Discussion of white spirituals; Andrew Rowan Summers- Boundless Mercy (frag); Roscoe Holcomb- True Love (Little Glass of Wine); Bessie Jones- God Moves on the Water (Titanic); John Cohen- Talking Hard Luck
Local Numbers:
FW-ASCH-7RR-1842
General:
CDR copy Tape Info: The following tapes were recorded at the 1962 University of California - Berkeley Folk Festival. Many other tapes in the CFCH Archives were recorded at the same festival. FW-ASCH-7RR-1842 is reel 2 of Round Robin #2, recorded 6/29/1962. For reel 1 of Round Robin #2, see FW-ASCH-7RR-1838. Performers are the same as on reel 1 (John Cohen, Bessie Jones, Andrew Rowan Summers), with the addition of Roscoe Holcomb.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Memorial Cemetery of St. John's Church (Syosset, New York)
United States of America -- New York -- Nassau County -- Oyster Bay -- Syosset
Scope and Contents:
The folder includes a worksheet, topographical and planting plans, additional narrative and visual documentation about the site, and a plant list from 1924.
General:
This 37-acre site was given to St. John's Church by John Devine Jones in 1862. The De Forest family, local estate owners, bought approximately one-third of this parcel from the church with the intention of creating a private family memorial park and in 1918 hired Olmsted Brothers to design it. The result, with the appearance of a park or nature preserve, includes curving paths that follow the naturally rolling land; dark, simple tomb slabs of black slate that from a distance look more like natural stones than gravestones; and low stone walls and steps that lead to and help define family plots. These plots, which are as much as a half acre in size, are also defined by the shrubs and trees the Olmsteds selected and sited. Among these are native plants such as Cornus florida (flowering dogwood), Juniperus virginiana (red cedar), Rhododendron carolinianum (Carolina rhododendron), Kalmia latifolia (mountain laurel), Betula papyrifera (canoe birch), Vinca minor (common periwinkle), and diverse azaleas, viburnums, and ferns. In 1930 the family heirs (De Forests and Whitmans) sold their private cemetery back to the church, which subsequently commissioned Olmsted Brothers to design the remainder of the estates section of the cemetery.
Persons and firms associated with the property include: John Devine Jones (former owner, before 1862); the De Forest family (former owners, 1918-1930); William J. Carew (superintendent, 2002); and Olmsted Brothers (landscape architects, 1918, 1932, 1958).
Related Materials:
Memorial Cemetery of St. John's Church related holdings consist of 1 folder (10 35 mm. slides)
Records related to this site can be found at the Frederick Law Olmsted National Historic Site, Olmsted Job Number 05571, DeForest Burial Plot.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Hand colored; possibly copied from a glass original. #225.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Elizabeth Peyton and Dodie Kazanjian. Interviews with Elizabeth Peyton, Gavin Brown, Laura Hoptman, and an unnamed man, 2004 May 21-2005 September 28. Dodie Kazanjian papers, 1949-2017. Archives of American Art, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Descriptive Summary: 367f., b&w, an excerpt from the film of the same name
Copyright: 1944
Corporate Creator: Warner Brothers
Producer: Gordon Hollingshead
Director: Gjon Mili
Performer(s): Lester Young, Red Callender, Harry Edison, Marlowe Morris, Sidney Catlett, Barney Kessel, Joe Jones, John Simmons, Illinois Jacquet, Marie Bryant, Archie Savage
Song Title(s):
1. "Blues", solos by Prez and Sweets
2. "On the Sunny Side of the Street", vocals by Bryant, solo by Young
3. Unidentified up tempo number, solos by Jacquet and Edison, Young, Kessel, Edison, and Morris
Video reference copy
Collection Restrictions:
Collection is open for research but the films are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ernie Smith Jazz Film Collection, Archives Center, National Museum of American History.
Sponsor:
America's Jazz Heritage: A Partnership of the The Lila Wallace-Reader's Digest Fund and the Smithsonian Institution provided the funding to produce many of the video master and reference copies.
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Jewelry, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
103 Old Traditions in New Settings: Adornment Traditions / Dorothy Osei-Kuffuor, Peter Pipim.
Local Numbers:
FP-1997-CT-0278-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, July 2, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Sounds of the South --Blue Ridge Mountain music --Roots of the blues --White spirituals --American folk songs for children --Negro church music --The Blues roll on.
210 The Old Hickory Cane / Mountain Ramblers, Cullen Galyean. Banjo,Guitar.
208 Big Ball in Boston (Big Ball in Cowtown) / Mountain Ramblers, Cullen Galyean. Banjo,Guitar.
211 John Brown / Hobart Smith. Banjo.
212 Poor Ellen Smith / Hobart Smith. Banjo.
213 Liza Jane / Mountain Ramblers. Banjo,Guitar.
214 Shady Grove / Mountain Ramblers, Cullen Galyean. Banjo,Guitar.
301 Jim and John / Ed Young, Lonnie Young. Fife,Drum.
307 Chevrolet (Diamond Ring) / Ed Young, Lonnie Young. Fife,Drum.
308 Oree / Ed Young, Lonnie Young. Fife,Drum.
302 Wild Ox Moan, The (Black Woman) / Vera Hall.
303 Been Drinkin' Water Out of a Hollow Log / Fred McDowell. Guitar.
305 Shake 'Em on Down / Fred McDowell, Fannie Davis, Miles Pratcher. Guitar,Comb.
312 Freight Train Blues / Fred McDowell. Guitar.
304 All Nihgt Long / Miles Pratcher, Bob Pratcher. Guitar,Fiddle.
306 Levee Camp Reminiscience / Forest City Joe, Joe B. Pugh. Harmonica.
309 Levee Camp Holler / Johnny Moore.
310 Eighteen Hammers / Johnny Moore.
311 Train Time / Forest City Joe, Joe B. Pugh. Harmonica.
313 Drink on Little Girl / Forest City Joe, Joe B. Pugh. Harmonica.
401 Tribulations / E.C. Ball, Blair Reedy, Larry Richardson. Guitar.
402 When I Get Home / E.C. Ball, Blair Reedy, Larry Richardson. Guitar.
403 Wayfairing Stranger / E.C. Ball. Guitar.
408 Please Let Me Stay a Little Longer / E.C. Ball, Blair Reedy, Larry Richardson. Guitar.
409 Father, Jesus Loves You / E.C. Ball. Guitar.
410 Lonesome Valley / E.C. Ball, Orna Ball, Blair Reedy, Larry Richardson. Guitar.
411 Father Adieu / E.C. Ball. Guitar.
414 The Cabin on the Hill / E.C. Ball, Orna Ball, Blair Reedy, Larry Richardson. Guitar.
404 Baptizing Down by the Creek / Mountain Ramblers. Banjo,Guitar.
412 The Old Country Church / Mountain Ramblers. Banjo,Guitar.
405 Baptizing Down by the Creek / I.D. Beck.
406 Antioch / W.W. Kidd, Alabama Sacred Harp Singers.
407 Calvary / W.W. Kidd, Alabama Sacred Harp Singers.
413 Little Moses / Neil Morris. Guitar.
601 Death, Have Mercy (Oh Death) / Vera Hall.
602 I Want Jesus to Walk with Me / Fred McDowell, James Shorty.
603 Jesus is Real to Me / Lee, Mary and Congregation.
604 I Love the Lord / Chrenshaw, R.C. and Congregation.
605 A Sermon Fragment / G.I. Townsel.
606 I'm Going Home on the Morning Train / Chrenshaw, R.C. and Congregation.
607 Power / Wigley. Mattie & Congregation.
608 On That Rock / Ed Young, Lonnie Young, Viola James. Fife,Drum.
609 Jesus on the Main Line / James Shorty, Viola James.
610 This Little Light of Mine / James Shorty, Viola James.
611 I'm Gonna Sail Like a Ship on the Ocean / St. Simon's Island Singers, Henry Morrison.
612 Blow Gabriel / Bessie Jones, John Davis, St. Simon's Island Singers.
613 Motherless Children / Fred McDowell, Felix Dukes.
614 What Do You Think About Jesus (He's All Right) / Bernice MacClellan.
701 Boogie Children / Boy Blue, Joe Lee, Willie Jones. Guitar,Harmonica.
702 She Lived Her Life Too Fast / Forest City Joe, Sonny Boy Rogers, Thomas Martin. Guitar,Harmonica.
706 She Don't Love Me That Way / Forest City Joe, Sonny Boy Rogers, Thomas Martin. Guitar,Harmonica.
707 Stop Breaking Down / Forest City Joe, Sonny Boy Rogers, Thomas Martin. Guitar,Harmonica.
711 Red Cross Store / Forest City Joe. Piano.
712 Forest City Jump / Forest City Joe, Sonny Boy Rogers, Thomas Martin. Guitar,Harmonica.
708 Joe Lee's Rock / Boy Blue, Joe Lee, Willie Jones. Guitar,Harmonica.
703 Drop Down Mama / Fred McDowell. Guitar.
710 When You Get Home, Write Me a Few of Your Lines / Fred McDowell. Guitar.
704 Sitting on Top of the World / Ed Young, Lonnie Young. Fife,Drum.
705 Cool Water Blues / John Dudley. Guitar.
709 Bullyin' Well / Rosa Lee Hill. Guitar.
Local Numbers:
FW-ASCH-LP-3601
Atlantic.1346-1352
Publication, Distribution, Etc. (Imprint):
New York Atlantic 1961
Date/Time and Place of an Event Note:
Recorded in: Tennessee, Kentucky, Alabama, Mississippi, Georgia, Virginia, Arkansas, North Carolina, United States.
General:
Program notes by Gary Kramer and the editor on containers ; discussion of the music and musicians by the editor ([4] p.) inserted in containers. Production notes: Recorded summer 1959.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
