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Multiple, (sculpture)

Sculptor:
Judd, Donald 1928-1994  Search this
Medium:
Stainless steel
Type:
Sculptures
Owner/Location:
Dartmouth College Hood Museum of Art Hanover New Hampshire 03755 Accession Number: S.970.79
Date:
1968
Topic:
Abstract  Search this
Control number:
IAS 76001501
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_2850

Richard Stankiewicz papers

Creator:
Stankiewicz, Richard, 1922-1983  Search this
Names:
Judd, Donald, 1928-1994  Search this
Nevelson, Louise, 1899-1988  Search this
Porter, Fairfield  Search this
Rickey, George  Search this
Rivers, Larry, 1925-2002  Search this
Segal, George, 1924-2000  Search this
Extent:
4 Linear feet ((partially filmed on 5 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1948-1984
Scope and Contents:
Resumes and an autobiographical sketch; correspondence with dealers, curators, collectors, artists, students, friends and family; 2 appointment books, a 10-page journal, describing a 1955 visit to Fairfield Porter in Maine, and other notes and writings; transcripts of interviews with Louise Nevelson, Donald Judd, George Rickey, and George Segal for a documentary, "Four Sculptors"; lists of supply costs and of art sales; 2 accounts ledgers; invoices from the Leo Nash Steel Corporation; legal documents, including a draft of a will, 1967, and divorce documents, 1978; materials relating to the Hansa Gallery, and minutes of meetings of the Artist Tenant's Association; exhibition materials, including loan forms, insurance evaluations, and price lists; exhibition announcements and catalogs; clippings; a menu designed by Larry Rivers; art works, including sketches and diagrams of a sculpture workshop and machines, and 7 sketches of sculpture; and photographs of Stankiewicz and his family.
Biographical / Historical:
Sculptor and educator; New York, N.Y. Died 1983 In 1952, Stankiewicz and 11 other artists formed the co-operative Hansa Gallery in New York. Some others in the group were: Jane Wilson, Paul Georges, Wolf Kahn, George Segal, Jan Muller, Allen Kaprow, and Jean Follett. Stankiewicz left Hansa in 1957 and became associated with the Stable Gallery. He exhibited there from 1957-ca.1967. In 1967 he became a professor of art at the State University of New York at Albany, and in 1972 he became associated with the Zabriskie Gallery.
Provenance:
Donated 1974 and 1979 by Richard Stankiewicz, in 1984 by his sons Peter and Anthony and in 1990 by Patricia M. Stankiewicz.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Educators -- New York (State) -- New York  Search this
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.stanrich
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stanrich

Oral history interview with Peter Agostini

Interviewee:
Agostini, Peter  Search this
Interviewer:
Roberts, Colette, 1910-  Search this
Names:
Columbia University -- Faculty  Search this
United States. Works Progress Administration  Search this
Bontecou, Lee, 1931-  Search this
Chamberlain, John, 1927-2011  Search this
Chryssa, 1933-2013  Search this
Cornell, Joseph  Search this
Cézanne, Paul, 1839-1906  Search this
De Chirico, Giorgio, 1888-  Search this
De Kooning, Willem, 1904-1997  Search this
Demuth, Charles, 1883-1935  Search this
Di Suvero, Mark, 1933-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dubuffet, Jean, 1901-1985  Search this
Duchamp, Marcel, 1887-1968  Search this
Ferber, Herbert, 1906-1991  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Giacometti, Alberto, 1901-1966  Search this
Greenberg, Clement, 1909-1994  Search this
Hague, Raoul, 1905-1993  Search this
Hare, David, 1917-1992  Search this
Hartley, Marsden, 1877-1943  Search this
Hopper, Edward, 1882-1967  Search this
Judd, Donald, 1928-1994  Search this
Kaprow, Allan  Search this
Kienholz, Edward, 1927-  Search this
Kline, Franz, 1910-1962  Search this
Kohn, Gabriel, 1910-1975  Search this
Kolbe, Georg, 1877-1947  Search this
La Tour, Onya, 1896-1976  Search this
Lachaise, Gaston, 1882-1935  Search this
Lassaw, Ibram, 1913-2003  Search this
Lippold, Richard, 1915-2002  Search this
Lipton, Seymour, 1903-1986  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Maillol, Aristide, 1861-1944  Search this
Manship, Paul, 1885-1966  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Marin, John, 1870-1953  Search this
Marisol, 1930-  Search this
Matisse, Henri, 1869-1954  Search this
Melville, Herman, 1819-1891  Search this
Mondrian, Piet, 1872-1944  Search this
Morris, Robert, 1931-2018  Search this
Nakian, Reuben, 1897-1986  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Oldenburg, Claes, 1929-  Search this
Poe, Edgar Allan, 1809-1849  Search this
Pollock, Jackson, 1912-1956  Search this
Pompon, François, 1855-1933  Search this
Reinhardt, Ad, 1913-1967  Search this
Rivera, Diego, 1886-1957  Search this
Roszak, Theodore, 1907-1981  Search this
Rothko, Mark, 1903-1970  Search this
Samaras, Lucas, 1936-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Segal, George, 1924-2000  Search this
Sheeler, Charles, 1883-1965  Search this
Smith, David, 1906-1965  Search this
Smith, Tony, 1912-1980  Search this
Spaventa, George, 1918-  Search this
Stankiewicz, Richard, 1922-1983  Search this
Sugarman, George, 1912-1999  Search this
Tobey, Mark  Search this
Whitman, Walt, 1819-1892  Search this
Zorach, William, 1887-1966  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1968
Scope and Contents:
An interview of Peter Agostini conducted in 1968, by Colette Roberts, for the Archives of American Art at 151 Avenue B, New York, New York.
Mr. Agostini speaks of his childhood spent living throughout the five boroughs of New York; his interactions with clients of his father's acting employment agency; his early education in Catholic school and the creative freedom allotted by the nuns; his first feelings of isolation as an artist at the age of seven; the development of a sense of communication as the result of the loss of his mother at the age of three and time spent at a school for orphans; his early realization and vision of artistic destiny; his religious interests which lead to mysticism in his earlier work; his time spent working freely in the DaVinci Studio with Spaventa; the discovery by Hess of his works in Gallerie Grimaud; his attainment of the Longview Grant; his working experience throughout the Depression as part of the WPA casting plaster mannequins while working indirectly with Pollack as well as Marca Relli; his subsequent move to designing department store windows (use of Mondrian-like forms and lines); his feelings of his position as an observer; the importance of communication through art (communication without words); his rejection of the Abstract Expressionist group and choice of independence; the influence of the sculpture of Kolbe and Bache in the thirties; Clement Greenberg's distaste for his work; his feelings about the relative failure to sell his work due its unusual edginess and mystery; his role in the introduction of the work of contemporary European artists (Chausserian, Gauthier, Modrian) to the American group; his description of his own work as "traditionless"; his feelings of self-importance as one of the most original sculptors in the art world; his influence on the younger generation, particularly Marisol; the enslavement to originality that the younger generation faces; his attitudes towards American Art forms and their lack of rebellious spirit; the virtues of the American writers, such as Poe, Whitman, and Melville as American "knapsack" writers; his personal technique which places an emphasis on the "skin" or volume of something; his attempt to create quiet art, or art that merely indicates features; his frustration with teaching and the problems of regurgitated knowledge; the role of Meyer Shapiro in his teaching career at Columbia; the formation of the Club and its similarity to the Cubist's café scene; his opinions on the relationship of sex and sensuality in American art; his personal struggles, including the loss of his second wife and two of his brothers, in addition to the estrangement of his only daughter by his first wife; his feelings on the role of psycho analysis and personal history in a work of art; his present works which feature the "swell." For the majority of the second half of the interview Ms. Roberts asks Mr. Agostini to express his opinions on the work of: Kline; DeKooning; Duchamp; Oldenburg; La Tour; DeChirico; Maillol; Pompon; Rothko; Chardin; Cezanne; Giacometti; Reinhardt; Chryssa; Tony Smith; Segal; Lachaise; Zorach; Manship; Flannagan; Kelly; Lassaw; David Smith; Hare; Lipton; Ferber; Lippold; Roszak; Nakian; Noguchi; Hague; Kohn; di Suvero; Chamberlain; Kaprow; Sugarman; Stankiewicz; Bontecou; Scarpitta; Cornell; Keinholz; Rivera; Judd; Robert Morris; O'Keeffe; Samaras; Mark Tobey; Marin; Pollock; Hartley; Dove; Macdonald-Wright; Demuth; Sheeler; Hopper; Mirot; Matisse; DuBuffet.
Biographical / Historical:
Peter Agostini (1913-1993) was a sculptor from New York, New York.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 28 digital wav files. Duration is 10 hrs., 37 min.
Transferred from 4 3" reels.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.agosti68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-agosti68

Oral history interview with Peter Hutchinson

Interviewee:
Hutchinson, Peter A., 1930-  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
Judd, Donald, 1928-1994  Search this
Kuwayama, Tadaaki, 1932-  Search this
LeWitt, Sol, 1928-2007  Search this
McLuhan, Marshall, 1911-1980  Search this
Morris, Robert, 1931-2018  Search this
Smithson, Robert  Search this
Extent:
1 Cassette (Sound recording (ca. 30 min.), analog)
17 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Cassettes
Pages
Sound recordings
Interviews
Date:
1967 July 27
Scope and Contents:
An interview of Peter Hutchinson conducted 1967 July 27, by Dorothy Seckler, for the Archives of American Art.
Hutchinson speaks of his childhood and early education in the English countryside; his subsequent time spent in the army; his decision to move to the states and attend college in Illinois; his artistic destiny realized during his first year in college; his seven year experience working his way through college; his time spent in Italy in the early 60's; his early mathematic, Nevelson-like wood works; his relationship to the Jack Daniels Gallery and the "nucleus of thought" consisting of Sol LeWitt , Robert Smithson, Tadaaki Kuwayama; his feelings as to the blurred line between art and writing; the stimulation process involved in all art forms; his creative process consisting primarily of thought; his progression from construction, to painting, to painting on shaped canvas and wood; the requisite direct relationship between art and the artist; his position on the contemporary debate over the supremacy of painting or sculpture; his prediction that Judd and Morris are painting themselves into a corner; the importance of artistic dialogue; the possibility of a redefinition of humanism; his interest in Science Fiction and his recent publication of "Is there Life on Earth;" the importance of "thinking in reverse;" his decision in recent years to replace personal references with personal shapes; his opposition to the term creativity; his similar position to McLuhan with his belief in every man as an artist; his foresight of an eventual "devaluation of monetary attainment;" and his belief that art (self-expression) will always exist in one form or another. Hutchinson discusses his work and its development, and he comments upon the aesthetic climate of the day. He discourses on science fiction.
Biographical / Historical:
Peter A. Hutchinson (1930- ) is a sculptor from Provincetown, Mass.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Humanism in art  Search this
Sculptors -- Massachusetts -- Provincetown -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hutchi67
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hutchi67

Waldorf panel on sculpture

Creator:
Waldorf panel on sculpture (1965 : New York, N.Y.)  Search this
Names:
Agostini, Peter  Search this
Barnet, Will, 1911-2012  Search this
De Kooning, Elaine  Search this
Ferber, Herbert, 1906-1991  Search this
Ferren, John, 1905-1970  Search this
Judd, Donald, 1928-1994  Search this
Kiesler, Frederick  Search this
Lassaw, Ibram, 1913-2003  Search this
Mallary, Robert, 1917-1997  Search this
Marsicano, Nicholas, 1908-1991  Search this
Nevelson, Louise, 1899-1988  Search this
Noguchi, Isamu, 1904-1988  Search this
Oldenburg, Claes, 1929-  Search this
Pavia, Philip, 1915-2005  Search this
Reinhardt, Ad, 1913-1967  Search this
Rosenthal, Rachel, 1926-  Search this
Schwartz, Sal  Search this
Segal, George, 1924-2000  Search this
Slivka, David, 1913-  Search this
Wines, James, 1932-  Search this
Extent:
6 sound tapes ((partially transcribed), 7 in.)
Type:
Collection descriptions
Archival materials
Sound tapes
Sound recordings
Interviews
Date:
1965 February 17 and March 17
Scope and Contents:
A two part panel discussion on sculpture (6 7" tapes), partially transcribed on 141 pages. Participants are Peter Agostini, Will Barnet, Elaine De Kooning, Herbert Ferber, John Ferren, Donald Judd, Frederick Kiesler, Ibram Lassaw, Robert Mallary, Nicholas Marsicano, Louise Nevelson, Isamu Noguchi, Claes Oldenburg, Philip Pavia (organizer), Ad Reinhardt, Rachel Rosenthal, Sal Schwartz, George Segal, David Slivka, and James Wines.
Biographical / Historical:
The Waldorf Panel on Sculpture was organized by Philip Pavia, who chose the name in homage to the informal artists' discussions held at the Waldorf Cafeteria on 6th St. in the early to mid 1940s, and which later formed the nucleus to the artists' group known as the Club.
Provenance:
Provenance unknown.
Restrictions:
Use of original recordings requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Sculptors -- United States  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
Sculpture, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.waldpane
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-waldpane

Oral history interview with Franco Mondini-Ruiz

Interviewee:
Mondini-Ruiz, Franco, 1961-  Search this
Interviewer:
Cordova, Cary  Search this
Creator:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Names:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Amado, Jesse, 1951-  Search this
Briseño, Rolando, 1952-  Search this
Casey, Mike  Search this
Cisneros, Sandra  Search this
Diaz, Alejandro  Search this
Herzberg, Julia P.  Search this
Jaukkuri, Maaretta  Search this
Judd, Donald, 1928-1994  Search this
Lozano, Danny  Search this
Moffatt, Tracey  Search this
Romo, Ito, 1961-  Search this
Taylor, Frederieke  Search this
Tracy, Michael, 1943-  Search this
Extent:
93 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 July 7-8
Scope and Contents:
An interview of Franco Mondini-Ruiz conducted 2004 July 7-8, by Cary Cordova, for the Archives of American Art, in Alameda and San Antonio, Tex.
Mondini speaks of his parents' disparate backgrounds; his repressed childhood in Boerne, Tex.; his family's electronics store; discovering that his brother was actually his half-brother; attending undergrad and law school at St. Mary's in San Antonio, Tex.; his Catholic rearing; raising his Latino consciousness during and after law school; his life as a successful lawyer; his ingratiation into both rich white and Latino cultures; his partying and coming-out as a gay man; his making of art as a counterpoint to his office work; advice for young Latino artists; the importance of cheap art; exoticizing of Mexican culture by Anglos; quitting law and his experience living in Mexico City; and being diagnosed with HIV. Mondini-Ruiz also speaks of opening his Infinito Botanica and how he operated it; American drug culture; San Antonio's cityscape and his "utopic" hope for it; his "Blue Star on Houston" exhibition; drug use; his show at Bard College as his big break; living with Alejandro Diaz; homosexual and Mexican rococo aesthetics; his exhibit at the 2000 Whitney Biennial and moving to New York City; the importance of found art; the universality of class and race struggles; the problems with over-materialization of artwork; his "Ballroom" show in Marfa, Tex. and the issues confronting that city's arts patronage; his making of the "Spurs Installation"; his new anti-materialistic mindset; and the patterns within his career. Mondini-Ruiz also recalls Michael Tracy, Ito Romo, Rolando Briseno, Sandra Cisneros, Jesse Amado, Donald Judd, Frederieke Taylor, Julia Herzberg, Danny Lozano, Maaretta Jaukkuri, Tracey Moffat, Mike Casey, and others.
Biographical / Historical:
Franco Mondini-Ruiz (1961- ) is an artist in New York. Legal name is Gino Francisco Mondini. Interviewer Cary Cordova (1970-) is an art historian from Austin, Tex.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 5 hrs., 12 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Gay artists -- Texas -- Interviews  Search this
Art -- Technique  Search this
Lawyers -- Texas -- Interviews  Search this
Hispanic American artists -- Texas -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mondin04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mondin04

Oral history interview with Lucy Lippard

Interviewee:
Lippard, Lucy R.  Search this
Interviewer:
Heinemann, Sue  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Art Workers Coalition  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Guerilla Art Action Group  Search this
Heresies Collective, Inc.  Search this
Museum of Modern Art (New York, N.Y.) -- Employees  Search this
Political Art Documentation/Distribution (Organization)  Search this
Smith College -- Students  Search this
Ashton, Dore  Search this
Chicago, Judy, 1939-  Search this
Hammond, Harmony  Search this
Judd, Donald, 1928-1994  Search this
LeWitt, Sol, 1928-2007  Search this
Miss, Mary, 1944-  Search this
Reinhardt, Ad, 1913-1967  Search this
Ryman, Robert, 1930-2019  Search this
Schneemann, Carolee, 1939-  Search this
Sholette, Gregory  Search this
Stevens, May  Search this
Extent:
4 Items (memory cards (4 hr., 29 min.), secure digital, wav, 1.25 in.)
97 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2011 Mar. 15
Scope and Contents:
An interview with Lucy Lippard conducted 2011 Mar. 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Lippard's home, in Galisteo, N.M.
Lippard discusses her childhood summers in Maine; growing up in New Orleans, La., and Charlottesville, Va.; attending the Abbot Academy and Smith College; her junior year in Paris; working in the Museum of Modern Art Library; living on Avenue D; meeting Bob Ryman and Sol Lewitt; birth of her son Ethan; Dore Ashton as a role model; involvement with various groups and political causes including the Angry Arts movement, the Art Workers' Coalition, Women Artists' Committee, Guerilla Art Action Group, Womanhouse, Political Art Documentation and Distribution (PAD/D), the Ad Hoc Women Artists Committee, and others; the development of Heresies Collective; her publications including, "From the Center: Feminist Essays on Women's Art," (1976), "On the Beaten Track: Tourism, Art and Place," (1999), "Mixed Blessings: New Art in a Multicultural America," (1990, 2000), "The Lure of the Local: Sense of Place in a Multicentered Society," (1997), and "Overlay: Contemporary Art and the Art of Prehistory," (1983) ; curating exhibitions; travels to Argentina and Mexico; moving to Galisteo, N.M.; interest in the Galisteo Basin; teaching; and other topics. She recalls Ad Reinhardt, Donald Judd, Harmony Hammond, Judy Chicago, Gregory Sholette, Carolee Schneemann, Max Koszloff, Joyce Koszloff, May Stevens, Betsy Hess, Mary Miss, and others.
Biographical / Historical:
Lucy R. Lippard (1937- ) is a writer and art critic in New York, N.Y. and Galisteo, N.M.
General:
Originally recorded on Edirol R-09HR on 4 secure digital memory cards. Duration is 4 hr., 29 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Topic:
Art critics -- New York (State) -- New York -- Interviews  Search this
Authors -- New York (State) -- New York -- Interviews  Search this
Art historians -- New Mexico -- Santa Fe -- Interviews  Search this
Curators -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lippar11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lippar11

Oral history interview with Donald Judd

Creator:
Judd, Donald, 1928-1994  Search this
Interviewer:
Hooton, Bruce Duff, 1928-  Search this
Extent:
11 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 February 3
Scope and Contents:
An interview of Donald Judd conducted 1965 February 3, by Bruce Hooton, for the Archives of American Art.
Biographical / Historical:
Donald Judd (1928-1994) was a sculptor of New York, New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 41 min.
Sound quality is poor.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.judd65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-judd65

Oral history interview with Jackie Ferrara

Interviewee:
Ferrara, Jackie  Search this
Interviewer:
Berman, Avis  Search this
Creator:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Names:
Michigan State University -- Students  Search this
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Wayne State University -- Students  Search this
Addams, Charles, 1912-1988  Search this
Andre, Carl, 1935-  Search this
Beauchamp, Robert, 1923-  Search this
Bellamy, Richard  Search this
DeLap, Tony, 1927-2019  Search this
Eisenhauer, Lette  Search this
Ferrara, Don  Search this
Forst, Miles, 1923-  Search this
Frank, Mary, 1933-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gallo, Frank, 1933-  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Gross, Sally  Search this
Hesse, Eva, 1936-1970  Search this
Hofmann, Hans, 1880-1966  Search this
Judd, Donald, 1928-1994  Search this
LeWitt, Sol, 1928-2007  Search this
Marcus, Marcia, 1928-  Search this
Motherwell, Robert  Search this
Oldenburg, Claes, 1929-  Search this
Protetch, Max  Search this
Rockburne, Dorothea  Search this
Rosenquist, James, 1933-  Search this
Samaras, Lucas, 1936-  Search this
Smithson, Robert  Search this
Extent:
3 Items (Sound recording: 3 sound files (5 hr., 12 min.), digital, WMA files)
115 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 January 16-February 13
Scope and Contents:
An interview of Jackie Ferrara conducted 2009 January 16-February 13, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at the Ferrara's home, in New York, New York.
Ferrara speaks of growing up in Detroit, Michigan; her early interest in mathematics and its ever present role in her work; attending Michigan State University for one year; taking fashion drawing classes at Wayne State University and her supposed lack of drawing skills; an early interest in pottery and leather making; moving to New York City in 1951 on a night train from Detroit; working at the Henry Street Playhouse and its influential role on her art; her relationship with Robert Beauchamp and her friendship with many artists in Provincetown, Massachusetts; early works, including the cotton batting works and the rope works, most of which were destroyed; her dislike of traveling and her use of imagination for inspiration; participating in the performances and happenings of Claes Oldenburg; her friendship with Robert Smithson and his influence on her later works; working with Max Protetch; never teaching art because she herself did not attend art school; her creation process of her wood and stone pieces, including their conception in early drawings; having a positive attitude towards her pieces being rebuilt because of decay; quickly moving into public art in the late 1970s, early 1980s; living and working in the same loft in New York for over 40 years; the helpful role the women's movement played in her successful career though she did not participate; receiving art grants to enable her to work for a year or two without having to find an odd job to support herself; various public art projects around the country, how they came to be, creating the works and their significance to her. Ferrara also recalls Charlotte Tokayer, Don Ferrara, Alvin Nikolai, Richard Bellamy, Mary and Paul Frank, Miles and Barbara Forst, Sally Gross, Hans Hofmann, Robert Motherwell, Helen Frankenthaler, Nat Halprin, Lucas Samara, Letty Lou Eisenhauer, James Rosenquist, Marcia Marcus, Charles Addams, Eva Hesse, Frank Gallo, Tony DeLap, Dorothea Rockburne, Time Doyle, Sol LeWitt, Donald Judd, Carl Andre, Nancy Graves, Marty Greenbaum, Abe Sachs, Mel Bochner, Jan Groover, Alice Aycock, Alice Adams, Jackie Windsor, Scott Burton, Siah Armajani, Michelle Stuart, Lucy Lippard, Zaha Hadid, Max Hutcinson, Andrea Blum, and others.
Biographical / Historical:
Jackie Ferrara (1929- ) is a sculptor. Ferrara works with the built environment in her designs for courtyards and architectural structures.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Audio: ACCESS RESTRICTED; Use requires written permission.
Topic:
Women sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ferrar09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ferrar09

Video recordings on Richard Stankiewicz and other sculptors

Creator:
State University of New York at Albany. Educational Community Center  Search this
Names:
Judd, Donald, 1928-1994  Search this
Nevelson, Louise, 1899-1988  Search this
Rickey, George  Search this
Segal, George, 1924-2000  Search this
Stankiewicz, Richard, 1922-1983  Search this
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
1973-1979
Scope and Contents:
Two videos produced by the State University of New York at Albany, Educational Community Center. Included are: Four Sculptors, Part 1 and II, with interviews of the sculptors Donald Judd, Louise Nevelson, George Rickey and George Segal, conducted by sculptor and SUNY at Albany Art Dept. professor Richard Stankiewicz and directed by Carl Howard and Stankiewicz (56 min.); and Richard Stankiewicz - Sculptor, 1979 (18 min), narrated by Stankiewicz, including scenes of Stankiewicz's studio; Stankiewicz at work, and in his home. He discusses his work methods, choice of materials, family relationships, and his philosophy about sculpture.
Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
Authorization to publish, quote or reproduce requires written permission from: Jack Finch, SUNY Albany.
Occupation:
Sculptors  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.stanrich3
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stanrich3

Donald Judd interview

Creator:
Judd, Donald, 1928-1994  Search this
Interviewer:
Willett, Margot  Search this
Extent:
1 sound tape (7 in.)
15 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tapes
Pages
Sound recordings
Interviews
Date:
1968 May
Scope and Contents:
Interview of Donald Judd conducted by Margot Willett. Judd talks about his childhood, how his art is viewed by the public, as well as his painting styles and "boxes." He mentions the Art Students League, Frank Stella, Jackson Pollock, Tony Smith, and Robert Morris.
Biographical / Historical:
Donald Judd (1928-1994) was a sculptor from New York, N.Y.
Provenance:
Donor unspecified.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art, American  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.judddona
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-judddona

Presencias dos mil : minimal art

Author:
Huici, Fernando  Search this
Theospacio (Gallery)  Search this
Subject:
Andre, Carl 1935-  Search this
Flavin, Dan 1953-  Search this
Judd, Donald 1928-1994  Search this
Kelly, Ellsworth 1923-2015  Search this
Mangold, Robert 1937-  Search this
Serra, Richard 1939-  Search this
Venet, Bernar 1941-  Search this
Physical description:
[59] p. : chiefly col. ill. ; 24 x 30 cm
Type:
Exhibitions
Date:
1990
Topic:
Minimal art  Search this
Call number:
N6494.M5 P7 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_635903

Project Space : Donald Judd : colored plexiglas / curated by Peter Ballantine

Title:
Donald Judd : colored plexiglas
Colored plexiglas
Author:
Judd, Donald 1928-1994  Search this
Ballantine, Peter  Search this
Project Space (Gallery))  Search this
L & M Arts (Gallery))  Search this
Subject:
Judd, Donald 1928-1994  Search this
Physical description:
21 p. : col. ill. ; 23 cm
Type:
Exhibitions
Date:
2009
C2009
20th century
Topic:
Art, American  Search this
Plexiglas  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_923483

Donald Judd : paintings / edited by Ellen Salpeter, Flavin Judd, and Alex Gartenfeld

Artist:
Judd, Donald 1928-1994  Search this
Editor:
Salpeter, Ellen  Search this
Judd, Flavin  Search this
Gartenfeld, Alex  Search this
Subject:
Judd, Donald 1928-1994  Search this
Physical description:
135 pages : illustrations (chiefly color) ; 26 cm
Type:
Exhibitions
Criticism, interpretation, etc
Exhibition catalogs
Date:
2019
20th century
Topic:
Painting, American  Search this
Art, American  Search this
Call number:
N6537.J83 A4 2019
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1105517

A dialogue : Donald Judd, Roy Lichtenstein, Kenneth Noland / essay by Miguel de Baca

Artist:
Judd, Donald 1928-1994  Search this
Lichtenstein, Roy 1923-1997  Search this
Noland, Kenneth 1924-2010  Search this
Writer of added commentary:
Baca, Miguel de 1980-  Search this
Publisher:
Leo Castelli Gallery  Search this
Subject:
Judd, Donald 1928-1994  Search this
Lichtenstein, Roy 1923-1997  Search this
Noland, Kenneth 1924-2010  Search this
Physical description:
36 pages : illustrations (some color) ; 28 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2016
20th century
Topic:
Art, American  Search this
Minimal art  Search this
Pop art  Search this
Call number:
N6512 .D517 2016
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1075660

Table Object, (sculpture)

Sculptor:
Judd, Donald 1928-1994  Search this
Medium:
Aluminum
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1971.84.94
Date:
1967
Topic:
Abstract  Search this
Control number:
IAS 08580784
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112740

Table Object, (sculpture)

Sculptor:
Judd, Donald 1928-1994  Search this
Medium:
Stainless steel, folded
Type:
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1976.108.66
Date:
1967
Topic:
Abstract  Search this
Control number:
IAS 08580785
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_112741

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Judd, Donald 1928-1994  Search this
Type:
Photograph
Image number:
JUL J0062747
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_62748

Donald Judd: artist file, [photographs]

Artist:
Judd, Donald 1928-1994  Search this
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF001597
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_140122

Minimal art from the Marzona Collection : Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Lee Lozano, Robert Ryman, Fred Sandback, Richard Serra, Richard Tuttle / [exhibition coordinator, Polly Robinson Gaer ; editors, Oona Doyle and Paul B. Franklin

Title:
Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Lee Lozano, Robert Ryman, Fred Sandback, Richard Serra, Richard Tuttle : minimal art from the Marzona Collection
Editor:
Doyle, Oona  Search this
Franklin, Paul B. 1967-  Search this
Curator:
Gaer, Polly Robinson  Search this
Publisher:
Galerie Thaddaeus Ropac (Paris, France)  Search this
Subject:
Andre, Carl 1935-  Search this
Flavin, Dan 1933-1996  Search this
Judd, Donald 1928-1994  Search this
LeWitt, Sol 1928-2007  Search this
Lozano, Lee 1930-1999  Search this
Ryman, Robert 1930-  Search this
Sandback, Fred 1943-2003  Search this
Serra, Richard 1938-  Search this
Tuttle, Richard 1941-  Search this
Physical description:
93 pages : illustrations (some colour) ; 27 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2017
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1087654

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