Skip to main content Smithsonian Institution

Search Results

Collections Search Center
58 documents - page 1 of 3

New Canaan -- Glass House

Architect:
Johnson, Philip, 1906-2005  Search this
Former owner:
Johnson, Philip, 1906-2005  Search this
Whitney, David, 1939-2005  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Glass House (New Canaan, Connecticut)
United States of America -- Connecticut -- Fairfield -- New Canaan
Scope and Contents:
The folders include worksheets, photocopies of articles and other information.
General:
An iconic structure of glass and steel created by architect Philip Johnson, Glass House was completed in 1949. The house has no interior walls and provides uninterupted views of the landscape from all four sides of the structure. The original property as it was purchased in 1946 spanned five acres. Glass House and its companion structure, Brick House, were the inaugural architectural projects to be built on the property. Over the next fifty years Philip Johnson and David Whitney acquired additional land expanding the holding to 47 acres, and fourteen architectural structures. The Philip Johnson Glass House, once the architect's personal residence, is now a National Trust Historic Site.
Persons associated with the property include: Philip Johnson (former owner, architect, 1949-2005); David Whitney (former owner, -2005).
Related Materials:
Glass House related holdings consist of 2 folders (3 35mm slides; 6 safety film negatives; 1 photographic print)
For more information about the Glass House, please consult the National Trust for Historic Preservation and The Philip Johnson Glass House, 199 Elm Street, New Canaan, Ct 06840, website: http://philipjohnsonglasshouse.org email: glasshouse@nthp.org
See others in:
Maida Babson Adams American Garden collection, circa 1960-1994.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Connecticut -- New Canaan  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File CT145
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Connecticut
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb606c3c181-98bf-45b0-b9ca-0210ce923469
EDAN-URL:
ead_component:sova-aag-gca-ref21679

[Glass House]

Architect:
Johnson, Philip, 1906-2005  Search this
Sculptor:
Morris, Robert Lee, 1947-  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col., 35mm.)
Type:
Archival materials
Slides (photographs)
Place:
Glass House (New Canaan, Connecticut)
United States of America -- Connecticut -- Fairfield County -- New Canaan
Date:
1986 Sept.
General:
Created by architect Philip Johnson, Glass House was completed in 1949. The iconic glass and steel structure has no interior walls and provides uniterupted views of the surrounding landscape from all four sides of the structure. The Philip Johnson Glass House, once the architect's personal residence, is now a National Trust Historic Site.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Connecticut -- New Canaan  Search this
Walls, stone  Search this
Lawns  Search this
Houses  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item CT145001
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Connecticut / CT145: New Canaan -- Glass House
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6928c6f08-745b-4dff-9844-3b2d8836f95c
EDAN-URL:
ead_component:sova-aag-gca-ref22483

[Glass House]

Architect:
Johnson, Philip, 1906-2005  Search this
Sculptor:
Morris, Robert Lee, 1947-  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col., 35mm.)
Type:
Archival materials
Slides (photographs)
Place:
Glass House (New Canaan, Connecticut)
United States of America -- Connecticut -- Fairfield County -- New Canaan
Date:
1986 Sept.
General:
The glass house is non-traditional within a setting of trees that provide protection and a view from every room.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Connecticut -- New Canaan  Search this
Arcades (Architecture)  Search this
Ponds  Search this
Woodlands  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item CT145002
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Connecticut / CT145: New Canaan -- Glass House
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb66377660c-8fad-4f17-a085-bd84aaa36d5c
EDAN-URL:
ead_component:sova-aag-gca-ref22484

[Glass House]

Architect:
Johnson, Philip, 1906-2005  Search this
Sculptor:
Morris, Robert Lee, 1947-  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col., 35mm.)
Type:
Archival materials
Slides (photographs)
Place:
Glass House (New Canaan, Connecticut)
United States of America -- Connecticut -- Fairfield County -- New Canaan
Date:
1986 Sept.
General:
The glass house is non-traditional within a setting of trees that provide protection and a view from every room.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Connecticut -- New Canaan  Search this
Sculpture  Search this
Lawns  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item CT145003
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Connecticut / CT145: New Canaan -- Glass House
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb605d076ce-a0ec-4fa3-9c85-de2fb82f5a8f
EDAN-URL:
ead_component:sova-aag-gca-ref22485

New Canaan -- Glass House

Architect:
Johnson, Philip, 1906-2005  Search this
Former owner:
Johnson, Philip, 1906-2005  Search this
Whitney, David, 1939-2005  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Type:
Archival materials
Place:
Glass House (New Canaan, Connecticut)
United States of America -- New Jersey -- Fairfield County -- New Canaan
Scope and Contents:
The folders include worksheets, photocopies of articles and other information.
General:
An iconic structure of glass and steel created by architect Philip Johnson, Glass House was completed in 1949. The house has no interior walls and provides uninterupted views of the landscape from all four sides of the structure. The original property as it was purchased in 1946 spanned five acres. Glass House and its companion structure, Brick House, were the inaugural architectural projects to be built on the property. Over the next fifty years Philip Johnson and David Whitney acquired additional land expanding the holding to 47 acres, and fourteen architectural structures. The Philip Johnson Glass House, once the architect's personal residence, is now a National Trust Historic Site.
Persons associated with the property include: Philip Johnson (former owner, architect, 1949-2005); David Whitney (former owner, -2005).
Related Materials:
Glass House related holdings consist of 2 folders (3 35mm slides; 6 safety film negatives; 1 photographic print)
For more information about the Glass House, please consult the National Trust for Historic Preservation and The Philip Johnson Glass House, 199 Elm Street, New Canaan, Ct 06840, website: http://philipjohnsonglasshouse.org email: glasshouse@nthp.org
See others in:
Garden Club of America collection, ca. 1920-[ongoing].
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Connecticut -- New Canaan  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, File CT145
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Garden Images by Subject / 1.2: Delaware
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6c14402b5-7142-4d07-82b0-6322c0307d9e
EDAN-URL:
ead_component:sova-aag-adm-ref1046

[Glass House]: a gravel path leads to the house.

Architect:
Johnson, Philip, 1906-2005  Search this
Photographer:
Adams, Molly, 1918-2003  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Extent:
1 Safety film negative (black-and-white, 2 x 2 in.)
Type:
Archival materials
Safety film negative
Safety film negatives
Place:
Glass House (New Canaan, Connecticut)
United States of America -- New Jersey -- Fairfield County -- New Canaan
Date:
1971 Feb.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Connecticut -- New Canaan  Search this
Houses  Search this
Lawns  Search this
Trees  Search this
Walkways, gravel  Search this
Genre/Form:
Safety film negatives
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, Item CT145004
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Garden Images by Subject / 1.2: Delaware / CT145: New Canaan -- Glass House
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6c62d4dac-3aa8-47b1-b27a-846fc4187d89
EDAN-URL:
ead_component:sova-aag-adm-ref1047

[Glass House]: lawn furniture provides seating outside of the Glass House.

Architect:
Johnson, Philip, 1906-2005  Search this
Photographer:
Adams, Molly, 1918-2003  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Extent:
1 Safety film negative (black-and-white, 2 x 2 in.)
Type:
Archival materials
Safety film negative
Safety film negatives
Place:
Glass House (New Canaan, Connecticut)
United States of America -- New Jersey -- Fairfield County -- New Canaan
Date:
1971, Feb.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Connecticut -- New Canaan  Search this
Houses  Search this
Lawns  Search this
Trees  Search this
Lawn chairs  Search this
Outdoor furniture  Search this
Genre/Form:
Safety film negatives
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, Item CT145005
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Garden Images by Subject / 1.2: Delaware / CT145: New Canaan -- Glass House
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb68c8767b6-26a0-44d3-8147-194fc4f3ee2f
EDAN-URL:
ead_component:sova-aag-adm-ref1048

[Glass House]: interior view featuring 'Burial of Phocion' by Nicolas Poussin and Mies van der Rohe furniture.

Architect:
Johnson, Philip, 1906-2005  Search this
Photographer:
Adams, Molly, 1918-2003  Search this
Creator:
Mies van der Rohe, Ludwig, 1886-1969  Search this
Poussin, Nicolas, 1594?-1665  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Extent:
1 Safety film negative (black-and-white, 2 x 2 in.)
Type:
Archival materials
Safety film negative
Safety film negatives
Place:
Glass House (New Canaan, Connecticut)
United States of America -- New Jersey -- Fairfield County -- New Canaan
Date:
1971, Feb.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Connecticut -- New Canaan  Search this
Houses  Search this
Interior views  Search this
Furniture  Search this
Works of art  Search this
Genre/Form:
Safety film negatives
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, Item CT145007
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Garden Images by Subject / 1.2: Delaware / CT145: New Canaan -- Glass House
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6238a7f18-1052-42be-bda9-efd5b73b0f96
EDAN-URL:
ead_component:sova-aag-adm-ref1049

New Canaan -- Wiley Garden

Landscape architect:
Stege, Friede R.  Search this
Architect:
Johnson, Philip, 1906-2005  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Type:
Archival materials
Place:
Wiley Garden (New Canaan, Connecticut)
United States of America -- Connecticut -- New Canaan -- Fairfield County
Scope and Contents:
The folder includes worksheets and articles.
General:
Wiley House was designed by Philip Johnson for the Wiley Family in 1952. This site features a restored barn, swimming pool, and modern house, incorporating unusual interior plantings that are documented in some of the images. The landscape design may have been by Friede Stege.
This house and garden were included in the 1955 and 1957 Modern House tours in New Canaan.
Persons associated with the garden include: Friede Stege? (landscape architect), Philip Johnson (architect, 1952), John C. Smith (former owner).Robert C. Wiley (former owner, 1952), Archbishop of New York (1978), Howell D. and Linda K. Wood (former owners, 1979), and Frank P. Gallipoli, 1994).
Related Materials:
Wiley Garden related holdings consist of 1 folder (1 photoprint; 9 negatives)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Connecticut -- New Canaan  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, File CT336
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Garden Images by Subject / 1.2: Delaware
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6e61896f7-4140-43c3-bba1-5ffebb58d0f1
EDAN-URL:
ead_component:sova-aag-adm-ref602

Philip Johnson la casa di cristallo David Whitney, Jeffrey Kipnis ; fotografie di Václav S̆edý

Title:
Casa di cristallo
Author:
Whitney, David 1939-2005  Search this
Johnson, Philip 1906-2005  Search this
Physical description:
136 pages illustrations (some color) 29 cm
Type:
Books
Date:
1996
Topic:
Glass House (New Canaan, Conn.)  Search this
Johnson, Philip  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1111819

Oral history interview with Margaret Scolari Barr relating to Alfred H. Barr

Interviewee:
Barr, Margaret Scolari, 1901-1987  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Museum of Modern Art (New York, N.Y.)  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Clark, Stephen C. (Stephen Carlton), b. 1882  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Hitchcock, Henry-Russell, 1903-1987  Search this
Johnson, Philip, 1906-2005  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Extent:
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1974 February 22-May 13
Scope and Contents:
An interview of Margaret Scolari Barr conducted 1974 February 22-1974 May 13, by Paul Cummings, for the Archives of American Art.
The interview primarily concerns her husband, Alfred Hamilton Barr, Jr., the director of the Museum of Modern Art, but also touches upon her childhood in Italy, her educational background, and teaching at Vassar. She discusses her husband's career with the Museum of Modern Art, including his travel and entertaining for the museum, borrowing works of art, installing exhibitions, his work methods and published writings, the Rescue Committee for European Artists in World War II, and the 1958 fire at the Museum of Modern Art. She describes Alfred Barr's firing from the Museum of Modern Art in 1943. She recalls Steven Clark, Rene D'Harnoncourt, Henry Russell Hitchcock, Philip Cortelyou Johnson, Nelson Aldrich Rockefeller, and others.
Biographical / Historical:
Margaret Scolari Barr (1901-1987) was married to Alfred Barr, the director of the Museum of Modern Art and lived in New York. Mrs. Barr taught at Vassar (Italian) and the Spence School (art history), wrote several books, and translated others. She worked closely with her husband, on numerous of his projects.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 46 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and others.
Occupation:
Art historians -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Art museum directors -- New York (State) -- New York  Search this
Topic:
Women art historians  Search this
Women educators  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.barr74
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92e8fe286-46d4-43e5-9785-b195597b3cea
EDAN-URL:
ead_collection:sova-aaa-barr74
Online Media:

Oral history interview with Leo Castelli

Interviewee:
Castelli, Leo  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Club (New York, N.Y.)  Search this
Leo Castelli Gallery  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bellamy, Richard  Search this
Callahan, Harry M.  Search this
Drouin, René  Search this
Flavin, Dan, 1933-  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Karp, Ivan C., 1926-2012  Search this
Lichtenstein, Roy, 1923-1997  Search this
List, Vera  Search this
Ludwig, Peter, 1925-  Search this
Nauman, Bruce, 1941-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Scull, Robert C.  Search this
Serra, Richard, 1938-  Search this
Solomon, Alan R.  Search this
Sonnabend, Ileana  Search this
Tremaine, Burton  Search this
Extent:
194 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1969 May 14-1973 June 8
Scope and Contents:
Interview of Leo Castelli conducted 1969 May 14-1973 June 8, by Paul Cummings, for the Archives of American Art.
Castelli speaks of his background; fleeing Europe, 1940-1941; his U.S. Army service; The Club; establishing his New York galleries; his first wife, Ileana Sonnabend, and her success as an art dealer; galleries in the 1940s and 1950s; his staff; prints; commissioned works; exhibitions and sales of works by Dan Flavin, Jasper Johns, Roy Lichtenstein, Bruce Nauman, Robert Rauschenberg, Richard Serra, Frank Stella, and others; collectors including Philip Cortelyou Johnson, Vera G. List, Peter Ludwig, Mr. and Mrs. Robert Scull, and Mr. and Mrs. Burton Tremaine. Castelli recalls Alfred H. Barr, Richard Bellamy, John Cage, René Drouin, Ivan C. Karp, and Alan Robert Solomon.
Biographical / Historical:
Leo Castelli (1907-1999) was an art dealer from New York, New York.
General:
Originally recorded as 8 sound tape reels. Reformatted in 2010 as 15 digital wav files. Duration is 14 hr., 12 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.castel69may
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw991dbedb1-b314-4a60-b12e-b9a46ecce37c
EDAN-URL:
ead_collection:sova-aaa-castel69may
Online Media:

Interview with Philip Johnson

Creator:
Johnson, Philip, 1906-2005  Search this
Goodwin, George M.  Search this
Type:
Sound Recording
Date:
1992 July 27
Record number:
(DSI-AAA)13589
See more items in:
George Goodwin interviews relating to Frank Lloyd Wright, 1992
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13589

Die Bielefelder Kunsthalle / Henry-Russel [sic] Hitchcock

Author:
Hitchcock, Henry-Russell 1903-1987  Search this
Subject:
Johnson, Philip 1906-2005  Search this
Richard Kaselowsy Haus, Kunsthalle der Stadt Bielefeld  Search this
Physical description:
48 p. : ill. (some col.), plans ; 25 cm
Type:
Books
Place:
Germany
Bielefeld
Date:
1974
Topic:
Art museums--History  Search this
Art museums  Search this
Call number:
N2253.3 .H67
N2253.3.H67
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_126926

Philip Johnson [editor, Yoshio(?) Nakamura]

Author:
Johnson, Philip 1906-2005  Search this
Nakamura, Toshio 1931-  Search this
Subject:
Johnson, Philip (Architekt)  Search this
Physical description:
301 pages illustrations (some color) 30 cm
Type:
Books
Date:
1979
Call number:
NA737.J6 F87 1979
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1111818

Jackson Pollock and Lee Krasner papers

Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Names:
Betty Parsons Gallery  Search this
Martha Jackson Gallery  Search this
Benton, Thomas Hart, 1889-1975  Search this
Brooks, James, 1906-1992  Search this
Burkhardt, Rudy  Search this
Cavaliere, Barbara  Search this
Davis, Bill  Search this
De Kooning, Willem, 1904-1997  Search this
Dehner, Dorothy, 1901-1994  Search this
Eames, Ray  Search this
Forge, Andrew  Search this
Friedman, B. H. (Bernard Harper), 1926-  Search this
Glaser, Jane R.  Search this
Gray, Cleve  Search this
Greenberg, Clement, 1909-1994  Search this
Gruen, John  Search this
Holmes, Doloris  Search this
Isaacs, Reginald R., 1911-  Search this
Janis, Sidney, 1896-1989  Search this
Johnson, Philip, 1906-2005  Search this
Kadish, Reuben, 1913-1992  Search this
Maddox, Charles  Search this
Matter, Mercedes  Search this
McCoy, Sanford, Mrs.  Search this
Miller, Daniel  Search this
Miller, Robert, 1932 Apr. 17-  Search this
Motherwell, Robert  Search this
Namuth, Hans  Search this
Ossorio, Alfonso, 1916-1990  Search this
Pollock, Charles C.  Search this
Pollock, Jackson, 1912-1956 -- Photographs  Search this
Rose, Barbara  Search this
Rouche, Burton  Search this
Smith, Tony, 1912-  Search this
Still, Clyfford, 1904-  Search this
Valliere, James  Search this
Wasserman, Tamara E.  Search this
Wright, William  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
16.1 Linear feet
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Video recordings
Photographs
Interviews
Sound recordings
Scrapbooks
Sketchbooks
Transcripts
Date:
circa 1914-1984
bulk 1942-1984
Summary:
The papers of abstract expressionist painters Jackson Pollock and wife Lee Krasner measure 16.1 linear feet and date from circa 1914 to 1984, with the bulk of the material dating from 1942 to 1984. The collection documents their personal and professional lives, as well as the legacy of Jackson Pollock's work after his death. Found are biographical material, correspondence, writings by Krasner and others, research material, business and financial records, printed material, scrapbooks, artwork by others, photographs, interview transcripts, audio and video recordings, and motion picture film.
Scope and Content Note:
The papers of abstract expressionist painters Jackson Pollock and wife Lee Krasner measure 16.1 linear feet and date from circa 1914 to 1984, with the bulk of the material dating from 1942 to 1984. The collection documents their personal and professional lives, as well as the legacy of Jackson Pollock's work after his death. Found are biographical material, correspondence, writings by Krasner and others, research material, business and financial records, printed material, scrapbooks, artwork by others, photographs, interview transcripts, audio and video recordings, and motion picture film.

The collection is divided into two series, the first of which focuses on Pollock and includes his scattered papers dating from circa 1914 to his death in 1956, as well as Krasner's papers dating from his death to 1984 about managing Pollock's legacy. This series includes biographical materials, including transcripts and audio recordings of an interview with William Wright in 1949; Pollock's and Krasner's correspondence with Thomas Hart Benton, Betty Parsons Gallery, Bill Davis, B. H. Friedman, Reginald Isaacs, Sidney Janis, Violet De Lazlo, Martha Jackson Gallery, Alfonso Ossorio, Tony Smith, and Clyfford Still, and with one another; Krasner's correspondence concerning Pollock's estate and artwork after his death; numerous writings about Pollock, including an original draft of Bryan Robertson's biography and an essay by Clement Greenberg.

James Valliere extensive research files on Pollock for a never-published biography were given to Krasner and filed in Series 1. These include scattered correspondence with Lee Krasner, and Pollock's family and friends, including Charles Pollock, Thomas Hart Benton, and Robert Motherwell. There are also transcripts of interviews Valliere conducted with Pollock's friends and colleagues, including James Brooks, Dorothy Dehner, Clement Greenberg, Reuben Kadish, Lee Krasner, Charles Maddox, Mrs. Sanford McCoy, Daniel T. Miller, Robert Miller, and Tony Smith. The original audio reels and duplicates exist for many and are filed here. Additional interviews were conducted with Willem de Kooning, Alfonso Ossorio, and Burton Rouche, but not transcribed - these are filed in Series 1.10, Audio Recordings and Motion Picture Film.

Also found in Series 1 are scattered business records documenting Krasner's handling of Pollock's estate and legacy; printed materials relating to Pollock, including published biographies, exhibition catalogs, and clippings; two scrapbooks; and a sketchbook by an unidentified artist. Numerous photographs of Pollock include childhood and family photographs, photographs of Pollock in his studio by Hans Namuth, Rudy Burckhardt, and Herbert Matter, photographs of Pollock with Lee Krasner, and exhibition photographs. Audio recordings and motion film in Series 1 include a 1964 16mm film about Pollock (VHS copies are available) and reel-to-reel recordings of untranscribed interviews of Pollock's friends and colleagues by James Valliere, including interviews with Willem de Kooning and Alfonso Ossorio. Additional transcribed interviews are filed in subseries 1.4.

Lee Krasner's papers documenting her own career are arranged in Series 2 and date from 1927-1984. Biographical materials include resumes and awards, school documents, family documentation, and exhibition lists. Her correspondence with artist friends and art colleagues is extensive and includes many letters from artists such as Philip Johnson, Ray Eames, Cleve Gray, and Hans Namuth. She also maintained correspondence with many art historians and critics, curators, gallery owners, collectors, arts-related and social organizations, admirers, and family members.

There are thirteen transcripts of interviews with Krasner by Bruce Glaser, Barbara Cavaliere, Andrew Forge, Emily Wasserman, Barbara Rose, and others. The original audio recordings for these transcripts are filed in series 2.10, along with other audio recordings for which there are no transcripts, including interviews by John Gruen, Delores Holmes, Mercedes Matter, the Martha Dean Radio Show, NBC Today Show, and WQXR radio. There are also audio recordings of Krasner's lectures in series 2.10.

Krasner's papers also include writings and reminiscences by Krasner; writings about Krasner; printed materials such as exhibition catalogs and clippings; and one scrapbook containing clippings and photographs. Numerous photographs are of Krasner, including portrait photographs taken by Hans Namuth; of Krasner with Jackson Pollock and family and friends, and of her exhibitions and artwork.

Users should note that Pollock's and Krasner's papers contain similar types of material that often overlap in subject matter, especially among the correspondence and photographs.
Arrangement:
The collection is arranged into 2 series:

Missing Title

Series 1: Jackson Pollock papers and Lee Krasner papers about Jackson Pollock, circa 1914-1984 (Box 1-7, 16, OV 18, FC 19-22; 7.4 linear feet)

Series 2: Lee Krasner papers, circa 1927-1984 (Box 7-15, 17; 8.6 linear feet)
Biographical Note:
Jackson Pollock was born in 1912, in Cody, Wyoming, the youngest of five sons. His family moved several times during his childhood, finally settling in Los Angeles. In 1930 he joined his older brother, Charles, in New York City, and studied with Regionalist painter Thomas Hart Benton at the Art Students League of New York. Pollock worked during the 1930s for the Works Progress Administration's Federal Art Project. During 1936 he worked in artist David Alfaro Siqueiros's Experimental Workshop. In 1938 he began psychiatric treatment for alcoholism, and his artwork was greatly influenced by Jungian analysis and the exploration of unconscious symbolism.

In 1943 Pollock had his first one-man exhibition at Peggy Guggenheim's New York gallery, Art of this Century, and continued to exhibit there over the next several years. A major turning point in Pollock's life and art was in 1945 when he married fellow artist Lee Krasner and moved to East Hampton, Long Island. There he developed his mature painting style, and became famous for his abstract pouring technique on large canvases. The height of his creativity spanned from 1947 to 1952, and his work was promoted by art critic Clement Greenberg. Along with other abstract expressionists including Hans Hofmann, Alfonso Ossorio, and Barnett Newman, he joined the Betty Parsons Gallery in 1947. He had his most successful one-man show in 1950 which was widely publicized and praised. This exhibition, combined with a 1949 feature article in LIFE magazine, made Pollock an American celebrity.

In 1952 Pollock moved his work to Sidney Janis Gallery and returned to earlier motifs in a search for new breakthroughs. The last few years of his life he suffered from mental and physical health problems, and in August, 1956 he died in a car accident. His wife, Lee Krasner, oversaw his estate and worked with many museums, including the Museum of Modern Art, on Pollock retrospective exhibitions.

Lee Krasner was born Lenore Krassner in 1908 in Brooklyn, New York to Russian immigrant parents. In 1926 she was admitted to the Women's Art School of The Cooper Union, and in 1928 she attended the Art Students League. After graduating from The Cooper Union in 1929, she attended the National Academy of Design until 1932. After briefly attending City College and Greenwich House, she worked for the Public Works of Art Project and the Temporary Emergency Relief Administration, and finally became an assistant in 1935 on the WPA Federal Art Project, Mural Division. From 1937 to 1940 she studied at the Hans Hofmann School of Fine Arts and began exhibiting with the American Abstract Artists group.

In 1942 Krasner met Pollock as they were both preparing to exhibit work in the same show. Although they married and she became immersed in his career, she continued to exhibit her own work with other abstract artists and from 1946 to 1949 worked on the Little Image painting series. In 1953 she began working on collages, a medium she would come back to again later in her career. After Pollock's death her work was greatly influence by her sadness and anger, creating a visible evolution of her style.

For the rest of her career, Krasner consistently exhibited her work in both group and solo exhibitions. She had her first retrospective at Whitechapel Gallery, London, in 1965, and in 1966, she joined Marlborough Gallery, New York which represented Pollock's work as well. In the 1970s and early 1980s Krasner won many awards for her achievement in the visual arts, including the Augustus St. Gaudens Medal and the Chevalier de l'Ordre des Arts et des Lettres. She returned to the medium of collage, and in 1976 joined the Pace Gallery, New York. In 1981 she joined the Robert Miller Gallery, New York. Lee Krasner continued creating art until her death in 1984.
Related Material:
Found in the Archives of American Art are the Charles Pollock Papers, 1902-1990, which includes correspondence, photographs, and other files relating to his brother, Jackson Pollock. Other resources in the Archives are oral history interviews with Lee Krasner, including a series of interviews conducted by Dorothy Seckler between 1964 and 1968, and interviews conducted by Barbara Rose in 1966 and Doloris Holmes in 1972.
Provenance:
The papers of Jackson Pollock were donated in 1983 by Lee Krasner through Eugene V. Thaw shortly before her death. Additional material about Pollock and the papers of Lee Krasner were donated in 1985 by Eugene V. Thaw, executor of Lee Krasner's estate.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Art -- Economic aspects  Search this
Abstract expressionism  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Motion pictures (visual works)
Video recordings
Photographs
Interviews
Sound recordings
Scrapbooks
Sketchbooks
Transcripts
Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.polljack
See more items in:
Jackson Pollock and Lee Krasner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ac60d2fa-adb8-4919-9ebb-ddef5dfaa3f8
EDAN-URL:
ead_collection:sova-aaa-polljack
Online Media:

Katharine Kuh papers

Creator:
Kuh, Katharine  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Biennale di Venezia  Search this
Katharine Kuh Gallery (Chicago, Ill.)  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Albright, Ivan, 1897-1983  Search this
Archipenko, Alexander, 1887-1964  Search this
Arensberg, Louise S. (Louise Stevenson), 1879-1953  Search this
Arensberg, Walter, 1878-1954  Search this
Arp, Jean, 1887-1966  Search this
Barnet, Will, 1911-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Biddle, George, 1885-1973  Search this
Breuer, Marcel, 1902-  Search this
Calder, Alexander, 1898-1976  Search this
Campoli, Cosmo  Search this
Chagall, Marc, 1887-1985  Search this
Chavez Morado, José, 1909-2002  Search this
Chermayeff, Serge, 1900-  Search this
Cornell, Joseph  Search this
Cox, Richard  Search this
Davis, Stuart, 1892-1964  Search this
Day, Worden, 1916-1986  Search this
De Kooning, Willem, 1904-1997  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Elizabeth, Queen of Great Britain, II, 1926-  Search this
Ernst, Jimmy, 1920-1984  Search this
Falkenstein, Claire, 1908-1997  Search this
Feitelson, Lorser, 1898-1978  Search this
Friendly, Fred W.  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Goto, Joseph, 1920-  Search this
Grabe, Klaus  Search this
Graves, Robert, 1895-1985  Search this
Guggenheim, Peggy, 1898-  Search this
Guston, Philip, 1913-1980  Search this
Hare, David, 1917-  Search this
Hare, Denise Browne  Search this
Hayter, Stanley William, 1901-1988  Search this
Hirshhorn, Joseph  Search this
Hofmann, Hans, 1880-1966  Search this
Hélion, Jean, 1904-1987  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Johnson, Ray, 1927-  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Juliet  Search this
Klee, Paul, 1879-1940  Search this
Kline, Franz, 1910-1962  Search this
Knox, Seymour H., 1898-1990  Search this
Le Corbusier, 1887-1965  Search this
Lundeberg, Helen, 1908-1999  Search this
Lye, Len, 1901-1980  Search this
Léger, Fernand, 1881-1955  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Millier, Arthur, 1893-  Search this
Moholy-Nagy, László, 1895-1946  Search this
Motherwell, Robert  Search this
Mérida, Carlos, 1891-1984  Search this
Nutting, Muriel Leone Tyler, b. 1892  Search this
Nutting, Myron Chester, 1890-1972  Search this
O'Higgins, Pablo, 1904-  Search this
Orozco, José Clemente, 1883-1949  Search this
Ozbekhan, Hasan, 1921-2007  Search this
Perkins, Frances  Search this
Picasso, Pablo, 1881-1973  Search this
Putnam, Wallace, 1899-1989  Search this
Ray, Man, 1890-1976  Search this
Rich, Daniel Catton, 1904-1976  Search this
Rothko, Mark, 1903-1970  Search this
Sandberg, Carl  Search this
Seligmann, Kurt, 1900-1962  Search this
Shackelford, Shelby  Search this
Shahn, Ben, 1898-1969  Search this
Spaeth, Otto, d. 1966  Search this
Sterne, Hedda, 1916-  Search this
Stevenson, Adlai E. (Adlai Ewing), 1900-1965  Search this
Still, Clyfford, 1904-  Search this
Tanning, Dorothea, 1910-2012  Search this
Tobey, Mark  Search this
Winston, Harry Lewis  Search this
Woolf, Olga  Search this
Young, Victor  Search this
Photographer:
Pollack, Peter, 1909-1978  Search this
Extent:
12 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Date:
1875-1994
bulk 1930-1994
Summary:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. The collection documents Kuh's career as a pioneer modernist art historian and as the first woman curator of European Art and Sculpture at the Art Institute of Chicago. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.
Scope and Content Note:
The papers of art historian, dealer, critic, and curator Katharine Kuh measure 12 linear feet and date from 1875-1994, with the bulk of the material dating from 1930-1994. Found within the papers are biographical material; correspondence with family, friends and colleagues; personal business records; artwork by various artists; a travel journal; writings by Kuh and others; scrapbooks; printed material; photographs of Kuh and others; and audio recordings of Kuh's lectures and of Daniel Catton Rich reading poetry.

Biographical material consists of copies of Kuh's birth certificate, resumés, passports, award certificates, honorary diplomas, and address books listing information about several prominent artists and colleagues.

Four linear feet of correspondence offers excellent documentation of Kuh's interest in art history, her travels, her career at the Art Institute of Chicago, her work as a corporate art advisor, and as an author. There are letters from her mother Olga Woolf, friends, and colleagues. There is extensive correspondence with various staff members of the Art Institute of Chicago, the First National Bank of Chicago, and The Saturday Review. Also of interest are letters from artists and collectors, several of whom became life-long friends including Walter and Louise Arensberg, Cosmo Campoli, Serge Chermayeff, Richard Cox, Worden Day, Claire Falkenstein, Fred Friendly, Leon Golub, Joseph Goto, David Hare, Denise Brown Hare, Jean Hélion, Ray Johnson, Gyorgy and Juliet Kepes, Len Lye, Wallace Putnam, Kurt Seligmann, Shelby Shackelford, Hedda Sterne, and Clyfford Still. Many letters are illustrated with original artwork in various media.

There are also scattered letters from various artists and other prominent individuals including Josef Albers, George Biddle, Marcel Breuer, Joseph Cornell, Stuart Davis, Edwin Dickinson, Joseph Hirshhorn, Daniel Catton Rich, and Dorothea Tanning.

Personal business records include a list of artwork, Olga Woolf's will, inventories of Kuh's personal art collection, miscellaneous contracts and deeds of gift, receipts for the sale of artwork, files concerning business-related travel, and miscellaneous receipts.

Artwork in the collection represents a wide range of artist friends and media, such as drawings, watercolors, paintings, collages, and prints. Included are works by various artists including lithographs by David Hare and a watercolor set, Technics and Creativity, designed and autographed by Jasper Johns for the Museum of Modern Art, 1970.

Notes and writings include annotated engagement calendars, travel journals for Germany, a guest book for the Kuh Memorial gathering, and many writings and notes by Kuh for lectures and articles concerning art history topics. Of interest are minutes/notes from meetings for art festivals, conferences, and the "Conversations with Artists Program (1961). Also found are writings by others about Kuh and other art history topics.

Six scrapbooks contain clippings that document the height of Kuh's career as a gallery director and museum curator. Scrapbook 6 contains clippings about Fernand Léger, the subject of a retrospective exhibition at the Art Institute of Chicago in 1953.

Additional printed material includes clippings about Kuh and her interests, a comprehensive collection of clippings of Kuh's articles for The Saturday Review, exhibition announcements and catalogs, calendars of events, programs, brochures, books including Poems by Kuh as a child, and reproductions of artwork. Of particular interest are the early and exhibition catalogs from the Katharine Kuh Gallery, and rare catalogs for artists including Jean Arp, Alexander Calder, Marc Chagall, Jean Dubuffet, Marcel Duchamp, Stanley William Hayter, Hans Hofmann, Wassily Kandinsky, Paul Klee, Franz Kline, Le Corbusier, Ludwig Mies van der Rohe, and Pablo Picasso.

Photographs provide important documentation of the life and career of Katharine Kuh and are of Kuh, family members, friends, colleagues, events, residences, and artwork. Several of the photographs of Kuh were taken by Will Barnet and Marcel Breuer and there is a notable pair of photo booth portraits of Kuh and a young Ansel Adams. There are also group photographs showing Angelica Archipenko with Kuh; designer Klaus Grabe; painters José Chavez Morado and Pablo O'Higgins in San Miguel, Mexico; Kuh at the Venice Biennale with friends and colleagues including Peggy Guggenheim, Frances Perkins, Daniel Catton Rich, and Harry Winston; and "The Pre-Depressionists" including Lorser Feitelson, Robert Inverarity, Helen Lundeberg, Arthur Millier, Myron Chester Nutting, and Muriel Tyler Nutting.

Photographs of exhibition installations and openings include views of the Katharine Kuh Gallery; Fernand Léger, Man Ray, and László Moholy-Nagy at the Art Institute of Chicago; and Philip Guston, Jimmy Ernst, Seymour H. Knox, Franz Kline, Robert Motherwell, and Mark Rothko at the Albright-Knox Art Gallery in Buffalo, New York. There are also photographs depicting three men posing as Léger's "Three Musicians" and the visit of Queen Elizabeth II to the Art Institute of Chicago. There is a photograph by Peter Pollack of an elk skull used as a model by Georgia O'Keeffe.

Additional photographs of friends and colleagues include Ivan Albright, Alfred Barr, Alexander Calder, Marc Chagall, Willem De Kooning, Edwin Dickinson, Marcel Duchamp, Claire Falkenstein, Alberto Giacometti, poet Robert Graves with Len Lye, Philip Johnson, Gyorgy and Juliet Kepes, Carlos Mérida, José Orozco, Hasan Ozbekhan, Pablo Picasso, Carl Sandberg, Ben Shahn, Otto Spaeth, Hedda Sterne, Adlai Stevenson, Clyfford Still, Mark Tobey, and composer Victor Young.

Photographs of artwork include totem poles in Alaska; work by various artists including Claire Falkenstein, Paul Klee, and Hedda Sterne; and work donated to the Guggenheim Museum.

Four audio recordings on cassette are of Katharine Kuh's lectures, including one about assembling corporate collections, and of Daniel Catton Rich reading his own poetry. There is also a recording of the Second Annual Dialogue between Broadcasters and Museum Educators.
Arrangement:
The collection is arranged as 9 series. Undated correspondence, artwork, and photographs of individual artists are arranged alphabetically. Otherwise, each series is arranged chronologically.

Missing Title

Series 1: Biographical Material, 1945-1992 (Box 1; 16 folders)

Series 2: Correspondence, 1908-1994 (Boxes 1-5, 13-14, OV 15; 4.0 linear feet)

Series 3: Personal Business Records, 1941-1989 (Box 5; 19 folders)

Series 4: Artwork, 1931-1986 (Boxes 5, 13-14, OVs 15-23; 1.7 linear feet)

Series 5: Notes and Writings, 1914-1994 (Boxes 5-7; 1.7 linear feet)

Series 6: Scrapbooks, 1935-1953 (Box 7; 8 folders)

Series 7: Printed Material, 1916-1992 (Boxes 7-10, 13, OV 22; 3.0 linear feet)

Series 8: Photographs, 1875-1993 (Boxes 10-13; 1.2 linear feet)

Series 9: Audio Recordings, 1977 (Box 12; 1 folder)
Biographical Note:
Katharine Kuh (1904-1994) worked primarily in the Chicago area as an modern art historian, dealer, critic, curator, writer, and consultant. She operated the Katharine Kuh Gallery from 1935-1943 and was the first woman curator of European and Art and Sculpture at the Art Institute of Chicago.

Katharine Kuh (née Woolf) was born on July 15, 1904 in St. Louis, Missouri, the youngest of the three daughters of Olga Weiner and Morris Woolf, a silk importer. In 1909, the family moved to Chicago, Illinois. While traveling with her family in Europe in 1914, Katharine contracted polio, causing her to spend the next decade in a body brace. During this time of restricted movement, she developed an interest in art history through the collecting of old master prints.

After her recovery, Katharine Woolf attended Vassar College where one of her professors, Alfred Barr, encouraged her to study modern art. She graduated from Vassar in 1925 and received a master's degree in art history from the University of Chicago in 1929. Later that year, she moved to New York to pursue a Ph.D. in Renaissance and medieval art at New York University.

In 1930, Katharine Woolf returned to Chicago and married businessman George Kuh and began to teach art history courses in the suburbs of Chicago. After divorcing George Kuh in 1935, she opened the Katharine Kuh Gallery, the first gallery devoted to avant-garde art in Chicago. It was also the first gallery to exhibit photography and typographical design as art forms, and featured the work of Ansel Adams, Josef Albers, Alexander Calder, Wassily Kandinsky, Fernand Léger, and Man Ray, among others. From 1938 to1940, Kuh was the Visiting Professor of Art at the University School of Fine Arts, San Miguel, Mexico.

After the Katharine Kuh Gallery closed in 1943, Kuh was hired by museum director Daniel Catton Rich to fill a position in public relations at the Art Institute of Chicago. During the following years, Kuh edited the museum's Quarterly publication, took charge of the museum's Gallery of Interpretive Art, and began a long term relationship with Rich. In 1946, Kuh was sent on a special mission for the U. S. Office of Indian Affairs to make a detailed study of Native American totemic carvings in Alaska.

In 1949, Kuh persuaded Mr. and Mrs. Walter Arensberg of Los Angeles to exhibit their collection of modern art, creating the first post-war exhibition of modern art in Chicago. She published her first book Art Has Many Faces in 1951, and in the following year, she began writing art criticism for The Saturday Review. In 1954, Kuh was appointed the first woman curator of European Art and Sculpture at the Art Institute. She assembled the American contribution for the Venice Biennale in 1956 and during these years, Kuh helped acquire many of the works of modern art currently in the museum's collection.

A year following Daniel Catton Rich's 1958 resignation from the Art Institute of Chicago, Kuh also resigned and pursued a career in New York as an art collection advisor, most notably for the First National Bank of Chicago. In 1959, Kuh was made art critic for The Saturday Review, and she continued to publish books, including The Artist's Voice in 1962, Break-Up: The Core of Modern Art in 1965, and The Open Eye: In Pursuit of Art in 1971.

Katharine Kuh died on January 10, 1994 in New York City.
Provenance:
The Katharine Kuh papers were donated in several installments from 1971 to 1989 by Katharine Kuh and in 1994 by her estate. Artwork was donated in 1995 by Kuh's former employer, the Art Institute of Chicago.
Restrictions:
Authorization to quote, publish or reproduce requires written permission until 2019. Contact the Archives of American Art Reference Services department for additional information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- Illinois -- Chicago  Search this
Art historians -- Illinois -- Chicago  Search this
Art dealers -- Illinois -- Chicago  Search this
Topic:
Art, Abstract -- United States  Search this
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Women art dealers  Search this
Women art historians  Search this
Women museum curators  Search this
Women authors  Search this
Women art critics  Search this
Function:
Art festivals
Genre/Form:
Illustrated letters
Resumes
Travel diaries
Minutes
Calendars
Visitors' books
Photographs
Paintings
Awards
Drawings
Sound recordings
Collages
Scrapbooks
Lithographs
Prints
Wills
Watercolors
Poetry
Lecture notes
Lectures
Sales records
Citation:
Katharine Kuh papers, 1875-1994, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuhkath
See more items in:
Katharine Kuh papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw987a0763e-de6c-4f9e-b143-4875b3a2244a
EDAN-URL:
ead_collection:sova-aaa-kuhkath
Online Media:

Michael Loew papers

Creator:
Loew, Michael, 1907-1985  Search this
Names:
Federation of Modern Painters and Sculptors  Search this
Holland-Goldowsky Gallery  Search this
Landmark Gallery (New York, N.Y.)  Search this
Marilyn Pearl Gallery  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
United States. Work Projects Administration  Search this
University of California, Berkeley  Search this
Albers, Josef  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
De Kooning, Willem, 1904-1997 -- Photographs  Search this
Dehner, Dorothy, 1901-1994  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hasen, Burt  Search this
Jensen, Alfred, 1903-1981  Search this
Johnson, Philip, 1906-2005  Search this
Kahn, Louis I., 1901-1974  Search this
Kaprow, Allan  Search this
Kent, Rockwell, 1882-1971  Search this
Lahey, Richard, b. 1893  Search this
McDarrah, Fred W., 1926-2007  Search this
McNeil, George, 1908-1995  Search this
McPherson, Sarah Freedman, 1895-1978  Search this
Morris, George L. K., 1905-1975  Search this
Odets, Clifford, 1906-1963  Search this
Schempp, Theodore  Search this
Schnitzler, Max, 1903-  Search this
Siskind, Aaron  Search this
Slivka, Rose  Search this
Extent:
1.8 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1930-1997
Scope and Contents:
Biographical material, correspondence, notes, writings, photographs, business and financial records, works of art, and printed material document the career of painter and educator Michael Loew.
REEL N68-94: Biographical material, 1957-1967, includes 5 biographical sketches, a bibliography of Loew's publications, and an artist's statement. Correspondence, 1935-1968, is with colleagues, galleries, and educational institutions. There are one or two letters each from colleagues Josef Albers, Willem de Kooning, Adolph Gottlieb, Philip Johnson, Richard Lahey, George L.K. Morris, and Clifford Odets. Nine letters relate to Loew's work for the U.S. Works Progress Administration and the New York World's Fair. Writings, 1966, consist of several drafts for essay "Is It the Function of the Artist to Communicate with his Audience." A contract, 1938, is between Loew and Willem de Kooning and the New York World's Fair 1939 Inc. Printed material, 1944-1968, consists of exhibition announcements and catalogs. Photographs, 1960-1964, are of Loew and his art works. Notes consist of 2 undated notebooks and a typescript concerning Josef Albers. A scrapbook, 1938-1965, contains 4 photographs of art works, clippings, and exhibition announcements and catalogs.
REEL 5053: Correspondence, 1944-1990, is with galleries, including the Holland-Goldowsky Gallery, educational institutions, including the University of California at Berkeley, and colleagues including Dorothy Dehner, Burt Hasen, and Aaron Siskind. Correspondence, 1956-1957, with Rockwell Kent concerns the rental of Kent's Monhegan Island cabin. One letter, 1959, includes 3 photographs of Loew, Louis Kahn, Allan Kaprow, and George McNeil. Lecture notes are for an Artists Equity symposium, 1956, and a panel discussion on painting, 1968. Writings, 1968-1979, consist of 3 essays by Loew and tributes written to Sarah Freedman McPherson by Loew and others. Printed material, 1932-1992, consists of clippings, exhibition announcements and catalogs, and a book "The Artist's World" by Fred W. McDarrah. Photographs, 1930-1979, are of Loew, his friends, and his art works. One photograph is of Alfred Jensen, Theodore Schempp, Max Schnitzler, and Loew in Tunis, 1930.
UNMICROFILMED Biographical material incudes curriculum vita, obituaries, and birth announcements of Jonathan Loew, Michael Loew's son. Correspondence is with Willem and Elaine de Kooning. Writings include notes and a transcription of Loew's 1966 MoMA talk Must the Artist Communicate with his Audience, drafts of an article by Loew regarding Joseph Albers NEA and Guggenheim grant applications. Photographs are of Loew, his artwork, and his travels in Mexico as well as a color photograph of Loew and Willem de Kooning in de Kooning's studio taken by Rose Slivka. Artwork includes original off-prints for book covers. Business files relate to the 1939 World's Fair mural commission and include information about gifts of artwork to museums. Financial material includes a sales record book and records of sales with the Marilyn Pearl and Landmark galleries. Also included are literature and directories from the Federation of Modern Painters & Sculptors, exhibition announcements,and newspaper clippings.
Biographical / Historical:
Born in New York City, Michael Loew (1907-1985) studied at the Art Students League from 1926-1929, Academie Scandinave in Paris from 1929-1930, the Hans Hofmann School of Fine Art from 1947-1949, and at the Atelier Fernand Leger from 1949-1950. Loew worked as a stained glass artist from 1926 to 1929, and painted murals with Willem de Kooning for the New York World's Fair of 1939. Between 1956 and 1966, he taught painting at the Portland (Oregon) Art Museum, University of California at Berkeley, and at the School of Visual Arts in New York.
Provenance:
Material on reel N68-94 lent for microfilming 1968 by Michael Loew; approximately 50 letters and an artists' statement were later received in subsequent donations. Additional papers were donated in 1981-1982 by Loew, and in 1994 and 2008 by his widow, Mildred C. Loew, a portion of which was microfilmed on reel 5053. The photograph of Loew and de Kooning taken by Rose Slivka was donated by Loew's niece, Jackie Cohen, in 2007.
Restrictions:
Microfilmed portion must be accessed on film. Use of original papers requires an appointment.
Occupation:
Painters  Search this
Art teachers  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Identifier:
AAA.loewmich
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e3d9b795-510f-41a5-8709-a30f19d5425a
EDAN-URL:
ead_collection:sova-aaa-loewmich

Oral history interview with Edgar Anderson

Topic:
2001, a space odyssey (Motion picture)
Craft Horizons
Interviewee:
Anderson, Edgar, approximately 1922-  Search this
Interviewer:
Gold, Donna, 1953-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Crafts Council. Museum of Contemporary Crafts  Search this
Fallingwater (Pa.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Philadelphia College of Art -- Faculty  Search this
Pratt Institute -- Students  Search this
Taliesin Fellowship  Search this
Woodstock School of Painting  Search this
Anderson, Joyce, 1925-  Search this
Eco, Umberto  Search this
Grotta, Lou  Search this
Grotta, Sandra  Search this
Hornbostel, Caleb  Search this
Johnson, Philip, 1906-2005  Search this
Kelsey, John, 1946-  Search this
Meier, Richard, 1934-  Search this
Rand, Ayn  Search this
Roman, Paul  Search this
Slivka, Rose  Search this
Smith, Paul J., 1931-  Search this
Sperber, Robert  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
78 Pages (Transcript)
24 Items (Sound recording: 24 sound files (5 hr., 52 min.), digital wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Liberty State Park (Jersey City, N.J.)
Date:
2002 September 17-19
Scope and Contents:
An interview of Edgar Anderson conducted 2002 September 17-19, by Donna Gold, in Morristown, New Jersey, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Anderson describes his philosophy of nature, and the genetic affinities between trees and humans. He discusses childhood in Jersey City, New Jersey; his parents; his grandfather, who was a bookbinder and leather craftsman; and other influences from his childhood, including his uncles and the Stickley family's Craftsman Farms. He recalls that his mother was an accomplished painter and amateur architect; his father was responsible for constructing the foundations for the Chrysler Building. He describes his early admiration for Frank Lloyd Wright, and a meeting with Wright to inquire about the Taliesin Fellowship. Anderson did not join the Fellowship. He briefly discusses Ayn Rand and The Fountainhead. He recalls his architectural studies at Pratt Institute, including a structural investigation of Wright's Fallingwater house, and studying architectural rendering with Caleb Hornbostel. He describes his service during World War II, serving in Italy as a platoon commander for the Army Engineers. He talks about meeting his wife, Joyce, and the genesis of their working partnership. After the war, he and Joyce studied at Pratt under Philip Johnson; he recalls his student projects and the continuing influence of Frank Lloyd Wright. He also studied at Chicago Technical College. He recalls his apprenticeship building boats with his uncle. He describes, in technical detail, the early years of the practice, including a discussion of his wood supplier, the Monteath Company. He comments at length on his personal creative process, which includes elliptical references to a wide variety of sources, including Umberto Eco and the film 2001. He describes several projects for Lou and Sandy Grotta, including an anthropomorphic grandfather clock in the shape of a hand and wristwatch, an illusionary headboard, and the Knight table. He also comments on the Grotta house, designed by Richard Meier. He briefly mentions the editorial strategy of American Craft, and later Craft Horizon, and his relationships with editors such as John Kelsey, Paul Roman, and Rose Slivka. He mentions having taught at Philadelphia College of Art. He recalls racing in a demolition derby. He discusses his attitude towards criticism, mentioning Paul Smith, the director of the Museum of Contemporary Crafts, at length. He briefly describes his design for a 9/11 memorial at Liberty State Park and the political character of his work. He also reflects on his work relative to the culture at large. He talks about new technologies and new tools, and the evolution of the partnership. He describes his involvement in the craft community at Peters Valley, New Jersey. He comments at length on his apprentice Rob Sperber, and their development of the chainsaw mill.
Biographical / Historical:
Edgar Anderson (1922- ) is a woodworker from Morristown, New Jersey. Donna Gold (1953- ) is an art writer from Stockton Springs, Maine.
General:
Originally recorded 5 sound discs. Reformatted in 2010 as 24 digital wav files. Duration is 5 hr., 52 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Political aspects  Search this
Decorative arts  Search this
September 11 Terrorist Attacks, 2001  Search this
Woodwork -- Equipment and supplies  Search this
Woodwork -- Technique  Search this
Woodworkers -- New Jersey -- Interviews.  Search this
World War, 1939-1945  Search this
Function:
Memorials
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.anders02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c3439b7f-11b0-45e1-9c09-4cc57490edbd
EDAN-URL:
ead_collection:sova-aaa-anders02
Online Media:

International Association of Art Critics panel discussions

Creator:
International Association of Art Critics  Search this
Names:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Davis, Stuart, 1892-1964  Search this
Goodrich, Lloyd, 1897-1987  Search this
Gottlieb, Adolph, 1903-1974  Search this
Guiton, Jacques  Search this
Johnson, Philip, 1906-2005  Search this
Jordy, William H.  Search this
Noguchi, Isamu, 1904-1988  Search this
Roszak, Theodore, 1907-1981  Search this
Schiff, Gert  Search this
Sweeney, James Johnson, 1900-  Search this
Čelebonović, Aleksa  Search this
Extent:
2 Sound tapes (Sound recording, 7 in.)
0.2 Linear feet (Transcripts: 27 and 29 p)
Type:
Collection descriptions
Archival materials
Sound tapes
Sound recordings
Date:
1959 May 21-22
Scope and Contents:
Panel discussions "American Painting and Sculpture" and "American Contemporary Architecture" sponsored by the International Association of Art Critics at the Metropolitan Museum of Art in New York City. Panel members are Aleksa Celebonovic, Stuart Davis, Lloyd Goodrich, Adolph Gottlieb, Jacques Guiton, Philip Cortelyou Johnson, William Henry Jordy, Isamu Noguchi, Theodore Roszak, Gert Schiff, and James Johnson Sweeney.
Provenance:
Donor is unspecified.
Topic:
Art, American  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.inteasso
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9387de88a-a13b-4e3e-b1f9-95d682d0b417
EDAN-URL:
ead_collection:sova-aaa-inteasso

Modify Your Search







or


Narrow By