Search Results

Creator:

Geber, Hana, 1910-1990  Search this

Type:

Diaries

Citation:

Hana Geber papers, 1962-1981. Archives of American Art, Smithsonian Institution.

Topic:

Jewish artists  Search this

Women artists  Search this

Women sculptors  Search this

Women educators  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8197

(DSI-AAA_SIRISBib)210368

AAA_collcode_gebehana

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210368

Creator:

Jacques Seligmann & Co  Search this

Subject:

Hauke, Cesar M. de (Cesar Mange)  Search this

Glaenzer, Eugene  Search this

Haardt, Georges  Search this

Seligman, Germain  Search this

Seligmann, Arnold  Search this

Parker, Theresa D.  Search this

Waegen, Rolf Hans  Search this

Trevor, Clyfford  Search this

Seligmann, René  Search this

Seligmann, Jacques  Search this

De Hauke & Co., Inc.  Search this

Jacques Seligmann & Co  Search this

Eugene Glaenzer & Co.  Search this

Germain Seligmann & Co.  Search this

Gersel  Search this

Type:

Gallery records

Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Topic:

Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this

Schiff, Mortimer L. -- Art collections  Search this

Arenberg, duc d' -- Art collections  Search this

Liechtenstein, House of -- Art collections  Search this

Art -- Collectors and collecting -- France -- Paris  Search this

Art -- Collectors and collecting  Search this

World War, 1939-1945 -- Art and the war  Search this

La Fresnaye, Roger de, 1885-1925  Search this

Art, Renaissance  Search this

Decorative arts  Search this

Art treasures in war  Search this

Art, European  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)9936

(DSI-AAA_SIRISBib)212486

AAA_collcode_jacqself

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_212486

Photograph by:

United Press International, American, founded 1907  Search this

Subject of:

Coretta Scott King, American, 1927 - 2006  Search this

Martin Luther King III, American, born 1957  Search this

Dexter Scott King, American, born 1961  Search this

Yolanda King, American, 1955 - 2007  Search this

Bayard Rustin, American, 1912 - 1987  Search this

Andrew Jackson Young, American, born 1932  Search this

Harry Belafonte Jr., American, 1927 - 2023  Search this

Rev. Ralph David Abernathy, American, 1926 - 1990  Search this

Medium:

silver and photographic gelatin on photographic paper

Dimensions:

H x W (Image): 6 1/2 × 8 11/16 in. (16.5 × 22.1 cm)

H x W (Sheet): 7 1/16 × 9 1/8 in. (17.9 × 23.2 cm)

Type:

gelatin silver prints

Place captured:

Memphis, Shelby County, Tennessee, United States, North and Central America

Date:

April 8, 1968

Topic:

African American  Search this

Activism  Search this

Actors  Search this

Civil Rights  Search this

Interfaith communities  Search this

Judaism  Search this

Photography  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

2014.37.42.2

Restrictions & Rights:

© Bettmann/ Getty Images

Permission required for use. Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5b111af6b-b8f0-4b7a-85c3-01454fac22e5

EDAN-URL:

edanmdm:nmaahc_2014.37.42.2

Photograph by:

Leonard Freed, American, 1929 - 2006  Search this

Subject of:

Unidentified Child or Children  Search this

Unidentified Man or Men  Search this

March on Washington for Jobs and Freedom, American, founded 1963  Search this

Printed by:

Brigitte Freed, American  Search this

Pablo Inirio  Search this

Medium:

silver and photographic gelatin on photographic paper

Dimensions:

H x W (Image): 9 × 13 1/8 in. (22.8 × 33.3 cm)

H x W (Sheet): 11 × 13 15/16 in. (27.9 × 35.4 cm)

Type:

gelatin silver prints

portraits

Place captured:

Washington, District of Columbia, United States, North and Central America

Place printed:

New York City, New York, United States, North and Central America

Date:

August 28, 1963; printed 2013

Topic:

African American  Search this

Activism  Search this

Civil Rights  Search this

Interfaith communities  Search this

Local and regional  Search this

Photography  Search this

Politics  Search this

Race relations  Search this

Religion  Search this

U.S. History, 1961-1969  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Brigitte Freed in memory of Leonard Freed

Object number:

2016.123.1.2

Restrictions & Rights:

© Leonard Freed & Magnum Photos, Inc

Permission required for use. Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Portfolio/Series:

USA. March on Washington 1963.

Classification:

Media Arts-Photography

Movement:

Civil Rights Movement

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd55bb846bb-1129-457d-a916-d8e521c488f7

EDAN-URL:

edanmdm:nmaahc_2016.123.1.2

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Blog posts

Smithsonian staff publications

Blog posts

Published Date:

Mon, 03 Jul 2023 14:54:00 GMT

Topic:

Cultural property  Search this

See more posts:

Festival Blog

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:

edanmdm:posts_8a6457e3e2b44d772eece97ab0fd7094

Creator:

McCoy, Esther  Search this

Names:

Historic American Buildings Survey  Search this

Society of Architectural Historians  Search this

University of California, Los Angeles. School of Architecture and Urban Planning  Search this

Ain, Gregory, 1908-1988  Search this

Barragán, Luis, 1902-  Search this

Bradbury, Ray, 1920-2012  Search this

Davidson, Julius Ralph, b. 1889  Search this

Dreiser, Theodore, 1871-1945  Search this

Ellwood, Craig  Search this

Gill, Irving, 1870-1936  Search this

Grotz, Dorothy  Search this

Hollein, Hans, 1934-2014  Search this

Jones, A. Quincy (Archie Quincy), 1913-1979  Search this

Maybeck, Bernard R.  Search this

Neutra, Richard Joseph, 1892-1970  Search this

O'Gorman, Juan, 1905-  Search this

Rand, Marvin  Search this

Schindler, R. M. (Rudolph M.), 1887-1953  Search this

Shulman, Julius  Search this

Soriano, Rafael, 1920-  Search this

Watanabe, Makoto  Search this

Worlidge, T. (Thomas), 1700-1766  Search this

Extent:

44 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Date:

circa 1876-1990

bulk 1938-1989

Summary:

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Scope and Content Note:

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Biographical and family material consists of awards, resumes, identification documents, and other documentation of McCoy's personal life. Included are a transcript of a 1984 interview of McCoy by Makoto Watanabe and material relating to her friend, Theodore Dreiser.

Correspondence focuses on her personal relationships with family, friends, and lovers, and general correspondence relating primarily to her work as a writer. McCoy's personal correspondence is valuable to researchers who are interested in her personal life, her struggles as a young writer, and the way in which her family, friends, lovers, mentors, and colleagues helped to shape her work and career. As documented in this correspondence, her life offers a glimpse into twentieth-century American social and political history, especially the radical leftist movements of the 1920s and 1930s. Researchers interested in the roots of feminism in the United States should also find these papers useful in documenting the life of a creative and productive woman who was successful in a field then almost entirely dominated by men. Correspondents of note include her husband Berkeley Tobey, lovers Geoffrey Eaton and Albert Robert, writers Ray Bradbury and Theodore Dreiser, and artists and architects, such as Dorothy Grotz, Craig Ellwood, A. Quincy Jones, Hans Hollein, and J. R. Davidson. General correspondence is primarily with researchers, professors, architects, publishers, and professional organizations.

Personal writings include McCoy's diaries, notebooks, and memoirs, and writings by others including friends, lovers, and colleagues. Also included are drafts of McCoy's fictional works, both published and unpublished, including short stories, teleplays, and novels.

The collection contains in-depth documentation of McCoy's pioneering study of the modernist work of twentieth-century architects in Southern California. The bulk of her papers consist of her writing files for books, exhibition catalogs, articles, and lectures on architecture. Because many of the architects about whom McCoy wrote were her contemporaries, she developed personal relationships with several of them through her research and writing. Her writing files include drafts, notes, research material, photographs, and correspondence. McCoy also traveled extensively, particularly in Italy and Mexico, and wrote about architecture, craft, and culture in those countries. Project files document McCoy's other activities related to architectural history, such preservation projects, juries, grants, the Dodge House Preservation Campaign and related film project, her work for the Society of Architectural Historians and the Historic American Buildings Survey (HABS), and her work at the UCLA School of Architecture and Urban Planning, compiling a slide library and cataloging the Richard Neutra's papers. McCoy also maintained architect files which may contain correspondence, notes, photographs, research material, interview transcripts, about architects and their works. Among these extensive records, the files documenting the careers of R. M. Schindler, Irving Gill, Richard Neutra, and Juan O'Gorman are particularly rich.

Printed material in this collection documents McCoy's career as well as her personal interests. Included are books, clippings, magazines, newsletters, press releases, as well as publications arranged by subject such as architecture, art, Italy, and Mexico. McCoy also collected literary and leftist publications. The small amount of artwork in this collection consists of artwork sent to her by friends, including a drawing of her by Esther Rollo and etchings by various artists including Thomas Worlidge.

There are personal photographs of family and friends and of McCoy at different times in her life, as well as photographs gathered during the course of her research on architecture. Found here are photographs of architects and their works, including a large number depicting the work of Gregory Ain, Luis Barragan, J. R. Davidson, Irving Gill, Bernard Maybeck, Juan O'Gorman, R. M. Schindler, and Raphael Soriano. Many of these photographs were taken by notable architectural photographers Julius Shulman and Marvin Rand. Also found are photographs of architecture designed for the Case Study House program of Arts & Architecture magazine; exhibition photographs, primarily for the exhibition "Ten Italian Architects" in 1967; and other research photographs primarily documenting architecture and craft in other countries and the history of architecture in California. This series also includes approximately 3,600 slides of architecture.

Audio and video recordings include a videocassette of McCoy's 80th birthday party and 55 taped interviews with architects, people associated with architectural projects, and artists.

Arrangement:

The collection is arranged into 10 series:

Missing Title

Series 1: Biographical and Family Material, 1881-1989 (boxes 1, 48; 0.6 linear feet)

Series 2: Correspondence, 1896-1989 (boxes 1-6, 4.9 linear feet)

Series 3: Personal Writings, 1919-1989 (boxes 6-14; 8.1 linear feet)

Series 4: Architectural Writings, 1908-1990 (boxes 14-24, 42, 49, 50; 10.2 linear feet)

Series 5: Projects, circa 1953-1988 (boxes 24-26, 47, FC 53-56; 2.5 linear feet)

Series 6: Architect Files, 1912-1990 (boxes 26-28, 42; 2.2 linear feet)

Series 7: Printed Material, circa 1885-1990 (boxes 28-31, 42; 2.9 linear feet)

Series 8: Artwork, 1924-1967, undated (box 31; 0.4 linear feet)

Series 9: Photographs and Slides, circa 1876-1989 (boxes 31-38, 41-46, 51; 8.3 linear feet)

Series 10: Audio and Video Recordings, 1930-1984 (boxes 38-40, 47; 2.5 linear feet)

Biographical Note:

Esther McCoy (1904-1989) is remembered best for her pioneering work as an architectural historian, critic, and proponent of Southern California modern architecture of the early to mid-twentieth century. McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. Although her professional interests ranged from writing fiction to studying the folk architecture and crafts of Mexico, McCoy achieved her most notable success for her numerous articles, books, and exhibitions about Southern California architecture and the architects associated with the modernist movement.

Born in Arkansas in 1904, Esther McCoy grew up in Kansas and attended various schools in the Midwest. In 1926 she left the University of Michigan to launch a writing career in New York, where she moved in avant-garde literary circles and conducted research for Theodore Dreiser. She began writing fiction in New York and continued to write after moving to Los Angeles in 1932, working on short stories, novels, and screenplays. She published numerous short stories between 1929 and 1962, with works appearing in the New Yorker, Harper's Bazaar, and university quarterlies. Her short story, "The Cape," was reprinted in Best Short Stories of 1950. Many of the novels that she wrote from the mid-1960s through the 1980s were related thematically to architects and architecture.

During the late 1920s and throughout the 1930s, McCoy participated in the politically radical movements of the period and wrote for leftist publications. Her interest in the lowcost housing projects of modern architects was prompted by one of her articles about slums for Epic News. During World War II she entered a training program for engineering draftsmen at Douglas Aircraft and in 1944 was hired as an architectural draftsman for the architect R.M. Schindler. As she became increasingly interested in modern architecture and design, she combined her two major career interests and began to focus her energies on architectural research, writing, and criticism. Her first article on architecture, "Schindler: Space Architect," was published in 1945 in the journal Direction.

McCoy began writing about architecture in earnest in 1950 as a free-lance contributor to the Los Angeles Times. From then until her death in 1989, she wrote prolifically for Arts & Architecture magazine, Los Angeles Times, Los Angeles Herald Examiner, Architectural Record, L'Architectura, Zodiac (Italy), Progressive Architecture, Lotus (Italy), and Architectural Forum. In addition to her numerous articles, McCoy wrote several books on Southern California modern architecture and architects. Her first major work, Five California Architects, published in 1960, is now recognized as a classic work in modern architectural history. It promoted a serious study of modern architecture in Southern California and introduced to the world several leading California architects and their work: Bernard Maybeck, Irving Gill, Charles and Henry Greene, and R.M. Schindler. That same year, she published another important book focusing on the work of the California architect Richard Neutra. Other books by McCoy include Modern California Houses: Case Study Houses (1962), Craig Ellwood (1968), Vienna to Los Angeles: Two Journeys (1979), and The Second Generation (1984).

In addition to these books, McCoy organized and wrote catalogs for several significant exhibitions focusing on contemporary architects. Her first was the R.M. Schindler Retrospective, a 1954 exhibition at the Landau Art Gallery in Los Angeles. Her other exhibitions and accompanying catalogs include Roots of California Contemporary Architecture, 1956, Los Angeles Municipal Art Department; Felix Candela, 1957, University of Southern California, Los Angeles; Irving Gill, 1958, Los Angeles County Museum of Art; Juan O'Gorman, 1964, San Fernando Valley State College; and Ten Italian Architects, 1967, Los Angeles County Museum of Art. Moreover, McCoy contributed numerous essays to other exhibition catalogs and publications, lectured at the University of Southern California, participated in preservation projects, organized tours for the Society of Architectural Historians, and contributed to a number of documentary films. Her energy and interests also led her to catalog and transcribe Richard Neutra's papers at the University of California Los Angeles Archives.

McCoy received national recognition from the American Institute of Architects for her seminal and prolific work in the field of Southern California modern architectural history and criticism. Her interests, however, were not exclusively bound to California. She traveled the world and was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. She made five extended trips to Italy during the 1950s and 1960s, publishing regularly about the architecture there and curating the exhibition Ten Italian Architects. She was a contributing editor to two Italian journals, Zodiac and Lotus, and was awarded the Star of Order of Solidarity in 1960 by the Republic of Italy for her research and writing.

Esther McCoy died of emphysema on December 30, 1989, at the age of eighty-five. Her last contribution was an essay for the exhibition catalog Blueprints for Modern Living: History and Legacy of the Case Study House. The show opened at the Museum of Contemporary Art in Los Angeles one month before her death.

Missing Title

1904 -- Born November 18 in Horatio, Arkansas. Raised in Kansas.

1920 -- Attended preparatory school at Central College for Women, Lexington, Missouri.

1922-1925 -- College education: Baker University, Baldwin City, Kansas; University of Arkansas, Fayetteville; Washington University, St. Louis, Missouri; University of Michigan.

1924 -- Visited Theodore Dreiser in Michigan.

1926-1938 -- Began writing in New York City.

1926-1938 -- Researched and read for Theodore Dreiser.

1926-1938 -- Worked for editorial offices and publishers.

1926-1938 -- Traveled to write in Paris (1928), Key West, Florida (1930), and Los Angeles, California (1932-1935).

1938 -- Moved to Santa Monica, California.

1941 -- Married Berkeley Greene Tobey.

1942-1944 -- Employed as engineering draftsman at Douglas Aircraft.

1944-1947 -- Worked as architectural draftsman for R.M. Schindler.

1945 -- Began architectural writing career.

1950 -- Wrote script for film Architecture West.

1950 -- Joined editorial board of Arts & Architecture.

1950-1968 -- Worked as free-lance writer for the Los Angeles Times.

1951-1955 -- Traveled to, researched, and wrote about Mexico and Mexican art and architecture.

1954 -- R.M. Schindler Retrospective exhibition at the Landau Art Gallery, Los Angeles.

1956 -- Roots of California Contemporary Architecture exhibition, Los Angeles Municipal Art Department.

1957 -- Felix Candela exhibition, University of Southern California, Los Angeles.

1958 -- Irving Gill exhibition, Los Angeles County Museum of Art. Traveled to Italy.

1959-1968 -- Contributing editor to Italian periodicals Zodiac and Lotus.

1960 -- Five California Architects (New York: Reinhold).

1960 -- Richard Neutra (New York: G. Braziller).

1960 -- Awarded Star of Order of Solidarity by the Republic of Italy for reporting on arts and crafts in Italy.

1962 -- Death of Berkeley Greene Tobey.

1962 -- Modern California Houses: Case Study Houses (New York: Reinhold) (reprinted as Case Study Houses, Los Angeles: Hennessey and Ingalls, 1978).

1963 -- Resident Fellow at Huntington Hartford Foundation.

1964 -- Juan O'Gorman exhibition, San Fernando Valley State College, Northridge, Calif.

1965 -- Consultant for the California Arts Commission.

1965-1966 -- Wrote and produced the film Dodge House.

1965-1968 -- Lecturer at University of California at Los Angeles, School of Architecture and Urban Planning.

1966 -- Resident Fellow at MacDowell Colony, New Hampshire.

1967 -- Ten Italian Architects exhibition, Los Angeles County Museum of Art.

1967 -- Honorary Associate of the Southern California Chapter of the American Institute of Architects.

1967 -- Regents' Lecturer at University of California, Santa Barbara.

1968 -- Craig Ellwood (New York: Walker).

1968 -- Distinguished Service Citation from the California Council of AIA.

1969-1970 -- Lecturer at the University of California, Santa Barbara.

1969-1989 -- Contributing editor of Progressive Architecture.

1971-1978 -- Graham Foundation Grants.

1974 -- Regents' Lecturer at the University of California,Santa Cruz.

1979 -- Vienna to Los Angeles: Two Journeys (Santa Monica, Calif.: Arts & Architecture Press).

1979 -- Guggenheim Foundation Fellowship.

1981 -- Los Angeles Chapter Women's Architectural League Honorary Member.

1982 -- Los Angeles County Museum of Art's Modern and Contemporary Art Council Award for Distinguished Achievement.

1983 -- Home Sweet Home: The California Ranch House exhibition at California State University.

1984 -- The Second Generation (Salt Lake City: Peregrine Smith Books).

1985 -- American Institute of Architects, Institute Honor.

1986 -- High Styles exhibition at the Whitney Museum of American Art.

1987 -- Vesta Award for outstanding scholarship.

1989 -- Award from the Historical Society of Southern California.

1989 -- Award from the City of Los Angeles Department of Cultural Affairs.

1989 -- Blueprints for Modern Living: History and Legacy of the Case Study House exhibition at the Museum of Contemporary Art, Los Angeles. Died in Santa Monica, California, December 30.

Related Material:

Also in the Archives of American Art are eight sound cassettes of a transcribed interview with Esther McCoy conducted by Joseph Giovannini, June 8-November 14, 1987.

Provenance:

The collection was given to the Archives of American Art by Esther McCoy in 1986. Before her death in 1989, McCoy assisted in the organization and identification of the papers. Original pre-print film elements for Dodge House 1916 were donated to the Archives of American Art by the Academy Film Archive in 2018.

Restrictions:

Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Architectural historians -- California  Search this

Art critics -- California  Search this

Topic:

Architecture, Modern -- 20th century -- Mexico  Search this

Architects -- Italy  Search this

Architecture, Domestic -- California  Search this

Authors -- California  Search this

Architecture, Modern -- 20th century -- California  Search this

Architecture, Modern -- 20th century -- Europe  Search this

Architects -- California  Search this

Feminism and art  Search this

Latino and Latin American artists  Search this

Genre/Form:

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Citation:

Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the John Randolph Haynes and Dora Haynes Foundation and the Terra Foundation for American Art.

Identifier:

AAA.mccoesth

See more items in:

Esther McCoy papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93ee58e3b-f2fc-4d98-acf9-de6f76bfed63

EDAN-URL:

ead_collection:sova-aaa-mccoesth

Creator:

Whitney, Gertrude Vanderbilt, 1875-1942  Search this

Names:

American Ambulance Field Hospital (Juilly, France)  Search this

Greenwich House (New York, N.Y.)  Search this

Whitney Museum of American Art  Search this

Whitney Studio Club  Search this

Cushing, Howard Gardiner, 1869-1916  Search this

De Meyer, Adolf, Baron, 1868-1949  Search this

Miller, Flora Whitney  Search this

Strelecki, Jean de, count  Search this

Watson, Forbes, 1880-1960  Search this

Whitney, Harry Payne, 1872-1930  Search this

Extent:

36.1 Linear feet

Type:

Collection descriptions

Archival materials

Lithographs

Photographs

Interviews

Sketchbooks

Diaries

Scrapbooks

Blueprints

Sketches

Date:

1851-1975

bulk 1888-1942

Summary:

The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

Scope and Content Note:

The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

Material relating to more personal aspects of Whitney's life include school papers, a paper doll book dating from her childhood, financial material, interviews, awards and honorary degrees, address and telephone books, committee files, and other items. Correspondence consists of incoming and outgoing letters concerning both personal and professional matters, including her patronage of the arts and sponsorship of artists, her sculpture commissions and exhibitions, and her war relief work and other philantrophic activities. Also found are family correspondence and correspondence received by the Flora Whitney Miller and the Whitney Museum of American Art after Whitney's death. Journals include personal ones that she kept periodically from the time she was a child to near the end of her life, in which she recorded her travels, her impressions of people, her experiences with friends, and her thoughts on art, among other topics; and social ones, in which she recorded dinners and dances attended, and people invited to different social gatherings, and in which she collected invitations received and accepted.

Scattered files can be found that relate to the Whitney Studio Club and the Whitney Museum of American Art, consisting of notebooks, catalogs, a financial report, and other material. Files relating to Whitney's own sculpture projects are more extensive and consist of correspondence, contracts, printed material, notes, financial material for proposed and completed commissions for fountains, memorials, and monuments. The Whitney Museum of American Art, rather than Whitney herself, seems to have kept these files. Files relating to Whitney's philanthropic activities span from the time just before to just after the First World War and consist of correspondence, minutes, reports, and printed material stemming from her contributions to charities and war relief organizations, her sponsorship of the war hospital in Juilly, France, and her support of the Greenwich House Social Settlement.

Whitney's writings include extensive drafts, and handwritten and typed manuscripts and copies of novels, plays, and stories, as well as some autobiographical and early writings, notes and writings on art, and clippings of published writings, documenting her principle means of creative expression towards the end of her life. Also found are some writings by others. Scrapbooks consist of clippings, photographs, letters and other material, compiled by Whitney, Flora Whitney Miller, and possibly others, documenting Whitney's public life, her sculpture commissions and exhibitions, exhibitions at the Whitney Studio, the war hospital in Juilly, France, the death of Harry Payne Whitney in 1930, and the sickness and death of Whitney in 1942.

Photographs include ones of the Whitney and Vanderbilt families, ones of Gertrude Vanderbilt Whitney (including portraits taken by Baron Adolf de Meyer and Count Jean de Strelecki), ones of various Vanderbilt and Whitney residences and of Whitney's studios, ones of Whitney's sculpture exhibitions as well as exhibitions at her studio, and ones of her sculptures, as well as some miscellaneous and unidentified ones. Artwork consists of sketchbooks and sketches by Whitney (including sketches for sculptures) and artwork by others (including a sketchbook of Howard Cushing's containing a sketch of her and albums of World War I lithographs) collected by Whitney. Also found amongst the collection are printed material (clippings, exhibition catalogs, programs, and publications) and blueprints (including drawings for Whitney's studio on MacDougal Alley and various of her sculptures).

Arrangement:

The Gertrude Vanderbilt Whitney papers are arranged into twelve series:

Missing Title

Series 1: Miscellaneous Personal Papers, 1888-1947, 1975 (Boxes 1-3, 33-34, OV 42; 2.5 linear feet)

Series 2: Correspondence, 1889-1949, 1959 (Boxes 3-9; 6 linear feet)

Series 3: Journals, circa 1886-1939 (Boxes 9-12, 33; 2.5 linear feet)

Series 4: Whitney Studio Club and Whitney Museum of American Art Files, 1921-1943 (Box 12; 0.2 linear feet)

Series 5: Sculpture Files, 1900-1960 (bulk 1909-1942) (Boxes 12-15; 3 linear feet)

Series 6: Philanthropy Files, 1902-1923 (bulk 1915-1920) (Boxes 15-17; 2 linear feet)

Series 7: Writings, 1889-1942, 1974 (Boxes 17-26; 10 linear feet)

Series 8: Scrapbooks, 1893-1942 (Boxes 26-27, 33, 35; 1.5 linear feet)

Series 9: Printed Material, 1859-1942 (Boxes 27-28, 36; 0.8 linear feet)

Series 10: Photographs, 1862-1942 (Boxes 28-32, 36-41, OV 43-51; 6.4 linear feet)

Series 11: Artwork, 1871-1930s (Boxes 32, 41, OV 52-54; 0.8 linear feet)

Series 12: Blueprints, 1913-1945 (OV 55; 0.1 linear feet)

Biographical/Historical note:

New York art patron and sculptor, Gertrude Vanderbilt Whitney (1875-1942), was the eldest daughter of Cornelius Vanderbilt II and Alice Gwynne Vanderbilt, and founder of the Whitney Museum of American Art.

Whitney was born January 9, 1875 in New York City, the. She was educated by private tutors and attended Brearley School in New York. From the time she was a young girl, she kept journals of her travels and impressions of the people she met, and engaged in creative pursuits such as sketching and writing stories. In 1896, she was married to Harry Payne Whitney. They had three children, Flora, Cornelius, and Barbara.

In 1900, Whitney began to study sculpture under Hendrik Christian Anderson, and then under James Fraser. Later, she studied with Andrew O'Connor in Paris. From the time she started studying sculpture, her interest in art grew, as did her particular concern for American art and artists. In 1907, she organized an art exhibition at the Colony Club, which included several contemporary American paintings. She also opened a studio on MacDougal Alley, which became known as the Whitney Studio and was a place where shows and prize competitions were held. (She also had other studios in Westbury, Long Island and Paris, France.) Over the years, her patronage of art included buying work, commissioning it, sponsoring it, exhibiting it, and financially supporting artists in America and abroad. From 1911 on, she was aided in her work by Juliana Force, who started out as Whitney's secretary, was responsible for art exhibitions at the Whitney Studio, and became the first director of the Whitney Museum of American Art.

The first recognition Whitney received for her sculpture came in 1908 when a project on which she had collaborated (with Grosvenor Atterbury and Hugo Ballin) won a prize for best design from the Architectural League of New York. The following year she received a commission to do a fountain sculpture for the Pan-American Building in Washington, D. C. She went on to do numerous other commissioned works over the next several decades, including: a fountain for the New Arlington Hotel in Washington D.C. (the design of which was reproduced in various sizes and materials, one cast being submitted to the 1915 Panama-Pacific International Exposition where it won a bronze medal and a later cast being installed on the campus of McGill University, Montreal, Canada in 1930); the Titanic Memorial (designed in 1913 and erected in 1930); the Buffalo Bill Memorial (1924) in Cody, Wyoming; the Columbus Memorial (1929) in Port of Palos, Spain; the Peter Stuyvesant statue in Stuyvesant Square (1939); and The Spirit of Flight (1939) for the New York World's Fair. In 1916, she had her first one-man show at the Whitney Studio, another at the Newport Art Association, and a retrospective at the San Francisco Art Association Palace of Fine Arts. A traveling exhibition in the Midwest followed in 1918.

During the First World War, Whitney was involved with numerous war relief activities, most notably establishing and supporting a hospital in Juilly, France. She made several trips to France during the war, keeping a journal and eventually publishing a piece on the hospital in several newspapers. Her sculpture during this period was largely focused on war themes. In 1919, she exhibited some of these works at the Whitney Studio in a show called "Impressions of War." In the years after the war, she was also commissioned to do several war memorials, including the Washington Heights War Memorial (1922) and the St. Nazaire Memorial (1926) commemmorating the landing of the American Expeditionary Force in France in 1917.

In 1918, Whitney opened the Whitney Studio Club, which served as pioneering organization for American art, putting on exhibition programs and offering social space and recreational amenities to its members (one point numbering over four hundred artists living in New York). She planned an "Overseas Exhibition" of American art, which traveled to Paris and other European cities in 1920-1921, and had her own shows in Paris and London in 1921. In 1928, the Whitney Studio Club was transformed into an art gallery, known as the Whitney Studio Galleries and directed by Juliana Force, which eventually became the Whitney Museum of American Art in 1931.

Whitney pursued creative writing throughout her life, but beginning in the 1930s writing became her principle means of creative expression. Over the years, she produced numerous manuscripts for stories, novels, and play. One novel, Walking the Dusk, was published in 1932 under the pseudonym L. J. Webb. Beginning in 1940, Whitney took a "Professional Writing" course at Columbia University with Helen Hull, which resulted in the production of numerous short stories. In 1941, she collaborated with Ronald Bodley to adapt one of her stories as a play and attempted to get it produced, although unsuccessfully.

In 1934, Whitney was involved in a custody battle for her niece, Gloria Vanderbilt (daughter of her late brother, Reginald Vanderbilt and his wife, Gloria Morgan Vanderbilt). In an agreement reached by the court, custody was awarded to Whitney and visitation rights to Gloria's mother. Litigation continued in the ensuing years.

In 1935, Whitney established the World's Fair Five Organization, with Juliana Force and four architects, to work on preparing a plan for the site of the 1939 New York World's Fair at Flushing Meadow, although the fair's own Board of Design ended up coming up with its own plan.

Whitney continued her work in sculpture, writing, art patronage, and philanthropy throughout the remaining years of her life. She died on April 18, 1942.

Related Archival Materials note:

Related material found in the Archives includes Research Material on Gertrude Vanderbilt Whitney compiled by Flora Miller Irving and the Whitney Museum of American Art artists' files and records, available on microfilm only (originals are located in the Whitney Museum of American Art). Also found in the Archives of American Art's Miscellaneous Exhibition Catalog Collection are a bundle of Whitney Studio Club and Mrs. H. P. Whitney's Studio catalogs and announcements.

Provenance:

The Gertrude Vanderbilt Whitney papers were donated in 1981 and 1991 by Whitney's granddaughter, Flora Miller Irving.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Philanthropists -- New York (State) -- New York  Search this

Topic:

Art patrons -- New York (State) -- New York  Search this

Women artists  Search this

Women sculptors  Search this

World War, 1914-1918  Search this

Genre/Form:

Lithographs

Photographs

Interviews

Sketchbooks

Diaries

Scrapbooks

Blueprints

Sketches

Citation:

Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.whitgert

See more items in:

Gertrude Vanderbilt Whitney papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9db113d72-cc31-4974-85fe-3e99c53dd62e

EDAN-URL:

ead_collection:sova-aaa-whitgert

Creator:

Saarinen, Lilian Swann, 1912-1995  Search this

Names:

Cambridge Art Center  Search this

Cranbrook Academy of Art -- Faculty  Search this

G Place Gallery (Washington, D.C.)  Search this

Knoll Associates, inc.  Search this

Massachusetts Institute of Technology -- Faculty  Search this

Midtown Galleries (New York, N.Y.)  Search this

Otava Publishing Company  Search this

Reynal & Hitchcock  Search this

Armitage, Merle, 1893-1975  Search this

Crosby, Caresse, 1892-  Search this

Eames, Charles  Search this

Eames, Ray  Search this

Koch, Carl  Search this

Kreis, Henry, 1899-1963  Search this

Milles, Carl, 1875-1955  Search this

Moholy-Nagy, László, 1895-1946  Search this

Moholy-Nagy, Sibyl, 1905-  Search this

Saarinen, Eero, 1910-1961  Search this

Saarinen, Eliel, 1873-1950  Search this

Saarinen, Loja  Search this

Venturi, Robert  Search this

Weese, Harry, 1915-1998  Search this

Extent:

9 Linear feet

Type:

Collection descriptions

Archival materials

Blueprints

Diaries

Illustrations

Sketches

Photographs

Scrapbooks

Date:

circa 1909-1977

Summary:

The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

Scope and Contents:

The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

Biographical material consists of resumes and biographical sketches, as well as a 1951 blueprint for the Eero Saarinen and Associates Office Building in Bloomfield Hills, Michigan.

Correspondence documents Saarinen's personal and professional life through letters to and from Eero Saarinen and other family members, including six letters from Loja Saarinen; correspondence with artists and architects, including Merle Armitage, Charles and Ray Eames, Carl Koch, Henry Kreis, Carl Milles, Laszlo and Sibyl Moholy-Nagy, Robert Venturi, and Harry Weese; and friends and colleagues at the Cranbrook Academy of Art and Knoll Associates. Also documented is Saarinen's business relationship with Midtown Galleries and Caresse Crosby, and publishers and publications including Child Life, Interiors, Otava Publishing Company, and Reynal & Hitchcock, Inc.

Writings and Notes document Saarinen's work on several children's publications, including Picture Book Zoo (1935) and Who Am I? (1946), through correspondence, notes, manuscript drafts, and extensive sketches. This series also includes Saarinen's ideas for other publications and incorporates some early writings and notes, as well as typescripts of her reminiscences about Eliel Saarinen, the Saarinen family, and the Cranbrook Academy of Art.

Diaries consist of bound diary volumes, loose-leaf journal entries, and heavily annotated engagement calendars, documenting Saarinen's personal life, artistic aspirations, and career development from the 1930s-1970s. This material provides a deeply personal view of the emotional landscape of Saarinen's life, her struggles to balance her identity as a working artist with the roles of wife, mother, and homemaker, and the complex, and often competing, relationships within the renowned architectural family into which she married.

Project files document Saarinen's work on book cover designs, federal and post office commissions in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, reliefs for the Crow Island School in Winnetka, Illinois, and other important commissions including the Harbor National Bank Clock in Boston, Massachusetts, the KLM Airlines installation at JFK Airport, the Fountain of Noah sculpture at the Northland Center in Detroit, Michigan, and the interior of Toffenetti's restaurant in Chicago, Illinois. Also documented is her role in designs for the Gateway Arch in St. Louis, with Eero Saarinen.

Teaching files document Saarinen's "Language of Clay Course" which she taught at Cambridge Art Center and the Massachusetts Institute of Technology.

Financial records document exhibition and sales expenses for two exhibitions, including her show at G Place Gallery in 1944.

Printed material consists of clippings about Saarinen and her family, exhibition announcements and catalogs for herself and others, and reference files from the 1930s-1940s, primarily comprising clippings of animals.

Additional printed material documenting Saarinen's career can be found in one of two scrapbooks found in the collection. An additional scrapbook consists of clippings relating primarily to Saarinen's parents.

Artwork comprises extensive sketches, particularly animal and figure sketches, in graphite, crayon, ink, pastel, and watercolor. The sketches demonstrate in particular Saarinen's developing interest in and skill with animal portraiture from her childhood to the 1960s.

Photographs are primarily of artwork and Saarinen's 1944 exhibition at G Place Gallery. Also found are one negative of Saarinen, probably with Eero Saarinen, and a group photo including Lilian, Eero, and Eliel Saarinen with the model for the Detroit Civic Center, circa 1940s.

Arrangement:

The collection is arranged as 11 series.

Missing Title

Series 1: Biographical Material, circa 1930s-1960s (3 folders; Box 1, OV 12)

Series 2: Correspondence, 1920-1974 (1.9 linear feet; Boxes 1-2, 8, OV 12)

Series 3: Writings and Notes, 1920s-1973 (1.3 linear feet, Boxes 2-3, 8, OVs 13-16)

Series 4: Diaries, 1930-1973 (1.4 linear feet, Boxes 3-5, 8)

Series 5: Project Files, 1931-1966 (1.7 linear feet, Boxes 5-6, 8, OVs 17-19)

Series 6: Teaching Files, 1966-1970 (3 folders, Box 6)

Series 7: Financial Records, 1940s-1970s (2 folders, Box 6)

Series 8: Printed Material, circa 1930s-1970s (0.2 linear feet, Box 6)

Series 9: Scrapbooks, circa 1909-1974 (2 folders; Boxes 6, 9)

Series 10: Artwork, circa 1920s-circa 1960s (1.7 linear feet, Boxes 6-7, 9-10, OVs 20-27)

Series 11: Photographs, circa 1940s, 1977 (0.5 linear feet, Boxes 7, 11, OV 27)

Biographical / Historical:

Cambridge artist and sculptor, Lilian Swann Saarinen (1912-1995), studied at the Art Students League with Alexander Archipenko in 1928, and later with Albert Stewart and Heninz Warneke from 1934-1936, before moving to Michigan where she studied with Carl Milles at the Cranbrook Academy of Art from 1936-1940. Saarinen was an accomplished skier and a member of the 1936 US Olympic ski team.

At Cranbrook, Swann met architect Eero Saarinen, whom she married in 1939. She subsequently worked with Saarinen's design group on a variety of projects, including the Westward Expansion Memorial, which later became known as the "Gateway Arch" in St. Louis. Lilian and Eero had a son, Eric, and a daughter, Susie, before divorcing in 1953.

Saarinen, who had developed an affinity for drawing animals in childhood, specialized in animal portraits in a variety of sculptural media. In 1939, she exhibited her sculpture Night, which depicted Bagheera the panther from Rudyard Kipling's Jungle Book, at the World's Fair. The sculpture was placed in the Boston Public Garden in 1986. In the 1930s and 1940s Saarinen was commissioned to work on a variety of architectural projects, including reliefs for post offices in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, and the Crow Island School in Winnetka, Illinois. She also executed commissions for the Harbor National Bank in Boston, KLM (Royal Dutch Airlines) at JFK Airport, the Northland shopping Center in Detroit Michigan, and Toffenetti's Restaurant in Chicago.

Saarinen was a contributing author and illustrator for a variety of publications, including Child Life, Interiors and Portfolio: An Intercontinental Quarterly. In 1935 she illustrated Picture Book Zoo for the Bronx Zoo and in 1946 Reynal & Hitchcock, Inc. published Who Am I?, a children's book which Saarinen wrote and illustrated.

Saarinen taught ceramic sculpture to soldiers for the Red Cross Arts and Skills Unit rehabilitation program in 1945, served on the Visiting Committee to the Museum School at the Museum of Fine Arts, Boston, from 1959-1964, where she taught ceramics, and later taught a course entitled "The Language of Clay" at the Cambridge Art Center and the Massachusetts Institute of Technology. One of Saarinen's private students at Cambridge was her cousin, Edie Sedgwick.

Saarinen died in Cohasset, Massachusetts, in 1995 at the age of 83.

Separated Materials:

The Archives of American Art also holds material lent for microfilming (reels 1152 and 1192) including a scrapbook containing clippings, copies of letters and telegrams received, and reproductions of Saarinen's work. There is a copy of Saarinen's book, "Who Am I?", and three albums containing photographs of Saarinen, photographs and reproductions of her work, a list of exhibitions, quotes about her, and writings by her about sculpture. Lent material was returned to the lender and is not described in the collection container inventory.

Provenance:

Lilian Swann Saarinen donated the collection in 1975. She lent additional materials for microfilming in 1976.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- Massachusetts -- Cambridge  Search this

Topic:

Women artists  Search this

Art -- Study and teaching  Search this

Illustrated books, Children's  Search this

Gateway Arch (Saint Louis, Mo.)  Search this

Sculpture, Modern -- 20th century -- United States  Search this

Illustrators -- Massachusetts  Search this

Art, Municipal  Search this

Women sculptors  Search this

Women illustrators  Search this

Function:

Art commissions

Genre/Form:

Blueprints

Diaries

Illustrations

Sketches

Photographs

Scrapbooks

Citation:

Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by The Walton Family Foundation; and John R. & Barbara Robinson and Deborah Schmidt Robinson & Dr. R. Perry Robinson, The Widgeon Point Charitable Foundation.

Identifier:

AAA.saarlili

See more items in:

Lilian Swann Saarinen papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97f1e4305-3886-479a-9db7-48c98fd8d2dd

EDAN-URL:

ead_collection:sova-aaa-saarlili

Creator:

Bergman, Harry M.  Search this

Kahn family  Search this

Kahn, Kimberly  Search this

Names:

Chrysler Building (New York, N.Y.) -- Pictorial works  Search this

Godwin Construction Company.  Search this

Bergman family  Search this

Extent:

3 Cubic feet (5 document boxes

)

Type:

Collection descriptions

Archival materials

Home movies

Motion pictures (visual works)

Travelogs

Videotapes

Place:

New York (N.Y.)

Date:

1926-1957

Summary:

A collection of films shot by Harry B. Bergman documenting Bergman's New York City, New York construction firm Godwin Construction Company. Films document construction of landmark buildings such as The Chrysler Building, New York Port Authority and others. Films also document company "beefsteaks", and Bergman's numerous vacations and pursuits.

Scope and Contents:

The Kahn Family Films document the activities of the Godwin Construction Co. of New York City from 1928-1934. The films also document more than twenty-five years of the Bergman and Kahn family life and travel. The films are silent, 16mm black and white reversal and Kodachrome. Unless otherwise noted, films were arranged in the Archives Center on compilation reels by subject. Some images are deteriorated because of age and film conditions, most noticeably on 722.39. A detailed description of each reel is included under each film title. The collection is divided into five series and arranged in chronological order; Series 1, Godwin Construction Company, 1927-1934; documents the digging, structural support and daily site activities at various Godwin construction jobs around New York City. In the footage taken at the Chrysler Building site, Bergman documented many of the workers who worked on the job as well as the secretaries in the main offices with filmed portrait shots. While the films are primarily focused on documenting construction practices and procedures at the sites, there is also footage of workmen and machinery. The films also document the company=s annual ABeefsteak@ that eventually moved from a banquet hall to one of the islands in Jamaica Bay.

Series 2, Rockaway Park Yacht Club, 1927-1929; documents many of Bergman's yachting activities on the yacht Thora and events at the Rockaway Park Yacht Club (RPYC) from family related activities to some of the Godwin Company's Beefsteaks.

Series 3, Travel and Leisure, 1926-1957, undated; documents many of the Bergman and Kahn family trips to various locations in the United States and Europe. The 1927 trip to Canada and the American West has footage of Hollywood, then just on the verge of adding sound to motion pictures. The 1929 trip to Europe occurred not only during the first year of the Great Depression but is a wonderful travelogue of Europe in the years before WWII. On reel 722.27 there is an interesting shot of a poster, "Ethel et Julius Rosenberg Que Les Assassins, Soient Maudits A Jamais" [trans: Ethel and Julius Rosenberg let the assassins be cursed/condemned forever.] showing a young boy throwing mud on the poster - presumably in protest.

Series 4, Family and Home Life, 1928-1958; Titles of the footage are taken directly from the original film containers. There is footage of many family members and gatherings. There is footage shot at Bergman's onetime home at 120-18 Newport Ave., Rockaway Park, Long Island. There is footage of tennis great Bill Tilden giving a small exhibition match in Florida in 1946 on 722.25.

Series 5, Papers, 1927-1958; are selections of the original paper containers for some of the films with the original notes and identifications written on them. This series also contains a copy of Bergman's 1907 thesis and related papers and architectural drawings.

Arrangement:

5 series.

Biographical / Historical:

Harry Montefiore Bergman (1885-1971) was born on August 3, 1885 in Elmira, New York. He graduated from college in 1907 with a degree in Applied Science from Columbia University's School of Engineering. After graduation, he went to work for Godwin Construction Co. He specialized in structural foundations and was an authority on the soil and bedrock of Manhattan Island, New York. Beginning his employment as a superintendent, he rose to the position of Secretary and General Superintendent of Civil Engineering in June, 1927. In January 1932, Bergman was elevated to Vice-President and finally attained the presidency of the company in 1957. Bergman retired from the company in 1967. He was a member of the Association of American Society of Civil Engineers.

Godwin Construction Company was founded by Philander Hanford Godwin (1877-1936) in the early 20th century. Godwin was one of the pre-eminent civil engineering firms in New York City primarily involved in constructing foundations for large public building projects. The company was responsible for digging and construction of the foundations for the Chrysler Building, 176th St. Telephone Building, the old New York Port Authority Truck Terminal, the old Madison Square Garden at 8th Ave. and 50th St., the Hudson River Bridge, New York Hospital, Knickerbocker Village and others. Godwin Construction Co. was located in New York City, through the years at various locations: by 1915 at 251 4th Ave., by 1932 at 370 Lexington Ave., Rm. 1201 and later at 130 East 44th St.

Bergman, a lifelong bachelor, developed a love of motion picture photography and pursued this hobby with great enthusiasm. He photographed not only Godwin's construction work and work sites at various foundation projects throughout New York City in the 1920s and 1930s but filmed the company picnics, called "Beefsteaks", family leisure time activities and vacations as well. Bergman was also an avid yachtsman and filmed many hours of footage while sailing on Samuel Lauterbach's yachtThora , (the Thora may also have been owned in a partnership between Lauterbach and Bergman) and at the Rockaway Park Yacht Club (RPYC) in Rockaway Park, New York. Bergman, along with Lauterbach, was one of the founders of the RPYC and it was reportedly founded because Jews were not allowed membership in any of the "exclusive" yacht clubs surrounding Manhattan. The yacht club was destroyed during the hurricane of 1938. Many films feature Ruth Perl who was Bergman's favorite niece. They took numerous trips to California, Canada, and Europe. Perl seems to also have taken an interest in motion picture photography as well, often operating the camera herself. Perl married Irving Kahn and had three sons, Donald Kahn, Alan R. Kahn and Thomas G. Kahn, who figure prominently in the later films. Bergman was a lifelong resident of New York. As of 1916, his address was 615 W. 143rd St., New York, NY. For a time he lived at 120-18 Newport Ave. in Rockaway Park, NY. In 1951 he bought a home at 143-17 Cronston Avenue in Belle Harbor. At the end of his life, Bergman is noted as living at 1 Fifth Avenue, New York, NY. Bergman died on August 3, 1971. At the time of his death Bergman was staying at the Florence Nightingale Nursing Home, 175 East 96th St. in New York, New York.

Bergman's employer and the founder of Godwin Construction Co., Philander H. Godwin, was born on September 30, 1877 in New York City, NY. Godwin graduated from Columbia University's School of Engineering with a degree in Applied Science in 1899. After graduation, he married Carrie L. Pye and they had two children. Godwin founded the Godwin Construction Co. in the early 20th century and was the company's president until his death in 1936. As of 1916, his residence address was Cedar and Arch Avenues in Larchmont, NY and by the time of his death he was living at 26 Willow Avenue in Larchmont. He was a member of the Larchmont Yacht Club and perhaps had a great influence on Bergman's taking up the sport. He was an active member of St. John's Episcopal Church, Larchmont and a member of the Union League. Godwin died on March 27, 1936 in Larchmont.

Sources: Records of Columbia University, New York, New York "City Sells 2 Plots for Factory Sites", New York Times, June 6th, 1951, pg. 64. Newspaper Obituary of Harry N. Bergman, Archives Center Control File Conversation and correspondence with Alan and Kimberly Kahn My Life: Edward du Moulin

Provenance:

Donated to the National Museum of American History, Archives Center in 2000 by Kimberly R. Kahn, great-great niece of Harry M. Bergman.

Restrictions:

Collection is open for research but the original and master (preservation) films are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

The National Museum of American History may not authorize publication, reproduction, or distribution by a commercial, for-profit publisher, distributor, media producer, or film maker without the express permission of the Donors.

The term of the requirement for written authorization prior to third party, for-profit, commercial use will last 50 (fifty) years unless agreed to in writing by both the National Museum of American History and the Donors.

Topic:

Travel photography  Search this

Travelogues (Motion pictures)  Search this

Family -- 20th century  Search this

Travel -- Europe  Search this

Construction  Search this

Architecture -- New York (State) -- New York  Search this

Amateur films  Search this

Genre/Form:

Home movies

Motion pictures (visual works)

Travelogs

Videotapes

Citation:

Kahn Family Film Collection, Archives Center, National Museum of American History, Smithsonian Institution.

Sponsor:

Generous support for this collection has come from the National Film Preservation Foundation and Mr. Alan R. Kahn.

Identifier:

NMAH.AC.0722

See more items in:

Kahn Family Film Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep85e4873d5-0bf6-43c5-a386-a71df5bcd106

EDAN-URL:

ead_collection:sova-nmah-ac-0722

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Container:

Box 3

Type:

Archival materials

Photographs

Date:

circa 1890

Series Restrictions:

Sears, Roebuck & Co. catalogs restricted due to fragile condition. Researchers should consult microfilm in NMAH library for 1880-1983 editions, drawer 692.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana, Series 2: Other Collection Divisions

Warshaw Collection of Business Americana, Series 2: Other Collection Divisions / 2.2: Stereographs

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep80bbfb013-8c0c-4118-aab0-477193b56123

EDAN-URL:

ead_component:sova-nmah-ac-0060-s02-ref3172

Creator:

Warshaw, Isadore, 1900-1969  Search this

Extent:

11.35 Cubic feet (consisting of 20 boxes, 8 folder, 30 oversize folders, 17 map case folders, 3 flat boxes (partial), plus digital images of some collection material.)

Type:

Collection descriptions

Archival materials

Ephemera

Business ephemera

Date:

1750-1965

undated

Summary:

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Tobacco Trade and Industry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Scope and Contents:

This subject category, "Tobacco Trade and Industry," consists of materials related to the tobacco trade and industry. This subject category provides an extensive record of the late nineteenth to mid-twentieth century tobacco industry with materials for consumers, traders, and distributors. It forms part of the Warshaw Collection of Business Americana: Collection Division I: Business Ephemera and Division II: Oversize Materials.

Series 1, Tobacco and Tobacco Related Product Ephemera, 1781-1965, undated, is the largest portion of the tobacco related materials. This series is arranged alphabetically by manufacturer and distributor name. The materials consist of advertising cards, scraps, trade catalogs, price lists, pamphlets, labels, correspondence on letterhead stationery, bills, receipts, illustrations from periodicals, printed advertisements, periodicals, newspaper clippings, broadsides, shipping documents, handbills, premiums, promotional items, announcements, and business cards. The majority of materials are from the late nineteenth to the early twentieth- century and were created primarily for consumers, traders and distributors. Most of the materials are from the East Coast and there is a large amount of undated material. Ethnic imagery and images of women and children are prominently featured in this series. The location of the company is given when known.

Series 2, Patents and Trademarks, 1875-1904, is arranged alphabetically by patent and trademark applicants. With illustrations and descriptions, many patent and trademark documents come from East Coast patent offices during the 1870s. While this series is limited in scope, it provides numerous examples of the patenting of tobacco brand names and other related products. Additionally, it contains many images of minorities, women, and a variety of ethnic imagery.

Series 3, Bills of Lading, 1833-1925, is arranged alphabetically by location with foreign locations comprising one folder. The materials date from the late nineteenth century, and the majority is from the port of Philadelphia, Pennsylvania. This series not only tells a great deal about shipping and importing, but it also provides detailed information about the parties, countries, and people involved in the process of shipping tobacco around the world. Although the collection is somewhat varied, the majority of the bills of lading have date stamps, detailed port information, and information about the imported tobacco itself. Other locations include Maryland, New York, Cuba, and foreign locales.

Series 4, Lithographs, undated, is a series of labels for packages and products arranged alphabetically. It is a great resource for the study of early American advertising. Although most of the product labels are undated, they are probably of the late nineteenth to early twentieth- century. The majority of companies were based in New York, New York.

Series 5, Ephemera and Photographs, 1750-1957, undated, is arranged and organized by type of material. This series is comprised of general images, cigar store Indian images, auction lists, packing for tobacco products, and advertising cards, and contains a wealth of documentation of the American tobacco market. One of the best resources of this series is its collection of cigar bands. There are two photographs within this series, one depicting the exterior of a tobacco shop and another photograph of ladies working with shade grown tobacco, most likely in Connecticut. This series contains a copy of the Burr McIntosh photograph, "Leaves of Desire".

Series 6, Publications, 1742-1962, undated, consist of articles, books, pamphlets, magazines, and periodicals. One of the most useful portions of this series is the anti-tobacco related publications. The series contains tobacco-related articles. In addition to a few articles about tobacco companies, there are publications that contemplate the issues behind smoking. This series also contains tobacco related clippings from magazines and periodicals. Directories are also included in this series. The sheer variety of the material is vast, including essays from The Farm Quarterly and United States government documents. Tobacco is the only unifying factor. Researchers may be interested in La Santa Yerba, a late nineteenth-century book containing verses and other reflections on the tobacco plant itself.

Brand Name Index:

The following is a list of brand names for various tobacco products and related names that appear on this list is a compilation of those found on materials in the vertical document boxes. It is not a complete list of all the brand names for tobacco. The list is intended to assist researchers locate desired materials when only the brand name is known.

Brand Name -- Manufacturer/Dealer

Adonis -- Waldorf-Astoria Sugar Company

A. Hussey -- Leaf Tobacco Company

All Red Scrap -- Spaulding & Merrick

Alligator -- Pierre Lorillard

Almighty Dollar -- Roig & Langsdorf, LTD.

American Eagle -- Barker, K.C. & Company

Anglo-Egyptian -- Anderson, John & Company

Ante Fine (Cut) -- Pierre Lorillard

Apollo Egyptian -- Crescent Tobacco Company

Ateshian Bagdad -- Ateshian Company

Bagdad -- Pierre Lorillard

Bag Pipe -- Pierre Lorillard

Banner -- Banner Company

Banner -- American Tobacco Company

Bay State -- Brewer, Clarks & Sons

Bee -- Pierre Lorillard

Beech-Nut -- Pierre Lorillard

Belle of Turkey -- Pierre Lorillard

Between the Acts -- Pierre Lorillard

Between the Acts -- Thomas Hall Company

Bibber Cigarettes -- American Tobacco Company

Bijou -- S. Busnitz & Company

Birdseye -- British-American Company

Birdseye -- Akhbar Shah

B & L -- S. Busnitz & Company

Black Bird -- Baumann-Ashley Company

Black Joe Dark Plug -- American Tobacco Company

Black & Tan -- Pierre Lorillard

Black & Tan -- Annen Tobacco Company

Blended Stock -- American Tobacco Company

Blot -- Pierre Lorillard

Blue Peter -- Blue Peter Company

Bock y Ca -- Benson & Hedges

Boot Jack -- John Finzer

Boss Bite -- Pierre Lorillard

Brand M -- S. Monday & Son

Briar -- Spaulding & Merrick

Bright Sweet Emerald -- Pierre Lorillard

Briggs -- Pierre Lorillard

Brotherhood -- Pierre Lorillard

Buffalo Head -- Bland Tobacco Company

Bull Durham -- American Tobacco Company Smoking Tobacco

Bull's Eye -- Pierre Lorillard

Bull's Eye -- Peerless (Kimball)

Buzz Long -- Pierre Lorillard

Cabana -- Brewer, Clark & Sons

Cabanas -- Benson & Hedges

Cabarga -- Brewer, Clark & Sons

Cameo -- W. Duke & Son

Canada -- American Tobacco Company

Canoe -- Spence

Cap Sheaf -- Pierre Lorillard

Capadura -- R.C. Brown & Company

Capadura De La Reina -- R.C. Brown & Company

Capadura Olivette -- R.C. Brown & Company

Capadura Patience -- R.C. Brown & Company

Capital -- G.W. Gail

Captive -- Pierre Lorillard

Catlin's Twin Sisters -- American Tobacco Company

Cavendish -- Pierre Lorillard

Century -- Peter Lorillard

Challenge -- Pierre Lorillard

Chesterfield -- Ligget & Myers

Circassian Girls -- Pierre Lorillard

Clay, Henry -- Benson & Hedges

Climax -- Peter Lorillard

Clipper -- American Tobacco Company

Coca -- Drummond

Comet -- Pierre Lorillard

Common Sense -- American Tobacco Company

Conchas -- Brewer, Clark & Sons

Consols -- Consolidated Co.

Continental Cubes -- Continental Tobacco Company

Cools -- Brown & Williams Company

Cork (Number 1) -- Benson & Hedges

Cork Tip #2 -- Benson & Hedges

Cornucopia -- American Tobacco Company

Corona -- Brewer, Clark & Sons

Crown -- Benson & Hedges

Cute -- Merchants Cigar Factory

Dainties -- Allen & Ginter

Dainties -- American Tobacco Company

Defiance -- D. Hirsch

Derby -- Felener, F.W. Company

Diamond -- Allen & Ellis

Dixie -- Dixie Allen & Ginter

Dogtail -- Peter Lorillard

Drawing Room -- Pierre Lorillard

Dubec -- Allen & Ginter

Dubec -- American Tobacco Company

Duke of Durham -- American Tobacco Company

Duke's Best -- American Tobacco Company

Duke's Cameo -- American Tobacco Company

Duke's Mixture -- American Tobacco Company

Eagle Principe -- Brewer, Clark & Sons

Egyptian -- Pierre Lorillard

Egyptian Deities -- American Tobacco Company

Egyptian Dreams -- Rappaport

Egyptian Luxury -- American Tobacco Company

Egyptian Temple Lorillard, Peter -- Pierre Lorillard

Egyptian Straights -- American Tobacco Company

El Muezzin #1 -- Benson & Hedges

El Muezzin #2 -- Benson & Hedges

Embassy -- Pierre Lorillard

Emerald -- Pierre Lorillard

Etc., Etc. -- Brewer, Clark & Sons

Eureka -- Peter Lorillard

Excelsior -- American Tobacco Company

Extra Eagle -- B. Leidersdorf & Company

Excelsior #1 -- American Tobacco Company

Extra Mild #3 -- Benson & Hedges

Extra Mild Mild #4 -- Benson & Hedges

Fair Play -- American Tobacco Company

Favorite -- Cameron & Cameron

Felgner's Mohawk -- American Tobacco Company

Fine Brother -- Finzer, John

Flagman -- American Tobacco Company

Fontica -- Brewer, Clark & Sons

Forget-Me-Not -- Pierre Lorillard

Fortunato Bianco -- American Tobacco Company

Fragrant Vanity Fair -- American Tobacco Company

Friends -- Pierre Lorillard

Full Dress -- American Tobacco Company

Gaiety -- Bland Tobacco Co.

Gail & Ax's Navy -- American Tobacco Co.

Genuine Durham -- Blackwell, W.T. & Co.

Globe -- McGraw, Walker

Gold Extra Fine #1 -- Benson & Hedges

Gold #2 -- Benson & Hedges

Gold Rope -- Wilson & McNally

Golden Back -- Pioneer Tobacco Co.

Golden Bell -- Pierre Lorillard

Golden Bright -- Pierre Lorillard

Golden Culprit -- Peter Lorillard

Golden Light -- American Tobacco Co.

Golden Light -- Kimball & Co.

[Golden S?] -- [Unknown]

Golden Thread -- American Tobacco Co.

Good Luck -- Cotterill & Fenner Co.

Good Luck -- Drummond

Good Smoke -- Pierre Lorillard

Gondola -- Pierre Lorillard

Greek Slave -- Commonwealth Tobacco Co.

Green Turtle -- Pierre Lorillard

Greenback -- American Tobacco Co.

Greenback -- Marburg Brothers

Grizzly -- Pierre Lorillard

Gypsy Queen -- Goodwin

Happy Thought -- Pierre Lorillard

Happy Thought -- Wilson McNally

Hard A Port -- Thompson & C. Moors

Hard Plan -- H.M. Ferguson

Hard Tack -- American Tobacco Co.

Havana Consul Penete -- Pierre Lorillard

Havana Mixture -- Allen & Ginter

Havana Segar -- Waldorf-Astoria Segar Co.

Havannah -- Amber & Co.

Hazel Nut -- John J. Bagley

Helma -- Pierre Lorillard

Helmar Turkish -- American Tobacco Company

His Majesty's -- Benson & Hedges

Hoffman House Magnum -- Pierre Lorillard

Honest -- American Tobacco Co.

Honey Dew -- John Anderson & Co.

Horse Shoe -- Cotterill & Fenner

Horse Shoe -- Drummond

Hoyt's Medium -- American Tobacco Co

Hunki-Dori -- Chapin Stuart & Co.

Hunter -- H.M. Ferguson

Ideal -- Pierre Lorillard

Imperial Cavendish -- Allen & Ginter

Imperialette -- S. Monday

Imported -- Benson & Hedges

Improved Shorts -- Pierre Lorillard

India House -- Pierre Lorillard

Indian -- Amber & Company

Ivanhoe -- American Tobacco Co.

I. X.L. -- American Tobacco Co.

Jack & Jill -- American Tobacco Co.

Jack Rose -- Pierre Lorillard

John Dew -- Kaufmann, A.G

Jolly Tar -- Continental Tobacco Co.

Just Suits -- Pierre Lorillard

Kaiser (Gold Tip) -- A.B.C. Importation Co.

Karam -- Aslan Brothers

Kensington -- Brucker & Boghein

Kismen -- Strater Brothers

Kool -- Kool Brown & Williamson Co.

La Corona (Plain) -- A.B.C. Importation Co.

La Corona -- Benson & Hedges

La Flor de Cuba -- Benson & Hedges

La Marquise -- American Tobacco Co.

La Rosa -- Clark Brewer & Sons

Latest English -- American Tobacco & Sons

Leather Stocking -- C. Bickel

Level Head -- Pierre Lorillard

Libertad -- Clark Brewer & Sons

Lime Kiln Club -- Bagley & Company

Little Drummer -- Drummond

Little Joker -- American Tobacco Co.

Little Joker -- G.W. Gail

Little Rhody -- Pierre Lorillard

Little Sparks -- F.W. Felener

London Life -- American Tobacco Co.

Londres -- Clark Brewer & Sons

Long Cut -- W. & Son Duke

Lorillard's Stripped -- Pierre Lorillard

Louisiana Perique -- Allen & Ginter

Lucky Strike -- American Tobacco Co.

Lucky Strike -- R.A. Petterson

Luscious Luxury -- Pierre Lorillard

Luxury -- American Tobacco Co.

Lyceum -- Duke & Son

Mail Pouch -- Block Brothers

Manilla -- Amber & Company

Matinee -- Oliver & Robinson

Match -- Bland Tobacco Co.

Mecca -- American Tobacco Co.

Mechanic's Delight -- Pierre Lorillard

Melachrino -- L. Melachrino

Mellowleaf -- Commonwealth Tobacco Co.

Melrose -- British-American Co.

Melrose -- Marburg Brothers

Mercedes (Gold Tip) -- A.B.C. Importation Co.

Mexican -- Amber & Co.

Mild Number 2 -- Pierre Lorillard

Miner's Stript -- Pierre Lorillard

Mogul Egyptian -- American Tobacco Co.

Moon Spot -- Van Slyke & Horton

Mule Ear -- Wellman & Dwire Co.

Murad -- American Tobacco Co.

Myrtle Navy -- American Tobacco Co.

Napoleons -- Allen & Ginter

Navy -- G.W. Gail

Nebo -- Pierre Lorillard

Neptune -- Adams, J.L.

Neptune -- Buchanan & Lyalls

New Cross Bar -- Drummond

Nigger Head -- American Tobacco Co.

Night Watch -- Banner Co.

Night Watch -- American Tobacco Co.

Number 1 -- Benson & Hedges

Number 1 -- Pierre Lorillard

Old Egypt -- Pierre Lorillard

Old English -- American Tobacco Co.

Old Fashion -- American Tobacco Co.

Old Gold -- American Tobacco Co.

Old Gold -- British American Co.

Old Gold -- Kimball & Co.

Old Gold -- Pierre Lorillard

Old Guebeck -- Benson & Hedges

Old Guebeck Gold -- Benson & Hedges

Old Honesty -- American Tobacco Co.

Old Honesty -- John Finzer

Old Judge -- British-American Co.

Old Judge -- Kimball & Co.

Old Judge -- Goodwin Co.

Old Judge -- Allen & Ginter

Old Nut -- Pierre Lorillard

Old Rip -- British-American Co.

Old Rip -- Allen & Ginter

Old Sledge -- Edel

Old Tom -- Pierre Lorillard

Old Virginia Cheroots -- American Tobacco Co.

Old Virginia Cheroots -- Whitlock Co.

Olympia -- Gail, G.W.

Omar Turkish -- American Tobacco Co.

Omega Kentucky -- Pierre Lorillard

Opera -- Kerbs, Werthim & Schiffer

Opera Puff -- Allen & Ginter

Oronoko -- Pierre Lorillard

Our Country's Pride -- Collins Cigar Co.

Our game -- Alex Cameron

Our Little Beauties -- Allen & Ginter

Our Pet Nave -- Goddard Co.

Owl -- Straitron & Storm

Pall Mall -- American Tobacco Co.

Panetelas -- S. Monday & Son

Parliament -- Benson & Hedges

Parole -- Pierre Lorillard

Pastime -- John Finzer Co.

Pearl -- Pierre Lorillard

Peerless -- Kimball & Co.

Pedro -- American Tobacco Co.

Pedro Murias -- Benson & Hedges

Perfection -- Allen & Ginter

Perfection Mixture -- Pierre Lorillard

Perique Mixture -- Allen & Ginter

Pet -- Allen & Ginter

Peter Schuyler -- Van Slyke & Horton

Pink -- Pierre Lorillard

Pioneer Crown -- Allen & Ellis

Piper Heidsieck -- American Tobacco Co.

Pippin -- Banner Company

Pippins -- H. Traisser & Co.

Plain Light -- Pierre Lorillard

Planet -- Buchannan & Lyalls

Polar Bear -- Pierre Lorillard

Preferred Stock -- American Tobacco Co.

Prince Albert -- R.J. Reynolds

Princess Charlotte -- A.B.C. Importation Co.

Pure Virginia -- Pierre Lorillard

Purity -- Cameron & Cameron

Quality Puffs -- S. Monday & Sons

Queen of the Seas -- Alex Cameron & Co.

Raleigh -- Brown & Williamson Co.

Red Cross -- Pierre Lorillard

Regalia -- Clark Brewer & Sons

Richmond Cavendish -- Allen & Ginter

Richmond Gem Mild -- Allen & Ginter

Richmond Gem Mixture -- Allen & Ginter

Richmond Mixture #1 -- Allen & Ginter

Richmond Mixture #2 -- Allen & Ginter

Richmond Straight -- Allen & Ginter

Richmond Straight #1 -- Allen & Ginter

Right Bower -- Allen & Ginter

Ripple Navy -- Pierre Lorillard

Robert Burns -- Straiton & Storm

Rose Leaf -- Pierre Lorillard

Royal Bengals -- Pierre Lorillard

Royal Bengals -- Pierre Lorillard

Russian #1 -- Benson & Hedges

Russian Gold -- Benson & Hedges

Russian Gold #3 -- Benson & Hedges

Russian Mouthpiece #1 -- Benson & Hedges

Russian Mouthpiece #1 -- Benson & Hedges

Russian Mouthpiece #3 -- Benson & Hedges

Rustic -- George Bell

Sailor's Delight -- Pierre Lorillard

Sailor's Pride -- Bland Tobacco Co.

Satins -- American Tobacco Co.

Seal of North Carolina -- American Tobacco Co.

Seal Skin -- Commonwealth Tobacco

Sensation -- Peter Lorillard

Siesta -- Pierre Lorillard

Silk -- Strasser Co.

Si Peu Que Rein -- Benson & Hedges

Snow Flake -- American Tobacco Co.

Solace -- John Anderson & Co.

Something Good -- James Butler Co.

Sovereign -- Butler & Butler

Spanish Puffs -- American Tobacco Co.

Spear Head -- American Tobacco Co.

Special -- American Tobacco Co.

Special Favours -- American Tobacco Co.

Splendid -- Pierre Lorillard

Sport -- H.M. Lockrow

Sporting Extra -- American Tobacco Co.

Spot Cash -- H.P. Brewster

Stag -- Pierre Lorillard

St. Ledger -- Pierre Lorillard

Straw #1 -- Benson & Hedges

Straw Extra Mild #4 -- Benson & Hedges

Straw Tip #2 -- Pierre Lorillard

Stripped -- Pierre Lorillard

Sub-Rosa -- Pierre Lorillard

Sunny South -- Allen & Ginter

Sunnyside -- American Tobacco Co.

Suwanee River -- Van Slyke & Co.

Sweet Banner -- American Tobacco Co.

Sweet Caporal -- American Tobacco Co.

Sweet Caporal -- Kinny Co.

Sweet Conqueror -- Pierre Lorillard

Sweet Golden Seal -- Buchner & Co.

Sweet Lavender -- American Tobacco Co.

Sweet Maple -- Bland Tobacco Co.

Tareyton -- American Tobacco Co.

Ten Minute -- Marburg Brothers

Three Black Cows -- Pierre Lorillard

Three Kings -- William S. Kimball Co.

Tiger -- Pierre Lorillard

Tin Tag -- Pierre Lorillard

Toko -- Bland Tobacco Co.

Tolstoi -- American Tobacco Co.

Troy -- American Tobacco Co.

Tuberose -- Pierre Lorillard

Turkey Red -- Pierre Lorillard

Turkish Cross Cut -- American Tobacco Co.

Turkish Mixture -- Allen & Ginter

Tuxedo -- American Tobacco Co.

Uncle Sam -- Nall & Williams

Union Leader -- Pierre Lorillard

Upper Cut -- L. Miller & Son

Vafiadis -- Ligget & Myers

Van Bibber -- American Tobacco Co.

Vanity Fair -- Kimballs

Velvet -- Ligget & Myers

Venable's Cockade -- S.W. Venable Tobacco Co.

Veteran -- American Tobacco Co.

Victory -- Buchner & Co.

Victory -- American Tobacco Co.

Villar y Villar -- Benson & Hedges

Virginia Brights -- Allen & Ginter

Virginia Brights -- American Tobacco Co.

Virginia Cheroots -- Pierre Lorillard

Virginia's Choice -- [Unknown]

Virginia Leaf -- John Cornish Co.

Wandering Jew -- Clark Brewer & Sons

Welcome -- Goodwin

West Virginia Mail Pouch -- Block Brothers Co.

Wings -- Brown & Williamson Co.

Winner -- H.M. Ferguson

White Puff -- Pierre Lorillard

Wild Rose Chipped -- Pierre Lorillard

XX Navy Clipping -- Pierre Lorillard

Yacht Club -- Pierre Lorillard

Yasoa -- S. Monday & Son

Yellow Jacket -- Pierre Lorillard

Yellow Kid -- National Tobacco Co.

Zira -- Pierre Lorillard

Zoo Zoo -- Wilson & McNally Co.

Zubelda -- Pierre Lorillard

Materials in the Archives Center:

Archives Center Collection of Business Americana (AC0404)

Forms Part Of:

Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material

Provenance:

Tobacco Trade and Industry is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.

Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Genre/Form:

Ephemera

Business ephemera

Citation:

Warshaw Collection of Business Americana Subject Categories: Tobacco Trade and Industry, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

Identifier:

NMAH.AC.0060.S01.01.Tobacco

See more items in:

Warshaw Collection of Business Americana Subject Categories: Tobacco Trade and Industry

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8aa758c12-720c-4606-8406-fb057828e1ae

EDAN-URL:

ead_collection:sova-nmah-ac-0060-s01-01-tobacco

Provenance:

Founders Garden Club of Dallas  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

United States of America -- Texas -- Dallas County -- Dallas

The Hylands (Dallas, Texas)

Scope and Contents:

12 digital images (2014, 2017) and 1 file folder.

General:

The mock Tudor house was built by the owners of this small urban property in 1993 and the gardens include favorite plants that are mostly gray, pink, mauve or purple, an award-winning collection of cactus and succulents, and accessories from parents' gardens. The front garden has dwarf artemesia, lantana, dusty miller, crepe myrtle, pond cypress, holly and hawthorn with salvia and petunias adding more color. There is a lush curved border near the street that screens the house, planted with cypress, firebush, spirea, salvia and deep purple wandering Jew. Stepping stones lead to the back garden which features a Roman pool that is shallow at both ends. Flat Austin stone forms a patio at one end of the pool with a raised stone bed with knock-out roses along one side. There are many planted containers of cactus and bougainvillea, shaded beds with annual begonia, Lenten rose, azalea, ferns and hydrangeas, and a sunny wall with climbing silverthorn and cactus along the other side or the pool. Pots of succulents and cactus fill the back porch.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Texas -- Dallas  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File TX201

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Texas

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb68b3c8922-2f46-4ae7-8970-69c4c585b83a

EDAN-URL:

ead_component:sova-aag-gca-ref32879

Collection Creator:

Kottler, Howard, 1930-1989  Search this

Extent:

1 Sound disc

Container:

Box 10, Folder 9

Type:

Archival materials

Audio [31027000856860]

Sound discs

Date:

undated

Scope and Contents:

A professional recorded disc of music produced and gifted to Kottler by his friend Rich Lipscher.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Howard Kottler papers, 1907-2006. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Howard Kottler papers

Howard Kottler papers / Series 8: Sound and Video Recordings

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw930628304-7963-4ed5-850b-9b7c15ead983

EDAN-URL:

ead_component:sova-aaa-kotthowa-ref247

Creator:

Packard, Emmy Lou, 1914-1998  Search this

Names:

American Civil Liberties Union  Search this

Public Works of Art Project  Search this

Covarrubias, Miguel, 1904-1957  Search this

Edmunds, John, 1913-  Search this

Kahlo, Frida  Search this

Lange, Dorothea  Search this

O'Gorman, Juan, 1905-  Search this

O'Higgins, Pablo, 1904-  Search this

Refregier, Anton, 1905-  Search this

Reynolds, Malvina  Search this

Rivera, Diego, 1886-1957  Search this

Extent:

9.5 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Sketches

Photographs

Interviews

Diaries

Date:

1900-1990

Summary:

The Emmy Lou Packard papers measure 9.5 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material. Also found is a motion picture film documenting a mural/mosaic project that Packard did with the children at Hillcrest Elementary School in San Francisco, 1956.

Scope and Contents note:

The Emmy Lou Packard papers measure 9.5 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.

Biographical materials include resumes, personal forms, and certificates. Correspondence is with family, friends, and colleagues, including muralist Anton Refregier, songwriter Malvina Reynolds, and composer John Edmunds. There is one letter from Dorothea Lange. Also found is correspondence with various political and arts organizations, such as the American Civil Liberties Union and the Russian magazine Soviet Woman. Much of the correspondence discusses personal relationships and political and art-related activities. Additional correspondence with and concerning Diego Rivera and Frida Kahlo is arranged in Series 6.

Personal business records found within the papers include studio real estate and rent records, insurance records, price lists for artwork, consignment records, and miscellaneous receipts. There is one interview transcript of an interview with Packard for the Radical Elders Oral History Project. The papers include a series of notebooks/diaries, address lists, and other notes.

Packard's reference files and personal papers documenting her professional and close personal relationship with Diego Rivera and Frida Kahlo are arranged into a separate series. They include her research files for a planned book on the two artists, personal letters between Packard and the couple, as well as several interesting photographs. Also found in this series are notes, writings, and printed materials relating to Diego Rivera, Frida Kahlo, and other Mexican artists, such as Covarrubius, Juan O'Gorman, and Pablo O'Higgins.

The collection also includes typescripts and additional writings by Packard and others. Artwork consists of orginal drawings and prints by Packard and others not directly associated with projects. Exhibition and project files for many of Packard's commissioned projects are also found within the collection, including her files for the restoration of Anton Refregier's Rincon Annex Post Office mural in San Francisco and the Coit Tower murals in San Francisco. Many of the project files contain correspondence, reports, contracts, printed material, photographs, and artwork. Also found is a motion picture film documenting a mural/mosaic project that Packard did with the children at Hillcrest Elementary School in San Francisco, 1956.

The papers also include photographs of Packard, her family, residences, artwork, friends, and colleagues, including Cesar Chavez, Juan O'Gorman, Malvina Reynolds, Charles Safford, Ralph Stackpole, and Tennessee Williams. Two scrapbooks are found, as well as additional printed materials such as clippings and exhibition announcements and catalogs. There are also two artifact items, a vinyl record of Malvina Reynolds and a political campaign button.

Arrangement note:

The collection is arranged into 15 series.

Series 1: Biographical Material, 1942-1985 (Box 1; 1 folder)

Series 2: Correspondence, 1919-1990 (Box 1-3; 2.6 linear feet)

Series 3: Personal Business Records, 1945-1985 (Box 3; 21 folders)

Series 4: Interview Transcript, 1979 (Box 3; 1 folder)

Series 5: Notes, 1900-1985 (Box 3-4, 10; 1.1 linear feet)

Series 6: Reference Files on Diego Rivera and Frida Kahlo, 1929-1986 (Box 5, 10, OV 11; 0.9 linear feet)

Series 7: Writings by Packard, 1953-1984 (Box 6; 17 folders)

Series 8: Writings by Others, 1955-1984 (Box 6; 19 folders)

Series 9: Artwork, 1921-1976 (Box 6; 10 folders)

Series 10: Exhibition Files, 1950-1964 (Box 6, OV 11; 5 folders)

Series 11: Project Files, 1953-1985 (Box 6-7, 10, OV 11; 1.8 linear feet)

Series 12: Photographs, 1914-1982 (Box 8, 10; 0.8 linear feet)

Series 13: Scrapbooks, 1947-1950 (Box 8, 10; 0.2 linear feet)

Series 14: Printed Material, 1936-1988 (Box 8-9, 10; 1.0 linear foot)

Series 15: Artifacts, 1984 (Box 9-10, OV 11; 2 folders)

Biographical/Historical note:

Emmy Lou Packard was born in Imperial Valley, California on April 15, 1914, to Walter and Emma Leonard Packard. In the late 1920s she lived with her family in Mexico City where she became acquainted with Diego Rivera, from whom she received regular art criticism and encouragement. She graduated from the University of California, Berkeley and completed courses in fresco and sculpture at the California School of Fine Arts in 1940. That year and the next, Packard worked as a full-time painting assistant to Rivera on his 1,650 square-foot fresco at the World's Fair in San Francisco. During this project, Packard became very close to Rivera and Frida Kahlo and returned to Mexico with them and spent a year living with the couple.

From then on, except for in 1944-1945 working for a defense plant, Packard worked and grew in various aspects of her art. In addition to her work in fresco, Packard is known for her work in watercolor, oil, mosaic, laminated plastic, concrete, and printmaking, both in linocuts and woodblocks. She received numerous commissions that included installations for ships, hotels, and private homes for which she executed large woodcuts and mural panels. During the 1950s and 1960s, Packard was hired to restore several historic murals, most notably the Rincon Annex Post Office mural by Anton Refregier and the Coit Tower murals in San Francisco.

Between 1966 and 1967 she was commissioned by architects to design and execute a number of concrete and mosaic pieces, one of which went to the Mirabeau Restaurant in Kaiser Center, Oakland. She also designed and executed a mural for the Fresno Convention Center Theater during that same period. In 1973-1974, she designed and supervised a glazed brick mural for a public library in Pinole, California.

Packard had one-woman shows at the San Francisco Museum of Art, Raymond and Raymond Gallery (San Francisco), Addison Gallery of American Art (Andover, Mass.), Connecticut Academy of Fine Arts, Pushkin Museum (Moscow), and March Gallery (Chicago). Emmy Lou Packard died in 1998.

Related Archival Materials note:

Also found in the Archives of American Art is an oral history interview with Emmy Lou Packard conducted by Mary Fuller McChesney in 1964.

Provenance:

Emmy Lou Packard donated her papers to the Archives of American Art from 1984-1988. An additional 16mm reel of motion picture film donated in 2023 by Donald Cairns, Packard's son.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- California -- San Francisco  Search this

Sculptors -- California -- San Francisco  Search this

Muralists -- California -- San Francisco  Search this

Topic:

Printmakers -- California -- San Francisco  Search this

Mural painting and decoration, American  Search this

Mural painting and decoration, Mexican  Search this

Latino and Latin American artists  Search this

Women artists  Search this

Women muralists  Search this

Women printmakers  Search this

Women painters  Search this

Women sculptors  Search this

Genre/Form:

Scrapbooks

Sketches

Photographs

Interviews

Diaries

Citation:

Emmy Lou Packard papers, 1900-1990. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art.

Identifier:

AAA.packemmy

See more items in:

Emmy Lou Packard Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9db9feb7f-b0e9-4a2b-9d8c-9940b1d933d2

EDAN-URL:

ead_collection:sova-aaa-packemmy

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Subject of:

Crispus Attucks, American, 1723 - 1770  Search this

Sojourner Truth, American, 1797 - 1883  Search this

Harriet Tubman, American, 1822 - 1913  Search this

Sarah C. Roberts, American, born 1844  Search this

Susan McKinney Steward, American, 1847 - 1918  Search this

Dred Scott, American, ca 1800 - 1858  Search this

Frederick Douglass, American, 1818 - 1895  Search this

Booker T. Washington, American, 1856 - 1915  Search this

George Washington Carver, American, 1860s - 1943  Search this

W.E.B. Du Bois, American, 1868 - 1963  Search this

Scott Joplin, American, 1867 - 1917  Search this

Marcus Garvey, Jamaican, 1887 - 1940  Search this

James Weldon Johnson, American, 1871 - 1938  Search this

Father Divine, American, ca. 1876 - 1965  Search this

A. Philip Randolph, American, 1889 - 1979  Search this

Adam Clayton Powell Jr., American, 1908 - 1972  Search this

Rosa Parks, American, 1913 - 2005  Search this

Medgar Evers, American, 1925 - 1963  Search this

Dr. Martin Luther King Jr., American, 1929 - 1968  Search this

President Lyndon Baines Johnson, American, 1908 - 1973  Search this

Mary McLeod Bethune, American, 1875 - 1955  Search this

National Association of Black Social Workers, American, founded 1968  Search this

Congressional Black Caucus, American, founded 1971  Search this

Prince Hall Freemasonry, founded 1784  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

Shriners International, American, founded 1870  Search this

National Pan-Hellenic Council, American, founded 1930  Search this

National Dental Association, American, founded 1913  Search this

Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this

Democratic Party, American, founded 1828  Search this

Republican Party, American, founded 1854  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

Zeta Phi Beta Sorority, American, founded 1920  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

Eta Phi Beta Sorority, Inc., American, founded 1943  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

National Urban League, American, founded 1910  Search this

Sigma Gamma Rho Sorority, Inc., founded 1922  Search this

National Medical Association, American, founded 1895  Search this

Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this

National Council of Negro Women, founded 1935  Search this

Daughters of Isis, American, founded 1910  Search this

Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this

369th Veterans Association, American  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

Langston Hughes, American, 1902 - 1967  Search this

Paul Robeson, American, 1898 - 1976  Search this

Ezzard Mack Charles, American, 1921 - 1975  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 3/8 in. (27.5 × 21.4 × 1 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Date:

1976

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

U.S. History, 1969-2001  Search this

U.S. History, Colonial period, 1600-1775  Search this

United States History  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.10

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5e57ffdd9-2ab1-46da-b6e7-10757007351f

EDAN-URL:

edanmdm:nmaahc_2012.167.10

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Subject of:

Sen. Edward Brooke, American, born 1919  Search this

Morris Brown College, American, founded 1881  Search this

Interracial Council for Business Opportunity, American, founded 1963  Search this

Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this

Hubert Horatio Humphrey Jr., American, 1911 - 1978  Search this

General Daniel James Jr., American, 1920 - 1978  Search this

Roy Wilkins, American, 1901 - 1981  Search this

Rufus B. Shorter, American  Search this

National Association of Black Social Workers, American, founded 1968  Search this

National Association of Market Developers, American, founded 1953  Search this

National Medical Association, American, founded 1895  Search this

Ancient and Accepted Scottish Rite of Freemasonry  Search this

Prince Hall Freemasonry, founded 1784  Search this

Howard University, American, founded 1867  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

Young Men's Christian Association (YMCA), International, founded 1844  Search this

Avon, founded 1886  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

The Links, Incorporated, American, founded 1946  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

National Medical Association, American, founded 1895  Search this

National Dental Association, American, founded 1913  Search this

Sigma Gamma Rho Sorority, Inc., founded 1922  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

National Urban League, American, founded 1910  Search this

Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this

Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this

Zeta Phi Beta Sorority, American, founded 1920  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

Eta Phi Beta Sorority, Inc., American, founded 1943  Search this

National Association of University Women, American, founded 1910  Search this

National Association of Market Developers, American, founded 1953  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

American Bridge Association, American, founded 1932  Search this

Arthur Ashe Jr., American, 1943 - 1993  Search this

The Salvation Army, American, founded 1865  Search this

National Dental Association, American, founded 1913  Search this

Shriners International, American, founded 1870  Search this

Sammy Davis Jr., American, 1925 - 1990  Search this

Congressional Black Caucus, American, founded 1971  Search this

Rev. Martin Luther King Sr, American, 1899 - 1984  Search this

Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this

Southern Christian Leadership Conference, American, founded 1957  Search this

National Urban League Guild, American, founded 1946  Search this

Association for the Study of African American Life and History, American, founded 1915  Search this

369th Veterans Association, American  Search this

Prince Hall Freemasonry, founded 1784  Search this

One Hundred Black Men, Inc., American, founded 1963  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 7/16 in. (27.5 × 21.4 × 1.1 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Place depicted:

California, United States, North and Central America

Houston, Texas, United States, North and Central America

Minneapolis, Hennepin County, Minnesota, United States, North and Central America

Detroit, Wayne County, Michigan, United States, North and Central America

Chicago, Cook County, Illinois, United States, North and Central America

Washington, District of Columbia, United States, North and Central America

Jamaica, Caribbean, North and Central America

Barbados, Caribbean, North and Central America

Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America

West Africa, Africa

Date:

1978

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Enterprise  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

Travel  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.12

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5e8bb6cbd-99b9-4ce0-8851-3b3bef3dd0e8

EDAN-URL:

edanmdm:nmaahc_2012.167.12

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Subject of:

Charles Rangel, American, born 1930  Search this

The Links, Incorporated, American, founded 1946  Search this

Avon, founded 1886  Search this

Vice President Nelson Aldrich Rockefeller, American, 1908 - 1979  Search this

National Urban League, American, founded 1910  Search this

National Association of Black Social Workers, American, founded 1968  Search this

Interracial Council for Business Opportunity, American, founded 1963  Search this

Ancient and Accepted Scottish Rite of Freemasonry  Search this

National Association of Market Developers, American, founded 1953  Search this

National Medical Association, American, founded 1895  Search this

Prince Hall Freemasonry, founded 1784  Search this

National Association of Negro Musicians, Inc., founded 1919  Search this

Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this

Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

Sovereign Military Order of Malta, founded 1099  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Universal Network Television, American, founded 1950  Search this

Freedom National Bank, American, 1964 - 1990  Search this

Jarobin Gilbert Jr., American, born 1946  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

National Dental Association, American, founded 1913  Search this

National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

National Pharmaceutical Association, American, founded 1947  Search this

Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this

Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this

Delta Sigma Theta Sorority, American, founded 1913  Search this

Shriners International, American, founded 1870  Search this

Daughters of Isis, American, founded 1910  Search this

Dr. Roscoe C. Brown, American, 1922 - 2016  Search this

Young Men's Christian Association (YMCA), International, founded 1844  Search this

New York Yankees, American, founded 1901  Search this

Reggie Jackson, American, born 1946  Search this

The Doll League, Inc., American, founded 1958  Search this

National Urban League Guild, American, founded 1946  Search this

Morehouse Alumni Association, American, founded 1900  Search this

Congressional Black Caucus, American, founded 1971  Search this

National Bar Association, American, founded 1925  Search this

National Business League, American, founded 1900  Search this

National Bankers Association, American, founded 1927  Search this

Alliance for Women in Media, American, founded 1951  Search this

369th Veterans Association, American  Search this

Ancient and Accepted Scottish Rite of Freemasonry  Search this

The Salvation Army, American, founded 1865  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

One Hundred Black Men, Inc., American, founded 1963  Search this

Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this

Written by:

Anti-Bakke Decision Coalition, American, founded 1977  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 7/16 in. (27.5 × 21.4 × 1.1 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Place depicted:

Sag Harbor, Southampton, Suffolk County, New York, United States, North and Central America

Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America

Date:

1979

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Radio  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

Television  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.13

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5cc6b172d-2d13-4670-95ea-2e52493801a5

EDAN-URL:

edanmdm:nmaahc_2012.167.13

Subject of:

MelPat Associates, American, 1965 - 1986  Search this

Lou Rawls, American, 1933 - 2006  Search this

United Negro College Fund, American, founded 1944  Search this

President Jimmy Carter, American, born 1924  Search this

Wilma Rudolph, American, 1940 - 1994  Search this

National Urban League, American, founded 1910  Search this

American Association of Blacks in Energy, American, founded 1977  Search this

One Hundred Black Men, Inc., American, founded 1963  Search this

National Association of Black Social Workers, American, founded 1968  Search this

Interracial Council for Business Opportunity, American, founded 1963  Search this

National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this

American Bridge Association, American, founded 1932  Search this

African Methodist Episcopal Zion Church, American, founded 1821  Search this

National Association of Market Developers, American, founded 1953  Search this

The Girl Friends, Inc., American, founded 1927  Search this

Prince Hall Freemasonry, founded 1784  Search this

Sears, Roebuck & Co., American, founded 1893  Search this

Morehouse College, American, founded 1867  Search this

Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

National Pharmaceutical Association, American, founded 1947  Search this

Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

Top Ladies of Distinction, Inc., American, founded 1964  Search this

National Association of Negro Musicians, Inc., founded 1919  Search this

The Links, Incorporated, American, founded 1946  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

Republican Party, American, founded 1854  Search this

Charms, Inc., American, founded 1952  Search this

Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

Zeta Phi Beta Sorority, American, founded 1920  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

Sigma Gamma Rho Sorority, Inc., founded 1922  Search this

Eta Phi Beta Sorority, Inc., American, founded 1943  Search this

National Pharmaceutical Association, American, founded 1947  Search this

National Medical Association, American, founded 1895  Search this

National Association of Negro Musicians, Inc., founded 1919  Search this

National Association of University Women, American, founded 1910  Search this

Shriners International, American, founded 1870  Search this

Daughters of Isis, American, founded 1910  Search this

American Tennis Association, American, founded 1916  Search this

Democratic Party, American, founded 1828  Search this

CBS Broadcasting, Inc., American, founded 1927  Search this

A. Philip Randolph, American, 1889 - 1979  Search this

Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this

Congressional Black Caucus, American, founded 1971  Search this

369th Veterans Association, American  Search this

Benjamin Hooks, American, 1925 - 2010  Search this

National Bankers Association, American, founded 1927  Search this

Association for the Study of African American Life and History, American, founded 1915  Search this

Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

Alliance for Women in Media, American, founded 1951  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 7/16 in. (27.5 × 21.4 × 1.1 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Date:

1980

Topic:

African American  Search this

Advertising  Search this

African Methodist Episcopal  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Methodist  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

Television  Search this

The Black Church  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.14

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd533a4aa5f-52b1-4ee7-8dd0-1df51498bd61

EDAN-URL:

edanmdm:nmaahc_2012.167.14

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Subject of:

WLIB, American, founded 1941  Search this

National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this

American Bridge Association, American, founded 1932  Search this

National Association of Black Social Workers, American, founded 1968  Search this

Interracial Council for Business Opportunity, American, founded 1963  Search this

One Hundred Black Men, Inc., American, founded 1963  Search this

National Association of Market Developers, American, founded 1953  Search this

Vulcan Society, American, founded 1940  Search this

National Urban League, American, founded 1910  Search this

Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this

Prince Hall Freemasonry, founded 1784  Search this

National Urban Coalition, American, founded 1967  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

Top Ladies of Distinction, Inc., American, founded 1964  Search this

The Links, Incorporated, American, founded 1946  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

Carats, Inc., American, founded 1959  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

National Medical Association, American, founded 1895  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

Vernon Jordan, American, born 1935  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

Zeta Phi Beta Sorority, American, founded 1920  Search this

National Dental Association, American, founded 1913  Search this

National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this

Delta Sigma Theta Sorority, American, founded 1913  Search this

Connectional Lay Council, American, founded 1948  Search this

Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this

Shriners International, American, founded 1870  Search this

Daughters of Isis, American, founded 1910  Search this

Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

Congressional Black Caucus, American, founded 1971  Search this

Morehouse Alumni Association, American, founded 1900  Search this

Morris Brown College, American, founded 1881  Search this

Dr. Ralph Bunche, American, 1903 - 1971  Search this

Lionel Hampton, American, 1908 - 2002  Search this

National Urban League Guild, American, founded 1946  Search this

Young Men's Christian Association (YMCA), International, founded 1844  Search this

Alliance for Women in Media, American, founded 1951  Search this

Eleanor Holmes Norton, American, born 1937  Search this

Vernon Jordan, American, born 1935  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 1/2 in. (27.5 × 21.4 × 1.3 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Place depicted:

Atlanta, Fulton County, Georgia, United States, North and Central America

Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America

Date:

1981

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.15

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5af48a13c-8c71-4105-9526-479c0bc3bb3e

EDAN-URL:

edanmdm:nmaahc_2012.167.15

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

National Association of Market Developers, American, founded 1953  Search this

Subject of:

National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this

National Urban Affairs Council, American, founded 1971  Search this

Interracial Council for Business Opportunity, American, founded 1963  Search this

Prince Hall Freemasonry, founded 1784  Search this

Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this

Top Ladies of Distinction, Inc., American, founded 1964  Search this

Continental Societies, Inc., American, founded 1956  Search this

Rose Morgan, American, 1912 - 2008  Search this

William Otis Walker, American, 1896 - 1981  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

African Methodist Episcopal Church, American, founded 1816  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

The Links, Incorporated, American, founded 1946  Search this

National Association of Black Accountants, Inc., American, founded 1969  Search this

Carats, Inc., American, founded 1959  Search this

People United to Save Humanity, American, founded 1971  Search this

Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

National Pharmaceutical Association, American, founded 1947  Search this

National Medical Association, American, founded 1895  Search this

Sigma Gamma Rho Sorority, Inc., founded 1922  Search this

Zeta Phi Beta Sorority, American, founded 1920  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

Eta Phi Beta Sorority, Inc., American, founded 1943  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

National Urban League, American, founded 1910  Search this

National Association of University Women, American, founded 1910  Search this

Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this

Shriners International, American, founded 1870  Search this

Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this

Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this

Vernon Jordan, American, born 1935  Search this

National Business League, American, founded 1900  Search this

Congressional Black Caucus, American, founded 1971  Search this

Arthur Ashe Jr., American, 1943 - 1993  Search this

National Bankers Association, American, founded 1927  Search this

National Bar Association, American, founded 1925  Search this

369th Veterans Association, American  Search this

Percy Ellis Sutton, American, 1920 - 2009  Search this

Morehouse College, American, founded 1867  Search this

Joe Louis, American, 1914 - 1981  Search this

Clarence D. King, American, 1888 - 1981  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

National Black Veterans Association, American, founded 1974  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 1/2 in. (27.5 × 21.4 × 1.3 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Place depicted:

Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America

Date:

1982

Topic:

African American  Search this

Advertising  Search this

African Methodist Episcopal  Search this

Associations and institutions  Search this

Black Press  Search this

Broadway Theatre  Search this

Business  Search this

Communities  Search this

Film  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Methodist  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

The Black Church  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.16

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd595b77a5e-4524-45a5-90d3-81855fc7528c

EDAN-URL:

edanmdm:nmaahc_2012.167.16