Photographs of 47 American artists taken by Newman.
REEL 153: Artists include: Gertrude Abercrombie, Josef Albers, Ivan Albright, Milton Avery, Peggy Bacon, William Baziotes, Ludwig Bemelmans, Boris Blai, Julis Bloch, Harry Botkin, Alexander Brook, Charles Burchfield, David Burliuk, Alexander Calder, Federico Castellon, Nicolai Cikovsky, Francis Criss (2), Jo Davidson, Willem De Kooning, Philip Evergood, Lyonel Feininger, Richard Florsheim, William Gropper, Chaim Gross (2), John Groth, Louis Guglielmi, Philip Guston, Robert Gwathmey, David Hare, Morris Hirshfield, Hans Hofmann, Edward Hopper, Paul Jenkins, Mervin Jules, Morris Kantor, Joseph Kaplan, Karl Knaths, Leon Kroll, Ibram Lassaw, Robert Laurent, Julian Levi, Jack Levine, and Jacques Lipchitz.
REEL 1027: Stuart Davis, Yasuo Kuniyoshi, and Charles Sheeler.
UNMICROFILMED: Jacob Lawrence (2) and Joseph Stella (2).
Biographical / Historical:
Portrait photographer; New York City; b. New York, N.Y., Mar. 3, 1918; d. June 6, 2006, New York, N.Y.
Donated 1961 by Arnold Newman.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Photographers -- New York (State) -- New York Search this
20 Linear feet ((partially microfilmed on 10 reels))
Scope and Contents:
Correspondence; biographical material; artists files; files on organizations; business and financial records; photographs; writings and notes; diaries; scrapbooks; appointment calendars; exhibition catalogs and announcements; printed material; and miscellany.
REELS D351-D358: Biographical material; personal and business correspondence with family, artists, museums, and art organizations; 62 artists files containing photos of works of art, printed material, and correspondence; files on the American Federation of the Arts, Artists Equity Association, the Walker Foundation, and other organizations; business and financial records; material relating to Walker's work with Elizabeth McCausland in her studies of Marsden Hartley; printed material; and photos of Walker, his family, and miscellaneous works of art. Among the correspondents are: Berenice Abbott, Ben Benn, Theodore Brenson, Gene Charlton, Philip Evergood, Joseph Hirsch, Mervin Jules, Carl Sprinchorn, Harry Sternberg, and others.
REEL 130: Correspondence with Eugenia M. Fuerstenberg, Oct. 8, 1940-Sept. 25, 1941, concerning the consignment and sale of ca. 400 Alfred Maurer paintings owned by Mrs. Fuerstenberg. One letter is from Parke-Bernet Galleries, declining to handle the paintings.
REEL 1535: 4 volumes of a diary, 1929, 1930, 1942, and 1945. The first two volumes were kept while Walker was a graduate student at Harvard, the 1942 volume covers exhibitions and artists, including Marsden Hartley, and the 1945 volume details Walker's travels in Europe after World War II. Also included are 7 letters, a valentine, and two post cards from his wife, Ione G. Walker, and a 1967 letter from Hans van Weeren-Griek.
UNMICROFILMED: Correspondence with Henry Botkin, Philip Evergood, Susan Fuller, Marsden Hartley, Harry Sternberg and other artists and gallery directors; letters and poems by Harry Kemp, 1948-1955; essays by Walker on Joshua B. Cahn and Marsden Hartley; a report on the Walker Art Center by William Valentiner, 1930; notes from meetings, galleries and art associations; a silk screen by Seong Moy; financial records; 2 diaries, 1938-1939; 2 appointment calendars, 1950-1951; 8 school notebooks; 3 scrapbooks; exhibition catalogs; clippings; and photos of Walker and artists Cameron Booth, Byron Browne, Gladys Rockmore Davis, Carl Gaertner, Dorothea Greenbaum, Mervin Jules, Herman Maril, Dickson Reeder, Henry Schnakenberg, Miron Sokole, Harry Sternberg, Jean Tingley and Clifford West.
Biographical / Historical:
Collector and administrator; New York, N.Y.; d. 1976.
Material on reels D351-D358 & unmicrofilmed donated 1966-1982 by Hudson D. and Ione G. Walker; material on reel 1535 lent for microfilming 1979 by Ione G. Walker, widow of Walker; material on reel 130 donor unspecified.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Administrators -- New York (State) -- New York Search this
Art -- Collectors and collecting -- New York (State) -- New York Search this
A Pop Art symposium sponsored by the Provincetown Art Association in Provincetown, Massachusetts. Participants are Peter Fingesten, Budd Hopkins, Ivan C. Karp, Stanley Kunitz, and Dorothy G. Seckler, with Mervin Jules as moderator.
An interview of Mervin Jules conducted 1968 Aug. 27, by Dorothy Seckler, for the Archives of American Art. Mervin Jules and Dorothy Seckler discuss the artist's recent trip to Japan and other Asian countries, his interest in woodblock prints, early childhood influences, the Art Students League and tutelage under Thomas Benton, teaching art at Smith College, and involvement in artist activist groups such as the American Artists Congress.
Biographical / Historical:
Mervin Jules (1912-1994 ) was a painter from New York, N.Y. and Provincetown, Mass.
An interview of Edwin Dickinson conducted by D. Seckler is also on this tape.
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
The transcript and recording are open for research. Contact Reference Services for more information.