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Gaspar Enriquez papers

Creator:
Enriquez, Gaspar, 1942-  Search this
Names:
Antone, Bernadin  Search this
Jimenez, Luis, 1940-2006  Search this
Juárez, Miguel, 1958-  Search this
Marin, Cheech  Search this
Silva, Elda  Search this
Extent:
1.5 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sketches
Date:
1973-2017
Summary:
The papers of painter, portrait artist, and educator Gaspar Enriquez measure 1.5 linear feet and 0.001 GB and date from 1973 to 2017. The papers are comprised of biographical materials, correspondence, writings, commission and project files, exhibition files, and printed and digital materials that document Enriquez's career in El Paso, Texas.
Scope and Contents:
The papers of painter, portrait artist, and educator Gaspar Enriquez measure 1.5 linear feet and 0.001 GB and date from 1973 to 2017. The papers are comprised of biographical materials, correspondence, writings, commission and project files, exhibition files, and printed and digital materials that document Enriquez's career in El Paso, Texas.

Biographical materials include several awards and certificates, photographs, and sketches. Correspondence includes general personal and professional correspondence, notes to Enriquez, and letters with Bernadine Antone, Miguel Juarez, Elda Silva. Writings consist of artist statements, one notebook, a student paper about Luis Jimenez, and statements on teaching. Commission and project files contain digital photographs and other records for mural, book, and room design projects.

Files for exhibitions include documentation on Chicano Art: Resistance and Affirmation (1990-1993), or CARA, a traveling exhibition and Chicano Visions: American Painters on the Verge (2004), an exhibition of Chicano artwork collected by Cheech Marin. Printed materials contains art reproductions, clippings, exhibition announcements and catalogs, flyers, invitations, magazines, newsletters, and press releases.
Arrangement:
The collection is arranged as six series.

Series 1: Biographical Materials, 1976-2014 (Box 1; 3 folders)

Series 2: Correspondence, circa 1985-2017 (Box 1; 0.3 linear feet)

Series 3: Writings, 1983-circa 2000 (Box 1; 4 folders)

Series 4: Commission and Project Files, 1994-2003 (Box 1; 0.2 linear feet, ER01; 0.001 GB)

Series 5: Exhibition Files, 1990-2007 (Box 1, OV 3; 0.2 linear feet)

Series 6: Printed Materials, 1973-2017 (Boxes 1-2, OV 3; 0.6 linear feet)
Biographical / Historical:
Gaspar Enriquez (1942- ) is a painter, portrait artist, and educator in San Elizario in El Paso County, Texas.

Enriquez was born in the historic El Segundo Barrio in El Paso. He received a bachelor's degree from the University of El Paso in 1970 and a master's degree in metals from New Mexico State University in 1985. In addition to his art career, he taught art at Bowie High School in El Paso for 34 years.

Enriquez is known for his portraits of individuals who reflect the Chicano community in which he was raised. Enriquez has stated that "one is born Mexican American, but one chooses to be a chicano." His work allows those unfamiliar with the Chicano community to connect through his portraiture.

Enriquez participated in two seminal, multifaceted exhibitions of Chicano art. Chicano Art: Resistance and Affirmation/CARA (1990-1993) and Chicano Visions: American Painters on the Verge (2001-2007), an exhibition showcasing the art collection of Cheech Marin, traveled to museums across the United States exposing Chicano art and the Chicano Movement to the traditional art world.

Enriquez has won the 2016 Segundo Barrio Person of the Year Award, the University of Texas at El Paso's Distinguished Alumni Award, and the Mid-Americarts Alliance Fellowship in 1994.
Provenance:
The papers were donated by Gaspar Enriquez in 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival born-digital records with no duplicate copies requires advance notice.
Occupation:
Art teachers -- Texas  Search this
Hispanic American artists--Texas  Search this
Painters -- Texas  Search this
Portrait painters--Texas  Search this
Topic:
Mexican American art--Texas  Search this
Genre/Form:
Photographs
Sketches
Citation:
Gaspar Enriquez papers, 1973-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.enrigasp
See more items in:
Gaspar Enriquez papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-enrigasp

Art Foundry and Art Foundry Editions Records

Creator:
Art Foundry  Search this
Art Foundry Editions  Search this
Names:
Allen, Terry, 1943-  Search this
Arnoldi, Charles, 1946-  Search this
Bell, Larry, 1939-  Search this
Benglis, Lynda, 1941-  Search this
Chicago, Judy, 1939-  Search this
Dill, Lesley, 1950-  Search this
Gabriel Orozco, 1962-  Search this
Hackett, Dwight  Search this
Hanbury, Una, 1904-1990  Search this
Houser, Allan, 1914-1994  Search this
Jimenez, Luis, 1940-2006  Search this
Lin, Maya Ying  Search this
Lord, Andrew  Search this
Morris, Robert, 1931-2018  Search this
Nauman, Bruce, 1941-  Search this
Otterness, Tom, 1952-  Search this
Rees, Michael, 1958-  Search this
Scholder, Fritz, 1937-2005  Search this
Shelton, Peter, 1951-  Search this
Smith, Kiki, 1954-  Search this
Soares, Valeska  Search this
Tuttle, Richard, 1941-  Search this
Extent:
25.7 Linear feet
0.891 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketches
Photographs
Date:
circa 1975-circa 2007
Summary:
The Art Foundry and Art Foundry Editions records measure 25.7 linear feet and 0.891 GB and date from circa 1975 to circa 2007. Records include administrative files; correspondence with artists, collectors, dealers, galleries, and others; eight gallery appointment books and fourteen notebooks; exhibition files; extensive artists' files; financial and legal materials; sculpture production and inventory files; and photographic and digital materials.
Scope and Contents:
The Art Foundry and Art Foundry Editions records measure 25.7 linear feet and 0.891 GB and date from circa 1975 to circa 2007. Records include administrative files; correspondence with artists, collectors, dealers, galleries, and others; eight gallery appointment books and fourteen notebooks; exhibition files; extensive artists' files; financial and legal materials; sculpture production and inventory files; and photographic and digital materials.

Administrative records document the daily operations of the Art Foundry and AFE. Correspondence is with artists, galleries, art collectors and dealers, patrons, and others.

The appointment books and notebooks document daily operations within the Foundry administrative offices, including phone messages and daily appointments, and also include notes and conversations regarding various artists' ongoing sculptural plans and projects. Entries have been made by Dwight Hackett, artists, and other staff members.

The bulk of the collection is comprised of artists' files representing over 132 artists, which may include scattered correspondence and notes; scattered exhibition materials; financial materials; photographic materials; digital materials; and sketches and plans for various sculptural productions and projects. Artists include Terry Allen, Larry Bell, Lynda Benglis, Judy Chicago, Lesley Dill, Una Hanbury, Luis Jimenez, Allan Houser, Maya Lin, Andrew Lord, Robert Morris, Bruce Nauman, Gabriel Orozco, Tom Otterness, Michael Rees, Fritz Scholder, Peter Shelton, Kiki Smith, Valeska Soares, and Richard Tuttle, among many others. Seven CD-Rs contain material related to artists Terry Allen, Charles Arnoldi, Lesley Dill, and Michael Rees.

Financial and legal materials include invoices and financial statements, consignment agreements, and miscellaneous legal documents.

Sculpture production and inventory files document casting guidelines and costs incurred; casting logs and records; sculpture production records for various artists; and inventory cards and photographs and digital documentation for various projects and works.

The collection contains hundreds of snapshots and Polaroids that depict the collaborative atmosphere Hackett was able to create at Art Foundry. There are also slides, negatives and nine photograph albums.
Arrangement:
This collection is arranged as 8 series. Researchers should note that Art Foundry and Art Foundry Editions records were merged prior to processing.

Series 1: Administrative Files, circa 1980-circa 2004 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1985-2000 (0.6 linear feet; Boxes 1-2)

Series 3: Gallery Appointment Books and Notebooks, 1985-2000 (1.0 linear feet; Boxes 2-3)

Series 4: Exhibition Files, 1986-1997 (0.2 linear feet; Box 3)

Series 5: Artists' Files, circa 1980-circa 2007 (16.8 linear feet; Boxes 3-19, OV 27-31, 0.891 GB; ER01-ER03)

Series 6: Financial and Legal Materials, 1991-circa 2001 (1.2 linear feet; Boxes 19-20)

Series 7: Sculpture Production and Inventory Files, circa 1975-circa 2002 (2.4 linear feet; Boxes 20-23, OV 31)

Series 8: Photographic Materials, circa 1977-circa 2002 (3.0 linear feet; Boxes 23-26)
Biographical / Historical:
Art Foundry (est.1980-closed 2000) and Art Foundry Editions (est. 1992-closed 2000) were organizations founded and operated by Dwight Hackett in Santa Fe, New Mexico.

While working for another foundry in New Mexico, Dwight Hackett met Una Hanbury and began casting her work at his home, using a relatively new technique called cold casting. The process produced work that lighter than bronze and less expensive to produce. Una Hanbury helped Hackett travel to Washington, D. C. to study with Harvey Moore at his foundry. He formally established his studio, Art Foundry, in New Mexico, in 1980 with a loan from Hanbury and subsequent investment from the Apache sculptor Allan Houser. According to Hackett, Art Foundry's mission was to "collaborate with artists, not just work for them, and to challenge the limits of traditional casting technique."

In 1990, Hackett extended the operation by establishing Art Foundry Editions (AFE) through which he invited artists to come to Santa Fe for a residency and produce multiples of their work. AFE would acquire half of each artists' edition, and then market the works to galleries and collectors. One of AFE's first artists was Lynda Benglis, who purportedly came for a two-week residency and stayed for nine months.

Hackett sold Art Foundry and Art Foundry Editions in 2000.

(Much of the biographical note was taken from collecting specialist Jason Stieber's acquisition report published in the Archives of American Art Journal, Volume Number 54, 2016.)
Provenance:
The Art Foundry and Art Foundry Editions records were donated by Dwight Hackett in 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Art Foundry and Art Foundry Editions records are owned by the Archives of American Art, Smithsonian Institution. The collection is subject to all copyright laws. The donor, Dwight Hackett, retains copyright to the photographs that he created.
Topic:
Publishers and publishing  Search this
Foundries  Search this
Sculpture  Search this
Genre/Form:
Sketches
Photographs
Citation:
Art Foundry and Art Foundry Editions records, circa 1975-circa 2007. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artfoued
See more items in:
Art Foundry and Art Foundry Editions Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artfoued

Luis Jimenez letters to Rochelle "Shelly" Shicoff

Creator:
Shicoff, Rochelle, 1943-  Search this
Names:
Whitney Biennial (1991 : New York, N.Y.)  Search this
Jimenez, Luis, 1940-2006  Search this
Extent:
0.02 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1981-1998
Summary:
The collection measures 0.02 linear feet and includes 37 letters and postcards from sculptor Luis Jimenez to close friend and artist Rochelle "Shelly" Shicoff. The letters are personal in nature and Jimenez makes references to his ongoing studio processes, some specific works, and his presence at the 1991 Whitney Museum of American Art Biennial exhibition.
Scope and Contents:
The collection measures 0.02 linear feet and includes 37 letters and postcards from sculptor Luis Jimenez to close friend and artist Rochelle "Shelly" Shicoff. The letters are personal in nature and Jimenez makes references to his ongoing studio processes, some specific works, and his presence at the 1991 Whitney Museum of American Art Biennial exhibition.
Arrangement:
The collection is arranged as one series.

Series 1: Luis Jimenez letters to Rochelle "Shelly" Shicoff, 1981-1998 (Folder 1; 1 folder)
Biographical / Historical:
Rochelle Shicoff (1943- ) is an muralist, painter, and multi-media artist in Munson, Massachusetts and was a close friend of sculptor Luis A. Jimenez (1940-2006).
Provenance:
The letters were donated by Rochelle Shicoff in 2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Artists -- Massachusetts -- Munson  Search this
Sculptors -- New Mexico  Search this
Citation:
Luis Jimenez letters to Rochelle "Shelly" Shicoff, 1981-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.shicroch
See more items in:
Luis Jimenez letters to Rochelle "Shelly" Shicoff
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shicroch

Oral history interview with Eddie Dominguez

Interviewee:
Dominguez, Eddie, 1957-  Search this
Interviewer:
Fleming, Stephen  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Students  Search this
Cleveland Institute of Art -- Students  Search this
Haystack Mountain School of Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
University of Nebraska--Lincoln. Department of Art -- Faculty  Search this
Abrams, Fay  Search this
Casebeer, Doug, 1956-  Search this
Hepburn, Tony  Search this
Higby, Wayne  Search this
Jimenez, Luis, 1940-2006  Search this
Martin, Agnes, 1912-2004  Search this
Munson, Larry  Search this
Nevelson, Louise, 1899-1988  Search this
Price, Kenneth, 1935-2012  Search this
Rothko, Mark, 1903-1970  Search this
Ryman, Robert, 1930-2019  Search this
Saks, Esther  Search this
Salomon, Judith  Search this
Extent:
71 Pages (Transcript)
12 Items (Sound recording: 12 sound files (4hr., 23 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2006 July 27-28
Scope and Contents:
An interview of Eddie Dominguez conducted 2006 July 27-28, by Stephen Fleming, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Roswell, New Mexico.
Dominguez speaks of his childhood in Tucumcari, New Mexico; the strong drive to create he felt from his youth; attending Cleveland Institute of Art in Ohio; receiving his M.F.A. from New York State College of Ceramics, Alfred University in New York; being awarded a Gift of Time grant for the Roswell Artist-in-Residence Program in 1986; the differences he encountered returning to the program 20 years later; his involvement with Haystack Mountain School of Crafts where he serves on the board of directors; participating in numerous workshops and lectures, including workshops at Penland School of Crafts; working as a regional artist and what that designation means to him; teaching experiences at the University of Nebraska, Lincoln; the importance of giving back to communities; his enjoyment in working with children to create public art installations; the influence of the Southwest landscape in his work; the very physical way he interacts with his work through piercing, burning, tearing, et cetera; being influenced by artists such as Louise Nevelson, Mark Rothko, Robert Ryman, Luis Jimenez, Agnes Martin, and others; the issue of ethnicity and race in identifying his art; and recent explorations with computer technology and digital photography. Dominguez also recalls Judith Salomon, Tony Hepburn, Wayne Higby, Fay Abrams, Larry Munson, Esther Saks, Doug Casebeer, Kenneth Price and others.
Biographical / Historical:
Eddie Dominguez (1957- ) is a ceramicist from Roswell, New Mexico. Stephen Fleming (1950- ) is the director of the Roswell Artist-in-Residence Program, Roswell, New Mexico.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 12 digital wav files. Duration is 4 hr., 23 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Ceramicists -- New Mexico  Search this
Topic:
Decorative arts  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.doming06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-doming06

Oral history interview with Jesús Moroles

Interviewee:
Moroles, Jesús Bautista, 1950-2015  Search this
Interviewer:
Cordova, Cary  Search this
Creator:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Names:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Baca, Judith Francisca  Search this
Jimenez, Luis, 1940-2006  Search this
Legorreta Vilchis, Ricardo  Search this
Noguchi, Isamu, 1904-1988  Search this
Pfeiffer, Eckhardt.  Search this
Ribelin, Frank  Search this
Rückriem, Ulrich.  Search this
Saarinen, Eero, 1910-1961  Search this
Shrader, David  Search this
Extent:
102 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 July 19-20
Scope and Contents:
An interview of Jesús Moroles conducted 2004 July 19-20, by Cary Cordova, for the Archives of American Art, in Rockport, Tex.
Moroles speaks of his parents' poor background and young courtship; his parents' strong work ethic, and his inheritance of this work ethic; earning money through art commissions at a young age; being a young entrepreneur; joining the Air Force and avoiding combat in Southeast Asia by working with electronics; doing photography while stationed in Thailand; choosing stone as medium; numerous injuries he has received during stonecutting; working in Pietra Santa, Italy; meeting and working under Luis Jimenez; working in segregated Waxahachie, Tex.; differences between his figurative and abstract works; why he curates all his shows; and the reasons behind his unconventional stone-sawing methods. Moroles also discusses how he names his works and series; moving his studio to Rockport; his fears of being typecast as a specific type of artist (i.e., "fountain" or "Chicano"); incredulity and disdain towards art journalism and scholarship; his commission for the CBS building; his good relationships with his dealers; his new book of artwork; his desire to slow down his production; his unconventional Baptist/Latino upbringing and his present lack of religion; the Houston Police Memorial; the pyramid motif in his work; his visits to China; moving to Rockport; the tactile nature of his works; his belief in the musicality of granite; his megalomaniacal disposition towards his works; the drowning victims in the Forth Worth Water Gardens; his desire to create sacred places, and the meaning of that phrase; the process of "granite weaving"; his new metal pieces; the lack of political meanings in his art; his "Moonscapes"; and his affections for his daughter. Moroles also recalls Eckhard Pfeiffer, Isamu Noguchi, Ulrich Ruckriem, Eero Saarinen, David Shrader, Frank Ribelin, Ricardo Legoretta, Judy Baca, and others.
Biographical / Historical:
Jesús Moroles (1950- ) is a sculptor in Rockport, Tex. Cary Cordova (1970- ) is an art historian in Austin, Tex.
General:
Originally recorded on 6 sound discs. Reformatted in 2010 as 10 digital wav files. Duration is 6 hrs., 13 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Sculptors -- Texas -- Interviews  Search this
Art -- Economic aspects  Search this
Art commissions  Search this
Hispanic American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.morole04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-morole04

Oral history interview with Luis Jimenez

Interviewee:
Jimenez, Luis, 1940-2006  Search this
Interviewer:
Bermingham, Peter  Search this
Names:
University of Texas -- Students  Search this
Lipton, Seymour, 1903-1986  Search this
Ossorio, Alfonso, 1916-1990  Search this
Extent:
2 Sound cassettes (Sound recording)
124 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1985 Dec. 15-17
Scope and Contents:
An interview of Luis Jimenez conducted 1985 Dec. 15-17, by Peter Bermingham, in Tuscon, Ariz., for the Archives of American Art.
Jimenez speaks of his family and ancestral background; his father's artistic ability and work as a neon sign maker; starting out in the architecture program at the University of Texas, and later changing to the art program; moving to New York City, and getting his sculpture career started there; meeting and working with Seymour Lipton; selling his work and getting established in galleries; the inspirations for and the development of some of his pieces; the influence of pop art; returning to the Southwest; the importance and influence of his Mexican ancestry; personal images and reflections in his work. He recalls Alfonso Ossorio.
Biographical / Historical:
Luis Jimenez (1940-2006) was a sculptor from Hondo, N.M. Born in El Paso, Tex.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Pop art  Search this
Hispanic American artists -- Interviews  Search this
Sculptors -- New Mexico -- Hondo -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.jimene85
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jimene85

Howl, (sculpture)

Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Sculpture: bronze; Base: concrete
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Wichita State University Edwin A. Ulrich Museum of Art 1845 North Fairmount Wichita Kansas 67260 Accession Number: 86.8
Located Wichita State University Wichita Kansas
Date:
1986
Topic:
Animal--Wolf  Search this
Animal--Coyote  Search this
Control number:
IAS 88410070
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_302286

Sodbuster, (sculpture)

Title:
Sodbuster "San Isidro," (sculpture)
Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Fiberglass, painted
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Wichita State University Edwin A. Ulrich Museum of Art 1845 North Fairmount Wichita Kansas 67260
Located Wichita State University 1801 North Fairmount Wichita Kansas Accession Number: 87.2
Date:
1982-1984. Installed May 7, 1987
Topic:
Figure male--Full length  Search this
Occupation--Farm--Sowing  Search this
Animal--Cattle  Search this
Control number:
IAS 88410071
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_302287

Progress I, (sculpture)

Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Fiberglass
Culture:
Indian  Search this
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Albuquerque Museum 2000 Mountain Road, N.W Albuquerque New Mexico 87104 Accession Number: 83.87.1a-d
Date:
1974
Topic:
Animal--Buffalo  Search this
Figure male  Search this
Animal--Horse  Search this
Ethnic  Search this
Object--Weapon--Bow and Arrow  Search this
Animal--Reptile--Snake  Search this
Control number:
IAS 32530043
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_30297

Howl, (sculpture)

Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Bronze
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Albuquerque Museum 2000 Mountain Road, N.W Albuquerque New Mexico 87104 Accession Number: 88.27.1
Date:
1986
Topic:
Western  Search this
Animal--Coyote  Search this
Control number:
IAS 32530044
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_30298

Sodbuster, (sculpture)

Title:
Sodbuster, San Isidro, (sculpture)
Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Sculpture: fiberglass and epoxy resin with acrylic urethane paint, Base: concrete
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Plains Art Museum P. O. Box 2338 Fargo North Dakota 58108
Date:
Commissioned 1979. Fabricated 1981-1982. Installed 1982. Relocated 2002
Topic:
Figure male--Full length  Search this
Occupation--Farm--Sowing  Search this
Animal--Cattle  Search this
Control number:
IAS ND000013
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_308387

Vaquero, (sculpture)

Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Acrylic urethane, fiberglass, steel armature
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1990.44
Date:
Modeled 1980. Cast 1990
Topic:
Figure male--Full length  Search this
Occupation--Other--Cowboy  Search this
Equestrian  Search this
Western  Search this
Control number:
IAS 08582319
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_308858

Border Crossing, (sculpture)

Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Polychrome fiberglass
Culture:
Hispanic  Search this
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
New Mexico Museum of Art 107 West Palace Avenue Santa Fe New Mexico 87504
Date:
1989
Topic:
Figure group--Family  Search this
History--United States--Immigration  Search this
Ethnic  Search this
Control number:
IAS 33050062
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_317378

Vaquero, (sculpture)

Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Sculpture: fiberglass and epoxy; Base: concrete
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Clark County Nevada McCarren International Airport 5757 Wayne Newton Boulevard Las Vegas Nevada
Date:
1980. Cast 1990. Dedicated 1990
Topic:
Occupation--Other--Cowboy  Search this
Western  Search this
Equestrian  Search this
Figure male--Full length  Search this
Object--Weapon--Gun  Search this
Control number:
IAS NV000030
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_319136

Southwest Pieta, (sculpture)

Title:
Pieta del Suroeste, (sculpture)
Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Sculpture: painted fiberglass; Base: painted concrete
Culture:
Indian  Search this
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by City of Albuquerque Public Art Program P. O. Box 1293 Albuquerque New Mexico 87103
Located Longfellow Park Martineztown, corner of Edith & Roma, N.E Albuquerque New Mexico
Date:
Commissioned 1981. 1983. Installed 1988. Dedicated May 18, 1988
Topic:
Figure group  Search this
Ethnic--Aztec  Search this
State of Being--Death  Search this
Landscape--Mountain  Search this
Animal--Reptile--Snake  Search this
Animal--Bird--Eagle  Search this
Control number:
IAS NM000152
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_321762

Vaquero, (sculpture)

Title:
Model for Houston Sculpture, (sculpture)
Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Polyresin
Type:
Sculptures-Outdoor Sculpture
Sculptures-Model
Sculptures
Place:
Wisconsin
Sheboygan
Topic:
Figure male--Full length  Search this
Equestrian  Search this
Western  Search this
Occupation--Other--Cowboy  Search this
Dress--Accessory--Hat  Search this
Control number:
IAS WI000071
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_326801

Progress II, (sculpture)

Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Sculpture: fiberglass; Base: metal
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Commonwealth Equity Trust 705 University Avenue Sacramento California 95825
Located State of California Department of Aging 1600 J Street Sacramento California
Date:
1976. Dedicated 1986
Topic:
Equestrian  Search this
Figure male--Full length  Search this
Occupation--Other--Cowboy  Search this
Animal--Cattle  Search this
Western  Search this
Dress--Accessory--Hat  Search this
Control number:
IAS CA000954
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_331501

Fiesta Jarabe, (sculpture)

Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Sculpture: painted fiberglass; Base: concrete
Culture:
Mexican  Search this
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by United States General Services Administration Art-in-Architecture Program 18th & F Streets Washington District of Columbia 20506
Located United States Department of Immigration and Naturalization Immigration Department Otay Mesa Border Crossing Otay Mesa California
Date:
1991
Topic:
Figure group  Search this
Recreation--Dancing  Search this
Ethnic  Search this
Dress--Ethnic--Mexican Dress  Search this
Dress--Accessory--Hat  Search this
Control number:
IAS CA000967
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_331514

Vaquero, (sculpture)

Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Sculpture: fiberglass, painted; Base: concrete
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered City of Houston Parks and Recreation Department 2999 South Wayside Drive Houston Texas 77023
Located Moody Park 3725 Fulton Street Houston Texas
Date:
Commissioned 1977. 1977-1980. Dedicated 1982
Topic:
Figure male--Full length  Search this
Occupation--Other--Cowboy  Search this
Western  Search this
Equestrian  Search this
Object--Weapon--Gun  Search this
Control number:
IAS TX000801
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_335600

Border Crossing, (sculpture)

Sculptor:
Jimenez, Luis 1940-2006  Search this
Medium:
Fiberglass with urethane finish
Culture:
Mexican  Search this
Type:
Sculptures
Sculptures-Outdoor Sculpture
Owner/Location:
Administered by Iowa State University Brunnier Art Museum 290 Scheman Building Ames Iowa 50011
Located Iowa State University McKay Hall, South Courtyard Ames Iowa Accession Number: U2000.67
Date:
1989
Topic:
Figure group--Family  Search this
Ethnic  Search this
Travel--Land  Search this
Control number:
IAS 65060036
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_466741

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