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Oral history interview with Mischa Richter

Topic:
New masses
New Yorker (New York, N.Y. : 1925)
Interviewee:
Richter, Mischa, 1910-2001  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Museum of Fine Arts, Boston. School  Search this
Yale University. School of Fine Arts  Search this
Barnet, Will, 1911-2012  Search this
Bloom, Hyman, 1913-  Search this
Levine, Jack, 1915-2010  Search this
Reinhardt, Ad, 1913-1967  Search this
Steig, William, 1907-  Search this
Zimmerman, Harold K., 1905-1941  Search this
Extent:
3 Items (sound cassettes 2 hr., 43 min.), analog.)
54 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1994 September 27-28
Scope and Contents:
An interview with Mischa Richter conducted 1994 September 27-28, by Robert F. Brown, for the Archives of American Art.
Richter tells of his life as the only child of a prosperous Jewish family in Kharkov, Ukraine, where he showed early precocity in drawing. He remembers the Russian Revolution, being taken to Poland in 1921, and then in 1922 to New York and Boston. He discusses his education in Boston, including drawing lessons with Harold Zimmerman at which he got to know Hyman Bloom and Jack Levine; and classes at the Museum School in Boston from 1929 to 1930.
He speaks of his long-time friendship with Will Barnet, attending Yale School of Fine Arts, 1930-1934, and painting a WPA mural for the Boston Boys Club in 1935. He remembers meeting Will Steig, deciding to become a cartoonist, and selling enough drawings to leave the WPA to work as art editor for "The New Masses," where he became close friends with Ad Reinhardt. He discusses becoming a contract cartoonist in 1940 for "The New Yorker;" his avoidance of art dealers, because they demand steady production yet have no known goals, unlike a magazine; his abhorrence of taking himself, or others, too seriously; the perils of early success and the pettiness of many matters in the art community of Provincetown, Mass.; and the nature of his paintings.
Biographical / Historical:
Mischa Richter (1910-2001) was a painter and cartoonist from New York, N.Y. and Provincetown, Mass. Richter was born in the Ukraine. He came to the United States in 1922, attending special art classes for gifted students at the Museum of Fine Arts, Boston, and subsequently graduating from the Yale School of Fine Arts in 1934. After working on the WPA art project as a mural painter in New York, he turned to cartooning, doing editorial and humorous cartoons for the daily newspaper, PM, and then becoming art editor for the New Masses. In 1941 he began his longtime affiliation with the New Yorker, as well as producing daily panels, "Strictly Richter" and "Bugs Baer" for King Features. In the 1970s and 1980s, Richter did numerous drawings for the OpEd page of the New York Times. Died March 23, 2001, at age 90.
General:
Sound quality is poor.
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Cartoonists -- Massachusetts -- Provincetown -- Interviews  Search this
Topic:
Cartooning  Search this
Jewish artists  Search this
Painters -- Massachusetts -- Provincetown -- Interviews  Search this
Magazine illustration  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.richte94
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-richte94

Ruth Gikow papers

Creator:
Gikow, Ruth, 1915-1982  Search this
Names:
Drewes, Werner, 1899-1985  Search this
Fortess, Karl E. (Karl Eugene), 1907-1993  Search this
Gross, Chaim, 1904-1991  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Nordness, Lee  Search this
Soyer, Raphael, 1899-1987  Search this
Extent:
2.4 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Date:
1933-1982
Scope and Contents:
Biographical material, letters, financial material, an interview transcript, notes, writings, a scrapbook, printed material, photographs, and an audio tape document Gikow's career as a painter of social commentary.
REEL D230: Exhibition catalogs, 1948-1965; a scrapbook containing a biographical account and clippings, 1937-1965; an undated photograph of Gikow; and 164 photographs of works of art.
REELS 4874-4875: Biographical accounts, 1959-1971; 7 passports, 1947-1972; letters, 1949-1981, from Gikow to critics and galleries, and from colleagues including Karl Fortess and Lee Nordness, and one letter each from Werner Drewes, Jo Hopper, and Raphael Soyer; a file concerning the Kent State Memorial Exhibition, 1971; receipts, 1951-1978; price lists, 1967-1980; a 3 p. interview transcript; an engagement calendar, 1971; miscellaneous notes and writings by Gikow and others; printed material, including clippings, 1947-1979; exhibition announcements and catalogs, 1940-1982; a book, History of the Jews in America, 1957, by Deborah Pessin, illustrated by Gikow; a book, Gikow, 1970, by Matthew Josephson, with reproductions of art works used in the book; and brochures; photographs of Gikow, her husband Jack Levine, her studio, artists, including Chaim Gross, Jacob Lawrence, and Raphael Soyer, and works of art; and an untranscribed reel-to-reel tape of an interview of Gikow conducted by Karl Fortess.
UNFILMED: Correspondence; photographs of Gikow and of her art work, including one of her demonstrating mural painting at the 1939 World's Fair; reproductions of her book and magazine illustrations; and a yearbook, 1933, from the Women's Art School at The Cooper-Union, where Gikow studied with John Steuart Curry. Also found are writings by Gikow including reminiscences about her life as an artist and as an artist's wife; address books; and exhibition announcements and catalogs.
Biographical / Historical:
Painter, mural painter, illustrator, serigrapher. Died 1982. Gikow was born in the Russian Ukraine, emigrating to New York City with her parents in 1920. She studied under John Steuart Curry at the Cooper Union Art School from 1932-1935. She also studied with Louis Ross, Louis Schanker and Raphael Soyer. After working as an assistant mural painter on the Federal Art Project, Gikow was awarded a commission to paint a mural for the Bronx Hospital. Her book illustrations include Crime and Punishment, and History of the Jews in America. Gikow was married to painter Jack Levine.
Provenance:
Material on D230 was lent by Gikow, 1965. Gikow and her husband Jack Levine donated the remainder in 1978 and 1983, which was microfilmed in 1994 with grants from the Henry and Lucy Moses Fund, the Lucius N. Littauer Foundation, the Samuel Bronfman Foundation, and the Louis and Anne Abrons Foundation. After microfilming, an addition to the collection was donated by Levine in May 1999. Papers of Jack Levine donated at the same time have been cataloged separately.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Serigraphers -- New York (State) -- New York  Search this
Topic:
Women artists -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Women artists -- New York (State) -- New York  Search this
Jewish artists  Search this
Artists' studios -- Photographs  Search this
Social realism  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.gikoruth
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gikoruth

Oral history interview with Ben-Zion interview

Interviewee:
Ben-Zion  Search this
Interviewer:
Shikler, Barbara  Search this
Creator:
Mark Rothko and His Times Oral History Project  Search this
Names:
Gallery Secession (New York, N.Y.)  Search this
Jewish Museum (New York, N.Y.)  Search this
Mark Rothko and His Times Oral History Project  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Rothko, Mark, 1903-1970  Search this
Extent:
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 August 3-September 21
Scope and Contents:
An interview of Ben-Zion conducted 1982 August 3-1982 September 21, by Barbara Shikler, for the Archives of American Art's Mark Rothko and His Times oral history project.
Ben-Zion speaks of his family's background in Ukraine and Poland and their arrival in the United States after the death of his father. He remembers working as a writer for a Hebrew newspaper in the Bronx, the writing block he suffered in reaction to Nazi atrocities in Europe, and his turn to art with the patronage of J. B. Neumann. He recalls exhibiting with The Ten, meeting Mark Rothko through the Gallery Secession, and the rift that developed among members of The Ten. He describes his own commercial success, the influence of Jewish tradition upon his choices of subject matter, and his relationship with the Jewish Museum in New York. He discusses a period in which he stopped painting and returned to writing, and his later interest in sculpture. He speaks of his writings and his work habits.
Biographical / Historical:
Ben-Zion (1897-1987) was a painter and sculptor from New York, N.Y.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 5 min.
Provenance:
This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.
Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Bernard Braddon, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Herbert Ferber, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Jacob Kainen, Louis Kaufman, Jack Kufeld, Katharine Kuh, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Rebecca Reis, Maurice Roth, Sidney Schectman, Aaron Siskind, Joseph Solman, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Abstract expressionism  Search this
Jewish artists  Search this
Philadelphia Ten (Group of artists)  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
World War, 1939-1945  Search this
Art criticism  Search this
Function:
Art galleries, Commercial
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.benzio82
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-benzio82

Boris Mirski Gallery records

Creator:
Boris Mirski Gallery (Boston, Mass.)  Search this
Names:
Aronson, David, 1923-2015  Search this
Baskin, Leonard, 1922-2000  Search this
Bloom, Hyman, 1913-  Search this
Geller, Esther  Search this
Lebrun, Rico, 1900-1964  Search this
Mazur, Michael, 1935-2009  Search this
Mirski, Boris, 1898-1974  Search this
Polonsky, Arthur  Search this
Shahn, Ben, 1898-1969  Search this
Siporin, Mitchell, 1910-1976  Search this
Swan, Barbara, 1922-  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
6.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1936-2000
bulk 1945-1972
Summary:
The Boris Mirski Gallery records measure 6.2 linear feet and date from 1936-2000, bulk 1945-1972. They include gallery administrative files; artist files including correspondence, exhibition and loan paperwork as well as photographic documentation of artwork; gallery correspondence; financial materials including outgoing and incoming invoices and sales records; printed materials promoting the gallery and its artists; press materials; and a number of photographs of Boris Mirski at events and with others, as well as photographs of artwork. Artists particularly well represented in the collection include David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.
Scope and Contents:
The records of the Boris Mirski Gallery, which showed the avant-garde art of the Boston Expressionist school, as well as New York and international modern art styles and non-western art, measure 6.2 linear feet and date from 1936-2000, bulk 1945-1972. They include gallery administrative files; artist files including correspondence, exhibition and loan paperwork as well as photographic documentation of artwork; gallery correspondence; financial materials including outgoing and incoming invoices and sales records; printed materials promoting the gallery and its artists; press materials; and a number of photographs of Boris Mirski at events and with others, as well as photographs of artwork. Artists particularly well represented in the collection include David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.

The administrative files cover a number of topics including documents related to various properties, mortgages, and insurance, copyrights, legal cases, administrative events, and select group exhibitions at the gallery.

The artist files document each gallery artist's exhibition history in the gallery and include correspondence with the artist as well as files documenting significant outside exhibitions, projects and the placement of artworks. While exhibiting artists showed a range of sculpture, painting, and drawing at the gallery, there was a tendency towards highly expressive figurative artwork sometimes referred to as Boston Expressionism, often associated with the first generation Jewish American experience.

The gallery correspondence, primarily with patrons and institutions, is arranged alphabetically with select regular correspondents of the gallery having their own file, in addition to a folder of holiday cards.

The financial files include both outgoing and incoming transactions as invoices and sales records, organized by patron or vendor.

The printed materials are a records of the printing activities of the gallery as well as a press archive, with select printed materials from outside the gallery reflecting the activities of the gallery and gallery artists.

The photographic materials include both images that include the gallerist as well as images that document artworks.
Arrangement:
The collection is arranged as 6 series.

Series 1: Administrative Files, circa 1948-1995 (0.5 Linear feet; Box 1)

Series 2: Artist Files, circa 1945-2000 (2.7 Linear feet; Boxes 1-4, OV 7)

Series 3: Gallery Correspondence, circa 1936-1976 (1 Linear feet; Boxes 4-5)

Series 4: Financial Files, circa 1958-1974 (1.2 Linear feet; Boxes 5-6)

Series 5: Printed Material, circa 1944-1981 (0.7 Linear feet; Box 6, OV 8)

Series 6: Photographic Material, circa 1945-1976 (0.1 Linear feet; Box 6)
Biographical / Historical:
The Boris Mirski Gallery (est.1944; closed 1979) was a gallery in Boston, Massachusetts owned and operated by Boris Mirski (1898-1974). The gallery evolved out of various businesses owned by Mirski from the late 1910s, including his first formal gallery established alongside a framing shop on Charles Street in Beacon Hill in 1927. The gallery moved to its final incarnation on the lower level of 166 Newbury in 1972, and closed in 1979 following the gallerist's death in 1974.

Boris Chaim Mirski, born 1898, immigrated to the United States at the age of fourteen, leaving behind his troubled youth as a Lithuanian Jew in a harsh political climate that included frequent pogroms. At the advice of his mother, an activist in the resistance, Boris acquired a number of marketable skills including metalwork and framing, which allowed him to establish a lucrative business while he developed opportunities to show art that interested him. Early in his career this included a home for non-western and "primitive" art styles from around the globe, as well as the work of emerging local artists. Mirski's gallery created opportunities for artists working against the generally conservative tradition of the Boston School, and helped establish an identity for the local avant-garde. The gallery program had strong ties with the Museum of Fine Arts, Boston alumni and faculty, and frequently hosted exchange shows with New York City's Downtown Gallery, whose director Edith Halpert acted as a mentor. While exhibiting artists showed a range of sculpture, painting, and drawing at the gallery, there was a tendency towards highly expressive figurative artwork sometimes referred to as Boston Expressionism, often associated with the first generation Jewish American experience. Gallery artists included David Aronson, Leonard Baskin, Hyman Bloom, Esther Geller, Rico Lebrun, Michael Mazur, Arthur Polonsky, Ben Shahn, Mitchell Siporin, Barbara Swan, and Karl Zerbe.
Related Materials:
Related materials include Archives of American Art's Oral history interview with Boris Mirski, 1973 June 19.
Provenance:
The Boris Mirski Gallery records were donated by Deborah Mirski Brown, Boris Mirski's daughter from 1989-1996, with additions in 2007 and 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers  Search this
Painters  Search this
Topic:
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Expressionism (Art)  Search this
Jewish artists  Search this
Modernism (Art)  Search this
New York school of art  Search this
Sculptors  Search this
Genre/Form:
Photographs
Citation:
Boris Mirski Gallery records, 1936-2000, bulk 1945-1972. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mirsbori
See more items in:
Boris Mirski Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mirsbori

William Meyerowitz and Theresa F. Bernstein papers

Creator:
Meyerowitz, William, 1887-1981  Search this
Bernstein, Theresa  Search this
Names:
Arms, John Taylor, 1887-1953  Search this
Blashfield, Edwin Howland, 1848-1936  Search this
Bluemner, Oscar, 1867-1938  Search this
Holmes, Oliver Wendell, Jr., 1841-1935  Search this
Karolik, Maxim  Search this
Phillips, Duncan, 1886-1966  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Ward, Lynd, 1905-1985  Search this
Weichsel, John, 1870-1946  Search this
Extent:
1.2 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Drawings
Date:
1915-1978
Scope and Contents:
Biographical accounts, letters, notes, writings, art work, scrapbooks, printed material, and photographs document the careers of William Meyerowitz and his wife Theresa Bernstein, both painters and printmakers.
REELS D285-D285a: Letters, 1918-1967, from patrons and colleagues, including John Taylor Arms, Edwin Blashfield, Maxim Karolik, Duncan Phillips, and John Weichsel; exhibition announcements and catalogs, 1920-1967; 35 photographs of art works; a scrapbook, 1923-1944, containing exhibition announcements and catalogs, a clipping, and a photograph of an art work; 16 drawings; 3 prints; a list of Bernstein's work; 2 poems; a 4-page typescript "Reflections on the Art Status" by Bernstein; a typescript concerning painting in America by Oscar Bluemner; miscellaneous manuscripts, undated and 1964; 2 receipts for gifts of art work, 1927 and 1957; and a copy of the by-laws of the Cape Ann Arts Council, 1955.
REEL N69-137: Three exhibition catalogs, 1969, for works of Meyerowitz and Bernstein.
REEL 4866: Biographical accounts; 2 award certificates for Bernstein; letters, 1921-1978, from patrons and colleagues, including Oliver Wendell Holmes, Homer Saint-Gaudens, and Lynd Ward; 3 lists of Bernstein's works; 7 poems; a manuscript "On Portraiture"; a typescript by Bernstein about Meyerowitz' work; 22 drawings; 1 print; a scrapbook of clippings, 1915-1918; a scrapbook, undated and 1931, containing a clipping, a photograph of an art work, and exhibition catalogs; clippings, 1929-1978; a reprint "On the Need of Art" by Meyerowitz, 1944; exhibition announcements and catalogs, 1921-1977; reproductions of art works; a card advertising a summer art course taught by Meyerowitz and Bernstein; 10 photographs of the artists, 1930-1962; and 19 photographs of art works.
Biographical / Historical:
Painters and printmakers; New York, N.Y. William Meyerowitz was born in Russia in either 1889 or 1898. Moving to New York in 1908, he studied at the National Academy of Design from 1912-1916. He married Theresa Bernstein in 1918, and travelled in Europe from 1922-1923. During his exhibition at the Corcoran in 1930, he met Oliver Wendell Holmes, who became a patron and a subject for later work. Theresa Bernstein was born in Philadelphia and studied at the Philadelphia School of Design, the Pennsylvania Academy of the Fine Arts, and continued her studies at the Art Students League in New York. She died on Feb. 13, 2002, and was generally believed to be 111, though she could have been as old as 116.
Provenance:
Donated 1966-1978 by Mr. and Mrs. William Meyerowitz. Microfilmed 1994 with funding provided by the Henry and Lucy Moses Fund, the Lucius N. Littauer Foundation, the Goldie-Anna Charitable Trust, the Samuel Bronfman Foundation, and the Louis and Anne Abrons Foundation.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Etchers  Search this
Painters  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Women painters -- New York (State) -- New York  Search this
Etching -- New York (State) -- New York  Search this
Jewish artists  Search this
Genre/Form:
Drawings
Identifier:
AAA.meyewill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-meyewill

Jack Levine papers

Creator:
Levine, Jack, 1915-2010  Search this
Names:
American Academy and Institute of Arts and Letters  Search this
Jewish Museum (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Barnet, Will, 1911-2012  Search this
Bloom, Hyman, 1913-  Search this
Bocour, Leonard, 1910-1993  Search this
Cadmus, Paul, 1904-1999  Search this
Close, Chuck, 1940-  Search this
Coen, Eleanor, 1916-  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Dobkin, Alexander, 1908-  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Friedan, Betty  Search this
Gikow, Ruth, 1915-1982  Search this
Goodrich, Lloyd, 1897-1987  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hirsch, Joseph, 1910-1981  Search this
Lasansky, Mauricio, 1914-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lee, Gypsy Rose, 1914-1970  Search this
Levine, David, 1926-2009  Search this
Paul VI, Pope, 1897-1978  Search this
Peterdi, Gabor  Search this
Probst, Joachim  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Simon, Sidney, 1917-  Search this
Sorini, Emiliano  Search this
Soyer, Raphael, 1899-1987  Search this
Terkel, Studs, 1912-2008  Search this
Tooker, George, 1920-2011  Search this
Updike, John  Search this
Weber, Max, 1881-1961  Search this
Yevtushenko, Yevgeny Aleksandrovich, 1933-  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Student drawings
Photographs
Scrapbooks
Drawings
Date:
1923-1999
Summary:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.
Scope and Contents:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.

Found within the papers are two driver's licenses and several biographical accounts, and scattered letters from colleagues including one each from John Taylor Arms, Hyman Bloom, Leonard Bocour, René d'Harnoncourt, Lloyd Goodrich, Jacob Lawrence, and Homer Saint-Gaudens discussing various art-related events. There is only one carbon copy of a letter written by Levine. The correspondence includes oversized photographs of the members of the American Academy of Arts and Letters. Additional photographs of the members are found in the Photograph series.

Notes and writings are primarily typescripts about Jack Levine written by others. There is also a transcript of one speech, "Jack Levine Speaks Regarding the Donation of 108 of his Drawings to the Archives" delivered by Levine at the Fogg Art Museum.

Artwork consists entirely of Levine's student drawings including anatomical studies, neighborhood genre scenes, copies of Old Masters, and a series of images of symphony musicians. Some of the drawings display themes that are reflected in his later paintings.

Three scrapbooks contain clippings that document Levine's career and reflect his political interests. Additional printed material consists of a comprehensive collection of clippings and exhibition announcements and catalogs. There is also an announcement for a lecture by Levine, press releases, calendars of events, reproductions of artwork, programs, brochures including one for Facing East, a portfolio of Levine's prints, and three books.

Photographs include numerous photographs of Levine throughout his artistic career, including images of his wife, painter Ruth Gikow, their daughter Susanna, and colleagues including Hyman Bloom, Leonard Bocour, Alexander Dobkin, Joachim Probst, and Russian poet Yevgeny Yevtushenko. Especially notable is a series of photographs of Levine printmaking with Emiliano Sorini and Ruth Gikow.

There are photographs of Levine serving on art juries and panels with Eleanor Coen, Joseph Hirsch, Gabor Peterdi, Studs Terkel, and Max Weber, and attending events with Lawrence Fleischman, Betty Friedan, Edith Halpert, Mauricio Lasansky, Gypsy Rose Lee, Pope Paul VI, and Raphael Soyer. A small album contains photographs of Levine and various buildings in Boston. There are also photographs of miscellaneous exhibition installations including Levine's retrospective at the Jewish Museum, and of artwork by Levine and others.

Group photographs of the members of the American Academy of Arts and Letters are found here, and include Will Barnet, Paul Cadmus, Chuck Close, David Levine, George Tooker, and John Updike. Additional group photographs of the members that were originally enclosed with letters are found in the correspondence series.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, 1953-1955 (Box 1; 1 folder)

Series 2: Letters, 1946-1996 (Boxes 1, 5; 12 folders)

Series 3: Notes and Writings, 1961-1974 (Box 1; 6 folders)

Series 4: Artwork, 1923-1931 (Boxes 1, 5, OV 6; 11 folders)

Series 5: Scrapbooks, 1936-1962 (Boxes 1, 5; 16 folders)

Series 6: Printed Material, 1938-1999 (Boxes 1-3, 5, OV 6; 1.9 linear feet)

Series 7: Photographs, 1940-1998 (Boxes 3-5, OV 6; 52 folders)
Biographical / Historical:
Jack Levine (1915-2010) was born in Boston, Massachusetts and worked as painter and printmaker primarily in New York City. Levine was one of the leading painters and advocates of the Social Realism School of the late 1930s.

Jack Levine was the youngest of the eight children of Lithuanian Jewish parents, Mary Grinker and Samuel Levine. After the family moved from the South End of Boston to Roxbury in 1923, Levine began to study drawing under Harold Zimmerman at the School of the Boston Museum of Fine Arts. By 1929, Levine was studying painting under Denman Ross of the Fogg Art Museum.

From 1935-1940, Levine received U.S. government support from the federal Works Progress Administration. His first exhibition of paintings in New York City was at the Museum of Modern Art. In 1937, he painted The Feast of Pure Reason, a satire of Boston political power. Together with Ben Shahn, Levine became a leading exponent of the Social Realism School of the late 1930s. His first one-man show was held at the Downtown Gallery in New York City in 1938.

After serving in the U.S. Army during World War II, Levine was awarded a Guggenheim Fellowship in 1945, and a grant from the American Academy of Arts and Letters the following year. Also in 1946, Levine married painter Ruth Gikow and moved to New York City. Between 1950 and 1951, he was a Fulbright Fellow working in Rome where he was inspired by Old Master paintings. In the 1960s Levine's interest in printmaking intensified and he was instructed in creating intaglio prints by Emiliano Sorini, and was introduced to Abe Lublin who was associated with the New York Graphic Society.

Levine taught at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, the American Art School in New York, and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Metropolitan Museum, the Museum of Modern Art, the Whitney Museum of American Art, Boston Museum of Fine Arts, and the Fogg Art Museum. He was a member of the American Academy of Arts and Letters from 1956 on.

The D.C. Moore Gallery in New York City currently represents the Estate of Jack Levine.
Provenance:
Jack Levine donated his papers to the Archives in 1962, 1978, and 1999.
Restrictions:
Use of original papers requires an appointment and limited to the Washington, D.C. Reference Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting, American  Search this
Social realism  Search this
Painters -- Massachusetts -- Boston  Search this
Jewish artists  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- United States  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Student drawings
Photographs
Scrapbooks
Drawings
Citation:
Jack Levine papers, 1923-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.levijack
See more items in:
Jack Levine papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-levijack
Online Media:

Oral history interview with Lee Krasner

Creator:
Krasner, Lee, 1908-1984  Search this
Interviewer:
Holmes, Doloris  Search this
Names:
Club (New York, N.Y.)  Search this
De Kooning, Willem, 1904-1997  Search this
Graham, John, 1887-1961  Search this
Hofmann, Hans, 1880-1966  Search this
Newman, Barnett, 1905-1970  Search this
Parsons, Betty  Search this
Pollock, Jackson, 1912-1956  Search this
Rothko, Mark, 1903-1970  Search this
Extent:
10 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1972
Scope and Contents:
Interview of Lee Krasner conducted in 1972, by Doloris Holmes, for the Archives of American Art "Art World in Turmoil" oral history project.
This interview was conducted with the intention of documenting the Protest Art movement of the 1970's. In this interview, Krasner speaks of her dismay with the lack of recognition that many professional female artists receive; her resistence to joining the Club and the Irascible Eighteen; her experiences with getting exposure as a female artist; her relationship and respect for John Graham; the interest of Betty Parsons in Krasner's work; the mixed compliments received from Hofmann; her relationship with Newman; Her objection to de Kooning's "Woman" series; the Freudian aspect of Abstract Expressionism; the authoritarian/autocratic image of Rothko and Newman; the sexually biased role of the female within the Jewish Faith; the impossibility of separating content and aesthetic value; her female influence upon Pollock; her role in exposing Pollock to Matisse; her ability to network for Pollock (Herbert and Mercedes Matter, Sandy Calder, James Johnson, Sweeney, Hofmann); her ambiguity as to whether she has had the tradition female artist experience due to her association with Pollock.
Biographical / Historical:
Lee Krasner (1908-1984) was a painter in Easthampton, New York and married to Jackson Pollock.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Patrons must use transcript.
Transcript available on the Archives of American Art website.
Topic:
Jewish artists  Search this
Abstract expressionism  Search this
Women artists  Search this
Art, American  Search this
Painters -- New York (State) -- Easthampton -- Interviews  Search this
Genre/Form:
Interviews
Identifier:
AAA.krasne72
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-krasne72

Peter and Rose Krasnow papers

Creator:
Krasnow, Peter, 1886-1979  Search this
Names:
Peter Krasnow Arts Foundation  Search this
United States. Aircraft Warning Service. Ground Observer Corps  Search this
Blades, Harriet  Search this
Budnick, Dan  Search this
Burton, Leslie  Search this
Clements, Grace, 1905-1969  Search this
Cocker, Conrad  Search this
Danieli, Fidel  Search this
DeLuce, Robert  Search this
Drake, Alfred S.  Search this
Howe, Dudley  Search this
Krasnow, Rose, 1885-1984  Search this
Morley, Grace, 1900-1985  Search this
Noer, Philip  Search this
Owen, Dale  Search this
Owen, Elaine  Search this
Price, Aimée Brown, 1939-  Search this
Raboff, Ernest Lloyd  Search this
Raboff, Ina  Search this
Stone, Irving, 1903-  Search this
Weston, Edward, 1886-1958  Search this
Weston, Edward, 1886-1958 -- Photographs  Search this
Weston, Flora -- Photographs  Search this
Extent:
6.9 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Date:
1914-1984
Summary:
The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.
Scope and Content Note:
The papers of painter, printmaker, and sculptor Peter Krasnow (1886-1979) and his wife, writer Rose Krasnow (1885-1984), measures 6.9 linear feet and date from 1914 to 1984. Papers include biographical materials, a sound recording, correspondence, essays, poetry, short stories, notes, transcripts of lectures and radio talks, five diaries of Peter Krasnow, personal business records, exhibition catalogs and announcements, clippings, magazines, five sketchbooks, sketches and drawings in multiple media, prints, and photographs.

Biographical materials include documentation of Rose Krasnow's service as a member of the Army Air Forces Ground Observer Corps, programs and other materials from various memorial services, a sound recording with commentary on a Peter Krasnow exhibition, and documentation of a project to publish Rose Krasnow's poetry.

Correspondence consists of Peter and Rose Krasnow's personal and professional correspondence as well as a small amount of third party correspondence. Personal correspondence with friends and family involves health, work, daily events, and other life updates. Professional correspondence with art dealers, curators, gallery and museum directors, collectors, and colleges and universities concerns exhibitions, sales, loans, and donations of artwork. Primary correspondents include Leslie Burton and Harriet Blades, Dan Budnik, Grace Clements, Conrad Crocker, Dudley Howe, Lilly Weil Jaffe, Grace L. McCann Morley, Dale and Elaine Owen, Aimée Brown Price, Ernest and Ina Raboff, Irving Stone, and Edward Weston. There are also numerous scattered letters from artists, writers, curators, critics, museums, arts associations, and Jewish organizations.

Writings and notes are by Peter Krasnow, Rose Krasnow, and others. Writings by Peter Krasnow include a draft autobiography, essays, lectures on wood sculpture, typescripts, notes, and writings on art. Writings by Rose Krasnow include essays, plays, poetry, and short stories. Writings by others consist of essays, lectures, notes, plays, poetry, short stories, and typescripts. Other writers include Grace Clements, Fidel Danieli, Robert DeLuce, Alfred S. Drake, and Philip Noer. There are also five handwritten personal diaries by Peter Krasnow.

Personal business records include Rose Krasnow's bank book from 1980, Peter Krasnow's naturalization certificate and passport, an inventory of paintings on index cards, tax applications for the Peter Krasnow Arts Foundation, materials relating to Peter Krasnow's estate and the purchase of his artwork, and various receipts.

Printed materials include exhibition catalogs and announcements, clippings, bound books, magazines and journals, a Chicago Society of Artists block print calendar, and two printed posters from Peter Krasnow's exhibit at the Galerie Pierre in 1934.

Artwork is mostly by Peter Krasnow, and includes five sketchbooks, sketches and drawings, watercolors, preliminary studies in oil, and prints.

Photographs include personal photographs, photographs of major sculpture projects in progress, and artwork. Personal photographs are of Peter and Rose, family members, and friends, as well as a few scattered images of landscapes and architecture, possibly travel photographs. There are also photographs of Edward and Flora Weston. There are three photograph albums, one contains images of Krasnow's relief sculptures for the Sinai Temple's Kohn Chapel. Two photograph albums were compliled by Susan Ehrlich for Peter and Rose Krasnow. Also found are photographs of works of art. Some of the photographs in the papers were taken by Dan Budnik.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Materials, circa 1942-1983 (Boxes 1, 6; 7 folders)

Series 2: Correspondence, circa 1930-1984 (Box 1; 0.4 linear feet)

Series 3: Writings and Notes, circa 1916-1980 (Boxes 1-2; 1.3 linear feet)

Series 4: Diaries, circa 1955-1968 (Box 2-3; 5 folders)

Series 5: Personal Business Records, circa 1914-1982 (Box 3; 0.4 linear feet)

Series 6: Printed Materials, circa 1922-1981 (Boxes 3-4 and OV 9; 1.1 linear feet)

Series 7: Artwork, circa 1918-1980 (Boxes 4-6 and OV 7-8, 10; 1.5 linear feet)

Series 8: Sketchbooks, circa 1918-1973 (Box 5; 5 folders)

Series 9: Photographs, circa 1914-1981 (Boxes 5-6; 0.6 linear feet)
Biographical Note:
Peter Krasnow (1886-1979) was a painter, sculptor, and printmaker who lived and worked primarily in Southern California. His wife, Rose Krasnow (1885-1984), was a prolific writer of poems, short stories, and plays.

Peter Krasnow was born on August 20, 1886 in the Ukraine, Russia to Jewish parents. His father's work as an interior designer inspired Krasnow's interest in art.

In 1907, Krasnow emigrated to the United States, first living in Boston. He moved to Chicago in 1908 to attend the Art Institute of Chicago, where he met his future wife, Rose Bloom. To support himself during his studies, Krasnow worked as a security officer and performed other manual jobs. He graduated from the Art Institute of Chicago in 1916 and married Rose that same year.

The Krasnows moved to New York in 1919. In New York, Krasnow experienced some artistic success, participating in group and solo exhibitions at the Whitney Studio Club. During this time period, Krasnow often painted city scenes using a dark color palette.

In 1922, the Krasnows moved to Los Angeles, California. Krasnow built a studio near Glendale in 1923, on land purchased from photographer and friend Edward Weston. The studio also served as the Krasnows' main residence for the rest of their lives. In 1923 in Los Angeles, Krasnow exhibited with the Group of Independent Artists, which included Stanton Macdonald-Wright, Boris Deutsch, Nick Brigante, Ben Berlin, and other noteworthy artists. During his first years in California, Krasnow mostly created watercolor paintings, including a series of landscapes, using a lighter color palette than his earlier works. In the 1920s, Krasnow also accepted commissions for carved wood reliefs at the Temple Emmanu-El in San Francisco and the Sinai Temple in Los Angeles.

Krasnow received a grant in 1931, and he and Rose temporarily relocated to the Dordogne region of France, where they lived until 1934. During this time, Krasnow painted a series of watercolors and paintings of the French landscape. Before returning to the United States, Krasnow exhibited these landscapes at the Galerie Pierre.

After returning to California, Krasnow began creating carved wood sculptures, which he named 'demountables,' often using wood from trees on his property. Krasnow created these sculptures to celebrate the organic shapes inherent in wood.

In 1934, Krasnow returned to painting, this time creating bright, colorful, geometric designs which often incorporated symbolism from his Jewish heritage. Krasnow focused on these paintings through the remaining years of his life. In 1977, Krasnow received a fellowship from the National Endowment for the Arts.

Peter Krasnow died on October 30, 1979 in Los Angeles. Rose Krasnow died five years later, in 1984.
Provenance:
The Peter and Rose Krasnow papers were donated in several increments between 1976 and 1998 by Peter Krasnow, the Estate of Peter Krasnow, and the Peter and Rose Krasnow Foundation.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Wood sculpture  Search this
Jewish artists  Search this
Printmakers -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Genre/Form:
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Citation:
Peter and Rose Krasnow papers, 1914-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kraspete
See more items in:
Peter and Rose Krasnow papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kraspete
Online Media:

Oral history interview with Karen Karnes

Interviewee:
Karnes, Karen, 1925-2016  Search this
Interviewer:
Shapiro, Mark, 1955-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
65 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2005 August 9-10
Scope and Contents:
An interview of Karen Karnes conducted 2005 Augest 9-10, by Mark Shapiro, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, in Morgan, Vermont.
Karnes discusses her childhood in Brooklyn and the Bronx as the daughter of Russian and Polish immigrants working in the garment industry; living in a cooperative housing project built especially for garment workers and their families; attending the High School of Music and Art, New York City; going on to Brooklyn College, and fortuitously landing in the class of Serge Chermayoff, who taught primarily in the Bauhaus style; meeting her first husband, David Weinrib, with whom she eventually moved to Pennsylvania; David bringing home a slab of clay for her to work with, her first experience with the material; traveling to Italy and working in a ceramics factory there; attending a summer session at Black Mountain College in North Carolina and taking a class with Josef Albers; moving to Stony Point, in Rockland County, New York, to start Gatehill Community; her first gallery relationship, with Bonniers, New York City; the birth of her son Abel in 1956; the first time she used a salt kiln, while at the Penland School of Arts and Crafts, Penland, North Carolina, in 1967, and its effect on the character of her work; her relationship with the Hadler-Rodriguez Galleries, New York City; the pottery show in Demarest, New Jersey; her teaching philosophy and methods, including the "Continuum"; meeting her life partner, Ann Stannard, in 1970; Ann's home in Wales, and living there before settling in Vermont; the fire that destroyed their home and studio in 1998; the issues of privacy and isolation in an artist's life; her expectations about her career, especially as a Jewish woman; and her feelings on the work of contemporary potters.
Karnes also recalls John Cage, Soetsu Yanagi, Bernard Leach, Shoji Hamada, Charles Olsen, Marguerite Wildenhain, Paul and Vera B. Williams, Mary Caroline Richards, Goren Holmquist, Paul J. Smith, Mikhail Zakin, Jack Lenor Larsen, Isamu Noguchi, D. Hayne Bayless, Zeb Schactel, Warren Mackenzie, Garth Clark, Joy Brown, Robbie Lobell, Paulus Berensohn, and others.
Biographical / Historical:
Karen Karnes (1925- ) is a potter from Morgan, Vermont. Mark Shapiro is a potter from Worthington, Massachusetts.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 2 hr., 35 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Ceramicists -- Vermont -- Interviews  Search this
Ceramics -- Technique  Search this
Jewish artists  Search this
Women artists -- Vermont -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.karnes05
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-karnes05

Ita H. Aber papers, 1932-2007

Creator:
Aber, Ita H., 1932-  Search this
Subject:
New York Feminist Art Institute/Women's Center for Learning  Search this
Pomegranate Guild of Judaic Needlework  Search this
Type:
Diaries
Sound recordings
Video recordings
Topic:
Jewish artists  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)5607
(DSI-AAA_SIRISBib)208441
AAA_collcode_aberita
Theme:
Women
Lives of American Artists
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208441

Elias Newman papers, 1922-1981

Creator:
Newman, Elias, 1903-1999  Search this
Subject:
Artists Equity Association  Search this
Type:
Photographs
Notes
Topic:
Jewish artists  Search this
Painters -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Art, Jewish  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8087
(DSI-AAA_SIRISBib)210258
AAA_collcode_newmelia
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210258
Online Media:

Boris Mirski Gallery records, circa 1936-2000, bulk 1945-1972

Creator:
Boris Mirski Gallery  Search this
Subject:
Mirski, Boris  Search this
Aronson, David  Search this
Baskin, Leonard  Search this
Bloom, Hyman  Search this
Geller, Esther  Search this
Lebrun, Rico  Search this
Mazur, Michael  Search this
Polonsky, Arthur  Search this
Shahn, Ben  Search this
Siporin, Mitchell  Search this
Swan, Barbara  Search this
Zerbe, Karl  Search this
Type:
Photographs
Topic:
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Expressionism (Art)  Search this
Jewish artists  Search this
Modernism (Art)  Search this
New York school of art  Search this
Sculptors  Search this
Record number:
(DSI-AAA_CollID)9939
(DSI-AAA_SIRISBib)212490
AAA_collcode_mirsbori
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212490

Jack Levine papers, 1923-1999

Creator:
Levine, Jack, 1915-2010  Search this
Subject:
Updike, John  Search this
Tooker, George  Search this
Sorini, Emiliano  Search this
Soyer, Raphael  Search this
Saint-Gaudens, Homer  Search this
Simon, Sidney  Search this
Yevtushenko, Yevgeny Aleksandrovich  Search this
Halpert, Edith Gregor  Search this
Goodrich, Lloyd  Search this
Gikow, Ruth  Search this
Friedan, Betty  Search this
Fleischman, Lawrence A. (Lawrence Arthur)  Search this
Dobkin, Alexander  Search this
Paul VI, Pope  Search this
D'Harnoncourt, Rene  Search this
Probst, Joachim  Search this
Levine, David  Search this
Lee, Gypsy Rose  Search this
Lawrence, Jacob  Search this
Lasansky, Mauricio  Search this
Bocour, Leonard  Search this
Cadmus, Paul  Search this
Close, Chuck  Search this
Coen, Eleanor  Search this
Arms, John Taylor  Search this
Barnet, Will  Search this
Bloom, Hyman  Search this
Weber, Max  Search this
Peterdi, Gabor  Search this
Terkel, Studs  Search this
Hirsch, Joseph  Search this
American Academy and Institute of Arts and Letters  Search this
Jewish Museum (New York, N.Y.)  Search this
Type:
Student drawings
Photographs
Scrapbooks
Drawings
Topic:
Painting, American  Search this
Social realism  Search this
Painters -- Massachusetts -- Boston  Search this
Jewish artists  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- United States  Search this
Printmakers -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)9139
(DSI-AAA_SIRISBib)211333
AAA_collcode_levijack
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211333
Online Media:

Judith Weinshall Liberman papers, circa 1940-2003

Creator:
Liberman, Judith Weinshall, 1929-  Search this
Type:
Sound recordings
Interviews
Video recordings
Topic:
Holocaust, Jewish (1939-1945), in art  Search this
Jewish artists  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)13348
(DSI-AAA_SIRISBib)250514
AAA_collcode_libejudi
Theme:
Lives of American Artists
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_250514

Lichtenstein, Isaac, and Abraham Walkowitz. Jewish Artists. New York: Machmadim Art Editions, Inc.

Collection Creator:
Pach, Walter, 1883-1958  Search this
Container:
Box 20, Folder 6
Type:
Archival materials
Date:
1946
Collection Restrictions:
Use of original papers requires an appointment.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Walter Pach papers, 1857-1980. Archives of American Art, Smithsonian Institution.
See more items in:
Walter Pach papers
Walter Pach papers / Series 10: Selections from Walter Pach's Library / 10.3: Selected Publications
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-pachwalt2-ref734

Peter and Rose Krasnow papers, 1914-1984

Creator:
Krasnow, Peter, 1886-1979  Search this
Krasnow, Rose, 1885-1984  Search this
Subject:
Danieli, Fidel  Search this
DeLuce, Robert  Search this
Clements, Grace  Search this
Cocker, Conrad  Search this
Budnick, Dan  Search this
Burton, Leslie  Search this
Weston, Edward  Search this
Blades, Harriet  Search this
Weston, Flora  Search this
Weston, Edward  Search this
Stone, Irving  Search this
Raboff, Ina  Search this
Raboff, Ernest Lloyd  Search this
Price, Aimée Brown  Search this
Owen, Elaine  Search this
Owen, Dale  Search this
Noer, Philip  Search this
Morley, Grace  Search this
Krasnow, Rose  Search this
Howe, Dudley  Search this
Drake, Alfred S.  Search this
United States. Aircraft Warning Service. Ground Observer Corps  Search this
Peter Krasnow Arts Foundation  Search this
Type:
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Topic:
Wood sculpture  Search this
Jewish artists  Search this
Printmakers -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)9164
(DSI-AAA_SIRISBib)211359
AAA_collcode_kraspete
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211359
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Art galleries, Commercial -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

Chaim Gross papers, 1920-2004

Creator:
Gross, Chaim, 1904-1991  Search this
Subject:
Soyer, Raphael  Search this
Robbins, Warren M.  Search this
Grooms, Mimi Gross  Search this
Blume, Peter  Search this
Newman, Arnold  Search this
Type:
Sketchbooks
Video recordings
Motion pictures (visual works)
Topic:
Jewish artists  Search this
Sculpture, Modern -- 20th century  Search this
Record number:
(DSI-AAA_CollID)8992
(DSI-AAA_SIRISBib)211180
AAA_collcode_groschai
Theme:
Sketches & Sketchbooks
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211180
Online Media:

100 American Jewish Artists

Collection Creator:
Frank Kleinholz, 1901-1987  Search this
Container:
Box 4, Folder 3
Type:
Archival materials
Date:
1947
Collection Restrictions:
The collection is open for research. Access to original papers requires an appointment, and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank Kleinholz papers, 1910s-1980. Archives of American Art, Smithsonian Institution.
See more items in:
Frank Kleinholz papers
Frank Kleinholz papers / Series 4: Printed Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kleifran-ref58

Elias Newman papers

Creator:
Newman, Elias, 1903-  Search this
Names:
Artists Equity Association  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Notes
Date:
1922-1981
Summary:
The papers of New York painter, writer, and educator Elias Newman measure 1.1 linear feet and date from 1922 to 1981. Newman's participation in exhibitions and various art related organizations, notably Artists Equity Association, is documented through biographical material, correspondence, notes, writings, organizational records, printed material, and photographs.
Scope and Content Note:
The papers of New York painter, writer, and educator Elias Newman measure 1.1 linear feet and date from 1922 to 1981. Newman's participation in exhibitions and various art related organizations, notably Artists Equity Association, is documented through biographical material, correspondence, notes, writings, organizational records, printed material, and photographs.
Arrangement:
The collection is arranged as 6 series:

Series 1: Biographical Material, 1935-1975 (Box 1; 1 folder)

Series 2: Correspondence, 1927-1980 (Box 1; 8 folders)

Series 3: Writings, circa 1939-1976 (Box 1; 4 folders)

Series 4: Artists Equity Association Records, circa 1950-1979 (Box 1; 0.3 linear feet)

Series 5: Printed Material, 1922-1981 (Box 1, OV 2; 0.4 linear feet)

Series 6: Photographs, 1923-1975 (Box 1; 9 folders)
Biographical Note:
Elias Newman (1903-1999) was a painter, writer, lecturer, and teacher in New York, N.Y. Born in Stashow, Poland in 1903, Newman arrived in the United States in 1913, and became a naturalized citizen in 1928. He studied at the National Academy of Design from 1919-1920, and at the Educational Alliance Art School from 1920-1925. He also studied at the Academie Chaumiere in Paris. After 1925, Newman participated in many exhibitions, acted as art director of the Palestine Pavilion at the New York World's Fair in 1939, organized the Palestine Artists and Sculptors Association, and was director of the National Society of Painters in Casein in 1963 and 1967-1971. From 1970-1975, Newman served as president of the Artists Equity Association, the organization which played the most significant role in his career.
Provenance:
The collection was donated in 1977 and 1981 by Elias Newman.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Jewish artists  Search this
Painters -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Art, Jewish  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Notes
Citation:
Elias Newman papers, 1922-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.newmelia
See more items in:
Elias Newman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-newmelia

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