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Lois Mailou Jones: artist file, [photographs]

Artist:
Jones, Lois Mailou 1905-1998  Search this
Subject:
Jones, Lois Mailou  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Portrait female--Full length  Search this
Portrait female--Occupation--Artist  Search this
Occupation--Art--Painter  Search this
Image number:
VFM VF001590
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_140115

Black Perspective Series: Lois Mailou Jones

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Jones, Lois Mailou, 1905-1998  Search this
Martin-Felton, Zora  Search this
Collection Creator:
Anacostia Community Museum  Search this
Extent:
1 Video recording (open reel, 1/2 inch)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Lectures
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1972
Scope and Contents:
Lois Mailou Jones discusses achievements of black artists and shows slides of their work. She also provides a history of black artists and their work. Zora Martin-Felton introduces Lois Mailou Jones.
Lecture. AV003201: lecture begins at 000745 and recording does not include complete lecture [beginning of recording consists of Black Perspective Series: Dr. Alyce Gullattee]. Part of ACM Museum Events, PR, and Ceremonies Recordings. Dated 19720301.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
Artists  Search this
African American artists  Search this
African American art  Search this
Art  Search this
Harlem Renaissance  Search this
Black Arts movement  Search this
Genre/Form:
Video recordings
Lectures
Citation:
Black Perspective Series: Lois Mailou Jones, Record Group AV09-023, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.09-023, Item ACMA AV003201
See more items in:
Museum Events, Programs, and Projects, 1967-1989
Museum Events, Programs, and Projects, 1967-1989 / Recordings of lectures
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-09-023-ref533

[Painting by Lois Mailou Jones (copy photograph) : acetate film photonegative,]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Painter:
Jones, Lois Mailou, 1905-1998  Search this
Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Addison N., 1883-1964  Search this
Extent:
1 Item
Type:
Archival materials
Photographs
Copy negatives
Date:
1939
Biographical / Historical:
Lois Mailou Jones: painter and teacher; b. in Boston, 1905; taught at Howard Univ. in Washington, 1930-77; d. June 9, 1998 in Washington at age 92 (N.Y. Times, June 13, 1998).
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Paintings (copies) -- 1930-1950.  Search this
Women artists -- 1930-1940 -- Washington (D.C.)  Search this
African American women artists -- 1930-1940  Search this
African American artists as teachers -- 1930-1940 -- Washington (D.C.)  Search this
African American painting -- 1930-1940 -- Washington (D.C.)  Search this
Paintings (copies) -- 1930-1950.  Search this
Paintings -- Photographs -- 1930-1940 -- Washington D.C.  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Copy negatives
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client / 4.3: Black and white negatives in freezer storage arranged by client / Dunbar High School
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-03-ref2895

Martin Birnbaum papers

Creator:
Birnbaum, Martin, 1878-1970  Search this
Names:
Fogg Art Museum  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Philadelphia Museum of Art  Search this
Scott & Fowles (Firm)  Search this
Beardsley, Aubrey, 1872-1898  Search this
Beaux, Cecilia, 1855-1942  Search this
Bruce, Edward, 1879-1943  Search this
Bufano, Beniamino, 1898-1970  Search this
Chanler, Robert Winthrop, 1872-1930  Search this
Choate, Mabel, 1870-1958  Search this
Clark, Stephen C. (Stephen Carlton), b. 1882  Search this
Cœdès, George  Search this
Davis, Edmund  Search this
Davis, Reginald  Search this
Despiau, Charles, 1874-1946  Search this
Diederich, William Hunt, 1884-1953  Search this
Dillingham, Louise  Search this
Douglas, Norman, 1868-1952  Search this
Dulac, Edmund, 1882-1953  Search this
Fernández, Luis, 1900-1973  Search this
Haseltine, Herbert, 1877-1962  Search this
Hoffman, Malvina, 1887-1966  Search this
Hoowij, Jan, 1907-  Search this
Jacobs, Leonebel  Search this
John, Augustus, 1878-1961  Search this
Jones, Lois Mailou, 1905-1998  Search this
Kester, Lenard, 1917-  Search this
Manship, Paul, 1885-1966  Search this
McIlhenny, Henry P.  Search this
Melchers, Gari, 1860-1932  Search this
Nadelman, Elie, 1882-1946  Search this
Parmelee, James  Search this
Parrish, Maxfield, 1870-1966  Search this
Potterton, Alfred B.  Search this
Richter, Gisela Marie Augusta, 1882-1972  Search this
Ricketts, Charles S., 1866-1931  Search this
Rock, Joseph Francis Charles, 1884-1962  Search this
Rothenstein, William, Sir, 1872-1945  Search this
Sargent, John Singer, 1856-1925  Search this
Scott, Stevenson  Search this
Scudder, Janet, b. 1873  Search this
Sinclair, Upton, 1878-1968  Search this
Sprinchorn, Carl, 1887-1971  Search this
Stein, Leo, 1872-1947  Search this
Sterne, Maurice, 1878-1957  Search this
Sterner, Albert, 1863-1946  Search this
Werntz, Carl N. (Carl Newland), 1874-1944  Search this
Wilson, Stanley  Search this
Winthrop, Grenville Lindall, 1864-1943  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Etchings
Photographs
Date:
1862-1967
bulk 1920-1967
Summary:
The papers of New York art dealer, critic, and author Martin Birnbaum measure 3.2 linear feet and date from 1862-1967, with the bulk of the material dating from 1920-1967. The papers document Birnbaum's association with the firm of Scott & Fowles, the lives and activities of his friends and colleagues, and his literary work, through biographical material, correspondence, writings and notes, business records, printed material, a scrapbook, scattered artwork, and photographs of Birnbaum, friends and colleagues, and artwork.
Scope and Contents:
The papers of New York art dealer, critic, and author Martin Birnbaum measure 3.2 linear feet and date from 1862-1967, with the bulk of the material dating from 1920-1967. The papers document Birnbaum's association with the firm of Scott & Fowles, the lives and activities of his friends and colleagues, and his literary work, through biographical material, correspondence, writings and notes, business records, printed material, a scrapbook, scattered artwork, and photographs of Birnbaum, friends and colleagues, and artwork.

Correspondence, primarily letters received by Birnbaum in New York, and throughout Europe from 1917-1960s, reflects Birnbaum's association with Scott & Fowles, particularly Stevenson Scott, and includes many details about the lives and activities of his correspondents, among them: artists Edward Bruce, Cecilia Beaux, Beniamino Bufano, Stephen C. Clark, Louise Dillingham, William Hunt Diedrich, Luis Fernandez, Herbert Haseltine, Jan Hoowij, Malvina Hoffman, Leonebel Jacobs, Lenard Kester, Lois Mailou Jones, Paul Manship, Gari Melchers, Maxfield Parrish, Charles S. Ricketts, William Rothenstein, John Singer Sargent, Janet Scudder, Carl Sprinchorn, Maurice Sterne, Albert Sterner, Carl N. Wertz, and Stanley Wilson. Also found is correspondence with art collectors and patrons including Mabel Choate, Edmund Davis, Reginald Davis, Henry P. McIlhenny, James Parmalee, Edith Wetmore, and Grenville Windall Linthrop, and museums including the Fogg Museum, the Metropolitan Museum of Art and then curator Gisela Marie Augusta Richter, and the Philadelphia Museum of Art. Correspondence with scholars, writers, and publishers including George Coedes, Edmund Dulac, Joseph Francis Charles Rock, Upton Sinclair and others, documents aspects of Birnbaum's literary and scholarly work.

Writings include drafts of The Last Romantic, including Upton Sinclair's revision, and some of Birnbaum's early published and unpublished writings, as well as notes on Aubrey Beardsley.

Business records include financial records such as bills, receipts, canceled checks and statements for sales of artwork, and scattered legal records.

A small amount of printed material primarily consists of programs for musical events which evidence Birnbaum's early success as a violinist, as well as scattered news clippings, 2 exhibition catalogs, and announcements for the publications of Angkor and the Mandarin Road and The Last Romantic. Additional printed material about Birnbaum can be found in the dismantled scrapbook, 1960-1961.

Artwork includes 2 etchings and a sketch by Birnbaum, bookplates by various artists, circa 10 sketches by other and unidentified artists, and 3 cards with original artwork.

Photographs include snapshots and portraits of Birnbaum and artists and friends, among them: Robert Chanler, Charles Despiau, Norman Douglas, Luis Fernandez, Herbert Haseltine, Augustus John, Paul Manship, Gari Melchers, Elie Nadelman, Albert Sterner, Stevenson Scott, and Grenville Lindall Winthrop. Also found is a photo of Birnbaum with Edward Bruce, Alfred Potterton, Leon Stein, and Maurice Sterne, circa 1915-1916, and photographs proposed for use in The Last Romantic, travel snapshots, and photos of artwork.
Arrangement:
Collection is arranged as 8 series.

Series 1: Biographical Material, 1890-1950s (0.3 linear feet; Box 1, OVs 4-5)

Series 2: Correspondence, 1862-1967 (1.7 linear feet; Boxes 1-2)

Series 3: Writings and Notes, circa 1890-circa 1960 (0.45 linear feet; Box 2)

Series 4: Business Records, 1918-1967 (0.15 linear feet; Box 2)

Series 5: Printed Material, 1895-circa 1960 (0.15 linear feet; Box 3)

Series 6: Scrapbook, 1960-1961 (1 folder; Box 3)

Series 7: Artwork, circa 1890-circa 1960 (0.15 linear feet; Box 3)

Series 8: Photographs, circa 1900-circa 1960s (0.3 linear feet; Box 3)
Biographical / Historical:
New York art dealer, critic, and author Martin Birmbaum (1878-1970) was the manager of the American branch of the Berlin Photographic Company in New York City from 1910–1916, and a longtime partner in the art firm Scott & Fowles. He spent the later part of his career building the Grenville Lindall Winthrop Collection, now at the Fogg Museum.

Birnbaum immigrated to the United States from Hungary as a child. He was an accomplished violinist who studied at City College of New York, and graduated with a law degree from Columbia University in 1901, but developed a life-long interest in art during visits to Europe. As manager of the Berlin Photographic Company he had great success in staging art exhibitions at the company's New York galleries, which led him to a junior partnership in the Fifth Avenue firm of art dealers, Scott & Fowles. Birnbaum traveled widely and built relationships with many of the prominent artists and art collectors of his day and, in addition to the Grenville Lindall Winthrop collection, was influential in developing other important art collections including those of Edward Davis, Reginald Davis, and Henry P. McIlhenny.

Birnbaum wrote widely about his experiences and encounters in the world of wealthy socialites, literary salons, artists, art patrons, and collectors in publications such as Aubrey Vincent Beardsley (Berlin Photographic Co., 1911), Oscar Wilde: Fragments and Memories (J.F. Drake, Incorporated, 1914) , Vanishing Eden:Wanderings in the Tropics (New York: William E. Rudge's Sons, 1942), Angkor and the Mandarin Road (Vantage Press, 1952), and The Last Romantic (Twayne Publishers, 1961). He died in 1970 at the age of 92.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels N698, N698A-N698B) including correspondence, bookplates, sketches, newspaper clippings, and a list of books containing ornamental drawings and illustrations. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Material on reels N698, N698A-N698B were lent for microfilming by Martin Birnbaum in 1967. The rest of the collection was donated in an anonymous gift in 1970 and by Martin Birnbaum's great-nephew, Jerome Ziegler, in 1975.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Martin Birnbaum papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art critics -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art -- Collectors and collecting  Search this
Art dealers -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Etchings
Photographs
Citation:
Martin Birnbaum papers, 1962-1967, bulk 1920-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.birnmart
See more items in:
Martin Birnbaum papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-birnmart

Miss Lois [Mailou] Jones [acetate film photonegative]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Names:
Jones, Lois Mailou, 1905-1998  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 47
Type:
Archival materials
Photographs
Date:
[ca. 1935-1937]
Scope and Contents:
Job Number: 29403
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women artists  Search this
Portraits -- African American women -- 1930-1940  Search this
African American women artists -- 1930-1940  Search this
African American teachers  Search this
African American painters -- Washington (D.C.)  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref1369

Miss Lois [Mailou] Jones [acetate film photonegative]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Names:
Jones, Lois Mailou, 1905-1998  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 47
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Portraits
Date:
[ca. 1935-1937]
Scope and Contents:
Job Number: 29403
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women artists  Search this
African American women artists -- 1930-1940  Search this
African American teachers  Search this
African American painters -- Washington (D.C.)  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Portraits -- African American women -- 1930-1940
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref1387

[Painting by Lois Mailou Jones (copy photograph) : acetate film photonegative,]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Painter:
Jones, Lois Mailou, 1905-1998  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 24
Type:
Archival materials
Photographs
Copy negatives
Date:
1939
Biographical / Historical:
Lois Mailou Jones: painter and teacher; b. in Boston, 1905; taught at Howard Univ. in Washington, 1930-77; d. June 9, 1998 in Washington at age 92 (N.Y. Times, June 13, 1998).
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women artists -- 1930-1940 -- Washington (D.C.)  Search this
African American women artists -- 1930-1940  Search this
African American artists as teachers -- 1930-1940 -- Washington (D.C.)  Search this
African American painting -- 1930-1940 -- Washington (D.C.)  Search this
Paintings (copies) -- 1930-1950.  Search this
Paintings -- Photographs -- 1930-1940 -- Washington D.C.  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Copy negatives
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref455

[Painting by Lois Mailou Jones (copy photograph) : acetate film photonegative,]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Painter:
Jones, Lois Mailou, 1905-1998  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 25
Type:
Archival materials
Photographs
Copy negatives
Date:
1938
Biographical / Historical:
Lois Mailou Jones: painter and teacher; b. in Boston, 1905; taught at Howard Univ. in Washington, 1930-77; d. June 9, 1998 in Washington at age 92 (N.Y. Times, June 13, 1998).
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women artists -- 1930-1940 -- Washington (D.C.)  Search this
African American women artists -- 1930-1940  Search this
African American artists as teachers -- 1930-1940 -- Washington (D.C.)  Search this
Paintings -- Photographs -- 1930-1940 -- Washington D.C.  Search this
African American painting -- 1930-1940 -- Washington (D.C.)  Search this
Paintings (copies) -- 1930-1950.  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Copy negatives
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref499

Evans-Tibbs Collection

Photographer:
Apeda Studio (New York, N.Y.)  Search this
Camuzzi, M.  Search this
Harris & Ewing  Search this
Creator:
Sommariva, Emilio, Photographer, 1883-1956  Search this
Harris, Fred (photographer)  Search this
Names:
Anderson, Marian, 1897-1993  Search this
Evanti, Lillian, Mme. (Lillian Evans Tibbs), 1890-1967  Search this
Garrison, William Lloyd, 1805-1879  Search this
Jones, Lois Mailou, 1905-1998  Search this
Moton, Robert Russa, 1867-1940  Search this
Murray, Daniel Alexander Payne, 1852-1925  Search this
Tibbs, Thurlow Evans, Jr., (1952-1997)  Search this
Extent:
25.54 Linear feet (46 boxes; 3 cabinet drawers)
Type:
Collection descriptions
Archival materials
Photograph albums
Sheet music
Letters (correspondence)
Place:
Washington (D.C.)
Oberlin (Ohio)
Date:
circa 1850-1997
Biographical/Historical note:
The Evans-Tibbs collection form part of the family papers acquired from the Evans-Tibbs Collection museum, which closed in 1996, and centers around the life of Lillian Evans Tibbs. The museum was formerly the home of Evans, the first African American woman to sing opera with an organized European company. She was born in Washington, DC to a cultured, well-educated, middle-class family. Her mother was Annie Lillian Evans, a music teacher in the DC public school system, and her father was Wilson Bruce Evans, organizer and first principal of Armstrong Technical High School in Washington, DC. Hiram Revels, the first black U.S. senator, was her great-uncle and two other family members are credited with taking part in John Borwn's raid on Harper's Ferry. She married Howard University music professor, Roy W. Tibbs in 1918. Her stage name, Madame Evanti, is a combination of her last name and her husband's. Evans had one child, Thurlow Tibbs Sr., and two grandchildren, Diane Elizabeth and Thurlow Evans Tibbs. Thurlow Jr., operated the Evans-Tibbs Collection museum until 1996, a year before his death.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American families  Search this
Genre/Form:
Photograph albums
Sheet music
Letters (correspondence)
Citation:
Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.
Identifier:
ACMA.06-016
See more items in:
Evans-Tibbs Collection
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-06-016
Online Media:

The Renaissance: Black Arts of the South Exhibit Tape

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Black Swan (Sound recording label)  Search this
Connie's Inn (New York, N.Y.)  Search this
Cotton Club  Search this
National Association for the Advancement of Colored People  Search this
National Urban League  Search this
Savoy Ballroom (Harlem, New York, N.Y.)  Search this
Small's Paradise (Nightclub : Harlem, New York, N.Y.)  Search this
Universal Negro Improvement Association  Search this
Barthé, Richmond, 1901-1989  Search this
Bledsoe, Jules, 1898-1943  Search this
Burleigh, H. T. (Harry Thacker), 1866-1949  Search this
Cullen, Countee, 1903-1946  Search this
Douglas, Aaron  Search this
Du Bois, W. E. B. (William Edward Burghardt), 1868-1963  Search this
Ellington, Duke, 1899-1974  Search this
Fauset, Jessie Redmon  Search this
Fuller, Meta Warrick, 1877-1968  Search this
Garvey, Marcus, 1887-1940  Search this
Gilpin, Charles S. (Charles Sidney), 1878-1930  Search this
Hayes, Roland, 1887-1977  Search this
Henderson, Fletcher, 1897-1952  Search this
Hughes, Langston, 1902-1967  Search this
Johnson, Charles Spurgeon, 1893-1956  Search this
Johnson, Georgia Douglas, 1886-1966  Search this
Johnson, James Weldon, 1871-1938  Search this
Johnson, Sargent, 1888-1967  Search this
Johnson, William H., 1901-1970  Search this
Jones, Lois Mailou, 1905-1998  Search this
Larsen, Nella  Search this
Locke, Alain, 1885-1954  Search this
McKay, Claude, 1890-1948  Search this
Motley, Archibald John, 1891-1981  Search this
Randolph, A. Philip (Asa Philip), 1889-1979  Search this
Richardson, Willis, 1889-1977  Search this
Robeson, Paul, 1898-1976  Search this
Smith, Bessie, 1894-1937  Search this
Smith, Mamie  Search this
Still, William Grant, 1895-1978  Search this
Thurman, Wallace, 1902-1934  Search this
Toomer, Jean, 1894-1967  Search this
Van Vechten, Carl, 1880-1964  Search this
Walker, C. J., Madam, 1867-1919  Search this
White, Walter, 1893-1955  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Extent:
1 sound recording (open reel, 1/4 inch)
1 sound recording (audio cassette)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Narration
Place:
Harlem (New York, N.Y.)
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1985
Scope and Contents:
During the audio tour of exhibition, The Renaissance: Black Arts of the Twenties, narrator Robert Hall presents the evolution and achievements of black creative expression beginning in Harlem and spreading across the United States during th 1920s. Literary, visual, performance, and cinematic achievements are profiled. Including brief biographical histories and achievements by Marcus Garvey, James Weldon Johnson, Jessie Fauset, A. Philip Randolph, Claude McKay, Nella Larson, Carl Van Vechten, Countee Cullen, Alain Locke, Harry T. Burleigh, Paul Robeson, Roland Hayes, Lois Mailou Jones, Jules Bledsoe, Fletcher Henderson, Bessie Smith, and Mamie Smith.
Self guided audio tour narration. Part of The Renaissance: Black Arts of the Twenties Audiovisual Records. AV001362: master. Undated.
Biographical / Historical:
The exhibition - The Renaissance: Black Arts of the Twenties - showcased the evolution and achievements of the Renaissance, which was the explosion of literary, visual, performance, and cinematic creativity generated by black artists between the end of World War I and the early days of the Great Depression. Represented is the creativity of Marian Anderson, Richard Barthe, Countee Cullen, Aaron Douglas, Duke Ellington, Meta Warrick Fuller, Roland Hayes, Zora Neale Hurston, Malvin Gray Johnson, Alain Locke, "Jelly Roll" Morton, Paul Robeson, George Schuyler, and Wallace Thurman, among others. The exhibition, held at the Anacostia Neighborhood Museum, ran from September 1985 - December 1986.
Local Numbers:
ACMA AV001362
General:
Title transcribed from physical asset.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
African American women  Search this
Harlem Renaissance  Search this
African American authors  Search this
African American women authors  Search this
Authors  Search this
African American poets  Search this
Poets  Search this
African American artists  Search this
Artists  Search this
Sculpture  Search this
Painting  Search this
African Americans in the performing arts  Search this
Dramatists  Search this
Musical theater  Search this
African American musicians  Search this
Musicians  Search this
Spirituals (Songs)  Search this
Jazz  Search this
Blues (Music)  Search this
Museum exhibits  Search this
Genre/Form:
Sound recordings
Narration
Citation:
The Renaissance: Black Arts of the South Exhibit Tape, Exhibition Records AV03-024, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-024, Item ACMA AV002682
See more items in:
The Renaissance: Black arts of the Twenties exhibition records
The Renaissance: Black arts of the Twenties exhibition records / Series ACMA AV03-024: The Renaissance: Black arts of the Twenties audiovisual records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-03-024-ref503

Inspiration: 1961–1989 Exhibition Records

Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Names:
Anacostia Neighborhood Museum  Search this
District of Columbia Art Association  Search this
Conway, Wallace X., Sr., 1920-  Search this
Dempsey, Richard W., 1909-  Search this
Dorsey, William, 1926-  Search this
Jones, Lois Mailou, 1905-1998  Search this
Pierce, Delilah W., 1904-  Search this
Robinson, Peter L., 1922-  Search this
Extent:
0.84 Linear feet (2 boxes)
Type:
Collection descriptions
Archival materials
Photographic prints
Slides (photographs)
Catalogs
Correspondence
Exhibition records
Transparencies
Exhibit scripts
Place:
Washington (D.C.)
Date:
1989-01 - 1989-03
Summary:
An exhibition of selected works by artists affiliated with the DCAA. The show was curated by William Dorsey, Delilah Pierce, and Peter L. Robinson Jr. and exhibited at the Anacostia Museum of the Smithsonian Institution from January 1989 to March 1989. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, exhibit scripts, administrative records, loan agreements, floor plans, and catalogues.
Restrictions:
Use of materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
Museum exhibits  Search this
African American artists  Search this
Genre/Form:
Photographic prints
Slides (photographs)
Catalogs
Correspondence
Exhibition records -- 1967-1989
Transparencies
Exhibit scripts
Citation:
Inspiration: 1961–1989 exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-005
See more items in:
Inspiration: 1961–1989 Exhibition Records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-03-005
Online Media:

Lois Mailou Jones scrapbooks

Creator:
Jones, Lois Mailou, 1905-1998  Search this
Names:
Howard University  Search this
Bernard, Emile, 1868-1941  Search this
Extent:
5 microfilm reels (27 volumes on 5 microfilm reels)
Type:
Collection descriptions
Archival materials
Microfilm reels
Scrapbooks
Place:
Africa, French-speaking West -- Description and Travel
Date:
1922-1992
Scope and Contents:
This microfilm collection contains Lois Mailou Jones' scrapbooks documenting her career as an African American artist and educator. Scrapbooks contain correspondence (1928-1992) primarily regarding Jones' exhibitions, Howard University, and her art education in Paris, and include a letter and photograph from Emile Bernard; photographs of Jones in her Washington, D.C. and Paris studios, her work, and her extensive travels through Africa and Haiti; and printed material including exhibition announcements, catalogs, and clippings (1922-1992) of reviews, interviews, and articles on the European and African influences in her work. Also included are her resume, materials submitted for the Rosenwald Fellowship, and notes related to her coordination of the 1974 exhibition Paintings by Women Artists of the Caribbean and Afro-American Women Artists.
Biographical / Historical:
Lois Mailou Jones (1905-1998) was an African American painter, designer, and educator in Washington, DC. Jones studied at the Boston Museum School of Fine Arts and at the Academie Julian in Paris. She was professor of design and watercolor at Howard University from 1930-1977. She married Haitian graphic designer Vergniaud Pierre-Noel in 1953 and the couple frequently returned to Haiti. In 1970 she served as cultural ambassador to Africa for the United States Information Agency.
Provenance:
Lent for microfilming by Lois Mailou Jones, 1990 and 1992.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Educators -- Washington (D.C.)  Search this
Painters -- Washington (D.C.)  Search this
Topic:
African American art -- African influences  Search this
African American art -- European influences  Search this
Art, Haitian  Search this
African American artists  Search this
Women artists  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.jonelois
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jonelois

Lois Mailou Jones scrapbooks, 1922-1992

Creator:
Jones, Lois Mailou, 1905-1998  Search this
Subject:
Bernard, Emile  Search this
Howard University  Search this
Type:
Scrapbooks
Place:
Africa, French-speaking West -- Description and travel
Topic:
African American art -- African influences  Search this
African American art -- European influences  Search this
Art, Haitian  Search this
African American artists  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)9983
(DSI-AAA_SIRISBib)212709
AAA_collcode_jonelois
Theme:
Women
African American
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212709

Lois M. Jones holiday card to Martin Birnbaum

Creator:
Jones, Lois Mailou, 1905-1998  Search this
Birnbaum, Martin, 1878-1970  Search this
Type:
Correspondence
Date:
ca. 1937
Topic:
Animals  Search this
Record number:
(DSI-AAA)13266
See more items in:
Martin Birnbaum papers, 1862-1967, bulk 1920-1967
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13266
Online Media:

Boats at Theoule, (painting)

Title:
Bai de Theoule, (painting)
Painter:
Jones, Lois Mailou 1905-1998  Search this
Medium:
Oil on linen burlap canvas
Type:
Paintings
Owner/Location:
Johnson Collection, The 100 Dunbar Street, Suite 203 Spartanburg South Carolina 29306 Accession Number: 2020.01.01
Date:
1965
Topic:
Landscape--France--Theoule-sur-mer  Search this
Architecture--Boat  Search this
Control number:
IAP 68670573
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_475827

Black Perspective Series: Lois Mailou Jones

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Jones, Lois Mailou, 1905-1998  Search this
Martin-Felton, Zora  Search this
Collection Creator:
Anacostia Community Museum  Search this
Extent:
1 video recording (open reel, 1/2 inch)
Culture:
African American  Search this
Type:
Archival materials
Video recordings
Video recordings
Lectures
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1972
Scope and Contents:
Lois Mailou Jones discusses achievements of black artists and shows slides of their work. She also provides a history of black artists and their work. Zora Martin-Felton introduces Lois Mailou Jones.
Lecture. AV003201: lecture begins at 000745 and recording does not include complete lecture [beginning of recording consists of Black Perspective Series: Dr. Alyce Gullattee]. Part of ACM Museum Events, PR, and Ceremonies Recordings. Dated 19720301.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Topic:
African Americans  Search this
Artists  Search this
African American artists  Search this
African American art  Search this
Art  Search this
Harlem Renaissance  Search this
Black Arts movement  Search this
Genre/Form:
Video recordings
Lectures
Citation:
Black Perspective Series: Lois Mailou Jones, Record Group AV09-023, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.AV09-023, Item ACMA AV003201
See more items in:
Museum Events, Programs, and Projects, 1967-1989
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-av09-023-ref533

Africa, (painting)

Painter:
Jones, Lois Mailou 1905-1998  Search this
Medium:
Oil on canvas board
Culture:
African  Search this
Type:
Paintings
Owner/Location:
Johnson Collection, The 100 Dunbar Street, Suite 203 Spartanburg South Carolina 29306 Accession Number: 2016.10.02
Date:
1935
Topic:
Landscape--Africa  Search this
Figure group--Female  Search this
Ethnic  Search this
Dress--Accessory--Jewelry  Search this
Control number:
IAP 68670383
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_467876

Indian Shops, Gay Head, Massachusetts, (painting)

Painter:
Jones, Lois Mailou 1905-1998  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
National Gallery of Art Fourth Street & Constitution Avenue, N.W Washington District of Columbia 20565
Date:
1940
Topic:
Landscape--Massachusetts--Gay Head  Search this
Landscape--Coast  Search this
Architecture exterior--Commercial--Store  Search this
Control number:
IAP 08260926
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_459902

The Green Door, (painting)

Painter:
Jones, Lois Mailou 1905-1998  Search this
Medium:
Watercolor on paper
Type:
Paintings
Owner/Location:
National Gallery of Art Fourth Street & Constitution Avenue, N.W Washington District of Columbia 20565
Date:
1981
Topic:
Landscape  Search this
Architecture exterior--Detail--Door  Search this
Figure group  Search this
Control number:
IAP 08261011
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_460315

Thurlow Evans Tibbs, (painting)

Painter:
Jones, Lois Mailou 1905-1998  Search this
Subject:
Tibbs, Thurlow Evans  Search this
Medium:
Pastel on paper
Culture:
African American  Search this
Type:
Paintings
Owner/Location:
National Gallery of Art Fourth Street & Constitution Avenue, N.W Washington District of Columbia 20565
Date:
1943
Topic:
Portrait male--Bust  Search this
Ethnic  Search this
Control number:
IAP 08261012
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_460316

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