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Interview with Rudy Autio, 1982 Aug. 3-1982 Aug. 8

Creator:
Autio, Rudy, 1926-2007  Search this
Kangas, Matthew  Search this
Type:
Sound recordings
Interviews
Citation:
Interview with Rudy Autio, 1982 Aug. 3-1982 Aug. 8. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7230
(DSI-AAA_SIRISBib)209370
AAA_collcode_autirudy
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209370

Oral history interview with Andrew Chinn, 1991 August 9

Interviewee:
Chinn, Andrew, 1915-1996  Search this
Subject:
Tobey, Mark  Search this
Chong, Fay  Search this
Kangas, Matthew  Search this
Chinese Art Club (Seattle, Wash.)  Search this
Northwest Asian American Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Andrew Chinn, 1991 August 9. Archives of American Art, Smithsonian Institution.
Topic:
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Chinese American art  Search this
Chinese American artists  Search this
Painting, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Theme:
Asian American  Search this
Record number:
(DSI-AAA_CollID)11841
(DSI-AAA_SIRISBib)214616
AAA_collcode_chinn91
Theme:
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214616
Online Media:

Oral history interview with Andrew Chinn

Interviewee:
Chinn, Andrew, 1915-1996  Search this
Names:
Chinese Art Club (Seattle, Wash.)  Search this
Northwest Asian American Project  Search this
Chong, Fay  Search this
Tobey, Mark  Search this
Interviewer:
Kangas, Matthew  Search this
Extent:
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 August 9
Scope and Contents:
An interview of Andrew Chinn conducted 1991 August 9, by Matthew Kangas, for the Archives of American Art Northwest Asian American Project.
Chinn speaks of his childhood; the formation of the Chinese Art Club in Seattle in the 1930s; exhibitions of his work in the 1940s; the Chinese and Western styles of his paintings; his teaching career; his friendship with Fay Chong; and his opinion of the Asian influence in Mark Tobey's work.
Biographical / Historical:
Andrew Chinn (1915-1995) was a Chinese American painter based in Seattle, Washington.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 46 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Washington (State) -- Seattle  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Chinese American art  Search this
Chinese American artists  Search this
Painting, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chinn91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw910a8e7cf-a1d4-4ccc-a382-0758dc65280c
EDAN-URL:
ead_collection:sova-aaa-chinn91
Online Media:

Interview with Rudy Autio

Creator:
Autio, Rudy, 1926-2007  Search this
Interviewer:
Kangas, Matthew  Search this
Extent:
1 Sound tape reel (Sound recording, 7 in.)
Type:
Collection descriptions
Archival materials
Sound tape reels
Sound recordings
Interviews
Date:
1982 Aug. 3-1982 Aug. 8
Scope and Contents:
An interview with Rudy Autio conducted 1982 August 3 and 8 by Matthew Arvid Kangas, at the University of Montana's School of Fine Arts.
Biographical / Historical:
Sculptor; Missoula, Montana.
Provenance:
Donated 1984 by Matthew Arvid Kangas.
Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Occupation:
Sculptors -- Montana  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.autirudy
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9254b26cb-84a2-4259-91e3-1348bafab20f
EDAN-URL:
ead_collection:sova-aaa-autirudy

Italo Scanga 1932-2001 by Matthew Kangas, with a foreword by Dale Chihuly

Author:
Kangas, Matthew  Search this
Writer of foreword:
Chihuly, Dale 1941-  Search this
Physical description:
159 pages illustrations
Type:
Books
Catalog
catalogs (documents)
Catalogs
Catalogues
Date:
2019
20th century
20e siècle
Topic:
Art, Modern  Search this
Art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1113296

Kangas, Matthew

Collection Creator:
Warashina, Patti, 1940-  Search this
Container:
Box 3, Folder 10
Type:
Archival materials
Date:
1980-1990, undated
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Patti Warashina papers, circa 1990-1991, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Patti Warashina papers
Patti Warashina papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f1f4ba42-2d2a-43c7-a7b8-760d77d4cd8e
EDAN-URL:
ead_component:sova-aaa-warapatt-ref25

Pepper, Beverly - Biographical Materials

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 61, Folder 36
Type:
Archival materials
Date:
1975, 1992-1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cec61759-0e88-4287-8858-77efd96179fe
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3054
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Interview with Rudy Autio

Creator:
Autio, Rudy, 1926-2007  Search this
Kangas, Matthew  Search this
Type:
Sound Recording
Date:
1982 August 3-August 8
Citation:
Rudy Autio and Matthew Kangas. Interview with Rudy Autio, 1982 August 3-August 8. Interview with Rudy Autio, 1982 Aug. 3-1982 Aug. 8. Archives of American Art, Smithsonian Institution.
Topic:
Ceramicists  Search this
Ceramics  Search this
Record number:
(DSI-AAA)16071
See more items in:
Interview with Rudy Autio, 1982 Aug. 3-1982 Aug. 8
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16071

Oral history interview with Boris Bally, 2009 May 26-27

Interviewee:
Bally, Boris, 1961-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Agro, Elisabeth R.  Search this
Ballay, Joe  Search this
Bonner, Jonathan  Search this
Cianci, Vincent Albert, Jr.  Search this
Dahm, Johanna  Search this
Ebendorf, Robert  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gialamas, Rosemary  Search this
Greenbaum, Toni  Search this
Holt, Steven  Search this
Ilse-Neuman, Ursula  Search this
Kangas, Matthew  Search this
Kington, L. Brent (Louis Brent)  Search this
Kowal, Dennis  Search this
Kumata, Carol  Search this
Künzli, Otto  Search this
Lechtzin, Stanley  Search this
Metcalf, Bruce  Search this
Nasher, Patsy  Search this
Nasher, Raymond  Search this
Raab, Rosanne  Search this
Schaffner, Alexander  Search this
Simon, Marjorie  Search this
Skov, Mara Holt  Search this
Warhola, Paul  Search this
Wood, Joe  Search this
Carnegie-Mellon University (Pittsburgh, Pennsylvania)  Search this
Snyderman Gallery  Search this
Comedy Central (Firm)  Search this
Massachusetts College of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Society of Arts and Crafts (Boston, Mass.)  Search this
Society of North American Goldsmiths  Search this
Tyler School of Art  Search this
Velvet da Vinci Gallery  Search this
Works Gallery  Search this
Type:
Interviews
Sound recordings
Place:
Haiti -- description and travel
Switzerland -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Boris Bally, 2009 May 26-27. Archives of American Art, Smithsonian Institution.
Topic:
Art and computers  Search this
Decorative arts  Search this
Designers -- Rhode Island -- Interviews  Search this
Jewelry making  Search this
Metal-workers -- Rhode Island -- Interviews  Search this
Models and modelmaking  Search this
Metal-work  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)15682
(DSI-AAA_SIRISBib)282774
AAA_collcode_bally09
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282774
Online Media:

David Groth / essay by Matthew Kangas ; Debbie Goodwin, exhibition curator

Author:
Groth, David  Search this
Kangas, Matthew  Search this
Goodwin, Debbie  Search this
Morris Graves Museum of Art  Search this
Subject:
Groth, David  Search this
Physical description:
21, [3] p. : chiefly col. ill. ; 28 cm
Type:
Exhibitions
Date:
2001
Topic:
Sculpture  Search this
Wood-carving  Search this
Call number:
NB1250 .G88 2001
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_909527

Shy boy, she devil, and Isis : the art of conceptual craft : selections from the Wornick Collection / Gerald W.R. Ward and Julie M. Muñiz ; with contributions by Kelly H. L'Ecuyer and Nonie Gadsden ; and an essay by Matthew Kangas

Title:
Art of conceptual craft
Author:
Ward, Gerald W. R  Search this
Muñiz, Julie M  Search this
L'Ecuyer, Kelly H  Search this
Gadsden, Nonie  Search this
Kangas, Matthew  Search this
Museum of Fine Arts, Boston  Search this
Subject:
Wornick, Ronald C. 1932- Art collections  Search this
Wornick, Anita L Art collections  Search this
Museum of Fine Arts, Boston  Search this
Physical description:
183 p. : col. ill. ; 25 x 30 cm
Type:
Exhibitions
Date:
2007
C2007
20th century
Topic:
Conceptual art  Search this
Decorative arts--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_903224

Robert Sperry : bright abyss / essay by Matthew Kangas

Author:
Kangas, Matthew  Search this
Subject:
Sperry, Robert 1927-1998  Search this
Physical description:
272 p. : ill. (chiefly col.), ports. ; 31 cm
Type:
Biography
Place:
United States
Date:
2008
C2008
20th century
Topic:
Potters  Search this
Pottery  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_914205

Shattered self : Northwest figurative ceramics / [Matthew Kangas, guest curator]

Author:
Kangas, Matthew  Search this
Society for Art in Crafts  Search this
Physical description:
27 p. : ill. (some col.) ; 24 cm
Type:
Exhibitions
Place:
Pacific States
Date:
1988
20th century
Topic:
Ceramic sculpture  Search this
Pottery, American  Search this
Call number:
NK4019 .S53 1988
NK4019.S53 1988
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_441130

Tales and traditions : storytelling in twentieth-century American craft / Lloyd E. Herman and Matthew Kangas ; introduction by John Perreault

Author:
Herman, Lloyd E  Search this
Kangas, Matthew  Search this
Craft Alliance Gallery  Search this
Washington University (Saint Louis, Mo.) Gallery of Art  Search this
Physical description:
94 p. : ill. (some col.) ; 28 cm
Type:
Exhibitions
Place:
United States
Date:
1993
C1993
20th century
Topic:
Decorative arts--History  Search this
Handicraft--History  Search this
Narrative art  Search this
Call number:
NK808 .H43t 1993
NK808.H43t 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_450016

Michael Lawson / by Matthew Kangas

Author:
Kangas, Matthew  Search this
Lawson, Michael 1944-  Search this
Whatcom Museum of History and Art  Search this
Subject:
Lawson, Michael 1944- Exhibitions  Search this
Physical description:
32 p. : ill. (some col.) ; 22 cm
Type:
Books
Date:
1993
C1993
Call number:
N40.1.L426 K3 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_495970

Richard Fairbanks : American potter / essay by Matthew Kangas ; selected writings by Richard Fairbanks

Author:
Fairbanks, Richard 1929-1989  Search this
Kangas, Matthew  Search this
Subject:
Fairbanks, Richard 1929-1989 Themes, motives  Search this
Physical description:
127 p. : ill. (some col.) ; 28 cm
Type:
Books
Date:
1993
C1993
20th century
Topic:
Pottery, American--Themes, motives  Search this
Call number:
NK4210.F16 K16 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_455884

Kangas, Matthew, Catalog for "Robert Sperry: A Retrospective,"

Collection Creator:
Sperry, Robert, 1927-1998  Search this
Container:
Box 5, Folder 16-17
Type:
Archival materials
Date:
1986
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Sperry papers, 1951-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Sperry papers
Robert Sperry papers / Series 6: Writings / 6.2: Writings by Others
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91b60bf06-1bba-420a-838c-90085c8c0adc
EDAN-URL:
ead_component:sova-aaa-sperrobe-ref291

Oral history interview with Boris Bally

Interviewee:
Bally, Boris  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Faculty  Search this
Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Students  Search this
Comedy Central (Firm)  Search this
Massachusetts College of Art -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Snyderman Gallery  Search this
Society of Arts and Crafts (Boston, Mass.)  Search this
Society of North American Goldsmiths  Search this
Tyler School of Art -- Students  Search this
Velvet da Vinci Gallery  Search this
Works Gallery  Search this
Agro, Elisabeth R.  Search this
Ballay, Joe, 1938-  Search this
Bonner, Jonathan, 1947-  Search this
Cianci, Vincent Albert, Jr., 1941-2016  Search this
Dahm, Johanna  Search this
Ebendorf, Robert, 1938-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gialamas, Rosemary, 1962-  Search this
Greenbaum, Toni  Search this
Holt, Steven, 1957-  Search this
Ilse-Neuman, Ursula  Search this
Kangas, Matthew  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Kowal, Dennis  Search this
Kumata, Carol  Search this
Künzli, Otto, 1948-  Search this
Lechtzin, Stanley, 1936-  Search this
Metcalf, Bruce, 1949-  Search this
Nasher, Patsy  Search this
Nasher, Raymond  Search this
Raab, Rosanne  Search this
Schaffner, Alexander  Search this
Simon, Marjorie  Search this
Skov, Mara Holt  Search this
Warhola, Paul  Search this
Wood, Joe, 1954-  Search this
Extent:
4 Sound discs (Sound recording (5 hr., 55 min.), digital)
109 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound discs
Pages
Interviews
Sound recordings
Place:
Haiti -- description and travel
Switzerland -- description and travel
Date:
2009 May 26-27
Scope and Contents:
An interview of Boris Bally conducted 2009 May 26-27, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Bally's home and studio, in Providence, Rhode Island.
The artists speaks of his current studio in Providence, Rhode Island; working without a studio assistant; the benefits of working with studio assistants without an art-school background; apprenticing with Swiss metalsmith Alexander Schaffner when Bally was 19; his own de facto apprenticeship program with his studio assistants; his parents as role models; his vision at age 19 for his career plan; his early interest in CAD; growing up with Swiss-born parents, both with art/design backgrounds; visiting Switzerland as a child; his father's studies with Buckminster Fuller in the late 1950s; his mother's class with L. Brent Kington, whom Bally later studied with; growing up in Pittsburgh, Pennsylvania; his first home metal shop at nine years old; his first formal metal class at about 14 years old; making and selling jewelry throughout his teens; informal apprenticeship with Jeff Whisner; his father's design firm, launched in his last year of high school; summer studying at the Pennsylvania Governor's School for the Arts; year-long apprenticeship in Switzerland; watching Schaffner make and sell a wide variety of objects, which later informed Bally's own perspective; his continuing relationship with Schaffner; undergraduate studies at Tyler School of Art, Philadelphia, Pennsylvania; studying with Daniella Kerner and Vickie Sedman at Tyler; transferring to Carnegie Mellon University, Pittsburgh, Pennsylvania, to study with Carol Kumata; making a "happiness machine"; transition from jewelry to larger sculptures; using found and scavenged materials; meeting Rosemary Gialamas (Roy) and their eventual elopement; moving to the Boston area; work as an industrial design model-maker; the New York art scene of the 1980s; representation with Archetype Gallery, New York, New York; slow but steady artistic recognition and commercial success of his functional objects; Sliding Perfections, flatware; teaching Gialamas metalsmithing and collaborative works by the two; early teaching experience in adult education classes in Cambridge, Massachusetts, then at Massachusetts College of Art, Boston; return to Pittsburgh in 1989, where Bally took a teaching position at Carnegie Mellon in the design department; studio on Bigelow Boulevard; difficulties in his marriage; a commission from the Society of Arts and Crafts, Boston, Massachusetts, and the beginnings of his traffic sign pieces in a collaborative piece with Gialamas; starting his platters series; the dissolution of his marriage to Gialamas in 1993; meeting Lynn, whom he later married; his love of teaching and his teaching philosophy; teaching at Penland School of Crafts, Penland, North Carolina; move to Providence, Rhode Island, to devote his time to studio work; the pros and cons of craft and arts schools versus university settings; the intersection of art, design, and industry: his Humanufactured line of products; functional work in the late '80s, and the influence of a trip to Haiti in the 1980s; bottle cork pieces; Trirod vessels; "More than One: Contemporary Studio Production" exhibition, American Craft Museum, New York, New York, 1992-94; philosophy of making; working in series form; truss pieces; perforation pieces and Vessel with a Silver Heart (1993); armform series; "Jewelries, Epiphanies" exhibition, Artists Foundation Gallery at Cityplace, Boston, Massachusetts, 1990; inclusion in One of a Kind: American Art Jewelry Today, by Susan Grant Lewin. (New York, NY: Harry N. Abrams, 1994); series Dig Wear and Eat Wear bracelets; Calimbo vessel and the Fortunoff prize; gold Tread Wear brooches in the mid-1990s; creating his first chair; moving from hand-made solo work to furniture and a design and production focus; starting to patent his designs in the mid-1990s; further exploration of design and technique in his chairs; "GlassWear: Glass in Contemporary Jewelry," Museum of Arts and Design, New York, New York, 2009; Pistol Chalice and work with the Pittsburgh gun buyback program; traveling exhibition for the project; Gun Totem; Brave necklace; BroadWay armchair; Subway chair; new techniques for graphics on the furniture; his relationship with former scrapyard Paul Warhola, brother to Andy Warhol; commission work, and the importance of commerce in his career and worldview; commission for Comedy Central television network; the changing craft market and the boom times of the 1980s; work with galleries, including: Patina, Santa Fe, New Mexico; Velvet da Vinci, San Francisco, California; Snyderman-Works, Philadelphia, Pennsylvania; Nancy Sachs Gallery, St. Louis, Missouri; the Society of Arts and Crafts, Boston, Massachusetts; seeing one of his pieces used on a set for a daytime television soap opera and in the movie Sex and the City ; the recent "green" (environmentally conscious) trend; blurring boundaries of design and art and craft; growing acceptance of artist-made and -designed multiples; pros and cons of computer technology in art and craft; the pros and cons of the DIY (do-it-yourself) craft movement; influential writers, including Rosanne Raab, Marjorie Simon, Steven Skov Holt and Mara Holt Skov, Bruce Metcalf, Toni Greenbaum, Matthew Kangas, Gail Brown; his involvement in the Society of North American Goldsmiths; making metal benches for his children. He also recalls Heather Guidero, Julian Jetten, Pam Moloughney, Dennis Kowal, Ursula Ilse-Neuman, Bob Ebendorf, Jason Spencer, Rob Brandegee and Ava DeMarco, Stefan Gougherty, Flo Delgado, L. Brent Kington, Curtis Aric, Ralph Düby, Steve Korpa, Joe Wood, Joe Ballay, Yves Thomann, Andy Caderas, James Thurman, Nicholas (Nico) Bally, Elena Gialamas, James Gialamas, Elvira Peake, Ronald McNeish, Johanna Dahm, Jerry Bennet, Kathleen Mulcahy, Nelson Maniscalco, Tom Mann, Otto Künzli, Stanley Lechtzin, Christopher Shellhammer, David Tisdale, Dean Powell, Daniel Carner, Donald Brecker, Robert Schroeder Phil Carrizzi, Lucy Stewart, Elisabeth Agro, Rachel Layton, Sarah Nichols, Peter Nassoit, Dan Niebels, Mary Carothers, Ward Wallau, Ivan Barnett and Alison Buchsbaum, Jonathan Bonner, Raymond and Patsy Nasher, Beth Gerstein, George Summers Jr., Pavel Opocensky, Buddy Cianci, David Cicilline.
Biographical / Historical:
Boris Bally (1961- ) is a metalsmith and designer who lives and works in Providence, Rhode Island. Bally was educated at Carnegie Mellon University and Tyler School of Art.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 5 hr., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors  Search this
Topic:
Art and computers  Search this
Decorative arts  Search this
Designers -- Rhode Island -- Interviews  Search this
Jewelry making  Search this
Metal-workers -- Rhode Island -- Interviews  Search this
Models and modelmaking  Search this
Metal-work  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bally09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9254c25f1-255e-47a7-b4db-21ae1609db8f
EDAN-URL:
ead_collection:sova-aaa-bally09
Online Media:

Four in glass : Carl Hasse, Masami Koda, Asa Sandlund, Preston Singletary / Matthew Kangas, guest curator

Author:
Hasse, Carl 1971-  Search this
Koda, Masami 1966-  Search this
Sandlund, Asa 1969-  Search this
Singletary, Preston 1963-  Search this
Kangas, Matthew  Search this
FOVA Galleries  Search this
Texas Tech University Department of Art  Search this
Subject:
Hasse, Carl 1971-  Search this
Koda, Masami 1966-  Search this
Sandlund, Asa 1969-  Search this
Singletary, Preston 1963-  Search this
Physical description:
48 p. : ill. (some col.) ; 29 cm
Type:
Exhibitions
Place:
United States
Date:
1997
Topic:
Art glass  Search this
Call number:
NK5112 .F68 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_784221

Material vision : image and object / exhibition curator, Kathleen Browne ; essay by Matthew Kangas

Author:
Browne, Kathleen  Search this
Kangas, Matthew  Search this
Tarble Arts Center  Search this
Physical description:
60 p., ill. ; 22 cm
Type:
Exhibitions
Place:
United States
Date:
1993
Topic:
Decorative arts  Search this
Call number:
NK808 .M38 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_775033

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