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Dore Ashton papers, circa 1928-2014

Creator:
Ashton, Dore, 1928-2017  Search this
Subject:
Adley, James  Search this
Adams, Pat  Search this
Albers, Josef  Search this
Albee, Edward  Search this
Hiss, Alger  Search this
Howes, Barbara  Search this
Guston, Philip  Search this
Hellman, Lillian  Search this
Lindner, Richard  Search this
Malamud, Bernard  Search this
Kaprow, Allan  Search this
Licht, Fred  Search this
Moy, Seong  Search this
Mumford, Lewis  Search this
Miró, Joan  Search this
Motherwell, Robert  Search this
Tobey, Mark  Search this
Tworkov, Jack  Search this
Vasilikos, Vasilēs  Search this
Yunkers, Adja  Search this
Reuterswärd, Carl Fredrik  Search this
Sterne, Hedda  Search this
Tinguely, Jean  Search this
Borges, Jacopo Luis  Search this
Congdon, Dennis  Search this
Herbert, George  Search this
Oldenburg, Claes  Search this
Giacometti, Alberto  Search this
Guidieri, Remo  Search this
Diebenkorn, Richard  Search this
Driskell, David C.  Search this
Berthot, Jake  Search this
Cornell, Joseph  Search this
Arnheim, Rudolf  Search this
Avedon, Richard  Search this
Cooper Union for the Advancement of Science and Art  Search this
New School for Social Research (New York, N.Y.)  Search this
Yale University  Search this
Type:
Diaries
Photographs
Sketchbooks
Transcripts
Citation:
Dore Ashton papers, circa 1928-2014. Archives of American Art, Smithsonian Institution.
Topic:
Women art critics  Search this
Women art historians  Search this
Women authors  Search this
Women educators  Search this
Art criticism  Search this
Art, Modern  Search this
Art -- Study and teaching  Search this
Artists -- United States  Search this
Theme:
Women  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)5858
(DSI-AAA_SIRISBib)208698
AAA_collcode_ashtdore
Theme:
Women
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208698
Online Media:

Michael Loew papers, 1930-1997

Creator:
Loew, Michael, 1907-1985  Search this
Subject:
Albers, Josef  Search this
Jensen, Alfred  Search this
Kahn, Louis I.  Search this
Kaprow, Allan  Search this
McNeil, George  Search this
McPherson, Sarah Freedman  Search this
Schempp, Theodore  Search this
Schnitzler, Max  Search this
De Kooning, Willem  Search this
Slivka, Rose  Search this
De Kooning, Elaine  Search this
Dehner, Dorothy  Search this
De Kooning, Willem  Search this
Gottlieb, Adolph  Search this
Hasen, Burt  Search this
Johnson, Philip  Search this
Kent, Rockwell  Search this
Lahey, Richard  Search this
McDarrah, Fred W.  Search this
Morris, George L. K.  Search this
Odets, Clifford  Search this
Siskind, Aaron  Search this
Marilyn Pearl Gallery  Search this
Landmark Gallery (New York, N.Y.)  Search this
Federation of Modern Painters and Sculptors  Search this
Holland-Goldowsky Gallery  Search this
United States. Work Projects Administration  Search this
University of California, Berkeley  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Citation:
Michael Loew papers, 1930-1997. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9162
(DSI-AAA_SIRISBib)211356
AAA_collcode_loewmich
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211356

Joan Kron papers, 1959-1971

Creator:
Kron, Joan  Search this
Subject:
Watts, Robert M.  Search this
Venturi, Robert  Search this
Dine, Jim  Search this
Christo  Search this
Segal, George  Search this
Paik, Nam June  Search this
Lichtenstein, Roy  Search this
Sabol, Audrey  Search this
Rosenberg, Karl  Search this
Saint-Phalle, Niki de  Search this
Turner, Evan H.  Search this
Tinguely, Jean  Search this
Indiana, Robert  Search this
Hendricks, Geoffrey  Search this
Kaprow, Allan  Search this
Oldenburg, Claes  Search this
Johnson, Ray  Search this
Klüver, Billy  Search this
Maitin, Sam  Search this
Young Men's and Young Women's Hebrew Association of Philadelphia. Arts Council  Search this
Beautiful Bag Co. (Philadelphia,Pa.)  Search this
Type:
Video recordings
Drawings
Sound recordings
Citation:
Joan Kron papers, 1959-1971. Archives of American Art, Smithsonian Institution.
Topic:
Curators -- Pennsylvania -- Philadelphia  Search this
Pop art  Search this
Wearable art United States  Search this
Industrial design  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)5587
(DSI-AAA_SIRISBib)211919
AAA_collcode_kronjoan
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211919
Online Media:

Fidel Danieli papers, 1962-1987

Creator:
Danieli, Fidel, 1938-1988  Search this
Subject:
Saar, Betye  Search this
Rosenthal, Rachel  Search this
Smith, Alexis  Search this
Pettibone, Richard  Search this
McLaughlin, John  Search this
Plagens, Peter  Search this
Pettibone, Shirley  Search this
Krasnow, Peter  Search this
Almaraz, Carlos  Search this
Lloyd, Gary  Search this
Langsner, Jules  Search this
Bell, Larry  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Feitelson, Lorser  Search this
Delano, Annita  Search this
Berman, Wallace  Search this
Brigante, Nicholas P.  Search this
Bettelheim, Judith  Search this
Kaprow, Allan  Search this
Graham, Robert  Search this
Flavin, Dan  Search this
Type:
Sound recordings
Photographs
Interviews
Citation:
Fidel Danieli papers, 1962-1987. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Painting, Modern -- 20th century -- California -- Los Angeles  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)10221
(DSI-AAA_SIRISBib)213297
AAA_collcode_danifide
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213297
Online Media:

John Held papers relating to mail art, 1947-2018, bulk 1973-2013

Creator:
Held, John, 1947-  Search this
Subject:
Cavellini, Guglielmo Achille  Search this
Durland, Steve  Search this
Summers, Rod  Search this
Brown, Jean  Search this
Cage, John  Search this
Bloch, Mark  Search this
Braumuller, Hans  Search this
Andre, Carl  Search this
Ackerman, Blaster Al  Search this
Cohen, Ryosuke  Search this
Leigh, Michael  Search this
Shimamoto, Shozo  Search this
Greenberg, Clement  Search this
Kaprow, Allan  Search this
Johnson, Ray  Search this
Janssen, Ruud  Search this
Higgins, Dick  Search this
Gaglione, Bill  Search this
Gutai Bijutsu Kyōkai  Search this
San Francisco Art Institute  Search this
Type:
Diaries
Interviews
Citation:
John Held papers relating to mail art, 1947-2018, bulk 1973-2013. Archives of American Art, Smithsonian Institution.
Topic:
Mail art  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6273
(DSI-AAA_SIRISBib)216618
AAA_collcode_heldjohn
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216618
Online Media:

Caroline Lerner Goldsmith papers relating to Allan Kaprow, 1963-1984

Creator:
Goldsmith, Caroline Lerner, 1925-2004  Search this
Subject:
Segal, George  Search this
Kaprow, Allan  Search this
Citation:
Caroline Lerner Goldsmith papers relating to Allan Kaprow, 1963-1984. Archives of American Art, Smithsonian Institution.
Topic:
Pop art  Search this
Happenings (Art)  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6316
(DSI-AAA_SIRISBib)224549
AAA_collcode_goldcaro
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_224549

Ted and Joan Wilentz collection of Fluxus-related materials, 1963-1983

Creator:
Wilentz, Ted, 1915-2001  Search this
Wilentz, Joan  Search this
Subject:
Kaprow, Allan  Search this
Higgins, Dick  Search this
Johnson, Ray  Search this
Kostelanetz, Richard  Search this
Citation:
Ted and Joan Wilentz collection of Fluxus-related materials, 1963-1983. Archives of American Art, Smithsonian Institution.
Topic:
Fluxus (Group of artists)  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6318
(DSI-AAA_SIRISBib)224932
AAA_collcode_wileted
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_224932

Max Kozloff papers, circa 1950-2015

Creator:
Kozloff, Max, 1933-  Search this
Subject:
Sontag, Susan  Search this
Schapiro, Miriam  Search this
Antin, David  Search this
Johns, Jasper  Search this
Ashton, Dore  Search this
Leider, Philip  Search this
Kaprow, Allan  Search this
Nochlin, Linda  Search this
Motherwell, Robert  Search this
Type:
Interviews
Citation:
Max Kozloff papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.
Topic:
Art criticism -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)16326
(DSI-AAA_SIRISBib)379669
AAA_collcode_kozlmax
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_379669
Online Media:

Kaprow, Allan

Collection Creator:
Richenburg, Robert  Search this
Container:
Box 2, Folder 45
Type:
Archival materials
Date:
1966
Collection Restrictions:
Use of original material requires an appointment. Use of audiovisual material with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Richenburg papers, circa 1910s-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Richenburg papers
Robert Richenburg papers / Series 3: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw938f08baa-ec6d-4b4b-8836-1acb7a1fe1bb
EDAN-URL:
ead_component:sova-aaa-richrobe-ref179

Oral history interview with Peter Agostini

Interviewee:
Agostini, Peter  Search this
Interviewer:
Roberts, Colette, 1910-  Search this
Names:
Columbia University -- Faculty  Search this
United States. Works Progress Administration  Search this
Bontecou, Lee, 1931-  Search this
Chamberlain, John, 1927-2011  Search this
Chryssa, 1933-2013  Search this
Cornell, Joseph  Search this
Cézanne, Paul, 1839-1906  Search this
De Chirico, Giorgio, 1888-  Search this
De Kooning, Willem, 1904-1997  Search this
Demuth, Charles, 1883-1935  Search this
Di Suvero, Mark, 1933-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dubuffet, Jean, 1901-1985  Search this
Duchamp, Marcel, 1887-1968  Search this
Ferber, Herbert, 1906-1991  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Giacometti, Alberto, 1901-1966  Search this
Greenberg, Clement, 1909-1994  Search this
Hague, Raoul, 1905-1993  Search this
Hare, David, 1917-1992  Search this
Hartley, Marsden, 1877-1943  Search this
Hopper, Edward, 1882-1967  Search this
Judd, Donald, 1928-1994  Search this
Kaprow, Allan  Search this
Kienholz, Edward, 1927-  Search this
Kline, Franz, 1910-1962  Search this
Kohn, Gabriel, 1910-1975  Search this
Kolbe, Georg, 1877-1947  Search this
La Tour, Onya, 1896-1976  Search this
Lachaise, Gaston, 1882-1935  Search this
Lassaw, Ibram, 1913-2003  Search this
Lippold, Richard, 1915-2002  Search this
Lipton, Seymour, 1903-1986  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Maillol, Aristide, 1861-1944  Search this
Manship, Paul, 1885-1966  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Marin, John, 1870-1953  Search this
Marisol, 1930-2016  Search this
Matisse, Henri, 1869-1954  Search this
Melville, Herman, 1819-1891  Search this
Mondrian, Piet, 1872-1944  Search this
Morris, Robert, 1931-2018  Search this
Nakian, Reuben, 1897-1986  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Oldenburg, Claes, 1929-  Search this
Poe, Edgar Allan, 1809-1849  Search this
Pollock, Jackson, 1912-1956  Search this
Pompon, François, 1855-1933  Search this
Reinhardt, Ad, 1913-1967  Search this
Rivera, Diego, 1886-1957  Search this
Roszak, Theodore, 1907-1981  Search this
Rothko, Mark, 1903-1970  Search this
Samaras, Lucas, 1936-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Segal, George, 1924-2000  Search this
Sheeler, Charles, 1883-1965  Search this
Smith, David, 1906-1965  Search this
Smith, Tony, 1912-1980  Search this
Spaventa, George, 1918-  Search this
Stankiewicz, Richard, 1922-1983  Search this
Sugarman, George, 1912-1999  Search this
Tobey, Mark  Search this
Whitman, Walt, 1819-1892  Search this
Zorach, William, 1887-1966  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1968
Scope and Contents:
An interview of Peter Agostini conducted in 1968, by Colette Roberts, for the Archives of American Art at 151 Avenue B, New York, New York.
Mr. Agostini speaks of his childhood spent living throughout the five boroughs of New York; his interactions with clients of his father's acting employment agency; his early education in Catholic school and the creative freedom allotted by the nuns; his first feelings of isolation as an artist at the age of seven; the development of a sense of communication as the result of the loss of his mother at the age of three and time spent at a school for orphans; his early realization and vision of artistic destiny; his religious interests which lead to mysticism in his earlier work; his time spent working freely in the DaVinci Studio with Spaventa; the discovery by Hess of his works in Gallerie Grimaud; his attainment of the Longview Grant; his working experience throughout the Depression as part of the WPA casting plaster mannequins while working indirectly with Pollack as well as Marca Relli; his subsequent move to designing department store windows (use of Mondrian-like forms and lines); his feelings of his position as an observer; the importance of communication through art (communication without words); his rejection of the Abstract Expressionist group and choice of independence; the influence of the sculpture of Kolbe and Bache in the thirties; Clement Greenberg's distaste for his work; his feelings about the relative failure to sell his work due its unusual edginess and mystery; his role in the introduction of the work of contemporary European artists (Chausserian, Gauthier, Modrian) to the American group; his description of his own work as "traditionless"; his feelings of self-importance as one of the most original sculptors in the art world; his influence on the younger generation, particularly Marisol; the enslavement to originality that the younger generation faces; his attitudes towards American Art forms and their lack of rebellious spirit; the virtues of the American writers, such as Poe, Whitman, and Melville as American "knapsack" writers; his personal technique which places an emphasis on the "skin" or volume of something; his attempt to create quiet art, or art that merely indicates features; his frustration with teaching and the problems of regurgitated knowledge; the role of Meyer Shapiro in his teaching career at Columbia; the formation of the Club and its similarity to the Cubist's café scene; his opinions on the relationship of sex and sensuality in American art; his personal struggles, including the loss of his second wife and two of his brothers, in addition to the estrangement of his only daughter by his first wife; his feelings on the role of psycho analysis and personal history in a work of art; his present works which feature the "swell." For the majority of the second half of the interview Ms. Roberts asks Mr. Agostini to express his opinions on the work of: Kline; DeKooning; Duchamp; Oldenburg; La Tour; DeChirico; Maillol; Pompon; Rothko; Chardin; Cezanne; Giacometti; Reinhardt; Chryssa; Tony Smith; Segal; Lachaise; Zorach; Manship; Flannagan; Kelly; Lassaw; David Smith; Hare; Lipton; Ferber; Lippold; Roszak; Nakian; Noguchi; Hague; Kohn; di Suvero; Chamberlain; Kaprow; Sugarman; Stankiewicz; Bontecou; Scarpitta; Cornell; Keinholz; Rivera; Judd; Robert Morris; O'Keeffe; Samaras; Mark Tobey; Marin; Pollock; Hartley; Dove; Macdonald-Wright; Demuth; Sheeler; Hopper; Mirot; Matisse; DuBuffet.
Biographical / Historical:
Peter Agostini (1913-1993) was a sculptor from New York, New York.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 28 digital wav files. Duration is 10 hrs., 37 min.
Transferred from 4 3" reels.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.agosti68
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94f33a1ab-e475-4a6f-8b0b-f9822b288239
EDAN-URL:
ead_collection:sova-aaa-agosti68
Online Media:

Michael Loew papers

Creator:
Loew, Michael, 1907-1985  Search this
Names:
Federation of Modern Painters and Sculptors  Search this
Holland-Goldowsky Gallery  Search this
Landmark Gallery (New York, N.Y.)  Search this
Marilyn Pearl Gallery  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
United States. Work Projects Administration  Search this
University of California, Berkeley  Search this
Albers, Josef  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
De Kooning, Willem, 1904-1997 -- Photographs  Search this
Dehner, Dorothy, 1901-1994  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hasen, Burt  Search this
Jensen, Alfred, 1903-1981  Search this
Johnson, Philip, 1906-2005  Search this
Kahn, Louis I., 1901-1974  Search this
Kaprow, Allan  Search this
Kent, Rockwell, 1882-1971  Search this
Lahey, Richard, b. 1893  Search this
McDarrah, Fred W., 1926-2007  Search this
McNeil, George, 1908-1995  Search this
McPherson, Sarah Freedman, 1895-1978  Search this
Morris, George L. K., 1905-1975  Search this
Odets, Clifford, 1906-1963  Search this
Schempp, Theodore  Search this
Schnitzler, Max, 1903-  Search this
Siskind, Aaron  Search this
Slivka, Rose  Search this
Extent:
1.8 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1930-1997
Scope and Contents:
Biographical material, correspondence, notes, writings, photographs, business and financial records, works of art, and printed material document the career of painter and educator Michael Loew.
REEL N68-94: Biographical material, 1957-1967, includes 5 biographical sketches, a bibliography of Loew's publications, and an artist's statement. Correspondence, 1935-1968, is with colleagues, galleries, and educational institutions. There are one or two letters each from colleagues Josef Albers, Willem de Kooning, Adolph Gottlieb, Philip Johnson, Richard Lahey, George L.K. Morris, and Clifford Odets. Nine letters relate to Loew's work for the U.S. Works Progress Administration and the New York World's Fair. Writings, 1966, consist of several drafts for essay "Is It the Function of the Artist to Communicate with his Audience." A contract, 1938, is between Loew and Willem de Kooning and the New York World's Fair 1939 Inc. Printed material, 1944-1968, consists of exhibition announcements and catalogs. Photographs, 1960-1964, are of Loew and his art works. Notes consist of 2 undated notebooks and a typescript concerning Josef Albers. A scrapbook, 1938-1965, contains 4 photographs of art works, clippings, and exhibition announcements and catalogs.
REEL 5053: Correspondence, 1944-1990, is with galleries, including the Holland-Goldowsky Gallery, educational institutions, including the University of California at Berkeley, and colleagues including Dorothy Dehner, Burt Hasen, and Aaron Siskind. Correspondence, 1956-1957, with Rockwell Kent concerns the rental of Kent's Monhegan Island cabin. One letter, 1959, includes 3 photographs of Loew, Louis Kahn, Allan Kaprow, and George McNeil. Lecture notes are for an Artists Equity symposium, 1956, and a panel discussion on painting, 1968. Writings, 1968-1979, consist of 3 essays by Loew and tributes written to Sarah Freedman McPherson by Loew and others. Printed material, 1932-1992, consists of clippings, exhibition announcements and catalogs, and a book "The Artist's World" by Fred W. McDarrah. Photographs, 1930-1979, are of Loew, his friends, and his art works. One photograph is of Alfred Jensen, Theodore Schempp, Max Schnitzler, and Loew in Tunis, 1930.
UNMICROFILMED Biographical material incudes curriculum vita, obituaries, and birth announcements of Jonathan Loew, Michael Loew's son. Correspondence is with Willem and Elaine de Kooning. Writings include notes and a transcription of Loew's 1966 MoMA talk Must the Artist Communicate with his Audience, drafts of an article by Loew regarding Joseph Albers NEA and Guggenheim grant applications. Photographs are of Loew, his artwork, and his travels in Mexico as well as a color photograph of Loew and Willem de Kooning in de Kooning's studio taken by Rose Slivka. Artwork includes original off-prints for book covers. Business files relate to the 1939 World's Fair mural commission and include information about gifts of artwork to museums. Financial material includes a sales record book and records of sales with the Marilyn Pearl and Landmark galleries. Also included are literature and directories from the Federation of Modern Painters & Sculptors, exhibition announcements,and newspaper clippings.
Biographical / Historical:
Born in New York City, Michael Loew (1907-1985) studied at the Art Students League from 1926-1929, Academie Scandinave in Paris from 1929-1930, the Hans Hofmann School of Fine Art from 1947-1949, and at the Atelier Fernand Leger from 1949-1950. Loew worked as a stained glass artist from 1926 to 1929, and painted murals with Willem de Kooning for the New York World's Fair of 1939. Between 1956 and 1966, he taught painting at the Portland (Oregon) Art Museum, University of California at Berkeley, and at the School of Visual Arts in New York.
Provenance:
Material on reel N68-94 lent for microfilming 1968 by Michael Loew; approximately 50 letters and an artists' statement were later received in subsequent donations. Additional papers were donated in 1981-1982 by Loew, and in 1994 and 2008 by his widow, Mildred C. Loew, a portion of which was microfilmed on reel 5053. The photograph of Loew and de Kooning taken by Rose Slivka was donated by Loew's niece, Jackie Cohen, in 2007.
Restrictions:
Microfilmed portion must be accessed on film. Use of original papers requires an appointment.
Occupation:
Painters  Search this
Art teachers  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Identifier:
AAA.loewmich
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e3d9b795-510f-41a5-8709-a30f19d5425a
EDAN-URL:
ead_collection:sova-aaa-loewmich

Dore Ashton papers

Creator:
Ashton, Dore  Search this
Names:
Cooper Union for the Advancement of Science and Art -- Faculty  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Yale University -- Faculty  Search this
Adams, Pat, 1928-  Search this
Adley, James, 1931-  Search this
Albee, Edward, 1928-  Search this
Albers, Josef  Search this
Arnheim, Rudolf  Search this
Avedon, Richard  Search this
Berthot, Jake, 1939-  Search this
Borges, Jacopo Luis  Search this
Congdon, Dennis  Search this
Cornell, Joseph  Search this
Diebenkorn, Richard, 1922-1993  Search this
Driskell, David C.  Search this
Giacometti, Alberto, 1901-1966  Search this
Guidieri, Remo  Search this
Guston, Philip, 1913-1980  Search this
Hellman, Lillian, 1905-1984  Search this
Herbert, George  Search this
Hiss, Alger  Search this
Howes, Barbara  Search this
Kaprow, Allan  Search this
Licht, Fred, 1928-  Search this
Lindner, Richard, 1901-1978  Search this
Malamud, Bernard  Search this
Miró, Joan, 1893-  Search this
Motherwell, Robert  Search this
Moy, Seong  Search this
Mumford, Lewis, 1895-1990  Search this
Oldenburg, Claes, 1929-  Search this
Reuterswärd, Carl Fredrik, 1934-  Search this
Sterne, Hedda, 1910-  Search this
Tinguely, Jean, 1925-  Search this
Tobey, Mark  Search this
Tworkov, Jack  Search this
Vasilikos, Vasilēs, 1934-  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
35.6 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Photographs
Sketchbooks
Transcripts
Date:
circa 1928-2014
1849
Summary:
The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material.
Scope and Contents:
The papers of Dore Ashton measure 35.6 linear feet and date from circa 1928-2014, with one letter in the Joseph Cornell subject file dating from 1849. The records document Dore Ashton's career as an art critic, historian and educator, with particular depth for the period of 1952 through 1990. The collection contains a small amount of biographical material, as well as correspondence, writings, subject files, printed materials, artwork, and reference photographs of artworks. An addition to the Dore Ashton papers includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material.

The bulk of the collection consists of correspondence with many artists, writers and others, including Pat Adams, James Adley, Rudolf Arnheim, Jake Berthot, Dennis Congdon, George Herbert, Remo Guidieri, Barbara Howes, Fred Licht, Joan Punyet Miro, Carl Fredrik Reuterswärd, and Hedda Sterne, among others. Smaller amounts of letters are from Joseph Albers, Edward Albee, Richard Avedon, Richard Diebenkorn, David Driskell, Alberto Giacometti, Philip Guston, Lillian Hellman, Alger Hiss, Bernard Malamud, Joan Miro, Robert Motherwell, Lewis Mumford, Claes Oldenburg, and Vassilis Vassilikos.

Writings consist of transcripts of miscellaneous articles or those written for various publications. Research files include reference or research materials for books, exhibitions, individuals and various topics. Individuals and topics include Jacopo Luis Borges, Allan Kaprow, Richard Lindner, Seong Moy, Jean Tinguely, Mark Tobey, Jack Tworkov, Adja Yunkers; and Dadaism, poetry and symbolism.

The addition to the Dore Ashton papers (Series 8) includes biographical material, correspondence, writings, writing project and subject files, teaching files, printed material, artwork and sketchbooks, and photographic material. Writings make up a significant part of the addition and contain hundreds of manuscripts, as well as lectures, notes, sixty notebooks, ten diaries, and writings by others. Writing project and subject files comprise over half of the addition and encompass a large collection of alphabetical files pertaining to artists, actors, writers, thinkers, and collaborators; work projects including writings, exhibitions, panels, symposia, and lecture series; as well as various other subjects and topics. The addition also contains teaching files related to Ashton's positions at the Cooper Union, the New School for Social Research, and Yale University. The photographic material in this series is also abundant and contains hundreds of original photographs of Ashton throughout all stages of her life, many with friends and family.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Biographical Materials, 1962-1978

Series 2: Correspondence, 1945-2010, undated

Series 3: Writings, 1952-1976, undated

Series 4: Research files, 1849, 1950-1984, 2009, undated

Series 5: Printed Materials, 1931-1981, undated

Series 6: Artwork, 1949, 1952, 1983, undated

Series 7: Photographs of Artwork, circa 1950-2010

Series 8: Addition to the Dore Ashton Papers, circa 1928-2013
Biographical / Historical:
Dore Ashton (1928-) is an art critic, author, and educator living in New York City. She wrote, contributed , and edited more than 30 books. Ashton was born in Newark New Jersey in 1928 and received an MA from Harvard University in 1950. Her many books and articles focus on late 19th and 20th century art and artists. Ashton was associate editor at Art Digest from 1952-1954, and critic for Arts and Architecture at the New York Times, 1955-1960. Starting in 1962 she held several lecturing posts at various institutions including the School of Visual Arts, Cooper Union, and the New School for Social Research. She was awarded a Guggenheim fellowship in 1964 and a National Endowment for the Humanities grant in 1980. Among Ashton's books are Abstract Art Before Columbus, 1956; Poets and the Past, 1959; A Joseph Cornell Album, 1974; Yes, But…A Critical Study of Philip Guston, 1976, About Rothko, 1983; The New York School: a Cultural Reckoning, 1973; Noguchi East and West, 1992; and David Rankin: The New York Years, 2013. Dore Ashton was the first critic to develop a comprehensive and eye-witness account of the history of the Abstract Expressions.

Ashton married artist Adja Yunkers (1900-1983) in 1953, and they had two daughters Alexandra (known as Sasha) and Marina. In 1985 she married writer Matti Megged (1923-2003).
Related Materials:
Among the holdings of the Archives is an oral history interview with Dore Ashton conducted November 21, 2010 by George W. Sampson, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts Project.

Dore Ashton papers are also located at Emory University Manuscript, Archives, and Rare Book Library.
Provenance:
The Dore Ashton papers were donated to the Archives of American Art by Dore Ashton May 27, 1982, May 8, 1997, June 2, 2011, and March, 25, 2016.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Women art critics  Search this
Women art historians  Search this
Women authors  Search this
Women educators  Search this
Art criticism  Search this
Art, Modern  Search this
Art -- Study and teaching  Search this
Artists -- United States  Search this
Genre/Form:
Diaries
Photographs
Sketchbooks
Transcripts
Citation:
Dore Ashton papers, 1849, circa 1928-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ashtdore
See more items in:
Dore Ashton papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96b23d022-d02d-4a06-ba62-e34c59ad25ae
EDAN-URL:
ead_collection:sova-aaa-ashtdore
Online Media:

Oral history interview with Mary Frank

Interviewee:
Frank, Mary, 1933-  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
Martha Graham Dance Company  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Queens College (New York, N.Y.)  Search this
Zabriskie Gallery  Search this
Cadmus, Paul, 1904-1999  Search this
De Kooning, Willem, 1904-1997  Search this
Kaprow, Allan  Search this
Nakian, Reuben, 1897-1986  Search this
Snyder, Joan, 1940-  Search this
Extent:
8 Items (Sound recording: 8 memory cards (6 hr., 43 min.), secure digital, 1.25 in.)
135 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2010 Jan. 10- Feb. 3
Scope and Contents:
An interview interview with Mary Frank conducted 2010 Jan. 10, 11, and Feb. 3, by Judith Olch Richards, for the Archives of American Art, at Frank's home and studio, in New York, N.Y.
Ms. Frank speaks of her childhood in England and her evacuation to Brooklyn during WWII; her initial intention of becoming a professional dancer and studying with the Martha Graham Dance Company; her marriage and travels with photographer Robert Frank; the difficulties of women teaching art; teaching methods; her time at The New School and Queens College; western and non-Western influences; mushroom hunting; solar cookers; her works in clay, sculpture, painting, drawing, monoprint, and triptych installations; her relationships with the galleries Zabriskie, Midtown Payton and DC Moore; Frank also recalls Willem de Kooning, Ruben Nakian, Allan Kaprow, Marjorie Ponce Israel, Joe Chaikin, Paul Cadmus, Henrietta Mantooth Bagley, Joan Snyder, Elanor Munro, Jean-Louise Bourgeois, and others.
Biographical / Historical:
Interviewee Mary Frank (1933- ) is a figurative sculptor and painter in New York, N.Y. She is married to musicologist Leo Treitler. Interviewer Judith Olch Richards (1947- ) is former Executive director of iCI in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- New York (State) -- New York  Search this
Ceramicists -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Women artists  Search this
Women painters  Search this
Women ceramicists  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.frank10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw908cff2b8-513d-4494-b12b-b5fbfbfea826
EDAN-URL:
ead_collection:sova-aaa-frank10
Online Media:

Oral history interview with Alison Knowles

Interviewee:
Knowles, Alison, 1933-  Search this
Interviewer:
Richards, Judith Olch  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
California Institute of the Arts -- Faculty  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Middlebury College -- Students  Search this
Pratt Institute. Art School -- Students  Search this
Albers, Josef  Search this
Brecht, George  Search this
Callahan, Harry M.  Search this
Chicago, Judy, 1939-  Search this
De Kooning, Willem, 1904-1997  Search this
Duchamp, Marcel, 1887-1968  Search this
Gordon, Coco, 1938-  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hamilton, Richard, 1922-  Search this
Hendricks, Jon  Search this
Higgins, Dick, 1938-1998  Search this
Johnson, Ray, 1927-1995  Search this
Jones, Joe, 1909-1963  Search this
Kaprow, Allan  Search this
Kuehn, Kathy  Search this
Lauf, Cornelia  Search this
Lindner, Richard, 1901-1978  Search this
Mac Low, Jackson  Search this
Maciunas, George, 1931-1978  Search this
Moorman, Charlotte  Search this
Ono, Yōko  Search this
Paik, Nam June, 1932-  Search this
Pollock, Jackson, 1912-1956  Search this
Rauschenberg, Robert, 1925-2008  Search this
Saito, Takako, 1929-  Search this
Schapiro, Miriam, 1923-2015  Search this
Schneemann, Carolee, 1939-  Search this
Schöning, Klaus  Search this
Shiomi, Mieko, 1909-1948  Search this
Silverman, Gilbert  Search this
Spoerri, Daniel, 1930-  Search this
Teitelbaum, Richard  Search this
Tenney, James  Search this
Waśko, Ryszard  Search this
Extent:
86 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 June 1-2
Scope and Contents:
An interview of Alison Knowles conducted 2010 June 1-2, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts Project, at Knowles' home and studio, in New York, N.Y.
Knowles speaks of her family background; her father's (an English professor) influence on her education; her love of nature and isolation as a young girl; her French studies at Middlebury College; her transfer to Pratt Institute to study art; the social and academic environment at Pratt; her inclinations towards abstraction; her first marriage to Jim Ericson; her first studio at 423 Broadway; her early jobs as a commercial artist; her first gallery show at Nonagon, in 1958, and how she subsequently burned the paintings in that show; her second marriage to Dick Higgins in 1960; her Judson Gallery Show in 1962 and how she subsequently discarded those works; her involvement in the Fluxus group; her involvement with the "Cage class," and its early performances; her collaboration with John Cage on the book, "Notations" (1968); her collaboration with Marcel Duchamp on a print (1967); the circumstances surrounding her performance piece, "Make a Salad" (1962), her travels through Europe with Higgins; the birth of her twins; her computerized poetic piece and installation, "House of Dust" (1967) and how it was later vandalized; her move to Los Angeles to teach at CalArts; the rebuilding of "House of Dust" at CalArts; her move back to New York; the processes leading up to several projects and collaborations including "Loose Pages," "Big Book," "Bread and Water," and more; where she finds her inspiration; her thoughts on performance art; her studio environment in Barrytown, N.Y.; the influence and support of Germany on her work and Fluxus in general; her recent work, including "Identical Lunch"; and current challenges she faces as an artist.
She recalls Richard Lindner, Adolph Gottlieb, Willem de Kooning, Jackson Pollock, Judy Chicago, Josef Albers, Dorothy Podber, Ray Johnson, Dick Higgins, Robert Rauschenberg, John Cage, Klaus Schöning, Jon Hendricks, Gilbert Silverman, George Maciunas, George Brecht, Jack Mac Low, Yoko Ono, Mieko Shiomi, Takako Saito, Joe Jones, Marcel Duchamp, Daniel Spoerri, Richard Hamilton, Nam June Paik, Charlotte Moorman, Helmut Becker, Coco Gordon, Jim Tenney, Cornelia Lauf, Rirkrit Tirvanija, Allan Kaprow, Simone Forte, Carolee Schneemann, Richard Teitelbaum, Miriam Schapiro, Miguel Abrau, James Fuentes, Cyrilla Wozenter, Kathy Kuehn, Ryszard Wasko.
Biographical / Historical:
Alison Knowles (1933- ) is an artist and a founding member of Fluxus in New York, N.Y. Judith Olch Richards (1947- ) is a former director of iCI in New York, N.Y.
General:
Originally recorded on 5 mini discs. Duration is 5 hr., 45 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Conceptual artists -- New York (State) -- New York  Search this
Topic:
Fluxus (Group of artists)  Search this
Women artists  Search this
Women performance artists  Search this
Performance art  Search this
Function:
Artists' studios
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.knowle10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98f89c1d9-b4ed-49cb-8fac-4f5e5dedfa4e
EDAN-URL:
ead_collection:sova-aaa-knowle10
Online Media:

John Held papers relating to mail art

Creator:
Held, John, 1947-  Search this
Names:
Gutai Bijutsu Kyōkai  Search this
San Francisco Art Institute  Search this
Ackerman, Blaster Al, 1939-2013  Search this
Andre, Carl, 1935-  Search this
Bloch, Mark, 1956-  Search this
Braumuller, Hans, 1966-  Search this
Brown, Jean, 1911-1994  Search this
Cavellini, Guglielmo Achille, 1914-  Search this
Cohen, Ryosuke, 1948-  Search this
Durland, Steve  Search this
Gaglione, Bill  Search this
Higgins, Dick, 1938-  Search this
Janssen, Ruud, 1959-  Search this
Kaprow, Allan  Search this
Leigh, Michael  Search this
Shimamoto, Shozo, 1928-  Search this
Summers, Rod  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Greenberg, Clement, 1909-1994  Search this
Johnson, Ray, 1927-  Search this
Extent:
12.9 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Interviews
Date:
bulk 1973-2013
1947-2018
Summary:
The papers of rubberstamp and artistamp artist, performance artist, collector of mail art, and fine arts librarian John Held, Jr. date from 1947-2018, bulk 1973-2013, and measure 12.9 linear feet. Found within the papers are biographical material, 18 printed diaries, letters received by Held from mail artists around the world, art work consisting of artistamps designed by miscellaneous mail artists, interview transcripts, writings, project and event files, printed material, mail art sent for the Gutai Historical Survey Exhibition held at the San Francisco Art Institute in 2013, and a collection of biographical material presented by Held at a Mail Art Study Day held at the Archives of American Art in 2018.
Scope and Content Note:
The papers of rubberstamp and artistamp artist, performance artist, collector of mail art, and fine arts librarian John Held, Jr. date from 1947-2018, bulk 1973-2013, and measure 12.9 linear feet. Found within the papers are biographical material, 18 printed diaries, letters received by Held from mail artists around the world, art work consisting of artistamps designed by miscellaneous mail artists, interview transcripts, writings, project and event files, printed material, and mail art sent for the Gutai Historical Survey Exhibition held at the San Francisco Art Institute in 2013.

Scattered biographical material consists primarily of miscellanous biographical writings and accounts. Eighteen printed diaries provide very brief descriptions of daily activities and more detailed descriptions of art mail events, conferences, and travel experiences.

Letters comprise the largest and most significant series in the collection. Letters received by John Held, Jr. are from an extensive number of national and international mail artists, including Mark Bloch, Hans Braumüller, Jean Brown, William Gaglione (a.k.a. Picasso Gaglione), Dick Higgins, Ray Johnson, Shozo Shimamoto, Ryosuke Cohen, Michael Leigh, Guglielmo Cavellini, and Rod Summers. There are also scattered letters from Carl Andre and Clement Greenberg, typescripts of letters sent by Held, and a file of letters exchanged with Steve Durland.

There are twelve folders of artistamps, non-official or pseudo-postage stamps designed by miscellaneous participants in the international mail art network.

Transcripts are of interviews conducted by John Held, Jr. with some of the more notable artists involved with the mail art movement including Al Ackerman, John Cage, Ray Johnson, and Allan Kaprow. There are also interviews with John Held, Jr., William (Picasso) Gaglione, and Milan Knizak, including an interview with Held conducted by Ruud Janssen.

Extensive writings by John Held, Jr. consist of catalog essays, miscellaneous essays, bibliographies, miscellaneous box set texts, and miscellaneous typescripts. Project and event files concern miscellaneous projects, tours, lectures, and exhibitions with which John Held, Jr. was involved.

Printed material consists primarily of printouts of Bibliozone issues, a newsletter, exhibition catalogs, and press releases concerning mail art.

The Gutai exhibition project files include printed material related to the 2013 Experimental Exhibition of Modern Art to Challenge the mid-Winter Burning Sun: Gutai Historical Survey and Contemporary Response held at the San Francisco Art Institute. The bulk of the series consists of mail art created by over 135 artists who were asked to submit work inspired by Gutai and the artist Shozo Shimamoto.

The Mail Art Study Day Material consists of mostly biographical material regarding John Held, presented by him at the Archives of American Art's Mail Art Study Day on November 9, 2018. This assortment of largely printed material (news clippings, invitations, and programs) as well as select correspondence and photographs, each representing a year in the life of the artist, accompanied by a key for around 450 items dating from 1947-2018. They serve to document his career with regard to creating and disseminating Mail Art.
Arrangement:
The collection is arranged as 10 series:

Missing Title

Series 1: Biographical Material, 1990-1999 (5 folders; Box 1)

Series 2: Diaries, 1990-2000 (20 folders; Box 1)

Series 3: Letters, 1973-2008 (7.9 linear feet; Box 1-8, Box 12)

Series 4: Artwork, 1985-2007 (12 folders; Box 8)

Series 5: Interview Transcripts, 1977-1995 (7 folders; Box 8)

Series 6: Writings, 1984-2000 (0.5 linear feet; Box 8)

Series 7: Project and Event Files, 1982-2000 (11 folders; Box 8)

Series 8: Printed Material, 1989-2000 (11 folders; Box 8)

Series 9: Gutai Exhibition Project Files, 2012-2013 (Box 9-11, Box 13, OV 14)

Series 10: Mail Art Study Day Materials, 1947-2018 (Box 15)
Biographical Note:
John Held, Jr. (1947-) of San Francisco, California, is a rubberstamp and artistamp artist, participant in the international mail art network, activist, performance artist, collector of mail art, and a fine arts librarian.

Jonathan Held was born on April 2, 1947. In the mid-1970s he took the name of the early twentieth century illustrator, John Held, Jr., famous for his images of "flapper girls" in the 1920s. This name change was both in tribute to the older artist as well as an expression of Dada.

Earning a Bachelor's Degree in 1969, Held received a Master of Library Science Degree from Syracuse University School of Information Studies in 1972 and expanded his interests toward participating in the international mail art network and assembling one of the largest archives of mail art in the United States. He was mentored by mail artist Ray Johnson, and Jean Brown, a leading participant in Fluxus, whose interest in the Dada and Surrealism movements promoted emerging art forms including mail art, visual poetry, and artists' books.

From 1981 to 1995, Held was a Fine Arts Librarian at the Dallas Public Library. In 1982, he began making artistamps, pseudo-postage stamps used as an art medium, and opened the Modern Realism Gallery and Archive in Dallas, Texas, with his future wife Paula Barber. The gallery sought to preserve the record of contemporary avant-garde cultural activity.

Held published Mail Art: An Annotated Bibliography, a five-hundred page listing of secondary sources on the field in 1991. In 1996, Held moved to San Francisco, California, where he established the Modern Realism Gallery and acted as curator of the Stamp Art Gallery, an exhibition space devoted to rubberstamp and artistamp works.

John Held, Jr. has lectured at the Victoria and Albert Museum, London; the Museum of Fine Arts, Havana; and at the National School of Art, Prague. He participated in international exhibitions and, since 1986, engaged in international performance work, appearing in Japan, Russia, Uruguay, and Yugoslavia, as well as in the United States. One of Held's more notable performance creations is the Fake Picabia Brothers, in partnership with artist Picasso Gaglione.

John Held, Jr. lives in San Francisco, California.
Provenance:
John Held donated his papers relating to mail art in 1999, 2008, 2013, and 2018.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Mail artists -- California -- San Francisco  Search this
Performance artists -- California -- San Francisco  Search this
Librarians -- California -- San Francisco  Search this
Topic:
Mail art  Search this
Genre/Form:
Diaries
Interviews
Citation:
John Held papers relating to mail art, 1947-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.heldjohn
See more items in:
John Held papers relating to mail art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93dd2159c-b4cd-4edd-9e2f-9b0b78cc5bf6
EDAN-URL:
ead_collection:sova-aaa-heldjohn
Online Media:

Ted and Joan Wilentz collection of Fluxus-related materials

Creator:
Wilentz, Ted  Search this
Wilentz, Joan  Search this
Names:
Higgins, Dick, 1938-1998  Search this
Johnson, Ray, 1927-1995  Search this
Kaprow, Allan  Search this
Kostelanetz, Richard  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1963-1983
Scope and Contents:
56 items, almost entirely printed matter, consist of exhibition catalogues, announcements, books, pamphlets, newsletters, flyers, broadsides, calendar, prospectus cards, clippings, and posters generated by central and orbital figures associated with Fluxus: Allan Kaprow, Charlotte Moorman, Dick Higgins, Ray Johnson, George Maciunas, Peter Moore, and Richard Kostelanetz.
Biographical / Historical:
Wilentz was proprietor of the Eighth Street Bookshop; New York, N.Y.
Provenance:
Donated 2000 by Ted and Joan Wilentz. The papers arrived through Ted Wilentz's appraiser, William Morgan, who also signed the Deed of Gift.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Fluxus (Group of artists)  Search this
Identifier:
AAA.wileted
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c11b3c59-7c53-4147-afb1-83f2727c7ccb
EDAN-URL:
ead_collection:sova-aaa-wileted

Oral history interview with Al Hansen, 1973 November 6-13

Interviewee:
Hansen, Al, 1927-1995  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Brecht, George  Search this
Callahan, Harry M.  Search this
Dine, Jim  Search this
Dunn, Bob  Search this
Dunn, Judith  Search this
Eisenhauer, Lette  Search this
Goldfine, Pauline  Search this
Groth, John  Search this
Higgins, Dick  Search this
Kaprow, Allan  Search this
Karp, Ivan C.  Search this
Maciunas, George  Search this
Mac Low, Jackson  Search this
Marisol  Search this
McCarey, Don  Search this
Moorman, Charlotte  Search this
Müller, Jan  Search this
Nakian, Reuben  Search this
Oldenburg, Claes  Search this
Ortiz, Rafael Montanez  Search this
Paik, Nam June  Search this
Poons, Larry  Search this
Segal, George  Search this
Smith, Tony  Search this
Vostell, Wolf  Search this
Waring, James  Search this
Watts, Robert  Search this
Art Students League (New York, N.Y.)  Search this
New School for Social Research (New York, N.Y.)  Search this
Pratt Institute  Search this
Reuben Gallery  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Al Hansen, 1973 November 6-13. Archives of American Art, Smithsonian Institution.
Topic:
Fluxus (Group of artists)  Search this
Art, American  Search this
Art -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Artists -- New York (State) -- New York -- Interviews  Search this
Happenings (Art)  Search this
Record number:
(DSI-AAA_CollID)12668
(DSI-AAA_SIRISBib)212717
AAA_collcode_hansen73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212717

Oral history interview with George Segal, 1973 November 26

Interviewee:
Segal, George, 1924-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Baziotes, William  Search this
Bellamy, Richard  Search this
Delevante, Sidney  Search this
Kaprow, Allan  Search this
Richard Green Gallery (New York, N.Y.)  Search this
Hansa Gallery (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with George Segal, 1973 November 26. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Sculptors -- New Jersey -- Interviews  Search this
Art -- Philosophy  Search this
Record number:
(DSI-AAA_CollID)12613
(DSI-AAA_SIRISBib)213086
AAA_collcode_segal73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213086
Online Media:

Oral history interview with Ivan C. Karp, 1963 October 18

Interviewee:
Karp, Ivan C., 1926-2012  Search this
Interviewer:
Baker, Richard Brown, 1912-2002  Search this
Subject:
Kaprow, Allan  Search this
Leslie, Alan  Search this
Ting, Walasse  Search this
Müller, Jan  Search this
Benton, Thomas Hart  Search this
Avedisian, Edward  Search this
Segal, George  Search this
Rauschenberg, Robert  Search this
Bellamy, Richard  Search this
Stout, Myron  Search this
Stankiewicz, Richard  Search this
Wilson, Jane  Search this
Follett, Jean  Search this
Force, Miles  Search this
Hansa Gallery (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ivan C. Karp, 1963 October 18. Archives of American Art, Smithsonian Institution.
Topic:
Artist-run galleries -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)13094
(DSI-AAA_SIRISBib)215602
AAA_collcode_karp63
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215602

Oral history interview with Mary Frank, 2010 Jan. 10- Feb. 3

Interviewee:
Frank, Mary, 1933-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Subject:
Cadmus, Paul  Search this
De Kooning, Willem  Search this
Kaprow, Allan  Search this
Nakian, Reuben  Search this
Snyder, Joan  Search this
Martha Graham Dance Company  Search this
New School for Social Research (New York, N.Y.)  Search this
Queens College (New York, N.Y.)  Search this
Zabriskie Gallery  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Mary Frank, 2010 Jan. 10- Feb. 3. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Women artists  Search this
Women painters  Search this
Women ceramicists  Search this
Women sculptors  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15766
(DSI-AAA_SIRISBib)287546
AAA_collcode_frank10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_287546

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