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Oral history interview with Chunghi Choo

Interviewee:
Choo, Chunghi  Search this
Interviewer:
Milosch, Jane  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art -- Students  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Ihwa Yŏja Taehakkyo  Search this
Museum für Kunsthandwerk Frankfurt am Main  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Students  Search this
University of Iowa -- Faculty  Search this
University of Northern Iowa  Search this
Victoria and Albert Museum  Search this
Bush, Cody  Search this
Chateauvert, Jocelyn  Search this
Fujio, Yuho  Search this
Grotell, Maija  Search this
Kao, Ruth  Search this
Kaufman, Glen  Search this
Larsen, Jack Lenor  Search this
Lechtzin, Stanley, 1936-  Search this
Lee, Sang-Bong  Search this
Mayer-VanderMey, Sandra  Search this
McFadden, David Revere  Search this
Merkel-Hess, Mary  Search this
Park, No Soo  Search this
Raab, Rosanne  Search this
Saarinen, Loja  Search this
Smith, Paul J.  Search this
Thomas, Richard C., 1917-1988  Search this
Yeun, Kee-ho  Search this
Extent:
75 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Korea (South) -- History -- April Revolution, 1960
Date:
2007 July 30-2008 July 26
Scope and Contents:
An interview of Chunghi Choo conducted 2007 July 30-2008 July 26, by Jane Milosch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Iowa City, Iowa.
Choo speaks of establishing the Metalsmithing and Jewelry program at the University of Iowa in Iowa City; the elaborate equipment, tools, and safety protection used in the studio; her experience teaching silent metalforming at Haystack Mountain School of Crafts in Deer Isle, Maine; participating in international workshops and seminars in Korea; the extensive world traveling she does with her husband, Dr. Charles Read, including destinations in Scandinavia, Thailand, Austria, Italy, and South Africa, among others; the house she designed in Iowa City; her love of the city and being surrounded by treasured friends, a supportive university, and beautiful environments; an interest in creative cooking and appreciation for diverse dishes from all around the world; her childhood and young adulthood in Inchon, Korea; growing up with an appreciation for beautiful art objects and classical music; an early interest and talent in drawing; attending Ewha Women's University as generations of women in her family had previously; experiences during the Korean War and April 19 Revolution in 1961; coming to the United States in 1961 as a student; studying English, ceramics, enameling, and stone cutting for one semester at Penland School of Crafts in Penland, N.C.; attending Cranbrook Art Academy in Bloomfield Hills, Michigan and studying metalsmithing with Richard Thomas, ceramics with Maija Grotell, and weaving with Glen Kaufman; living with Mrs. Loja Saarinen during her three and a half years at Cranbrook; teaching general craft at the University of Northern Iowa in Cedar Rapids from 1965-1968; pioneering the mixed-media studies with her students at UNI; accepting the challenge to build a metalsmithing and jewelry program at the University of Iowa in Iowa City in 1968; learning and teaching electroforming; the development of the electro-appliqué technique; extensive donor support and fundraising for the Metalsmithing and Jewelry program and its students; finding inspiration in nature, East Asian calligraphy, classical music, and travel; her long friendship with Jack Lenor Larsen and the great influence he has had on her work; being represented in major art museums and institutions world-wide, including the Museum of Modern Art in New York City, Victoria and Albert Museum in London, Museum fur Kunsthandwerk in Frankfurt, Germany, and many others; the joy she has when her students succeed and surpass her; and plans for future work, writing projects, and travel. Choo also speaks of the 2008 flooding of Iowa City and the state of Iowa during which her studio was severely damaged and many things were lost. Choo also recalls Park, No Soo; Lee, Sang Bong; Ruth Kao; Stanley Lechtzin; Yuho Fujio; David McFadden; Paul J. Smith; Rosanne Raab; Cody Bush; Jocelyn Chateauvert; Mary Merkel Hess; Sandra Mayer-VanderMey; Kee-ho Yeun, and others.
Biographical / Historical:
Chunghi Choo (1938- ) is a Korean American educator, metalsmith, jeweler, and textile and mixed media artist based in Iowa City, Iowa. Interviewer Jane Milosch is a curator from Silver Spring, Maryland.
General:
Originally recorded 5 sound discs. Reformatted in 2010 as 27 digital wav files. Duration is 5 hr., 22 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Metal-workers -- Iowa -- Iowa City  Search this
Jewelers -- Iowa -- Iowa City  Search this
Textile designers -- Iowa -- Iowa City  Search this
Mixed-media artists -- Iowa -- Iowa City  Search this
Topic:
Decorative arts  Search this
Metal-work  Search this
Jewelers -- Interviews  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Korean War, 1950-1953  Search this
Korean American art  Search this
Korean American Artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Women artists  Search this
Women textile artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.choo07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91d0f3d3d-e648-47b2-9282-e395b73f635f
EDAN-URL:
ead_collection:sova-aaa-choo07
Online Media:

Oral history interview with Eugene and Hiroko Sato Pijanowski

Interviewee:
Pijanowski, Eugene, 1938-  Search this
Pijanowski, Hiroko Sato, 1942-  Search this
Interviewer:
Fisch, Arline M.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
102 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 May 15-16
Scope and Contents:
An interview of Eugene and Hiroko Sato Pijanowski conducted 2003 May 15-16, by Arline M. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Honolulu, Hawaii.
The Pijanowskis speak of their unique relationship in life and work; their early years in Japan; the lack of art schools in Japan; their collaborative process; Gene's tendency to deviate from standard styles; Hiroko's work on Japanese metalwork; they comment on their interest in fabric, Japanese paper cord [mizuhiki], fish skin, and ColorCore (a surfacing material with integral solid color throughout its thickness); their series Gentle Solitude, Amaryllis, and Maple Leaves; student labor; their separate careers as teachers; the presence of Japanese and American cultures in their life; their interest in Dutch design; the significance of their international marriage while living in Michigan and Hawaii; they recall various symposia and workshops; they discuss how their travels have effected their works; Hiroko's enjoyment of scuba diving and inspiration from nature; they comment on the difficulties of working together at the same university; other artist couples they know; retiring to Hawaii; Hiroko's interest in haiku poetry; and her responsibilities in Japan of running her uncle's company and helping her elderly mother. The Pijanowskis also recall Kim Cridler, David Watkins, Wendy Ramshaw, Emmy van Leersum and Gijs Bakker, Takahiko Mizuno, Francis Pickens, Mike Capitan, and others.
Biographical / Historical:
Eugene (1938- ) and Hiroko Sato (1942- ) Pijanowski are metalsmiths living in Honolulu, Hawaii. Arline M. Fisch is a jeweler and writer.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 4 hr., 12 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Decorative arts  Search this
Jewelry making -- Study and teaching  Search this
Metal-work -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American metal-workers  Search this
Jewelers -- Hawaii -- Interviews  Search this
Metal-workers -- Hawaii -- Interviews  Search this
Japanese American women -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.pijanoeh03
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw995c119d9-e24c-41d2-8d04-c9e9b9de3169
EDAN-URL:
ead_collection:sova-aaa-pijanoeh03
Online Media:

Oral history interview with Hiroko Sato Pijanowski

Interviewee:
Pijanowski, Hiroko Sato, 1942-  Search this
Interviewer:
Fisch, Arline M.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of Michigan -- Faculty  Search this
Pijanowski, Eugene, 1938-  Search this
Extent:
123 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 May 13-15
Scope and Contents:
An interview of Hiroko Sato Pijanowski conducted 2003 May 13-15, by Arline F. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Honolulu, Hawaii.
Pijanowski speaks of her American/Japanese identity; childhood in Japan and her small family; the Christian schools she attended; Geidai University; learning Japanese jewelry design in the U.S.; attending Cranbrook Academy of Art; her thesis on line-inlay, a Japanese technique; meeting Eugene (Gene) Pijanowski, her future husband, at Cranbrook; life in Japan with Gene; moving back to the U.S.; her teaching philosophy; teaching at the University of Michigan; computers and other technological advances that have changed the way metals are taught; her presentation at a 1999 SNAG conference, "A Look Into the Future: The Implementation of Computer Aided Design and Manufacturing for Metalsmiths"; the importance of sharing information; her creative work and its relation to teaching; working with Japanese paper cord [mizuhiki]; Zen philosophy; her reoccurring childhood dreams; her line of jewelry "Hiroko Sato Pijanowski"; and the different types of molds she has made in wax, silicon, and rubber. Pijanowski also discusses jewelry tradeshows; her series Gentle Solitude; Issey Miyake's approach to design and his influence; her haiku club; orchids as inspiration; scuba diving experiences; the World Crafts Conference in Kyoto in 1978; the importance of exhibitions, such as "International Jewelry" in Vienna and "Poetry of the Physical" at the American Craft Museum, New York; galleries such as Helen Drutt in Philadelphia and Yaw Gallery in Michigan; the custom of "renting a gallery space" in Japan; and she concludes the interview with a discussion of the effects of of her depression. Pijanowski also recalls Ruth Taubman, Jim Hopfensperger, Leslie Leupp, Michael Rodemer; Stanley Lechtzin, Herman Junger, Albert Paley, David Watkins, Bob Ebendorf, Otto Kunzli, Michael Rowe, and others.
Biographical / Historical:
Hiroko Sato Pijasnowski (1942- ) is a Japanese American metalsmith from Honolulu, Hawaii. Arline M. Fisch is a jeweler.
General:
Originally recorded on 6 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 5 hr., 42 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Metal-work -- Study and teaching  Search this
Metal-work -- Technique  Search this
Asian American art  Search this
Asian American artists  Search this
Decorative arts  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American metal-workers  Search this
Jewelers -- Hawaii -- Interviews  Search this
Metal-workers -- Hawaii -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.pijanoh03
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9be3f93ac-2c5f-4b62-a0b3-b25d91ea2207
EDAN-URL:
ead_collection:sova-aaa-pijanoh03
Online Media:

Oral history interview with Lisa Gralnick

Interviewee:
Gralnick, Lisa, 1956-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Kent State University -- Faculty  Search this
Kent State University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parsons School of Design  Search this
Kounellis, Jannis, 1936-2017  Search this
Lightman, Alan  Search this
Matzdorf, Gary Bengier  Search this
Mimlitsch-Gray, Myra  Search this
Scherr, Mary Ann, 1931-  Search this
Extent:
12 Items (Sound recording: 12 sound files (7 hr., 4 min.), digital, wav)
111 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2007 October 29-30
Scope and Contents:
An interview of Lisa Gralnick conducted 2007 October 29-30, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Gralnik's home, in Madison, Wisconsin.
Gralnick speaks of her father's illness; taking a jewelry-making class as a teenager; the honors college at Kent State; her master's thesis and the Cosmogonic Cycle; teaching enameling at Kent State to support her studio art; the metals program at Parsons School of Design; a black rubber house in upstate New York; creating structures out of black plastic; her introduction to computers; working with gold; drawing inspiration from physics and machinery; her fascination with dentistry tools; being a hands-on learner; satisfaction from the labor of art; working with metal; her methodological form of teaching; teaching a graduate class and focusing on body parts; the relationship between ambition and hard work; teaching in an art department as opposed to a craft department; her recent reliquary and jewelry work; poetic and musical influences; showing abstraction and emotion in her work; the creation of The Gold Standard pieces. Gralnick also recalls Mary Ann Scherr, Gary Bengier Matzdorf, Jannis Kounellis, Alan Lightman, Myra Mimlitsch Gray, and others.
Biographical / Historical:
Lisa Gralnick (1956- ) is a metalsmith and professor from Madison, Wisconsin. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 12 digital wav files. Duration is 7 hr., 4 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Educators -- Wisconsin -- Madison  Search this
Metal-workers -- Wisconsin -- Madison  Search this
Topic:
Decorative arts  Search this
Jewelry making -- Study and teaching  Search this
Metal-work -- Study and teaching  Search this
Women artists  Search this
Women educators  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.gralni07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c2a7111e-21f5-4e98-b6fc-2e70b8cfc9cb
EDAN-URL:
ead_collection:sova-aaa-gralni07
Online Media:

Oral history interview with Mary Lee Hu

Interviewee:
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Cleveland Institute of Art -- Students  Search this
Cranbrook Academy of Art -- Students  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio) -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
University of Washington -- Faculty  Search this
Baldridge, Mark S., 1946-  Search this
Choo, Chunghi  Search this
Christensen, Hans, 1924-1983  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred, 1934-  Search this
Fike, Phillip G., 1927-1997  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Marshall, John, 1936-  Search this
Matsukata, Miye, 1922-1981  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti, 1940-  Search this
Extent:
8 Items (Sound recording: 8 wav files (5 hr., 42 min.), digital)
163 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Afghanistan -- Description and Travel
Australia -- Description and Travel
China -- Description and Travel
Indonesia -- Description and Travel
Iran -- Description and Travel
Nepal -- Description and Travel
Ohio -- Description and Travel
Papua New Guinea -- Description and Travel
Tibet (China) -- Description and Travel
Turkey -- description and travel
Date:
2009 March 18-19
Scope and Contents:
An interview of Mary Lee Hu conducted 2009 March 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Hu's home and studio, in Seattle, Washington.
Hu speaks of growing up outside Cleveland, Ohio; her early interest in making objects; attending the Lawrence Art Center camp in Kansas at the age of 16 where she first experimented with metals; her like of working with tools in order to create something; taking metal smith classes at the Cleveland Institute of Art during high school; attending Miami University in Ohio for two years followed by two years an Cranbrook Academy of Art; working as a TA with L. Brent Kington at Southern Illinois University in Carbondale; her collaborative work in both textiles and metals while at Carbondale which lead to her first experimentation in weaving silver wire; creating a body of work for her Master's thesis in which all the pieces were woven wire; various works, their origins, when, where and why they were created, including her Neckpiece, Choker, Bracelet, Brooch and Ring series; her aesthetic interest in patterns, line and positive/negative space; a limited interest in and use of color in her work; the transition from silver to gold wire; a progressively larger interest in the history of jewelry and body adornment which eventually became a lecture at the University of Washington, where she taught for 26 years; numerous trips around the world to countries such as China, Tibet, Nepal, Afghanistan, Iran, Turkey, Australia, Papua New Guinea and Indonesia; a strong interest in ethnic and native jewelry/body adornment practices; the various purposes which jewelry can serve in society; her involvement with the Society of North American Goldsmiths and the American Craft Council; her technique based teaching practices; the role that modern technology plays in teaching, learning, and making jewelry; the lack of support and funds for metals programs in universities around the country; her library, which includes aver 2,000 books about the history of jewelry and body adornment; her collection of jewelry from around the world; her want to create beautiful and functional jewelry; the public and private aspects to jewelry and it's role in museums; current projects and the importance to maintain interest of metals in younger generations. Hu also recalls Gary Turner, Hans Christensen, Otto Dingeldein, Heikki Seppä, Hero Kielman, Phil Fike, Patti Warashina, Gary Noffke, Elliott Pujol, Chonghi Choo, Daphne Farafo, Vicki Halper, Ron Ho, Miye Matsukata, Alma Eikermann, Mark Baldridge, Kurt Matzdorf, Eleanor Moty, Fred Fenster, John Marshall, James McMurray, and others.
Biographical / Historical:
Mary Lee Hu (1943- ) is a metalsmith in Seattle, Washington. Smith was educated at Cranbrook Academy of Art and Southern Illinois University. She teaches at the University of Washington.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Metal-workers -- Washington (State) -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hu09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a23bb6bc-66a5-4900-9a0f-031b4e2ab83d
EDAN-URL:
ead_collection:sova-aaa-hu09
Online Media:

Oral history interview with Robert Ebendorf

Interviewee:
Ebendorf, Robert, 1938-  Search this
Interviewer:
Rosolowski, Tacey A.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
96 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 April 16-18
Scope and Contents:
An interview of Robert Ebendorf conducted 2004 April 16-18, by Tacey Rosolowski, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Greenville, N.C.
Ebendorf speaks of growing up in Topeka, Kansas; spending time in his grandparents' tailor shop; his relationship with his parents; having difficulties in school; making jewelry in arts and crafts class; meeting Carlyle Smith and deciding to study art at the University of Kansas; staying at the University of Kansas to get his MFA in Three-Dimensional Design; taking part in important early exhibitions including the "Wichita National"; collaging in his artwork and letters; how his art professors including, Robert Montgomery, mentored him; studying metal craft in Norway on a Fulbright; getting a job teaching at Stetson University; returning to Norway on a Tiffany Grant and working in a goldsmith shop; rebuilding the metals program at the University of Georgia; traveling to Norway once again and designing for the David Anderson Firm; experimenting with mixed media and found objects in his work; exhibiting at the Susan Cummins Gallery; hunting for objects with his daughter Brittany; teaching at SUNY New Paltz; using the ColorCore material; expressing both the masculine and feminine in his art; and making crafts with his mother.
Ebendorf also speaks of his current daily routine and the importance of a home studio; the influence of Scandinavian art on his work, especially the art of Claus Bury; doing work on commission; teaching at Penland School of Crafts and Haystack Mountain School of Crafts; taking part in the founding of the Society of North American Goldsmiths and serving as President; teaching at East Carolina University; preparing students for a career in metalsmithing; the changing trends in American and European jewelry; organizing the "Conversations" series of workshops at SUNY New Paltz; reading various art publications and the need for more critical writing about craft; selling work at craft fairs; the challenges of working with various galleries and museums; the importance of his work Lost Souls and Found Spirits; his recent retrospective "The Jewelry of Robert Ebendorf: A Retrospective of Forty Years;" and his current work and plans for the future. Ebendorf also recalls Kurt Matzdorf, Fred Woell, Bill Brown, Philip Morton, Ronald Pearson, L. Brent Kington, Linda Darty, Jamie Bennett, Earl Krentzin, and others.
Biographical / Historical:
Robert Ebendorf (1938- ) is a metalsmith from Greenville, North Carolina. Tacey A. Rosolowski is an art historian from Washington, D.C.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 6 hr., 29 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art metal-work  Search this
Metal-work -- Economic aspects  Search this
Metal-work -- Study and teaching  Search this
Metal-work -- Equipment and supplies  Search this
Metal-workers -- North Carolina -- Interviews  Search this
Jewelers -- North Carolina -- Interviews  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Jewelry -- Design  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ebendo04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c76f828d-25b4-4579-9b75-fddfffa6eaac
EDAN-URL:
ead_collection:sova-aaa-ebendo04
Online Media:

Oral history interview with Arline M. Fisch

Interviewee:
Fisch, Arline M.  Search this
Interviewer:
Church, Sharon, 1948-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Haystack Mountain School of Crafts -- Faculty  Search this
Haystack Mountain School of Crafts -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Skidmore College -- Faculty  Search this
Skidmore College -- Students  Search this
Wheaton College (Ill.) -- Faculty  Search this
Adamson, Glenn  Search this
Extent:
61 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 July 29-30
Scope and Contents:
An interview of Arline M. Fisch conducted 2001 July 29-30, by Sharon Church McNabb, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Fisch's home, in San Diego, California.
Biographical / Historical:
Arline M. Fisch (1931-) is a metalsmith from San Diego, California. Sharon Church McNabb (1948-) is a jewelry designer.
General:
Originally recorded on 6 sound cassettes. Reformatted in 2010 as 12 digital wav files. Duration is 6 hr., 13 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Metal-workers -- California -- San Diego  Search this
Jewelers -- California -- San Diego  Search this
Educators -- California -- San Diego  Search this
Fulbright scholars  Search this
Topic:
Art and religion  Search this
Decorative arts  Search this
Knitting  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Women artists  Search this
Women educators  Search this
Women textile artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.fisch01
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw953b7f3c1-1e9d-443b-8501-888ae6399225
EDAN-URL:
ead_collection:sova-aaa-fisch01
Online Media:

Oral history interview with Bruce Metcalf

Interviewee:
Metcalf, Bruce, 1949-  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Colorado State University -- Faculty  Search this
Kent State University -- Faculty  Search this
Montana State University (Bozeman, Mont.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
State University of New York at New Paltz -- Students  Search this
Syracuse University -- Students  Search this
Tyler School of Art -- Students  Search this
University of the Arts (Philadelphia, Pa.) -- Faculty  Search this
Adamson, Glenn  Search this
Arneson, Robert, 1930-1992  Search this
Bauer, Fred  Search this
Bennett, Jamie, 1948-  Search this
Burns, Mark, 1950-  Search this
Church, Sharon, 1948-  Search this
Clark, Garth, 1947-  Search this
Craig, Gabriel  Search this
Cummins, Susan  Search this
Daley, William, 1925-2002  Search this
Ebendorf, Robert, 1938-  Search this
Eidelberg, Martin P.  Search this
Flynn, Pat, 1954-  Search this
Getty, Nilda  Search this
Gill, John, 1949-  Search this
Griffin, Gary, 1945-  Search this
Halem, Henry  Search this
Hammer, Wayne  Search this
Hash, Arthur, 1976-  Search this
Jerry, Michael John, 1937-  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Koplos, Janet  Search this
Koss, Gene  Search this
Kumata, Carol  Search this
La Plantz, David  Search this
Lechtzin, Stanley, 1936-  Search this
Long, Randy  Search this
Matzdorf, Kurt  Search this
Mawdsley, Richard, 1945-  Search this
Moran, Lois  Search this
Morris, William, 1834-1896  Search this
Pritchard, Marian  Search this
Rogers, Harriet  Search this
Rogers, Steve  Search this
Ruskin, John, 1819-1900  Search this
Schaechter, Judith, 1961-  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Slivka, Rose  Search this
Slosberg, Jill  Search this
Wilson, Anne, 1949-  Search this
Woell, J. Fred, 1934-  Search this
Extent:
96 Pages (Transcript)
5 Items (Sound recording: 5 sound files (4 hr., 10 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
California -- description and travel
Seoul (Korea) -- Description and Travel
Date:
2009 June 10
Scope and Contents:
An interview of Bruce Metcalf conducted 2009 June 10, by Edward S. Cooke, Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Metcalf's home, in Bala Cynwyd, Pennsylvania. Mr. Metcalf discusses his early years in Amherst, Massachusetts; beginnings as a maker with modeling clay and plastic airplane models; undergraduate years at Syracuse University, Syracuse, New York in the late 1960s; early interest in architecture; early disenchantment with modernist discourse and theory; introduction to Marxist theory and idealism of the 1960s; summer trip to California in 1970; return to the East Coast upon the death of his father; return to college, transferring into jewelry in his senior year; influence of his teacher Michael Jerry; seeing the work in "Objects: USA" exhibition (1969) and influence of the work of J. Fred Woell, Richard Mawdsley, L. Brent Kington; rejection of current trends in art, including conceptual art and formalism; his affinity for the medium of metal, and hammersmithing; influence of funk ceramics, including work by Fred Bauer and Richard Shaw; brief stint at Montana State University, Bozeman; working in cardboard and wood; graduate school at the State University of New York, New Paltz; working with Robert Ebendorf and Kurt Matzdorf at New Paltz; work as a production artist/craftsperson; attending Rhinebeck, New York, craft fair in the mid-1970s; the influence of writings by William Morris and John Ruskin and the notion of "dignified labor"; graduate school at Tyler School of Art, Philadelphia, Pennsylvania; formulating his aesthetic of narrative symbolism; publication of his first article in 1977 as a response to review of the exhibition "Forms in Metal: 275 Years of Metalsmithing in America" (1975); yearlong teaching position at Colorado State University, Fort Collins, Colorado; taking a teaching position at Kent State University, Kent, Ohio (1986-1991); publication of his article "Crafts: Second-Class Citizens?" in the first issue of Metalsmith, 1980; growing involvement with the Society of North American Goldsmiths; development of his notion of "social utility" and the role and function of crafts and making; expansion of his writing on craft; rejection of the deconstructivist school of thought in the 1980s; abandonment of sculptural objects for jewelry in the early 1990s; return to Philadelphia in 1991; early teaching of history of craft, first at Kent, then on a Fulbright scholarship in Seoul, South Korea (1990), later at the University of the Arts, Philadelphia, in the early 1990s; influence of Martin Eidelberg; development of his vision for a history of craft course; collaboration with Janet Koplos on "Makers: A History of American Studio Craft"; use of his medium and craft to explore issues of nurturing and anxiety; the psychological/social effect and aesthetic importance of wearing jewelry (for the wearer and the artist); the pros and cons of craft collectors; the problematics of installation work by craft artists; recent trends in craft, including Anne Wilson's notion of "sloppy craft" and an "anti-craft" attitude; recent artists, including Arthur Hash and Gabriel Craig; lack of exhibition opportunities for younger/emerging artists; influential recent texts, including "Shards," by Garth Clark. He also recalls Robert Arneson, Randy Long, Carol Kumata, Jamie Bennett, Steve and Harriet Rogers, Wayne Hammer, Stanley Lechtzin, Gene Koss, Henry Halem, Mark Burns, Rose Slivka, Nilda Getty, Jill Slosberg, Sharon Church, John Gill, David La Plantz, Lois Moran; Gary Griffin; William Daley, Marian Pritchard, Glenn Adamson, Pat Flynn, Susan Cummins, and Judith Schaechter.
The following oral history transcript is the result of a recorded interview with Bruce Metcalf on June 10, 2009. The interview took place in Bala Cynwyd, Penn., and was conducted by Edward S. Cooke, Jr. for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Bruce Metcalf has reviewed the transcript. His corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose.
Biographical / Historical:
Bruce Metcalf (1949- ) is a jeweler and writer in Bala Cynwyd, Pennsylvania.
General:
Originally recorded as 5 sound files. Duration is 4 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Topic:
Ceramics  Search this
Communism  Search this
Deconstructivism (Architecture)  Search this
Conceptual art  Search this
Formalism (Art)  Search this
Jewelers -- Pennsylvania -- Interviews  Search this
Jewelry making -- Study and teaching  Search this
Metal-work  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.metcal09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974054f15-9dfd-4aea-98f7-707fd609918e
EDAN-URL:
ead_collection:sova-aaa-metcal09
Online Media:

Oral history interview with Mary Ann Scherr

Interviewee:
Scherr, Mary Ann, 1931-  Search this
Interviewer:
Douglas, Mary F., 1956-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Kent State University -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parsons School of Design -- Faculty  Search this
Penland School of Handicrafts  Search this
Extent:
71 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 April 6-7
Scope and Contents:
An interview of Mary Ann Scherr conducted 2001 April 6-7, by Mary Douglas, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
This interview took place in the artist's home and studio, Raleigh, N.C.
Biographical / Historical:
Mary Ann Scherr (1921- ) is a jeweler from Raleigh, N.C. Mary Douglas (1956-) is a curator at the Mint Museum of Craft and Design in Charlotte, N.C.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hr., 34 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Jewelers -- North Carolina -- Raleigh  Search this
Topic:
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Jewelry -- Design  Search this
Metal-work -- Technique  Search this
Art -- Philosophy  Search this
Industrial design  Search this
Women artists  Search this
Decorative arts  Search this
Women jewelers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.scherr01
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw984262d07-5cf7-4dcb-aeae-367127ef39a3
EDAN-URL:
ead_collection:sova-aaa-scherr01
Online Media:

Oral history interview with Marjorie Schick

Interviewee:
Schick, Marjorie, 1941-2017  Search this
Interviewer:
Rosolowski, Tacey A.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
79 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 April 4-6
Scope and Contents:
An interview of Marjorie Schick conducted 2004 April 4-6, by Tacey A. Rosolowski, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Pittsburg, Kansas.
Schick speaks of her aesthetic goals; making "body sculpture" as opposed to jewelry; being raised by her mother, a teacher and artist; taking art classes in high school; studying art education at the University of Wisconsin, Madison; marrying James Schick; getting an MFA in jewelry at Indiana University; being mentored by Alma Eikerman; transitioning her works from metal to papier-mâché; working with alternative materials; making costume pieces for dancers; being represented by Galerie Ra in Amsterdam; studying metalwork while on sabbatical in London; the importance of change and experimentation in her work; making companion pieces; traveling to Europe and Mexico; creating "teapot jewelry"; and being part of the international jewelry community. Schick also speaks of how collectors and the art market react to her pieces; exhibiting in galleries; being a member of the Kansas Artist Craftsman Association; teaching; giving workshops; working on pieces while traveling; her autobiographical pieces; hiring student helpers; paying attention to craftsmanship; the challenges of being a craft artist and making "unwearable" jewelry; and her current project. Schick also recalls David Smith, Paul Smith, Harry Bertoia, Tom Joyce, and others.
Biographical / Historical:
Marjorie Schick (1941-2017) is a jeweler of Pittsburg, Kansas. Tacey A. Rosolowski is an art historian from Washington, D.C.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 53 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Jewelers -- Kansas  Search this
Topic:
Jewelry -- Design  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Economic aspects  Search this
Women artists  Search this
Decorative arts  Search this
Women jewelers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.schick04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw969be98fa-c195-4cee-8bb6-a0824b4119bd
EDAN-URL:
ead_collection:sova-aaa-schick04
Online Media:

Oral history interview with Ron Nagle

Creator:
Nagle, Ron  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Interviewer:
Berkson, Bill  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
San Francisco State University -- Students  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
84 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 July 8-9
Scope and Contents:
An interview of Ron Nagle conducted 2003 July 8-9, by Bill Berkson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in San Francisco, California.
Nagle speaks of his childhood in San Francisco and growing up in the "Outer Mission"; his early creative influences, including his father who "could build anything," his mother, who ran a ceramics club in their basement, and his high school friend Steve Archer, who customized cars; making and selling jewelry while in high school; the Beat scene in San Francisco; teaching his high school friend Rick Gomez about jewelry in exchange for lessons in throwing clay on the wheel; attending San Francisco State University, initially as an English major then switching to art; learning about Peter Voulkos from Gomez; taking a summer course with Henry Takemoto at the Art Institute [now the California School of Fine Arts]; his "manic" interest in art magazines; studying with Charles McKee at San Francisco State; working as a studio assistant for Peter Voulkos at the University of California at Berkeley, after his graduate school application was rejected; making connections in the Los Angeles art scene through friend and sculptor Ed Bereal; the influence of Kenneth Price, James Melchert, Peter Voulkos, 16th and 17th century Japanese ceramics, popular culture, and painters such as Giorgio Morandi, Albert Pinkham Ryder, Josef Albers, Philip Guston, Billy Al Bengston, and others; his first show at the Dilexi Gallery, "Works in Clay by Six Artists," 1968; teaching for 42 years; the relation between music and "studio art"; playing the piano and his broad interest in music; his band Mystery Trend; creating sound effects for the film, "The Exorcist;" his use of color; exhibitions at Garth Clark Gallery and showing internationally; his use of porcelain in the early 1990s; the idea of craft vs. art; the meditative and playful qualities of working with clay; his references to male and female physiology in his work; and his process.
Biographical / Historical:
Ron Nagle (1939- ) is a cermacist of San Francisco, California. Bill Berkson (1939- ) is a poet.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 3 hrs., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Musicians -- California -- San Francisco  Search this
Topic:
Ceramics -- Study and teaching  Search this
Ceramics -- Technique  Search this
Ceramicists -- California -- San Francisco -- Interviews  Search this
Jewelry making  Search this
Beat generation  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.nagle03
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw913c17d68-530f-421b-88cc-f3be55021fe0
EDAN-URL:
ead_collection:sova-aaa-nagle03
Online Media:

Oral history interview with Eugene Pijanowski

Interviewee:
Pijanowski, Eugene, 1938-  Search this
Interviewer:
Fisch, Arline M.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pijanowski, Hiroko Sato, 1942-  Search this
Extent:
92 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 May 13-14
Scope and Contents:
An interview of Eugene Pijanowski conducted 2003 May 13-14, by Arline M. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Honolulu, Hawaii.
Pijanowski speaks of his childhood in suburban Detroit; his experience as a projectionist at the Marine Corp's Camp Pendleton; studying at Wayne State University in Detroit, Oxbow Summer School in Saugatuck, and Cranbrook Academy of Art, in Bloomfield Hills, Michigan, where he met his wife Hiroko Sato; he discusses moving to Japan, where he studied at Geidai and Sophia University in Tokyo, and worked at Renown Clothing; moving back to the U.S.; his teaching positions at San Diego State University, Purdue University, and University of Michigan at Ann Arbor; he comments on his administrative role at University of Michigan; his experience teaching workshops; his research on Japanese metal work, specifically mokume gane and its influence on western metalsmithing; he recalls his Fulbright in Vienna; the exchange between University of Michigan and Seika Art School in Kyoto, Japan; he discusses his studio production; how he is not interested in exhibiting; how objective critiques are missing in the field; nature as a source of inspiration; the east/west theme of his work; he speaks specifically of his series "Gentle Solitude," "Amaryllis," "Maple Seed," and "I am Precious;" the limited value of publications, exhibitions, and organizations; he discuss his relationship with galleries; the importance of teaching; grants, honors, and other accomplishments; and his current projects in Honolulu. In addition to his long professional and personal relationship with Hiroko Sato Pijanowski, Eugene Pijanowski recalls Philip Fike, Richard Thomas, Mr. Hiramatsu, Arline M. Fisch, Bruce Metcalf, Onno Boekhoudt, Inge Asenbaum, Helen Drutt, Hermann Junger, Ian Ferguson, and others.
Biographical / Historical:
Eugene Pijanowski (1938- ) is a metalsmith from Honolulu, Hawaii. Arline M. Fisch is a jeweler.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 4 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Metal-workers -- Hawaii -- Interviews  Search this
Metal-work -- Study and teaching  Search this
Jewelers -- Hawaii -- Interviews  Search this
Jewelry making -- Study and teaching  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.pijanoe03
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93fe2cb89-eb09-4191-ba8c-b6873a787b2d
EDAN-URL:
ead_collection:sova-aaa-pijanoe03
Online Media:

Oral history interview with Boris Bally

Interviewee:
Bally, Boris  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Faculty  Search this
Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Students  Search this
Comedy Central (Firm)  Search this
Massachusetts College of Art -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Snyderman Gallery  Search this
Society of Arts and Crafts (Boston, Mass.)  Search this
Society of North American Goldsmiths  Search this
Tyler School of Art -- Students  Search this
Velvet da Vinci Gallery  Search this
Works Gallery  Search this
Agro, Elisabeth R.  Search this
Ballay, Joe, 1938-  Search this
Bonner, Jonathan, 1947-  Search this
Cianci, Vincent Albert, Jr., 1941-2016  Search this
Dahm, Johanna  Search this
Ebendorf, Robert, 1938-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gialamas, Rosemary, 1962-  Search this
Greenbaum, Toni  Search this
Holt, Steven, 1957-  Search this
Ilse-Neuman, Ursula  Search this
Kangas, Matthew  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Kowal, Dennis  Search this
Kumata, Carol  Search this
Künzli, Otto, 1948-  Search this
Lechtzin, Stanley, 1936-  Search this
Metcalf, Bruce, 1949-  Search this
Nasher, Patsy  Search this
Nasher, Raymond  Search this
Raab, Rosanne  Search this
Schaffner, Alexander  Search this
Simon, Marjorie  Search this
Skov, Mara Holt  Search this
Warhola, Paul  Search this
Wood, Joe, 1954-  Search this
Extent:
4 Sound discs (Sound recording (5 hr., 55 min.), digital)
109 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound discs
Pages
Interviews
Sound recordings
Place:
Haiti -- description and travel
Switzerland -- description and travel
Date:
2009 May 26-27
Scope and Contents:
An interview of Boris Bally conducted 2009 May 26-27, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Bally's home and studio, in Providence, Rhode Island.
The artists speaks of his current studio in Providence, Rhode Island; working without a studio assistant; the benefits of working with studio assistants without an art-school background; apprenticing with Swiss metalsmith Alexander Schaffner when Bally was 19; his own de facto apprenticeship program with his studio assistants; his parents as role models; his vision at age 19 for his career plan; his early interest in CAD; growing up with Swiss-born parents, both with art/design backgrounds; visiting Switzerland as a child; his father's studies with Buckminster Fuller in the late 1950s; his mother's class with L. Brent Kington, whom Bally later studied with; growing up in Pittsburgh, Pennsylvania; his first home metal shop at nine years old; his first formal metal class at about 14 years old; making and selling jewelry throughout his teens; informal apprenticeship with Jeff Whisner; his father's design firm, launched in his last year of high school; summer studying at the Pennsylvania Governor's School for the Arts; year-long apprenticeship in Switzerland; watching Schaffner make and sell a wide variety of objects, which later informed Bally's own perspective; his continuing relationship with Schaffner; undergraduate studies at Tyler School of Art, Philadelphia, Pennsylvania; studying with Daniella Kerner and Vickie Sedman at Tyler; transferring to Carnegie Mellon University, Pittsburgh, Pennsylvania, to study with Carol Kumata; making a "happiness machine"; transition from jewelry to larger sculptures; using found and scavenged materials; meeting Rosemary Gialamas (Roy) and their eventual elopement; moving to the Boston area; work as an industrial design model-maker; the New York art scene of the 1980s; representation with Archetype Gallery, New York, New York; slow but steady artistic recognition and commercial success of his functional objects; Sliding Perfections, flatware; teaching Gialamas metalsmithing and collaborative works by the two; early teaching experience in adult education classes in Cambridge, Massachusetts, then at Massachusetts College of Art, Boston; return to Pittsburgh in 1989, where Bally took a teaching position at Carnegie Mellon in the design department; studio on Bigelow Boulevard; difficulties in his marriage; a commission from the Society of Arts and Crafts, Boston, Massachusetts, and the beginnings of his traffic sign pieces in a collaborative piece with Gialamas; starting his platters series; the dissolution of his marriage to Gialamas in 1993; meeting Lynn, whom he later married; his love of teaching and his teaching philosophy; teaching at Penland School of Crafts, Penland, North Carolina; move to Providence, Rhode Island, to devote his time to studio work; the pros and cons of craft and arts schools versus university settings; the intersection of art, design, and industry: his Humanufactured line of products; functional work in the late '80s, and the influence of a trip to Haiti in the 1980s; bottle cork pieces; Trirod vessels; "More than One: Contemporary Studio Production" exhibition, American Craft Museum, New York, New York, 1992-94; philosophy of making; working in series form; truss pieces; perforation pieces and Vessel with a Silver Heart (1993); armform series; "Jewelries, Epiphanies" exhibition, Artists Foundation Gallery at Cityplace, Boston, Massachusetts, 1990; inclusion in One of a Kind: American Art Jewelry Today, by Susan Grant Lewin. (New York, NY: Harry N. Abrams, 1994); series Dig Wear and Eat Wear bracelets; Calimbo vessel and the Fortunoff prize; gold Tread Wear brooches in the mid-1990s; creating his first chair; moving from hand-made solo work to furniture and a design and production focus; starting to patent his designs in the mid-1990s; further exploration of design and technique in his chairs; "GlassWear: Glass in Contemporary Jewelry," Museum of Arts and Design, New York, New York, 2009; Pistol Chalice and work with the Pittsburgh gun buyback program; traveling exhibition for the project; Gun Totem; Brave necklace; BroadWay armchair; Subway chair; new techniques for graphics on the furniture; his relationship with former scrapyard Paul Warhola, brother to Andy Warhol; commission work, and the importance of commerce in his career and worldview; commission for Comedy Central television network; the changing craft market and the boom times of the 1980s; work with galleries, including: Patina, Santa Fe, New Mexico; Velvet da Vinci, San Francisco, California; Snyderman-Works, Philadelphia, Pennsylvania; Nancy Sachs Gallery, St. Louis, Missouri; the Society of Arts and Crafts, Boston, Massachusetts; seeing one of his pieces used on a set for a daytime television soap opera and in the movie Sex and the City ; the recent "green" (environmentally conscious) trend; blurring boundaries of design and art and craft; growing acceptance of artist-made and -designed multiples; pros and cons of computer technology in art and craft; the pros and cons of the DIY (do-it-yourself) craft movement; influential writers, including Rosanne Raab, Marjorie Simon, Steven Skov Holt and Mara Holt Skov, Bruce Metcalf, Toni Greenbaum, Matthew Kangas, Gail Brown; his involvement in the Society of North American Goldsmiths; making metal benches for his children. He also recalls Heather Guidero, Julian Jetten, Pam Moloughney, Dennis Kowal, Ursula Ilse-Neuman, Bob Ebendorf, Jason Spencer, Rob Brandegee and Ava DeMarco, Stefan Gougherty, Flo Delgado, L. Brent Kington, Curtis Aric, Ralph Düby, Steve Korpa, Joe Wood, Joe Ballay, Yves Thomann, Andy Caderas, James Thurman, Nicholas (Nico) Bally, Elena Gialamas, James Gialamas, Elvira Peake, Ronald McNeish, Johanna Dahm, Jerry Bennet, Kathleen Mulcahy, Nelson Maniscalco, Tom Mann, Otto Künzli, Stanley Lechtzin, Christopher Shellhammer, David Tisdale, Dean Powell, Daniel Carner, Donald Brecker, Robert Schroeder Phil Carrizzi, Lucy Stewart, Elisabeth Agro, Rachel Layton, Sarah Nichols, Peter Nassoit, Dan Niebels, Mary Carothers, Ward Wallau, Ivan Barnett and Alison Buchsbaum, Jonathan Bonner, Raymond and Patsy Nasher, Beth Gerstein, George Summers Jr., Pavel Opocensky, Buddy Cianci, David Cicilline.
Biographical / Historical:
Boris Bally (1961- ) is a metalsmith and designer who lives and works in Providence, Rhode Island. Bally was educated at Carnegie Mellon University and Tyler School of Art.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 5 hr., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors  Search this
Topic:
Art -- New York (State) -- New York  Search this
Art and computers  Search this
Decorative arts  Search this
Designers -- Rhode Island -- Interviews  Search this
Furniture making  Search this
Jewelry making  Search this
Metal-work -- Study and teaching  Search this
Metal-workers -- Rhode Island -- Interviews  Search this
Models and modelmaking  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bally09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9254c25f1-255e-47a7-b4db-21ae1609db8f
EDAN-URL:
ead_collection:sova-aaa-bally09
Online Media:

Oral history interview with Carlyle H. Smith

Interviewee:
Smith, Carlyle H., 1912-2004  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Rhode Island School of Design  Search this
University of Kansas -- Faculty  Search this
Bennett, William E.  Search this
Rose, Augustus F. (Augustus Foster), 1873-1946  Search this
Extent:
2 Items (sound cassettes (1 hr., 46 min.), analog.)
59 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1994 August 8
Scope and Contents:
An interview with Carlyle H. Smith conducted 1994 August 8, by Robert F. Brown, for the Archives of American Art.
Smith discusses his childhood in Torrington, Connecticut, his early interest in jewelry design, education at the Rhode Island School of Design in jewelry making and silversmithing, and teaching at the Rhode Island College of Education. He recalls working in the metal craft shop of Augustus Rose on jewelry design and repair, and studying with English master silversmith, William Bennett, at his workshop in 1947. Smith speaks of teaching metal arts in the Providence, R.I., public schools and setting up the first American university-level metal arts curriculum at the University of Kansas, 1947-1977. He describes his liberal approach to teaching by setting general assignments and working alongside students. He comments on his work, 1930-1993.
Biographical / Historical:
Carlyle H. Smith (1912-2004) was a metal worker, jewelry designer, silversmith, and educator of Providence, R.I. and Lawrence, Kansas
General:
Originally recorded 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 46 min.
Accompanied by 14 illustrations (7 slides and 7 photocopies).
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
Topic:
Art metal-work -- Study and teaching  Search this
Jewelry making  Search this
Silverwork  Search this
Jewelry makers -- United States -- Interviews  Search this
Metal-workers -- United States -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.smith94
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw961f70e7c-73aa-4789-bfc0-758559481794
EDAN-URL:
ead_collection:sova-aaa-smith94
Online Media:

Oral history interview with Richard Reinhardt

Interviewee:
Reinhardt, Richard H., 1921-  Search this
Interviewer:
Pacini, Marina  Search this
Names:
Handy & Harman (Firm)  Search this
Philadelphia Museum of Art. School of Industrial Art  Search this
Cute, Virginia  Search this
Fleming, Erik, Baron  Search this
Withers, Margret Craver, 1907-  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1991 Aug. 22
Scope and Contents:
An interview of Richard Reinhardt conducted 1991 Aug. 22, by Marina Pacini, for the Archives of American Art Philadelphia Project.
Reinhardt discusses Virginia Cute and her classes in jewelry making at the Pennsylvania Museum School of Industrial Art in the 1940's; Margret Craver Withers and the late 1940's Handy & Harman workshops where Baron Erik Fleming taught new silversmithing techniques; exhibition of work produced during the 1948 workshop at the Metropolitan Museum of Art in that year; changes in the Pennsylvania Museum School over the years; and crafts in Philadelphia.
Biographical / Historical:
Richard Reinhardt (1921-1998) was a jewelry maker, industrial designer, furniture maker, and educator from Philadelphia, Pa.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Jewelry making -- Pennsylvania -- Philadelphia  Search this
Silverwork -- Technique  Search this
Silversmiths -- Pennsylvania -- Philadelphia -- Interviews  Search this
Art -- Study and teaching -- Pennsylvania -- Philadelphia  Search this
Handicraft -- Pennsylvania -- Philadelphia -- Pennsylvania  Search this
Jewelry makers -- Pennsylvania -- Philadelphia -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.reinha91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92f836ccc-716c-4115-9815-844882b73c1c
EDAN-URL:
ead_collection:sova-aaa-reinha91
Online Media:

Oral history interview with Richard Reinhardt, 1991 Aug. 22

Interviewee:
Reinhardt, Richard H., 1921-1998  Search this
Reinhardt, Richard H., 1921-1998  Search this
Interviewer:
Pacini, Marina  Search this
Subject:
Cute, Virginia  Search this
Withers, Margret Craver  Search this
Fleming, Erik, Baron  Search this
Philadelphia Museum of Art. School of Industrial Art  Search this
Handy & Harman (Firm)  Search this
Type:
Interviews
Sound recordings
Topic:
Jewelry making -- Pennsylvania -- Philadelphia  Search this
Silverwork -- Technique  Search this
Silversmiths -- Pennsylvania -- Philadelphia -- Interviews  Search this
Art -- Study and teaching -- Pennsylvania -- Philadelphia  Search this
Handicraft -- Pennsylvania -- Philadelphia -- Pennsylvania  Search this
Jewelry makers -- Pennsylvania -- Philadelphia -- Interviews  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12359
(DSI-AAA_SIRISBib)214621
AAA_collcode_reinha91
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214621

Oral history interview with Carlyle H. Smith, 1994 August 8

Interviewee:
Smith, Carlyle H., 1912-2004  Search this
Smith, Carlyle H., 1912-2004  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Bennett, William E.  Search this
Rose, Augustus F. (Augustus Foster)  Search this
Rhode Island School of Design  Search this
University of Kansas  Search this
Type:
Sound recordings
Interviews
Topic:
Art metal-work -- Study and teaching  Search this
Jewelry making  Search this
Silverwork  Search this
Jewelry makers -- United States -- Interviews  Search this
Metal-workers -- United States -- Interviews  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13056
(DSI-AAA_SIRISBib)215740
AAA_collcode_smith94
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215740
Online Media:

Oral history interview with Mary Ann Scherr, 2001 April 6-7

Interviewee:
Scherr, Mary Ann, 1931-2016  Search this
Scherr, Mary Ann, 1931-2016  Search this
Interviewer:
Douglas, Mary F., 1956-  Search this
Subject:
Parsons School of Design  Search this
Kent State University  Search this
Penland School of Handicrafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Jewelry -- Design  Search this
Metal-work -- Technique  Search this
Art -- Philosophy  Search this
Industrial design  Search this
Women artists  Search this
Decorative arts  Search this
Women jewelers  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12648
(DSI-AAA_SIRISBib)227010
AAA_collcode_scherr01
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_227010
Online Media:

Oral history interview with Arline M. Fisch, 2001 July 29-30

Interviewee:
Fisch, Arline M.  Search this
Fisch, Arline M.  Search this
Interviewer:
Church, Sharon, 1948-  Search this
Subject:
Adamson, Glenn  Search this
Haystack Mountain School of Crafts  Search this
Wheaton College (Ill.)  Search this
Skidmore College  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Art and religion  Search this
Decorative arts  Search this
Knitting  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Women artists  Search this
Women educators  Search this
Women textile artists  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12589
(DSI-AAA_SIRISBib)227425
AAA_collcode_fisch01
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_227425
Online Media:

Oral history interview with Eugene and Hiroko Sato Pijanowski, 2003 May 15-16

Interviewee:
Pijanowski, Eugene, 1938-  Search this
Pijanowski, Eugene, 1938-  Search this
Interviewer:
Pijanowski, Hiroko Sato, 1942-  Search this
Subject:
Fisch, Arline M  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Decorative arts  Search this
Jewelry making -- Study and teaching  Search this
Metal-work -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American metal-workers  Search this
Jewelers -- Hawaii -- Interviews  Search this
Metal-workers -- Hawaii -- Interviews  Search this
Japanese American women -- Interviews  Search this
Women artists  Search this
Theme:
Craft  Search this
Asian American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12728
(DSI-AAA_SIRISBib)240382
AAA_collcode_pijanoeh03
Theme:
Craft
Asian American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_240382
Online Media:

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