An interview of Tom Eckert conducted 2007 June 19, by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio in Tempe, Arizona.
Eckert speaks of his childhood interest in drawing; his first art lessons as a child; working as a cabinetmaker after high school; the decision to attend Arizona State University (ASU); earning very poor grades at ASU and enrolling at Phoenix College, where his art teacher inspired him to pursue art more seriously; returning to ASU to earn his BFA and MFA.; being hired to teach at ASU; creating and heading a wood program there; and helping to design the wood studio at Arrowmont School of Arts and Crafts. He continues discussing his fascination with Flemish painting during his art history education; the sense of illusion present in much of his work; being drawn to wood as a medium because of its ability to be shaped into an infinite amount of forms his experience making a few large scale works of art; feeling a certain spirituality towards his studio and the tools and equipment related to his craft; the importance of first satisfying a personal creative drive, then of showing the work produced, and finally in selling the work; the ways in which galleries and museums assist in attaining those three goals; being invited to participate in a show at Galerie Lieve Hemel in Amsterdam; incorporating the Internet and new technology into the design process; mixing his own colors using pigments; his desire to create larger works in the future; and contentment with and excitement for his life as an artist. Eckert recalls William B. Dunning, James Krenov, Bob Stocksdale, Nanette L. Laitman, David Ellsworth, John Jordan, Wendell Castle, Martyle and Jerry Reinsdorf, Cervini Haas, Michael Himovitz, Joanne Rapp, James Rapp, and others.
Biographical / Historical:
Tom Eckert (1942- ) is a wood artist from Tempe, Arizona. Jo Lauria is a curator and arts writer from Los Angeles, California.
Originally recorded on 3 sound discs. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 44 min.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: email@example.com.
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.