; Norman Kennedy--I'm a rover seldom sober--Cuckoo nest--Mouth music; Almeda Riddle--Barbara Allen--Lady Gay--Mary Hamilton; Mance Lipscomb and Southeast---Mama don't low--Until we meet again--Sailor's hornpipe--Flop eared mule--Corrina, Corrina--instr.; Arley, Ora and Willard Watson--Down the road--Cripple creek--Sourwood mountain--Pretty Polly--John Hardy--Cripple creek
Track Information:
101 Blues Singer / Mance Lipscomb. Guitar.
102 Ozark Ballad Singer / Almeda Riddle.
103 Appalachian Music / Doc Watson Family (Musical group). Guitar,Fiddle.
General note:
DPA number 70.101.24
Local Numbers:
FP-1970-7RR-0024
General:
CDR copy
70.101.24
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1970.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
New Lost City Ramblers--Wildwood weed--Dirt farmer--Little girl and the dreadful snake; Antonio Mosquera--March in-three instrumentals; Norman Kennedy--She's only my old shoes when he gets her
Track Information:
101 Old Time String Band / New Lost City Ramblers, John Cohen, Mike Seeger. Guitar,Fiddle,Banjo. English language.
103 Scottish Songs / Norman Kennedy. English language.
General note:
DPA number 70.101.47
Local Numbers:
FP-1970-7RR-0047
General:
CDR copy
70.101.47
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1970.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Norman Kennedy--Green leaf--Gay Gordons; Pennywhistlers--Oyza Piellie--Bulgarian song--Put on a snowy white dress--Dragoma and the nightengale--I want to know
Track Information:
101 Scottish Songs / Norman Kennedy.
102 East European Folk Songs / Pennywhistlers (Musical group), Ethel Raim.
General note:
DPA number 70.101.48
Local Numbers:
FP-1970-7RR-0048
General:
CDR copy--Pennywhistlers= Francine Brown, Shelly Cook, Joyce Gluck, Alice Kogan, Deborah Lesser, Ethel Raim, Dina Silberman, Artie Rose
70.101.48
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1970.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Pennywhistlers--unk--Bulgarian peasant song--Devanna Vesti--Dimitri hears tambouras tonight he will ask his sweetheart's hand in marriage--Southern Bulgarian folk song-unk-Leit Chait Uqui--Curly headed fellows--Dad Ozingtin--Niska Bania--I want to know--La do goy; Norman Kennedy--Pibroch/ Mouth music; Tommy Standeven--6/8 march--Swallow's tail--6/8 jig--Ten penny bit; Antonio Mosquera- Bagpipe tunes; Pennywhistlers--Macedonian song
Track Information:
101 Scottish Songs / Norman Kennedy.
102 Uilleann Pipes / Tommy Standeven. Uilleann pipes.
103 Gallican Spanish Pipes / Antonio Mosquera. Spanish pipes,Drum.
104 Eastern European Songs / Pennywhistlers (Musical group), Ethel Raim.
General note:
DPA number 70.101.51
Local Numbers:
FP-1970-7RR-0051
General:
CDR copy
70.101.51
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1970.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Simmons Family--Skip to my Lou--Down in Arkansas--I wish I was a single girl again; Jimmie Driftwood--Froggy went a-courtin'; Dale Copeland--East Virginia--Eastbound train; Seth Mize and Bookmiller Shannon--Sally Goodin'--Buffalo gals--Leather britches--Snow on the mountain--Eighth of January--Goodnight waltz; Norman Kennedy--Jaunting car
General note:
DPA number 70.101.56
Local Numbers:
FP-1970-7RR-0056
General:
CDR copy
70.101.56
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1970.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Joe Heaney (MC); Ollie Gilbert--Children's songs--A little boy killed a robin; Judy Clemenson--Lowe bonnie; Barry O'Neill--Saucy lady; Joe Heaney--unk; Tracy Schwarz--One morning in May; Almeda Riddle--One morning in May; Norman Kennedy-- One morning in May
Track Information:
101 Ballad Singer / Ollie Gilbert.
102 Dulcimer Player / Judy Clemonson. Dulcimer.
103 null / Barry O'Neill, Almeda Riddle.
104 Guitarist and Singer / Sherman Ward. Guitar.
105 Scottish Songs / Norman Kennedy.
General note:
DPA number 70.101.57
Local Numbers:
FP-1970-7RR-0057
General:
CDR copy
70.101.57
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1970.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Jimmie Driftwood (MC); Sherman Ward, Dean Hensley, and Bob Blair--Bile them cabbage down--Lost indian; Mike Seeger--Bonaparte crossing the Alps--Sailor on the deep blue sea; Norman Kennedy--She was a rum one; Sherman Ward, Dean Hensley, and Bob Blair- Huckleberry blossom--unk--Eighth of January; Tracy Schwartz--Early in the Spring; Bunker Hill
Track Information:
101 Guitarist and Singer / Sherman Ward. Guitar.
102 String Band Music / Bob Blair, Dean Hinsley. Fiddle.
103 American Folksong / Mike Seeger.
104 Scottish Songs / Norman Kennedy. Fiddle.
General note:
DPA number 70.101.66
Local Numbers:
FP-1970-7RR-0066
General:
CDR copy
70.101.66
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1970.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Pete Elliott--Intro--Old clogger's song--Banks of the Dade; Dallas Turner--Roll out cowboy--Home on the range--Blue bleezin' blind drunk; Flora MacNeil--Churning song--Spinning song--Kerr, MacDonald, Shaw, Waulking song
General note:
DPA number 77.407.09
Local Numbers:
FP-1976-7RR-1343
General:
CDR copy
77.407.09
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 8, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Kennedy, MacGregor, MacNeil, MacDonald, Kerr, Shaw, MacDonald--Waulking song--Ho mo leannan-fiuch an oidhche; Instrumental music of the British Isles -Bert Lloyd- MC; Tom Breckons and Cathal McConnell--bagpipe tune; Grant Rogers--Conservation hornpipe--Dad's waltz; Angus Grant--Harves hornpipe--Cameron got his wife back--Miss McLeod's reel--Discussin
General note:
DPA number 77.407.10
Local Numbers:
FP-1976-7RR-1344
General:
CDR copy
77.407.10
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 8, 1976.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Norman Kennedy- Milling songs; Gaelic weaving; Mouth music
General note:
DPA number 69.101.21
Local Numbers:
FP-1969-7RR-0021
General:
CDR copy
69.101.21
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1969.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1969 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
mono dub of 69.101.04: The Monroe Family and Blue Grass Boys (Bill, Charlie and Birch); Norman Kennedy and the Milling Singers from Nova Scotia, Turkish dancers
Creator:
Smithsonian Institution. Festival of American Folklife (1969) Search this
Ralph Rinzler-MC; Charlie Monroe--Phone record--That's what I like about you--Down where the river bends; Bill Monroe--Uncle Pen--Muleskinner blues--I saw the light--Katy Hill (with Tex Logan)--Blue moon of Kentucky--Where could I go but to the Lord--Intermission; Norman Kennedy and the Milling Singers; Turkish group
General note:
DPA number 69.101.28
Local Numbers:
FP-1969-7RR-0028
General:
CDR copy
69.101.28
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1969.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Ellen Stekert- MC; Jimmie Driftwood--Eighth of January/ Battle of New Orleans description; Maybelle Carter-- Cannonball blues (solid gone)--Wildwood flower; Grant Rogers- Nagging young woman--Its been nice to see you--You can't go; Norman Kennedy--Prickle eye bush (Maid freed from the gallows)--I'm a rover--A rovin'/ As I walked out (frag)
Track Information:
101 Ballads and Broadsides / Jimmie Driftwood. Guitar.
102 Ballads and Broadsides / Maybelle Carter. Guitar,Autoharp.
103 Ballads and Broadsides / Grant Rogers. Guitar.
104 Ballads and Broadsides / Norman Kennedy.
General note:
DPA number 69.101.45
Local Numbers:
FP-1969-7RR-0045
General:
CDR copy
69.101.45
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1969.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Norman Kennedy- Sixteen come Sunday; Sarah Gunning-- Wayworn traveler (Palms of victory)--God that lived in olden times--Dreadful memories--I hate the company bosses- Leave them alone; George Tucker-- Little preacher
Track Information:
101 Ballads and Broadsides / Norman Kennedy. English language,Scots language.
102 Ballads and Broadsides / Sarah Ogan Gunning. English language.
103 Ballads and Broadsides / George Tucker. English language.
General note:
DPA number 69.101.46
Local Numbers:
FP-1969-7RR-0046
General:
CDR copy
69.101.46
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1969.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Ralph Rinzler-MC; Charlie Monroe--Phone record--That's what I like about you--Down where the river bends; Bill Monroe--Uncle Pen--Muleskinner blues--I saw the light--Katy Hill (with Tex Logan)--Blue moon of Kentucky--Where could I go but to the Lord--Intermission; Norman Kennedy and the Milling Singers; Turkish group
Track Information:
101 String Band / Bill Monroe, Bertha Monroe, Charlie Monroe, Birch Monroe. Mandolin,Guitar,Fiddle.
102 Bluegrass / Bill Monroe, Blue Grass Boys. Mandolin,Guitar,Fiddle.
General note:
DPA number 69.101.04
Local Numbers:
FP-1969-10RR-0004
General:
69.101.04
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1969.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Virginia Gospel / Scripture Church of Christ (Va.).
102 Ozark Ballad Singer / Jimmie Driftwood. English language.
103 null / King Island Native Community, Alaska (Association).
104 Gol' Darn Wheel / Glenn Ohrlin. English language.
105 Prickly Bush (Maid Freed from the Gallows) r / Norman Kennedy. English language.
General note:
DPA number 67.101.05
Local Numbers:
FP-1967-10RR-0005
General:
67.101.05
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1967.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Hangman (A. Riddle)--Dakota Land (G. Ohrlin)--Gaelic song-Mouth music (N. Kennedy)--House Carpenter (A. Riddle); Antonio Mosquera (Galician pipers)
Track Information:
104 null / Antonio Mosquera.
102 Dakota Land Glenn Ohrlin.
103 Gaelic song/ Mouth music Norman Kennedy. English language.
101 Hangman (Maid Freed from the Gallows) / Almeda Riddle. English language.
House Carpenter Almeda Riddle 105
General note:
DPA number 67.101.06
Local Numbers:
FP-1967-10RR-0006
General:
67.101.06
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1967.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Joe Heaney- Jaunting car--My little dark rose; Lou Killen- Plymouth girls; Norman Kennedy--Cloth shrinking workshop--Mouth music; Tommy Jarrell, Fred Cockerham and Oscar Jenkins--Breaking up Christmas--Let me fall--John Brown's dream; Kilby Snow--Flop eared mule--Wind and rain
Track Information:
101 Scots Ballad Singer / Norman Kennedy. English language.
101 English Ballad Singer / Louis Killen. English language.
102 Fiddler,Banjo Picker / Tommy Jarrell. Banjo,Fiddle. English language.
102 Fiddler,Banjo Picker / Oscar Jenkins. Banjo,Fiddle. English language.
102 Fiddler,Banjo Picker / Fred Cockerham. Banjo,Fiddle. English language.
103 Autoharp Player / Kilby Snow. Autoharp. English language.
General note:
DPA number 68.101.26
Local Numbers:
FP-1968-7RR-0026
General:
CDR copy
68.101.26
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 6, 1968.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
