50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Indians of North America -- Southern states Search this
Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Reverend James Owen Dorsey (1848-1895) was a missionary and Bureau of American Ethnology ethnologist who conducted extensive research on Siouan tribes and languages.The papers of James Owen Dorsey comprise mostly ethnographic and linguistic materials on various tribes of the Siouan language family as well as tribes from Siletz Reservation in Oregon. These materials include texts and letters with interlineal translations; grammar notes; dictionaries; drawings; and his manuscripts. In addition, the collection contains Dorsey's correspondence, newspaper clippings, his obituaries, and reprints.
Scope and Contents:
This collection contains James O. Dorsey's research and writings as a BAE ethnologist, as well as his earlier work as a missionary among the Ponca. The vast majority of the collection pertains to his research on Siouan-Catawban languages, including the Dakota and Dhegiha languages, Chiwere, Winnebago, Mandan, Hidatsa, Tutelo, Biloxi, and Catawba. His research on Athapascan, Kusan, Takilman, and Yakonan languages from his field work at Siletz Reservation are also present, as well as some notes on the Caddoan languages. Dorsey's research files include linguistic and ethnological field notes, reading notes, stories and myths, vocabularies, drawings, and unpublished and published manuscripts. The collection also contains Omaha, Ponca, Quapaw, and Biloxi dictionaries that he compiled and materials relating to his work editing Steven Riggs' Dakota-English Dictionary. Additional noteworthy materials in the collection are Teton texts and drawings from George Bushotter and drawings by Stephen Stubbs (Kansa), Pahaule-gagli (Kansa), and George Miller (Omaha). The collection also contains Dorsey's correspondence, newspaper clippings, obituaries, and his collection of reprints.
Arrangement:
The collection is organized into 6 series: 1) Siouan; 2) Siletz Reservation; 3) Caddoan; 4) General Correspondence; 5) Personal Papers; 6) Miscellaneous & Reprints.
Biographical Note:
Reverend James Owen Dorsey (1848-1895) was a missionary and Bureau of American Ethnology ethnologist who conducted extensive research on Siouan tribes and languages.
Dorsey was born on October 31, 1848 in Baltimore, Maryland. He exhibited a talent for languages at an early age. At age 6 he learned the Hebrew alphabet and was able to read the language at age 10. In 1867 Dorsey attended the Theological Seminary of Virginia and was ordained a deacon of the Protestant Episcopal Church in 1871. In May of that year, Dorsey traveled to the Dakota Territory to serve as a missionary among the Ponca. Plagued by ill health, Dorsey was forced to end his missionary work in August 1873. By that time, however, he had learned the Ponca language well enough to converse with members of the tribe without an interpreter.
Dorsey returned to Maryland and engaged in parish work while continuing his studies of Siouan languages. His linguistic talents and knowledge of these languages attracted the attention of Major John Wesley Powell. Powell arranged for Dorsey to work among the Omaha in Nebraska from 1878 to 1880 to collect linguistic and ethnological notes. When the Bureau of American Ethnology (BAE) was established in 1879, Powell recruited Dorsey to join the staff.
As an ethnologist for the BAE, Dorsey continued his research on Siouan tribes. His studies focused on languages but also included Siouan personal names, folklore, social organization, religion, beliefs, and customs. He conducted fieldwork among the Tutelo at Six Nations on Grand River in Upper Canada (1882); the Kansa, Osage, and Quapaw in Indian Territory (1883-1884); the Biloxi at Lecompte, Rapides Parish, Louisiana (1892); and again with the Quapaw at the Quapaw Mission (1894). He also worked with Native Americans that visited DC, including George Bushotter (Teton), Philip Longtail (Winnebago), Samuel Fremont (Omaha), and Little Standing Buffalo (Ponca). He also spent time at Siletz Reservation in 1884 to collect linguistic notes on the Athapascan, Kusan, Takilman, and Yakonan stocks.
In addition to his research, Dorsey helped found the American Folklore Society and served as the first vice-president of the association. He also served as vice-president of Section H of the American Association for the Advancement of Science.
At the age of 47, Dorsey died of typhoid fever on February 4, 1895.
Sources Consulted
1st-16th Annual Reports of the Bureau of American Ethnology. 1881-1897.
Hewitt, J.N.B. 1895. "James Owen Dorsey" American Anthropologist A8, 180-183.
McGee, W.J. 1895. "In Memoriam." Journal of American Folklore 8(28): 79-80.
1848 -- Born on October 31 in Baltimore, Maryland.
1871 -- Ordained a deacon of the Protestant Episcopal Church.
1871-1873 -- Served as a missionary among the Ponca in Dakota Territory.
1878-1880 -- Conducted fieldwork among the Omaha in Nebraska.
1879 -- Joined the staff of the Bureau of American Ethnology.
1882 -- Conducted fieldwork among the Tutelo at Six Nations on Grand River in Upper Canada.
1883-1884 -- Conducted fieldwork among the Kansa, Osage, and Quapaw in Indian Territory.
1887 -- Worked with George Bushotter to record information regarding the language and culture of the Dakota.
1884 -- Conducted fieldwork at Siletz Reservation.
1892 -- Conducted fieldwork among the Biloxi at Lecompte, Rapides Parish, Louisiana.
1894 -- Conducted fieldwork among the Quapaw at the Quapaw Mission in Indian Territory.
1895 -- Died of typhoid fever on February 4th at the age of 47.
Restrictions:
The James O. Dorsey Papers are open for research. Access to the James O. Dorsey Papers requires an appointment
Rights:
Contact the repository for terms of use.
Topic:
Language and languages -- Documentation Search this
Manuscript 4800 James O. Dorsey papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
Creation of this finding aid was funded through support from the Arcadia Fund.
Digitization and preparation of additional materials for online access has been funded also by the National Science Foundation under BCS Grant No. 1561167 and the Recovering Voices initiative at the Smithsonian's National Museum of Natural History.
This collection contains all 20 original folios of Thomas Loraine Mckenney and James Hall's History of the Indian Tribes of North America, with biographical sketches and anecdotes of the principal chiefs. The folios were published and sent to subscribers between 1836-1844 and include 120 hand-colored lithographic plates. As Superintendent of Indian Affairs from 1824-1830, McKenney commissioned and collected portraits of Native American leaders, the majority painted by Charles Bird King. These portraits, along with biographical text by James Hall, form the basis of History of the Indian Tribes of North America.
Scope and Contents:
This collection includes all 20 folios of Thomas Loraine Mckenney and James Hall's History of the Indian Tribes of North America, with biographical sketches and anecdotes of the principal chiefs in their original wrappers. Each folio includes six hand-colored lithographic plates along with biographical essays on Native American leaders, both men and women, from the early 19th century.
Native Communities represented in these volumes include—Sauk, Meskwaki (Fox), Shawnee, Osage, Anishinaabe (Chippewa/Ojibwa), Mississippi Choctaw, Mdewakantonwan Dakota (Mdewakanton Sioux), Eastern Band of Cherokee, Ho-Chunk (Winnebago), Oto, Seneca, Chaticks Si Chaticks (Pawnee), Yanktonnai Nakota, Muskogee (Creek), Omaha, Iowa, Sac and Fox (Sauk and Fox), Oklahoma Cherokee, Lenape (Delaware), Numakiki (Mandan), Euchee (Yuchi), Potawatomi, Seminole, Mohawk, Menominee (Menomini), Quatsino Kwakwaka'wakw, Odawa (Ottawa), Pikuni (Piegan) [Blackfeet Nation, Browning, Montana], Powhatan, Kaw (Kansa).
The lithographs were cataloged individually with P (print) numbers P27694-P27813, though not physically separated from their volumes.
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research.
Arrangement:
Arranged by foilio number.
Biographical / Historical:
Thomas Loraine McKenney was born in 1785 to a family of Quakers in Hopewell, Maryland. Following the abolition of the U.S. Indian Trade program in 1822, McKenney (1785-1859) was appointed to the new position of Superintendent of Indian Affairs, which he held from 1824-1830. During his time as Superintendent of Indian trade in Georgetown, McKenney hired the painter Charles Bird King and began developing a governmental collection of portraits of prominent Native chiefs and elders who visited Washington. Between 1821-1842, King painted over 100 portraits with some assistance from friend and student George Cook.
Following his dismissal from the War Department by President Andrew Jackson in 1830, McKenney moved to Philadelphia to begin the process of getting his collection of portraits reproduced as lithographs with original hand coloring. The publication would document the extensive collection of King paints, many of which were later lost in a fire that destroyed part of the Smithsonian castle in January 1865.
This process was aided by Edward C. Biddle, a Philadelphia printer, who published the first volume (parts 1-6) in 1836 of what would be a three-volume set of 20 folios. James Hall (1793-1868), a judge and known writer, was hired to write text based on McKenney's research. Later parts were published between 1836-1844 by Frederick W. Greenough (parts 7-13), J.T. Bowen (part 14), and by Daniel Rice and James G. Clark (15-20). Several octavo editions were later published.
Provenance:
Provenance is unknown, part of the Museum of the American Indian, Heye Foundation collection when the MAI became the NMAI in 1989.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Identification of specific item; Date (if known); McKenney and Hall's History of the Indian Tribes of North America folios and lithographs image #, NMAI.AC.115; National Museum of the American Indian Archives Center, Smithsonian Institution.
Portraits of Native Americans made by Charles Milton Bell in his Washington, DC studio. Depicted individuals include Red Cloud, Oglala; Spotted Tail, Brule; Quanah Parker, Comanche; Nawat, Arapaho; Scabby Bull, Arapaho; Wolf Robe, Cheyenne; D. W. Bushyhead, Cherokee; John Jumper, Seminole; Plenty Coups, Crow; Rushing Bear, Arikara; Gall, Hunkpapa; John Grass, Sihasapa; Lean Wolf, Hidatsa; Chief Joseph, Nez Perce; and Lone Wolf, Kiowa; as well as people associated with Pawnee Bill's Wild West Show. The collection also includes copies of some images by other photographers, including G. G. Rockwood and F. T. Cummins.
Biographical/Historical note:
Charles Milton Bell (circa 1849-1893) was the youngest member of a family of photographers that operated a studio in Washington, DC, from around 1860-1874. Bell established his own studio on Pennsylvania Avenue in 1873 and it rapidly became one of the leading photography studios in the city. Bell developed the patronage of Ferdinand Vandeveer Hayden, who sent Native American visitors to the studio to have their portraits made. Bell also made photographs of Native Americans for the Department of the Interior and the Bureau of American Ethnology.
Local Call Number(s):
NAA Photo Lot 80, NAA MS 4661
Location of Other Archival Materials:
Copy prints previously filed in MS 4661 have been relocated and merged with Photo Lot 80. These are also copy prints of Bell negatives that were acquired from Boyce and form part of this collection.
Additional C. M. Bell photographs held in National Anthropological Archives Photo Lot 4420, Photo Lot 24, Photo Lot 60, Photo Lot 81-44, Photo lot 87-2P, and Photo Lot 90-1.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Indians of North America -- Southern states Search this
Eastern Band of Cherokee Indians of North Carolina
Date:
1932-1958
Summary:
These are the papers of Washington, D.C. attorney James E. Curry, whose legal career included work both as a government attorney and in his own private practice. The bulk of the papers reflect his private practice in the area of Indian affairs.
Scope and Contents:
The material in the collection includes documents relating to many aspects of Curry's career but most of it relates to his work with Indian tribes and the National Congress of American Indians. For the most, the collection is made up of such materials as letters exchanged with government officials, Indians, and other attorneys; copies of legal documents; published government documents; notes; and clippings and other printed materials. Of particular significance is a subject file relating to Indian affairs. It includes material concerning affairs of Alaskan natives and the Aleut (Akutan, Pribilof Islands), Apache (including Fort Sill, Jicarilla, Mescalero, San Carlos White Mountain), Arapaho (Southern), Assiniboine (Fort Belknap, Fort Peck), Bannock (including Fort Hall), Blackfeet, Caddo, Catawba, Cherokee (Eastern), Cheyenne (Northern, Southern), Chickahominy, Chickasaw, Chippewa (including Lac Courte Oreilles), Choctaw, Cochiti, Cocopa, Coeur d'Alene, Colville, Comanche, Creek, Croatan, Crow, Dakota (Big Foot, Cheyenne River, Crow Creek, Devil's Lake, Flandreau, Fort Totten, Lower Brule, Mdewakanton, Oglala, Rosebud, Santee, Sisseton-Wahpeton, Standing Rock, Yankton), Delaware, Eskimo (including Gambell, Kiana), Flathead, Fox, Haida (including Kasaan), Havasupai, Hopi, Iroquois (Caughnawaga, Seneca, St. Regis), Isleta, Jemez, Kalilspel, Kansa (Kaw), Kickapoo, Kiowa, Klamath, Kutenai, Laguna, Lummi, Maricopa (Gila River, Salt River), Menominee, Missouria, Mohave (Fort Mohave), Mohave Apache (Fort McDowell), Muckleshoot, Navaho, Nez Perce, Niska, Nooksak, Omaha, Osage, Oto, Papago, Paiute (Fallon, Fort McDermitt), Moapa, Pyramid Lake, Shivwits, Walker River, Yerington), Pima (Gila River, Salt River), Potowatomi, Quinaielt, San Felipe, San Ildefonso, San Juan, Santa Ana, Santa Clara, Sandia, Sauk, Seminole (Florida, Oklahoma), Seneca, Seri, Shawnee (Eastern), Shoshoni (including Fort Hall), Sia, Spokan, Stockbridge, Taos (Pyote clan), Tesuque, Three Affiliated Tribes (Mandan, Arikara, and Hidatsa), Tillamook, Tlingit (including Angoon, Craig, Juneau, Kake, Ketchikan, Klawak, Klukwan, Taku, Wrangell), Tsimshian (Metlakatla), Umatilla, Ute (including Uintah-Ouray), Walapai, Washo, Wesort, Winnebago, Wyandot, Yakima, Yaqui, Yavapai, Yuma, and Zuni. There are also materials relating to Curry's work with the Bureau of Indian Affairs and National Congress of American Indians, and material that reflects his interest in conditions and events in given locations (often filed by state) and in organizations with interest in Indians. The material relating to Curry's work in Puerto Rico has been deposited in the Archivo General de Puerto Rico, Instituto de Cultura Puertorriquena, in San Juan.
Arrangement note:
The James E. Curry Papershave been arranged into 6 series: (1) Daily Chronological Files, 1941-1955; (2) Subject Files Regarding Indian Affairs, bulk 1935-1955; (3) Miscellaneous Files Regarding Indian Affairs, bulk 1947-1953; (4) Non-Indian Affairs, n.d.; (5) Puerto Rico Work, 1941-1947; (6) Miscellany, undated.
Biographical/Historical note:
James E. Curry was trained in law in Chicago and practiced in that city from 1930 until 1936, serving part of that time as secretary of the local branch of the American Civil Liberties Union. From 1936 to 1938, he was an attorney with the United States Department of the Interior Bureau of Indian Affairs, being largely involved with matters of credit affecting Indians. From 1938 to 1942, he continued service with the Interior Department but worked in several capacities involving the Puerto Rico Reconstruction Administration, the department's Consumers' Counsel Division, and the Puerto Rico Water Resources Authority.
In 1945, Curry returned to Washington and set up private practice, also maintaining for a time an office in Puerto Rico. In Washington, he became the attorney for the National Congress of American Indians and from that time until the 1950s his practice increasingly involved representation of American Indian tribes, mostly in claims against the federal government. In this work, for a time, he was involved in business relations with a New York Law firm that included Henry Cohen, Felix Cohen, and Jonathan Bingham.
He also often worked closely with lawyers who lived near the tribes he represented, William L. Paul, Jr., of Alaska, for example. This aspect of his practice--representing Indian tribes--was largely broken up during the early 1950s when the Commissioner of Indian Affairs began to use his powers to disapprove contracts between Curry and the tribes. In 1952 and 1953, his official relationship with the National Congress of American Indians was also ended. After this, while Curry continued until his death to act as a consultant in Indian claims with which he had earlier been involved, his career and life developed in a different direction.
Related Materials:
Additional material relating to James E. Curry can be found in the records of the National Congress of American Indians, also located at the National Museum of the American Indian Archive Center.
Provenance:
The Curry papers were originally donated to the National Anthropological Archives by James E. Curry's daughter Mrs. Aileen Curry-Cloonan in December 1973. In 2007 The Curry papers were transferred from the National Anthropological Archives to the National Museum of the American Indian Archive Center along with several other records concerning American Indian law and political rights.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Genre/Form:
Notes
Letters
Clippings
Legal documents
Citation:
Identification of specific item; Date (if known); James E. Curry papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Original title: "Aboriginal Goegraphic Terms, Chiefly River Names." tTitle and title page in handwriting of A.S. Gatschet. Intended by Morgan as supplement No. 3 to "Houses and House Life of the American Aborigines," Controbutions to North American Ethnology, Volume IV, (1881) but never printed. Marginal notes are in the handwriting of J. Owen Dorsey (in pencil and red crayon) and James Mooney (in pencil).
The Robert Rankin papers, 1886, 1914, 1956-2011, document his field work, research, and professional activities, primarily in relation to his work studying American Indian languages. Rankin was professor of linguistics at the University of Kansas from 1969 until his retirement in 2005. The collection consists of sound recordings, field notebooks, vocabulary lists and bibliographies, dictionaries, research files, slip files, word lists, correspondence, ephemera, notes, readings and reprints, writings, drafts, and teaching materials. This includes materials from Rankin's work with the last native speakers of the Quapaw and Kaw (Kansa, Kanza) languages and subsequent research, writings, and collaborations with tribes and fellow linguists.
Scope and Contents:
The Robert Rankin papers, 1886, 1914, 1956-2011, document his field work, research, and professional activities, primarily in relation to his work studying American Indian languages. The collection includes sound recordings, field notebooks, vocabulary lists and bibliographies, dictionaries, research files, slip files, word lists, correspondence, ephemera, notes, readings and reprints, writings, drafts, and teaching materials.
The 196 sound recordings include material from Rankin's work with the last native speakers of both the Quapaw and Kaw (Kansa, Kanza) languages. The collection includes extensive research on these languages along with research on other facets of the Siouan language family. Rankin's close collaboration with colleagues and tribes is well documented, especially his work with linguists John E. Koontz and W.L. Ballard, as well as his contributions to language documentation efforts including the Handbook of North American Indians, the Annotated Dictionary of Kaw (Kanza), and the Comparative Siouan Dictionary. The collection also includes sound recordings and notes from Rankin's study of the Romanian language as part of his graduate study.
Arrangement:
The Robert Rankin papers are arranged in 9 series: Series 1. Quapaw, 1972-1991, undated; Series 2. Kaw (Kansa, Kanza), circa 1970-2011, undated; Series 3. Field notebooks, 1981-1983, 1995, undated; Series 4. Subject and correspondence files, 1886, 1956-2007, undated; Series 5. Conferences and professional associations, 1974-2010; Series 6. Writings, 1975-2010, undated; Series 7. Teaching and academic files, 1973-2006, undated; Series 8. Romanian study, 1914, 1962-1972, undated; Series 9. Sound recordings, 1963-1987, undated.
Biographical Note:
Chronology
1939 -- Born January 17
1960 -- Graduated from Emory University with a B.A. in Romance Languages
1966-1968 -- Fulbright Fellowship in Romania researching Romanian dialects
1968 -- M.A. in Linguistics, University of Chicago
1969 -- Started at the University of Kansas as an Acting Assistant Professor of Linguistics
1972 -- Ph.D. in Linguistics, University of Chicago
1972 -- Became an Assistant Professor of Linguistics at the University of Kansas
1973 -- Language work with the Quapaw
1973-1974 -- Began work with the Kaw (Kansa, Kanza) language that continued for the rest of his life
1986 -- Became a Professor of Linguistics at the University of Kansas
2005 -- Retired from the University of Kansas
2014 -- Died on February 24
Robert Rankin was a professor of linguistics at the University of Kansas who spent the majority of his career working with American Indian languages in the Siouan language family. He began his career studying romance languages as part of his undergraduate and graduate work and completed a Fulbright Fellowship in Romania (1966-1968) examining regional linguistic differences. He began teaching at the University of Kansas in 1969 and was introducted to the Choctaw language in Summer 1972 while teaching a field methods course. He became fascinated with American Indian languages and started working with the remaining native speakers of the Quapaw tribe in early 1973. When there were no more native speakers left, he started working with the Kaw (Kansa, Kanza) language. When he began this research in 1973-1974, there were only four fluent speakers of Kaw (Kansa, Kanza) left. He continued studying the language until well after his retirement from the University of Kansas in 2005. Rankin died on February 24, 2014 in Kansas City, MO.
Sources consulted: "Robert L. Rankin obituary," Lawrence Journal-World, March 1-5, 2014 http://obituaries.ljworld.com/obituaries/ljworld/obituary.aspx?pid=169905179
Provenance:
This collection was transferred to the National Anthropological Archives by Robert Rankin's wife, Carolyn Rankin, in 2014.
Restrictions:
The Robert Rankin papers are open for research.
Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Computer disks are currently restricted due to preservation concerns.
Access to the Robert Rankin papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Indians of North America -- Southern states Search this
Indians of North America -- Great Plains Search this
Language and languages -- Documentation Search this
Genre/Form:
Sound recordings
Field notes
Citation:
Robert Rankin papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
Funding for the processing of this collection was provided by the Wenner-Gren Foundation.
Digitization and preparation of sound recordings for online access has been funded through generous support from the Arcadia Fund.
MS 933-b Biloxi vocabulary with some cognate forms in Catawba, Santee, Yankton and Teton Dakota, Hidatsa, Kansa and Tutelo In Department of the Interior schedule
Creator:
Gatschet, Albert S. (Albert Samuel), 1832-1907 Search this
173 entries in printed U. S. Geographical and Geological Survey "Comparative Vocabulary" form. Corrections of entries 92 and 93 by J. Owen Dorsey.
Local Numbers:
NAA MS 933-b
Local Note:
Autograph document signed
General:
Previously titled"Biloxi vocabulary (collected October - November, 1886) with some cognate forms in Catawba, Santee, Yankton and Teton Dakota, Hidatsa, Kansa and Tutelo."
Topic:
Language and languages -- Documentation Search this
Indians of North America -- Southwest, New Search this
Indians of North America -- California Search this
Type:
Collection descriptions
Archival materials
Date:
undated
Scope and Contents:
On cards compiled from information furnished in reply to letters of inquiry. The information is secondary and lacks documentation. Terms of the following languages are thought to be included: Achomawi, Alibamu, Arikara, Athapascan, Blackfoot, Catawba, Choctaw, Copehan, Creek, Dakota, Hitchiti, Hopi, Iowa, Kansa, Klikitat, Mandan, Muskhogean, Niuskoki, Nez Perce, Omaha, Osage, Oto, Paiute, Pawnee, Piman, Ponka, Quapaw, Santee, Seminole, Shahaptian, Shoshone, Teton, Washakie, Winnebago, Ute, Yankton.
Manuscript 4800 James O. Dorsey papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
Creation of this finding aid was funded through support from the Arcadia Fund.
Digitization and preparation of additional materials for online access has been funded also by the National Science Foundation under BCS Grant No. 1561167 and the Recovering Voices initiative at the Smithsonian's National Museum of Natural History.
Indians of North America -- Great Plains Search this
Type:
Archival materials
Drawings (visual works)
Ledger drawings
Date:
ca. 1882
Scope and Contents:
Pencil and water color drawings by Stephen Stubbs. Includes 3 pages of notes by Dorsey. All of the drawings are on one leaf, with two on the recto and on verso. It is not clear why each drawing was inventoried separately. Depicts battles between the Kansas and Cheyennes, and six painted tipis with buffalo robes nearby.
Local Numbers:
NAA MS.4800: (3.2.2) [248, part]
NAA INV.08724501
NAA INV.08724502
NAA INV.08724600
Local Note:
Old number 1466 (part).
Album Information:
MS 4800-248-Stubbs
Related Materials:
See also "Pahaule-gagli drawing of battle ca. 1868 between Kansas and Cheyennes at near Fort Larned, Kansas," part of Manuscript 4800 Dorsey Papers: Kansa (3.2.2) [248]
Collection Restrictions:
The James O. Dorsey Papers are open for research. Access to the James O. Dorsey Papers requires an appointment
Manuscript 4800 James O. Dorsey papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
Creation of this finding aid was funded through support from the Arcadia Fund.
Digitization and preparation of additional materials for online access has been funded also by the National Science Foundation under BCS Grant No. 1561167 and the Recovering Voices initiative at the Smithsonian's National Museum of Natural History.
Northern Tsitsistas (Northern Cheyenne) Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Photographs
Place:
Fort Laramie (Wyo.)
Kansas
Washington (D.C.)
Date:
1866-1868
Summary:
Alexander Gardner (1821-1882) was a photographer best known for his portraits of President Abraham Lincoln, his American Civil War photographs, and his photographs of American Indian delegations. This collection contains 61 albumen prints that were shot by Gardner circa 1866-1868 and held in General William T. Sherman's personal collection. Photographs depict American Indian tribes and Peace Commissioners involved in the 1868 Fort Laramie Treaty; photographs shot along the Union Pacific Railway, Eastern Division in 1867; and photographs of American Indian delegations visiting Washington, D. C. from 1866-1868.
Scope and Contents:
This collection contains 61 albumen prints that were shot by photographer Alexander Gardner circa 1866-1868 and held in General William T. Sherman's personal collection. Among the photographs are depictions that were shot in and around Fort Laramie, Wyoming during the 1868 peace treaty negotiations between the U.S. Government and tribal leaders from several American Indian Northern Plains tribes including Lakota (Teton/Western Sioux), Apsáalooke (Crow/Absaroke), Northern Tsitsistas (Northern Cheyenne), and Northern Inunaina (Northern Arapaho); survey photographs shot in Kansas in 1867 for the Union Pacific Railway, Eastern Division (later renamed the Kansas Pacific Railway); and portraits of American Indian delegates in Washington, D.C. including Dakota (Eastern Sioux), Kaw (Kansa), Lakota (Teton/Western Sioux), and Sac and Fox (Sauk & Fox) tribes, 1866-1868. Some of the photographs in this collection, particularly those in Series 2, may have been shot by photographers working with Gardner such as Dr. William A. Bell (1841-1921), William Redish Pywell, and Lawrence Gardner (Alexander Gardner's son).
Arrangement:
This collection is intellectually arranged in three series. Series 1: Fort Laramie, Wyoming, Series 2: Kansas Pacific Railroad, Series 3: Portraits of American Indian delegates, Washington, D.C.
The photographs are physically arranged in eight boxes according to the following: size, conservation work, and series. Within each box they are arranged by photo number. The photographs in boxes 1-4 had conservation work performed by a photo conservator in 2014.
Biographical / Historical:
Alexander Gardner (1821-1882) was a photographer best known for his portraits of President Abraham Lincoln, his American Civil War photographs, and his photographs of American Indian delegations.
Gardner was born in Paisley, Scotland on October 17, 1821 to James Gardner and Jean Glenn. He worked in a number of positions including as a jeweler, journalist, and editor before entering the field of photography circa 1855.
In 1856, Gardner immigrated to the United States with his wife Margaret Sinclair Gardner, his son Lawrence Gardner, and his daughter Eliza Gardner and later that year he began working as a photographer in Mathew Brady's gallery in New York. While working for Brady, it is thought that Gardner invented the "imperial print," a large photograph printed on approximately 21 x 17 inch paper that was often enhanced with hand-coloring and ink. Wealthy politicians and businessmen were among the clients who sat for their photographic portraits in the Brady studio and paid as much as $50- $500 per imperial print (today the equivalent of about $1,000 to 10,000).
By 1858, Gardner was managing Brady's gallery at 352 Pennsylvania Avenue in Washington, D.C. When the U.S. Civil War broke out in 1861, Gardner was part of Brady's photography team that documented battle aftermaths and military campsites for the Union. Gardner left the Brady studio circa late 1862 and established his own studio in Washington, D.C. where he continued photographing the war along with his brother James Gardner, and other former Brady photographers including Timothy O'Sullivan.
During the war he documented the remnants of important battle scenes including the Battle of Antietam (1862) and the Battle of Gettysburg (1863). Gardner published 100 of his Civil War images in the publication Gardner's Photographic Sketchbook of the War. The two volume work included photographs shot by additional photographers including O'Sullivan and John Reekie.
In addition to war photography, Gardner was also a portrait photographer and photographed many civilians, soldiers, and politicians in Washington, D.C. Between the years 1861-1865, Gardner photographed President Abraham Lincoln on seven different occasions, including both inaugurations, as well as studio portrait sittings. On July 7, 1865, Gardner was the only photographer allowed to photograph the execution of four conspirators in the President Lincoln assassination.
In 1866, Gardner along with Antonio Zeno Shindler and Julian Vannerson were contracted to photograph portraits of American Indian delegates visiting Washington, D.C. Between the years 1866 to 1868, Gardner photographed many tribes in his studio including Iowa, Sac and Fox, Kaw (Kansa), Dakota, and Lakota. In 1868, Gardner was hired by the U.S. Government to serve as photographer for the peace talks that took place in Fort Laramie, Wyoming. During this trip, Gardner photographed the Lakota (Sioux), Apsáalooke (Crow/Absaroke), Northern Tsitsistas (Northern Cheyenne), and Northern Inunaina (Northern Arapaho) tribes. Among the government officials at Fort Laramie that Gardner photographed was General William Tecumseh Sherman (1820-1891). Sherman served as a General for the Union Army during the Civil War and later in 1869 became the Commanding General of the U.S. Army under President Ulysses Grant's administration. A member of the Peace Commission established in 1867, Sherman traveled to negotiate treaties with American Indian Plains tribes.
Upon returning to Washington, D.C., Gardner published a set of his Fort Laramie photographs in the publication, Scenes in Indian Country. Members of the Peace Commission were given photo portfolios and it is believed that the photos in this collection may have been from General Sherman's personal set. Gardner went on to become the official photographer for the Office of Indian Affairs in 1872.
In his later years, Gardner also was involved in philanthropic causes, such as helping to establish the Masonic Mutual Relief Association which aided widows and orphans of Master Masons. He also founded the Saint John's Mite Association which provided aid to the poor in Washington, D.C.
Alexander Gardner died in Washington, D.C. in 1882.
Related Materials:
Alexander Gardner photographs are housed in many archival and museum repositories. Photographs from the Scenes in Indian Country series are also held in the Newberry Library in Chicago, the Missouri Historical Society, the Minnesota Historical Society, and the St. Louis Mercantile Library in Missouri.
Provenance:
The photographs in this collection were originally owned by General William Tecumseh Sherman (1820-1891) and may have been part of a portfolio of photographs that Alexander Gardner gifted to Sherman and other Fort Laramie Treaty peace commissioners. Photographs were then donated to the Museum of the American Indian (MAI) by Sherman's son P(hilemon) Tecumseh Sherman (1867-1941) in May 1932 and by Sherman's granddaughter Eleanor Sherman Fitch (1876-1959) in March 1942.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Some images restricted: Cultural Sensitivity
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Indians of North America -- Great Plains Search this
Genre/Form:
Photographs
Citation:
Identification of specific item; Date (if known); William T. Sherman collection of Alexander Gardner photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
This series contains 20 albumen prints shot by Alexander Gardner that depict studio portraits of American Indian delegates, interpreters, agents, and commissioners in Washington, D.C. from 1866-1868. The images include delegates from the Dakota (Eastern Sioux), Kaw (Kansa), Lakota (Teton/Western Sioux), and Sac and Fox (Sauk & Fox) tribes. Most American Indians are dressed in traditional clothing, however some are dressed in non-traditional outfits. One photograph of note is image P10142, which was shot by Gardner on February 23, 1867 and depicts American Indian delegates posing outside the White House in Washington, D.C. with President Andrew Johnson (1808-1875), Commissioner Lewis Bogy (1813-1877), and Secretary of the Interior Orville H. Browning (1806-1881). Delegates in this photo include individuals from the Ihanktonwan Nakota (Yankton Sioux), Dakota (Eastern Sioux), Santee, Upper Missouri Sioux, Sac and Fox (Sauk & Fox), Anishinaabe (Chippewa/Ojibwa), Ottawa, Kickapoo, and Miami tribes.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Some images restricted: Cultural Sensitivity
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); William T. Sherman collection of Alexander Gardner photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
Seven Kaw delegates in traditional clothing. In the back row from left to right they are: Kahtega (son of Wahtiangah), possibly No-pa-wy (Nohaway), unidentified, unidentified, and Wahtiangah. In the front row from left to right they are: unidentified, unidentified, and Allegawaho.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Some images restricted: Cultural Sensitivity
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); William T. Sherman collection of Alexander Gardner photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Some images restricted: Cultural Sensitivity
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); William T. Sherman collection of Alexander Gardner photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Some images restricted: Cultural Sensitivity
Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); William T. Sherman collection of Alexander Gardner photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
Photo Lot 4420, William Henry Jackson photograph albums based on his Descriptive Catalogue of Photographs of North American Indians, National Anthropological Archives, Smithsonian Institution
Ourdoor portrait of Princess Atalie Unkalunt (Oklahoma Cherokee), soprano, shaking hands with Charles Curtis (Kaw), Vice President for Herbert Hoover, on steps of a building while holding a bouquet of roses, possibly in Washngton, DC.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Photographs of Princess Atalie Unkalunt collection, Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Photographs of Princess Atalie Unkalunt collection, Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
